The Business of Watches [022] Maxime Couturier And Lorenzo Maillard Of The New Chronopolis Watch Fair

1 Apr 2026 · 46 min · 23 chapters

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In short

The state of watch fairs after 2019–2020, and the launch of Chronopolis, a new public watch fair during Geneva Watch Week (April 14–18) at Les Halles de l’Île.

Guests

Mark Kozlerich (Hodinky senior editor; covers major fairs like Geneva Watch Days, Dubai Watch Week, Watches & Wonders). Maxime Couturier and Lorenzo Maillard (organizers behind Chronopolis; Lorenzo studied in Switzerland, worked at FHH for five years, met Maxime on projects; both run Iced Out magazine/agency work and focus on design-driven, accessible “boutique” brands).

Key claims

Fairs now serve consumers directly, not just intermediaries; public access and one-to-one brand interaction matter. Launch timing during Watches & Wonders can drown smaller brands in “noise.” Chronopolis aims for openness, equal booth sizes, and affordability, with on-site purchasing.

Notable examples

Mentions brands/people like Andrea Furlon (Furlon Mari), Gael Peterman/Florian Baddaw, and LV Prize winner Hazeman & Monin; Chronopolis exhibitors include Baltic, Denison, Edged, and “Nevada Gründchen.” Events include a public Chronopolis party (Thursday) and a Chrono24 cocktail (Friday).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The Evolution of Watch Fairs

0:45 to 3:06

Discussing the current state and evolution of watch fairs post-pandemic.

“And I guess that ended sadly around 2019 or 2020.”

Challenges for Brands at Fairs

3:06 to 6:15

Exploring the challenges brands face during crowded watch fairs and launch timing.

“And it's indeed, I mean, I think you bring up a good point that the end consumer is asking and looking for participation in these events now these days.”

The Spread of Watch Releases

6:15 to 8:11

How the watch release calendar has changed and spread throughout the year.

“Maybe you should offset it by a couple of days or do it over the weekend when people are coming in early and you're not competing against the likes of Patek or Rolex or Bulgari or whoever you want to see otherwise.”

Introducing Chronopolis Watch Fair

8:11 to 9:04

Introduction to Chronopolis Watch Fair and its significance during Geneva Watch Week.

“So, you know, and obviously, you know, Swatch Group has a very different participation level in these big fairs than they used to.”

Vision Behind Chronopolis

9:04 to 14:03

Discussion with Lorenzo and Maxime about their motivations and vision for Chronopolis.

“We are in Plain Palais in downtown Geneva.”

Exploring New Approaches to Watch Exhibitions

14:03 to 15:36

Learn about the unique philosophies brands are adopting at Chronopolis.

“It's pretty much the same thing that we do with Iced Out, our magazine.”

Origins and Philosophy Behind Chronopolis

15:36 to 17:34

Discover how the idea for Chronopolis originated and its core values.

“I mean, can you be specific about what, you know, how this came about exactly and who these brands are and why they think they need this different kind of venue during what we call now called Geneva Watch Week?”

Understanding the Name 'Chronopolis'

17:34 to 19:17

Learn about the significance of the name Chronopolis and its connection to storytelling.

“chrono obviously makes one think of watches, but why the name?”

Engagement with Watches and Wonders

19:17 to 20:41

Find out how Chronopolis interacts with established events like Watches and Wonders.

“For us, it was really important to tell them that we were organizing this, just not to be seen as pirates.”

Diverse Brands Joining Chronopolis

20:41 to 22:28

Explore the variety of brands participating in Chronopolis and their shared values.

“And so, yeah, let's talk about, I mean, you know, so people understand some of the brands that are involved.”
Show all 23 chapters

Equal Opportunities for All Brands

22:28 to 24:21

Understand how Chronopolis ensures fairness among participating brands.

“So the idea was to be the most equal that we could.”

Events and Experiences at Chronopolis

24:21 to 26:13

Learn about the exciting events planned during the Chronopolis fair.

“Will there be anything else, any events, any talks, any refreshments?”

Planning and Budgeting for Chronopolis

26:13 to 27:53

Get insights into the planning process and budget considerations for the fair.

“We've been lucky enough to have a few partnerships.”

Preparing for the Chronopolis Watch Fair

28:00 to 28:38

Learn about the logistics and expectations for the first Chronopolis Watch Fair.

“Lorenzo and I are always working on all the projects so both of us and we have the scenography team.”

The Rise of Boutique Watch Brands

28:38 to 30:36

Understand how boutique brands are changing the watch industry and their connection with consumers.

“And, you know, let's talk about sort of that cooperation, this sort of idea of establishage in watchmaking.”

Ecosystem of Watchmaking: Big and Small Brands

30:36 to 33:15

Explore how smaller brands impact the watch industry and the necessity of an inclusive ecosystem.

“And a lot of people were saying that this price point is going to die slowly.”

Engaging Younger Audiences with Watches

33:15 to 35:50

Discover strategies to attract younger generations to the world of watches.

“But we need to make it more fun, more accessible.”

The Role of Iced Out in the Watch Industry

35:50 to 37:48

Learn how the Iced Out magazine and agency contribute to redefining watch culture.

“The second one is probably to say that it's okay not to know everything about watches because it's like a scary thing.”

Building Community Among Watch Enthusiasts

37:48 to 40:49

Understand the importance of community in the watch world and how to foster inclusivity.

