In short
Episode topic: Sophie Thatcher discusses her acting career (Yellowjackets; horror films Heretic, Companion; upcoming Her Private Hell with Nicholas Winding Refn), her first Cannes experience, and how her music/film/game tastes shaped her performances. She also talks about growing up “chronically online,” handling fan commentary, and transitioning from theater to camera work.
Guest backgrounds
Sophie Thatcher is a young actor known for Yellowjackets and genre projects. She’s also a music creator (writing/recording; playing piano; making music with her twin sister) and a gamer who cites Silent Hill 2 and The Sims as favorites.
Key claims
She says Yellowjackets keeps her “stunted” in a teenager headspace while she navigates her 20s. She credits music as central to her collaboration with Refn, and says their set used specific soundtracks daily to build tone. She claims she disconnects from online discourse to stay sane (e.g., “click not interested”).
Notable examples
Cannes premieres with Rihanna playing “rain songs”; Refn set listening to Don’t Look Now and Brian De Palma’s Dress to Kill; childhood scars from Pan’s Labyrinth and Goblet of Fire mermaid CGI; gaming comfort via The Sims and Silent Hill 2.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOSophie Thatcher's Career and Influences
0:00 to 0:30
Discussion about Sophie's acting journey, recent projects, and influences.
“You know back to school is coming in fast.”
Sophie Thatcher's Career and Influences
0:33 to 0:56
Discussion about Sophie's acting journey, recent projects, and influences.
“Listening to this podcast instead of doom scrolling?”
Sophie Thatcher's Career and Influences
1:15 to 2:03
Discussion about Sophie's acting journey, recent projects, and influences.
“Welcome to another edition of Happy, Sad, Confused.”
Sophie Thatcher's Career and Influences
2:54 to 3:50
Discussion about Sophie's acting journey, recent projects, and influences.
“I'm sure she's been on all of our radars.”
Navigating Life as a Young Actor
3:50 to 6:40
Sophie shares her experiences balancing youth and acting roles.
“This is how modern friendships are born in a brightly lit podcast studio.”
The Cannes Experience
6:40 to 8:10
Sophie describes her surreal experience at the Cannes Film Festival.
“I was in Silver Lake and then I was in Nichols Canyon.”
Collaborating with Nicholas Winding Refn
8:10 to 11:10
Insights into working with filmmaker Nicholas Winding Refn on her latest film.
“but I went back and I was just working on music and I was like, God damn, it's nice here.”
Music's Role in Film
11:10 to 14:01
Discussion on the importance of music in Sophie's work and film art.
“That's what you want in a Nick Reffin movie.”
Exploring Aesthetic References in Film
14:01 to 17:08
Discussing the emotional depth behind aesthetic choices in filmmaking.
“I feel like we had a very good understanding of each other through references, and I know that references can feel sometimes shallow, but it didn't.”
Exploring Aesthetic References in Film
17:10 to 18:24
Discussing the emotional depth behind aesthetic choices in filmmaking.
“Well, it's August guys, so it kind of feels like the perfect time for a reset right before the fall comes.”
Show all 30 chapters
Exploring Aesthetic References in Film
18:29 to 18:45
Discussing the emotional depth behind aesthetic choices in filmmaking.
“Get free shipping on your order and 365-day returns now available in Canada and the UK too.”
Sophie Thatcher's Artistic Influences
18:45 to 21:40
Sophie shares her artistic journey and inspirations from childhood to now.
“as I started to like, I mean, I have been following your career, but I was reading more and more about you.”
The Evolution of Personal Expression
21:40 to 24:48
Sophie recounts her phases of self-expression through music and writing.
“It's an amazing movie, but like really dark.”
Navigating Fame and Online Presence
24:48 to 28:00
Sophie discusses the challenges of being chronically online as a public figure.
“like whoa what about the stuff you did online the tumblers and stuff is that out there?”
Influence of Iconic TV Shows
28:00 to 28:58
Discussion about the significance of iconic shows like 'My So-Called Life' and 'Felicity'.
“and then steal them, copy and paste them into these like fan fiction forums and people would be like, genius.”
Reality TV and Personal Disconnect
28:58 to 30:20
Exploration of how reality TV serves as a disconnect for actors while in their set lives.
“I don't know if you ever watched Felicity.”
The Charm of B-Movies
30:20 to 31:38
A conversation about the appeal and charm of B-movies and practical effects in film.
“Well, that's why one of my all-time favorite films is Ed Wood, which is this ode to people that were so devoted to the craft that they weren't capable of making great art, but they were just trying.”
Movies That Scarred Us
31:38 to 33:08
Discussion on films watched too young that left a lasting impact, like 'Pan's Labyrinth'.
“But they just hold everything into it, and you feel it, and that's what, you know, it's so incredibly charming It's charming when I find that people are doing practical effects.”
Gaming and Its Influence
33:08 to 34:50
Sophie shares her gaming experiences and the impact of video games on storytelling.
“I think I'm discovering something right now.”
Gaming and Its Influence
38:23 to 38:38
Sophie shares her gaming experiences and the impact of video games on storytelling.
“Getting help from one of State Farm's 19 ,000 local agents when you choose to bundle home and auto.”
Acting Journey and Typecasting
38:38 to 42:00
Sophie discusses her early acting experiences, typecasting, and the transition to film.
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Comfort in Character: Acting and the Camera
42:00 to 44:25
Sophie discusses her evolving relationship with acting and the camera, revealing how she finds comfort in her roles.
“where sometimes I'll go to set now and I'll be anxious for a bit and then I'll come to my closeup and I'll be like, oh, I can breathe now because I'm in another character and the camera sees me.”
Growth as an Actor: Reflection on Past Roles
44:25 to 46:49
Sophie reflects on her growth as an actor, contrasting her earlier obsession with perception and darkness with her current state of being.
“And now it's like I let go of all of that.”
Exploring Diverse Roles and Career Aspirations
46:49 to 49:48
Sophie discusses her desire to be a character actor and explores her aspirations for a diverse career in the film industry.
“they were slightly different, but still in the same world.”
Interest in Franchise Roles: The X-Men Universe
49:48 to 51:30
Sophie shares her openness to franchise roles like X-Men, emphasizing the importance of a meaningful story and collaboration.
“It depends on what point I'm at in my life emotionally because every musical is so emotional.”
