Cobra LIVE! w/ Brian Posehn & Rhett Miller (HDTGM Matinee)

20:01Like when a client cancels their order at the last minute. But here's a surprise you will like. Progressive provides small business owners with 30 customizable coverage options to help keep their business going strong. So go ahead. Surprise yourself. Get a quote in as little as eight minutes at ProgressiveCommercial.com. Progressive Casualty Insurance Company and affiliates and third-party insurers. Coverage is not available in all states or for all vehicles and coverage selections. Could anybody else figure out the time frame of this movie? Because this happens. Brigitte Nielsen, it's the middle of the night.

20:34She's driving by the underpass. She sees them murdering someone, right? Yes. She keeps driving. Right. She goes and then does her modeling shoot. There's a day in between. There is? Yes. I thought it was the same night. Because he said, tell me what happened tonight. And she said, when did you see them around 10 o 'clock? Then she goes and does a whole modeling shoot. Then they find out where she is in the meanwhile, attack her. Then he saves. It's like four days of activities appears to happen in 90 minutes.

21:01Jason Mantzoukas:Yes. From 7 to 10. You know, you might be right. Because, yeah, they don't go to the daylight again for a long time. Do you have that modeling shoot? Yes, I do. Oh, my God. Get ready. This is part of the music video modeling shoot. So Stallone and his partner from the zombie squad are out investigating. Brigitte is doing a model shoot. And this is kind of what happens for four minutes. I cut it down a little bit, so enjoy. And I dare you to not jerk off during this. Can I? Watch the wigs. These wigs are great. Robots.

21:51Hey, you have tattoos here? Combs is here. Yeah, we're looking for a tattoo. Oh, you got more tattoos up there, huh? She has nine outfit changes.

22:07Jason Mantzoukas:So this is four minutes of this month. Hey, do they have tattoos here? Hey! What do you know about the Night Slasher? By the way, it looks like he is just beating, I mean, he just beats up that bartender for no reason. Just grabs him. That's Cobra for you. Hey, I don't like visors. It was Angel of the City by Robert Tepper. A great song. but I've never seen a movie or at least an action movie take a four minute break for a music video there's a lot of plot he knows the streets that's the thing that's been set up because he's on the zombie squad he knows the streets his name is Cobretti by the way Marion Cobretti which the interesting thing about this was his name originally was Axel Cobretti and this was Beverly Hills Cop but it became so expensive that he just took all of his ideas for Beverly Hills Cop and then made this movie instead.

23:07Yeah, Beverly Hills Cop was written originally for Sylvester Stallone. That's true. And they added all the comedy in after when he left and Eddie Murphy came on. Yeah. And then there's another crazy fact. I think it would have been just as funny with Stallone. This is the better comedy.

23:24Jason Mantzoukas:I would have liked to see Sylvester Stallone play all those characters that Eddie Murphy does. Hey, is that a banana in your tooth? fuck. That is a banana in your tailpipe. Victor Maitland gave me herpes. Do you think the photos for this photo shoot were for, like, a magazine or... Yeah. A hundred percent. They're for, like, Robot Monthly or Robot Digest. Robots and food were big in 1989. And there's a beat at the end of the photo shoot where it's empty and just the robots are there and it goes, and the robot lights up and I thought for a second, dude, this is going to be like a robot movie. They come alive and stuff.

24:05I thought the same thing.

24:06Jason Mantzoukas:They shut down the whole thing and the robot is alive. I do want to bring up one interesting point. The actual, I guess, movie of Cobra is based on a book and the book's author after Sylvester Stallone wrote this film, which he did write he asked the author to take his name off the book and re-release the book with his name as the author of the book. What? Yes. That's hubris. But you didn't write the book. Yeah, but I wrote the movie, so no. People are going to know the movie, so I should write the book too. By the transitive property of mathematics, I've now written your book.

