Elizabeth Day on Perfectionism, Positive Affirmations & Rebuilding Home After Loss

19 Feb 2026 · 1 h 20 min · 35 chapters

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Homing Podcast Episode Notes

Episode Title

Elizabeth Day on Perfectionism, Positive Affirmations & Rebuilding Home After Loss

Podcast Overview

  • Host: Matt Gibberd, co-founder of The Modern House
  • Guest: Elizabeth Day, author and podcaster
  • Theme: Exploration of how our homes influence our emotions and sense of self; the impact of personal experiences on one's relationship with home.

Key Themes

  1. Perfectionism and the Illusion of a Perfect Life:
  2. Elizabeth discusses her long pursuit of an ideal home life, only to find it often starkly different from reality.
  3. Emphasizes the pressure to achieve perfection, leading to a disconnect from one’s true self.
  1. Childhood and Sense of Safety:
  2. Growing up in Northern Ireland during a time of unrest shaped Elizabeth's understanding of home as a place of safety.
  3. Memories of her childhood home are tinged with both comfort and the underlying fear of violence from outside.
  1. Navigating Personal Challenges:
  2. Elizabeth reflects on significant life events, including a difficult marriage and a prolonged fertility journey.
  3. Describes feelings of failure and the struggle to reconcile her high-achieving identity with experiences of loss and disappointment.
  1. The Concept of Home:
  2. Home is described as a refuge that fosters emotional safety, acceptance, and creativity.
  3. Elizabeth finds her current home to be a significant turning point, symbolizing healing and a new beginning.
  1. Connection and Vulnerability:
  2. Discusses the importance of emotional connection with others and how it facilitates healing and understanding.
  3. Elizabeth emphasizes her journey towards self-acceptance and the role of love and compassion in feeling at home again.

Key Quotes

  • “Failure is essentially what happens when your life doesn't go according to plan.”
  • “Home is an incredibly precious space in order to facilitate... the truth of who you are.”
  • “Connection is about being seen and understood.”

Summary of Elizabeth’s Journey

  • Early Life: Elizabeth's early memories are filled with the joy of creativity and the harsh realities of growing up amid political turmoil.
  • Career Path: As a high achiever, she initially believed that hard work would lead to a fulfilling life, but her experiences taught her that life doesn't always align with expectations.
  • Marriage and Fertility Struggles: Her marriage ended after facing challenges related to fertility, which were compounded by feelings of shame and societal expectations.
  • Current Relationship: Elizabeth describes her marriage to Justin as a profound source of safety and acceptance, which has allowed her to embrace her true self.

Key Takeaways

  • Home's Role: Understanding that home is more than a physical space; it represents emotional safety, personal growth, and an environment for creativity.
  • Personal Growth: Recognizing the importance of vulnerability and connection in forging deeper relationships and achieving self-acceptance.
  • Healing Through Experience: Elizabeth's narrative illustrates the path from pain to healing, highlighting the transformative power of love and self-compassion.

Additional Resources

  • Elizabeth Day’s new novel, *One of Us*, available for purchase.
  • Access to a full house tour on the Homing Podcast Patreon page.
  • References to Elizabeth’s podcast, *How to Fail*, which focuses on discussing failure and the lessons learned from it.

Conclusion This episode of *Homing* provides insights into Elizabeth Day’s personal journey, emphasizing the complex relationship between our homes, our emotional experiences, and our quests for identity and belonging. The discussion invites listeners to reflect on their own notions of home and the importance of emotional connection within those spaces.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Childhood Reflections on Self

0:00 to 0:53

Explore how childhood experiences shaped Elizabeth's identity.

“The older I got, still in childhood, the less true I became to myself.”

Memories of Early Homes

2:44 to 4:32

Elizabeth discusses her vivid memories from various homes in her childhood.

“If I ask you to picture the home that you grew up in or spent the most time in when you were young, what do you see?”

The Emotion of Home in Northern Ireland

4:32 to 7:23

Exploring the complexities of growing up in Northern Ireland during a turbulent time.

“And I remember there was a swathe of virulent red and gold carpet, which makes it sound incredibly grand.”

Family Dynamics and Safety

7:23 to 10:10

Elizabeth shares insights about her family life and the sense of safety it provided.

“So we moved to the North of Ireland in 1982 and 30 minutes down the road in Derry, which was where I went to primary school, a war was raging.”

Moving and Feeling Outsider

10:10 to 14:00

Elizabeth reflects on the feeling of being an outsider after moving to Northern Ireland.

“And so I actually consider myself a countryside person.”

Exploring Childhood Experiences

14:00 to 16:40

Elizabeth shares her childhood experiences and feelings of being an outsider.

“And they never made me feel stupid or silly for wanting to write myself.”

The Journey of Self-Discovery

16:40 to 19:20

A discussion on the gradual erosion of self-identity and the journey back to one's true self.

“I think I have an ability to connect with people and it probably dates from that.”

The Role of Home in Healing

19:20 to 22:20

Elizabeth discusses how a safe home environment is crucial for personal healing.

“And I think home is an incredibly precious space in order to facilitate that happening.”

Navigating Introversion and Social Expectations

22:20 to 26:20

Insights on introversion, creative expression, and societal pressures during childhood.

“child but I loved stories and escaping into stories and at that time it wasn't a particularly friendly climate for introverts.”

Career Beginnings and Personal Success

26:20 to 28:00

Elizabeth reflects on her early career in journalism and her evolving definition of success.

“I had a job at another national Sunday newspaper, The Sunday Telegraph.”
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Navigating Relationships and Self-Discovery

28:00 to 29:08

Explore the complexities of relationships and the self-awareness journey following a divorce.

“So having done these 12 weeks of therapy, obviously, equipped for everything, I thought I knew myself.”

The Pain of Failed Aspirations

29:08 to 30:29

Understand the emotional impact of unfulfilled dreams like marriage and parenthood.

“as I think most people do, this is going to last and this is it.”

Leaving Home and Finding Freedom

30:29 to 31:27

Discover the value of personal freedom after leaving a shared home and possessions.

“And I just kind of hit a wall at some point and knew my instinct took over.”

The Suddenness of Separation

31:27 to 32:56

Delve into the sudden feelings often accompanying relationship breakups and their long-term implications.

“And I'd still gone to an enormous amount of effort to make it feel nice and look nice.”

The Burden of Perfectionism

32:56 to 34:16

Learn about the societal pressures of perfectionism and its impact on self-worth.

“It's like, I think all relationship breakups end up feeling very sudden, even though they're not, because they'll always shock at least one party.”

Defining Failure: Personal Perspectives

34:16 to 37:10

Reflect on the subjective nature of failure and how personal experiences shape its definition.

“No, I think, you know, failure is something that we feel within ourselves, right?”

Fertility Challenges and Advocacy

37:10 to 39:28

Hear about personal fertility struggles and the importance of sharing experiences to advocate for others.

“Failure is essentially what happens when your life doesn't go according to plan.”

The Journey Through IVF and Miscarriage

39:28 to 42:05

Gain insight into the emotional rollercoaster of IVF treatments and the weight of miscarriage.

“And I'm so happy that you got your twin girls.”

Fertility Journey and Emotional Challenges

42:05 to 44:39

Elizabeth shares her experience with fertility struggles, miscarriages, and the emotional toll it took on her.

“technically, by the end of that year, been pregnant three times.”

Acceptance and Community in Grief

44:40 to 47:54

Elizabeth discusses finding peace in acceptance and the importance of community support during her fertility journey.

“of this podcast, it coincided with not being at home.”

The Importance of Connection

47:55 to 50:24

The conversation shifts to the significance of connection and understanding in personal and professional relationships.

“Because I had long periods of my life where I didn't feel seen or understood.”

Confronting Silence and Authenticity

50:25 to 53:00

They explore how unspoken stories shape identities and the need for authenticity in communication.

“And I think meant that actually, as a family, we didn't communicate with each other very much.”

