The Christmas Tree (1991)

28 Nov 2025 · 1 h 13 min

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How Did This Get Made? - Episode Summary: The Christmas Tree (1991)

Episode Overview In this episode of *How Did This Get Made?*, comedians Paul Scheer, Jason Mantzoukas, and June Diane Raphael discuss the 1991 animated holiday special, *The Christmas Tree*. They dive into the film's absurdities, production quality, and the bizarre narrative choices made throughout its short runtime of 43 minutes.

Key Points Discussed

General Impressions

  • Duration Perception: Despite being only 43 minutes long, the podcast hosts felt it dragged on endlessly, likening the experience to watching a longer film.
  • Animation Quality: The animation style and voice acting were compared unfavorably to higher-quality productions of the era, suggesting a 1970s or 80s aesthetic instead of its 1991 release.

Plot Summary

  • Basic Premise:
  • The film centers on Mrs. Mavilda, a heartless orphanage owner who embezzles donation money while neglecting the children under her care.
  • The orphans have an emotional attachment to a tree named Mrs. Hopewell, which becomes a focal point of the story.
  • The narrative involves themes of gambling, neglect, and the pursuit of a "Merry Christmas" despite dire circumstances.

Themes and Characters

  • Mrs. Mavilda's Character:
  • Described as a gambling addict, her actions raise questions about her motivations, revealing a potential critique of addiction and its consequences on vulnerable communities.
  • The lack of oversight in her management of the orphanage leads to dire living conditions for the children.
  • Narrative Choices:
  • The plot is criticized for its choppy storytelling, lack of coherent character development, and the bizarre inclusion of events (such as children's peril and a lightning strike) that serve to confuse rather than clarify the story.
  • Missing Child and Town's Reaction:
  • A notable point of contention arises when a child goes missing but the townspeople prioritize saving the tree over finding her, showcasing the film's misguided priorities.

Production Quality

  • Voice Acting: Most voices are performed by children, contributing to an odd atmosphere; the hosts noted that the children's somber expressions were unsettling.
  • Budget Constraints: The podcast humorously speculated that the film's low budget led to cost-cutting measures such as reusing animation cells and poor narrative pacing.

Cultural Reflection

  • Orphan Movies: The discussion touched upon the decline of orphan-themed narratives in modern media, noting that contemporary portrayals often lack the emotional depth found in older films like *Annie*.
  • Community and Support: The hosts lamented that the children in the film fail to support one another, missing a critical opportunity for camaraderie and resilience.

Final Thoughts

  • Recommendation: The consensus among the hosts was ultimately a "do not recommend" for viewing *The Christmas Tree*, citing its lack of coherence and entertainment value.
  • Childhood Anecdotes: Paul Scheer shared humorous childhood stories, including his experience with “dryland mushing” and having a dog sled, adding a personal touch to the discussion.

Conclusion The episode concludes with the hosts reflecting on the absurdity of *The Christmas Tree* while encouraging listeners to appreciate better holiday films. They highlight the value of storytelling that engages with themes of community, support, and the true spirit of Christmas, in stark contrast to the film they just dissected.

Additional Notes

  • The podcast hosts invite listeners to engage further through their online platforms for discussions about missed elements in the film.
  • A reminder for upcoming events and shows related to *How Did This Get Made?* is provided at the end of the episode.

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Transcript

Automatic transcript. May contain errors.

0:00Finally, a Christmas movie unsuitable for the entire family. We saw the Christmas tree, so you know what that means.

0:26Hello, people of Earth, and welcome to How Did This Get Made? Boy, oh boy, we got a doozy for you today. We are talking about the 1991 animated feature, if you can call it that, The Christmas Tree, coming in at a tight 45 minutes. Not to be confused with the TV movie, The Christmas Tree, in 1996, which was Sally Field's directorial debut. Very different films. Yeah, yeah. So there you go. Should we watch all The Christmas Trees? I would love to just really dig on in. Everything called The Christmas Tree? This movie, I would recommend people watching because it is free on YouTube and it's only 45 minutes.

1:09And that's interesting. So you would say that people should watch it. I think that your eyes need to see it. And if you say, Paul. Your eyes need to see it. Your eyes need to see it and your ears need to hear it. That should be the motto of the show. Your eyes need to see it and your ears need to hear it. How did this get made? Let me just tell you. Can I say something? Yeah, sure. Because you, everybody, this whole how does this get made team is really selling me on the 45 minutes of it all. Like a lot of emails. Only 45. Get ready. Actually, even 43, June. 43. 43. It's going to be so quick. Good news.

1:45Good news. Only 43. Here's the link. 43. I felt those minutes. This was interminably long. It did feel about 90. It did. I did look at the watch multiple times. The thing where you pause it to see how much is left. Every time I had only gotten like three more minutes in. That's what I'm saying. And it felt eternal. I was at one point like checking my own self because I was like, wait a second. Is it not 45 minutes? Yeah. Because I was watching. I thought you had all lied to me. The brutalist went by quicker. Here's what I will say. I've taken more notes on a 43 minute movie than I've taken in recent memory.

2:26on much longer films. Well, I think the really distressing part, I'm sorry to interrupt Paul, but the reason we were in kind of a time panic was also because about 15 minutes had gone by when the narrator announced, so let's begin our story. Yes. That really, I was like, uh-oh. So much table setting for a 43-minute movie. In a way that I was like, I don't, not only that, But even now, having watched the movie in its entirety, I believe, I still am not sure the story the movie's telling. You know what I mean? Oh, no. So little happens in the movie, in other words. And yet so many things happen that are terrifying.

3:12That's true, too. That's terrifying. The kids do get lost in the wilderness. Oh, a girl falls off a cliff. Yeah, that's true. A bear does attack them. Yeah, I guess I'll actually take it back. A lot does happen. Here's what I just will say for those of you who have not seen the film. Of course, that's Jason and June. We don't need to introduce the show. How do you call this a film? Well, you know, this short. If you've not seen The Christmas Tree, this is how IMDb describes it. The heartless Mrs. Mavilda runs an orphanage where kids live in miserable conditions because she keeps all the donation money for herself.

3:49She hires a new assistant who, along with Santa, helps the kids finally have a Merry Christmas. Now, that very much buries the lead. We'll get into all the reasons why. But I do want to start off with just the opening sequence. Because this is a film that we both, we all agree is interminably long. But yet, the narrator is rushing through it. The narrator is like the micromachine guy. Like that opening narration.