Navigating Auditions and Self-Tapes
51:30 to 54:00
Sophie discusses the challenges of modern auditions, particularly the shift to self-tapes and how it affects her performance.
“Does X-Men have any meaning for you as a kid?”
Emotional Reflections on Yellowjackets
54:00 to 55:22
Sophie expresses her emotional connection to her role in Yellowjackets and discusses plans for the show's conclusion.
“Okay, so coming up, you still have a couple of months you said left to shoot Yellow Jackets.”
Musical Theater and Deep Connections
55:22 to 56:05
Sophie talks about her experiences in musical theater, emphasizing the importance of good taste and deep connections in her collaborations.
“We've been trying to like get these band t-shirts on the show.”
Random Questions with Sophie Thatcher
56:05 to 59:00
Sophie answers a series of fun and quirky questions about her preferences and experiences.
“And she like all we do is just send each other music.”
Thoughts on Directorial Notes
59:00 to 1:01:05
Sophie discusses the challenges of interpreting directorial notes and their impact on performance.
“What's the worst note a director has ever given you?”
Transcript
Automatic transcript. May contain errors.0:00Hey Chicago, class it up with Crocs. You know back to school is coming in fast. So why wait to find your new fave footwear? Step into a local Crocs store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up, it shows off. First day fits, handled. Walk out ready for whatever's next. Visit your nearest Crocs store today. This episode is brought to you by State Farm. Listening to this podcast instead of doom scrolling? Smart move. Another smart move? Getting help from one of State Farm's 19 ,000 local agents when you choose to bundle home and auto.
0:43Bundling. Just another way to save with the personal price plan. Prices are based on rating plans that vary by state. Coverage options are selected by the customer. Availability, amount of discounts and savings, and eligibility vary by state. You know, when I was younger, I was trying to be older, and now I'm kind of just like... I can be my age because I'm not ashamed of my age. It was always, it was the shame within being young and feeling like I'd lived so many lives. I was like, no, like you don't see like, I'm 12, but like, I've lived another life before. Prepare your ears, humans. Happy, sad, confused begins now.
1:22Hey guys, it's Josh. Welcome to another edition of Happy, Sad, Confused. Today, one of the best young actors working today. It's Sophie Thatcher. Yellow Jackets, her new film with Nicholas Refn, and so much more. Thanks guys as always for checking out the podcast. Remember to hit that subscribe button on YouTube, on Spotify, however you're doing it, you know what to do. Today's main event, as I said, Sophie Thatcher, someone that's been absolutely killing it in recent years, companion, heretic, I mentioned Yellow Jackets, and a very bright future for her. This is a really fun conversation. Before we get to Sophie though, always a lot of things going on in the happy, sad, confused universe, and you know what to do.
1:58You have to be a Patreon member to get the early access. Patreon.com slash happy, sad, confused. You get discount codes, get an autographed merch, got bonus materials, so much cool stuff. We do have some cool live events coming up in June at the 92nd Street Y. June 16th, Matt Smith and I are chatting about House of the Dragon and Doctor Who. And you know I'm gonna ask him Star Wars questions. He's in the next Star Wars movie. That's gonna be a fun one. Tickets are on sale for that. and tickets are now on sale for Millie Bobby Brown. I've been hinting at this for a while. June 24th, Millie Bobby Brown talking about the new Enola Holmes film.
2:34And we might talk about that Stranger Things show a little bit. She's never done the podcast crazily enough. So I'm really excited about this. I know this one's gonna sell very well. So good thing to try and get your tickets early for that one, June 24th, Millie Bobby Brown. All the information as always is in the bio, but also discount codes, as I said, are on the Patreon. on. Okay, Sophie Thatcher. What a cool, young, talented actor. She's been on my radar for a few years. I'm sure she's been on all of our radars. Yellow Jackets was kind of the show that really made her pop, I think, onto all our radars.
3:10But to see what she's been doing lately, especially in the horror space, as I said, that one-two punch last year, Heretic, End Companion. And she's just working with the coolest filmmakers. She just premiered her new film, Her Private Hell in Cannes with Nicholas Winding Refn. That's coming out later this summer. She's about to work with Jennifer Kent, who did The Babadook. She's got great taste. This is a fun conversation because as much as it's about her career, it's also just about her awesome taste in music and film and games. I feel like I learned so much from her today. I had a blast talking to her, and I know you're gonna have a blast listening to her.
3:47Here's me and Sophie. Enjoy. Sophie, we're here. Should we do this? We're here. Let's do it. This is how modern friendships are born in a brightly lit podcast studio. And it shut? Yeah. We just learned that this podcast studio might be moving. We're not sure. We're not sure yet. We'll figure it out. It's good to meet you. I've been such a fan of yours. Thank you for taking the time. Thank you. You're killing it lately. Thank you. It's been, you're on a nice little run. I'm happy to talk to you before you start to, you know, be more discerning and not talk to people like me. No. No, no, no, no, no, no, no, no.
4:22How's the summer treating you? I've seen you out and about. You did the Cannes thing. We're going to talk about the Nick Reffin experience. Yes, yeah. I imagine you finished Yellow Jacket? No, no, no, no, no. Okay, correct me. We got two months left of that. Okay. Two or three months left of that. And it's just been very back and forth. Anytime I have a break with that, because, you know, obviously they have the present day cast. And that is like a week of shooting. So I'll have these weeks off. and it's really confusing like being attached to something for so many years and having all this time off and trying to navigate a life outside of that whilst also remaining in that.
5:00Totally. You want to know it's part of your brain and always is still there. And it's still right there. But we're almost done and it's the last season and I mean, I'm not even, I think I'm, I think I'm the youngest on the show now. But I can't, It's hard playing like an 18 year old version of yourself because I was 18 when I started the pilot. You're stunted. You're just stuck there. You can't. Oh, for sure. No, it's like permanent being stunted and people like to say you like stop growing when you get famous. but I feel like this show, not that I stopped growing, but it's interesting staying in that headspace and staying as a teenager as I'm trying to navigate my 20s and navigate all these other projects as well.
5:52And I heard you in another interview talking about how when you were young, you were actually kind of the opposite. You were passing for older when you were really young. So you've always been in a weird time-space continuum. Yeah, yeah. Yeah, when I was younger, I was just obsessed with, it was like an act. It was something I wanted to portray and see if I could pull off how old I could be. When I was 12, I was like, let's aim for 18. How did that go for you? No, I did auditions where they asked what university I was at. And I was like, I'm 13. I'm watching Garfield. I'm watching cartoons. But it worked.