“Well, I think that Iced Out is really what brought us together.”

Passion and Discovery in Watches

40:49 to 42:00

Explore how passion and discovery drive interest in watches among individuals.

“I mean, you know, talk about your sort of circle of colleagues and friends and how they all, you know, came to this crazy world.”

Exploring the Spirit of Watch Enthusiasm

42:00 to 43:39

Discover the passion and community surrounding vintage and novelty watches.

“I actually researched it and I found out that this.”

Chronopolis Watch Fair Overview

43:39 to 44:24

Learn about the upcoming Chronopolis Watch Fair and its inclusive culture.

“It says, anything else we need to know about this?”

Encouragement to Explore Unique Watches

44:24 to 45:09

Get inspired to seek out and appreciate watches you might overlook.

“Yeah, and Lorenzo said it in an interview at some point.”
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Transcript

Automatic transcript. May contain errors.

0:00Lorenzo Maillard:Welcome to the Business of Watches, the Hodiki podcast where horology meets high finance. We go behind the scenes to talk to the executives making things tick. I'm your host, Andy Hoffman. This week, we're taking the temperature on watch fairs, where the watch industry gathers and shows off its wares. We're talking with the guys behind Chronopolis, or Chronopolis, a new show happening during Geneva Watch Week, the time of year that's led by the biggest fair of them all, Watches and Wonders. To kick things off, I'm joined by my colleague, Hodiki's senior editor, Mark Kozlerich, to talk about the state of watch salons and fairs.

0:50Lorenzo Maillard:mark thanks for joining me how are you doing today sir thanks for having me i'm i'm great i'm glad to be here excellent so look watch fairs i mean you know you and i have covered a bunch of watch fairs together geneva watch days dubai watch week and of course watches and wonders watch fairs have been around for a very long time we can go back to basil and basil world and they've existed for decades. And I guess that ended sadly around 2019 or 2020. But what's the current state of watch fairs? What role do they play and why do we still do them? Yeah, I think watch fairs are a really interesting thing, especially right now.

1:30Lorenzo Maillard:We've seen in the post-pandemic era that the business of selling watches has shifted dramatically especially because of all of the interest in watches and consumers seem to be putting a lot more on the interactions between them and the brands and the watchmakers themselves the rise of independence being able to get face to face with the people that are behind the brand whereas I think and I wasn't around at the time but I think that the watch fair used to maybe service more the intermediaries, the people that were selling the watches and getting them to people. And you were a little bit more gatekept from the brands and the people behind it.

2:14Lorenzo Maillard:Now we've got all of these watch fairs, not only the big ones like Watches and Wonders, which are open to the public on specific days, which is frankly a big change, but you have smaller watch fairs where brand representatives or the watchmakers themselves are traveling all over the world much more frequently to meet with the end customer. And I think it's really changed your understanding of what the watches are, what you're getting, your relationship to the brand. And really, it's a back and forth. People have been asking for that. People are much more invested in these things. but also it gets people more invested in these things.

2:58Lorenzo Maillard:It gets people more excited about the products and the people behind it. And watch fairs, frankly, have a lot to do with that. Yeah, for sure, for sure. And it's indeed, I mean, I think you bring up a good point that the end consumer is asking and looking for participation in these events now these days. As you say, I mean, it used to be, you know, buyers, retailers, watch journalists like ourself, watch writers going to these things. And then we'd, you know, spread the good news of what was new. And nowadays, obviously, we've seen Watches and Wonders open up to the public for several days. The other, many of the other fairs that we go to, lots of public participation.

3:43Lorenzo Maillard:Indeed, I think that interaction is kind of sort of, you know, being demanded by the end consumer and having a different relationship with brands, not being so gatekept, as you say. But, you know, as we get prepared for watches and wonders and then, you know, at the same time, Time to Watches, Chronopolis, all the brands that are at the Beau Ravage, I mean, these things are so big now, particularly Geneva Watch Week. Does it make sense, do you think, for all the brands to be together at one time and everybody releasing new releases? It's hard to stand out. Yeah, I think there's a couple issues here, and it's something that I've been very frequently and very candid with bringing up to the people behind the brands, right?

4:30Lorenzo Maillard:I really care a lot about especially some of the micro brands. I'll say that I'm micro brands or independents. I would consider myself almost friends with some of these people. Andrea Furlon from Furlon Mari I speak to just about life, right? and we chat about these things and I want to see them succeed. I'd say Gael Peterman and Florian Baddaw and Hazeman and Monin, who just recently won the LV Prize. Like I talked to these guys socially and I want to see them succeed and some have no problem sort of breaking through that noise. But even big brands, and I won't say who, during Watches and Wonders, candidly, they might get a little frustrated at the fact that they don't get top placement on day one when we're normally talking about Rolex and Patek.

5:21Lorenzo Maillard:And, you know, if a bigger brand that is maybe a Holy Trinity brand or something like that, that doesn't get the same, you know, first story during Watches and Wonders, even though they've got good products, if they get frustrated, what they don't realize is, unfortunately, nobody is talking about anything but Rolex and Patek the first day, largely. And then you think about how that cascades down to smaller brands or there's, you know, a couple of brands that are launching right before watches and wonders they're, you know, coming out with their first product. It's maybe not the best choice to launch that product when, when there is so much noise.