4:48clothes and put them away in a closet for the mayor's next visit. That is insane. The speed in which he is reading that is very quick. Do you think that's just because they were like, oh, we got to fill the plot holes. We don't have enough money to animate the whole movie. So we'll just have the narrator. It's weird, though, because at times I did feel like the voices were being sped up. And then there were times I felt like the voices were being slowed down. And the scenes felt like the scene is over. The scene has been over. Right. For minutes. Why are we still in it? What's what is this? They didn't animation is expensive.

5:25The opening sequence shows you just how cheap this movie is, because as they're flipping through this Christmas book, it looks like sections of the book are redacted. It's like the Epstein files in book form. It's like they're not even fake text. And when they finally land on the Christmas tree story, the story that we are about to hear, it's a blank page. There's not even a semblance of writing on this page at all. And I was like, that seems like easy animation. You don't have to move it. It's also shocking to me, and I mean this truly shocking, when you said 1991, because this is 1970s or 80s level animation and voice work.

6:04This looks like the kind of movie that I would have watched as a child around Christmas, simply because it was on TV. It was on TV. Pre-VCR. Pre-choice, you know. Yes. When there was only four channels plus three, you know, UHF channels, you watched shit like this because it was there. Whatever it was on. Right. Now, I just want to talk about the basic, the premise of the movie. Sure. And because I actually don't think that that logline from IMDb got to the heart of the matter, which is really about this tree named Mrs. Hopewell. Oh, boy. I will say that this is probably the thing that upsets me the most about this movie, that these orphans are so longing for companionship, even though they have each other.

6:52Okay, that's what I wanted to talk about, actually, Paul. That right there. They describe this tree as their only friend, as the branches being the arms that wrapped around them, the tree being a place where they could finally connect. Now, they all seem like nice kids. they never turn to each other. Right. Not only that, not only do they never turn to each other, find solace in each other, find a community with each other, they're putting it so much on the tree that when the center, I would say the central threat in the movie is the chainsaw to the tree. During this scene, there is a missing little girl in the wilderness.

7:37She has been, she is gone. Her brother has announced she's gone. We care more about the tree somehow. As does her mother, Jason. Yes. Her mother stays for that scene instead of going to find her child. I will say for eagle-eyed viewers, when the chainsaw is pulled out, Lily, the missing girl, is in the crowd of children. So she. Oh, God. So don't be alarmed. they might have run out of some animation cells. They had to use the one where Lily is in it, even though technically in that part of the story, she is missing. I wonder if this was a feature length, made as a feature length movie then was cut down to this because then I would understand it's choppiness.

8:21There's only one version and it premiered direct to video in September of 91. It played on the USA Network a handful of times and it re-aired in 92 and 93. and it was picked up by some small independent Christian television stations. Of course. Okay, so just to go back to the story for a second, Mrs. McVilda, whatever her name is. McVilda, not a real name. McVilda is a kind of Portuguese for evil and wicked. Okay. So Mrs. McVilda is taking the money that the mayor is giving her to run this orphanage because she's dressing the kids up very nicely when he arrives And so he thinks everything's great and gives her, you know, bags of cash.

9:07Two big bags. Big bags of cash. I was also interested in the portrayal of the mayor, like not usually seen as like generous, you know. Well, the mayor is running the town because when two people arrive in town, they go, if you need a job. Straight to the mayor's office. But Mrs. Mavilda, she's using that cash. This is what I was fascinated by, this choice. not on herself to buy you know luxury items to buy herself beautiful clothing to i guess she is eating well we see that scene of her at the dinner table with a giant turkey but she's mainly using that cash to bet on card games to play she's gambling she's gambling with it but she does i guess my point is she doesn't seem to be doing well at it no she's a bad gambler she's a loses This is the money.

10:01I mean, like, you know, like, no wonder she's still running the orphanage after all these years. But what an interesting choice, though. You rarely see a female gambler. Yep. We're not. That's usually not our vice. Well, here's what I will say. I feel like she was losing to torture the children. Like, her losses were so egregious because she's like, you know what? I don't care. They'll go hungry. Whoa, Paul, really? Yeah, because at one point she puts in all the money. She goes, oh. Here goes the children's money again. She's enjoying putting the money forward because she's like, it's fun money.

10:36But I don't think she wants to lose. Yeah, I agree with you. She's not taking it seriously. She's enjoying the game. But I don't think she's trying to lose it so that she doesn't have to spend it on them. But I am curious that she doesn't want to keep it for herself. She just, she wants that thrill of the game. I'm also freaked out about this house that she lives in because the house seemingly, well, it looks like a nice house. She has a bedroom that looks like it's maybe in a mansion that would be on like, you know, a very, you know, like a Bravo show and her office also shining. But then the kids live in abject filth, like wooden floors.

11:13Like, like. Well, I think here's the question, I guess. And I'm dead ass right now when I say this. Dead ass. I love this. Here's the question. Yeah. If she didn't have a gambling addiction, would she be taking care of the children? No. Meaning which comes, okay, but really think about it. Think about it through the framework of just like through the lens of this is a story about addiction. Okay. Okay. Oh, wait. You're giving this movie way too much credit, I think. I think that you're saying like. Do you think she took the job at the orphanage in order to have access to petty cash? And that's what I'm saying.

11:51can use to fuel her gambling. Like, I don't think she started out a good orphanage runner, you know. She's like, what's the villain's name in Annie? Carol Burnett. Hannigan. Jesus, wow, that was wild. Anyway, you know, let me ask you this. How come we don't make orphan content anymore? How come we don't seem to care? Let's be clear, there are certainly so many orphans but we don't make any modern content set in orphanages about orphans that's about the plight of orphans that is aimed let me be very clear at children well to be honest the part of that is because there aren't really any american orphan we it's a foster care system and it's deeply deeply flawed and we for sure fund foster care instead of like funding services for biological parents to actually be able to keep their children that's a fucked up system in and of itself well here's what i will say i feel like orphan movies went through this kind of like euphoria cation like you know like everything in euphoria is like through the mind of a 30 year old man who was not in high school and i feel like everything we know about orphan movies are through like hollywood writers who just saw something ages or foria is it or foria our pitch is it's it's euphoria but with and for orphans yeah because i do think that like what we have been building on is this idea of what an orphanage is just a bunch of kids running around and ragged clothes this movie feels like it's set in the 30s yes you know that's what's so wild i mean i do think that must be other trouble the other trouble the movie has is wait do we think that this movie was in 91 no right it can't be in 91 i don't know what oh the cars are old okay oh yeah cars are old And she is wearing a headscarf.