Home as a Safe Haven

53:01 to 55:52

Elizabeth reflects on how her home environment contributes to her sense of peace and control in a chaotic world.

“Let's move on to this home, I think, because I was going to run out of time, but there's so many things to talk to you about.”

Exploring Elizabeth's Home

56:00 to 56:10

A description of Elizabeth's Victorian house and personal spaces.

Cognitive Load and Uniforms

56:20 to 57:00

Discussing how reducing choices can help focus on tasks.

“so you can concentrate on the task at hand.”

The Role of Safety in Home

57:00 to 58:00

Elizabeth shares her thoughts on safety in home environments.

“So you've used the word safety a few times in this conversation.”

Experiencing Urban Environments

58:00 to 59:20

A discussion about feeling safe and unsafe in various cities.

“I mean, I think any woman probably would say yes.”

Routines and Daily Rhythms

59:20 to 1:01:40

Exploring Elizabeth's daily routines and preferences.

“And then I'm trying to think of like, I mean, miserable broken parts of cities.”

Writing a Diary: A New Habit

1:01:40 to 1:04:00

Elizabeth discusses starting a one-line-a-day diary.

“So that will either be, so we had a Peloton, or I'll go for a PT session, or go to the gym, or yoga.”

Importance of Therapy

1:04:00 to 1:05:00

Insights into Elizabeth's therapy routine and its value.

“New York uh the one of the last trips I was there uh Justin was with me we went to MoMA and I love a museum gift shop.”

Understanding Sensitivity

1:05:00 to 1:06:30

Discussion on being a highly sensitive person and its implications.

Balancing Personalities in Relationships

1:06:30 to 1:12:22

How Elizabeth and Justin's different personalities complement each other.

“Like it's not, I can, I can choose not to be.”

Finding a Sense of Home

1:12:23 to 1:15:06

Discover the significance of emotional acceptance and safety in feeling at home with a partner.

“I just want texts saying, let's run away to Rio.”

The Significance of Architecture and Home

1:15:07 to 1:17:44

Learn about the deep emotional connections people have with architecture and home spaces.

“about yourself and you know who you are, it's about all of those things.”

Defining Home

1:17:45 to 1:18:36

Elizabeth shares her perspective on what constitutes a true home.

“I think, is to try and replicate that feeling of being in the womb, you know.”
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Transcript

Automatic transcript. May contain errors.

0:02The older I got, still in childhood, the less true I became to myself. So I feel like aged four, I really knew myself. And life after that was a gradual erosion of that certainty. So much outside our front doors is chaotic and unpredictable and noisy. I really need a space where I feel that I can take off that cloak of the outside world and just be at peace in an environment. Failure is essentially what happens when your life doesn't go according to plan. So then you have to think about where you got the plan from and whether it was actually yours.

0:52Hello and welcome to Homing. I'm Matt Gibbard. My guest today is the wonderful Elizabeth Day. Elizabeth is the author of 10 books and has a very successful podcast called How to Fail. As a Cambridge graduate and natural high achiever, she grew up with the idea that if you worked hard enough, things would naturally fall into place. But that isn't quite how it always turned out for her. She tells me about the breakdown of her first marriage and a frankly harrowing 12-year fertility journey that has shaped much of her adulthood. For someone who's used to striving, learning to live with what she calls failure has been one of her most defining lessons.

1:34Elizabeth has the words only connect tattooed on her wrist. It's very clear that connecting with others on a deep emotional level is really important to her, an act of healing for someone whose identity hasn't always felt defined. At the centre of everything is Elizabeth's need to feel safe. Her relationship with the home has underlined this quest, from growing up in Northern Ireland where she had dreams about terrorists under the bed, to a first marital home that she fled one day, leaving all her possessions behind in the process. Her current home feels like the closing of that circle, it's a genuine refuge and a space that reflects the safety she now feels with her husband Justin.

2:19I really enjoyed meeting Elizabeth. She's very thoughtful and warm and I must say I identified a lot with her love of words and her instinct for the truth. She also showed me around her beautiful house and you can watch that video tour over at patreon.com slash homing with Matt. So here's our conversation and I really hope you enjoy it. Hi Elizabeth. Hi Matt. If I ask you to picture the home that you grew up in or spent the most time in when you were young, what do you see? Well most of my vivid memories date from when I was four and it actually wasn't the home that I then did most of my growing up in but the home that I remember so well is in Epsom and I remember it being a massive house but of course it's just because I was very small and I remember that house having a feeling of elegance about it and I particularly loved the bay window there was a seat a window seat in the bay window where my mother taught me to read and write.

3:31And so we spent very many sort of happy half hours there. And I also remember this attic space where I would get up before anyone else because I'm the youngest and I would go and spend hours just building Lego in the attic and feel so at peace and happy and then go down for breakfast. And it was right next to the South Downs and where they ran the derby each year and I remember my parents having derby day parties but that same year when I turned four we moved to the north of Ireland and we moved to a home constructed out of two former fishing cottages that had been knocked together about 30 minutes from the city of Derry and near the village of Claudie opposite a river and that's where I spent the next 20 years of my life really so I've got more coherent memories of that space okay so let's talk about the one in Ireland then um what what did that smell like feel like sound like gosh smell it's so evocative and it's so difficult to describe because it smelled quite but I don't mean this in a bad way quite cold and damp okay yeah but you know that smell that you sometimes get in a forest like it's actually there's something quite sort of comforting and welcoming about it as well it smelt like that and it's partly because it was ireland and it was cold and it rained 98 of the time but also because my parents are of a generation where they refuse to put on the central heating unless absolutely necessary unless the cold water was freezing as it came out of the tap or less so it obviously felt like home but it was quite an eccentric house it was a sort of ragtag bag of other people's tastes.

5:24And I remember there was a swathe of virulent red and gold carpet, which makes it sound incredibly grand. And it wasn't, but it was a carpet of a certain era, probably dated from the sort of seventies. And it carpeted the hallway and the stairs. And it always covered such a large surface area that it was too expensive for my parents to replace so we lived with that carpet and I never saw it anywhere else other than when I went to the cinema to see Casper the Friendly Ghost that movie and Casper lives in this sort of haunted mansion and they had the same carpet the set designer had used the same carpet um but we were talking earlier about my love of history and there was real history to that place there was an attic which I found so triggering for flights of fancy and imagination.

6:20And I knew that I wanted to write from a very young age. And I would go to the attic and I made an old sort of tea chest into my desk. And I would write there and invent stories. And I could sort of see the architecture of how the two fishing cottages had been put together. So where the original staircase was, there was now a sort of deep bookshelf and I loved all of that kind of storytelling that I could fathom from the bones of the house and then we had this what we called the wrath in our back garden which was this mound that dated from Norman times there was still sort of old castle stones on bits of it and being able to run around there and like camp in my own garden and have adventures was incredibly exciting for me.

7:12That sounds quite magical. So would you say it had a positive emotional atmosphere about it? That's a difficult question to answer because of the context of the time and the place. So we moved to the North of Ireland in 1982 and 30 minutes down the road in Derry, which was where I went to primary school, a war was raging. And I was very quickly and then consistently aware of tension, political tension and historic tension and stories that weren't being told, things that weren't talked about and a sort of thrumming sense of danger. yeah um and so there was always that like i remember very early on that childlike fear of having monsters under your bed but they weren't monsters for me they were terrorists they were balaclava terrorists that's what i was scared of and it was a real fear it was grounded in in reality but within all of that um because we lived in the countryside it also felt removed and i could quite happily go off on my bicycle on my own from a very young age and just spend hours in relative safety.

8:34So it was a combination of things, I think. Yeah, that's really interesting. It was a very highly charged time, wasn't it? I remember being in our sitting room at home and the windows shaking as a bomb went off in central London. And I can only imagine what that would have been like in Northern Ireland. Yes. Well, you've had a similar experience to me then because when I went to secondary school in Belfast and I remember a bomb going off and the window shaking. Really? And then the next day walking to the bus station to get the bus home and walking past mangled pieces of metal that had been cars and walking past the Europa Hotel, which bore the infamous distinction of being the most bombed hotel in Europe and every single panel of glass being shattered.