6:00Lorenzo Maillard:And so I tell them frequently, I'm like, this might not be the best time, right? This might, you might need to show the product to people. I know you want to show it to everybody that comes to Geneva, but you know, consider the fact that if you launch it it's in your best interest and i told this to somebody yesterday that i'm not gonna maybe write the story until a week later that's not because the product is bad but you're going to get more attention that way and then you think about what that means for the the fairs themselves we've got time to watches we've got a couple other fairs going on ahci is going on and there's a lot of noise and one of my frustrations is they say hey we're in Geneva please come by we would love to see you we can show you our watches any day from the 14th to the 17th and I'll say from 14th to 17th I am stuck at the PAL Expo meeting with 40 other brands yeah and maybe it's not you know they're capitalizing on the fact that people are there and that's great But maybe it isn't the best time to host a watch fair.

7:10Lorenzo Maillard:Maybe you should offset it by a couple of days or do it over the weekend when people are coming in early and you're not competing against the likes of Patek or Rolex or Bulgari or whoever you want to see otherwise. So I think that is one piece of feedback that I have for these brands is it's nothing against you guys. It's just that the volume of product and the volume, you know, metaphorically of the brands that are shouting out at the same time is going to drown out what you're doing, which is worth its own attention at a separate time. No doubt. No doubt. I mean, but look, you'd also, I think, concede, though, that we're seeing, you know, that watch release calendar, which used to just be in March or April around Watches and Wonders or what was SIHH and Basel, has now spread out, you know, over the entire year.

8:05Lorenzo Maillard:We see major releases from both the big brands and the small guys, you know, throughout the year. So, you know, and obviously, you know, Swatch Group has a very different participation level in these big fairs than they used to. And they do things at their own pace. So, yeah, we've already seen, I think, you know, that disbursement of the release calendar. But indeed, this, you know, the next month or so, it's pretty packed and pretty concentrated. So, look, thanks for joining me, Mark. We will see you very soon, I'm sure. And now here's our conversation with Maxime Couturier and Lorenzo Mayard from Chronopolis Watch Fair happening April 14th to 18th at Les Arts d 'Ile in Geneva.

9:04Lorenzo Maillard:We are in Plain Palais in downtown Geneva. I am with Lorenzo Mayard and Maxime Couturier. These are the young guys behind a new watch fair, part of the Watches and Wonders Week, Geneva Watch Week, that will be taking place in mid-April. Chronopolis is a new fair. And Lorenzo and Maxime are here to tell us about it. Gentlemen, welcome. Thank you for joining the business of watches. Thanks for having us.

9:38Maxime Couturier:Thank you, Andy, for having us on this great podcast.

9:41Lorenzo Maillard:Very good. Very good. So, yeah, I mean, you know, the first question is, do we need another watch fair? I mean, we already have Watches and Wonders, obviously, which is the flagship. We have Time to Watches. We have all the brands at the Beau Ravage. Why did you guys decide to start yet another watch fair during Geneva Watch Week?

10:02Maxime Couturier:Well, maybe we're going to kill the suspense, but basically we've done one because we've been asked to do one. So certain brands came to us. They had a certain spirit and they asked us to do something so they can gather and do something that was more like them. So basically, we tried to deliver on what they were looking for. And, yeah, we're trying to kind of fill the gap that we see and trying to have fun and to do something very open to everyone.

10:31Lorenzo Maillard:Yeah, Maxime, you're right. I mean, so talk about the venue. I mean, where this is going to take place. It's at Les Halles d 'Hile here in Geneva. What's the atmosphere and feeling you're going for and how does that reflect the brands that we'll see?

10:49Maxime Couturier:So basically, probably Lorenzo will tell you more about Chronopolis and how it came about. But what we want to do is do something that is quite central and for the public as well. So it has to be downtown so everybody can come. We also needed to find a place where it's easy for everyone going to all the previous fairs that you mentioned that was easy to access to. And I think you cannot go more central than being in the Al de Lille, which is basically near Bel Air, which is the biggest stop in Geneva.

11:19Lorenzo Maillard:Yeah, for sure. For sure. It's certainly central and everyone sort of passes through there. Lorenzo, I mean, you, you know, I've known you guys for quite a while, I guess, you know, since I've been around the watch world. You know, let's talk about, you know, sort of your background and everything you do. I mean, the Maillard family is sort of all around watches here in Geneva. I mean, talk about how you got into watches and, you know, what you do now and how that relates to Chronopolis.

11:50Maxime Couturier:Yeah, that's a good question because off mic, we were talking about Plain Palais and it was also kind of a start for me in the watchmaking world. I would say, of course, I indirectly, my family has been in the business for a long time, for a few generations. But I wouldn't say that is not directly my father who passed me on the passion. there was more on my own discovering watches at the market for example and other fairs starting really with vintage pieces like 50 or 20 20 bucks watches and I even thought to myself I will never buy a watch above a thousand dollars so I made a...

12:30Lorenzo Maillard:I don't think you've kept that wrong I failed

12:33Maxime Couturier:pretty quickly as soon as I had a little bit of money I spent it on watches and yeah vintage was definitely important for me the the story behind it and less the the overall market itself and then i worked for uh i did my studies of course in switzerland and i worked for the fhh in geneva the foundation for five years and that's where i i developed my knowledge even even further and also my passion for watches and that's actually where i met maxime We worked together on a few cool projects and we wanted to do something that really, yeah, seemed in line with our vision and what we wanted to bring to the watchmaking game, I would say.

