Kate Hudson

19 Feb 2026 · 51 min · 18 chapters

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In short

Kate Hudson discusses her Oscar-nominated career and her new film Song Sung Blue, a Craig Brewer-directed, true-story love drama about a Neil Diamond tribute band (with Kate and Hugh Jackman). She also reflects on family, artistic process, auditioning, and what kinds of movies move her emotionally.

Guest backgrounds

Kate Hudson is an Oscar-nominated actress and longtime Hollywood star; she’s also a mother focused on balancing promotion with time for her kids. She has worked with major directors and stars, including Hugh Jackman and Craig Brewer (after their earlier collaboration on Hustle & Flow).

Key claims

The love story must work or the film won’t; Brewer avoids mocking tribute-band devotion by treating it earnestly. Hudson says her parents instilled work ethic and prevented her from relying on their fame. She emphasizes “effort” as the only controllable part of making art, and that life-affirming films that blend tragedy and hope inspire her.

Notable examples

Almost Famous (OD scene; Cameron Diaz and “Tiny Dancer” ad-libs), Moulin Rouge audition with Baz Luhrmann, and childhood set stories like Big Trouble in Little China and Backdraft. She also discusses Heath Ledger’s craft and mental health fragility.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Happy Sad Confused Podcast Introduction

0:43 to 1:32

Hosts discuss the essence of their podcast and what it represents.

“Yeah, well, you had to add the confused part.”

Welcoming Kate Hudson

1:32 to 2:30

Host introduces Kate Hudson and sets the stage for the conversation about her career and new film.

“Welcome to another edition of Happy, Sad, Confused.”

Welcoming Kate Hudson

2:36 to 4:25

Host introduces Kate Hudson and sets the stage for the conversation about her career and new film.

“Check it out, patreon.com slash happy say I confused.”

Kate Hudson's Busy Life and Oscar Nomination

4:25 to 6:04

Discussion of Kate Hudson's current busy schedule and her reflections on her Oscar nomination experience.

“Kate Hudson, you're finally on the podcast.”

Reflections on Family and Filmmaking

6:04 to 8:01

Kate shares insights about her upbringing and how her parents influenced her career in the film industry.

“So the cadence is a little different than like, you know, a lot of the early festival stuff.”

The Challenges of Filmmaking

8:01 to 12:20

Discussion on the intricacies and challenges of creating a love story in film.

“I mean, for me, I'm geeking out like, oh my gosh.”

The Emotional Core of Films

12:20 to 14:00

Exploration of the emotional themes in films and the importance of genuine storytelling.

“It's also kind of counter in the best possible way to kind of like our times.”

The Power of Life-Affirming Movies

14:00 to 16:50

Kate Hudson discusses the emotional impact of movies that highlight hope amidst struggle.

“It's that thing of like, life is beautiful, even in its hardest moments.”

The Power of Life-Affirming Movies

16:53 to 18:19

Kate Hudson discusses the emotional impact of movies that highlight hope amidst struggle.

“We'll be right back with more Happy, Sad, Confused.”

The Power of Life-Affirming Movies

18:49 to 20:05

Kate Hudson discusses the emotional impact of movies that highlight hope amidst struggle.

“Starting or growing your own business can be intimidating and lonely at times.”
Show all 18 chapters

Chemistry with Hugh Jackman

20:17 to 23:10

Kate Hudson shares her admiration for Hugh Jackman and the chemistry they share onscreen.

“You mentioned, you know, obviously it's all about that chemistry, that love between the characters that's embodied by you and Hugh.”

Growing Up in the Industry

23:13 to 28:01

Kate Hudson reflects on her childhood experiences in Hollywood and the values instilled by her parents.

“I'm curious for you, though, like growing up, you don't strike me as somebody that ever went through an awkward phase.”

Memories from the Set: Growing Up in Film

28:01 to 32:01

Kate Hudson shares her experience of growing up on film sets, detailing her interactions and lessons learned during iconic productions.

“the cool the cooler one you know because you're like always doing things you're so you know active and doing things all the time.”

Reflections on Almost Famous and Heath Ledger

32:43 to 41:25

Kate Hudson reflects on her experiences in Almost Famous, her audition experiences with Baz Luhrmann, and her memories of Heath Ledger.

“Time is already flying by, but I want to hit some of your own great accomplishments.”

The Fragility of Artists and Moving Forward

41:25 to 42:04

Discussion on the struggles of artists, the importance of community support, and Hudson's philosophy on moving forward in life.

“I mean that in everybody, every community.”

Reflections on Career Choices

42:04 to 45:50

Kate Hudson discusses her perspective on career choices and past roles.

“Like, I'm going to need a minute before I ever watch this movie because of what it might have been for me in my career.”

Rapid Fire Questions

45:50 to 46:42

Kate answers quick questions about her preferences and personal interests.

“We end the podcast with the happy second if he's profoundly random questions.”