13:46Yeah. To me, the trouble is also that Mrs. Hopewell, the tree, we never get to really see them connect with this tree. Can I ask you a question? Yeah. Sure. Where's Mr. Hopewell? Like, are we to presume this tree is Mary? Right. You're right. It is a Mrs. Well, where's Mr. Mavilda? Well, but yeah, she's a Mrs. as well. Maybe Mr. Hope Tree and Mr. Mavilda ran off together. Wow. Whoa. Can I just say one thing about the tree? And I hope you guys don't come down too hard on me on this. I didn't find the tree to be that interesting. Tree sucked. Yeah, the tree was not an... The tree didn't have any personality.

14:31Yes. Give me like a peanuts level, like bad Christmas tree that then Santa at the end will sprinkle some things on it and it grows out and it's a beautiful tree and we all are like, oh my God. Great, that's a great pitch. A tree that represents the orphans themselves. Exactly. Kind of down on its luck and ragged the way that they do in Charlie Brown. Great point. And then Mrs. Mavilda would be like, why do you like that tree? It's disgusting, it's an eyesore. By the way, great Mavilda. Thank you, I've been working on it and I did not get the part. But you might be, maybe hold out hope for Mr. Mavilda in the sequel.

15:04Oh, I would love it, I would love it. Oh my God, at the end of the movie when Mrs. Mavilda first gets electrocuted by lightning, struck by lightning, then is fine, then goes to work as Judy's assistant in the orphanage, and the line is, Well, don't worry about Mrs. Mavilda. She's good now. This woman has tortured these children and now still is in charge of them, but don't worry, she's good now. But by the way, she's good now. She learned that you always win when you are good. Wait, what? She never was good. Why is it still about winning? And why is she working at an orphanage where all the kids have been adopted.

15:38Well, I have to say that that's true. They seem to just live there, so I don't know. It seems like reckless to adopt that many kids in one scoop. They adopt seven kids and they have two more, but you know what? This town is going to keep producing orphans, so what are they going to do? But I did think that that was pretty bold of Judy's husband who had been away in the mines, in the field somewhere. Although he came back looking crystal clear. He did, but I mean, And to come back to take a look around and then say, we now have nine kids. Which is, by the way, wrong math. A conversation. Just so you know, when he tells.

16:17It did seem like a lot, Paul. Yeah. So he said she'll be helping raise their nine children. They already have two. So they're adding five orphans. So it'd be seven total. Oh. So there was, again, Ray is not. Plus Licorice the dog and Mrs. Hopewell the tree. I'm sure he's counting those as their children. By the way, Hopewell felt far away enough from the orphanage house that it didn't seem like Mavilda would have jurisdiction over that tree. It wasn't like a front yard tree. You don't think it was on a property line? Yeah. Yeah. I would have loved it. I would have loved a scene where they go to City Hall and they get the actual property lines laid out.

16:56Well, they do get into that at the end of the movie. They go, and technically, the mayor says that this tree now is public property. And it's like, we don't have to get into. We don't have to get into the logistics of who can chop down a tree. Oh, my God. I don't even know.

17:16I mean, this mayor seemingly is very involved. This mayor is giving out jobs. The mayor looks at you and goes, you can work in the mine. You can go work in the orphanage. And you can bring your kids there. And the mayor is— Why does Judy and her two children, the only blondes in this town, Why do they have to live in the orphanage? Why can't they live in their own home? Well, because the money isn't coming in yet. Yeah, so she is working off. She's basically working for that room. I mean, I struggle with Judy as a mom because she, well, obviously she doesn't go after her daughter when it's reported that she's missing.

17:58but she also she doesn't seem to take the kids seriously when they are trying to tell her like something's very wrong yeah something's very wrong here again it feels like I would say 1991 still shocking because this feels like 1970's parenting right exactly it has the vibe of like I don't want to hear from you like when Mrs. Mavilda says to Judy, you have to do this, you have to do this, you have to do this. And then at the end of the day, you can see your children for 30 minutes. Judy's like, that's plenty. Yes. That's plenty. And if, if anything, maybe too much. Judy does not react at all when this is, and your children will be treated as orphans.

18:46She's like, copy. Yeah. Why do they have to sleep in there? And it also seems like the orphans aren't being put through any rigorous schedule. like it seems like they're going to be bumping into each other a lot like i mean it's you know what happens with mrs movilda's plan to frame judy for stealing i was just from the guy there's a whole thing that gets put in motion that i kind of didn't then track i think that's put in motion so that the kids can escape to try to get to santa to have to solve their problems but but basically there's those kids would freeze to death so immediately so quickly well the plan change it twice right because it's first the kids are going to go see the mayor to talk to the mayor and say hey but then paul it's after business hours because someone didn't know how to get to the mayor's office because of course they had been there the first day and this is all happening on christmas eve yep but then they realized i did laugh at this then the kids these kids these hungry kids realize it's after business hours it's eob into business and that the mayor this is how locked in this community is with the mayor they know the mayor's already on the way home and the mayor lives way out in the country the mayor is far away which by the way why so far away it'll be so much easier to go to where santa lives right and this is not a a a community that seemingly is set in Alaska.

20:14Like, I would say this is probably Minnesota. Like, let's just say, look, it's a very, you know, it's a suburban, rural mix. But we've all seen alone, and they are in conditions that are brutal. Absolutely. These kids are out there with no sweaters on, no hats. They're chit-chatting away. They get chased by a bear. A bear that I'm going to say is three stories tall. The bear is so big. Totally. I mean, here's the thing that I'm going to say about that big bear. I think that these kids not knowing jack shit about anything helps them because at a certain point, uh, the mom, uh, has to explain what Santa Claus and Christmas is like the kids have no idea what that is.

20:55So I guess I'm starting to look at the kids and being like, they have been, you ever heard that story where, um, parents, uh, only taught Klingon to their son and then like child protective services came in and like, they had to take the child away because the parents were just intent on only teaching Klingon. So wait a minute. Wait a minute. Were they Starfleet officers? I think that they were, they were, they were part-time Klingon cosplayers. Were they, oh, wow. Yes. So they were cosplayers who, you know, look, I went to Comic-Con one time and I watched a Klingon play, play out in a Comic-Con run.