24:48Jason Mantzoukas:He asked the author to take his name off the book. Not even shared credit for the book. Off it. I'm also going to fuck your wife. I'm you. I'm you now. I live life as you. I've got to live in your house. You never existed. Is that okay? They were married at this point, I guess, Brigitte and Sylvester Stallone. They were together as a couple. I don't even want a picture. And she would carry him around in a backpack. He's like, she's enormous and he's miniature. Yeah, she carried him around like Luke and Yoda on Dagobah. He's listed as 5 '10", but then they say, oh, he can't be above 5 '7". But I stood next to him once.

25:38I'm saying 5 '2". Really? I'm going to say Stallone is 5 '2".

25:42Jason Mantzoukas:He's also another guy who's probably always on Apple boxes because he did not look like he was short next to her. He's always standing on a... It's like the Hobbit. It's all forced perspective. there's a great one of my favorite bits in this movie is when he is doing good police work and he has her describe gaunt arnold schwarzenegger they do the world's worst composite sketch of him to be like oh that's the bad guy right and then he's like i want to take this i'm gonna go to my apartment and look through my files he goes to his apartment with the sketch right and he has the most crude rudimentary computer and he's holding the sketch in one hand and he's beeping through, and what he's going through is fingerprints.

26:30Nope. Not it.

26:33Jason Mantzoukas:He's comparing fingerprints to a face. The two things I want to point out here too is he goes to his apartment to look at fingerprint books like, that's what the police station is for. I got my own shit. I got my own file back at the house. I don't got the right scissors to cut my pizza at the police station. Now if I can just intuit this dude's fingerprints, I'll know who he is. It's mental. By the way, the composite sketch, and this is a deep reference, looks like the guy from Justice League of America cartoon, the big Native American guy who could grow really tall. It is not a good... Apache Chief?

27:13Yes. He looks like Apache Chief?

27:15Jason Mantzoukas:It looks like Apache Chief. Also, you know, Stallone, not only do you see Pepsi prominently in that scene at the supermarket, but you see it prominently because apparently his house shares a balcony where there is a giant neon Pepsi sign on his balcony. Like an enormous Pepsi billboard, basically. On his, not like off the front. It's like he has a patio and one of the walls of the patio is a giant Pepsi sign. Well, there's also outside of his apartment, there's always one car parked outside with a gang of Hispanic people who are packed in the car. I was about to say clown car. Uh-oh. Don't bring back memories for Jason.

27:56Jason Mantzoukas:Bad memories. Uh-oh. They had candies, guys. The clowns would pull up and they would offer you candy in a van. All right? This shit is real. There's always about seven people in broad daylight on, Well, it looks like a nice day packed into that car every time he pulls up. And they're parked in such a way that he can't get his car into his spot. So they have a little... I'll show it to you here. Well, I don't even have to beat around the bush. This is exactly what happens. Great news. This is not an offensive portrayal of Hispanics. So that's good. JK, it's a horrible portrayal of Hispanics. Here we go.

28:46Jason Mantzoukas:By the way, his car looks like that Tucker. Oh, there. I'll skip it. He's pretty cavalier with his car here.

29:04It really isn't nice of him. Yeah. He's being a T. Kind of an aggressive move. Yeah.

29:13Jason Mantzoukas:What's your problem, Cece? You touched my car, man.

29:20Get up for your health, you know? What is, pinche? Yeah, it's all. Yeah, it's all. Me.

29:31Jason Mantzoukas:Clean up your ass. What? Clean up. He's wearing a wire, right? Is he wearing a wire? He's wearing a wire. I watched this ten times. That's his mic. That's his love. Oh, wait, I gotta do that. But it does look like he's wearing a wire. Wait, that's his mic for being an actor? Yeah, right there. You can see it. I was like, he just outed an undercover cop. That's a godless. No. That is a wire. That looks like a wire. It looks like the tape over the front of it. It absolutely is mic, and the sound guys went, hey, I think the mic, and then they went, it's a good take. We're just going to leave it. So this wasn't planned at all.

30:14That's the only take tub we got, so that's what we're using. It's definitely not a necklace. What I love is their badass Vantos, and they're listening to Gloria Estefan, which has never fucking happened, ever.