9:24and those kind of memories and you know shopping centers being evacuated because of a bomb scare going past military checkpoints on our way to school that was all part and parcel of our normality and as a child of course you're not in control of your life and so then to have this added element of there being a lack of control beyond that could feel quite unsafe and at the same time, my parents did an amazing job of shielding us from that in many ways and ensuring that we did have those adventures still. And my father is a great outdoors person and was constantly sort of marching up the moor mountains with us with sort of soggy chicken sandwiches as a picnic.

10:16And so I actually consider myself a countryside person. That's where I grew up, even though I've ended up feeling most at home in London. Why did the family uproot and move to Ireland? So my grandmother, whose painting hangs in our bedroom, which I just showed you, she was born in Belfast. So that side of the family, originally Ashkenazi Jews from Germany, and they had moved, my branch had moved to Northern Ireland in the late 19th century. So my grandmother was born there, but came to art college in London and then ended up living in cambridgeshire so there was a slight family connection my dad he's retired now he was a doctor and he applied for jobs all over the uk and he got a promotion effectively to be a general surgeon and it just so happened that it was in atna galvin hospital in dairy and we moved out and i think my father you know um part of what makes him so unique and special is that he has a great capacity for imagination and I think he imagined a sort of idyllic rural life some of which was available to us that's why one of the first things we did was go buy a donkey in a cart and there is a picture of me and my older sister Catherine in the back of this cart just after we bought it and with my father in front wearing a sort of deer stalker hat and that my sister and I are in 80s anoraks but it does look like something from victorian times that photo now um so it was this curious mix of uh the the desire to pursue a rural idyll in beautiful countryside and then the awareness that there was this political danger so are you the younger of two girls then yes okay so tell me about the family dynamic as a whole what what was that like at home my sister was incredibly protective of me and an amazing older sister who had demanded from my parents that she wanted a younger sister and then I appeared.

12:27And my parents, you know, my father worked a lot and was constantly on call and had a lot of very confronting experiences as a surgeon in Ireland at that time. You know, he dealt with a lot of kneecappings and post-bomb injuries to such an extent that he became something of an expert in war surgery and later on joined Médecins Sans Frontières and went to places like Sierra Leone and the Balkans and then subsequently joined the RAF as a surgeon. So he went that way about it. A lot of people assumed we were a military family at that time in Ireland because of our accents, but we weren't. And my mother was an amazing mother in so many ways and had given up her work to raise me and my sister.

13:20And then the older we got, the more she started doing bits and pieces here and there. So she taught French for a while at my primary school. And then she later became a university lecturer at the University of Ulster and a local magistrate, and then worked on the board at McGilligan Prison to improve life for prisoners. So both my parents have a strong moral compass, and they also are voracious readers. And so I grew up in a house surrounded by books and people who thought it was important to read them. And that's one of my big privileges in life. And they never made me feel stupid or silly for wanting to write myself.

14:05They took me seriously. And I think that's one of the most generous things you can do with a child. So I felt very safe in that, in being able to explore something that I loved. I was very supportive in that respect. So you use the word privileges there. When you moved to Northern Ireland, did you also move into an unfamiliar a place in terms of just the dynamics of it and did you feel like a bit of an outsider I mean what was that like for you yes hugely but I didn't realize that's how I felt until a bit later on because I was still only four when we moved but we did move away from everything that I knew at the time which was Epsom and my lovely grandparents who lived in Putney and seeing them a lot and then And we didn't anymore, really, very much.

14:53And, you know, it was still the early 80s. So there was no internet, there weren't mobile phones. So communication was slightly more difficult. But I didn't question it, because you don't at that age. And it was only really when I went to secondary school in Belfast that I understood the depth of my difference. I actually had a lovely primary school experience. It was a very small school. There were six people in my year, great teachers it was an amazing grounding for life but Belfast was tougher and it was a tougher school and a tougher dynamic and I was made aware of what a freak I was for speaking like this I was also a year ahead of myself academically which doesn't go down that well at that age and because I'd grown up in the countryside with a vanishingly little sense of what was cool I was a total nerd and people didn't know how to categorize me.

15:51And that was much more difficult. And to cut a long story short, I didn't have a particularly good time at that school, even though it's a great school and lots of people I know and like went there. I ended up getting a scholarship to a boarding school in England when I was 13. And that school in Malvern, in Worcestershire, was the saving of me in many ways. But when I started there, I felt like an outsider in a different way, because although I spoke in the right way and was kind of immediately accepted for that reason, I hadn't grown up in that environment and I didn't know any of the unspoken rules of social etiquette.

16:31So there was a lot of code switching in my childhood, which now I'm really grateful for because I think it's made me into an observer and made me into a writer and made me someone who I think I have an ability to connect with people and it probably dates from that. That's really interesting. Would you use the word outsider as a youngster or is that too strong a word? No. That's such a good question. I would never have used that word and actually I still feel reticent using it now in the sense that I am extremely privileged and I am white and up middle class and live in this lovely house and make my living from tapping away at a laptop, which is not a privilege afforded to so much of the global population.

17:20But it is an experience that I find fascinating and inspiring in many ways. And it's really informed my writing. It's only when I've written novels and other people read them that I understand what I've written about thematically. And one of the themes that comes up again and again is people who don't fit in, in some way, and unreliable narrators of their own lives and their own selves. And someone who's had that experience of outsidership, I find so interesting and compelling. You've obviously got a wildly successful podcast about failure. What was your failure as a child, would you say? So the older I got still in childhood, the less true I became to myself.

18:12So I feel like aged four, I really knew myself. And that's a beautiful thing. And I don't know if lots of people feel it, but I definitely did feel it. And I felt kind of at peace with who I was. and life after that was a gradual erosion of that certainty for good and for bad but I think a large part of that came from um not feeling accepted by the people that I was in friendship groups with or um the sort of broader environment and so then I tried to shape shift in order to fit in So I think that's my failure. And my life in more recent years has been a dismantling of that and a recovery of who I was at four.

19:08Okay. And that's been a really healing and great process. Yeah. That's really interesting, isn't it? Trying to get back to the very essence of yourself somehow. Wow. Definitely. And I think home is an incredibly precious space in order to facilitate that happening. That can't happen unless you feel safe where you live. And I feel safe not only where I live physically, but where I live personally in terms of my romantic relationship now. I understand that love actually starts with safety, which I had never really understood before. And so then when you feel safe with your key relationships, you can start to be brave enough to look at the truth of who you are.

20:00And it turns out that actually I like the truth of who I am. And that all this bit in the middle where I was trying to be something slightly different was never fulfilling. It didn't feel, I was never settled. I think that's the thing. I never felt that I was living in alignment with myself you've said haven't you that you're an introvert that's learned how to be an extrovert yeah is that fair so talk to me about that how did that manifest itself when you were young then that introversion yes I'm sort of annoyed now because so many people claim to be introverts I feel like um but yes I do it I do genuinely feel that.

20:39And as a child, I would spend hours reading books or inventing stories or coming up with games that I would make out of cereal boxes. And I just had a very rich inner life. And that's probably also a function of having been born in 1978 and growing up in the 80s where there weren't so many available sources of entertainment for children. And you had to make your own fun. And And boredom, in a way, is like a great diving board for creativity. And again, that countryside, I would make myself dens in overgrown rhododendron bushes, all of that sort of stuff. So it manifested like that. And I think, I don't know how chatty I was.

21:28I don't know, I'd have to ask my parents. The irony. Yeah, I know, the irony. That's what I mean about having learned. But I liked observing. And I always remember my beloved grandparents who were just amazing. They were amazing grandparents. They were my mother's parents. And I remember my grandmother, I had seen that she needed something, like she needed a cup pasta or something. And she said to me, she actually said to my mother about me, she's so great at anticipating someone's needs. and it really meant a lot to me for some reason but just I think it's it meant a lot to me because I like being able to understand what someone might want or need without them having to say it and that for me is part of the art of connection so I was I suppose I was quite a sort of watchful child but I loved stories and escaping into stories and at that time it wasn't a particularly friendly climate for introverts.