21:32It was great. And they were all in a Klingon language doing a, you know, a piece of, a piece of Klingon literature. But, you know, so I,

21:45So that to me feels like these kids have no idea what's going on. So they're like, yeah, trees are people. I didn't know about Santa. So when that bear comes, to me, I think that they look at that bear like licorice. It's another dog. It's a big dog. Big dog. They're not like they don't know. I'll be honest. I was rooting for the bear. I was rooting for the bear just because I was like, to come out here like this is so irresponsible. I just felt bad that the bear had no Christmas Eve plans. Yeah. Did anybody wonder what happened with that giant accident that stopped Judy on the road from getting to pick up the package where she was going to be framed?

22:23Yes. Judy, what is that all about? Judy, I have issues with Judy as well because at one point, the kids are not speaking and Judy's like, hey, settle down. I'm like, they are settled. No one's speaking. It's completely silent. Let's take a little respect on Judy's name, though. I was deeply impressed with Judy. Wait a minute. Let's put some respect on her name. Just moments ago, you were dragging Judy's name through the mud. I know, but then I remembered how absolutely intrepid Judy was when she built that swing and that platform, whatever that slide. I have issues with that slide. A wooden slide, splinters in the butt.

23:05but yeah okay but like they they didn't have no she was very good like that was real now where'd that stuff go did mrs mcvill to tear it down she wanted to i think so yeah that she didn't like that it was there she was yeah but when she goes we never see her saw to it i don't think it's there yes doesn't it doesn't appear as though those animated elements were included in the wide shots i have a feeling that they had a daylight scene of the slide and the swing but that the climax took place at night so they could not bring it over. Hold on one second. Are we to understand that Santa sent the lightning to strike Mrs.

23:43Mavilda? That's, and didn't we all think that the lightning was going to bring the tree to life? Or am I the only one? I thought that there would be, like, yes. I almost felt like if the lightning was going to make Mrs. Hopewell come to life and be like, I will now run the orphanage. Not like Judy would take over. Yes, I felt like there was so much import placed on the tree and Mrs. Hopewell and its protection. The tree was personified so much for the children that it seemed to me at some point it must become sentient. It must become the thing the kids are saying it is. And in fact, Judy becomes that thing, I believe.

24:27It's not Mrs. Hopewell. Judy becomes Mrs. Hopewell for them She becomes their advocate But why does the tree still get all the fucking credit? Well, the tree gets a lot of credit But I also think that something's weird with Santa I do think that the Santa that we meet Go on Because, okay First of all, Santa is a very different animation style Than anything else in the movie That's very true It does seem like it's borrowed from maybe another movie And he, I think the way that he looks at everyone in this town is very sexual. I think that he has a glimmer in his eye. Paul, and I'm not going to lie to you.

25:07I did. We don't see what happened with Lily and Santa and where he found her, what that scene, what happened there. But when he appeared with her, I feel like the movie, we wanted to feel like, oh my gosh, Santa found her and dropped her off. and where my mind went was like, what the fuck? Yeah, what's going on? What the fuck happened? Well, we don't get really, we don't get almost any time with Santa. So he's so just deus ex machina kind of dropped at the very, very, very end that it kind of is like, wait, who the fuck is this guy? And yet he has saved this little girl, but he doesn't say, I saved her.

25:46She didn't fall off the cliff. She fell into my sleigh. He didn't say shit. He's like, I gotta go. Gotta go. I got these parachutes attached to my presence. I gotta get the fuck out of here. There was something very strange about it. I gotta get the fuck out of here before the cops arrive. And if they ask any questions, no presents next year. I'm worse than Mrs. Mavilda. That's what I think was really going on. Maybe he is Mr. Mavilda. Oh, that would be cool. I would like that. Did anybody else question why, after we have been told over and over, these kids don't have anything, they don't have dolls, they don't have any toys, Like, why didn't they ever play with the sled that was outside?

26:25Yeah. Well, you're obsessed with sleds. You both are. You guys bought into that. I love sleds. Sleds were like the greatest thing. That's what I'm saying. That's the most fun thing you could have. In a town full of snow. It's basically a snow car. You basically had the ability to go fast. Yes. It could be a child's entire winter. Yeah. One sled. It's independent. Absolutely. I could ride my sled to other towns. I could ride my sled up and down the coast. Wait, hold on one second. Wait a second here. This is just annoying. Now, I had a dog sled. I attached dogs to it, and we would run. We would run, much to my parents' chagrin.

27:04But like this, they feel like they're - Seriously, Paul? Oh, yeah. What? You had a dog sled? We had a dog sled. Not like - No. Yes, Jason. Like an idea to run? No, no, no, no. What are you talking about? All right, so we had two sleds. One was much more of a metal. So it had two wheels in the back, a little platform that you stood on, and then handlebars. And you attached dogs to the front, and then they would shake off. There was a wheel in the front, too. So that was the non-snow one. That was the one for— This is not real. You didn't have this. Oh, 100%. So it was like bicycle handle. So it was like— I'm going to need photos.

27:48I wish. Yeah. It was like a dog. That's like a dog sled. That's like an out of season training sled for Iditarod dogs. Right. Right. Yeah. I would imagine. I mean, as far as I knew, I just hooked the dogs up to it and they would run and I could. How many dogs? Four. Okay. You know, and so, you know, so then I would, I would hook them up to it and they would run with me. And then, you know, and I would take them around the neighborhood. I'm looking right now on some websites and I'm seeing it right here. I will, I will kind of show you exactly what it was. There is no, what are you, what are you talking?

Read the full transcript

28:23There's no way we've done this show for 15 years and we're just finding out that you had Iditarod style dog sled in Long Island, New York. I'll show you a picture of it right here. What on earth is happening? All right, here, hold on one second. I'm going to share my screen. Are you serious, Paul? Okay, yeah, here it is. That's what I had. What? Yeah. How did you make it bigger? You had enough dogs for this? Can you please make it bigger? Yeah. Let me see if I can. That looks like fun. I'm not going to lie. There you go. Sorry. I'm going to get bigger right here. No, I get it. But did you have Huskies?

28:55No, we had Pointers, which were like hunting dogs. So yeah, that's exactly it. It's like, it almost looks like a tricycle that you attach dogs to. Yeah, no, no. I get it. I get it. I'm just like, I don't. I'm explaining it for the people who can't see it. I can't rectify. I can't make it make sense. Yes. Yeah. And did anyone question you? You're riding around in that thing. And did anyone say like, whoa, whoa, buddy, what is this? Hey, hey, little guys. Sweetie, sweetie, hold up, hold up. Stop the dog. What's going on? I would attach the dogs to it to impress my sitter, like my babysitter, who was often a high school girl to show her that I could control the dogs.