30:31Jason Mantzoukas:By the way, though, it doesn't, like, that makes you not want to like Cobra. These guys are just parked in a space. They're not even parked badly in a space. They're just parked. Who knows the situation that created it that he can't get his car perfectly parallel parked. It's fine. He goes there and rams them. This isn't a part of his police work. He may be an asshole, but again as a part of the zombie squad, which my tax dollars are paying for, I don't mind the work he's doing. And I don't have a problem with it. So you think he's an asshole in real life but he's a great cop. Yeah. But again, again, his dialogue doesn't matter because he says that's not good for you.

31:13It's not good for your health. That's not good for your health and the guy goes, what? And he goes, me. Wait. That's not good for your health. Well, he ripped a joint out of his mouth. Yeah, no, I know that. Oh, does he mean the cigarette or whatever? But then him connecting it to me. He's saying, that's not good for your health and the guy goes, what's not good for my health? Me. Maybe he was really looking at... If you wrote that on the page, somebody would go, that doesn't make any sense. Here's the thing. He wrote it on the page.

31:46Jason Mantzoukas:But I believe, I firmly, firmly believe, because I saw Expendables 2 just a little while ago. Oh God, me too. Don't you think that there are just jokes that they think are funny on set? Absolutely. There's so much of that shit in that movie. The dialogue doesn't make any fucking sense at all. Well, like Dolph Lundgren's like writing down some of that piece of paper, like, hey, what's that? It's a quantum... He's like, it's like the theory of relativity, but better. Then he blows his nose in it. And everyone's like, ah-ha-ha-ha-ha-ha! What's hilarious about that is the idea that Dolph Lundgren can write adorable.

32:21He might have been looking at his own reflection in the other guy's eyeballs.

32:24Jason Mantzoukas:I do feel like it's all just Stallone just being like, that's funny, right? I'll do that. I'll do that. I'm going to tell him to clean up his act and I'll rip his shirt, but I'm not going to tell anyone so he can hide his mic. If at this point anybody's wondering if Stallone takes the sunglasses off, he really doesn't. Because that's what you want when you're watching an actor in close-up, is to be looking at mirrored lenses, not their eyes. And he barely takes off the leather gloves either. I swear to God, this was so modeled after the George Michael Faith video. And at one point, they're driving in the car and she goes, how do you know we're going to make it there?

32:58And he goes, you gotta have faith. Yeah, that happens. Oh my god, I didn't even catch that. That happens. Are you sure George Michael wasn't modeled after this?

33:12Jason Mantzoukas:The one thing that I think is so interesting in this movie too is every chase sequence traverses so much space. Like, they start a chase in downtown that ends in Venice and it only happens in like five minutes. Oh, they go from like cityscape to the docks. Yeah. And it's like as if they're like, they turn a corner, they're in a very densely populated area, and they're just in like empty, desolate desert. They might as well go, it might as well be the cannonball run in sections where they go across state lines. It's so crazy. Hey, we're at Mount Rushmore. Oh, hey, we're over here now. Space Needle, hey.

33:51Jason Mantzoukas:The Alamo. No one will notice. Just fucking nerds. The final fight scene also traverses a bunch of... It starts off in a small town, then it continues into an orange orchard, and then goes into a steel factory, which none of it... It's not like an orange pressing plant. It's like a steel factory. Everything in that factory is not making orange juice. That's all I know. It's like smelting metal. I want lava. I want there to be lava around. It'd be cool if there was fire and lava. Oh, man. It's so, so... Oh, the other thing I loved is the guy, the killer, Gaunt Schwarzenegger. She's in the hospital.

34:40Brigitte Nielsen's in the hospital. So he goes in to kill her. But instead of going and killing her, he just decides to kill, like, ten people along the way. New world order. He delays himself for so long just to allow Sylvester Stallone to find out he's in the hospital, drive across town to rescue her.

