40. Steph VanWagoner: From Starting Over to Sideline Photography for the Detroit Lions

3 Feb 2026 · 57 min · 33 chapters

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In short

The Game - A Football Podcast by the Girls, for Everyone

Episode 40

Steph VanWagoner: From Starting Over to Sideline Photography for the Detroit Lions

Episode Overview In this episode of *The Game*, host Victoria Henderson interviews Steph VanWagoner, a freelance photographer for the Detroit Lions, Tigers, and Red Wings. Steph discusses her unique journey from being a 911 dispatcher to becoming a sports photographer, sharing insights into her career development, challenges, and the significance of female representation in sports media.

Key Themes and Concepts

Transition to Photography

  • Background: Steph began as a 911 dispatcher but pursued photography as a creative outlet. After years of side gigs capturing weddings and family events, she transitioned into sports photography.
  • Starting Point: Her initial experiences included photographing local events for free to build her portfolio and learn the craft.
  • Networking: Emphasizes the importance of outreach—contacting local teams and photographers for mentorship and opportunities.

Game Day Routine

  • Preparation: Discusses her pre-game rituals, including packing gear and ensuring everything is ready before heading to the stadium.
  • Workflow: Describes the high-paced environment of game day, detailing responsibilities that include taking promotional photos, capturing game action, and managing content flow for digital outlets.

Female Representation in Sports Photography

  • Breaking Barriers: Steph reflects on the challenges women face in a male-dominated field and encourages aspiring female photographers to persevere and take their rightful place.
  • Community and Support: Highlights the importance of kindness and building rapport with colleagues, emphasizing that supportive relationships can lead to greater opportunities.

Important Takeaways

  • Embrace Constructive Criticism: Steph learned to appreciate feedback as a way to grow and improve her skills, noting that many photographers struggle with this aspect.
  • Networking Tips: When reaching out to established professionals, avoid asking for credentials directly. Instead, seek advice and feedback on your work.
  • Resilience and Adaptation: Steph shares her journey of resilience, including moments of self-doubt and criticism, and how these experiences ultimately shaped her career positively.

Notable Quotes

  • “Your eye belongs here, your voice matters, and kindness is a competitive edge.”
  • “If you do what you love, you never work a day in your life.”

Conclusion The episode concludes with a motivational message to aspiring photographers, emphasizing the importance of continuous learning, resilience, and being open to feedback. Steph encourages listeners to pursue their passions and reminds them that it’s never too late to start anew in any career.

Follow Steph VanWagoner

  • Instagram: [Personal Account](https://www.instagram.com/stephvanwagoner/) | [Photography Account](https://www.instagram.com/stephanierae.photo/)
  • Email: stephanievphotog@gmail.com

About the Podcast *The Game* podcast aims to provide a fresh perspective on sports, championing female voices and discussing topics often overlooked in traditional sports media. The show encourages listeners to engage with the content and share their thoughts and experiences.

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This summary encapsulates the depth of Steph's journey as a photographer within the sports industry, highlighting her personal anecdotes, professional insights, and the broader implications for women in sports.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Welcoming Steph Van Wagner

0:45 to 1:45

Discussion on Steph's background and her journey into photography.

“Today, we are sitting down with Steph Van Wagner.”

The Pressure of Photography

1:45 to 3:20

Steph shares her experiences of feeling the pressure as a photographer.

“You are one of our first on the field, behind the scenes girls on the game.”

Transitioning to Freelance Photography

3:20 to 4:50

Steph discusses her journey from weddings to professional sports photography.

“And I was like so proud of, I put so much work into getting one cover shoot photo and I'm in the car And I'm like, what if this gets deleted?”

Life as a 911 Dispatcher

4:50 to 6:20

Steph reveals her past as a 911 dispatcher and its impact on her photography.

“If you scroll deep in my Instagram, like what, 2008 or something, you'll find it.”

Empathy in Chaos

6:20 to 7:40

Discussion on how her previous job helps her manage chaos in photography.

“So, I mean, that's really, I've been doing this, I mean, professionally for about 10 years or so weddings and things like that.”

Starting in Photography

7:40 to 9:30

Steph recounts how she began photographing events and building her portfolio.

“You know, they had all of these benefits and there was, there was a ton of benefits.”

From Family Portraits to Sports

9:30 to 11:00

Steph explains her transition from family photography to sports photography.

“than maybe if you had had a more average HR job or something like that?”

Growing Passion for Sports

11:00 to 13:00

A deep dive into Steph's lifelong love for sports and how it influences her work.

“But yeah, I would like take senior pictures and family pictures, or again, I'd go back out and I'd take pictures of flowers and you know, my dogs and things like that.”

First Experiences in Sports Photography

13:00 to 14:02

Steph shares her initial experiences photographing sports events and learning the craft.

“So, you know, I went through all these different jobs.”

Starting My Journey in Sports Photography

14:02 to 16:28

Learn how I began my path in sports photography with local games.

“So I contacted a local community college.”
Show all 33 chapters

Networking and Building Connections

16:28 to 17:40

Discover the importance of networking in the sports photography field.

“You're saying, Hey, I'm looking to build my portfolio.”

Advice for Aspiring Photographers

17:40 to 19:18

Gain insights on how to approach professional photographers for guidance.

“Even people that you don't know, they're like, oh, I was in your shoes once or, Hey, we actually have openings.”

What Not to Ask as a New Photographer

19:18 to 20:40

Understand the common mistakes new photographers make when seeking credentials.

“That's, it's usually a nerf, you know, you know, that's, that's not something that's not the way to ask what to network the correct way.”

Understanding Photography Contracts

20:40 to 22:20

Learn about the contracts involved in working with professional sports teams.

“Just ask for feedback, advice, and what it takes to get to that level.”

The Life of a Freelance Sports Photographer

22:20 to 26:54

Explore the responsibilities and community aspect of being a sports photographer.

“Is it through like on the photography side?”

A Day in the Life of a Game Day Photographer

28:25 to 29:21

Get insights into the preparation and responsibilities on game day.

“So walk us through a game day because my game day is like, if I'm at home, I'm like, wake up, sip coffee, put on my little outfit, like sit down, watch the game, make food, whatever, chat with the girls.”

Breakfast Routines and Their Impact

29:22 to 30:09

Understand how a consistent breakfast routine can influence daily performance.

“So my day starts a little bit earlier than most.”

The Importance of Routine

30:10 to 30:49

Explore the significance of having a morning routine and its effects on productivity.