6:31it was just like always putting on a different character yeah well that served you well yeah um bouncing around a bit so we're talking summer so you're still in the middle you're the thick of that you're in new york you're just telling me some stuff you're up to in new york but i do want to talk about um the nick reffitt experience which was which was can i don't know if that was that your first can that was yeah yeah that was my first can it was surreal it was exhausting i would get like three hours of sleep every night and not even just from like going out it was like all of these events that would start at like 11 or 12 I would have glam at six or seven in the morning and I was like how do people feel good and look good throughout this I got like a free um IV shot oh and I've never done that before and I was like I've never felt so LA in my mind I was like, this is evil, but I love it.
7:25And I think it's a hoax as well. So you've now gone full LA. You've done the IV. It's not attached right now to say. I just moved out of LA. I spent three years there. I was in Silver Lake and then I was in Nichols Canyon. Oh, wait, where's home now? I just bought some place upstate New York. So it's really nice to be here in the city and spend time back and forth because you truly get best of both worlds. I have a country home and then I can come here. But LA, I find it's interesting because I was there last week and I think this is a very common feeling, but as soon as you move out of a place, I mean, you want what you can't have, but I went back and I was just working on music and I was like, God damn, it's nice here.
8:16Nostalgic for your home. Nostalgic for like, this is my last week ago. Two weeks ago. But that's just life. You're going to spend plenty of time there, whether you want to or not. And it was also, I can't drive, so it was a thing. Sophie, I can't drive. I never were to drive, and I'm twice your age. You're in the city, so. Yeah. You live here in the city. Born and raised New Yorker. Never had to. That is the perfect excuse. I don't have the same excuse as you. You're fine. I'm like, I was a child actor. I have no real skills. Yeah, I know. I am incompetent. but you can pretend to do anything more important than actually doing anything is pretending will you drive it so have you ever taken a driving like lessons nothing nothing no interest i think the more i wait the more built up anxiety um so i can attest to this i'm the christmas future sophie you're right yes it's true um so next week uh i have a couple days off of yellow jackets and i'm gonna get in my uh i have a i just got a car um with my partner and got a subaru which is the most like upstate car for really gone from 25 to 40 overnight basically like i'm shaded um so we're gonna drive around that subaru and who knows in the mountains lovely yeah maybe you cracked the code um okay so wait so back step back to can because like we all have those images in our mind if we've grown up watching the coverage etc i've been lucky enough to go a couple times on the flip side obviously different kind of experience than you had but like the press conferences are insane walking up the steps yeah was it yeah all scary no i mean all good scary yeah um it was raining for our um premiere as we were going up the steps and it felt so goddamn epic Rihanna was playing and they just only played rain songs perfect so it was I was looking back trying to be like mewing and it was just a funny I was like this isn't real life and I just kind of had that in my head where I was like, this cherish, this isn't real life.
10:40What else? What are some other rain songs? No, because they played all the classics. It's raining men. Did they? Hallelujah. That's always playing in your head, though. That's already there. But it was just like, I was like, I'm a can and they're doing this. This is insane. And to be there with Nick. And with Nick where he was like, and we all we have to follow him what was he doing he was doing the like some kind of pose that we all kept following and i was like halfway committing and i saw on the photos that i wish i fully committed because i was still trying to like do your posing it's hard it's hard it's a hard life um i haven't had since i wasn't there i haven't seen the film it sounds bananas but i always expect his movies to be bananas in the best possible way.
11:29Yeah, it's always... You know, it's going to divide people. That's what you want in a Nick Reffin movie. Come on, let's do it. But you've spoken glowingly about the collaboration. This is Her Private Hell, which is coming out later this summer, we should say. That you loved the collaborative nature. That it really was a top-tier experience. It really was so collaborative. And I've never had that. And I feel like it really raised the bar for me for working with filmmakers. Because it made me feel like an actual artist. and not just some kind of part of the machine to get it going, to sell things.
12:04It felt like, even watching it, I felt like we were making it for ourselves. And I don't mean for that to be like separating people, but it lies so specifically within my taste, within 70s Italian horror and everything so heightened. and it's a very specific tone that I think a lot of people won't understand that don't come from that... The reference points that they can connect with. Yeah, which is like in and of itself is... That's its own thing. It's completely separate and I understand not getting that. But to me, I'm like, God, it hit some kind of sweet spot. And watching it... For me, it really was watching the score.
12:47Pino DiNagio, we had been talking on set for so long. We would play the Don't Look Now soundtrack. Right, right. the Laura song and it's just the piano part and it goes into this beautiful orchestration and we'd play that every day to get into character and then he would play the Brian De Palma Dress to Kill soundtrack which is just like God like it's like pretty operatic or what is it I'm trying to remember it is very operatic and it's very it's like soapy it's very right I totally I remember it now but beautiful it's like works so perfectly because it's so on purpose yeah um so we would listen to that every day um and it was just kind of a tone that we had set by just listening to it because music is everything and i think because me and nick both believe that music is everything that's why we got along yeah and that's how we like our first meetings were just talking about like punk music and talking about i mean when he texts me it's just like sending me like rock videos and being like, oh, this video, like, they're so cool.
13:55It's all just, like, videos of, like, David Bowie or... He's speaking your language. This is the kind of references I want. It is, and it doesn't even... Yeah, and it doesn't have to be... I feel like we had a very good understanding of each other through references, and I know that references can feel sometimes shallow, but it didn't. For me, it felt like it was all-encompassing and like taking into a whole new world. Yeah, it's funny. You mentioned De Palma. I grew up with De Palma and like he feels like kind of an heir to that aesthetic, that kind of like, again, taking big swings. Taking big swings where it's like, but all like very, and it's not just purely aesthetically driven.
14:38It's like there's real emotionality behind it that I think people sometimes dismiss through this style and the tone. Yeah, the style can overwhelm their senses. The style overwhelms the senses and then you're just taking in the aesthetics and you're not... Right. It's like a... It's a visceral experience for sure, which is why it's like to have a film like this now, God, imagining people watching on their phones is really depressing. It's like, no, I mean, no, you can't. You just can't do it. We'll be right back with more Happy, Sad, Confused. So some of you may think what you see and hear on the podcast is the total me.