34:57Jason Mantzoukas:It's so easy for him to kill her. Just go in, go to the room, be done with it. But he is so excited to kill because even when he steals the janitor's uniform, he's in the elevator where the woman's like, you can't be in this elevator. Right on the service elevator. He's like, oh, I've got to get my knife out. I'm going to kill her. It's like, no, man, keep it cool. Just do your job. Don't start laying the body count out here. But instead he has to kill the elderly woman and leave a bloody mop in bed with her. Yeah, he puts the mop in there. A bloody mop. He didn't want to carry that around anymore.

35:28Then the nurse comes in, he kills her. He's just like on a kill. He's like, ooh, there's just too much juicy killing to be done before I kill pretty hair. He is, but then the unattractive cop is really bad at killing because she has all these opportunities to just kill everybody because they don't even know she's the killer. Oh, of course. So she could kill Stallone, like, when the movie would be over halfway through. Sure, instead of leaving the gang to arrive in broad daylight. The most inept axe gang ever. They are professional axe murderers, and every time they swing their axe, they hit a pipe.

36:02Yes. Or a wall, or a car door.

36:05Jason Mantzoukas:It just shows you should not be an axe murderer, because you can never figure out where the height is going to be if you're running around. Unless you've really vetted the space before you get to the killing space. Yeah, I do a dry run. This also has those kind of car chases that I become obsessed with because I'm like, in the time it took to have this car chase and all of the action in it, at least 100 pedestrians were murdered due to indiscriminate machine gun shooting and giant multi-car car wreck. Like, there's shit that's happening that is so, they are just oozy spraying bullets around cars and people constantly.

36:47Jason Mantzoukas:It's like bad boys style death toll here. Also, there are accidents. I don't even know how they happen. In the end, when they're having their big chase scene, there's just three cars on the road on fire, but it didn't seem like that was set up before. Was the Axe gang like, oh, let's set up these three cars here, just in case our plan goes horribly bad and we have a big chase that leads us far away from where we were supposed to do the killing. This will be our backup, these three cars on fire. There's no reason for those cars. And after every time the gang has come after him. Like they've been in multiple cars with machine guns after every time his superiors are like, Cobra, what are you doing?

37:25Your tactics are out of control. It's just one guy out there. And he's like, no, I think it's a gang of people. And they're like, that's what you say. But there's no proof. There's a million people to prove it.

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39:03Jason Mantzoukas:I do want to talk about these police, the police station also they go from a scene that starts in the morgue they walk out into a police station and then he walks into a shooting range 10 feet away from the chief of police's office yes, it's all within 15 feet away from each other and they're all clear windows so you can see in, like, who's in the shooting range that'd be the most annoying office like, poof, poof, poof And there was no paperwork. He didn't have to sign in. He walks in, picks up a gun, and starts shooting. It's like an Aaron Sorkin walk and talk is basically what it is. And it's Cobra and his partner and the chief of police and his lackey.

39:45Those two peel off into the chief's office, and Cobra and the other guy go into the shooting range, and in the background is just the chief like... Just watching him shoot.

39:56Jason Mantzoukas:But it's good that he took that practice, because when the gang of 90 axe murderers come, he doesn't miss a single one ever. One shot for each other is like, bang, bang, bang. Never does he miss. He's an amazing shot, Cobra. And they're horrible shots. Yeah, they're horrible shots, and not even good bikers. They're just flying off their bikes. Well, they start, they leave Los Angeles. They're the axe murdering gang. They leave Los Angeles on motorcycles. To take her upstate. Yeah. And that's his idea, right? Yeah, that's Cobra's idea. Yeah, so they're going to get to Cobra and the girl and everything upstate now.

40:33They ride all night wearing masks, wearing crazy ski masks. And that would be the most suspicious thing anybody would see on the road.

40:45Jason Mantzoukas:Oh, a gang of 60 bikers wearing ski masks? Yeah. It seems like the New World Order gang is out there. But you know what? I bet you, though, they probably attacked at night, right? No. I'm sorry. No. They drove during the night, and then they attacked at daytime. Interesting. Oh. They drive all night. Let's wait until they wake up instead of just murdering them in their sleep. It's the craziest sequence. Let's Cobra get some caffeine in him before we go and get him. Let's make sure they can see us very clearly in the broad daylight. I want them to have a nice breakfast before. I also want to give them a chance to bang first, which is what happens.