“And so I, the exact same breakfast is you.”

Navigating Game Day at Ford Field

30:50 to 31:39

Learn about the logistical challenges and preparations for shooting at Ford Field.

“Otherwise we're going to, everything's going to get jacked up.”

Game Action Photography Insights

31:40 to 32:49

Gain insights into the different photography roles during a game and the importance of teamwork.

“But then I kind of like to just sit there for a while and be up with everybody else as they arrive.”

The Editing Process for Photographers

32:50 to 34:18

Discover the differences in editing tasks between game days and events for photographers.

“You know, I was either on the sideline or I was up top doing partnership stuff with the, you know, with the ribbon LEDs or in and then up in the catwalk, which is my favorite.”

Software Preferences Among Photographers

34:19 to 35:39

Explore popular editing software choices and features that enhance the editing process.

“photographers is like, I hate editing or like just spent the longest day of my life editing.”

Building Rapport with Players and Families

35:40 to 36:31

Learn about the dynamics of relationships between photographers, players, and their families.

“editing their entire photo shoot they did yesterday.”

The Balancing Act of Being a Fan and a Professional

36:32 to 39:01

Understand the challenge of enjoying a game while focusing on professional photography duties.

“But you know, like if somebody introduces himself to me or whatever, I'm like, Oh, Hey, yeah.”

Favorite Moments as a Sideline Photographer

39:02 to 41:16

Hear about memorable experiences and emotional moments captured during games.

“You know, you're talking about your family, like how much are you enjoying the game?”

The Journey to Becoming a Full-Time Photographer

41:17 to 42:00

Explore the path from being a backup to securing a full-time position in sports photography.

“I cannot believe this is happening or like favorite moment from shooting games, whether that's with the lions or with red wings tigers.”

Emotional Moments in Photography

42:00 to 45:00

Hear about the pivotal moments and emotions in Steph's photography journey.

“That was in July at training camp in August.”

Transforming Anxiety into Creativity

45:00 to 47:22

Learn how Steph reframes anxiety as a source of creative energy.

“And like someone thought I was good enough to be there.”

Advice for Aspiring Female Photographers

47:22 to 50:38

Steph shares essential advice for women looking to break into sports photography.

“Like I have interviewed with other sports teams out of state, you know, I've interviewed with them again the following season.”

Overcoming Challenges and Starting Over

50:38 to 56:00

Understand the importance of resilience and starting fresh in your career.

“It's so important to be kind in this industry.”

Insightful Photography Journey

56:00 to 56:13

Learn about the challenges and joys of photography from a sideline perspective.

“Well, thank you so much for sharing your story, your advice.”

Connecting with Aspiring Photographers

56:13 to 56:30

Discover how aspiring photographers can gain inspiration and advice from experiences shared.

“I feel like aspiring photographers are going to love this.”

How to Book Steph VanWagoner

56:30 to 56:59

Find out how to connect with Steph VanWagoner for photography bookings.

“They can reach out to my email, which is Stephanie V, S-T-E-P-H-A-N-I-E-V, photog, P-H-O-T-O-G at gmail.com.”
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Transcript

Automatic transcript. May contain errors.

0:22Hey, it's Victoria. The game's on. Welcome back to another episode of your favorite football podcast by the girls for everyone, the game. Before we get into it, make sure that you're following us on social media at The Game, the podcast on Instagram and TikTok and following us on Substack at thegamethepodcast.substack.com. That's where you will find our newsletter, our updates on events and our all-girls exclusive group chat. So welcome to the table. Today, we are sitting down with Steph Van Wagner. She is a freelance photographer for the Detroit Lions, the Detroit Tigers, and the Detroit Red Wings, along with freelance photographing many other sports teams around the country.

1:11She started as a 911 dispatcher and is a self-made, self-taught photographer. from photographing weddings to outreach to getting on the sidelines at Ford Field. She gives us all the details on what to do and what not to do if you're interested in photography, as well as her experience on the sidelines at Lions Games. I cannot wait. This interview has a little bit of something for everyone. So please enjoy my conversation with Steph Wagner. Stefan Wagner, welcome to the game. Thanks for having me. I am so excited to chat with you. You are one of our first on the field, behind the scenes girls on the game.

1:58So I'm so excited to talk to you all about how you got into what you got into, about the behind the scenes of your day-to-day activity, being a photographer for pro sports, what your contracts looks like, what your life looks like. But before that, I did a photo shoot for the brand yesterday to update my podcast cover. And on my way home, I was thinking like, how do photographers take all of these incredible shots and then not panic immediately that you're going to lose it? Like, is that just... I mean, I'm not going to lie. That has happened before. I remember reviewing the images on my card at this party that I was photographing and I got home and it was saying my card was empty.

2:42And I was like, you're joking. Like I physically seen the images and now you're telling me they're not there. So I had to buy a software and sure enough, the photos are still there. You just have to figure out a way to back them up. But as soon as I hit the door and decompress, I put them on my external hard drive, back them up so that way they're safe and I can relax easy knowing that they're going to be there. So yeah, I was in the car and I was like, I worked so hard on this, right? Like I'm not a photographer. I have like a nice Sony camera that like helps me with the podcast and that I like set up on my own.

3:21And I was like so proud of, I put so much work into getting one cover shoot photo and I'm in the car And I'm like, what if this gets deleted? What if I spill coffee on this camera? What if when I park to go run in and grab my dinner, like somebody steals it? So yeah, and then I was like, oh my gosh, I'm interviewing you tomorrow. Yeah. Yeah, it's scary. You've got to think on your toes, that's for sure. And always have like a backup plan for your backup plan. Yeah. And you've shot weddings as well. So I assume that weddings are even more nerve wracking than anything else because that's like one day.

3:55One and done. one and done. It's not like you can ask the bride to go back down the aisle with her father or whoever's walking her down the aisle like, I need you to do that one more time, please. Or do their first kiss again. So you have literally one shot. Literally one shot. Yeah. I love it. Okay. So you are a freelance photographer. You do weddings, got your start in weddings, and then moved into working with the Detroit Lions, the Detroit Tigers, and the Detroit Red Wings. So tell us a little bit about how you got into this, because I know there are a lot of aspiring photographers, people posting on social.