13:16Lorenzo Maillard:Yeah, I mean, I think of you guys, you know, here in Geneva, I think of you as the young, cool, hip guys, guys who are, you know, into sort of design-driven watches and have really sort of been at the forefront of that trend. And talk about, you know, Chronopolis or Chronopolis, as some people may call it when they read it, and how that's going to be reflected in some of the brands and, you know, what people will, you're hoping people will experience.

13:45Maxime Couturier:Yeah, I think Maxim already mentioned the most crucial part of Chronopolis is it's the openness, the values, and really being open to the public and free as well. And that's also the spirit of the brands. They want to probably push another narrative than the traditional watch brands that are here to stay. But there's another path, another road. It's pretty much the same thing that we do with Iced Out, our magazine. It's not saying that we do something better than the others. Just there's another route, another way of talking about watches. And that's probably what all the 20 brands exhibiting at Chronopolis are trying to do as well.

14:19Maxime Couturier:Being open. So it's a great place to discuss with the CEO or the creator of the brand. Potentially buy on site as well the watch. And also this affordability approach is important. Of course, it's really subjective, the affordability, but a lot of watches are pretty affordable in today's watch world. And I think it's also part of their spirit is like connecting with people on one-to-one basis and really showcase their product in a relaxed and unbiased way as most as possible. And that might be crazy, but you can actually buy the new releases from the brands right on spot. So it should be like, you know, younger generation they want to buy or even the new consumer they want to buy straight away.

15:02Maxime Couturier:They see it, they want to have it. So it's also an opportunity for them to do it. It's not necessarily the case in the other fairs and it was an important point for them to be able to sell them. Yeah, I think it's a way to bypass also the traditional way of getting a watch. Now it has become really complicated budget-wise but also the availability of watches as well. So it's probably a way to talk to younger generation about, yeah, you can get your hands on a cool watch for probably less than traditional brands and still, yeah, have it in a pretty fast manner.

15:35Lorenzo Maillard:And yeah, so let's talk about, you know, sort of the origins of this, you know, you say that brands approached you. I mean, can you be specific about what, you know, how this came about exactly and who these brands are and why they think they need this different kind of venue during what we call now called Geneva Watch Week?

15:56Maxime Couturier:Well, I think it was four brands initially, but I think that now we're speaking to 20 brands and really it's not about the four first brands. I think they were the catalyzer. That's a word in English.

16:08Lorenzo Maillard:It is now?

16:08Maxime Couturier:It is. They were the catalyst for sure. Basically, the idea was really to find a spot for the people that have the same philosophy to work together. And I think they liked what we did with the different events that we had in Geneva. some of the iced out with Sotheby's auction houses that we've done all the launches that we do with iced out I think they like the spirit and when they needed to find someone to organize this get together they thought about us and actually that made everything easier as well because they wanted to do what we usually do and so that's why we took up on the challenge as well I guess I think also bringing a storytelling feature to the fair is important for us, but also for them, for us, because we want to link it back to something that is tangible or intangible sometimes, but it needs to have this kind of a layer.

17:03Maxime Couturier:Otherwise, it would be less interesting and probably other watch fairs are already doing a great job. So we need to bring something a bit different. So that's what we tried with our budget and the realities we are confronting. But yeah, storytelling is really important, hence the name as well. Chronopolis is a bit different from time or watches, these words that we see a lot, because we want to tell a bit of a different story. So that was important.

17:28Lorenzo Maillard:And let's talk about the name, yeah, Chronopolis or Chronopolis, however we say it. I mean, where does that, you know, chrono obviously makes one think of watches, but why the name?

17:38Maxime Couturier:There's different influences, but of course, yeah, being a bit further away from words like time and watches, for example, or all these words that we hear a lot, but also because we were kind of building a city within a city. Les Halles de Lille, where Chronopolis is going to take place, is actually in the middle of Geneva, as Maxime was saying. And it's on its own little island. So we instantly thought about, yeah, kind of a city within Geneva and the city of time. Then Chronopolis was kind of a crucial and an instant match. And as well, it worked in every languages. And it's actually an inspiration from a movie, an animation movie that dates back from the 1980s.

18:21Maxime Couturier:So, yeah, all these little reference elements were very important. And I think, yeah, building this kind of a community and city where we open the doors to everyone, that was really important. So that's why we call it Chronopolis.

18:32Lorenzo Maillard:Very cool. No, it's a great name. And indeed, you know, trying to have that vision of a little storytelling watch community, a little watch metropolis, certainly sounds fun and enticing. I mean, I think, you know, famously in the past, some executives on the board at Watches and Wonders have, I think, you know, jokingly referred to the others who, you know, show their wares during what's now called Geneva Watch Week as sort of pirates. Have you had any sort of communication with Watches and Wonders or the other fairs themselves? And how does that work in terms of, you know, setting up the inaugural edition of Chronopolis?

19:15Maxime Couturier:It's actually one of the first things that we've done and they were the first people to know. For us, it was really important to tell them that we were organizing this, just not to be seen as pirates. Also for the brands, it was important for them to say, oh, we're going to gather up. We can't afford to be at Watches and Wanderers or we can't go there. We don't feel like we want to go to another watch fair. So we're doing a little something. So it's actually the first people we reach out to. It's also, we have a marketing agency called Après-Demain and we actually work with Watches and Wonders as well.

