Himesh Patel

6 Jul 2026 · 52 min · 20 chapters

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In short

Conversation with actor Himesh Patel about his career arc (from British soap EastEnders to film/TV), pop-culture influences, and working on major projects. They discuss his audition experiences (Danny Boyle, Christopher Nolan), making Station Eleven during the real COVID-19 pandemic, and filming Tenet’s inversion concept. They also preview his current work: Enola Holmes 3 (as Dr. Watson), The Odyssey, and a pilot for Ryan Coogler’s X-Files.

Guest backgrounds

Himesh Patel is a British actor and dad/husband. He spent nine years on EastEnders. He later starred in Station Eleven and appeared in Danny Boyle’s Yesterday (film debut). He joined Christopher Nolan’s Tenet and is now in Netflix’s Enola Holmes 3. He also shot an X-Files pilot with Ryan Coogler and Danielle Deadwyler.

Key claims

He says he aimed to improve daily rather than chase fame; leaving EastEnders was “scary” but worked out. He praises Nolan’s “precision” with room for actor play, and describes Station Eleven’s pandemic production shift. He calls Tenet “underrated” and says the inversion affects his brain more than CGI.

Notable examples

EastEnders training schedule (overlapping blocks); early validation via a school version of This Is Your Life; pop influences like Aladdin, Lion King, Toy Story, Space Jam, Jurassic Park, Bollywood; Tenet audition involved Ocean’s Eleven dummy sides; Station Eleven shot Jan–Feb 2020 then resumed in Toronto during lockdown; filming in Iceland at 2 a.m. in twilight.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Interview with Himesh Patel

0:01 to 0:22

The host discusses Patel's career journey, achievements, and personal insights.

“Earn four times membership rewards points in your top two eligible spending categories every month, including eligible U.S.”

Interview with Himesh Patel

1:28 to 1:55

The host discusses Patel's career journey, achievements, and personal insights.

“And this summer is great evidence of that.”

Interview with Himesh Patel

1:57 to 4:07

The host discusses Patel's career journey, achievements, and personal insights.

“I won't hold it against you if you don't sign up.”

Himesh Patel's Background and Early Influences

4:07 to 6:00

Patel shares his childhood experiences, family support, and early acting moments.

“This is your place, This is where I live.”

Navigating the Acting Industry

6:00 to 7:46

Patel reflects on his career trajectory and the challenges he faced as an actor.

“And right now, you know, I joke, but we're at the Enola Holmes 3 junket making some time for me and happy second views.”

Cultural Representation and Early Roles

7:46 to 9:50

Patel discusses the representation of South Asian actors and his early roles in the UK.

“And so whatever's been guiding me thus far has done me well.”

Understanding EastEnders for American Audiences

9:50 to 14:01

Patel explains the cultural significance of EastEnders in the UK compared to American shows.

“I think it was pretty much always on the cards.”

Life After EastEnders: Fame and Anonymity

14:01 to 20:07

Himesh Patel shares his experiences transitioning from EastEnders and the unique type of fame it brought.

“there wasn't really a path necessarily of, okay, I can...”

Cultural Influences: Films and TV

21:03 to 28:01

Himesh discusses his early influences from British pop culture, cinema, and music.

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Himesh Patel's Journey in Acting

28:01 to 29:20

Explore Himesh Patel's experiences transitioning from EastEnders to Broadway.

“And I think I've leaned very heavily on that 50 % luck side of it because things just sort of lined up in a really nice way.”
Show all 20 chapters

Auditioning for Yesterday

29:21 to 31:39

Himesh shares his audition experience for the film 'Yesterday' and working with Danny Boyle.

“So yesterday, I mean, we all love Danny Boyle for a thousand reasons.”

Creating Station Eleven During a Pandemic

31:40 to 33:19

Himesh discusses filming 'Station Eleven' amidst the onset of the COVID-19 pandemic.

“Has there been a similarly surreal moment in the years since walking into an audition room?”

The Gift of a Role in Widow's Bay

33:20 to 34:26

Himesh reflects on the meaningful role he played in 'Widow's Bay' and its impact.

“but the material hero who is now doing Widow's Bay, which I'm also obsessed with.”

The Audition for Tenet

34:27 to 35:39

Himesh recounts his audition process for Christopher Nolan's film 'Tenet'.

“And I got a call from my agent saying, and it was one of those where I knew, They obviously announced that Christopher Nolan is making a new movie and whatever.”

Working on Tenet: A Unique Experience

35:40 to 37:32

Discussion on the collaborative environment and challenges faced while filming 'Tenet'.

“Genuinely, like, one of my favorite filmmakers, probably one of the most influential filmmakers of my generation specifically.”

Reflections on Tenet's Ambitions

38:02 to 42:00

Himesh and the host discuss the ambitious nature of Christopher Nolan's filmmaking.

“He just wants to keep pushing it and keep pushing it.”

Working with Millie Bobby Brown

42:00 to 45:32

Hear Himesh Patel discuss his experience working with Millie Bobby Brown on set.

“Like, love that as big as it is, it feels pretty intimate, I know.”

The Significance of The X-Files

45:32 to 46:59

Explore Himesh Patel's thoughts on the responsibility of reimagining The X-Files.

“And I'm really excited that we did because I think it's really special.”

Belief in the Supernatural

46:59 to 48:57

Delve into Himesh's views on belief and skepticism regarding the supernatural.

“In 2026, when truth is under fire, what does truth even mean?”

Rapid Fire Questions

48:57 to 52:20

Enjoy a light-hearted segment where Himesh answers quirky rapid-fire questions.