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18:44So I got to say this, this reaches the broader point I was going to bring up early on is as I started to like, I mean, I have been following your career, but I was reading more and more about you. I was a little intimidated that I feel like you're half my age and you have like twice as good taste as me. Like you are, you really, you've got, you've, I don't know where the influences came from. I kind of want to like get a sense of like, I know you have some older siblings. I don't know if you kind of found your own path. Like, how did you develop the aesthetics that you were drawn to? Like, how did we get here, Sophie, in a nutshell?
19:17YouTube, growing up on the internet. You say you were chronically online, but every kid's chronically online. No, but I was, I was like locked myself in the basement after school. It's just like on the computer for hours and hours and hours just trying to research and I'm still like that but I try to like view it in like a positive sense where it's like even if I'm on YouTube or on Discogs or Bandcamp trying to search for music it's like I'm searching for music to inspire me and to show other people like I'm very against gatekeeping right i think that's um hey it's just not i think if something is interesting why not yeah why not spread it and if it's really underground then why not but like even more the reason right it's not yours you don't make the music i i hate when people feel ownership over something that's really underground and they're like i discovered that no it's like spread it if you find it interesting.
20:19Yeah. So give me a sense of different phases growing up. Lordy, that's a good question because I went through so many phases. Let's start from the beginning. Musical theater. It was musical theater. I was a little Broadway kid. I was going to be a big star. And that was my obsession. I was going to be... I had this shirt that said give me jazz hands. and a bunch of stars and I wore like squirrels. This was my like quirked out Zooey Deschanel phase where I was also doing musical theater, but was like, I'm going to tap dance randomly. And I still tap dance a lot. I love tap dancing. So this was middle school.
21:00Okay. And then I discovered Radiohead and I was like, oh, there's darkness in me. And I started listening to OK Computer and I was like, oh my God, there's this whole other side to me. Oh my God, I'm going to use this for my acting. And it actually kind of helped. Of course it helped. Music helps with everything. So I discovered that. And then me and my sister started making zombie movies. And this was us going darker into everything. And we were making zombie movies. And I was starting to kind of like, I think I got a Tumblr around like 13. 13. Okay. And I was like reblogging a lot of like Christine F.
21:39Okay. Which is fucked up. It's an amazing movie, but like really dark. And then I created a shoegaze tumbler where I was like everything is, I felt very like bleak and it was just like peak. Like I had a comb over. Sure. I wore my Joy Division shirt every day. I played piano a lot and then I had my Omnicord and I started making music. And this is early high school. Shoegaze was kind of like, like my buddy Valentine was every day blasting in my headphones when I was walking through school. It was, I haven't really, it's hard for me to listen to it now because it's so high school and it's so of that time for me.
22:28But then, Elliot Smith always, I have a. That's you I know, right?
22:35Good job. Is that the only one? Is that the only one? No, you have a couple. No, I have this and then I have, this is just something I wanted. It's a locket, I don't know what it means. doesn't mean anything. Elliot Smith was like the phase always, always there in my life. At what age did you get the tattoo, the first tattoo? 17? Okay. 18? Which is like, makes sense to get Elliot Smith to do. Appropriate, feels right. So, I mean, you're growing up though. I mean, you have a few siblings. You have a twin, we should say. Twin, yeah. And she lives with me now. Is that right? Yeah, it's crazy. I mean, it's been really fun.
23:14We've just been like making music nonstop. How do I know for a fact this is Sophie and this is not? We're so different. We are really so different and I can't quite describe it. But I think because we grew up in different circumstances and I've been forced to, not forced. Let's be clear. I'm not forced. But like I'm around people a lot and I grew up really introverted, but it has broken me out of my shell. Yeah. And I think she makes claymations and that's such a, you know. You can be on your own and just sort of do your craft. Oh, and just live in the house for years. So I think that's the difference between us, but it's been nice.
23:52I've just been working on music, and she'll be working on her masks, and then we'll just go back. It feels like a crazy artist environment right now, and it's really nice. So it is interesting the way you describe it, because it sounds like you're sewing your own head a lot as a kid, but you also have this need, want to perform. and be on a stage. That's like two ginormously different things. Yeah, I think that playing characters was the escape. And even when I was younger, I was obsessed with writing and wrote, oh my God. I'm so lucky that because I'm so young, I can go back to my Google Docs from 2012.
24:32When I was 12 and I was like this wizard, I wrote howls moving castle fan fiction. Sure. all this like crazy shit that I can look back on just like go through a trip down memory lane to have that so accessible is a blessing but also like whoa what about the stuff you did online the tumblers and stuff is that out there? it's still there I think it's just soapy tea now I changed it you can go back it's all just like it's just shoegaze it's all just music and then I was like gradually kind of changing and like developing my taste through that and what I actually like. But I do kind of, I hate to like give Tumblr that credit because it's just like, you know, it's recycling a lot of stuff, but it helped.
25:28So what's the relationship become though with being like chronically online when you become like the subject of stuff like online? Yeah, I just, I click not interested. trying to purify your algorithm. I'm like the algorithm is fucked. Even when my friends send me stuff because I know that I'm in some memes or like I'm aware of it, but it's so, so incredibly disconnected from who I actually am. And I think because I'm able to disconnect, that makes me sane. Yeah, it would be worrisome if you were like, yeah, I'm in it and I'm reading everything about me. Well, no, no, no. I go through phases. I go through phases where it's like, and everybody does.
26:15Sure. Where, I mean, I've said this before, but when Yellow Jackets came out, I was on Reddit and it would spend like hours on Reddit and everyone was just like, her wig is clearly a wig. And I was like, what about my acting? I'm so good in it. But that must be, in particular, Yellow Jackets, which is such like a... Oh, no, people want opinions. and it's like it is why it's an interesting show it's like asking for people to participate and i want to be a part of projects that ask people to engage right um but then sometimes it it feels personal even though the wig was you know it's like that's so random and it's people just want to say something to say something a lot of the time even when like yeah i mean there are aspects where it's like you know you're being shipped and you probably shipped others when you were a kid I would imagine.
27:07Yeah. Shipped? Oh, shipped like. Like the couples, you know, like they want to see manifested. Yeah, I'm like, what if, I don't know. There's a lot of like Yellow Jackets to Stranger Things, like the alt kids in Stranger Things. They're always like, I see the fan edits of that. I was never really like a, I would like write fan fiction, but it was always, it was always about Miyazaki or my so-called life. I would cosplay, which is so, I was just so obsessed with Claire Danes and, aren't we all, and Angela Chase. That's your spirit animal as a character? That was you? That was me, yeah, yeah. I dyed my hair red when I was 12, 13.