22:33And because I love writing, like I always wanted to write books, but I thought I probably need to learn how to write first. I'll become a journalist first. So I found myself with a first job in journalism post-university on the Londonist diary on the Evening Standard, which was such a baptism of fire for a slightly socially awkward still introvert, because I was sent to glamorous parties every night of the week and I had to come up with a tidbit of gossip and roll up to celebrities and ask them questions and it was a great learning curve for me because I had to pretend to be confident and I still have that ability to project confidence even if I don't feel it well let's talk about that then because the way that you got the job at the evening standard I thought was quite funny tell us about that so um I was at university and my friend wanted to go to a recruitment evening and it was a recruitment evening for sort of publishing in the arts and I sort of went reluctantly along with her and there was a guy on his own at a stall at the at the very entrance of this room and he was from the evening standard and I was like oh I want to be a journalist so we got chatting and he was actually the deputy editor of the Londoner's Diary he was like well why don't you come in for a week's work experience.

23:48I went in for a week's work experience and it was the sort of tail end of the glory days of Fleet Street. You could still smoke in the office. And the then editor of the Evening Sound of Max Hastings used to leave on like Friday afternoons to go for shooting weekends in the country. It was hilarious. And I brought in a story that turned out to be a front page scoop. and it was about female members of the military getting boob jobs funded by the taxpayer on the Ministry of Defence. And it stood up and it was a really good story. And Max Hastings summoned me into his office and said, well, listen, we'd like to offer you a job and come back after you've graduated and we'll train you up over the course of a year and we'll move you from the Londoner's Diary to the news department, et cetera, et cetera.

24:40And so I was lucky that I graduated with a job to go to. And I started on the London's Diary thinking, oh, you know, in three months I'll be rotated and go somewhere else. Max Hastings then left as editor and was replaced by someone who didn't ever move me. So I stayed on the London's Diary for a year and that's how I got that job. I love it. And you worked at the Observer as well, didn't it, in other places. I mean, what What would you have said that success would have looked like to you at that point? At that point, I was still very unimaginative in terms of how I thought of success. So it would have been winning a British Press Award.

25:20Having my name on the front page meant a lot to me. There is something really thrilling about that.

25:28And that's what it would have meant. it would have meant becoming someone like Lynn Barber, one of my journalistic heroes, an incredible interviewer on The Observer who worked there when I did. And personally, I thought success was getting married by a certain age, having children, and living an extremely conventional heteronormative life. And now, of course, I don't think any of that. But at the time, I was definitely, that's what I felt. okay i actually sorry just to finesse that slightly i think uh the respect of others was a big part of my success so which is a good thing but it also can sometimes veer perilously close to people pleasing and seeking validation and approval from uh people you've never met who you can't possibly control their opinion so i think there was that element of it as well am i right in saying that you first had some therapy in your 20s yeah yeah what what would you say was happening there then i love the depth of your research thank you sorry no no no i feel so known it's such an act of um kindness i so i was 27 okay when i first went into therapy which i think is a key age for many of our saturn returns and all that and i had a job it was before The Observer.

26:51I had a job at another national Sunday newspaper, The Sunday Telegraph. And it was just a very destabilizing time for newspapers. And various new editors had come in and changed everything. And it was just quite stressful because I felt that I continually had to build up my reputation again with each new editor. And I was in a long-term romantic relationship, but I think I felt worried that I was falling behind in some way and I remember crying every morning before I went to work and then I thought this can't be right and a friend of mine had just started seeing a therapist and so I asked her what it was like she's like it's great here's the number and I did 12 weeks of CBT with a terrific therapist and then I was like great I'm cured um i now i'm really enlightened and i can go on with the rest of my life that's that done and make all the right decisions exactly um spoiler alert it didn't quite turn out like that but it did introduce me to the value of therapy and to be able to talk to someone who is objective who isn't a friend or a loved one who you don't feel like you're wasting their time or you're being self-indulgent by talking things through with them and sense checking where your head's at it's it's been a great resource in my life therapy yeah well let's move on then to your term not mine failures of adulthood yes of which you've been very candid about i mean starting with your i think your is your divorce maybe your first marriage something you've spoken about a lot.

28:34Tell us about that. So having done these 12 weeks of therapy, obviously, equipped for everything, I thought I knew myself. And it was a shock to discover that I didn't. And that the commitment I had made to my ex-husband, which I fully meant at the time, although if I'm truly honest, was there like a tiny patch of instinct that said, should it be this difficult? Maybe there was. But I went into that marriage fully believing, as I think most people do, this is going to last and this is it. And it wasn't. And so that's why it felt like a failure. It felt like a failure of self-awareness. And as someone who values truth very highly, it felt also as though I'd been lying in some way because I hadn't actually excavated who I was.

29:35And so I turned up a sort of imposter in my own life, which I didn't realize at the time, but now I have realized it. And that relationship was dysfunctional for various reasons that I won't go into because it's not just my story to tell, it's also my exes. So I can only speak about it from my perspective, but it felt like a failure as well because there was so much shame attached to it. I felt really embarrassed by myself, by the decision that I'd made, by what I'd asked of all of my loved ones to come to this wedding, to give us presents and to believe in this relationship. And then to have to say, actually, I don't think I can do it.

30:16So how soon did you get divorced after marrying? Three years. Three years. We'd been together for four up to that point. The thing that brought it to a head was my second failure, which was my attempt to have children. and that didn't happen and hasn't happened but it was the first experience I had of fertility treatment and of miscarriage and I felt very very alone through that and ideally you shouldn't feel alone if you're in a partnership at that point and it was it sort of made me understand things and see things clearly. And I just kind of hit a wall at some point and knew my instinct took over.

31:01That four-year-old self took over and was like, oh no, this, you can't do this. Um, and it's absolutely one of the hardest things I've ever done or gone through. And I left and talking of home, I left that home. And luckily, looking back, we were renting. We'd only ever rented. But it was still home. And I'd still gone to an enormous amount of effort to make it feel nice and look nice. And I left basically everything. Anything that was jointly owned, I left behind because I just needed to go. And it was a great learning in terms of the value of stuff and how I was able to do that. As someone who had always thought that trinkets and physical memories were incredibly important and possessions.

32:05I now realize they're not at all. And it's made me see that a lot more clearly. And for a year, I didn't have my own home. I stayed with generous friends with my mother. I lived in LA in an Airbnb for three months. And there was a freedom to that, as well as everything else that was happening, which was incredibly stressful there was such freedom to it and it was kind of amazing being in other people's spaces and seeing what that shifted internally and what new ideas I came up with in those spaces so I'm grateful for that part of it but it was very hard so you described sort of leaving all of your possessions behind was it quite was it quite a sudden separation is that why what why didn't you take the stuff with you oh saved by the bell literally Hang on, you've got a comedy doorbell.

32:58Let me just get those. That's properly snowing now. Look at that. No, it is.

33:07It's like, I think all relationship breakups end up feeling very sudden, even though they're not, because they'll always shock at least one party. and ultimately I think I realized that the relationship itself had been in kind of slow motion destruction for many months so in that respect it wasn't sudden but the decision to go had to be made quite suddenly in a weird sort of way I was like if I don't do it now I'm not going to do it and so I had to kind of paint myself into a corner of doing it and then I felt such an enormous sense of guilt at having been the one to do it that I think I was like well I don't deserve any of this this is this is and and there was part of me that wanted a freshness like that wanted a fresh start and wanted a reinvention so I think for those reasons that's why I kind of left things to make it easier you but you're obviously a high achiever right you're a Cambridge university graduate you know everything you've done in your work life suggests that as well so I'm just really interested that you've you've you've hit upon this theme of failure as a as a strand through your life because it would it be fair to say that because of who you are as an individual these things have been harder than they otherwise might have been oh that's such a good question I thought you were going to go somewhere else with it um which is like would it be fair to say that you as an individual don't really understand failure, which is something that I've had leveled at me.