19:49Maxime Couturier:So as Lorenzo said, for us, it's never about confronting or pointing someone. It's about providing another way of talking about watches. And it was just the same thing. So basically we went there and we said, oh, some brands wants to gather up. We're helping them out to do something. It's during Watches and Wonders. So, yeah, and I think we're grateful and completely aware of how important Watches & Wonders is for Geneva and also the way they want to open more to the public. That's why we stopped the Chronopolis Fair on Saturday and we let as well the public experience Watches & Wonders. And yeah, without Watches & Wonders, there would be no Geneva Watch Week.

20:29Maxime Couturier:So we're completely aligned with their model. We're just offering another opportunity for watch brands to talk about watches in this probably the most important time of the year for watches.

20:41Lorenzo Maillard:Yeah, no, absolutely. And so, yeah, let's talk about, I mean, you know, so people understand some of the brands that are involved. You know, we've got Baltic, a well-known French-based brand, Denison, which has had huge success lately with their affordable quartz design-driven pieces, Edged, which is a French brand. I really quite like their stuff. Nevada Gründchen yeah I mean talk about you know what do these brands sort of have in common or do they have something in common do you think and why are they part of the show

21:15Maxime Couturier:I think they all share these the same values I would say they all are different marketplace I would say and prices and design of course and stories but they all have the same spirit a lot of brands that joined Chronopolis were actually friends with others and they They joined because another brand was already joining. So it is kind of a spirit of a family, and that's where we really have to keep and be sure to keep if we go further than this first edition. And I think, yeah, they all want to be a bit disruptive in their own segments, I would say. They're all bringing something a bit different to the game.

21:52Maxime Couturier:There's not really look-alikes in the 20 brands. They don't try as well to copy other traditional watch brands, even though some have a real old history, like Nivelle Genshin for example.

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22:04Lorenzo Maillard:Exactly.

22:05Maxime Couturier:But yeah, they're all bringing something different. They're international as well. It's not about only Swiss brands or French brands. It's that we have Italian brands, American brand as well, and different price points. I think the spirit is the most important part is keeping the spirit alive between all of them and also distributing the same services to all of them. This was really important since the beginning. It's like, you don't, it's not about who has the biggest pocket gets the more services. It's really, they all have the same, I would say package and booth for the same price and it's really we divide to conquer and yeah the 20 brands will get the same features and it's their product that's going to shine and not necessarily the money they put on the table.

22:47Lorenzo Maillard:And how does it work? I mean they obviously they're paying a fee I mean you guys are running this I presume as a business yeah how does that work and does everybody pay the same or do you pay a different price to have more space how does it work?

23:02Maxime Couturier:So the idea was to be the most equal that we could. So basically, we aligned on a price that we couldn't go further. And basically, now it's just multiplied by 20, and we did everything that we could within that budget to make it work. And yeah, even the spots, because we know at Watches and Wonders, for instance, it's really important who is the first one where you are. So it was did in an ad hoc way. so really it's all about being equal there is no one that is like preferred or so on they all pay the same it was ad hoc so basically everybody had the space they had we did an online drawing and yeah so it was like a lottery

23:45Lorenzo Maillard:basically

23:46Maxime Couturier:and every booth is exactly identical to one another and that was really important as well since the beginning and all brands were completely aligned with the spirit that's probably one of the elements that also convinced them to join It's not about, yeah, who pays more to get more services and more visibility. We offer them the platform, the same for everyone, and then it's their product that's going to shine.

24:09Lorenzo Maillard:Exactly. And so when people come to the fair, to the show, they will see all the brands in the exact same size booths, to be fair. And they'll be able to, which is unusual, they'll be able to purchase watches. Will there be anything else, any events, any talks, any refreshments?

24:31Maxime Couturier:So it's a first and we pushed a lot with the budget we had to have a lot of features. And we invested a lot in the scenography as well. So we worked with Tom Duca Rouge, which is a really up and coming scenographer based in Paris, to develop each of the stands. So they're all custom made for the event, as well as the chairs and so on. So it was really important as well to have this kind of the storytelling aspect also going into the design of the space. And then in terms of things that's going to happen during the week, we have on the Thursday, the big chronopolis party. It's going to be nice.

25:08Maxime Couturier:A lot of people and it's open to the public. So if you're around, please don't hesitate to pass by. And on Friday, we have the Chrono24 cocktail. and as well on every day we have kind of an happy hour bar offering also to for all the people coming back from Watch the Mojures if they want to get a beer at a cool price and a cold beer they could they could get there talk to all the people around and really have this experience this kind of a chill experience of Chronopolis yeah for the first edition we really wanted to focus on what they needed and what they asked us was to have a booth to be equal and to have a space to share the novelties.

25:50Maxime Couturier:So instead of going in every direction and maybe losing ourselves, we really wanted to deliver on what they asked us. And so basically we have a lot of ideas. We tried a few things to enhance the experience, but this year we're all going to focus on this and grow it in the next year, hopefully, if it's a success. But Lorenzo started to mention about the partners that we have as well. We've been lucky enough to have a few partnerships. brands and medias. So it helped as well to increase the experience for the guests and all the public that are going to come.

26:27Lorenzo Maillard:And how long have you been sort of planning this and working on this? When did you decide that it was going to go forward? And then, you know, how much money is involved? How much does it cost to put on something like this? Can you, I mean, if you can give us any kind of idea.