27:53The, like, introspective. And I would, like, steal, I would look up on IMDb her quotes and say them out loud in the mirror. and then steal them, copy and paste them into these like fan fiction forums and people would be like, genius. And I was like, it's a well-written show. Everyone should watch it. It's so funny because like, again, I'm a bit older than you. Like I literally am like, Claire Danes was a freshman in my same high school when I was a senior. So like I, she's a contemporary and I remember obviously what that show was at the time. Like to you, it was probably so different. Well, it was huge.
28:29I mean, no, it was huge. It was huge because also there was less of that. It was authentic. It was real. It was authentic and that was very unique at the time. Ricky was the first gay character, openly gay character on television. Just crazy. Jordan Catalano's influence in a generation. I think I've realized that I've grown up because I like Brian Krakow and not Jordan Catalano. This is a marker. This is a marker. I'm like, I am maturing. It's the same. What's the Felicity thing? I don't know if you ever watched Felicity. it's like no and then. I did, I did, yes. It's the same kind of differentiating.
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29:03Yeah, you go back to it and you're like, oh my God, I can see clearly now. Does your taste now like run, obviously you've got highbrow. Do you got lowbrow too? Like, does it run the gamut? Oh yeah. What's an example of lowbrow? Lowbrow, I mean, I've been through phases, especially while I'm shooting TV, I can only watch reality TV. 90 Day Fiance has taken over much of my life. And I'm not regretful of it because you get to learn a lot about different cultures and different countries. It's like crazy circumstances. God, I really want to watch Below Deck. That's what everyone keeps saying to me.
29:43I haven't, but I know people are obsessed. People are obsessed. Summer House, everyone's talking. They're talking about the Summer House now. Summer House, what's that? It's another reality. Yeah, I just find watching actors while I'm acting, I'm like, oh. I need a disconnect even if it's reality TV and people are still acting and it's all meta it's like it's a different kind of disconnect where it's like I can't relate to that set it's a different set life where I'm like I'm not thinking about how everything is so technical because it's so hard to get out of my head when I'm watching TV while I'm doing TV but I mean B movies too I love yeah what would constitute a b-movie like modern b-movies or like old school what are what are modern there's nothing like what does that what does that mean that's a good question yeah i don't even know everything's diy it's like would a modern b-movie be on your phone right what does that mean um modern my favorite i always reference this um hell comes to frocktown i don't know educate see again you better you're more sophisticated than me it's a if you look up photos of that it's i'm obsessed with like crazy bad masks sure um and really just when it's really like as tacky as possible this isn't a b movie but um peter jackson's meet the feebles is like adjacent to that and anything within that realm is like yeah god that's my sweet spot it's there's like a heartfelt quality to it because you know that everyone is pouring their blood sweat and sold into it for shit product, but not for Meet the Feebles.
31:25Meet the Feebles is genius. Well, that's why one of my all-time favorite films is Ed Wood, which is this ode to people that were so devoted to the craft that they weren't capable of making great art, but they were just trying. They loved it. But they just hold everything into it, and you feel it, and that's what, you know, it's so incredibly charming It's charming when I find that people are doing practical effects. It's just like an easier way to immerse yourself. And I hope we can lean back into that, but I doubt that. I just saw a movie this morning with a ton of prosthetics. I mean, it's a ginormous movie, but it's like the Supergirl movie.
32:05Like I will say, it's a lot of prosthetics. I did enjoy it. Yeah, yeah. Sweet. Oh, that's sick. Yeah. And you can tell it feels different. A hundred percent. Even if it looks bad, it's like, there's like a nostalgia to it as well. You're destined for a Guillermo moment at some point, right? It's got to happen. One of the first Pan's Labyrinth scarred me. I walked in when I was seven years old to this scene. That's a lot. Yeah. That's a lot for a 30-year-old. But then it scarred me in such a way. And then I was like, I learned, I was obsessed with waltzes. and then I learned the Pan's Labyrinth theme song on piano and I would just play it over and over, being scarred, thinking about that and so tortured.
32:54Explains a lot. But God, that movie is genius. I recently rewatched it and was like, this holds up so well. That segues it too. I always like talking to people about the other films they saw a little bit too young that scarred them. So Pan's Labyrinth is one. What are any other examples of a movie you're like, oh in retrospect why was i watching this at that age that jump out um well definitely so many 20 days later which i bring up a lot because i was like you were through your zombie face that spawned the zombie movies of course it was the best of us yeah um i don't know i had like i had like i was very scared of everyone watches goblet of fire harry potter but the something about the like offness within the cgi of the mermaids oh my god i still look at it i'm like because the cgi is so bad there's this uncanny element to it that i captured as a kid that i was like oh something's wrong i don't know what it is so bad what the hell and i that would scar me and my older sister would torment me and just like point her phone to me and it was just the mermaid and that um I think I have a thing for mermaids.
34:12Mermen for Cabin in the Woods. Right. You know, that last set. I love that. Yeah, yeah, yeah. And the merman. Yeah, merman. He's like flopping. And I watched that. That was like 14 or something. It was horrifying. Yeah, yeah. I think I'm discovering something right now. Yeah, we're all discovering at the same time together.
34:35What about, okay, oh my God. We can talk just about reference points, but we'll talk about career stuff too. But I do want to... Yeah, no, I'm like, this is not... But I do, before we get to your actual work, gaming also, you're a huge... We're a huge gamer? I'm not a good gamer. What does that mean? You don't have to be like... I'm just... Who's testing you? It takes me a really long time and I cheat through everything, but you have to cheat. You have to watch the walkthroughs. What's the biggest time suck game of your illustrious... Well, Sims without a doubt. I was talking about that earlier today because I had to talk with Hideo Kojima and doing a talk with him was just so...
35:15I was like, you're a god. You're a god to us. Anything I say, I'm scared. He's so charming. That, I mean, Silent Hill 2, I think, has the most heart for me. Silent Hill 2, there's a bunch of games that I want to play. I have a PS2, PS3, PS4, PS5, a Wii. I think my Xbox is broken. I have like three different sets of an Oculus. You're equipped. You've got options. Like three switches. It's good to have backups just in case. The thing is I don't game that much. I don't anymore. Okay. But it used to be such a huge part of my childhood that just having it in my house and seeing it. It's comfort. Yeah.