“Um I Guess currently cameras maybe you know that I have that many but I do yeah and that the Tritus of your children that's also and that yeah and that favorite video game of all time Spider-man 2 the Tobey Maguire one.”
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Transcript

Automatic transcript. May contain errors.

0:00Membership means more with American Express Business Gold. Earn four times membership rewards points in your top two eligible spending categories every month, including eligible U.S. advertising purchases and select media, and U.S. purchases at restaurants, including takeout and delivery. What are you waiting for? Get the card that flexes with your spending every month. Terms and points cap apply. Learn more at americanexpress.com slash business dash gold. Amex Business Gold Card. Built for business by American Express. Does anyone actually really understand what happened in Tenet? Probably what didn't happen was I think Rob himself went, I don't really know.

0:36I don't think I understand the movie. Which I think I believe. Like, I don't know. I completely believe it, by the way. Yeah, I completely believe it. So when you're doing scenes with Rob, did he ever say out loud in your presence? No. No, he kept it to himself. No, no, no, yeah. But I think, I mean, there is a story that at one point he turned to John David and went, am I dead? Or, you know. You just need a basic ass. Prepare your ears, humans. Happy, Sad, Confused begins.

1:28number of years. He is killing it. And this summer is great evidence of that. He's got the one-two punch of Enola Holmes 3 on Netflix and the biggest movie summer year, maybe, arguably, The Odyssey. So this is a great chat. Very thrilled to have him on the podcast at last. Before we get to Chimesh, remember, give our Patreon a try if you haven't already. Check it out because you get all the early access to every single episode. You get discount codes, You get access to our live events, autographed merch, all sorts of fun stuff. Patreon.com slash happy, sad, confused. Just check it out. See if there's something there for you.

2:05I won't hold it against you if you don't sign up. But if you do, there's bang for your buck. I promise you. Main event today is Himesh Patel. This was one that's been long in the making. He's been, as I said, on my radar for quite a bit. How could he not be coming off of eSenders, which admittedly is a blind spot for me and most Americans, but was a huge part of his career, nine years on that iconic British show. But then what he's done in the last six, seven years, really astounding. Yesterday was essentially his film debut, center stage of that one, big hit, Danny Boyle, of course, and then following it up with things like Station Eleven, which is maybe, I don't know if it's underrated.

2:49I think people acknowledge what an accomplishment that one was, but might have also been a victim of the pandemic. If you haven't seen Station Eleven, highly, highly recommend. One of the great shows in recent memory. But he, of course, joined the Christopher Nolan fold in Tenet. We talk about that. He's back in the Odyssey and Enola Holmes 3 as Dr. Watson, another iconic role. I had a busy Enola Holmes few days because I had the opportunity to chat with Millie Bobby Brown, which by now you guys probably have seen if you haven't already really great episode I will say a live event we did with her at the 92nd Street Y if you haven't checked it out check it out in the archives a really good one and then followed it up with this I um we weren't able to get him to my usual studio but I made the the trip to the plaza in New York to sit down with him at the junket carved out our usual big chunk of time so I appreciate him and the Netflix folks and his reps for making it work.

3:47And I'm so glad it did because just a soft-spoken, serious, but also clearly has a great sense of humor and above all else, a hugely talented actor. So thrilled it finally happened. Himesh Patel, for your eyes and ears today. Without any further ado, enjoy. Himesh, should we do this? Let's do it. We're here. There are cameras. Thank you for inviting me to your home. This is your place, This is where I live. Yeah. This is how I imagine every London flat to be. So it looks exactly like this. There's a few, but not many. If I invaded your home, is there more evidence of you being an actor or are you being a dad in your home?

4:32Dad. Yeah, yeah. I figure. Yeah, definitely. Yeah. Yeah. Just detritus. Wow, you're blaming it on your children. No, no, no. We know it's all you. They can't tidy it up. You know, but yeah. Yeah. Are you one to keep souvenirs or any like mementos? I'm way too sentimental actually. Really? Yeah, yeah. What do you got? Just every like trinkets and stuff and you know, there's a little rock. It's like some rock or something that my kid found maybe when we were in India and I still have it in my bag. This is lovely. And I keep finding it and going, I was probably going to get rid of this but I don't.

5:10Well, at least it's not taking up a large amount of space. No. Small rocks you can do. Yeah, yeah. Just trying to, you know. But I do. I keep a lot of scripts from there. I've got like tubs full of old scripts and stuff. I'm not sure what I'm going to do with those. It marks a time. It does. Yeah, yeah. And do you, I'm curious. I sometimes ask actors this. I'm curious like what their scripts actually look like. Like are yours like filled in the margin with notes or is it pretty spare? They're quite spare actually. But I'm getting better at actually being a bit more sort of academic about it and writing things down rather than just trusting that I'll remember them in some sort of internal way.

5:51Yeah. But yeah. Yeah. I'm talking to you at a very cool moment. So I mean, I've been on my radar for quite a while. Congratulations on all the success. Thank you. Thanks. And right now, you know, I joke, but we're at the Enola Holmes 3 junket making some time for me and happy second views. I appreciate it. I'm also going to see you next week for the Odyssey. Great. So we better get along today. Yeah, yeah. Otherwise it's going to be real good. Yeah, yeah, yeah. But I mean, look, those are two great accomplishments. Obviously, massive entertainments in their own right. You're also, I think, shooting or just shot maybe X-Files, which we can tease a little bit, which is, can't be more excited about that.