34:50Absolutely not. No, I think, you know, failure is something that we feel within ourselves, right? That's a totally individual judgment. But no, I'm interested, you know, someone who isn't used to getting things wrong, let's put it like that. Yes. Well, I think this will be familiar to many of your listeners and viewers, particularly if you're a woman of a certain age, in that I feel there was great pressure on us as young girls and women to be perfect and to get everything right and to be pleasant and kind and thoughtful and be wonderful domestic goddesses at the same time as ensuring that the fights our mother's generations and grandmother's generations had fought for us, ensuring that that we had thriving careers and were able to do it all because we were so lucky to be born into this era.

35:50And we were, and we are, but there was an immense degree of pressure that I, and I know a lot of my contemporaries felt to get everything right, whether it was kind of romantic relationship or professional achievement. And if you layer on that, someone who was fortunate enough to be good at exams and good academically and got a lot of praise for that and probably I'm talking about myself here but probably also conflated that praise with a sense of love or approval or safety then that adds into the mix like you start to feel unsafe if you get something wrong or you fail an exam or you fail at a marriage and all of that made me into a people pleaser of sort of nauseating extreme proportions.

36:42And that goes back to the idea of truth, because I actually wasn't being truthful about myself. I was trying to shapeshift to be whoever someone else wanted me to be, particularly in romantic relationships. I was like, the worst thing that could happen is that this person will leave me because then I'll feel abandoned and scared and I'll say, so I must ensure that I am sufficiently perfect that they never do. And all of that goes into feeling like a failure when you get divorced. But I think the other thing is, is that what is failure? Failure is essentially what happens when your life doesn't go according to plan.

37:17So then you have to think about where you got the plan from and whether it was actually yours or whether it was inherited from your family history or from social conditioning or from the fact that you watched too many rom-coms in the 80s. Very often it's not what you really want deep down if you're being super truthful with yourself. And so I think that affects us all in varying degrees. And some of us, myself included, have privileges that act as safety nets, that when life doesn't go according to plan, we can put on a different lever. And other people don't. And failure is much more crushing.

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37:53And then you get yet more people who are constantly allowed to fail upwards and end up as prime ministers of the country. And failure is such a rich and thrilling topic. And when I launched How to Fail, I had no idea how much it would teach me and how much it would radically redefine how I thought of failure. But it's important to say that at the time I launched it, which was July 2018, I really did feel like I'd failed in meaningful and difficult ways. I'd had the divorce. I failed to have the baby that I thought I longed for. A relationship that I got into after my divorce had also failed. And I was staring down the barrel of my 40s feeling like I'd got nothing in place I thought I wanted.

38:39And yet I was also writing pieces for a Sunday newspaper and seemed, if you looked at my professional CV, I seemed professionally successful. And so there was a sort of disconnect there too, between what I was projecting and how I actually felt. And I think that feels like failure too. yeah are you happy to talk about the fertility yes definitely um and you say definitely why because you think it's helpful for others yes yeah and it gives what i went through meaning to me yeah it gives it a kind of purpose that's how i'm able to be at peace with it is talking about it sharing it um advocating for people who have also experienced it it's it's been a great healing gift so that's why i'm really happy to talk about it okay um i have a a very small personal experience of this myself in that my wife faye and i went through two rounds of ivf and as a result we have beautiful identical twin girls which was an amazing outcome for us but I know for many others you don't get that outcome and it's I mean it's a very harrowing process to go through anyway um are you able just to sort of you know cast a bit of a light on on some of the things you've been through and how difficult it's been because yeah I can't imagine really Thank you so much for sharing that.

40:09And I'm so happy that you got your twin girls. And I'm also glad that I get to talk with someone who knows. I also did two rounds of IVF and that was enough for me. and uh so so my my fertility journey lasted 12 years on and off and when I first started I was in my first marriage it was 2014 and I was given the very unhelpful diagnosis of unexplained infertility and that's when they said I should do IVF and I did two back to back and it was uh it was really difficult and I at that stage hardly anyone spoke about I don't know what your experience was Matt but I went to a bookshop and tried to find a book that would tell me what to expect through IVF and there was nothing there was just kind of mother and baby books that was it I thought it would be pills that's how naive I was and then the reality of it as you will know is daily injections hormonal surges um invasive procedures it's like having another job and my experience as a woman going through that was I was consistently told that I was fading in some way I was failing to respond to the drugs.

41:24My friend was told that she had an inhospitable womb. You're told that you have an incompetent cervix. Like all of this language is the vocabulary of failure. Like there were embryos at the end that got transferred, but they didn't stick. And then at the end of that same year, I got pregnant naturally. And then I had a, what's called a missed miscarriage, which is where you see a heartbeat. We saw a heartbeat to eight weeks. And I miscarried at 12 weeks. And that was, I now realize, really traumatic. But I didn't realize that at the time. I was so numb to it all. Partly because my marriage was about to end, but also because I'd had this year of being stuffed full of hormones.

42:04I'd sort of technically, by the end of that year, been pregnant three times. And then I got divorced and thought, okay, well, I've still got some time. It's my mid thirties. So I froze my eggs. And then I got into a new relationship with a younger man for two years who wasn't ready for commitment to that level. And so when that relationship ended, I really did feel, okay, now I need to face the fact that this is going to be a different future from what I imagined. and then I met wonderful Justin on Hinge and he already has three children and when we met I thought I was at peace with not having a baby but we got pregnant naturally just after I turned 41 and it seemed like such a miracle and that very sadly ended in miscarriage and then it made us realize how much we did actually want it so we started pursuing fertility treatment which involved various different clinics.

43:07And then I had another miscarriage during lockdown, which was the worst because obviously the medical category of it meant that it wasn't by any means an emergency. And it was another one where we'd seen the heartbeat and then went back and the heartbeat had disappeared. And I was given pills to take here, actually, back here. And that was an extraordinarily painful experience physically and emotionally and then we decided to stop for a bit because we just needed to recover and it was still locked down and so fertility treatment was incredibly difficult to pursue and and we got engaged we got married in that time and then after that we thought okay final fling of the dice let's try egg donation and we did that with a highly recommended clinic in LA.

43:58And it was, I cannot tell you, Matt, what a stressful process it was. This is a whole other podcast, the fertility industrial complex, particularly in America. It took us a year to find a donor. It's wonderful, generous woman. That cycle went forward. We were lucky enough that we could pay for it, but that was a stretch. And we got to the stage where after all of these years, it finally felt like everything was aligned. I did everything by the book, did the acupuncture, changed my diet, took all the supplements, and then that didn't work. And that's one of the darkest points of my life. And actually, interestingly, given the topic of this podcast, it coincided with not being at home.

44:44Because I was in LA in such a depressing Airbnb in Venice and it was torrential rain. It was so miserable and there was something so devastating about not being able to be in my safe space, in my home. It made it even worse. But during the process of that darkness and through many conversations with Justin, I decided to focus on the love that I did have in my life, which was Justin, my amazing friends, my family rather than the love that I lacked and I decided to let go of the idea of having biological children and I feel tremendously lucky that I have a community now of other people who have gone through or going through fertility treatment and I don't feel alone in it anymore and that's something that talking about it gives me back.

45:41I think it's amazing that you're so open about it and I think it is genuinely helpful for other people and um yeah it sounds incredibly traumatic um do how do you reflect on it now then I mean you sound relatively sanguine about it that might not be the right word but um do you think that you will ever fully come to terms with it. Yes. I think I have come to terms with it. It doesn't mean that I'm not sad about it. And I think understanding that those two things can coexist, the peace and the sadness has been very helpful for me. And it's meant that I don't try and tamp down the sadness anymore.