35:59Safe place. If I'm ever going through a low point, I'm just going to immerse myself into this. Your 14 gaming consoles.
36:08It's now, I mean, that's the new IP, as you well know. It's like, it's horror, but also it is like now Hollywood has figured out, oh, gaming is bigger than Hollywood. Oh, yeah. I mean, Ella doing the Fallout. Yeah. Yeah. I brought her to my apartment the first season because I was, I tried, well, I had a night where I brought all the Yellow Jackets girls over and I was like, I'm going to create every one of you on Sims. It took hours and people got so bored because I was trying to get them right. You have a call time in an hour, Sophie. I didn't know. Like, Sophie, what are you doing? I was like, no.
36:41Got to get your nose right. And I did it. and then I tried to create Ella on Fallout and that was her first introduction and she was like turn it off it's scary graphics and I was like that's fair it is like that uncanny specifically Fallout New Vegas has that like where it's like kind of realistic but not it's of that era where it's like it's just uncanny and then Fallout 3 is like really good graphics especially I remember when that came out I was like these are the best graphics of all time I'm excited that like, you know, again, I sound old when I say this, but like the new generation of filmmakers, like people like Zack Greger doing Resident Evil.
37:22It's like, oh, yeah, let the. Oh, my God. Resident Evil is. Yeah. Let them do their spin on. And it can be so. I mean, video games are so incredibly cinematic. And Hideo Kojima is the greatest example of that. Where he's using also like the best of the best actors and the best of the best actors want to work with him. And I want to work with him, too. More Happy Say Confused coming up.
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38:48Okay, so you're also an actor, we should mention. You acted in films and TV. I'm not just like into pop culture nerdy stuff. This acting gig's going pretty well. Talk to me a little bit about the early days of kind of when you went pro, as it were. You're doing a lot of theater early on. Yeah. But what do you remember? What kind of auditions were you going up for early? were you typecast right from the start like what do you remember it took me a while to figure out my typecasting and now i'm real in it um kidding um when i was younger i was like trying to fit myself into i was the musical theater girl that wore the jazz hand shirts and tap dance and was you know listening to really like dark music but you know like balancing all these things and I would always go on these Disney auditions.
39:39And I remember getting a callback for one of them and I lied to everyone in my sixth grade class being like, I'm going to be on Disney Channel, you guys. Because I wanted to be popular and I was popular for two days. And then they realized, they kept asking and I was like, I have nothing to give you. I don't know. And they saw. It's illegal. It's really, it's, it's, it's. I can't, I signed an MBA. I can't tell you. So, but that, it was just like feeling really out of place. and like I was always too off. And then I think doing Prospect was like a good, because I was like, I mean I've always kind of played Outcast and they saw that it wasn't like a put on, it was like oh finally I can like play myself or even lean into the offness of everything.
40:28What do you remember of like hitting those first marks, being in front of a camera of a professional production. No, I'm not even joking. Like Chicago Med and Chicago PD. I was like, I don't think I can deliver lines in front of camera. It was so scary because I grew up in theater and having to do one line and having to prove yourself within that two seconds, specifically within procedural TV. And I still find that when I have these one liners, even with the all jackets the other day, I was like, I can't do it. I have one, like I need a scene to get into it. Interesting. It feels like commercial act.
41:02It feels like not real. So that I, yeah, my heart was just like racing. And it was like the first couple of days in prospect, I was like, I don't think I can do it. And then I did it. And it just became so natural that I was like, it's not more exciting than theater. I mean, I haven't done theater in so long. And I think it would be so interesting to go back with this experience now. I think I've kind of regressed in ways within technicality. I need to work on my diction. I need to not, no more vocal fry. But I would love to go back to that, but it was so, it was like a block when I was first on screen.
41:53It was like I couldn't connect. The camera was like the devil. And now it's this weird thing now too. where sometimes I'll go to set now and I'll be anxious for a bit and then I'll come to my closeup and I'll be like, oh, I can breathe now because I'm in another character and the camera sees me. Interesting. It's like a friend. Yeah, got to make friends with the camera. It can't be an enemy. No, no, no, no, no, no. It's going to be a long shoot otherwise. And I don't know how that transition happened, but I feel so much more comfortable when it's on my closeup. Yeah. When it's right here because I can't lie and once I can just fully go into that headspace that Sophie's gone, something else comes up.
42:34Yeah, I'm always fascinated by the sort of actors I've talked to over the years that have such a high BS detector that they're their own toughest critic. Kristen Stewart, infamously, I always bring her up. She's always told me and others, it's like she'll just cut in the middle of a take if she just feels like it's... You can't continue. It's like, no, this is not real. And I'm learning that too because it's like there's guilt that comes with that where you're like, oh God, I'm holding up production. And specifically within TV when it's so fast moving, it's like, I can't really do that. But, oh God, when you just have to call cut.
43:07I mean, absolutely. And I'm learning that and I'm finally starting to speak up for myself because you disengage so quickly when something is off or when you're distracted. So you alluded to this earlier, but like you're kind of in the homestretch for Yellow Jackets, which is obviously such a pivot, is gonna always be a pivotal part of your life, a chunk of your life that you were returning to for about five, six years, right? What do you, I mean, like when you think back to Sophie that was on set those first few days, like were you a different actor, you think? Were you a different human being?
43:38Like was it? It's a good question. Yes and no. I think, I think I'm still pretty much the same. I think I'm lighter now. I think I carried a lot of darkness or wanted to carry a lot of darkness and I was very obsessed with perception when I was younger. And it almost feels, you brought this up earlier, but when I was younger, I was trying to be older and now I'm kind of just like, I can be my age because I'm not ashamed of my age. It was the shame within being young and feeling like I'd lived so many lives. I was like, no, you don't see. I'm 12, but I've lived another life before. I value, I have perspective.
44:22And I'm like, I grew up the internet. Like, I know so much. I packed a lot in. I packed a lot going on up here. And now it's like I let go of all of that. And I feel much more myself now. Yeah. And I feel much more, I think, when I was like my early days on being on camera, I was just obsessed with being just natural. Just be natural. Just throw it away. I was like taking all these on-camera classes. And it was horrendous when you'd get notes. so just throw it away and I was like god what a terrible note um but that's kind of what was going on in my mind where I was like just you know it's funny it's like coming from theater too it like makes sense to have that mentality but it's not something that's going to create for a dynamic or interesting performance and it was just like me early in my career thinking that way well it's this contradiction of like actively trying to be natural as opposed to just being being natural you know what I mean like think about it just be natural be natural oh and then it's you know it's like robotic and it's tilted yeah exactly yeah I mean acting is like thinking about directing and thinking about giving notes is so incredibly convoluted and challenging but I think you know the best directors know how to uplift somebody and Yeah, know how much to give and not too much.