Memorable Movie Moments

46:42 to 52:36

Kate Hudson shares her thoughts on films that evoke strong emotions.

“I collect little boxes, like limoje boxes or little pill boxes.”
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Transcript

Automatic transcript. May contain errors.

0:00From athletic stuff like a full court pickup game, swish, to athletic stuff like a half mile stroll. Get those steps in. Head to Sierra or Sierra.com for the brands you want at the prices that let you do it all. From athletic to athletic, Sierra's got it. Your body isn't a problem to fix. It's a system to support. From PMS to pregnancy to menopause. Ollie's Women's Wellness Line is built on real science for every stage. no guilt no stigmas just science-backed supplements that work with you not against you choose science over shame find support at a retailer near you or on ollie.com that's o-l-l-y.com cameron and i where we get along and where we will always love each other and see each other you know when you meet no people and you're like i feel seen it's it's the happy sad you know we talk about it a lot like happy sad together is that's the magic and that's life like life that's what it gives that's what it gives us it can be real happy and it can get real sad and if you can in those moments where it's happy and sad at the same time it's like it's like movie gold or literature gold kate you know you're doing the best promo for the this podcast that's called happy, sad, confused.

1:21I know. Yeah, well, you had to add the confused part. Well, that's just me. That's my go-to. Prepare your ears, humans. Happy, sad, confused begins now. Hey guys, it's Josh. Welcome to another edition of Happy, Sad, Confused. Today on the show, a first-time guest, an Oscar nominee, one of our brightest stars, the one and only Kate Hudson, on the show today talking SongSung Blue and her entire career. Thanks guys as always for joining me on Happy Sag Infused. Whether you're listening, watching on YouTube, watching on Spotify, however you're doing it, I appreciate you guys. Remember to subscribe to the podcast.

2:0112 years, about 700 episodes. We keep on cranking with amazing guest after amazing guest. I do my best on my end and hopefully you guys get a kick out of what I do. Today's a real treat. Kate Hudson is not only one of the most charismatic movie stars, actors we've got on the planet but also just a delight as a human being, a charisma machine, and a really enjoyable chat. This is a fun one. Before we get to Kate, as always, a reminder, check out our Patreon, patreon.com slash happy say I confused. If you enjoy what I do, you get all the early access and the discount codes to our live events, you get merch, all sorts of bonus features.

2:38Check it out, patreon.com slash happy say I confused. it keeps the lights running over here and lets me make more fun stuff for all of you. So check it out if you are so inclined. As for Kate Hudson, only thing to say really is, of course, she is on this Song Song Blue train, which has been going since about Christmas and actually earlier when she started doing press. But this is a really great film from director Craig Brewer, who back in the day did Hustle and Flow. And this is telling a remarkable, crazy, true story based on true events about a Neil Diamond tribute band played by the likes of Kate Hudson and Hugh Jackman.

3:16And it is their love story. It has highs and lows. It is tragic. It is funny. It is sweet. It wears its heart on its sleeve. And it's a great piece of work. And Kate really shows off what she can do in this. Not only the singing, but the dramatic stuff, the comedic stuff. It kind of shines a light on all that she can do as a performer. So it is justifiable and appropriate, I think, that she's getting the accolades that she's getting. She is an Oscar nominee this year and it's been a blast this year like on this award circuit. I got a chance to moderate an event with her and Hugh and Craig Brewer that was introduced by Goldie Hawn, her mom, Kurt Russell, her stepdad.

3:58That was a trip. But to hear Kate talk about her childhood and her parents and the way they brought her up and put a level head on her shoulders and taught her work ethic and taught her some perspective despite despite being the ginormous stars they are, is a great lesson, I think, for all of us. So I really enjoyed this chat. I know you will, too. Without any further ado, please enjoy my conversation with the one and only Kate Hudson. Kate Hudson, you're finally on the podcast. Long overdue, but this is for a good cause. Thank you for the time today. It's good to see you. I am so excited. So it's been kind of both a marathon and a sprint, I guess, promoting this movie, putting it out into the world, spreading the good word, a lot of Q &As.

4:44Are you living a real life right now? Are you back to the TV show? I don't know what I'm living. What is life like right now, post-Oscar nom, during, I guess, post-production or production on the TV show? Like, what's happening? A lot. But, you know, I just try to tell everybody that I need like a certain period of time in the day where I could be with my kids if it's at all possible. And then I just tell my kids that this will be over very soon and that I understand that it's hard that I'm not like as present as I normally am. But we're also all having so much fun and enjoying it so much, you know, just because it's such an awesome time and experience.

5:28And so I feel like my kids are kind of enjoying it with me because they know it's special. And so I'm just like, so basically, in short, I mean, it's insanely busy. It is the longest sprinting marathon I've ever done. And I think for me it's a little bit extra because we started promoting this movie for a Christmas movie. Right. So it's like I stopped filming Running Point and then we went right into promoting. And then it's just been like nonstop since, you know, about October. Yeah. So the cadence is a little different than like, you know, a lot of the early festival stuff. Like they do it and they go away and hibernate and live their life and then they come back around.