4:36So tell us how you even got into photography in the first place. Okay, well, so I got started back in, I don't know, some of these viewers are going to be too young for this era, but back when the black and white images with like the pops of color were cool. Oh, yes. Like back. If you scroll deep in my Instagram, like what, 2008 or something, you'll find it. Yeah. Yeah. You'll find it. Like late 2000, like 2007, 2010s era where it was like, wow, this is so artistic and it's such an aesthetic. Take a picture of a flower, everything's black and white. And then you got the flower in color. It's like, yeah, So that's like how I got started just like running around with my digital camera and then whatever iPhone, like, I don't know, four at the time, you know, taking pictures on that.

5:30And then I purchased my first kit from Sam's Club. It came with two standard lenses and a camera body. And it was like circa 2013, maybe. and just kind of was like doing things for free just to get a hold of like what it was like to be a photographer, you know, a lot of YouTube university. But, you know, I evolved from there and I started taking on bigger things like engagements, family sessions, weddings, things like that. And it wasn't even technically my full-time job. I always did it as a side hustle. So I was actually a full-time 911 dispatcher and photography was my stress reliever. You know, I'm working 12, 16 hour shifts on my weekends off.

6:19I'd be shooting weddings, families, things like that. So, I mean, that's really, I've been doing this, I mean, professionally for about 10 years or so weddings and things like that. But yeah, I just, you know, I took a leap of faith in 2022. It was September. I told myself I was over it and I quit my full-time job. I didn't have anything established. I just was like, I'm done. And I absolutely took a leap of faith and started my business and, you know, just evolved from there. And yeah, that's, that's, I mean, that's where I'm at today. And we can get into how I got started for it too. That's a whole nother story in itself.

7:03Okay, before we go into more photography, what is the qualification? Like, how does one become a 911 dispatcher? Because that is a very necessary job for the world, but also like very niche and feels very stressful. It was incredibly stressful. I actually left twice and came back. Like, it was very much that like love-hate kind of relationship. But it was like, it was one of those things that, you know, you felt as if that career was, you know, you wanted it to be a career and that was like your end all be all, like you were never going to make any more money than, you know, what they were paying you.

7:41You know, they had all of these benefits and there was, there was a ton of benefits. The pay was great. The overtime pay, holiday pay, you know, it's, it was phenomenal. And it's like, I can't get better than that, you know? So that's kind of how they suck in. But, but it was, I hired in, in 2016. I didn't have any sort of experiences, you know, as far as like being a 911 dispatcher. The only experience I had was listening to the police scanner when I was little with my grandpa. That's the only experience that I had was listening. You're bringing up all these throwbacks. I know a police scanner.

8:16People are going to make, what's a police scanner? Like it was like a literal like brick of a scanner like that we would sit and listen to. Wow. So nostalgic. But anyway, so that's what, you know, that's what we used to sit and listen to. But there was a series of like tests that you had to go through. You had to go through an extensive psych evaluation, all these different things in order to get hired. Once you're hired, there's about six months or so of training. And I worked in a very busy dispatch center. So, you know, you would train on phones and then you would train on police radio, EMS radio, fire radio.

8:54So there was all these different things. But yeah, it's one of those things where it's super stressful, but you got the job done and made sure all the first responders got home at the end of the night. Even though you're on the radio end, but you want to make sure that those that are front-facing, they get home to their families at the end of the night and that they're safe. Do you think that that level of empathy and ability to handle stressful situations made being on the sidelines like at your first Lions game any easier than maybe if you had had a more average HR job or something like that?

9:36Yeah, absolutely. Like I see sometimes in, in this is, you know, within the photography world and other, you know, other things as well. I see things that get people so hyped up and stress them out. And I'm like, it's not that big of a deal. You know what I mean? Like I say, you know, because I've been put in those situations where I have to stay calm, cool, collected that somebody else's big emergency is not a big emergency to me. But, you know, I have to treat it as such and, you know, go with their flow. Yeah. Your fire is not my fire. Exactly. Yeah. So I like I'm used to I'm used to chaos.

10:19I'm used to and I almost I almost thrive in that kind of environment. Like it just it pushes me even more. Yeah. The chaos and the unknown and everything. So, yeah, it's wild what a job like that will do to my whole demeanor. as a photographer. Yeah. Yeah. Okay. Well, thank you for sharing that because that is a wild, a wild job. Let's get back to the photography side. So you said that you started doing things for free. What kind of events are we talking? Are we talking like family's birthday parties, or are you just going places that you were normally going to go and like bringing your camera?

10:57so gosh it was my like one of my friends kiddos he was I think two at the time I took pictures of him in like their front yard and then like I took pictures of my cousin's birthday party she was turning maybe seven you know seven or eight just to get a general feel for my camera and settings and things like that you know I had no idea what I was doing but it's you know those things are like that are like opportunities to learn more. But yeah, I would like take senior pictures and family pictures, or again, I'd go back out and I'd take pictures of flowers and you know, my dogs and things like that.

11:40So anything that I would take pictures of, I was annoyingly like there with my camera. Yeah. Okay. Okay. That's awesome. And okay. Tell us about the transition. So you started to take photos. You started to build somewhat but of a portfolio, what did it look like jumping from weddings and family portrait photography, which you still do a little bit of into sports? Like, were you always interested in sports? How did that transition come to come to life? Okay. So it's, it's one of the most things. Okay. So I've been around sports my entire life, right? Like I, I played softball, volleyball, soccer.

12:26I cheered. My brother played travel hockey, baseball, golf, you name it. Sports girl. We revolved around sports. If we were having Sunday dinners at my grandparents' house, you know, the TV in the living room was turned to face the dining room because the lions were playing or the Tigers were playing and it didn't matter. Sports were on TV. Like we lived, breathed eight sports. And, but it, I, you know, I, at one point when I was in school, I was like, do I want to do something in sports marketing or sports management or, you know, anything like that? But I hated school. I hated school. So, you know, I went through all these different jobs.

13:08I went to, I have college credits. I didn't finish college. I had all these other full-time jobs as 911 dispatcher. And then, you know, photography kind of fell into play. And I just decided one day, like my boyfriend and I went to a Michigan basketball, Michigan men's basketball game in January of 2023. He actually just brought it up like a week ago. And I was videoing on my iPhone because I had bought like third row seats. So I was like, oh, this would be cool. Like, I'm going to try to play with like the video on my iPhone. And so like, I created this whole like hype video as like a fan POV and I uploaded it to Instagram and like the, some of the basketball players saw it and they were like, Hey, can like you send me that clip and so on and so forth.