45:46It's so psychological. It's so, there's so much to it that I would, I know everybody says this, but I would love to just like dive into that just to like learn because I help friends with self-tapes and I know that's so incredibly different, but you're giving people notes. I love giving, I love being bussy. So I'm like, this would be great. so one day maybe what do you think the I mean the one-two punch especially of heretic and companion well I think both in the calendar last year was I mean that's a meaningful career kind of like yeah it was things to prove what is that you know done for you from a career perspective from a goals perspective you know I know you love the genre space you love horror but you obviously You want to have a well-rounded career.
46:40You want to do all the things. Where are you at in terms of prioritizing? It's interesting. I'm at a really strange point in my career where it's like both of those characters, they were slightly different, but still in the same world. And I know that I want my goal is to be a character actor. And people say that, but I want to play something that's so oppositional to who I am and because people are seeing, and then even her private hell, it's like a heightened, far more tortured version of, like he was kind of basing certain elements off of me or even stylistically, and a lot of people can't look past that.
47:25And I'm, it's this hard point in my career where I'm balancing being a blank slate and having personality and making music and making art and putting out the art that you like and having taste. And I'm trying to separate the two and I'm trying to figure out how to separate the two, but a lot of people can't look past it. And I'm just asking people to dive a little deeper and to search for something deeper and look for something else because it's not even wanting to prove myself. It's just to prove to myself that I just want to have fun and be somebody else for a second and not always, always be in like the darkest.
48:12Sure. You're due for that? I don't think I've ever had a, well, I did a film called Peaches that was quite light, and I was like, this is the most challenging experience of my life because it's so light. But I need to get used to that so I can, you know, not just always live in such a, because I'm not like that in real life. Right. But something about on camera, it's like I, it's a place that I immediately turn to because it feels comfortable and it feels cathartic because the camera sees me. Yeah. And letting go those emotion on camera, it's like, that's a therapy session right there. Therapy for free.
48:51Yeah, for free. They're actually paying me for it. And the camera's like. I see you. I hear you. I see you. And here's your check. This is great. Well, maybe you're due for the Seussical, the musical. I was in Seussical. I know that's why I say that. You did your research. I mean, of course you did. There was a picture of me with like, I played a monkey in it. And I had the Paul Frank shirt. God, what a good show. I'm saying it might be time for a musical theater return. No, I have that side. I have that goofy side. Juliet's doing, I just saw Juliet do Rocky Horror here in town. So cool. Right?
49:31Is she still doing it? I think so. I saw it a couple weeks ago. I mean, Rocky Horror is the best of the best. The best. I love a dark musical, A Little Shop, A Sweeney Todd, A... Don't even get me started on Sweeney Todd. Like, Sweeney Todd is my childhood. Sondheim is the reason why I'm acting. Sondheim is life. Sondheim is everything. What's the Sondheim of choice? Is it Sweeney Todd? That's a really hard question. Oh, God, it's changing. It depends on what point I'm at in my life emotionally because every musical is so emotional. Merrily We Roll Along is probably the most heartfelt for me. Into the Woods was, like, one of the first shows I saw.
50:20My older sister was in it, and I saw her do that. But I've actually never seen Sunday in the Park with George, but one day. All of everything, everything. And where are you at? The only franchise-y kind of thing you've done in Star Wars, you did Book of Boba Fett. Yeah, yeah. I mean, I would imagine you're on a short list of like, Marvel would kill to have you be an X-Men. Like, there's the fan art. I've seen the Rogue stuff. I don't know if you've seen that out there. I see it with my tag. Yeah, and I'm like, interesting. Where are you at on that kind of idea? I'm open if it's a director that's down to collaborate and listen to me and I'm not just, you know, I want to have a voice.
51:07And I know that's absolutely possible and people do that all the time. But I would just want to make sure it's the right story being told, especially if it's such a huge franchise. It's like that itself has such an impact. and I want to make sure it's the right story and it's, you know, not just spreading like violence and shock value, but something meaningful. Yeah. Does X-Men have any meaning for you as a kid? Did you watch the cartoon or anything? It's the blue people. There's my answer. Sarah, I'm going to get a lot of hate on that one. No, you're fine. No, like Jennifer Lawrence in like blue.
51:49She was Mystique. You got that. Mystique. Yes. Sorry. Okay. Hannah Paquin was rogue back in the day. Yes. Yeah. Yeah. Yeah. Um, I'm open. She's open. Yes. Always. I'm open to anything. It is that interesting point. I mean, imagine for the first time in recent years where like you have choice as an actor and it's bizarre. So I haven't done like a self tape in a while and I'm like, I'm starting to feel like a imposter or something or like I forgot how to act or something because I haven't done a self tape. But is that weird? The first couple of times you had to say no to something? like this that goes against everything guilt guilt so much guilt but um you know ultimately again it's about finding the right collaborator because that's what you take with you for the rest of your life were you are you a good i don't know if they do even conventional auditions anymore it's all self-tapes like did you ever was i good at auditioning i slayed did you really i mean i was like i was a kid from chicago and i would go in the room and something would again and it was like being in front of, it just made sense.
52:51Being just in front of a couple of people, I was like, oh God, I can finally turn on and be myself. But not be something else. And then you lost that within self tapes. I feel like for a while I wasn't booking when I was a certain age. Because you have to be in the room and flip that switch. Wait, is it true? I think I read somewhere that you used to almost manifest by writing before an audition. Psycho, yeah. What was it? You were like, I'm gonna get this kind of thing? or like the specific memory that pops up in my head was writing down everything that was going to happen the audition writing down the lyrics of the song writing down what people were like writing down how everything was going to go out and then at the end ending with like i don't know how many i forgot how many times but like i'm going to book this i'm going to book this and and then at least doing like three pages of writing that.