6:12But for you, it's kind of been nonstop. It's just been nonstop. Yeah. And it's all, look, I mean, you know as well as I do, like, it's rare when it all kind of winds up, right? Yeah. And, like, you know, you were kind of spoiled on that, like, experience and almost famous right out of the get-go. And I'm sure as the, like, years go by, you're like, oh, wait, I knew that was special. But, like, every year that passes, like, oh, that was really, really special. And because I was so young, like, I hadn't really spent many years professionally acting, you know? I was like two years in, or not even, really like a year and a half in.

6:48And so it was more like this, I call it like a big invite to the industry on like steroids. Totally. You know, like welcome to the movie business. you know? And, and so the whirlwind was more like discovering something new versus like knowing all of the people that were there and really understanding and having people that you've worked with and that you've shared so much time with over the years. And now it's such a different feeling because there's so many people that I love to see at these events. And there's like so many people in the room that I've had, like shared months of our lives with and, and best friends in the room, you know, it's like, it's a whole different experience.

7:42And also, I mean, you mentioned family, you mentioned the kids. It's also like, I was privileged enough. I've done a bunch of Q and A's for like all the exciting films this season, but I did a Q and A for you guys in New York and there was Curt and Goldie introducing that screening in New York. And like, I can only imagine how surreal and lovely and bizarre that is for you. I mean, for me, I'm geeking out like, oh my gosh. But like, what's it like to see it through their eyes? Yeah. It's pretty great. Because there's two parts of it, you know, which is that they're my parents. And so all of the, you know, therapy sessions that go with anybody with parents aren't, there's no perfect parent, right?

8:21You know, we all complain about mom or complain about dad. So we have that like, you know, I feel like I have the best parents in the world, but it's still parents. So there's the personal part of that, which is, you know, that those relationships and all of the things that we've been through as a family and how close we are and how much we like love our unit. And then there's like me being able to separate myself as an adult to see everything that they went through when we were kids growing up their work their business their like talent um them as their own individual people as artists you know i as the older i get the more i honor that in them you know um it's like you don't you don't you know as a kid you don't see that you know as an adult you start to really see the full picture.

9:20And I think that we're in this like sweet spot of life where you really like honor each other's, you know, like if you have a really good relationship with your family, I think you really like the support system is so huge. And then I can also look at them and be like, yeah, and they're also some of my favorite actors I've, I know, like maybe I'm biased, but I don't think so. No, no. This is accurate. This is accurate. It's real. And then to see them as like professionals, not just my parents sort of be up there talking about my work or honoring something that I've done. It's like, it's like supercharged feeling of, you know, support.

10:09And it's an interesting thing because you know what goes into putting the work in when you do it, you know, because it does take you away from your family. It is like a very demanding job when it comes to hours and things like that. And it's also incredibly rewarding. And but it's nice to be seen that way from your parents. Like they don't have to not under they really understand this, you know? And I feel very seen in that, which is interesting. No, it's a beautiful thing. And I've heard you also talk, and I find this, I totally connect with this, like having covered movies throughout my career, like how everything does need to line up and how there are like good versions and bad versions.

10:56You go into everything with the best of intentions. And your concern going into this was, yeah, we've got Hugh and and we've got Craig and we've got the right team. But if this doesn't work, this really isn't going to work. So in your head, like what's the version you were concerned about falling into? For Johnson & Blue? Yeah. I mean, I think that also just comes with like, you know, once you've been in the business long enough, you know how hard it is to get a movie made, let alone a good movie made. You know, there's so many elements you're up against. right for this movie in particular there was there are there's so many things first and foremost mine was if the love story doesn't work and you don't believe the love story the movie's not going to work and so there's that and that's huge because huge every time i think huge i think and our movie dream huge he should really trademark that he should make that his thing Seriously.

12:01But but like if you and I didn't work, it would be like, who cares? You know what I mean? And and so that for me was the first thing that I was really like, I really just want to make sure that that connection that we feel comfortable and that we can pull that off, you know. um and then after that i mean we're talking about a very specific tone something that craig brewer does really well like it's in his wheelhouse it's like it's his it's when he's in his pocket you know when he he understood i knew he understood how to make a movie like this like how do you take this these people a neil diamond tribute band who really lean in hard these artists who believe in their artistry be very easy to make a mockery of of people who dedicate their life to something like this but but craig and none of us see their life that way and so you know there's a tightrope that you have to walk with the sequins and the commitment to this experience and their life that if we didn't get it right, you know, it could have just missed.

13:25It's also kind of counter in the best possible way to kind of like our times. I mean, you're looking at like the most stereotypical, like cynical New Yorker, but like I love, I love like movies that wear their heart on its sleeve, right? Earnest films and like films that like aren't afraid to kind of go to emotional places. and this is a film that I think really like rewards you going into the cinema with an open heart yeah without being like sentimental or to or to you know without going leaning so far in that you kind of it becomes sappy you know and I I think like I think that you know life affirming is a great word.