6:26You and Ryan Coogler. Just give me a little sense of like, do you take a moment to kind of like assess where you're at? 35 years old, a dad, a husband, but also where you are at in your career? I can barely fathom it, in all honesty. It's kind of beyond my wildest dreams. So I am very thankful for it. And I'm trying to be better at living in the moment. I was saying earlier, this week in and of itself, probably the next 10 days or so, is going to be a real whirlwind. Yeah. This is the unusual. Yeah. Yeah, it is. But I don't want to take it for granted. I don't want to wish it away. Maybe I've been a bit guilty of doing that before.

7:10So it's just sort of just soaking it in and maybe allowing a little pat on the back every now and then. But it's not very British to do that. We'll allow it. In this circumstance, we will. But I mean, are you a goal-driven kind of an actor? Do you set markers for yourself? And what do those look like? I don't think previously I've set like you know specific markers yeah but I I certainly maybe more recently have come to terms with the fact that you know yes I do have ambition I have things that I would like to do but what's happened is they just sort of ended up happening uh you know now I think that's maybe a lot to do with I've maybe got a good team behind me who just got to understand me and what's gonna get me going and so they've they've found me that stuff but it's also So I guess you have a sort of sense of what gets you going.

8:02And so whatever's been guiding me thus far has done me well. And I certainly want to maybe take the bull by the horns a little bit and go, okay, what can we achieve while we're up here? Yeah, you know, what can, how can we continue to steer X, Y, Z conversation, you know, that sort of thing. So, yeah, there's plenty that I want to achieve. And I just, I want to do it in the best way possible. Well, there is that always that transition point for many actors I talk to, which is like a fascinating one, because it's that period of time from like just taking a job, because God knows any actor just wants a job.

8:45Of course. It's hard out there to the luxury of choice. Yes. And it is a luxury, yeah. And also the strange thing you have to wrap your brain around where you have the opportunity to say no to things, which is also like a crazy thing, because I would imagine now you say no to things that five years ago, 10 years ago, would have been unfathomable. Yes, absolutely. Yeah, yeah. It is a real luxury, and it's scary to say no. It's scary to say no, because you're just kind of going, is this a horrific mistake I'm making? But as I say, I think so far it's worked out well. From the outside looking in, yes.

9:24Yeah, yeah. I can be a non-partial arbiter of this. But I think it's also, you know, your priorities in life will shift. As you say, I'm a parent now, so that shifts certain things. But yeah, so far it's all generally balancing out pretty well. So if I talk to friends and family that knew you growing up, Are they surprised at the trajectory of like that you're in the arts, let alone so successful? Like was this always in the cards, you think? I think it was pretty much always on the cards. Not that anyone went, yeah, of course he was always going to get to do the kind of things that I've gotten to do.

10:01But I always enjoyed it. I always loved it from a young age. And I was encouraged. My parents really encouraged me to go to youth theater to begin with and then to audition. And so they were behind me all the way. And I've got wonderful friends in my life who don't allow me to leave terra firma. They very much make sure that I'm grounded. And what was, when you think back, was there early formative moments of validation that really kind of kept you going? even as a kid where someone said, yeah, stick with this. You've got something. The first time that happened, I did. There's a show in the UK called This Is Your Life, if you know about this show.

10:52And they did it. There was a version of it that would be done in schools around the country called This Is Your Life, Santa Claus. OK. And I played Michael Askel, who was the host of this show in the UK. And obviously, you're playing a version of him for this sort of Christmas show at school and and I did that and apparently as my mum tells me that the teacher said that you know he's got a certain aptitude for this and you know maybe sign him up to the local youth theatre which she did and then you know I had a great time at the local youth theatre they were really encouraging the key youth theatre in Peterborough at the time and and and they really nurtured me and then I I joined another youth theater in Cambridge in the UK called the Young Actors Company.

11:38And they... I did a screen sort of Sunday Screen Academy thing with them. And that was my first introduction to cameras and how cameras work and how you shoot things and that sort of thing, which couldn't have come out in one opportune time because then a year later I got my break in the UK on EastEnders. And so there were just sort of, I felt really well nurtured along the way. I was very lucky that those infrastructures existed around where I grew up. And very lucky that my parents were very encouraging of it and supportive. And so those were, rather than necessarily any particular validations of talent, it was more just the continued support that I had from various contexts.

12:28And did you see a path even then, before EastEnders, I'm even saying? Did you see people that looked like you on screen that said, yeah, that could be me? There were a few. I mean, I'd say probably not long before I got EastEnders was when Dev appeared on Skins. Sure. And that was a big thing. And actually around the same time, Riz was doing, he did a show called Brits. Okay. Which, he doesn't know this actually. I don't know if we've ever spoken about it. I did a day's extras. I was an extra on that show for a day, which I don't know if he knows that. This is the source of the friction because you were just on the outside while big time riz.

13:09And that's why we hate each other. I have to say, just like off topic for a second. Yeah. One of the most enjoyable things I've watched the last week was you guys at South By. Oh, yeah, yeah. That was great. Promoting. Bait. Yeah. Yeah. The deadpan, the commitment to the bit. It was great. Yeah. It was a lot of fun. No, so, you know, they were appearing and, but there was a whole generation of actors before, almost all of whom I've had the privilege of working with since, South Asian actors who I saw on TV. But it was rare to see anyone in a prominent position or a leading position or anything.

13:48And so, yeah, I felt very, the path wasn't that clear. Right. I just wanted to try and then see where that led. And then same thing, even when I left EastEnders after nine years, there wasn't really a path necessarily of, okay, I can... This is what XYZ has done. There's so few exact... I had a little bit. You know, my mate Ben Hardy had just left. And, you know, he... I remember he left and then a week later they were like, he's going to be an X-Men. I'm like, oh, that sounds good. I was like, what? Who does that? But there was no one I that I knew who'd been on a soap for nine years Right and then got to be in in things like that So contextualize this for the dumb Americans like me because like I know of EastEnders.