13:53I was like, this is sick. This is sick. I'm onto something here. So I decided why not try photographing sports. So I contacted a local community college. I mean, this was February of 2023. I contacted a local community college and was like, Hey, like I'm wanting to get into sports. Do you mind if I come photograph a few games? You know, I'll give you whatever I edit, you know, do with them what you will. I just want to get my feet wet with this. Yeah, no problem. Of course, everybody likes, you know, free pictures and things like that. So I started photographing the basketball games, did a little bit of research on YouTube just to see like what my settings needed to be.

14:38But outside of that, like I learned everything while I was sitting there, what worked, what didn't work, shutter speed, aperture, ISO, all that other kind of stuff. And fast forward to April, 2023, I was photographing a friend's varsity baseball team. go photograph some baseball you know it's a different sport why not try it it's a different change of pace I'm outdoor natural lighting let's see how this goes so I built up a little bit of a portfolio and I was like I wonder what it takes to be in sports full-time as a photographer so I then started I call it Josh Allen the Josh Allen of the photography world I just start submit, like I just start DMing and emailing any athletes like, Hey, if you want free pictures of you working out, you know, whatever, like I'm just trying to build a portfolio.

15:29I would reach out to team photographers at like a college level, professional level, asking for advice or feedback on my portfolio. Or, you know, do you need any sort of degree to get into, into the sports photography world? You know, what, what do you need for next steps? Like, how do you get to that point and things like that. So I did that enough. I was left on read. I was answered and then ignored and ghosted and all this other stuff. And I'm like, somebody's got to answer. And the team photographer with the Detroit Lions ended up responding and like a few hours later, and I thought, there's no way, there's no way he's going to see it.

16:09Like, why am I even doing this, you know, like what, what's the point? And he ended up responding. This was May of 2023. And he ended up responding and we met for coffee and went over everything the next day. And yeah, I signed a contract with them in June of 23. So. Wow. So wild. So you're inviting them. You're saying, Hey, I'm looking to build my portfolio. I would love to shoot with you. How did you get to a coffee with him? Did you ask for the coffee or was he like, oh, nice. So you just said, I'm looking to build my portfolio. Here's what I have. And he said, let's grab a card. Yeah. I asked for advice.

16:50I still have our conversation saved. Just do I need a degree? Are you willing to give me feedback? How do you get to this level? So on and so forth. And we exchanged some messages of him being transparent with what it takes and you know, things like that. And then he's like, well, you know, something along the lines of if you're, if you're free tomorrow, I can review your portfolio. I'd be happy to help or answer any questions that you have. So being the emotional person that I am, I started crying and screaming and I was like, I can't believe it. So yeah. So I met with, met with him to have coffee and yeah, the rest, the rest is history.

17:33That's amazing. I, it's crazy how many people actually are willing to help you. Yeah. Even people that you don't know, they're like, oh, I was in your shoes once or, Hey, we actually have openings. Like, let me tell you what I know. It always is surprising because people are like, oh, well, it's so hard to get in and people are so hard to reach, but you never know. No, exactly. And like, if you shoot your shot, I mean, you never know what's going to happen. And I, I feel really bad. This is something that's been super heavy on my mind is I feel really bad. Cause like my DMS are full of questions and, but you know, my, my mental capacity sometimes is just, I don't have a lot there to like answer.

18:18And I feel really bad. It's like one of those things where it's like, okay, I need to take a day and respond to these people because like I was there once. Like I wild to think that like three years ago, I was trying to push for advice and feedback and things like that. So 2026, that's what I'm going to try to do better is to, is to actually start responding and carrying on conversations with, you know, these, these new photographers in my DMS. Cause I, I've been there and I know it's just with all that I have going on, it's, it's difficult to try to have that mental bandwidth at the end of the day to carry a comment.

18:57So we'll promise. Girl, she's coming for you. She's going to help you. You just got to be patient. You just got to be patient. Okay. Maybe we could do the top three questions you get asked right now and just answer some of them for them and just put them on social. the ones that they do ask you're like help with you know what I mean like so the biggest questions and I think what not to ask well okay we'll do we'll do this I love so we'll say what not to ask like if you are a new a student photographer a new an aspiring photographer and you want to know what it takes to get to that next level, do not under any circumstance message or email a photographer and say, can I get a credential for X game?

19:56That's, it's usually a nerf, you know, you know, that's, that's not something that's not the way to ask what to network the correct way. and you want to make a good impression, you know, be inquisitive and know that like your chance will come eventually, you know, there's a timing for literally everything. Mine just happened to be that one random day in May. You know what I mean? That's, they were just, it was decided. Hey, it's your turn. So yeah, it's just don't ask for that because it's, that's usually going to get you not responded to, unfortunately. But yeah, I just don't ask that. Just ask for feedback, advice, and what it takes to get to that level.

20:47Because you'll leave some sort of impression if you start off on the right foot and not like, hey, just can I get a credential? Right. Because you're like, I don't know you. No. I don't know you. I can't bring you with me to my professional job that I'm getting paid for, that I may, especially as like a freelancer, you know, like you have that authority to do so. You know, I'm, I'm a contracted photographer. Like I don't, I'm not the team photographer, you know, to where I can be like, yeah, she's clear. You know, I don't, I don't call us that. It's like, I contribute to the organization and to the photo team, but I can't do that for you.

21:30Yeah, so don't, maybe one day. but don't ask for the credential. So I mean, what I'm hearing is don't make too big of an ask, but ask for feedback and send some of your work. So then you can at least leave a good impression. For sure. I think that's really good advice because also if you're someone who, if you see an incredible portfolio, you might be like, oh my gosh, I love this. This is what I would tweak if you're sending it in or let me connect you with X. Right. Yeah. It's like, put, don't put the cart before the horse, like make sure you're doing the work before you ask for something as big as a credential.

22:09Yes. Yeah. You know, cause a credential that takes a, that's a lot. And you know, that's, I mean, that's a big ask and yeah, it's just not something that everybody it's, they can't pass it out like candy. Right. Okay. So how does one get a credential? Is it through like on the photography side? Is it all through freelance and like contracting in? Like, what does that look like in terms of actually getting your credential? Because you sign. Well, let's start with this. Tell me about the contracts that you sign with the Lions, Red Wings and Tigers and what each of those looks like in terms of the work that you produce for them.