14:08It's that thing of like, life is beautiful, even in its hardest moments. And when those are my favorite kind of movies, like the movies that I, that sit with me, that I could sit in a theater and just cry and cry and cry. You know, they, they range in, in style, but they all have a similar kind of thread of hope and, and like life, like, like that make you look at your own life and go like life can be really good if we choose to make it good you know what what what kind of movies are I'm thinking like James L. Brooks that kind of vein when you when you say that or what are you thinking or like cocoon parenthood terms of endearment moonstruck her I loved you know I think that was a life affirming movie is as depressing as it was about love connection the importance of it you know it's a beautiful mind I could go on but there's this sort of this thing where you have these struggles and life is hard and it comes at you and there's tragedy but what is the threat of hope and what is it that keeps you wanting to connect to the the fundamentals, the thing that like the things that make us feel fundamentally alive, which really at the end of the day is love.

15:39And making movies like that, I think is, you know, hard to get like right in the sweet spot. And so when you hit it, yeah, I really feel like I felt that when I saw it for the first time, I was like, oh my God, these are the movies that that like move me to the point where I want to continue creating movies I want to make movies I want to be in them it's like what inspires me to be an artist um and then when I hear from people that have that that watch this movie and they just can't stop crying it like hits something in them whether it be something in their own life or their own tragedies or their own like struggles or their own sadness and depression that has hard been hard for them to get through you know that you kind of like you're like oh yeah there's movies that we make that are just fun and that we like lean into we love it because we're playing these wild characters and then there's movies that we make because you really want to move people and how the art form can actually like make a difference in someone's life and that's what this movie feels like for me.

16:50It's very, and it doesn't happen very often, you know? We'll be right back with more Happy, Sad, Confused. So some of you may think what you see and hear on the podcast is the total me. The truth is I get super stressed like everybody else. Work challenges, the health of a loved one, it can all feel pretty overwhelming. That's why I'm so happy Rula is an ongoing sponsor for Happy, Sad, Confused. It's one thing to find a therapist you like, but then you're in the problem of actually making sure that they take your insurance. Then there are all those online therapy platforms, right? But the truth is that many of them don't work with insurance.

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20:17You mentioned, you know, obviously it's all about that chemistry, that love between the characters that's embodied by you and Hugh. I mean, I feel like I'm like, you know, co-president along with 10 million other people of the Hugh Jackman fan club. I mean, he's the nicest, he's the real deal. He's like absolutely what he is. He's the greatest human being ever. Like it doesn't, like it's almost like impossible. It almost, like, doesn't feel real, you know? It doesn't feel real. You're like, how is this real? He does seem like, he is that guy that has found what he was meant to be. Like, he's so comfortable in his own skin and is living the life, the dream, in the best possible way.

20:57And I'm wondering, like, I mean, do you, in some ways, like, relate to that? You strike me as someone that feels, like, very comfortable in their skin. Like, you know what you want, you know what you love, you know what you're born to do. Yeah, and we're not dissimilar. Like, we know, and we also know how to take a punch. You know, I think, like, if you're going to be an artist, and we're also good at saying that the punch might have hurt a little bit. And, you know, so I think, like, if you're going to be in the entertainment industry and you're going to put yourself out there like Hugh does, and like I do, and just, like, wear it out there and do the best you can.

21:33And, you know, you have to be able to gracefully take those punches, you know, too. As much as you can, as much as you gracefully take the reward, sometimes there's as many punches as there are rewards, you know. And Hugh is so able and so humble in all of it, you know, and has things he loves in his life and his children and, you know, he and theater. And so he's able to delve into other things and not like, you know, take it on too much. Right. Yeah. And he also, I think where we're also very similar is we really understand the experience really is the thing that you hold on to. Yeah. You know, that that experience of making it and putting your effort into it and putting your all out there.

22:27That's like what that is, what it's really about. And then the hope is that whatever you're making becomes something that you can gift other people. But you don't always win at that. So you just don't know. It's the only thing you can control at the end of the day. You can control your effort. Yeah. And he also doesn't take himself too seriously. I think like I grew up with like, you know, take the take the craft seriously, but don't take yourself too seriously that you can't enjoy the craft. You know, it's like or the process. So it's like, you know, I knew that, you know, the second you start believing your own hype, like you're so screwed.

23:08and so I grew up with a very humbled understanding of how my relationship should be to the industry and Hugh has that innately So you talk about growing up in the industry and understanding the ups and downs probably through the prism of your parents like every other actor that seemingly has had just ups and ups and ups but has had you know, everyone has the moments in between. I'm curious for you, though, like growing up, you don't strike me as somebody that ever went through an awkward phase. What is peak Kate Hudson awkward phase? What was my awkward phase? Yeah, like what years am I talking about where like, oh gosh, she's...