29:40You got the pointers for the sitter? Well, I didn't get the pointers for the sitter, but I would say, hey. You hook up the pointers just for the sitter? By the way, what they call this, according to what I'm seeing online, is dry land mushing. Yeah. Okay. So that's what I was doing. I was doing dry land mushing. Okay. Which I'm sure made the sitter absolutely soaking wet. That dry land mushing. Oh, my God. What on earth is happening? I am absolutely stunned. I can't accept this as new information. No, that's really the craziest thing I've ever heard. So is this the same era? Because to have that, you have to have open space to ride around in.

30:24Is this the same era where you had horses? Yes. Oh, 100%. Yeah. We had a dog run behind the barn, and that's where the pointers lived outside. And that was like, yeah. So I would be cleaning the dog run. So I would go in there and take the shovel and clean up the poop and everything and hose it all down. What year was this? I mean, this is all before. It sounds like you're describing the teens, the 19 teens. I mean, look. It was my job to go around the back of the stables and feed the dogs. I mean, I had to get the salt licks. I had to get the salt licks for the horses, and I had to make sure that I put the hay in there.

30:59I had to put more hay in their kennels during the winter, so they had to warm, you know, keep them warm. But they were outdoor dogs. They lived in their outdoor kennels. you know and that was it this is astonishing I don't know where we were going but I was going to say now that's a sleigh that's a sleigh that's what I want to see slip some dogs up to this stuff because these kids seemingly are just going uphill at all points they are using that sleigh as if it has an engine well the engine is licorice you know eventually licorice is hooked up Paul Scheer style pointer style to um to drive but this is obviously this this is snow mushing not dry mushing i guess we did also have a a regular sleigh too you did you that was that was available to you if you yeah yeah yeah that's good that's good to know just for people who are keeping track at home as to what uh what you had available at what point in life yeah vis-a-vis modes of transportation and I am looking right now that pointers are good dogs for sled dog racing because they're fast.

32:09Yeah. And they have, I guess, a good chest. Just last question about this, I promise. But was there anybody else that you knew that had this? No. No, no, no. I have another question. Yeah, sure. And this one is real. Significant. Yeah. Why? Why did you have both the dry and the snow sleds? Did you or anyone in your family race these dogs? That's a good question. Did you use these as transportation? Like, what? Right. Well, we didn't use it as transportation. I'm just going to say why. This is something that comes up in my book a lot. I understand why Jesse has the dogs in Life Below Zero. That makes sense.

32:46He gets around with them. He needs them because he's in a place in Alaska where he needs the dogs for transportation. Well, no, this, the dogs were, the dogs kind of just were. Exercise for the dogs. Yeah, I mean, I guess we had them. These dogs were going out. We were hunting with them. I mean, these dogs were always coming out and doing something. They were pointers. So when they saw a bird, their tail would go up. And then that's how you know, okay, we got a bird. Did you hunt a lot? I had multiple guns, but I never was out there to kill animals. I would shoot much more to kill. You had multiple guns, but I was never out there to kill animals.

33:26No, I was out there to shoot. Were you out there to kill the most dangerous game? I would hunt humans, sure, but that's a different thing. Now, these pointers are really good at finding bodies, human bodies. Wow, so interesting. And I think, I don't know if I ever mentioned this, but most of my fifth grade class were weirdly shot. I don't know why. Weirdly shot. Weirdly shot. How they were shot was weird. Weird, it was weird. Oh my God, oh my God. Yeah, so I shot a lot more skeet than I did. That was my bread and butter. um but we did but we were that was my bread and butter but i shot plenty of skeet that was my bread and butter but i mean i've told i think i've told this on the podcast that i did kill a lot of quail okay yeah so like that's what you guys would do you would go out and do quail hunting no no no we we raised them and then i would uh then we would chop off their heads and then put them into a defeatherer and then and then sell them featherer yeah this is so horrible how does that word.

34:28It's basically like imagine, and I'll give the funnier description of it. You chopped off their heads? I didn't do the chopping off their head. I did the thing where I'd stick them in the defeatherer where you would hold them by their legs. And it's basically like a steel drum with, let me just say for your visual, like a bunch of dildos attached to it. And so it's like these rubber things and you put the bird in. And it just pull it off. Oh, okay. And you would sell the quail. Yeah, we sell that meat. You'd sell the quail meat? Where? Where would you go to do that? Again, these are the things.

35:03I just did the chores. I guess, yeah. Okay, I got to be honest with you. I wish you'd asked more questions. I do, too. You were part of, I want to be clear. You were part of something. You were part of something that I don't think you understand. I guess I call it a chicken plucker machine. Chicken plucker machine is what I'm looking at. Why? Why? Paul, who sold the quail? Where? And what were the proceeds used for? What system was this a part of? This is crazy stuff. I'm looking at all these machines. These machines are bringing back memories now. Oh, God. How are there more memories? How are there more memories?

35:43I guess I just felt like we were raising quail, so then we had to... Did you eat them? We had to sell them. We're not going to just keep a bunch. We were raising a tremendous amount of quail. I understand the concept of if you're raising quail, you're probably selling them. But in what capacity? I don't know. Farmer's market? I never went to a farmer's market. We're trying to understand what the funnel looks like. Well, yeah. So I don't know. I mean, I never. Was this black market quail sales? What did I marry into? Is there a quail fortune? I don't know about that. I never went to a farmer's market.

36:18I never did that. So I know that we didn't sell it there. But I also think that we had a big freezer. We were putting things in the freezer. And then I think that people were picking up things from the freezer. People? Would come by. I think it was much more of a... You think people were picking up... You think it was an open freezer and people would just take a quail, leave a dollar? What is this? I remember distinctly saying, we'll leave the garage open. You can come and get the quail. What? So I think we were selling We were selling animal meat Locally Got it Again Not quite positive And again I should have asked these questions These are great I would love to know if these were FDA You were just trying to get your chores done So you could get on your Dog sled and enjoy yourself Like I understand I don't blame you Hey guys I want to hang out I just have to de-feather 300 quail so I can fill up the quail freezer in the garage that everybody knows will be open.

37:25Now, here's the thing that I will say. I definitely believe that we ate them as well. Sure. Because we were not raising, when you say 300, I would say we didn't have 300 at a time, you know. So we were probably raising maybe like 50 quail. Like, so we were a low tier, you know, probably like, yeah. Like, and you go in there and the coop was just a mess and feathers and shit. And you'd have to get in there and dig around. You lived with a quail coop. Yeah. We're getting, this is, again, this is just astonishing new information. The quail coop was on the property next to ours, which we rented the house of, but we kept the backyard.