22:50So the Lions, Tigers and Wings, it's a little bit different. You know, technically, I'm a contributing photographer for them. I contribute to, I mean, it's, it's all three teams, but I contribute to the organization, excuse me, the organization, the rights, they have the rights to everything. So like I can't sell or profit or any of that stuff under, you know, with my work, Like it's all theirs, which is fine. Great. You know, my name's on it with them. You know, I get credit for it, but it's copyrighted to, you know, it's copyrighted to them. Got it. You know, and just that like things don't get, you know, again, reproduced for profit and things like that.

23:37We can use them for our own social, our portfolio and things like that. But I mean, the biggest thing is just that we can't make any sort of profit off of those images. okay and to abide by the rules you know nfl they're big on the no gambling policy baseball and hockey they you know they they're more like no gambling on that side but i don't gamble anyway so it's not something that i have to worry about so i don't yeah i don't pay much attention to it i just know that one day i panicked when i saw somebody hacked my account and there was mgm on my statements and i was like no you're joking like this can't happen

24:20I was like, please, I'm going to lose my job. Like I really love my job. No. So I panicked, but anyway, I, I'm a rule follower. So yeah, I just, I stay away from all that kind of stuff. Anything that can get me in trouble or a mistake, I'll cry and yeah, I'll have anxiety about it for weeks. three to five business days. Yeah. Okay. How long are your, is your contract for with the Lions? Are you going season to season? Are you going game to game? Are you home games and away? It's season to season. Okay. So, you know, each season it's asked like, Hey, do you plan on coming back for, you know, the 2026, 27 season?

25:07Yes. Okay. I'll send you the contract, sign it, Just send it back so that way we have an updated contract agreement. So, yeah, it's just season to season. And with the Detroit Lions, it's every home game events with any players or community relations, public relations, you know, things like that. And then we have the opportunity to photograph concerts that take place at Ford Field. So we're considered like the house photographers. If the touring manager, if the tour allows us to photograph, some some tours won't allow it. But yeah, so it's you know, there's a lot there's a lot of responsibility that comes with with that.

25:50Yeah. So are you required to do it? Like, are you you're contracted for the games, but is it a requirement that you're at every game, every community event? Or do you get to pick and choose what you're? So it's a requirement for us to be at every home game because each of us, each photographer has their own responsibility on game days. But we have two backup freelancers. So for some reason, like, I can't be there, you know, like, then we'll bump everybody up kind of like, you know, and then they'll fill in the backup freelancer somewhere. Got it. And so you become like a team with the other freelancers because you guys are there every weekend together.

26:32Yes. That's so fun because you kind of think about like freelance. A lot of freelancers kind of have like a lonely path because they're kind of always on your own. Like you're dealing with your business expenses and your own business stuff on the side, as well as like other events, weddings, all of that. So it's really cool that you can kind of build community because you're there on game day every single week. I feel like this is different than maybe other freelance industries. If you're a little bit bored of your weekday food routine and you need to spice it up, it's winter, it's cold. And we know that sometimes a good meal, especially when it's dark, really hits the spot.

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28:04The flavors are bold. You don't need that much seasoning, which means they last a long time and they will indeed make your food so much more delicious. If you want 10 % off your order, head to kusocuts.com slash the game or use code the game, no spaces at checkout. Thank you, Kusos, for supporting us here at the game. Okay. So walk us through a game day because my game day is like, if I'm at home, I'm like, wake up, sip coffee, put on my little outfit, like sit down, watch the game, make food, whatever, chat with the girls. So what does your game day look like from the photography side? If I'm feeling super froggy, I will, I'll pack everything the night before.

28:51Okay. Make sure all my batteries are charged, make sure everything's packed. My laptop, my external hard drives, make sure my cards are ready. The shot list is ready. However, there's most days that I do everything the night before. The morning of, I panic and think I'm going to forget something. So unfortunately, I'm kind of type B in that aspect. I get things done the morning of and I kind of run around. But that's the way I know that I'm not forgetting anything. It's like, again, chaos. I thrive in chaos. So back to that. But so I get everything ready. I live about an hour from Detroit. So my day starts a little bit earlier than most.

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29:35So I get up. I'm a creature of habit. I have to have my coffee, my scrambled eggs and my toast. Yeah. So I have your bio online. You're like, I eat the same breakfast every single day. No, I do. And it's been like for years, like in some people might think it's like, no, like I am fixated on it. I don't know why. Okay. But if it works, it works. And if you like it, then you like it. I mean, I just started eating breakfast literally months ago because I just don't like breakfast food. And so I forced myself to make eggs, but my day actually goes better. And I feel like hotter and healthier if I have like protein in the morning.

30:12And so I, the exact same breakfast is you. I eat two scrambled eggs, avocado toast and a coffee every day. And I feel like if I switch it up and eat oatmeal or like cereal, my day is just off. Yeah. Like what if you get hungry? Like that's so inconvenient. Like what? I know. I know. And it's like, I don't know. It's just been that way for literal years. Like as soon as my feet hit the floor in the morning, like I have to eat. Okay. It's a routine and it's fine. I'm not that crazy. I promise. But like normal, this is, I feel like this is actually a very normal thing. Like we have our breakfast that we eat.

30:48Like it's you're professional. You're a working person. Like we got to have routines. Otherwise we're going to, everything's going to get jacked up. Somebody out there does the same thing as me somewhere. It's fine. But, um, but yeah, so I get everything ready, load up my car and I head to Ford field depending on the game. Usually it's a one o 'clock game. If we're lucky, it's a night game and I get to sleep in. But I like to get to the stadium. I like to get to the parking garage by about 830, nine o 'clock in the morning. Okay. That way I can beat traffic. I can beat like the fans coming in.

31:31I can get in, go through security, make sure that's all taken care of, get down to the photo room, get my stuff all set up, my laptop, my hard drives, cameras, batteries, you name it, make sure it's set up. But then I kind of like to just sit there for a while and be up with everybody else as they arrive. And yeah, I don't, I don't like to be super rushed once I get there. Like I like to just chill, you know, cause I know once 11 o 'clock hits or 1130, once the doors open, like shit hits the fan, you know what I mean? So, and you just hit the ground running once those doors open, because like the shot lists that you have to take care of are anywhere from activations outside at pride plaza, the concourse concessions, you know, the, I mean, the shot list is all over the place, you know, celebrities on the field or it varies from week to week, but yeah.