41:23By the way, no boobies. Does he wear sunglasses when he bangs that horrible monster? He definitely fingers her with leather gloves on. That's for sure. That is for sure. Just to the knuckle. Just to the knuckle. Just to the knuckle? Yeah, yeah. Well, he's wearing those gloves. So she doesn't feel it. Oh, yeah. Oh, yeah. They're those knuckle-free gloves or whatever they call them. In that scene, in that same scene, they're in like a cabin. Figureless gloves is what they call them, I think. Not knuckle-free.

41:57they're in a cabin and he's like you should get some sleep and she's like trying to sleep at which point he loudly assembles a gun yeah that's my favorite he's like yeah why aren't you sleeping yeah and then he's like you're building a rocket launcher you're fucking making the most noise I've ever heard I

42:19Jason Mantzoukas:speaking of fingering the the model photographer also has a good line when he wants to sleep with her. He's like, come on, come on. Don't do it for me. Do it for your career. Like, that's how he's convincing her to sleep with him. He's like, come on. Like, he has the worst lines to sleep with her. He's like, and he also, at one point, he's like, I don't even want this for me. I want this for you. Because you should be doing bigger layouts or something is what he says. You shouldn't be doing robots and wigs. He says, look, I'd want to be sick not to sleep with you. Can we talk about how I own this?

43:00Oh, yes! Paul, we were trying to figure out what movie I was going to talk about with you guys, and you gave me a list. What was the other two?

43:11Jason Mantzoukas:The other two might have been... Oh, I forget. But I go, right away, I said, oh, Cobra, we have to do Cobra. and then you, Paul very nicely sends me a link, hey, you can check out Cobra on Amazon.com and I photograph myself holding up my copy of the movie and send it back to him minutes later. It was amazing and I was so psyched. Now that I've seen it, I now own it as well and I will revisit it a lot. It is great. You should all buy the shit out of this movie and then Stallone next week is going to be like, we sold like a thousand copies of fucking Cobra. See, I told you. What the fuck? We're going to get a sequel greenlit based on your purchases of this movie.

43:57Jason Mantzoukas:He's been rebooting everything. Cobra Part 2. People are clamoring for this. It's going through the roof on Amazon. Just in Seattle we saw it, so it must be happening in other places. It's hot. Cobra goes to Seattle. This movie cost$25 million to make. How much money do you think it made at the box office? I don't remember if it was a hit or not. $11 million. $25 million to make. It got a 13 % on Rotten Tomatoes. Is there another baby here?

44:32Jason Mantzoukas:What is going on with these babies? Babies like podcasts. Does that baby know I've been saying fuck a lot? That baby really got into the fingering discussion. The baby's going to be like, what's fingering? I'm going to guess 30. 30. Is it the same baby? What? There was a baby at another show? There was a baby yesterday after I talked about vaginal discharge. Well, that is what a baby is, right? Oh, yeah. Oh, yeah. That's true. That's true. Yeah. All right. So we heard 11 million. We heard 30 million. Any other guesses? I didn't guess. Take a guess. I don't even know. $25 million was made in 1986.

45:18Jason Mantzoukas:1986. 42. $160 million.

45:26Jason Mantzoukas:$160 million. So it was a big hit. It was a huge hit. Why was there not a Cobra 2? He said that he was going to make one, but he never got around to it. Man,$160 million. We're going to open it up to you guys. If we haven't covered anything that you guys want to hear answered, Any questions about Cobra? Things that you saw? Oh, good. We have a good hand right here. All right. What's your question? Is that a baby? What about where Bridget Nielsen is pouring ketchup on fries for like a minute and a half straight? And he's like, you're going to need a life preserver. And she's like, for what? It's like your fries are drowning.

46:02Another? Well, here's the thing about that, though. That's the only line that makes sense in the entire movie. Yeah. He actually has a payoff to his stupid set up. But that's a weird part of his food arc because it seems like he should be just upset about the fact that she's eating fast food and french fries. But this is a strange detour. He's just upset about the ketchup.