38:02So that was like a deal that we had to give. Okay. So you had the stables for the horses. On our yard. You had the kennels for the dogs. That was on our yard. That was in our yard. And then the quail coop and anything. What else is in, just so I have a, and I would love it if a fan. could maybe just do a property sketch of all the information we now know from Paul. I mean, what a, I mean, what a, what a childhood, you know, like it, it feels like when you talk about your childhood, it feels somehow like, even though I know you grew up in Long Island, it feels to me like you grew up on little house on the prairie.

38:36Well, that, you know, it is interesting when I do talk about it, it doesn't seem natural or right. And so when I did go back to like, look at the house, I was like, did I make any of this stuff up and nope I did not everything is still aggressively there this is wild I love this I love the excavation of your childhood is it is what drives the show we have at least two more books coming I did as you said it I forgot about us mushing okay so sorry for that detour I apologize No, in all sincerity, it was so much better than the movie. Truly. The fact that we now know you are a frequent dry musher as a child is huge information.

39:27Big information. The fact that I know the term dry mushing. Yeah. Now we all do. I thought that there was something sexual when Miss Mavilda called Mel Fastfingers. Yeah. Yeah, for sure. She really does hang out with a bunch of degenerates. Yes. Which I like. I do too. Oh, yeah. Again, that was a choice that I really loved about the movie, which was that she was a gambling addict. And also that like her choice of she wasn't hobnobbing with the rich and famous. You know, she was with the dregs of society. And she also didn't aspirationally have hopes. She wasn't trying to buy her way into society or get her or buy her way out of the orphanage into a this or that.

40:11Like she just wants, I think, to party and gamble. And fund her habit. That's why I think that she was losing the money on purpose because she wasn't like she just wants to shut everybody down because she doesn't even invite the girl, the mom, to play cards. Like it's not even like. You know what, Paul? I'm sort of coming around to your point of view because they do say that about gambling addicts that they don't actually want to win. Oh, really? Yes, that the desire is to try and there's something in the risk of it, but it's not about actually winning. Oh, okay. Oh, wow. So you might be onto something there.

40:54I did appreciate, you know, it's definitely the animation of the time, but I did appreciate. It isn't. I just want to be clear. It's not the animated. This is like, there was better animation. the other animated movies that are out in 1991. There's toy stories that exist. No, I mean, this is like, okay, a time of like Rover Dangerfield, Rock-a-Doodle, American Tail. I thought this was like Little Mermaid time. American Tail, yeah, okay. I mean, you know. But I loved that, at least in the 90s, all the women who were villains had purple eyeshadow. That seemed to be very, very important. And I also loved.

41:33You like those pink lips? That when Judy went driving and she was on the road and told by that police officer, like, you're not going to get through, better turn around. She sped off like a bat out of hell. Did anyone notice how fast she drove? I did not clock it. She threw that car around into a turn and sped away. Wow. It was hilarious. I'm just going to say that Beauty and the Beast comes out in 1991. Okay, there we go. American Tail comes out in 1991. Fievel goes west, of course. Of course. Rockadoodle comes out in 1991. These are movies that look very different from this movie. Well, I mean, there is something about it where it feels like these cells might have been purchased on a black market.

42:20You would even say maybe a quail market, you know, bespoke. Oh, boy. And you would get this, like, because there is something about it where this all feels left over. And look, I know these kids are supposed to look sweet and kind, but they all look like kids who are having terrible allergy attacks. Like their eyes are just big enough and watery enough to look like they're just like, oh, they're like their sneeze is like living right in their head space. They don't look well. They're kids all facing out. They all stand in the exact same direction at all times. They have to. I mean, they only had one.

42:55Well, they're using the same cells. Yeah, they're using the same cells over and over again. And it's clear because none of the, you know, they just have written a script to cells that they had, I think, to scenes that they had, because I don't think like none of this makes none of this adds up as a movie. Well, I mean, I also don't understand how the whole town gets involved at the end of the movie. The entire town is around the tree. It seemed that this is a very small issue. Mavilda is going to cut down a tree and then everyone shows up. But yet again, I just want to call it back, which is it is a weird moment because a child is missing, reportedly falling off a cliff in the woods.

43:38And a town is much more concerned about a tree that no one has any connection to, because at this point, the tree is not a national landmark. And it seems like that is crying. The bully is crying. And he says, she fell down. I lost her. He's like beside himself. And then it's like, start up that chainsaw. We're killing this tree. And everybody's like, fuck the little girl. We have to save the tree, which is bizarre. I mean, is it an ecological story? I don't know. I mean, that. I don't know. I mean, I do think the way he tells that with the way he shares the news about Lily, like it does seem so definitive.

44:15Like she's gone. She's dead. She's she's dead. So there is something I can't believe I'm on their side. But there's something I do understand. Like, they radically have to accept that news. Can I ask a question? Please. Is the little blonde boy's name Pappy? Yes. Yeah. Or Happy. Pappy. Pappy. Pappy. Pappy. Now, why is he named Pappy? Isn't Pappy like an old man, like a grandfather's nickname? Like, you know. My Pappy. Like, yeah. Pappy is not like, it's not a nickname. it's not a it's not a nickname for like a like patrick or something i couldn't wrap my head around the fact that this little boy's name is pappy lily pappy uh pappy kindle you should call my full name pappy kindle which makes me also wonder the kindle family is this amazon product i mean this is like war the world's level stuff you know let's have the kindles come in and you know what she can read to them any story access anything they want magazines uh audiobooks now in color um yeah did anyone else wonder like what happened to the kindles in their previous town yes they're running from yes and when they show up the mayor is basically like i'm gonna put you in this thing of this job over here like it seems like he's just getting placed not based on his skillset.

45:38None of it. He's just being told to work at a lumber mill. That's communism. I'm going to be honest. That's communism. Whatever your trade is, it doesn't matter. You do this now. Your family belongs to the town. They're not yours anymore. Your family belongs to the town. They are community property. This is communism. I believe this is a story about communism. Here's the other part of it. The mayor is coming with the bags of money. and the way he gives the bags of money is by seeing that the orphans are in nice clothes right but these orphans never leave so she is doing a bad job because i imagine part of being an of somebody running an orphanage is like you want to get some out the door it's like running a car dealership you wouldn't get more money in a car dealership you're not i don't know moving products i think she's getting money a lot of report though every year like i you know there there were maybe there weren't any placements but like this many people came to see the orphans as potential adoptees like because she must have to she must have to account for something there doesn't seem to be i'll be honest any oversight there's no cps there's no seems his arrival with the bags of money this town seems to be the mayor and mrs mavilda i mean it is it is a an orphanage that is run, I mean, like literally with the least oversight.