32:27So I, depending on like this season, I was able to, or not able to, I was sideline. Okay. So I was game action assisting the team photographer. And then I would flip flop with another photographer, he would be game action. And then I would photograph like the LEDs, the partnerships and things like that. So the video boards, and then I'd go up into the catwalk and photograph game action. Okay. So each, each home game was different. Yep. You know, I was either on the sideline or I was up top doing partnership stuff with the, you know, with the ribbon LEDs or in and then up in the catwalk, which is my favorite.

33:08Yeah. And then game ends and you just like go home when it's over and then send in your stuff. Yeah, pretty much. I it's one of those things, you know, I it's the bonus of living an hour away. You know, I can decompress as I'm driving home from such a long day. Usually like I will get out of there at about 5.30, no, 6, 6.30 in the evening. So it's like almost 12 hour a day, 10, nine. It's a long day. So I get home. Sometimes I download my stuff while I'm there. Sometimes I download it when I get home. Just depends on how sleepy I am. But anything on game days, we freelancers don't have to edit.

33:55We just have to caption tag, tag slash keywords, I'll say, and then upload them to our system. So events we have to edit, but game days we don't have to. That's awesome. I feel like that makes this job way more attractive. Yeah. Like you shoot, you upload it, you write the captions and then it's gone. Because a lot of photographers that I've talked to were like on social media, the presence of a lot of photographers is like, I hate editing or like just spent the longest day of my life editing. Or when I'm editing, I'm in a t-shirt, like I'm in a hoodie and I feel disgusting because I hate it. And so it seems like editing is like the least like task in a photographer's life.

34:37Kind of a drag. Okay. So I lied. It is and it isn't. Like for events and stuff. Yeah, fine. Like that's cool. Like I'll hurry up and edit them. Cause like the team photographer for We're lions and tigers and wings. It's the same team photographer for tigers and wings. Okay. They each create template or a preset for all of us freelancers to use and that they use also, but to keep things cohesive and all of the edits the same, they send us, you know, what they use on game days. So that way, when it's our turn to edit, we can use those, those presets and then send it in. Then that has a cohesive look.

35:17So, okay, nice. what um what editing software do you i know it's like probably different for different people what what editing software do you use this is like a personal question no no no that's fine lightroom lightroom classic okay cool that's yeah it's it's a long way like it's made editing a breeze like with all of the updates and everything that they have it's it's phenomenal okay that's that's awesome good to know because somebody may or may not be editing their entire photo shoot they did yesterday. Lightroom classic girl. Don't do mobile. Don't do mobile. Okay. Great. Great. I did figure out how to get my camera photos to my phone from the camera.

35:57Like you can connect them, which is awesome. So that's, that's cool. Yep. Okay. Let's talk a little bit more about game day. Have you built rapport with like players that you're consistently photographing, maybe like families on the field, like, do you build relationships with them? Or is it kind of like, what is it like a symbiotic relationship where you're like taking the photo? That's a weird way to say it. Sorry. Season over season, you're kind of around, you're around the same people. So how does that work? If it does, I'm not gonna lie. I'm terrified to talk to the players unless they talk to me okay okay like hey or what's up or whatever I'm like hey how are you like I still like sometimes don't know how to like I know that there's people I don't know like I don't want to get in trouble for talking to them I don't know I'm just again I'm one of those individuals that I'm like I do what I'm told and like once I'm told something like I don't want to screw it up or like overstep.

37:01Yeah. But you know, like if somebody introduces himself to me or whatever, I'm like, Oh, Hey, yeah. You know, how are you? I'm Stephanie. And so, I mean, the families and stuff, absolutely. The families have been great. There's some that I talk to all the time. Kathy Agnew, she is an absolute angel on this earth. and then the Hutchinsons are phenomenal. They are a phenomenal family. Mia, who I, you know, speak to like when I see her. Yeah. I mean, she's so sweet. And so is Melissa. Hopefully they don't, they don't watch this. They're like, but they're like, we're not friends. We're like, what?

37:41What do you mean? But no, like there's, they're so sweet. And you know, they have a photography background, you know, Melissa. Yeah. Melissa takes a lot of photo, you know, she's a photographer, Mia, but yeah, it's just one of those things that, you know, they got talking to me at an event for Aiden. This was a couple of seasons ago and they found out I was the only female photographer on the team. And they were like, we need her back. Yes. Yeah. They were so stoked about it. I know they were so stoked about it. They were like, no, we love it. Women in sports, you know, we'd love to see the girlies.

38:16So yeah, that's how we kind of got connected and you know that they also are photographers. So yeah, that's awesome. Yeah. We kind of just built that, built that bond over photography and yeah, they're super, they're super sweet. But yeah, I, you know, I try to say hi to, you know, those that are on the sideline and you know, before the, before the games and things like that. But most of the time, like I'm, you're doing your job, my head of all, and I have like blinders on. And if somebody says my name. I'm like, you're like, where's that coming from? Not my friend's voice. So who are you? Who's saying my name?

38:52But yeah. Yeah. I've just, I'm very much in focus mode. Like when, when I have the cameras in my hand and, but do you, is it like, how much are you enjoying the game? Cause you grew up being a sports fan. You know, you're talking about your family, like how much are you enjoying the game? Because I feel like it's got to be kind of hard to like focus on what's actually happening while you're also focused on focusing on like taking a great photo. Yeah. So it's so funny that you asked that because I actually just thought about this at one of the games, I will sit on the sideline and I'm not like numb to the fact that like, you know, I'm doing this, but like, normally I would be like, yeah, you know, if I was at home watching it or something and yelling and screaming and getting into it.

39:51But now that I'm around it all the time, I'm just like, I want to watch garbage TV kind of thing. But it's so it's, It's not that, you know, I love what I do. It's just one of those things. I'm so used to it now that it's not, not a thing anymore. Yeah. Don't get me wrong. Like I still like, I cry. Like you're still a fan, but it's just a different, you know, I mean, it's a different level, you know, it's cause I'm part of it that it's just a little, it's, it's a little bit different feeling now. And, you know, at the beginning of each seat, like my first season with the lions, I cried a lot just because I was so appreciative.

40:34And I, you know, I still am appreciative of where I'm at and thankful and I'm grateful every day. But, you know, in the beginning of this season, when I was before they ran out of the tunnel and everything, and just hearing like the vibe, like feeling the vibrations of like the yelling and the fans cheering and the music and just the whole atmosphere. I'm sitting there and I'm like, I can't believe I'm doing this. I still have so many pinch me moments, but it's one of those things now where I've kind of separated myself that this is my profession and I'm here to do my job and I can be a fan a different time.