46:28I don't try and live in denial of it. And just being aware of when it happens and when it surges and acknowledging it is the healing. So there's this example I can give you, and it will sound quite trivial if you've never been through similar. But last weekend, Justin wanted to go to this Jurassic World experience, a Basti power station down the road from us, which is lots of animatronic dinosaurs. And I think he thought it was going to be better than it actually was, because it literally was just like big dinosaur puppets. And we were the only adults there without children. it was we were surrounded by excited young children and i felt really flat during that and afterwards okay and then i felt annoyed with myself like why am i feeling so flat why am i so moody why am i and then i realized that's what it was that's an experience that i have had so many times before being around people with children partners with children and not feeling part of it and now acknowledging that i'll never have that i don't i try not to put myself in those situations when i don't have to that's not to say that i don't love being around my friends children i really do and actually that's become a lot easier since letting go of this dream but it's just like things like that are oddly triggering yeah i get that but just being aware of it and actually just saying it out loud to you yeah is really helpful and it means that i can release it i want to talk to you about this home but just before we do um one of the other things we talked about on the tour earlier was um this word connection so you have a tattoo on your wrist and that word connection is clearly very important to you and that really is what a podcast conversation kind of is just talk to me about that why why is that in your individual life why is that important I think it's the sense of being seen and understood.

48:29Because I had long periods of my life where I didn't feel seen or understood. And that can be incredibly isolating when you can't communicate the truth of yourself to others, but also to yourself. That it feels so alienating. and alienation I think is where all of the darkness lies and understanding that about myself means that I want to be able to do it for other people I want to make other people feel seen and heard and understood in any moment that I have with them because that's what humanity is that's what it's about. So that's the deep answer. And the way that I do that is through podcasting, but also through writing, and also through sort of daily micro acts of connection, whether it's like looking someone in the eye when they're making you a cup of tea and saying thank you and asking how their day was.

49:38I think that genuinely has the power to change the world. Because ultimately what you're doing there, it's like every single moment is an act of empathy. And that's so important to lean into. But the podcasting aspect has been revelatory for me. And I never thought it was something that I would do, partly because podcasts didn't exist when I was growing up. But I think what's so precious about it, the way that I podcast and you podcast, is that one-on-one interaction, which for an introvert like that's how I love social communication to be is that I can hopefully get deep with someone and understand a little bit about who they are in those moments yeah um that's why it's just such an amazing form really yeah so if I think about my own experience One of the reasons that I enjoy connecting with an individual in this way, like we're doing now, is I think because there was a trauma in my family before I was born that had ripples, certainly through the next generation.

50:54And I think meant that actually, as a family, we didn't communicate with each other very much. and I had a brother and quite a macho father and it wasn't really that kind of environment which it was also you know the late 70s early 80s and that's the way slightly the way things were and I don't regret that at all it is you know it was what it was but I think it's it's made me have a thirst for conversations that that go beneath the surface level yeah and so I tried to I suppose I try to have friendships that exist on that level and I try to do that professionally as well so that's kind of my justification for sitting here doing this kind of thing but but from your standpoint why is it important to you to probe beneath that surface layer in that way that's so beautifully put Matt and I'm so sorry for the family trauma and the long tendrils of that i think my answer is quite similar in a way in that the experience of northern ireland of understanding that the stories we don't tell we're too scared to tell the voices that we don't hear from that we don't raise um they shape who we are as much if not more than the things that we do say.

52:19So I'm very intrigued by absences. And also, if someone doesn't speak their truth, then other people are going to speak it for them. And so there's something about authenticity that's very important and addressing the things that we'd rather live in denial of. Because if we continue to live in denial, we're not being shaped by ourselves. We're being shaped by other forces. And so I think that's what it is. It's about realness. Yeah. And understanding. Does that answer your question? It does. Yeah. It does. Let's move on to this home, I think, because I was going to run out of time, but there's so many things to talk to you about.

53:08I kind of sit here all day. Do so. I think, I suppose, one thing to come out of this, I think being here today is that you are someone that really clearly likes things to have a place. And you talked about the way you set the house and set things on the shelves. So I guess the first question is around that. How does your home help you make sense of the world somehow? How does it give you that sense of control? Because I think that it is about control, isn't it, a little bit? Is it about control? I mean, I always try and remind myself that control is an illusion. I think for me, it's about serenity.

53:52It's about feeling at peace when I walk through the door and feeling a sense of shelter. And for me, that is helped by the idea that things are going to be in the place that I left them, but also the way that I've placed them in order to be pleasing to the I and my sense of self. That's where it comes from. And I suppose there is an element of control to that as well. For sure. Definitely. But it's so, so much outside our front doors is chaotic and unpredictable and noisy. and I really need a space where I feel that I can take off that cloak of the outside world and just be at peace in an environment.

54:46And I can feel that in lots of different places. It doesn't always have to be my home. My home is my favorite place. But, you know, I have spent a lot of time traveling and being in Airbnbs and generally I get a sense of somewhere quite quickly. I'm quite good my mother will say that it's one of my skills I can always identify a nice place like an Airbnb or a hotel or a place that I think someone should move into online like I get especially with the modern house or Inigo that they could get a sense from photos I'm quite good at that sort of stuff um and I can make I think I think I'm good at making spaces where it feels nice to inhabit yeah and so the reason this particular space helps me make sense of the world is because i can free up my mind and my headspace to imagine and to create and to tell stories because my mind isn't being occupied by god i need to move that pile of newspapers i should throw that out and also what about this and it's so noisy and loud like that's what that's how it helps me.

55:52If you are enjoying this conversation with Elizabeth and want to go deeper, you can watch our house tour on Patreon. On a snowy day in London, she gave me a full tour of life behind the scenes at her amazing Victorian house, including the study where she writes and her remarkably serene bedroom. Head over to patreon.com slash homingwithmat to take a look. I see. So it's reducing the to-do list in some ways so you can concentrate on the task at hand. I think so. I've never actually thought about it this deeply before, but I think so. A bit like, you know, Mark Zuckerberg or Steve Jobs always had their uniform.

56:31Yeah, yeah. I don't do that with clothes. Yeah. But that actually, I wish I could. I wish I could be someone. Yeah. I bet your wife's an amazing dresser. She is an amazing dresser. But, you know, but she has her own brand and she makes clothes. And, you know, actually it's great for me. that I get to wear the clothes that she designs and makes. So actually, when you have that uniform, it's reducing the cognitive load, isn't it? That's what it's about. Exactly. I haven't done that with clothes yet, but I aspire to. Yeah. So you've used the word safety a few times in this conversation. How does safety play into the role that the home plays, do you think?

57:11Gosh, it's huge. You know, I've lived in environments where it's felt incredibly tense and like you have to tread on eggshells because you can't disrupt the balance for fear of someone's anger or retribution like I've lived in those spaces and it's awful and really sort of shatters your sense of yourself because if you can't be yourself in your own home um where can you be like where do you find your escape and your refuge and that can be a dangerous spiral for a lot of people so um it's it's really really paramount for me and it's a safety that comes from the relationships that exist within the home um who we invite in like i'm actually very very selective about whether anything is ever filmed um at home or where like i i yeah i know you're very lucky no you're i mean that's very kind of you to invite it's in there i'm deeply honored and i love the work that you do but um i don't tend to do that because i actually like it to be private i've discovered that even though i'm a an inveterate oversharer that there are some things i like to be private about like gosh what is this maturity yeah yeah yeah i love it yeah so is are there are there parts of are there environments in the outside world that you feel unsafe in?

58:39I mean, I think any woman probably would say yes. And maybe it's not just a gender thing. I mean, I guess I mean, and I absolutely understand that statement. And I think I mean, you know, maybe more on a psychological level, maybe like, let's think about the nervous system. Yes. I don't like crowds. And again, the introversion, I don't get music festivals. I hate, I can't, I just, I find that scary. I hate it. I hate being in a crowd where there's no control in it. That feels quite sort of dangerous. Yeah. No exit. Yeah. I don't get Glastonbury. I don't get what I mean. Yeah. I just don't get it.