14:39Yes I've not to be honest watched an iota no, I apologize. This is not part of our cultural fabric What is the comp? I mean is it daytime soaps here like the night type like is it like what's the It's somewhere in between those things, I think. From what I've learned about US soaps, it's a very different thing. But it's somewhere between that and a sort of gritty drama, really. And the volume of work? Because you're there for nine years. Like, how are you - You're shooting - a block is four episodes of half an hour TV. And that takes two weeks to shoot, and they're sort of overlapping blocks. So then you can have one week where you in the morning are shooting one block and then in the afternoon you go back in time to the next block.

15:32Sure. And you have to remember where you are and what your character is doing at any given point. So it's a great training ground. It must be. It's just you're putting in the reps, you're putting in the hours. Yeah, exactly. It really, you know, you drill a lot of things. And also I was very, again, when you talk about being nurtured, You know, they really believed in me and and pushed me in many ways as an actor You know, they wrote things for my character to do that Didn't necessarily pigeonhole me and and so I got to try my hand at various different things and And that really stood me in good stead.

16:06I think how did you handle? I mean, I would imagine being a prominent part of that show Especially back in the UK that changes your life like in terms of like walking the streets like how did you handle it did to some extent it did to some extent for the first five years i was still living at home with my parents in my little village right so there it didn't really change a whole lot because there's a bit of a novelty for a bit and then then the villagers are just like well you're just a kid from the shop still like you're not you know you know you're not all that yeah exactly especially when i was still delivering newspapers for my parents for those five years.

16:45Keep them in check, yeah. Yeah. Like it doesn't really. And then, you know, I moved to London. People kind of, they see people around all the time, to be honest. It is a very different type of fame, though. It's a different type of fame. Because people don't necessarily know you. They know the character. Yeah, you're in their living room. Yes. You're with them a lot. Yeah. So it's not like anyone knows who Himesh is, that they know the character and the show. And so it's a very strange, specific type of fame. But I think there's a very sort of thin line I found between being on a soap in the UK and being a celebrity, being someone who does that sort of thing.

17:35And if that's what you want to do, that's great. There's a lot of people who've had great success through doing that, and that's wonderful. But it was never my aim. The actors that I had the privilege of working with on that show, they were about the work. They were really about making the work the most important thing, making it the best it can be, and that's how you grow as an actor. And that was my main aim. My main aim was to get better every day as an actor. So I made sure that I had no real interest in fame. You know, it wasn't really a, I really value being able to just walk down the street with a relative sense of anonymity and live your life, you know.

18:14And I'm very lucky I can still do that really, you know. So I, it doesn't, I don't, I don't really, I don't want much more besides that. Yeah, you're kind of in that sweet spot I would imagine where you get like a nice, I'm sure there are some nice nods and some nice recognition. Yeah, of course there are. But it's usually just people just sort of being really nice, just coming up and saying, you know, I liked you in XYZ and that's lovely. Gives you a little boost and on with your day. And then you get on with your day. You continue to walk around. We'll be right back with more Happy, Sad, Confused.

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21:10I want to come to kind of the exit out of these centers, but I want to backtrack also because I'd love to get more of a sense of like your sensibilities of like as a consumer of pop culture the entertainment film and tv most curious like you know obviously the films that made an impact the tv that made an impact the actors that early on really were resident to you um what comes to mind when i say stuff like that i mean early early on there was there was a real sort of uh a rich tapestry of things in the home i grew up in yeah because i had all the pop culture that was that was there as being a young, a sort of British household.

21:50So you have everything that's coming through the TV. You have all the sort of Disney movies. I mean, Aladdin was a huge one for me. The Lion King, those were huge. They had a big impact on me. Toy Story, all those sorts of, you know, Space Jam. That was a big moment. I loved Space Jam. You know, Jurassic Park, all those sorts of classic movies that we all grew up watching on both sides of the pond. But then I had a whole other context of Indian cinema or Bollywood. And that was huge for me. That was really a huge part of my childhood. Because I think it was probably a lot to do with, oh, there's someone that looks like me on a screen.

22:32The center of the frame. Yeah, exactly. and a whole context of music and a culture that I understood in that way. So that was a huge thing. And then, you know, as you grow into your teenagers, you sort of music was a huge thing for me. You know, growing up in the noughties, there was the big sort of indie move in the UK with, you know, some great bands probably spearheaded by like Arctic Monkeys amongst many others. And what about like, you know, when you think of like the quintessential, you know, British TV film, like I know you have some, you've had some connection with Doctor Who over the years.

23:14Was Doctor Who big in your house? It was, yeah. Doctor Who was big, yeah. When it came back, it was rebooted. That was a big one. Who was your Doctor? Who was the - As in my favorite? Well, who was the one like when you think of Doctor Who, like peak Doctor Who for you. I mean, it's got to be David Tennant really. I mean, it was really, you know, I love Christopher Uckleston. And then like, but there was that, it was a really special time just in the year. It felt like everyone was watching Dog 2. Yeah. As opposed to it being a sort of niche sci-fi kids show. It was like everyone was just watching it.