41:16Okay. Give me your best pinch me. I cannot believe this is happening or like favorite moment from shooting games, whether that's with the lions or with red wings tigers. And you can give a couple cause we got done. You know what? I wish I would have shared my live photo with you or it's yeah, it's a live photo. Okay. Yeah, I will. So all right. So one of my favorite moments, I mean, I have a lot of favorite moments. Okay. So, okay. Readjust. Let's go. All right. Just go through it all. Okay. So I, you know, when I first started with the lions, I was told that I was going to be kind of like a backup.

42:02Okay. No problem. Grateful that I'm here. Yeah, absolutely. Happy to be here. That was in July at training camp in August. I was actually photographing a varsity football game and the team photographer texts me and is like, Hey, can I call you really quick? I get super nervous. Why does he want to call me at eight o 'clock at night? Anyway. So he calls and he's like, Hey, what are you up to? I was like, Oh, nothing. Just photographing a varsity football game. He's like, Oh, okay. He's like, Hey, I got a question for you. Do you, um, do you want a full season spot with us? Immediately started bawling my eyes out.

42:39There's like people like all lined up along the fences and I'm running, like sprinting, jumping, crying, trying to like keep it together. Like it was just so many emotions at once. I'm like, yeah, of course. Are you kidding me? Yeah. So anyway, that was one moment. Another moment was just being, being at my first game. there'll never be anything like that no no I I cried all the time that first season another cool moment was meeting Barry Sanders yeah during the draft like that was awesome yeah um so that I mean that was that was another moment I didn't I didn't cry surprisingly but no it was it was like it's Barry I have to keep it together you're like if there's one day to keep it together.

43:28It's right now.

43:32And then another moment I would say was I photographed a Michigan football game as a freelancer. This was last October. I had just went through a portfolio review and I got tore up from the floor up with that review. I called my boyfriend crying. I said, I shouldn't be doing this. I need to do something else. Like maybe I'm not meant to do this, you know, and that review, he told me, Oh, you're almost there. And I was like, Oh, okay. Okay. So I get that in the back of my mind. Right. So fast forward two weeks in Oregon sports outlet reached out to me and wanted me to work for them to photograph the Michigan Oregon game.

44:24When I got that confirmation email, I Kim Kardashian cried, like ugly cried. And I was on FaceTime with my boyfriend when I read that I was approved to shoot that game. He screen recorded and took screenshots and everything. And I like it's the worst face ever. But it was just one of those things where it was just like, holy shit. But like, yeah, all of this is unfolding after I had this kind of review and being told this, that now all of a sudden, like, I'm going to be sharing the sideline with said person that said you're almost there. And like someone thought I was good enough to be there. You know what I mean?

45:12So that was that was probably my biggest. Oh, my gosh, I can't believe this is happening to me. Kind of thing was Michigan football, of all things. But, but yeah, it's just, every moment's a great moment. You know what I mean? It's just, especially when you can do what you love and you know, you work a day at your, what's, what's the saying? It's like, if you do what you love, you never work a day in your life. Yeah. Yeah. Yeah. Yeah. I like most believe that. Yeah. Yeah. It's like almost true. We have our days. Yeah. Yeah. Some days are the best days of your life. Like some days you're like interviewing people and doing the coolest things.

45:52And other days you're up at three o 'clock in the morning because you're panicking about something that maybe doesn't need to be panicked about, but it's a big deal to you. Yep. Exactly. I do my best thinking at night. Yeah. I used to wake up really anxious at night and I'd be like, oh my gosh, this means that like something bad is happening. Like, why am I so anxious? Like something terrible must be happening. and then I don't know like what Instagram I came across or like what mindset shift or like what God came down to me. And he was like, and I, now when I wake up in the middle of the night, I'm like, I'm feeling this way because anxiety is just energy.

46:29And like, I don't mean that in like a clinical anxiety thing. I mean, like if your body is like feeling anxious outside of again, being like clinically anxious or having like the mental health concern, but like feeling anxiety is just energy. And so that can be, oh, it was my gymnastics coach from college. And yeah, he said, nerves are just energy and you get to decide how you use them. And so now when I've been waking up at three o 'clock in the morning, maybe for like the past year, maybe like six months, I've been like, oh my gosh, maybe I'm anxious because something really, really great is happening.

47:01And so when I'm up in the middle of the night, I'm like, should I pull out my laptop? Like, should I be brainstorming something? Should I be working on something? And that has like changed my life completely. Cause like, yeah, I'm exhausted. Like last night was one of those nights. It was two o 'clock in the morning. And I was like, why am I awake right now? But I was like, maybe it's because something really epic is happening in the next like 24 hours. Or maybe I'm going to like have a breakthrough, which I did in the middle of the night. Yeah. So yeah, we'd love to hear it. Yeah. And I, and I try to think that way too.

47:32You know what I mean? Like I have interviewed with other sports teams out of state, you know, I've interviewed with them again the following season. And it's just no, thank you. No, thank you. No, thank you. And instead of beating myself up, like it's one of those things, like, it's like, okay, this is happening for a reason. Something is going to happen down the line, whether it's like tomorrow, next year, year and a half from now, like something is going to come up for me when it's the right time. So like, I, I just try to tell myself like there is something out there. Someone will say yes at some point, you know what I mean?

48:12So. Which is exactly how you got to where you got to. Yep, exactly. Last thing I want to talk about before we go is you're obviously a woman working in sports in a male dominated field in a male dom, a male sport, essentially. What has the experience been like from the female perspective, getting your foot into the door, being on the field and like building opportunities? I think it's one of those things where we are being taken more seriously in this field because there is starting to be more of us, whether it's a photography side or videography side, like we are meant to be here just as much is the fellas are meant to be here.

49:02You know what I mean? We bring, you know, everybody has a different story to tell, you know, somebody might love the motion blur like I do, or, you know, everybody has a different way of looking at something, you know, it's, it's so subjective, but I just, I think it's super important for the women and the girls who are aspiring to be in this spot to just keep, keep going. You deserve a spot at the table. You deserve your flowers. It's just one of those things that like, we, we deserve to be here. You know, we can do the same things that the guys are doing. So just keep doing it. Yeah. Just keep going, keep pushing, keep taking pictures, keep videoing.