26:42Maxime Couturier:It's in between 300 and a half a million, the overall budget for the overall fare and then with this budget we try our best to make it cool and unusual and keep the spirit alive so as Maxim says we've invested a lot for this first edition so it's not the best the most interesting financial project but it's not our goal our goal is to make it important for and visible for the brands and then if we can expand the concept further next year it would be even even better but yeah i would say when was it like this is a go i think we signed the 20 brands on before we wouldn't say yeah but we started to speak about it probably end of summer last year yeah yeah so it took a bit of time but basically yeah we had a few brands on board straight away and then we had to find and convince the the other ones but yeah we probably worked very hard on the projects in september we actually have hired someone to take care of the the fair.

27:45Maxime Couturier:Stéphane has joined us and he's full on on it since the first of this September. Sweating every day.

27:52Lorenzo Maillard:No doubt. No doubt. And so how many, so you guys, how many people have been working on this then full time? I would say Stéphane from

28:00Maxime Couturier:the office is working full time. Lorenzo and I are always working on all the projects so both of us and we have the scenography team. We have the content team as well so probably 10 people, around 10 people-ish. Yeah, yeah.

28:15Lorenzo Maillard:For sure. And do you have any idea of how many people you're expecting to visit? We're targeting for this first edition

28:22Maxime Couturier:at least a thousand people, a thousand visitors a day. We hope more. We're doing our maximum to have the space completely full every day, but it's going to be our challenge as well. So that's our target. Our, yeah, conservative target, I would say.

28:39Lorenzo Maillard:For sure, for sure. And, you know, let's talk about sort of that cooperation, this sort of idea of establishage in watchmaking. I think, you know, a lot of people outside the industry see the big brands. They see Rolex and Bittek and AP and the others who are obviously the flagships at watches and wonders. But, you know, this industry, and not just here in Switzerland, but in general, it's full of small little brands. And, you know, talk about how those brands and those various parts of the industry you know sort of need to work together to uh get their message out and that's a good point you mentioned switzerland but it's

29:20Maxime Couturier:actually really international markets a lot of brands are not from switzerland you know we're in in chronopolis but also elsewhere as soon as we announced 20 brands we had probably another 20 brands that wanted to join in unfortunately this year we we have to stay in this bracket and because of the location and because of other aspects of it. But I think, yeah, there's a real market rising in these more affordable, approachable brands. Some people call it micro-brands, but sometimes it's a bit pejorative or negative.

29:53Lorenzo Maillard:We're trying to use the term boutique brand. Boutique brand, yeah, boutique.

29:56Maxime Couturier:There's the maison and then the boutique. But yeah, I think they're rising. They're directly connecting with the consumers, which is more complicated for more established brands even in the same price points. And I think they offer something different. They really understand their customers because their relationship is way tighter. And yeah, I think they're bringing new ideas to the industry, pushing for crazy designs, and also some technical aspects that you're going to see at Chronopolis. A few brands are launching really cool complications as well. So pretty unusual in these price points. And a lot of people were saying that this price point is going to die slowly.

30:40Maxime Couturier:Right.

30:40Lorenzo Maillard:I mean, that's the overarching narrative is that the watch industry is just, you know, less volume, continuously getting more expensive and exclusive. But obviously, yeah, I mean, you know, these brands are certainly in the more, you know, some other brands I can name. Obviously, Ferlin Mari, a very popular brand with Houdinki readers, Formax, Serica. Yeah, I mean, these are brands that are approachably priced for the regular person, still not cheap objects. But indeed, that does go against the prevailing trend and the belief that everything is just moving more and more upscale. I mean, why is that important?

31:22Maxime Couturier:Well, since the beginning when we launched Iced Out, because it's really what is like the spirit of Vision with Lorenzo.

31:30Lorenzo Maillard:And Iced Out is your magazine. It's a very cool, awesome looking magazine that you guys put out a few times a year. And I mean, yeah, talk about what that is.

31:39Maxime Couturier:But first, you need to have the whole spectrum. Because like if you want to reach new people, which is something that even the flagship brands needs to do, you have to have the full spectrum and everybody in the scale has to do his own work. You know, sometimes you're going to go buy your first watch because you want a Cartier or Rolex. Fine. But maybe you can't afford such expensive watch and you're getting into the mechanics of the design through, as you said, Firoland, Denison, even cheaper alternatives, more design-led like Breda from the States. But what matters is really getting people into watches.

32:17Maxime Couturier:and that's how we see it. So Chronopolis is definitely a place where it's easy. People will not look at you in a different or weird way when you enter and it's maybe the clients of the big brands that watches and wonders in a few months. So for us, it's really an ecosystem that needs to work together and even big brands, they take something from smaller brands getting bigger and bigger. Absolutely. It's, as you say, a real ecosystem. It's kind of a spider web. Without these brands, probably the bigger could stay a long time in their castle. But at a certain point, it could be really dangerous also to talk to one specific audience and also getting their prices up and up.

33:06Maxime Couturier:At a certain point, you also kill yourself. So the system needs these levels and we need to open the doors to a wider audience. A lot of people say that watches are useless, and it's probably true. But we need to make it more fun, more accessible. And that's how we're going to keep the spirit alive of watchmaking. Otherwise, it's only reserved to a really exclusive club. And I think it's a bit lacking the passion and the potential of this industry. And, you know, competition is really also what drives everything. If you have a smaller brand that is selling a watch for less than a thousand francs with certain characteristics, it's good to put it aside to a big brand and say, so what did you do more to explain the gap?