23:44Yeah. So that was, you know, that was a big, big thing in our household. James Bond, Harry Potter. Bond, Potter was big. Yeah, I remember my dad taking me to see Casino Royale. It was the first Bond movie I saw in the cinema. That's a good one. That was like, because then I'd seen Bond movies on TV. Yeah, there was something visceral, that black and white sequence at the beginning. Oh my gosh. Come on. I mean, he just rewrote the rule book. And when I say he, I mean, it was Martin Campbell, right? He directed that. But there was something in his eyes, man. I always go like, you're going to reboot Bond and you go, let me, okay, let me just drown a guy in the sink and then shoot the other guy.

24:26Totally. They announced themselves. And we're offs. They did. It was just like, okay, then I guess we're not doing any subtle winks to the audience here. It's just like - No Roger Moore this time. Yeah. And what a great movie it was. So, yeah. What's your place in the Bond universe going forward? Whether you're Bond or a Bond villain. Oh, gosh. I just want to see them do it really well, you know? And what a huge opportunity. I mean, she was just like, how can you get it wrong? And so let's see what happens. but I'm really excited to find out who's going to play Bond. It's like we're getting closer.

25:02Yeah, that's what I was reading. And then, yeah, let's see what story they choose to tell. I heard you were a big Lord of the Rings guy. I was a big Lord of the Rings guy, yeah. Books, films, both? The films led me to the book. And then I had this, like, it was the whole unabridged version with everything and then the appendices and all of that. And, you know, I got into all of it. And I also got into, you know, the games workshop. Does that mean anything to you in the US? I don't actually know. You know what Warhammer is? Yes, yes. Okay, so I never got into Warhammer. That was there. But they did a whole Lord of the Rings version of it.

25:36Okay. Like this tabletop game of these. I never cared about the game. I never cared about that. But I was really into painting. Like there was just something sort of meditative about. Have you talked to Sherlock about this? No. No. We don't really get so much time together. I know. You know he's like the biggest Warhammer. Yes, I've heard. Yeah, yeah. He's trying to get a movie, isn't he? He's trying to make a movie of it. Yeah. He's legit. He's like. Yes. Yeah. So, you know, Lord of the Rings was massive for me. I mean, you know. And, of course, I'm looking forward to seeing what they do. But I just, I don't see how you.

26:09How do you top? It's a fact of the hollow. Andy knows the world. He's a, yeah. And having met him a few times now, I mean, what a lovely, lovely guy. Have you done performance capture yet? I would love to. Yeah. I would love to. Some actors let me to be like, not for me, I can't. But that sounds intriguing to you. I remember taking my dad to see the second Planet of the Apes movie that he did. Matt Reeves directed that one, yeah. The Matt Reeves ones are - I'd seen the first one with James Franco and I thought it was fun. And then I was like, I was going to take my dad to the cinema and take him to see Planet of the Apes movie and then the second one, that would be fun.

26:43Came out of it having like an existential crisis about why we'll never be a utopian society and that we were going to just like kill each other eventually. I just wanted to watch a movie about talking apes. I don't know what happened, but I'm basically having some sort of existential crisis. The power of cinema. So I mean, I thought it was amazing, you know, what you can do with that technology. That really brought it home for me. And yeah, I'd love to try something like that. Yeah. Okay. So coming out of these tenders, you kind of alluded to this, like, yes, Ben Hardy accepted. Like, did you feel there was a path that like, oh, oh, crap, this is going to like, I don't know.

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27:21I've had security for nine years. That is a luxury. And now there's opportunity, but it's also scary out there. Like, what were you feeling coming out of EastEnders? It was scary. Yeah. You know, I'd taken a leap of faith, you know, because I decided that I wanted to leave. And I had no promise of anything because you also, you can't really audition for anything while you're on the show. Right. They have to know that you've left and that you definitely have left so that they're not going to have any issues. But, you know, I think I talked about this recently, but at some point I heard Brian Cranston say, maybe on your podcast, but I heard him say something about acting being, you know, having a career as an actor being 50 % hard work, 50 % luck.

28:01Yeah. And I think I've leaned very heavily on that 50 % luck side of it because things just sort of lined up in a really nice way. You know, I hadn't long left EastEnders when I got a role on a Channel 4 comedy show called Damned. Right. That was almost immediate. and then off between then I did that and then I went to the Edinburgh Fringe and did a play with my friend where I played a pigeon which was a lot of fun and I had the best summer of my life and then you know towards the end of that year I got a role on a in a western show with David Tennant and directed by Patrick Marlborough that gave me a whole world of experience and then I did that while doing a second series of Damned and then I went came here to New York to do a play a wonderful play, Good People, Places and Things with Denise Gough, who's a fantastic actress.

28:48Oh, sure. And that was an amazing experience because it was a very hot play in London. And then I joined the cast for this New York run. We had like everyone coming to watch it, you know, because it was - Not that it's being the hot play in New York. Oh, man. There was, I was a part of the ensemble. I had like a one specific line in a specific sequence. And then we had the interval. And I remember one time during the interval, someone was like, did you see? I was like, what? Pacino's in the audience. So I'm like, I'm glad I just found that out. Because if I knew that at the beginning of the play, I don't know what I would have done.

29:16How am I doing, Mr. Pacino? Yeah, exactly. So that was a great experience. And it was during that play that I got the email about taping for what would eventually become yesterday. So yesterday, I mean, we all love Danny Boyle for a thousand reasons. There's the body of work. There's also the man. I mean, I'm obsessed with him. Yeah, he's a wonderful human being. Like the most energetic, enthusiastic person. Yes. I mean, to have his, again, validation, to have him at your back, that must mean the world to a young actor at that pivotal moment. It was a huge, you know, I'd say if we're talking about something like, yeah, validation or just a sense that, oh, maybe this is the opportunity.