23:52You know what's funny? I was kind of a loner. And what I mean by that is that I felt like when I was young that I was like 100 years old. So it was always hard for me to relate to kids my own age when I was younger. I don't know if part of that was that I grew up traveling a lot with my parents and being around a lot of grown-ups. My parents weren't like, you know, we lived a very grown-up life. So I don't know if that's why, but I always felt like, it's like I came out, I knew exactly where I wanted to be and what I wanted to be doing. And it was always like a discipline, whether it was dance or singing or theater or sport.

24:41Like I was always so I never felt like I belonged to one crew. And so I think my entire. Like educational experience was awkward. I had friends and like some people would be like, no, that's ridiculous. like she was popular right but internally i didn't feel like i connected really to anyone you know okay like in the years where people were partying i was not partying i was like designated driver you know super like people would think i would probably have been a party i was the opposite i was like you know in dance class and in like theater conservatory and um you know was was any of that connected you think to kind of like the baggage good and bad of having the parents that you did to kind of like oh I have to like I need to prove myself I need to show that I'm not coasting on someone else's name or career I mean if I'm being really honest with you I grew up in LA where I saw kids coast by with parents who gave them everything yeah and I had the opposite parents I think maybe because we grew up like they moved us to Colorado when we were really young that that might have in that being said it wasn't like we were in like you know you know the colorado like back country like we were right outside of aspen colorado clearly privileged kids you know but i do think that my parents were so adamant about how none of it belonged to us like that we didn't earn it that like in order to get a life that we were living we had to earn it ourselves that that would never be available to us unless we had the same kind of work ethic.

26:29And so I think in school, when you grow up and you're in LA kind of, you know, a private school environment, you really do look around and you're like, wow, there's a, there's, there is, I was very aware of the privilege just based on how adamant my parents were. So for me, you know, I really took that to, I was like, no, I can't, I will never rely on my parents. And that was my big thing was like, I will never take a job because of them. I will, I won't, I don't want anybody knowing they're my parents. You know, when I first started, I was so happy. My last name was Hudson. Um, it was like really, really important to me.

27:14You know, my parents, like, you know, I, you grow up and you see kids get cars that you're like whoa like i we were the kids and we're privileged and we're like wow i can't believe their parents like bought them a new car like my parents just raised us the opposite like how they were raised well again and again it seems like yes well but i think with that came like this thing where it's like we were just it was almost like beat into us that if you really want to do this if you really want to act like you have to you have to like put in the discipline and i loved it and wanted to do it so much that i just that i was just very very very disciplined which when you're young i don't think kids really like that you know you're not like considered like the cool the cooler one you know because you're like always doing things you're so you know active and doing things all the time.

28:12I've heard you say, you know, you spent some time invariably on some of their sets as a kid. I was privileged enough. I've had Kurt on the podcast a couple times. One of the few posters I had someone sign for me was my Big Trouble in the Little China poster. So you were on that set, correct? Best set of all time. Best set. Come on. Yeah. Tell me something. Tell me anything. What's that like? Well, first of all, John Carpenter's just the best. Right. He's the coolest. He's the nicest. He's such a legend. And this is where I see my privilege and my opportunity. I got to grow up, like, immersed in what I see as, like, the most magical industry on the planet.

28:57And I got to see it as through a little girl's eyes watching everybody work to make it happen. Not just, like, my parents or, like, you know, a red carpet. But, like, that was not what I was interested in. Big Trimble of China was one of those sets that, like, every single thing was fun. I mean, you know, if you just go back and watch that movie, there was, like, there was a slide that you had to, like, go down because they had to, like, fall down this thing. And then they all fell into all this fish, you know. And they were all these rubber fish. And we used to go down and slide down and go into this fish.

29:32And then we would watch them shoot the scene. And we would see everything. And we were very like, you know, my dad and my parents were very strict about us being on set. We either had to work, we had to do something to earn being on set, or we had to really stay out of everybody's way. But we couldn't just hang around. So on Big Trouble in Little China, like I did all the belts. Like I worked in wardrobe and I braided everything. And I'd go and I'd like put, I'd separate like the clean, you know, clothes from the dirty clothes. And so I felt like I was really a part of the crew.

30:12And but I mean, that set was oh, and I'll never forget, like Kim Cattrall and her. I remember seeing her in her costume and seeing the girls in there when they were like kidnapped and in the thing. And they have that beautiful costume. They were so beautiful. And I'm little like looking at them going, oh, my God, I I can't wait to do this. and the same thing with things like backdraft I'll never forget being on the backdraft set and watching Ron Howard direct just extraordinarily big sequences of fire and dangerous sequences and his how calm he was how specific he was how beautifully kind he was to us as kids and he really is a marker for me of like what it is to be a great artist and a human that art you can still be the kindest, most beautiful, caring man and and make great art.