59:24And then I'm trying to think of like, I mean, miserable broken parts of cities. I don't think anyone likes that. but I love cities I love cities actually and I you know I've spent a lot of happy times in LA and I know that place is not for everyone but it is for me I feel a sort of spiritual kinship with LA and part of what I liked about it is that I went there post-divorce for the first time probably and it was a time when I often felt quite alone and I was like where is my life going am I going to be single forever etc but because it was LA there was always something to do or something to see or you could very easily go and be around people um and that's partly why i like writing in cafes i think for for that reason so i so i like cities i like being able to have your own space in a city that you can venture out of and be around people uh having said that i love cities i've always struggled with new york um i find the energy chaotic and dark i do i i feel like it's a panic attack in a city and i've never understood it but the last couple of times i've been there I've been there for work with a purpose and it's been better so maybe that's the thing it's just that everyone else seems so busy and focused and so you need to go there with an intention so I love that comment a panic attack in a city yeah I think to put some color on that I mean if you think about it it's a network of it's a grid isn't it yeah and actually evolution suggests that we're attracted to landscapes that have a bit more visual intrigue than that you know you can't quite see around the hill or yes you know there's a river winding through a valley yes that's such a good point so it is actually it's kind of the definition of a breakdown isn't it it's and luckily they have central park which is which is like a huge lung yes where everyone in new york can go and just sort of recuperate somehow yes and all of those vast buildings that almost blot out the sun yeah i do love it i mean it's amazing energy wise i I absolutely love New York, I must say.

1:01:30But I wanted to pivot to this idea that within our homes, we all have sort of regular routines and rhythms and rituals that we go through that somehow help us navigate our day. What do yours look like? Oh, I'm a huge routine person. So I love sleep. so I'll sleep as late as I feasibly can given the demands of the work day which is generally about 7 30 and then I wish I could say that I'm someone who meditates every morning but I don't I um I tend to exercise um ideally when I wake up so that it's out of the way and also because I've understood like how important it is for me as someone who spends so much time in her head it's so crucial to be in my body for those moments.

1:02:23So that will either be, so we had a Peloton, or I'll go for a PT session, or go to the gym, or yoga. So those are my things. Is that every day? Most days, yeah. Not all three of them. Yeah, sure, sure, sure. Yeah. And then, having said that I'm big into routine, actually there's no such thing as a regular day. But if it's a Monday, then I go into the podcast studio, which is in Hoban. And I'll do sort of back to back recordings. And then on other days, generally, I'll have meetings or I'll try and carve out some quiet space to write. And I like to go and write, having said that I love my home and it's a safe space, I actually like to go and write other places in cafes or in transit often on trains, things like that.

1:03:13And then in the evenings, mornings I have a rule that I don't go out on Mondays or Wednesdays and that's a post-pandemic rule because whilst the pandemic was very challenging and deeply tragic for many people one of the things that I did realize was that I liked being at home and I didn't have enough of that quality time okay and so Mondays and Wednesdays I don't go out and then the other nights I'll probably have a friend catch up or dinner out um or a work event and then it all starts again so yeah actually I don't have a routine at all we've established yeah sorry I read I suppose I read in bath at night and before I go to bed yeah and I've started writing a diary I've been writing a diary for a year oh have you why is that then um actually talking of New York uh the one of the last trips I was there uh Justin was with me we went to MoMA and I love a museum gift shop.

1:04:08And there was just this very appealing, tactile, little rectangular book. And it had one line a day written on the cover. And that's the premise, is that you don't have to write a whole thing, just one line a day, the most memorable thing that's happened to you that day. And it's a sort of five-year diary, so you can compare each year. And I thought I'd start doing it. The idea of writing a full-on diary has felt quite overwhelming because I write so much in my in daily life but one line a day I kind of liked it and I found that the rhythm and the routine of that is quite meditative because you contemplate the day that you've just had and what you're grateful for and that's a really nice way to end your day yeah and are you still doing the therapy or not yes that's okay major thing yeah yes I have I go to therapy every other week okay um well actually it's over zoom so I don't go anywhere but um she's wonderful she's a Brazilian woman in her 70s and she's helped me so much and I see it as an investment in my mental health but also as necessary because a lot of what you and I do we're talking to people about things that are pretty profound and sometimes they can be revealing and sad and traumatic and and I want to be able to be deeply present for those conversations and to go and deal with my own stuff somewhere else um and in a way I see it as a kind of modern day confessional it's like you're just you're sorting through the feelings that you have and the thoughts and I find it tremendously helpful would you describe yourself as sensitive yes yeah very very okay yeah because I spoke to Nigel Slater on the podcast about this phenomenon of the highly sensitive person.

1:06:03Have you come across that? Yes. It's a psychologist called Elaine Aron. And the basic idea of it is that about 15 % to 20 % of the population just have slightly heightened nervous systems, and they go through life experiencing things just turned up a little bit more than maybe some other people do. and from an evolutionary standpoint it makes a lot of sense because if you think about a proportion of a population looking out for danger or i don't know you know looking out for food sources and so on you need those sensitive people so how does how does that sensitivity show up for you and and and i suppose what happens when it becomes overly dominant like what does kind of what does elizabeth going bad look like yeah okay i love that phrase first of all i adore nigel slater yeah don't we all i mean i know that i that everyone thinks this but i just feel like i have a unique and special relationship with he's just amazing and i love that he's been on this show of yours and because his house is so phenomenal and it's like the ultimate aspiration he's just such a kind cat-like man that's what I love about him so I think okay I think I'm very sensitive to um moods opinions changes in atmosphere um feelings other people's moods I'm hyper sensitive to and that's been difficult in the past and so there's an element where I've conditioned myself out of it.

1:07:35Like it's not, I can, I can choose not to be. I actually sat next to Elizabeth Gilbert once at dinner and she said something similar. She said, because so many people, a bit like Nigel Slater, feel that they have a unique relationship with Elizabeth Gilbert and she's so transformative and such a wonderful human in so many ways. And when they come up to her at book signings or events, a lot of them will want to dump all of their stuff on her. And so she's developed this kind of mental cloak where she's present, but she puts a sort of energetic cloak around her. She's like, I don't need to take that on.

1:08:04And she shrines herself. And so I suppose I can do a bit of that if I need to. And I'm also an optimist, which is something I'm very grateful for. So as well as feeling sensitive, I also tend to believe that people are good and things will work out. So I don't fall into a spiral of doom and anxiety, which is, thank God, because that's a really difficult thing to live with and to live alongside. So how it shows up when Elizabeth goes bad is that I, my overstimulation is when I've been around too many people and I've had to converse too much and to give of energy, but also to receive energy and whatever people are telling me.

1:08:56and it's a complicated one because some moments that I feel like that it's because I've done stuff that I really love doing and I really believe in so I will go on tour with how to fail or with a book that I've written and it's a beautiful experience every single time because of the audience that shows up and does me the honor of showing up and booking a babysitter or taking time off work and traveling and paying for that ticket and being there and then sharing their experiences in the audience Q &A or in the signing queue afterwards. It's so precious to me. And I'm also aware that after that, I will need quiet time for a few days.

1:09:35Like I need to book that into my diary. And Justin understands that about me as well now. Because otherwise, the way it shows up in me is I get really weepy, overwhelmed, and I feel really, really down. so I don't get angry or anything like that um it's it's I sort of internalize it and I I can sometimes not remember why I'm feeling so overwhelmed and then I will remember or someone will tell me so how does it work between you and Justin in terms of your personalities and your sensitivities like tell me about that dovetail it's actually great so we both independently did Myers-Briggs tests and I am an INFJ and his letters are the opposite of every single one of those letters.

1:10:22So I'm an introvert, he's an extrovert. He gets his energy from being around people, managing people. He's a CEO. He's terrific at it. And I don't. I get my energy from being on my own and in peace and quiet. But actually we're very complimentary because we bring those sides out of each other. So sometimes Justin will also need peace and quiet. And because he has me around lolling in bed for hours on a Saturday morning, I think I've helped him lean into that more. And ditto, he's helped me venture out more. And so actually, we dovetail very well. That's great, isn't it? Yeah. What a stroke of luck.