30:06Yeah. And I couldn't put my pressure on that, my pressure on myself when the audition came in. Because the audition is just an audition. And, you know, it's like, I'm glad that I got to audition. Yeah. I sent this tape while I was in New York. And then I heard back that they wanted me to audition in person with Danny and with Richard Curtis. And I was like, how amazing, how exciting. I don't think I've got a chance in hell of getting this role but I'm just going to enjoy myself and so I finished the play, came back home and I just walked into the audition room I was like I get to play a couple of Beatles songs and do a couple of scenes with these guys what a privilege of a lifetime that's going to be and just enjoy that don't have any sense of what's going to come after just enjoy it and that's kind of what I did And I think actually, you know, that's why it was such an enjoyable experience.

31:06And there was something there that Danny saw. Yeah. Well, I mean, I often talk to actors about kind of like achieving that kind of flow state, that relaxation. It sounds like that's like what you did going to that audition room. Yeah, I tried yourself to. I guess because it was like, at that point, like was kind of the most absurd room I'd ever walked into. Right. Not just Danny Boyle, but Richard Curtis, like both of them just in the room. And they were like, please sing us two Beatles songs. Right. It's like where upon where? It's just like, what? Anything else? Is Mickey Mouse going to walk in?

31:34Yeah, exactly. There's no point in me trying to like amp this into anything else. It just is fun. Has there been a similarly surreal moment in the years since walking into an audition room? Just endless. And walking into an audition room. Whether you got it or not, like just from an experience stage, like, oh, I just had that moment with this filmmaker I admire, this actor I admire. Man. it's been more like to be honest i've been lucky of being on set with people yeah and kind of going the no one experiences the what am i doing here this is crazy you know before we move into nola and the work with chris nolan i do want to mention station 11 which oh thanks man yeah yeah obsessed yeah i'm really proud of that one i'm really really proud of that show and um We made it during a really difficult time.

32:28Yeah. So remind me of the timeline. Did you shoot the first episode before the pandemic? We shot episodes one and three. Those were the episodes directed by Hiro Murai. Right. In January into February of 2020. Yeah. And, of course, the first episode is all my character discovering a pandemic is unfolding. And it unfolds. And then we wrapped. And we said, we'll see you in the summer. And then it all came to life. And then suddenly an actual pandemic appeared. So then we came back a year later and everything shifted over to Toronto from Chicago.

33:07And we shot the rest of the show in the midst of a real lockdown. So a variety of factors I would imagine contribute to making that a meaningful experience. the very unusual circumstances, but the material hero who is now doing Widow's Bay, which I'm also obsessed with. I haven't started watching it yet, but I can't wait. So good. You've heard what people are saying. The company of actors. I mean, Mackenzie, I'm a huge fan as well. She's wonderful. And just the arc for your character. It's a big journey.

33:42It's a gift of a role. Yeah. You usually get handed something like that, And as much as you're going, I'm going to work hard and make this the best it can be, you're like, this has landed in my life. I don't want to screw this up. This is there. Yeah, you know. I auditioned and as soon as I found out I had it, I was like, this is a real opportunity to challenge myself. And so I'm just really glad we got to make it, that we got it done and people keep discovering it. And it's sort of getting its dues spread out over time rather than a sort of like immediate flurry of awards thrown at it. But it's a show that will stand the test of time.

34:24It's a really wonderful piece of work. So Christopher Nolan, The Journey Began with Tenet. Yeah. Is that an audition? That was an audition, yeah. I'd been making a show in New Zealand. And I got a call from my agent saying, and it was one of those where I knew, They obviously announced that Christopher Nolan is making a new movie and whatever. And I was like, cool, I look forward to watching that. And then my agent called and said, it's the last role that they're casting. They want you to audition for it, so you'll fly home to London via LA. I was doing press for yesterday already at that point, so then I auditioned with John Papsidera, wonderful guy, wonderful casting director.

35:02And it was dummy sides, and I discovered... I was reading them with my partner. And she was like, why do I recognize this? And we realized it was Ocean's Eleven. And so that was quite fun. But clearly I went, he doesn't want me to do Ocean's Eleven. Right, I'm not playing. He wants me to just breed this cold for what it is and do whatever. So I had a lovely session with John, just had a nice audition. And then a month or so passed, maybe even a couple of months. And then I got a call and I just couldn't believe it. To even be auditioning for him was a thrill because I love his movies. Genuinely, like, one of my favorite filmmakers, probably one of the most influential filmmakers of my generation specifically.

35:46Like, you know, he kind of changed a lot of things. So it was a real, you know, I had a ball. And what I got to do in that movie, you know, was just all the really fun stuff. Yeah. So, yeah, that was great. More Happy Say Confused coming up.

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38:02ever say out loud in your presence no he kept it to himself no no no yeah but i think uh i mean there is a story that at one point he turned to john david and went am i dead or i think you know just need a basic ass yeah but it's um i i think i would dare i say i think tenet is one of his underrated movies absolutely really it's you know what i get with chris is i just he he doesn't he doesn't stop with the ambition. He just wants to keep pushing it and keep pushing it. And what's the next thing? What's the next thing we can do to elevate the cinematic experience, to put a marker down in cinematic history?

38:41So I remember the first time I watched Tenet and I didn't know how they were going to achieve all of the inversion and all that sort of stuff. It still does something to me when I watch clips from it or if it comes up and I just go, it does make weird to my brain when I'm watching it more than any sort of CGI will ever do. Something about watching, it's in reverse. And it's because I think he got them to flip the camera so it was being filmed in reverse, as it were. It's not like he's CGI'd it backwards either. There's something. And he seems to understand some sort of alchemy. Right. The secret of the universe lies in Tenet, perhaps.