47:05It's an orphanage of fear that is run with the least oversight because all he needs to do is see that they are in a pretty dress. And then he, by the way, this is disturbing to me. You look, I've seen a lot of weird stuff, but seeing kids get naked, like ripping clothes off a kid and having them in their underwear. I'm like, I don't need to see little kids in this like this ragtag generic peanuts gang. And I don't need to see, I don't ever want to see Lucy in her underwear. I don't want to see Linus. I don't even want you saying what you're saying. Yeah, I don't want it available as audio. I don't want it.

47:38Those words are putting images into my brain that I didn't ask for, you know? I don't want it. Especially about Linus. I mean, the other thing is, what world is this money? I mean, we are also in a world where, like, why is the money in bags? Why is the money? I'm just thinking about that. Oh, money's always in bags. Money's always in bags. You know, if this is run, if he's sort of running this as a communist utopia, then I do think that I understand. In Alaska. I do understand Mrs. Mavilda's gambling addiction a little bit more. Right. I understand the need for, like, you know, excess and stepping out.

48:22Like, that does, even if it doesn't lead anywhere. Well, it also it does. That also feels to me like the idea that this takes place in a frontier town, basically, where it is people are working in the mine or the mill or whatever. That's how they make their living. But really what it is, it's just lowlifes who are doing gambling and scheming. And it's Mrs. Mavilda and her poker friends. You know what we don't see is a ton of like townspeople who are like good people. We just see villains. And the only good person really is the mayor, I think. And Mrs. Hopewell, the tree. And Judy. Sure, sure, sure.

49:03And Licorice. I don't trust Licorice. I don't trust Licorice either. Licorice, I feel like left Lily. Licorice should have gone after Lily. I will say no. Justice for Licorice because I think Licorice did do a good job fighting the bear. Okay, you're right. Yes. switch um but should have been killed i think should have been killed was that bear the same bear from the jungle book it did look like they may have stolen it's definitely baloo uh there was but there's this one moment where the mayor does say like there's weird editing of course like i think you're right jason like there's points where they're like they have too much time and they're rushing then there's points where they don't have enough time and they're cutting so you're this weird thing where like the end of the movie is like and then it's all good and she's great and and we don't even see any images of her it's just a wide shot saying that everything worked out great it's like it's like the way that i get when i'm trying to tell my kids something i'm like yeah it's fine it's fine they worked out everything yeah yeah don't worry about it they're fine they're good um but there's this one moment where the mayor goes i've got enough money here to get the children new clothes and still some left for their christmas like it's like there's It's a long beat.

50:08I've got enough money here to get the children new clothes. And still some left for their Christmas presents. I was like, what happened? Did he have a mini stroke? There's a lot of that kind of stuff where it feels like it's just because they have more footage of the mayor talking. So they're going to fill it up and make it last. It almost feels like it's that's what I mean. It feels like when you watch an old TV show and you're like, why is this scene seven minutes long? The plot points were over minutes ago. So why is Magnum still hanging out at the King Kamehameha Club just to watch somebody fall down in the sand?

50:48By the way, I mean, I would imagine that there that Mavilda would also get put in jail. It seems like a very lax system that would be like, you know what? Well, and that's Judy's fatal flaw. And that's where Judy is, you know, her underreaction, her willingness to turn a blind eye, her, her, you know, need to like rescue Mrs. Mavilda and not restore justice to this town is really deeply troubling. It's a, you know, there is no, Mrs. Mavilda shows no remorse. She really doesn't have a, she doesn't have a real turn in a way that you're like. Just since she got caught. Do you feel like the lightning strike, like, kind of shocked it out of her, like electroshock therapy?

51:36Like, it just, like. I would have loved if they showed that. If she was, like, after the lightning strike, she was, like, wonderful and loving and lovely. You'd be like, okay, she's changed. Santa changed her with lightning. Or, like, it was a stroke or something, you know. Because what we don't hear at the end is that Mrs. Mavilda stopped gambling. No, she's just good. Well, now she maybe just gambles smaller amounts. Yeah. By the way, again, you said justice for Judy. June, I just wrote this line down. There's a moment where Judy tells the kids that they won't be getting the new clothes. And then the kids are upset.

52:11And she says, please, children, don't make it more difficult for me. Yeah. I know. No, listen, I'm so back and forth with her. I just admired her carpentry. What can I say? Here's the thing. Judy is up against insurmountable odds. So she cannot help but fail over and over again because it's simply too much. That being said, she could do better. She could do better. Judy, do better. Yeah. Judy, just do better. But also orphans do better. Like these orphans are just standing around. they are not doing a goddamn thing and orphans by the way do better and turn to each other yes builds community like people always say that if you feel unhappy in your life and depressed and like are constantly making yourself the victim like turn around and put some energy into what is yes into the people around you into the spaces around you you know invest in the opportunities of your the person to your right the person to your left don't don't try and tell me that you can't make yourself a better life unless that tree is your best friend.

53:18So I guess if I'm going to take away all the things we've been saying about this movie and just judge it in a way that's like, what was the intention here? What is the Christmas moral of this story? Such a good question. I don't think there is one. Believing? No. Nope. It's not about believing. It's not about the Christmas spirit. It's not about love for each other instead of craving gifts and so forth. It's not about the spirit of Christmas. They do say wish harder at one point. It's about, oh, you know what they do do is the kids all want things. And then the kids are like, I shouldn't want things.

53:58I should wish instead for Mrs. Hopewell, the tree to be saved. Right, but also of all the people who don't want things, the kids should get some things. The kids have not gotten anything. They don't have clothes. They don't have toys. They don't know what Christmas is. They have such shitty attitudes. I mean, they really do. The kids are sleepy. I mean, the kids seem like they are starving. The kids seem like, I'll be honest, the kids seem like Mrs. Mavilda's giving them a Benadryl every morning. I do think they might be on drugs. Because the fun thing about orphan movies, and I know this is wrong, but when you're watching them as a kid and you're watching Annie, As horrible as the Miss Hannigans of the world are, there's something so appealing about kids being together.