31:09And passing on again, the best qualities to the next generation. I mean, yeah, I mean, I did. I did both Bryce and Ron did the podcast together last year. And it's just so sweet to see, like, the love and respect and everything. It's just like doing it right. When you grow up and you really honor the industry, you know, you really want to do it for different reasons. that I think how people might see it from the outside, which is okay, you know. They think it's a, maybe sometimes people think it's more about celebrity or fame or, you know. But it's actually not. It's something, it's a different drive.

31:43And when you grow up in it and you grow up with parents that really honor it, you can't help but be like, God, I hope I get to, I hope I get, I hope I'm good enough to sustain a career in this amazing industry because there's nothing more fun. More Happy Say Confused coming up.

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32:51Time is already flying by, but I want to hit some of your own great accomplishments. Obviously, okay, so Almost Famous, like we could do an hour on that alone. We could do multiple hours. But what's the scene that brings a smile to your face when you think about the production of it, how it turned out? Is there one that jumps out for you? There's a couple. One scene was the OD scene. I loved that. I loved shooting that. There was humor in it. And it hit all of the notes. And even then working on that with Cameron, doing that with Cameron, it was so beautiful. And it was even though it was this sort of really like heartbreaking, sad moment, there was so much innocence in that scene.

33:40It kind of hit a little bit of everything. And I loved doing that. You know, I'm tired and I'm retired. That whole thing, Cameron and I still, when we see each other, we do that. We do that. those lines go right into it yeah um i really love the hap like cameron and i where we get along and where we will always love each other and see each other you know when you meet no people and you're like i feel seen it it's it's the happy sad you know we talk about it a lot like happy sad together is that's the magic and that's life like life that's what it gives that's what it gives us It can be real happy and it can get real sad.

34:22And if you can, in those moments where it's happy and sad at the same time, it's like movie gold or literature gold. Kate, you know you're doing the best promo for this podcast that's called Happy, Sad, Confused. I know. Yeah, well, you had to add the confused part. Well, that's just me. That's my go-to. Where did the hand in Patrick's face, in Will's face, come from? Was that scripted in the Tiny Dancer sequence? I think it was an ad-lib that I did. And I have to ask Cameron. But I think, I don't want to take credit for it because it could. I mean, I never remember. I think I remember Cameron saying that I did that.

35:11I'll have to ask him. but there was a couple things that you know like the you know like the the what kind of beer that was a Cameron line but that whole scene the profile the choices like Cameron we were like you know we were rushing against time that scene is a great story because we didn't know if we had it or not. And he went into dailies and just was like, Oh my God, like came back to me two days later and was like, we, we, we got it. Like, cause we were so, that scene was so important, uh, to, to Penny, to the movie. Um, and he was so happy, but, but, you know, it was those moments for me, Max's Kansas City realizing that I wasn't on the outside um um the the the scene where I'm dancing in the palladium was we weren't supposed to be there everybody had to go home we had shot over a time they asked if I'd push cameras like will you just go out there and we'd done all this stuff and it looked like a disaster and he's like said to John Toll he's like can you can we just put a camera up and just shoot this and everyone went home and it was just me and Cameron and a couple grips and JT and we just I just danced around the Palladium and I'll never forget sat there Cameron played music I'll never forget sitting on that floor and thinking about for me I was thinking about the movie I was thinking about everybody in it I was thinking about like how much I loved the experience, not just about Penny Lane, you know, and the movie.

36:57So that was a big, that was a big moment. I'd love for you to explain to folks what's so special about, you didn't end up getting the part for Moulin Rouge, but you got the opportunity to have the audition process for Baz, which is unlike anything else. I know what he puts actors through in the best possible way. It's like you have a full-on, months-long experience, camera tests, the whole thing. Like, what do you remember about going through that process of going up for Mulan? I'll just never forget our work session. Like, the way he, his enthusiasm, his curiosity into me, again, like, who is this actress?

37:40Who are you? Like, how are we going to work together? I mean, he just moves the camera. He'd move his own camera around. We'd be, we were, you know, dancing and singing and doing different things. And it was just like, there was so much energy and so much, he gives so much life and he's so like exuberant. And I just loved, I'll never forget it. You know, um, I'll never forget it. And I love, I love the auditioning process. I got to audition for so many amazing directors and it's so nice to be able to just say, like, I got to have that opportunity to work with them, even if it was just for a moment, you know.

38:23Was that where you, I don't know who you read with, whether it was, I know, Jake Gyllenhaal and you and obviously ended up getting it, but Heath obviously was up for it too. And you ended up working with Heath. I did on Four Feathers. I got very close to Heath. Yeah. Yeah. Heath comes up so often in my conversations with both the actors that worked with him, but also this generation now that rightfully puts him on on a pedestal for the way he was great he was so talented and and and and tortured and um and i think that's such a sad thing because heath was such a light you know when you knew him you knew uh what a light being he was um and loved his family.