49:51I want aspiring photographers to know that, you know, to ask the questions, to, to learn every aspect of your camera editing, be open to feedback and be open to constructive criticism because it's the only way that you're going to get better. I love, love constructive criticism. I love feedback because I, I don't know everything, you know, things are always evolving and things are always changing, whether it be, you know, in the sports world, the wedding world, the family photography world, There's new trends happening all the time too. So just keep learning. Yeah. Keep learning. Don't ever think that you're too good to learn a new skill or to learn a new task.

50:37Be a team player. Be kind. It's so important to be kind in this industry. Like, so, so important. Like, if that's one takeaway, it's just be kind. like your smile, your hello, your how are you, you know, whether it be to another male photographer or another female photographer on the sideline, like that can make a huge difference and that can leave a big impression or, you know, so just be kind to everybody. I've dealt with that too, you know, so I just, I've had bad days and somebody, Hey, how are you? And I'm like, good thank you yeah you you know just it's just that one little one little hi or smile or something that makes such a huge difference and and be helpful communicate these are all so many important things so many important things I know I know I feel like I kind of got off topic with that but like it's good advice and the girls need to know it right like there are so many women who maybe love photography as a hobby, but they're like, oh, I could never.

51:42Or maybe they're having their first shot coming up in the 2026 season and they like want a little bit of a guidebook and you just gave it to them on like how to present yourself and, and what it looks like to be there. So also I love a birdwalk. So yeah. Yeah. And it's never too late to start. It's never too late. I had to start over at 31. You know, I divorced, had to move out, got my own apartment, things like that. Like, so I started over, you know, and starting a business and things like that. Like, it's okay to start over in your thirties. Like it's okay. And you don't never say never because it's, you never know where something is going to take you.

52:31Yeah. I feel like that really hits home for me because I'm 31, went through a breakup seven months ago and I was like, oh, this is endgame. Like we lived together a whole thing. And then we broke up and then this podcast like came to life. And now I'm on the brink of, of moving and making some like massive changes and like building this business and seeing how far I could take it. You just, yeah, you never know what's going to happen. And sometimes like the, you know, you mentioned the photographer that ripped apart your portfolio. And then two weeks later, you're getting like a huge acceptance.

53:08And I think like people will say sometimes like sometimes everything kind of has to burn for everything to like come to life or everything has to find if everything's falling down, then the chances that you're like on the edge of something good is like pretty high. Yeah. And it's, and it's one of those things too, where it's like, I've had to change my way of thinking, you know, because growing up, it was always like, you know, with sports, especially, you know, it was always, you're doing this, you're doing this, you're doing this, you're doing this wrong or da, da, da, da, da. Like it was always room for improvement.

53:44And so I kind of think I've taken that into photography because, I mean, there is always room for improvement, but I would always give up. If I received too much feedback, I would always give up. Like, I'm like, I'm not good enough for this. So I would quit. So I had to change my way of thinking, especially since this is something that I obviously wanted to do. I had to grow thick skin when it came to feedback and criticism and things like that because it's like everybody's going to have a different opinion of your work and you need to be able to, you want to be able to just like navigate through that to get better.

54:31You don't want to go backwards. You want to go forward. So I really had to change my way of thinking when it came to feedback and things like that, that I was not, you know, the best thing since sliced bread and all this other stuff. You know what I mean? Like, and you can't, you can't have that attitude because somebody is going to come at you sideways. Like just like that review where I'm like, Oh yeah, this is great. And then like, no, it's not. But I will say, even though I got tore up in that review, it absolutely changed the way I look at photography. Like I still stayed true to who I was, who Stephanie was as a sports photographer and, you know, as a business owner and things like that.

55:15But it was just one of those things where I was like, no, he's right. He's right. It's, it's almost like if it tears you up inside, it's maybe because there's some truth to it and it hurts because you it's holding up a mirror to you and maybe the presentation could have been kinder but if it really bothers you it's there's probably something like to that you know and it's been two years now since that review and a lot of it still sticks with me because it's like it was such great advice and such great feedback even though I cried after, but it was, you know, it was phenomenal feedback and it was brutally honest, super transparent, but I needed to hear it.

55:59And it just made me, it makes me a better photographer every single day. Yeah. Every day. I love it. Oh my gosh. Well, thank you so much for sharing your story, your advice. I feel like aspiring photographers are going to love this. And then the curious girls like myself, obviously, you're going to love it knowing like what the experience is like from the field. Tell everyone where they can find you and where they can reach out to you if they want to book you. They can reach out to my email, which is Stephanie V, S-T-E-P-H-A-N-I-E-V, photog, P-H-O-T-O-G at gmail.com. I have two Instagrams because my editing style is completely different.

56:47I have my lifestyle portrait page, which is stephanieray.photo. And then my sports page, which is Steph Van Wagner, a little easier to remember. But so yeah, reach out, reach out that way. Yeah. Well, thank you so much for sharing everything with us. It was so great to have you. I'm a Lions fan, so especially special. And yeah, we'll chat soon. Thanks for coming. All right. Awesome. Thank you so much.

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Ever wonder how someone goes from a 911 console to the Detroit Lions’ sideline with a camera in hand? We bring you an intimate, step-by-step look at how freelance photographer Steph Van Wagner built a career in pro sports through smart outreach, gritty portfolio work, and unshakable calm under pressure. From weddings with zero retakes to Ford Field’s catwalk, Steph shares the exact moves that turned a fan POV video into a coffee meeting, then into a season contract.

We dig into the nuts and bolts that most people never see: why “don’t ask for a credential” is rule number one, how contributing photographer contracts and image rights actually work, and the no-gambling policies that can end a season before it starts. Steph breaks down game-day rhythm—arriving before the crowds, rotating between sideline action and partnership deliverables, and using shared presets for cohesive edits—plus the captioning and upload pipeline that keeps content flowing fast. If you’re building a portfolio, you’ll hear practical ways to shoot for free without working for exposure forever, how to DM with purpose, and what kind of questions earn real mentorship.

Steph also opens up about resilience: the portfolio review that left her in tears, the Michigan–Oregon assignment that arrived two weeks later, and the mindset shift that turned criticism into fuel. For women carving a path on male-dominated sidelines, she offers a grounded message—your eye belongs here, your voice matters, and kindness is a competitive edge. Whether you’re an aspiring sports photographer or a curious fan, you’ll leave with a clear playbook for breaking in, staying in, and growing your craft with integrity.

If this conversation pushed you to take your next shot, follow, share, and leave a quick review. Tell us the one skill you’re committing to improve this month—we’ll cheer you on.

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