46:29Jason Mantzoukas:But I would argue, Brian, too, that that comment doesn't really work because he goes, you need a life preserver. But then he goes, the french fries are drowning. The french fries would need a life preserver. Well, no, but I meant for the fries is what I was saying. I don't think he understands. No, when I said you, I meant, fuck it. I don't think he understands, like, nouns and pronouns and how they work. I don't think basic sentence structure is a problem for him. Yeah. It's a good one. All right, so what's your question? I haven't seen the movie, but it seems in the trailer like there's a ton of focus on his car.

47:03Jason Mantzoukas:Is there any, like, explanation why he's drawing a matte black 1940s Phantom something? Well, yeah, that car looked like Tucker, a man in his dream, if you remember that car. Nope. What's the license plate say? Awesome 54? Awesome 52. Yeah. It's like an old, like a retiree car. Yeah. And it's got a, in one chase, he's like, buckle up! And she puts on a racing harness. She puts on a, like, six-thinged racing harness, and he has a nitrous booster in the car. Yeah. That's from the others. That's from Tales from the Zombie Squad. It all makes sense. Yeah, what's your question? Now, has anybody read the novel?

47:48Is it possible that all of this makes so much more sense? I mean, this might have been this guy's tale of two cities.

47:54Jason Mantzoukas:I will argue the novel was called Fair Game. It was remade later, I think, with Richard Gere and Cindy Crawford. Oh, yeah. Holy shit. And there's no character named Cobra in it. So I think it's a very loose adaptation of this book. I wrote a book. We're gonna make a movie of it. What's it about? I forget. Wouldn't be cool if I was called Cobra. I want a guy with a car and he hates Hispanics. And he's got a cobra on his gun. We should call him Cobra because of the gun. Even though that's not in the book. When gone Arnold Schwarzenegger kills the janitor to take his uniform, why does he also take the janitor's glasses?

48:38Jason Mantzoukas:Yes. Yeah, he kills someone and puts on the glasses because the uniform's not enough. He needed to... Well, now I'm sort of understanding. Maybe he thought that old woman was Brigitte Nelson. Maybe it was just in prescriptions. The prescription was too strong. He couldn't see through. She did have pretty hair. She did. That's the other thing is, in the final showdown between that guy and Stallone, that guy's going, come on, pig. I want your eyes. Yeah. I want your eyes, pig. And I was like, what? Is this a thing? Is this guy harvesting eyeballs? Is this a thing I missed? I want your eyes. It's set up in the director's cut.

49:20There's a lot of other scenes. Oh, guys, I hope there's a director's cut.

49:24Jason Mantzoukas:The movie is roughly like an hour and like 27 minutes. Roughly. Roughly. It's pretty exact. How many people do you think were killed in this movie? Take a guess. 100. How many? 50. How many? 180. Wow, 180. 52. 52. 52 people. That's a person killed every other minute. That doesn't include, though, pedestrians and passing by. Well, yeah, those are people who weren't counted. Collateral damage is enormous. So obviously we had an opinion about this movie, but now it is time for a second opinion. These are reviews cold from Amazon.com. Five-star reviews. Now, Rhett, I know that you have a... You found one that you wanted to talk about.

50:11Well, I really loved the music in this. I would love to meet the music supervisor that put all this stuff together. It was so bad. I think it was Stallone. He was like, I like these songs. You know the big... The Cobra theme was by John Cafferty and the Beaver Brown Band, which is Eddie and the Cruisers. That's pretty... Oh, really? Yeah, it wasn't Frank, which everybody I'm sure thought, this one review on Amazon.com of the soundtrack was called, the review is titled in quotes, Feel the Heat. And that becomes a catchphrase in the review that he uses always in quotes. So he goes, if this is not the best movie that Stallone has made, then I don't know what is.