39:08I loved his mom and dad and his, his, the whole, his siblings. Like, he always talked about them and clearly came from a strong sense of, like, big love. Yeah. And loved the craft and was very, very tortured by it. So, you know, I think anybody who experienced working with him knew how much he cared about what he was doing and also knew the struggles that he was experiencing. So, but I feel very lucky that I got to have that time. I got, I have, I've had a lot of time with Heath and, you know, we were the same age. Our birthday was like, we were like, you know, birthday twins almost. And, yeah, you don't ever want to lose friends that early, you know.

40:10It would have been amazing to have seen what his career projectory would have been. Yeah, those kind of folks are crazy where they're kind of frozen in time for us forever, right, at that moment. It's very poignant. And, yeah, and how we need to take care of each other. I think, you know, look, we're real right-brained people, you know. It's that brain, you know, if you don't have the ability to be able to have structure and that structure and that support with your linear brain, which so many artists we know don't, you know, it can be really, really, really hard. And that's why I think artists communities like we know it's it's it's it's we see so many people struggle with, you know, addiction and and mental health challenges.

41:08And and and I think that that right brain, left brain correlation is very is very has a lot to do with it. So, you know, it sort of highlights that we need to like remember that artists, we are fragile beings. Yeah, and I say this not like it's just our community. I mean that in everybody, every community. You know, you might not be, you know, a Heath Ledger movie star, but you are a creative brain, a right brain, an artist. That brain needs to be supported differently. And yeah, yeah. I guess he was a special one. The irony is, I mean, I know folks often talk to you about the what if of Spider-Man.

41:51If you do Spider-Man, you don't get that Heath Ledger experience. That's right. There is that. That's true. I mean, is there like, when you come close to doing something like that and it becomes what it becomes, is there like a period of mourning where you're like, I can't watch this movie. Like, I'm going to need a minute before I ever watch this movie because of what it might have been for me in my career. You mean, no, I'm not like that. I'm really not like that at all. I just I'm like a big like like I it's like when people say like I don't look I'm really not a look back person I look back when it's affecting my my life and the people around me and then I have to be like okay where is this coming from that then I'll reflect but things like that it's just like it's in the past there's nothing to do you know I'm I'm I am an Aries through and through I'm always looking for what's new, you know, like what's next?

42:43What are we doing today? What's happening? I'm in, I'm right here. And I think that's why my memory is awful. Because I'm so, I just like fucking, I just forget it, you know? And I also really believe that everything really does happen for a reason. And all of it is supposed to sort of take you to exactly where you're supposed to be. As long as you're like, as long as you're paying attention, not to like be like blind, you know, just to live like, you know, blindly through life and have no reflection. But, you know, I don't because I look at like I look at where my career is gone and what where what I've what it's so full.

43:27It doesn't it doesn't just exist. And I love the sliding doors of life. the truth is like you never know like i could have done spider-man and and it could have led me down a whole other thing that maybe i wouldn't be here today who knows kate you could have ruined the franchise who knows maybe that maybe a little bit of dud yes exactly i could have been awful i could have been the worst fairy jane of all time but I really don't like I don't I don't and I don't think I think I really have this thing if a direct you know it's one thing if you know you're there's the there's respecting like the artistry of it and like I know people's egos get in the way of things because they you know it can but like if someone doesn't want me for something like that they they need to make exactly what they need to make.

44:23Like, there's a reason for it, you know? And so I never take it personally. And it's also about, I mean, this tying into Song Song Blue, it's like what goes around, it comes around often. I mean, Craig Brewer, your relationship with him goes back decades. Like, you were talking way back when, and the right thing doesn't happen then. It came around. It happens. It happened when it was supposed to happen. Oh, yeah. I feel that way about so many directors, like I'll see their work and like their, like some of their first stuff and then I'll talk to them and then I'll want to do something else. And then maybe they didn't want me to do it now.

44:58Like, that's a great example of like in our industry, how ego can kind of get the best of people, you know, where it's like, wait, I was your fan from way back when, you know, I'm, I know I'm right for this part. Why didn't you cast me for this part? But the reality is, is that just, I just love people for the work they want to put out in the world and whether I fit into it for them in the right time is, is what it's going to be. Right. Like still cheerleading, still being like, I just want people to make the best version of what they think what they're doing is. Right. And I've met so many directors like that.

45:34And Craig was one of them, like hustle and flow, saw that movie was like, I have to meet this guy. He's so talented and we loved each other, you know, but it took 20 years to do a movie together. We're sadly almost out of time, Kate, but we're going to end with this. We end the podcast with the happy second if he's profoundly random questions. Okay. Okay. I know the answer to this, I hope. Dogs or cats? Dogs. Big time, right? Yeah. You're a dog family, the whole fam, right? Yeah. We have like a thousand dogs. If anybody's seen Seems Like Old Times, which is my mom she's got a thousand that's like how i grew up and we're all like that all the kids too many dogs it's just so you know you've done the podcast i have just launched this week my celebrity and dog talk show i kid you not stop it i have four so i'm in okay i'll hold you to it i am a thousand percent in and they're all rescues except for one but i consider him really a rescue but that's for the other package.