33:51Maxime Couturier:You know, they're trying differently as well, pushing, and I think it's super healthy for everybody that you have smaller players.

33:57Lorenzo Maillard:No, exactly. Does it say, though, something that, you know, the flagship brands, the big brands that we see at Watches and Wonders or the other shows, are they missing out on an opportunity or are they not connecting with that, you know, younger audience or that new to Watches audience? I mean, yeah, do they have something to learn from you guys?

34:21Maxime Couturier:We all have something to learn from each other, but I think what's tough for these big brands is they become, some of them became too big. It's really complicated to them to target and have a real human connection with their potential customers. And that's probably what's, where lies the danger for these big brands. Of course, they can spend a lot of money in advertising and being everywhere visually, but then how do you connect with people? And that's what the next generations are looking for, the real connection and feeling really appreciated. And yeah, really connect with the designer, the people behind the watches and the product.

34:57Maxime Couturier:So this is the challenge for these big brands. They're trying. Some of them are really success in targeting these new audiences, but others are struggling as well.

35:06Lorenzo Maillard:And, you know, this is what you guys do. I mean, tell me, how do you bring new people, young people into watches? Because, I mean, yeah, as you say, a watch is not something that anybody needs to tell time, but there are certainly other reasons to want it, to desire it and to wear it. But, you know, from the young cool guy's perspective, I mean, yeah, how do you get people into watches? There are probably several tricks that we use often.

35:34Maxime Couturier:but one of the first ones is probably using other universes like design or photography or art to bring people that are maybe more inclined into design or fashion for instance and to work and collaborate with people that are from this world to bring them in. The second one is probably to say that it's okay not to know everything about watches because it's like a scary thing. It's like, oh, you don't get it. It's a super complex object. That's why it's expensive and so on. We just try to demystify this. And probably the last thing is that it's a very deep culture as well. And that's why we always try to show that there are nerves, that there are so many archives, so many interesting to learn, just to show them to the new people that actually if you get into it, it's almost impossible to know anything.

36:25Maxime Couturier:And so it's where the fun is. It's like you have to discover a whole world, new players, new brands, new models, new designers it's so interesting, it's a culture on its own. Yeah and sometimes we also forget the fun aspect of it all, we need to have fun otherwise why are we doing this why are we collecting, why are we getting interested into watches. There's a serious aspect that came with luxury that also is dangerous somehow so that's why these new players are also pushing and we are trying as well with iStyle as well as to make it a bit more relaxed and fun and welcoming the product are already really technical really interesting on its own so the communication could really be more simple more fun, more unusual and that's how we also target these people, like giving them a hint and then they do their trajectory in this game but yeah, let's not take ourselves too seriously, that's important and probably a few brands know it and others don't really know it yet, so yeah

37:26Lorenzo Maillard:Because you guys have your hands in a lot of pies in the watch world here in Switzerland, right? So, you know, you do Iced Out, the magazine, you have your agency, or you work with various brands and partners, and now you're doing this. So, you know, talk about each one of those aspects of your work and how much time you're spending on that and what you guys together hope to contribute to the industry at the moment. It's a tough one.

37:57Maxime Couturier:It's a multi-layer question. Well, I think that Iced Out is really what brought us together. That's actually we met through the FHH with Lorenzo. We launched the Instagram account, Watches and Culture. And actually it was really how we linked because it was speaking about watches to a different audience, which is exactly what we try to do now. And we wanted to push it further. That's why we did Iced Out. so we had our hands completely free and we could probably go too far sometimes. So Iced Out is really our spirit. That's our baby. That's why we try to protect and we try to challenge ourselves while doing it because we are so much part of the industry now.

38:40Maxime Couturier:It's like, what does it mean to be iced out of ourselves as well? To have fun. The agency is how we pay our bills, probably. We try to keep a bit of the spirit of Iced Out, but that's where we serve the brands and maybe listen to them a bit more, try to serve them. And then Chronopolis is an extension of the agency. It's the same thing, but in a different kind of channel. You can find some of the ice-tout spirit in it, but it's of course more not commercial because it's kind of a negative word as well, but it's a bit more straightforward for the customers and less crazy than other projects that we do.

39:19Lorenzo Maillard:And for those who haven't maybe seen it or don't know it that well, explain the name Iced Out. It's quite clever. It's sort of a play on someone, you know, from Switzerland or France might say, I guess, Iced Out, you know, when we talk about watches that are full of diamonds and bejeweled, as it were.

39:40Maxime Couturier:Yeah, it's also a play on war with heist, like a robbery, because at the beginning we wanted to heist the communication part of the watch industry somehow and make it a bit different and steal some ideas and make it more fun and come out of this robbery in a sense. So it's a bit of a strange name that we keep it because it's part of us. It's the spirit. It's also getting out of this box. We all living in the watch world. Yeah, breaking the barriers and pushing the doors as well. Getting out of it. It was also interesting because Ice Out is really also the rappers that are saying this, their watches.

40:23Maxime Couturier:And most of the time it's done on poorly conditioned watch. So there is also a layer of people who don't understand the watch world. They just put diamonds on them and actually maybe they were not so good before. And so there is this misunderstanding and this kind of discrepancy between the two worlds that is quite interesting to the philosophy and what we try to do with Iced Out.