39:25Yeah, or just in Chris's brain. Yeah. So then you get invited back to the party. It's one thing to get the shot one time. Now you're officially, oh, wait, I'm part of the troupe. Yeah. Like, I'm back for the Odyssey. I'll be seeing you in a couple of days. I'm sure you've seen it yet. I wonder if we're going to be at the same screening. There you go. So to get that opportunity, I know I've talked to a bunch of the actors that have been in it, and everybody says, like, this is kind of a once-in-a-lifetime experience. Yes. Um, practical sets, practical effects as when possible, giant, just like, you know, the scores of extras.

40:01Does everybody kind of like share in that? Do you feel that like palpably among the cast and crew? Like we're in it, like, let's enjoy this, guys. Absolutely. Yeah. Because the context we were in were just mind boggling. Yeah. No one can, you know, I think Matt's been telling the story, but at one point we were shooting in Iceland and We were doing night shoots in Iceland During this time of year where there is no night in Iceland But there's that weird twilight and when people watch the movie they'll know why we're there, but it's We were it was like 2 a.m. We're in this weird twilight. It's raining sideways and it's whatever temperatures were freezing, right and And they hand us our lunch in these little foil dishes and we're just sort of sideways range, just sort of eating lunch.

40:50And happily doing it, by the way. And Matt really sets the example. It was an example of how to be number one on a movie. I've never seen anyone work harder. I've never heard a word of complaint. I never heard him go, ugh, at any point over six months. And so you're just like getting on with it. And I asked him at one point, I was like, Matt, is this the hardest conditions you've ever worked in? And he was like, I don't know, man. If there was anything harder, you were probably there with me. So it was just that sort of thing. But it was also just the biggest privilege to get to go to these places and shoot the way we were shooting in situ, in camera.

41:31It was a thrill. So like the IMAX cameras, the technology, does it affect performance? Like are you the kind of actor that like wants to know your framing or is it sort of no? No, and especially when you work with someone like Chris, you know, there is precision to the framing, but there's also he leaves like a slight window of where you can play with it and see where you might end up. And him and Oita sort of work in that way where they like to sort of leave slight things open to chance. It's just so probably antithetical to what people probably imagine Chris Nolan set would be like. It's like, again, actors love him.

42:07Like, love that as big as it is, it feels pretty intimate, I know. There's no video village. He has a monitor, Hoyte has a monitor, and Gurky, a script supervisor, had a monitor. That's it. So no one else is monitoring what's going on. And you just have to be ready. Everyone's ready, because at any point, him and Goku were shooting over here, were shooting over here. And it really creates a sort of, you You know, it's been said before, sort of indie mentality, an indie ethic. But with the best possible scale. So yeah. Which gives some love to Noah Homes III. I had a chance to have, Millie did the podcast last night.

42:45I made her cry. It wasn't my fault. We've done Stranger Things. I won't make you cry. So I'm going to wait 10 minutes left. We'll see what happens. What happened? How did you make her cry? We were talking about Stranger Things. I showed her. It was very emotional. Yeah. Yeah. So, okay. Having someone like Millie at the top of the call sheet, I mean, fascinating. She's an amazing, like, 22 years old, has had a decade plus of experience, and yet, like, good head on her shoulders. Just, like, talk to me a little about having someone like Millie as the number one. As an actor, as an actress, she's fantastic.

43:21We all know that. And she comes to work prepared and ready to do the work. but you know what she been working with her on a movie like in other homes uh where she's also producer yeah she also feels that responsibility keenly she cares about not just the film and making the film the best it can be and and caring about that but she cares about everyone's experience yeah she wanted it to be a really nice set a nice place for people to come to work every day where we will have fun. And we did, you know. And that's not to say she didn't also, you know, fight her corner when she believed in something being the way it should be and that sort of thing.

43:59And that's great. But she does it respectfully and does it in a way that she trusts in the relationship she's built with Fillet, for example, or with our producers. You know, it's all very professional. And I just forget the fact that she's that young. I know. Who knows where her career is going to go? Because it's just what she's built and what she's crafted with such maturity at such a young age. I just find it really, really admirable and amazing. I can always tell the actors that I'm going to respect and like as human beings by the ones that talk about the crew as much as they do. That realize it's, yes, we're the face of this production, but this is a true collaborative.

44:42Nothing gets done without them. You know, nothing gets done if they're not happy, if they're not, you know, well looked after. So, yeah. So this one, is it odd to kind of like sign on for something where you're like the glorified like Easter egg in the first film? Like, hopefully we get there as Dr. Watson. Like, I would imagine that's part of the deal. It's like, right, like sign on for Noah Holmes 2. Fingers crossed, plans are afoot. And there was, you know, two years after I was kind of like, are we? So. Or am I going to be like the briefest Watson in history? Like, what's going on? But it's what happens when you have like, you know, Millie, she's busy.

45:16She has projects she wants to get off the ground and Stranger Things to commit to and all that sort of stuff. Henry's got everything that he's got going on. So, you know, it wasn't easy to put it all together. And I'm just really glad that we did because everyone wanted it. Yeah. Obviously, the audience wanted it, but also everyone wanted to tell this story. Yeah. And I'm really excited that we did because I think it's really special. Let's tease a little bit of the X-Files. I know you can't see much of anything, but this is like high on my radar, high on many people's radar to say the least. Kugler, you, Danielle Deadweiler, have you shot it now?