50:49Feel the heat. The soundtrack is, if not as good, better than the movie because unlike others, soundtracks, it features all the songs from the movie and basically doesn't waste your time, exclamation mark. Feel the heat. I won't waste anyone's time with listing what songs are on the soundtrack because it may be looked up by one's self. Feel the heat. In summary and in true 80s fashion, this soundtrack is sure to deliver maximum listening pleasure. Feel the heat.

51:18Jason Mantzoukas:What I love about it, it's almost like a professional wrestler wrote that. Feel the heat. The ones that I pulled, this was a good one. Aspiring filmmakers, take heed. Commit Cobra to memory or take up bricklaying.

51:41Jason Mantzoukas:This one, a lot more disturbing, by G.C. Garner. I gave it five stars because you actually feel like you're witnessing horrific acts being perpetrated upon innocent people.

51:59Jason Mantzoukas:All right, that's something people like that, I guess. And this is my favorite one. It's a little bit long, but it is worth it. It's no wonder people who care for rights of criminals more than the rights of victims hate this movie. Imagine that. Here's a cop who not only says openly what he thinks of criminals and civilized judges, but puts his words into action. The human rights, criminal rights, that is. People call this movie fascist. It's their favorite epitaph for anything that's not compatible with their way of thinking. Don't listen to that babble. I'm not sure about the USA these days.

52:42Jason Mantzoukas:But boy, my country could sure use a few Cobras.

52:50Five stars. There was a huge Reagan poster in Cobra's office, too. Did you see that? Yeah, when Gonzalez was in there being... There really was a Reagan poster? Huge Reagan poster. When he's talking to his partner on the phone and he's looking at fingerprints on his computer. He's checking fingerprints with photos. No, Gonzalez goes back to the station and Cobra calls him. So how's it going in the hospital? He's like, well, I'm back at the station. They sent me back here. He's next to this huge picture of Ronald Reagan's face.

53:20Jason Mantzoukas:I love that. I also love that they are guarding Brigitte Nielsen, who they think is going to be attacked. And then a simple phone call just gets that to go away. Hey, don't worry about guarding that girl. I'll just come back to the station. Oh, okay, cool. Yeah, see ya. Just leave her there. We'll let her be? Okay, cool. If Cobra says it, I'm out. Is there anything that we have not talked about that anyone wants to, any final thoughts? There's a wonderful moment at... I do. There's a gorgeous moment of levity when Cobra's outside. They go to some rest stop on their way upstate, and Cobra's outside this stand full of weird little trinkets, and there's a bobblehead.

54:01You know what I'm talking about. There's a bobblehead of... Who is it of? I don't even remember.

54:06Jason Mantzoukas:It's a Philadelphia Phillies baseball player. There's an unbelievable shot of Cobra playing with the bobblehead. It looks like he's trying to figure it out and bobbling his own head with it. Yeah, and then he ends it by saying to the guy, no sale today, sorry. Yeah. You don't have to explain to a clerk when you don't buy something. But I also thought that he spent an obscene amount of time there touching all that stuff but not to buy anything. Sorry I touched all your baubles but I don't like them enough. At the end of the movie, Cobra kills everybody and Brigitte Nielsen is saved and then, of course, there's a time jump and all of the police are there now including the chief, including the weaselly chief's guy who hates Cobra's tactics.

54:59And the chief says, well, Cobra, you did good today. If there's anything the department can do, it's yours. If there's anything we can do to make your work easier, we'll do it. And he gives them this whole speech about how they're going to be behind him, right? And Cobra goes, well, I would like it if you replaced my car because he destroys his car in the movie. And they're like, we can't do that. Yeah. And then they just gloss over it. Didn't have it in the budget. But you just said you would do anything.

55:32Jason Mantzoukas:Not on the budget. Sorry, Cobra. And that's the whole sequel. Him trying to figure out who can fix his car. I would highly recommend seeing this movie. You should seriously all buy it and do what I said. You can buy it on Amazon. It's like six bucks on Amazon. That's a worthy investment. Six dollars. Come on. Put it on your shelf. Enjoy it for the rest of your lives. It's amazing. Thank you guys so much for coming out. Good night.

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