53:40It was psycho. I mean, it was like some slight OCD possibly stuff. And I just had a lot of stuff like that where I was like, if I don't do this, I'm gonna fail. But it was like me trying to gain power and confidence. Control over the situation. It was control and it helped. It was placebo. Yeah. Okay, so coming up, you still have a couple of months you said left to shoot Yellow Jackets. are you emotionally prepared for what's gonna be a the end yeah have you read the end do you know um i'm yo lori just like makes me emotional thinking about it because it was it's such a huge part of my life and it's like what most people know me for so it kind of feels like letting go of like a really integral important part of yourself and like what will i feel empty I want to I really want to explore different options so I think that's the biggest feeling that like there's opportunity and freedom and space and I have time like I have a whole year like instead of half a year or a couple months I have a whole year to do weird projects and take a lot of swings and do that and not just choose like two movies a year and then yellow jackets whatever can fit in so that feels that's really exciting but it's going to be so emotional when we end i already know that melanie is planning a karaoke party and we've been doing a lot of karaoke karaoke's life um so i'm excited for that and i'm going to be planning my songs for then she's an angel on earth melanie linsky come on oh my god the sweetest and so talented and just so cool like oh my talking about like someone that has good music taste.
55:32We've been trying to like get these band t-shirts on the show. We got this band, The Bats, on the show. She has such good taste and immediately, I was in the Pavement music video and she was like, Pavement! And I was like, fellow indie head! Are you going to be working Jennifer Kent? Is that movie hopefully happening? Oh my gosh, she's amazing. Also talking about good, I know it like doesn't, taste means a lot of things but you can see within And it like goes deeper when someone has good taste and especially music. Music says everything about someone. And she like all we do is just send each other music.
56:10And it's really it's like it's beautiful. Nice. Okay. We end Happy Second Fuse every time with a profoundly random questions. You ready, Sophie? Yes. I mean, it's already been random, to be honest. But we'll go even deeper. Dogs or cats? Huh. It's okay. Dogs. dogs I grew up with dogs I grew up with cocker spaniels and I think about that game on the you probably didn't grow up with this nintan dogs yes um with a z and I had a cocker spaniel named Annie on that and like she's just forever in my head and I'm gonna get a king cavalier cocker spaniel and name her Annie um because I sent her to the pet hotel and I didn't realize that the pet hotel was like sending your dog to heaven oh and I never got her back so I'm sorry I do something about that.
56:58There you go. And you had Sawyer named after the characters in Lost, right? Sawyer, you do. Yeah. Yeah. All the Cocker Spaniels in my life. Sawyer. Yeah. I'll get, I'll just have a bunch of Cocker Spaniels, like the whitest dog out there for sure. What do you collect? I guess band t-shirts. Okay. Not to be. I'm trying to think of like something. Monkey. Monkey. I'm kind of fizzling out of the monkey phase, but I'm obsessed with orangutans. You're collecting orangutans? Just actual monkeys? Yeah, not actual. No, no, no, no, no, no. They're stuffed animals. Okay. And as I was moving, I was like, oh, my God.
57:43Like, I have, like, a whole shelf. I probably have, like, 30 plush toys. Because any time I see one, I'm like, it's going to meet. Come home with me. You're coming home with me. Meet your new friends. so that and panty shirts and gaming consoles we covered this but favorite video game of all time it's The Sims Sims has my heart Sims has my heart the Dakota Johnson memorial question she asked me this I ask everybody would you rather have a mouthful of bees or one being your butt one being your butt that's like that's not that bad I want to be able to talk. Connect. Sensible lady. What's the wallpaper on your phone?
58:29Elliot Smith. On brand. I'm so easy to fucking predict. Who's the last actor you were mistaken for? Sophie Turner. Because Sophie Thatcher or Sophie Turner and she's on Game of Thrones and that's huge. And then I met her one day and I was like, whoa. It's like that Spider-Man gamer. I mean, we don't look alike, but similar names-ish. Did she get the reverse? Did she not, did she got in Sophie Thash? Hell no, no. I don't know. What's the worst note a director has ever given you?
59:08Oh, shit. I'm like, I don't want to like off somebody. You don't want to name names. You can just say what the actual note is. The worst note. Well, it's always like, this is so basic, but throw it away. I would get a note and it really threw me off and it was um um be 5 a.m sophie which means like no thoughts um so that threw me off it wasn't a bad note but it would just always throw me off and I'd be like what does that mean you're like no thoughts none okay let me not think let me be stupid um so that was really hard yeah when it gets like intellect or like um abstract like that Yeah, sometimes you want practical.
59:51Just like... Sometimes I'm like, just tell me something specific. Yeah. On the nose. I would prefer that. Faster, slower. Because I'm an actor. Right. And in the spirit of Happy Second Fused, who's an actor who always makes you happy? An actor who always... Philip Seymour Hoffman. Love it. Movie that makes you sad? I'm going to say Wings of Desire. And I always bring that up. But it makes me devastated. A little Fim Bender's action, right? Oh, he was at Cannes and I really wanted to meet him, but I didn't. One day. And finally, food that makes you confused. You don't get it. Black licorice. Oh.
1:00:32Disgusting. It's kind of like a cilantro thing for some people. It's just... Black licorice is like the most disgusting thing I've ever tasted in my life. No, I feel like very strongly about it. I can tell. No, absolutely not. Okay. We won't make you... Not even confused. it's not confused that was like pure hatred happy sad hatred my new spin off show Sophie thanks for taking the time today this was a blast congratulations on everything that's come and I'm so excited to tag along future years so nice of you getting started same and so ends another edition of happy sad confused remember to review rate and subscribe to this show on iTunes or wherever you get your podcasts I'm a big podcast person.
1:01:19I'm Daisy Ridley, and I definitely wasn't supposed to do this by Josh.
1:01:26This episode is brought to you by ChatGPT. Hey, it's Bill Simmons from the Bill Simmons Podcast. Have you guys heard about ChatGPT work? It's the new way to use ChatGPT for bigger multi-step projects. And when you need more than just answers, give ChatGPT work access to your apps and files, and it can create real work documents like spreadsheets, slides, and structured reports. Get started at chatgpt.com by selecting work mode available on Plus and Pro plans.
From the publisher
We'd say Sophie Thatcher is the future but she's here dominating right now. Bursting onto the scene in YELLOWJACKETS, raising her game with the one-two punch of HERETIC and COMPANION, Sophie is poised for even more success. She joins Josh to talk about it all, including her chronically online childhood, her passion for music and fanfic, and more.
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