40:44Lorenzo Maillard:Indeed. And, you know, within your circle, I think of you here in Geneva. I mean, what is it that brings young people and gets them interested in watches? I mean, you know, talk about your sort of circle of colleagues and friends and how they all, you know, came to this crazy world.

41:03Maxime Couturier:Yeah, it's always the spirit and also trying to be a bit different. People want to feel a bit different. So they want to, you know, get their hands on unusual watches, watches that we don't necessarily see. That's why these design watches are really getting up in values and recognition in this industry. so yeah it's also yeah being part of a crew being part of a community but that's always a fine line between a community and also an exclusive club so it's also our work to make sure that it's always open through our events and other activities that we do so that's always important and people want to relate to it somehow so they want to feel different so they want to touch other kind of products and yeah yeah a lot of our friends are actually watch dealers so we get to see a lot of amazing watches and I think me I wasn't born here so it's a bit different I wasn't at all part of the watch industry our watches weren't even a thing in my family or in my friends and when I arrived and I joined in with Lorenzo and all his friends and my friends now there is this sense of discovering and showing new things that you found yeah that is so exciting It's like, oh, look what I found.

42:17Maxime Couturier:I actually researched it and I found out that this. Then you meet someone from a patrimony team that will tell you, oh, actually, I've never seen this one. He shows you another one. So it's an endless cycle that is so interesting. Yeah, and we say it a lot, but it's not always a question of age. You know, we're old already. And I think a lot of people in the community we're trying to build are, it's not a question of age. It's more of a spirit. A lot of people are a lone wolf from the industry and they connect with us and the rest of our friends because they feel the passion behind it and they feel the no bullshit approach that we want to push forward.

42:56Maxime Couturier:So this is also really important. It's not a question of age. It's more the spirit, definitely. And of course, vintage. We would lie if we say that vintage is not important to our eyes and also to all of our friends and the building. the community we're building. It's important in Iced Out, of course, we're pushing for novelties and we're working with watch brands, but vintage is definitely beating in our heart and it also leads a lot of the projects we do.

43:26Lorenzo Maillard:Very good, very good. And so the show Chronopolis runs from April 14th to 18th at Les Arts de Lille here in Geneva every day from 10 a.m. to 8 p.m. It says, anything else we need to know about this? Best of luck with it. Thursday, we'll have a little

43:48Maxime Couturier:I start surprise for you around 8-ish. And really, we want people also outside from the industry or at least people not working in the industry to be part of it. It's how it's going to get even funnier and more cooler culture. Don't be afraid. Don't be afraid. Push the doors. I mean, the door is going to be open, so you don't even need to push them. Grab a beer, talk to the CEOs and the creators behind the watches and potentially leave with one on the wrist. So, yeah, don't be afraid of getting into this crazy and stupid watch world. Yeah, and Lorenzo said it in an interview at some point. He said that go look for the watch that you think you don't like and that's how you're going to discover so many things.

44:33Maxime Couturier:And like you have 20 brands, you have time, you can browse through the 20 even though you think that you don't yeah and go see maybe someone that you feel like you don't like and maybe that's how when you're gonna fall in love you know surprise yourself yeah

44:49Lorenzo Maillard:excellent sounds like a plan best of luck with the show gentlemen thank you Andy see you Maxime and Lorenzo thanks so much we'll see you soon thank you bye bye bye bye

45:03Lorenzo Maillard:and that's the business of watches for this episode. We hope you enjoyed. Please head on over to hodinky.com where you can join the discussion and leave any comments or questions about this episode or the business of watches in general. Who knows, we might even answer your question on a future episode. Thanks for listening and see you next time.

45:36Thank you.

From the publisher

There is already a bevy of alternatives or side venues to the mighty Watches and Wonders, taking place during what's now known as Geneva Watch Week. Maxime Couturier and Lorenzo Maillard expect there's room for one more. They're the guys behind Chronopolis, a new gathering space in downtown Geneva that's promising to give profile to the 20 or so brands participating during what's arguably the most important week of the year for the industry. 

Armed with a hipster watch enthusiast persona, Couturier, Maillard, and their crew of dealers, collectors, and friends, embody what makes the watch scene cool and fun in Geneva. Now they're trying to bring that same attitude to Chronopolis with brands paying for the privilege of being part of their scene. In a discussion ahead of the show, we discuss why there's a need for yet another watch fair and what's the best way to get young people excited about watches. 

But first, Hodinkee Senior Editor Mark Kauzlarich has covered plenty of watch fairs in his time, and he drops in to discuss the current state of industry trade shows and salons. We discuss where they're headed and how they're adapting to the current realities and demands of collectors and enthusiasts. 

Show Notes: 

4:46 Furlan Marri 
4:58 Hazemann & Monnin Wins The Second Edition Of The Louis Vuitton Watch Prize For Independent Creatives (Hodinkee) 
6:35 Time To Watches 
7:10 AHCI 
10:10 Chronopolis Independent Watch Fair 
12:00 Marché de Plainpalais (Ville de Genève) 
14:05 Heist Out (Instagram) 
16:40 Area 51 (Sotheby's and Heist Out Auction) 
19:20 Watches and Wonders 
19:53 ApresDemain Agency 
21:01 Hegid 
24:43 Tom DuCarouge 
32:18 Breda 
38:13 Watches and Culture (FHH) 

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