1:11:07What a stroke of luck. Yeah. Do you think it's luck or were you open and receptive to that at that time? I think it's both. I definitely think that we met at the right time because we were ready for each other and we'd done a lot of work on ourselves individually and we'd gone through a bit. And so we are, I think I can speak for him on this, incredibly grateful every single day that we have the relationship that we do. and it means that we never take it for granted. And I think that's one of the perils of long-term relationships is that you can just sort of fall into grooves where you stop remembering for whatever reason that it's special or maybe it's not special and that's why you stop remembering it.

1:11:50But there's that element. Like we had to have gone through what we'd gone through to be where we were when we met. And I was definitely much more open-minded and receptive to meeting a different kind of person. And Justin was a different kind of person from anyone I'd been with before because he was so consistent and clear in showing up to the extent that I found it a bit weird to begin with. I just wasn't used to it. I was like, why is he doing this? Why is he phoning me? Weird. I just want texts saying, let's run away to Rio. And then I expect not to hear from you for six months. Yeah, yeah, yeah.

1:12:31But there was something that I was like, no, this is, there was something instinctively where I was like, this is really good for me. And the chemistry was great. And we had great conversations. And he asks questions and listens. And that's such a rare and noble quality. So, but I had to be ready for that. That's really lovely. When I interviewed Sky McAlpine not long ago, she said that the experience of meeting her, the man that became her husband at university, she described it as a feeling of being at home which I found really touching but do you identify with that I find that incredibly moving because actually that's something I said to myself for years I want to find someone who feels like I'm finally home and where I imagined a sense of peace sleeping next to them at night.

1:13:24And yes, that's absolutely what I found with Justin because I've understood, and it wasn't immediate at all. I didn't get that sense immediately. But I've understood that he accepts me fully as I am. He actually, he knows me so incredibly well. and deeper at points than I knew myself, he would say things to me that were sort of quiet revelations in how I understood myself. And so to have someone like that who accepts you, flaws and all, and actually sometimes specifically for the flaws. And I remember in the early days of our relationship, I was crying about something comparatively insignificant.

1:14:10And I apologized to I was like, I'm sorry, it's ridiculous. I don't, you know, I don't want you to feel like I'm just emoting all the time. He said, no, I really value the fact that you are in touch with your emotions. I need that and I value it and I respect it. And that was amazing. So it's things like that, that at home ultimately is a place of acceptance where you feel welcome to walk across the threshold exactly as you are and you can drop the performance and the pretense and the living on your wits and be at peace and I think that's why home and what you do is so profoundly important because it's not about a physical space it's also about the countries that we are and whether we welcome people who need our shelter or not.

1:15:03It's about psychological safety. When you tell the truth about yourself and you know who you are, it's about all of those things. When we were looking around the house earlier, you described your, you know, I always call like a meet cute, you know, like they have in the movies. The moment when you meet another person, but there's also the moment when you meet your home and you described walking in through this and gone? What was the feeling that you got when you walked in? What was that? It was a surge of peace. I was about to say familiarity, but it wasn't quite that. It was that peace and welcome and calm that I was in a beautiful place.

1:15:51And I don't just mean aesthetic beauty i mean the beauty of the safety of it and i did well up i mean such a cliche but i did i just walked in and i knew and people do say that about houses don't they um and it felt so right i didn't even question it i mean it was beyond our budget and everything so i was like no we have to do it and uh i was thinking earlier because you were talking to me about asking people about their three favorite buildings and I was wondering what I would say in response and obviously I would choose our home this building but the other building that had that impact on me where I walked in and I cried because of the beauty was the Pantheon in Rome it's so stunning and obviously my home is nothing like the Pantheon but I think it's also about the care that has been taken to build a space that takes your breath away in some way is is kind of extraordinary yeah the respect that people have paid to the materials and the thought that's gone into every generation yeah that's very meaningful too yeah the pantheon is an absolutely mind-blowing building isn't it yeah it i mean i i'm with you oh the way that the way it casts the light from the oculus onto the ground yeah it's very profound But I mean, you know, this is hard to say given your story, but I also think there's something about the womb in it.

1:17:19Yes. You know. Yeah, the circularity. You know, human beings, when left to their own devices, you know, remote African tribes and so on, they will build homes that look kind of like wombs. They don't have a conventional door like we do. They have more of a sort of slit. they're always shaped like the pantheon. Wow. And I just think we have this, our inherent nesting instinct, I think, is to try and replicate that feeling of being in the womb, you know. That makes total sense. Yeah. So, you know, I agree, absolutely phenomenal building. Why aren't we all living in circular, smooth, round buildings?

1:18:06Well, there you go. That's a big question. It's for another podcast. You can't get so many in down the street, is the answer? No, that's what it is. It's packaging, isn't it? Yeah. If I ask you to define that word home, how do you define it? A place of welcome, acceptance, safety and peace. Yeah. Thank you so much. Thank you. This has been so wonderful. Oh, brilliant. And has really made me think and feel. And to do it in the home that I'm talking about has been really, really special. So thank you. I really appreciate that. And thank you for providing my most aspirational Instagram content through the Modern House and Inigo.

1:18:56Love it. Look at it every single day. Some lovely cottages on Inigo right now. Is that right? That's good to hear. Nice advertising. Nicely done. Pleasure. Thanks, Elizabeth. Thanks. Thank you so much.

1:19:12Thank you to Elizabeth and thanks to all of you for listening. We've got some absolutely knockout guests coming up soon, so if you don't already follow the show, please tap follow and you won't miss a thing. A reminder that you can watch the video versions of our podcasts on YouTube and see house tours with our guests over on Patreon. Search for Homing with Matt. This episode was produced by Podshop with music by Simeon Walker. thanks again everyone and talk to you very soon bye for now

From the publisher

Author and podcaster Elizabeth Day spent years chasing a vision of the ‘perfect’ home life, only to discover that reality can look very different.


She grew up in the Northern Irish countryside, in a home that was physically safe but shadowed by unrest in the wider community. Childhood fears of monsters under the bed were replaced by the reality of masked terrorists, which has made the concept of home as a place of safety so central to her life today.


In the high-pressure early years of her journalism career at The Evening Standard, Elizabeth sought to create peaceful, restorative spaces – first in her own apartments, and later in the relationships she invested in.


Her path has also been marked by profound challenges: the unexpected breakdown of her first marriage and a 12-year fertility journey that ultimately ended in disappointment. As a high achiever with a clear picture of her life goals, learning to navigate what she describes as “failure” has been far from straightforward.


She describes her life in more recent years as “a dismantling of that and a recovery of who I was at four.” 


Her current home and her loving marriage to Justin are built upon the lessons she learned from these experiences. Elizabeth describes finding her home as a moment of fate, as if the universe delivered exactly what she needed. 


This episode looks at how perfectionism can take us away from ourselves, and how love and self-compassion can help us feel at home again.

The episode was recorded in Elizabeth’s house in South London.


A full house tour is available to our Patreon community.

Patreon: http://patreon.com/HomingWithMatt


Elizabeth’s new novel, One of Us, is published by 4th Estate and available to purchase in hardback here. You can also preorder a copy of the paperback out (21 May) here.

To hear more from us:


YouTube: Subscribe to our channel, Homing with Matt, to watch the video version

Instagram: @homingwithmatt

TikTok: @homing.with.matt

Contact: Email us at hello@mattgibberd.com


Matt Gibberd’s book, A Modern Way to Live, is available here: https://www.penguin.co.uk/books/320176/a-modern-way-to-live-by-gibberd-matt/9780241480496


Music by @simeonwalkermusic

Identity & design by @lena.winkler.creative.office 

Produced by @podshoponline


The full visualised studio tour is available to our Patreon community.

Patreon: http://patreon.com/HomingWithMatt


★ Support this podcast on Patreon ★

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