45:50Have you shot the pilot? We shot the pilot. Okay. Did it feel like a pilot, a film? I mean, Kugler's directing, you have an Oscar winning DP.

46:00It was very special, is all I'll say. It was very, very special. and we await a decision, of course, but all I can tell you is I had an incredible time. Is that a meaningful show for you? I know it's a meaningful, I've talked to Ryan about the show. It was. I mean, look, maybe not as meaningful as it is for people who really dived into it or lived it at the time. I think I was maybe three or so when it first started, so a little young to be watching it. I seem to remember my mum sort of telling me things that she would like to tell me stories about, I watched a show and this thing happened. And I'd be like, it's weird.

46:40She was prepping you. She's like, one day it's going to be very important. She believed in me. Yeah. But yeah, you really do come to understand the responsibility of it and the power of it as a sort of world. I'm just curious, for a show that was, the motto was, the truth is out there. In 2026, when truth is under fire, what does truth even mean? Is truth even valued nowadays? Is it safe to say that is addressed, that we are living in a, it's obviously a contemporary show that feels of its time? Ryan and his whole team and myself and Danielle were all very aligned in that way that we we love depth we love everything to have a meaningful context and we you know much the same as a lot of great filmmakers like Chris Ryan he he believes that the audience is intelligent Yeah, and he wants to give them as much richness of tapestry as he can so Yeah, the people's hopefully people will see it.

47:52Yeah. Yeah. Are you the skeptic or the believer? We actually you said there was a in the production office. There was a board and Ryan had had everyone Take a Polaroid of themselves and then there was Believer or skeptic hello and where did you fall in I put myself in believer but I think I'm a believer maybe like one time out of 10. Okay. In that, you know, I sometimes listen to these like podcasts where people recount stories about strange things that have happened to them and all this sort of thing. And most of the time I'm like, I could explain that to you immediately. Like, you know, you were just like tired while driving or you, you know.

48:29Yeah. But every now and then there's a story where you go, that's freaky. Yeah. That I can't explain to you. And that always makes me go, there is something out there, isn't there? The retinan for this job apparently done a be and is the character a skeptic or believer? We'll see TBD we'll talk about that at the right time. Don't worry. Yeah, okay Yeah, we unhappy say confused with the profoundly random questionnaire. You ready for this? Can't wait. Okay. Are you a dog or a cat person? Cat okay. Hmm. Okay. Do you collect anything? Um I Guess currently cameras maybe you know that I have that many but I do yeah and that the Tritus of your children that's also and that yeah and that favorite video game of all time Spider-man 2 the Tobey Maguire one.

49:23Yeah, that was an era That means that or Mario Kart double dash Did the franchise boost or hinder your comic book availability? Comic movie availability. They haven't come calling yet. So let's see. No, come around. Yeah, I'm around. Yeah I apologize. This is the Dakota Johnson Memorial question. She asked me this on contract. She all but oh wow everybody Would you rather have a mouthful of bees or one being your butt? Be in my butt. Yeah, that's the correct answer. What's the wallpaper on your phone my kids last actor you were mistaken for I Mean, you know Probably Dev, maybe. Just adding insult to injury.

50:07Really? It's a privilege for people to go, oh, I think you're, you know, but it's, you know. Worst voted director has ever given you? Worst note? Yeah. There was a director once on EastEnders who tried to, who didn't quite understand dry humor. and so I was there was something like there was a noise upstairs and I was like oh what's that I was like that doesn't sound great and he was like no you should do it like this oh that doesn't sound great and then I remember going maybe you stick on your side often 16 years old just going that's no that doesn't sound great can I do a little more subtle yeah That wasn't great.

50:56In the spirit of happy, say confused. An actor who always makes you happy. You see them on screen, you're in a better mood. Oh, Steve Carell. Yeah. Of course. A movie that makes you sad. There's a movie called Song of the Sea. It's an animated movie. And it basically made me sob. Yeah. Okay. And finally, a food that makes you confused. You don't get it. There is a fruit and they made me try it once on live TV. Oh, no. I want to say it's called durian fruit. Yeah. And it's like, it's horrific. I didn't agree with you. I think it's durian fruit. I'm not getting that wrong, but it was awful. You just went to a place.

51:44And I'm like, this isn't food, surely. Right. This isn't edible. You can't eat this. This is a mistake. Yeah. Yeah. This is a plant going, don't eat me. And we are ignoring it. Yeah. I'm going to choose into going, don't do it. Yeah. Is that when you have to cry in a scene, you're thinking of the time you had to eat durian fruit? Yeah. Like, is he thinking about like losing a loved one? No, it's the time you ate a bad fruit on 5TV. I didn't actually. In the end, I was like, I can't actually do this. This is stupid. Yeah. Wise. Yeah, you were wise enough to do Happy, Say, Confused today. Yes. A privilege, man.

52:18Thank you. Thanks for having me. That's it for me. congratulations on all the success um and yeah i'll see you in like four days so yeah don't get don't don't worry this continues it'll be okay yeah it'll be okay yeah can't wait all right and so ends another edition of happy sad confused remember to review rate and subscribe to this show on itunes or wherever you get your podcasts i'm a big podcast person i'm daisy ridley and i definitely wasn't sure to do this by josh

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From the publisher

Himesh Patel is having a moment and there's even more excitement to come. Coming off a long run on EASTENDERS, Patel led the Danny Boyle hit YESTERDAY and since then there's been no looking back with TENET, STATION ELEVEN, and now this summer with THE ODYSSEY and ENOLA HOLMES 3, plus THE X-FILES is around the corner! He joins Josh to talk about it all!

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