46:41We'll save that conversation for the next time. Okay. What do you collect, if anything? Oh my gosh. I love collecting things. I collect guitars. I love guitars. I collect little boxes, like limoje boxes or little pill boxes. Anything that's little that opens, I love and I collect. And everywhere I am in the world, I make sure, especially if it's a new place, that I get something from there. And I do that. And I collect Hermes scarves. Very nice. Do you have a favorite video game of all time? Something from childhood that you played? I mean, I was like a Mario Brothers 90s kid. So that was really my...

47:27And then after that, video games weren't my thing. What's the wallpaper on your phone, Kate? right now it's my daughter and my nephew boom Wyatt and Meredith's youngest sweet who's the last actor you were mistaken for if it ever happens oh my god all the time it's always a different Kate it's it's I'm either Kate Blanchett I'm either Kate home Katie Holmes. I'm either Kate Winslet. But looks wise, I get Drew. A lot. Okay. People think I'm Drew Drew all the time. Yeah, but it's usually like, Kate Blanchett! And I'm like, yes. Yes, I am. I would love to be Kate Blanchett today. So yes. What's the worst note a director has ever given you?

48:24Oh.

48:28I don't know, just something else. Whatever that was, don't do that. Let's try something else. I'll tell you who it was, because I love this. It was the Russo brothers. And we were doing Yumi and Dupree. And it was Anthony. It was Ant. And he kept coming up, and he didn't know what he wanted. And it was like this silly little scene. And he finally comes up and goes, and I go, Anthony, what do you want, though? Like, cause I want to give you what you want. We've done this now like a million times. He's like, I don't know, just something else. And he left and I was like, what is that direction? Um, like just give me like an adjective, like something.

49:13It was so funny. So I say that with love cause it was such a funny direction. I don't know, just something else, which made me feel incredibly insecure. Like, I can't give this, I can't give him what he needs. But those guys were really fun to work with, so. It's worked out for all of you guys. And finally, in the spirit of happy, sad, confused, an actor who always makes you happy, you see him on screen, you're in a better mood. Okay. Jumps to mind. The first person that just popped in my head was Catherine Hahn. Love it. She is a beam of light in the universe. She was the first one. She always makes me happy.

49:56A movie that makes you sad?

50:01I mean, Shawshank is the ultimate sad for me. That was the one as a kid that really was like, maybe the first one that really made me sit as an adult cry. Adult cry. also

50:26terms of endearment it just always gets me that movie that's kind of my go-to I always say it's just it's just like in a good way yeah oh I just can't handle it and finally a food that makes you confused you don't get it why do people eat that a food yeah oh oh marmite it's like i'm like that i'm not get like it's so weird how you either hate it or you like love it and it is so gross to me and i love every i love food also um there's this japanese um food i think it's called natto uh i don't know okay yeah it's called natto and it's like a fermented oh i can't even say it it's uh and anybody i you know listen my partner's half japanese so um you know so any anybody who like grew up in a japanese household knows what i'm talking about right now it's a i think it's a fermented soybean.

51:34Yeah, natto. N-A-T-T-O. And it's a traditional fermenting of soybeans. And it's... I can't even... I can't be in the same room if someone says that and it's there. It makes me... I have a body reaction. I see it. I see what's happening right now. I hope there's no natto or marmite in the Oscar nominee gift basket this year for your show. Oh, God. If someone wants to play a prank on me, that's what to do. Congratulations on all the well-deserved love for Song Song Blue. You kill it in this. Have a blast, Oscar night. Yes. And truly, I'm so thrilled, finally, we got you on the pod and Next Stop the Dog Show.

52:22I can't wait. And thank you for all your support. You're the best. And so ends another edition of Happy, Sad, Confused. Remember to review, rate, and subscribe to this show on iTunes or wherever you get your podcasts. I'm a big podcast person. I'm Daisy Ridley, and I definitely wasn't pressured to do this by Josh.

52:45This episode is brought to you by ChatGPT. Hey, it's Bill Simmons from the Bill Simmons Podcast. Have you guys heard about ChatGPT work? It's the new way to use ChatGPT for bigger multi-step projects. And when you need more than just answers, Give ChatGPT work access to your apps and files, and it can create real work documents like spreadsheets, slides, and structured reports. Get started at ChatGPT.com by selecting work mode available on Plus and Pro plans.

From the publisher

Talk about symmetry! 25 years ago Kate Hudson burst onto the scene with her Oscar nominated performance in ALMOST FAMOUS. Now she's back in the Oscar race thanks to her role in SONG SUNG BLUE. She joins Josh to chat about her beginnings and the road that led to this career re-defining moment.

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