54:47Even Oliver sleeping in the same quarters, one of the little one being way more of a rascal and taking risks, and the other one's having... There's something so compelling story-wise watching these stories as a kid. Yeah. I am this. I am that one, yeah. I'm a voice in the animated movie The Twits, which is one of the Roald Dahl books, which has very fun, up-to-stuff orphans. The orphans are driving the story because they have the ability to go out into the world and stir shit up, and so they do. And it's a blast because the orphans have agency. They're not just sitting around waiting for some Judy to come make it fucking better.

55:31But Jason, this is the thing that you have refused to talk about. you also play a mayor in the Twits. And you are not talking about, like you have been in this position. I mean, what is the mayor doing right? What is the mayor doing wrong? It's so true. It's so true because the mayor does not support the orphanage in any way. Like he doesn't show up. My character, the mayor, doesn't show up with bags of money. He is so much more focused on his reelection campaign. Okay. So does your character address Roald Dahl's anti-Semitism at all? He does not. But I will say his butt explodes. Okay. Hey, that's fair.

56:09You know, look, you can't win them all. His butt swells and swells and swells and swells until it explodes. Not a fart. His butt explodes. Well, that is upsetting. So do you feel like it was an asshole that exploded or it was like a butt cheek explosion? I'll be honest. The director, the wonderful director, Phil Johnston, I asked him so many times, what has happened here? What is the injury? because you then later see him in the hospital in traction and it looks like they've done some cheek surgery. Right. You know what I mean? What was this? I need to know so I understand how to play it. Well, of course.

56:46So I understand how to inform my vocal performance. Right. You don't want to be like this guy who becomes Jimmy Stewart at the end of the movie and in the beginning of the movie sounds perfectly normal. Holy shit. This is truly one of, wow. I mean, one of like, again, we keep on saying this recently, like these are movies that are blowing our minds because I'm like, I did not know this existed. And in 45 minutes, I have more questions than I ever have had. But here's the thing. I am so looking forward to the time when in I'm going to say 45 minutes from now when I have forgotten this movie. It's already.

57:29I'm so looking forward to that time. I like I still am. I'm thrilled, by the way, to still be thinking about and laughing about and talking about my boyfriend's back. Oh, yeah. But this I hope to never revisit. This is this. I want wiped clean from my memory as soon as possible. This is to answer the question you're leading us towards, Paul. I do not recommend. Really? This is, I found this to be, to what we were saying earlier, so weirdly long, even though it's short. The scenes are so boring and so drag on with just either exposition or unnecessary information. I couldn't make heads or tails out of it.

58:11Well, and I will say, I kind of feel the same. And we did keep our nine-year-old up last night, a little bit later than usual. To 10 p.m. You can watch the movie with us. Oh, God. And he wanted to go to sleep. I can't wait until your sons write books that are revealing the way Paul's book is revealing, but all of the stories are about all of the movies they were exposed to. They have seen, and by the way, we get excited when it's a kid's movie. We're like, oh, finally, you can watch it with us. Like the fart movie with Rupert Grimm. Oh, yes. You know, like they, and that one I think went over better.

58:44I'll tell you this much. I will read you one or two of these second opinions, but I don't trust them. But here we go. it's now time for second opinions the movie was a piece of shit yet this person recommends it tell me what is the message maybe that art is subjective i need a second opinion So it was very hard to find second opinions for this. So we had to go to Letterboxd. It's not a real movie. It's not a real movie. Yeah. So we had to go to Letterboxd, even though it went straight to DVD. So it should be able to be reviewed on Amazon. Pisswater Dead Girl. Okay. On Letterboxd. Okay. This is so wonderful.

59:39The real children voice acting adds such a beautiful, homey vibe to the whole thing. Their eyes are so somber. It's enchanting. I like this a lot. five stars. That does seem earnest. It does seem earnest, and I will say one of the things that they mentioned that we did not mention, I don't think, is that, yes, all of the orphan children's voices are little kids' voices, and the kids are struggling. Well, I will tell you this much. The actress who played Lily, seven years old, is the real-life daughter of the actress who played Judy, and the actor who played Pappy, who is ten, is the real-life son of the actor who played Bob.

1:00:15Okay. And all of the actors in this have won credit. Most of the cast is made up mainly of friends and family of the animation crew members. I'm not surprised. They save some money here. No union. No union fees here. And of course, there's a little boy in this movie named Pappy. So we follow Pappy. I mean, like, just talking about Pappy. I can't wrap my head around a little boy named Pappy. I will say that 47 Ronan writes, A tragedy. Miss Mavilda is what Lily will become in a few decades. Surrounded by simpering plastic children, a life unfulfilled with shattered dreams. Already she's numbing the pain of her pathetic existence as evidenced by her drooping eyelids that indicate that she is on substances.

1:01:00No matter the bitterness that will morph into hatred, she too becomes just like her employer, exploiting and abusing those gremlins until years have passed. They will call upon that entity Santa Claus to smite her rotten, blackened heart. Another will take her place and the vicious cycle begins anew. Five stars. What? I mean, I think that what they're saying is, you know, you are destined. Destined. Now, this is another one that feels, again, these are, you know, these are different reviews. But this one, Darth Raider on IMDb. We went to go everywhere. Molly went everywhere this week to find these.

1:01:36Thank you, Molly. Eight out of 10 stars on IMDb, and the subject line is cute Christmas flick for toddlers. Nope. Saw this when it was on the USA Network years ago, and now my kid watches the DVD and loves dancing around to the music. It's a cute little show that young kids can enjoy. Adults and older kids might prefer the standard peanut specials. Since this one is comparatively a bit rougher and over-narrated, the story is non-traditional, but it's a nice change from those same old archaic stories of reindeer with light-up noses and talking blobs of snow that our grandparents grew up with. Apparently, there were some former artists from Hanna-Barbera and Disney working on it, and it's played all over the world in multiple languages since its release decades ago.

1:02:21So, while it hasn't become a classic locally, there must be a following out there somewhere. I believe this was written by someone who worked on the movie. Yeah. It feels like it. It makes no sense otherwise. This isn't that. What we saw is not that. By the way, this is the first time ever in the history of the show that there are only two reviews on Amazon. Two. Oh. So we didn't even pull them because out of two reviews, 68 % are five star. This was the time. Okay. So this is the kind of movie that. I don't even understand that math. as I was watching it, you know, I don't know, an hour before we recorded, I got, I don't know, 20 minutes into it and panicked because I was like, this can't be what we're actually doing.

1:03:10And I texted the chain to be like, are we, is this what we're doing? Like just to confirm, because I was so nervous. I was watching the wrong thing also because it was 47 minutes long and none of it. I was like, am I waste? And then I was like, oh no, for sure. This is what we're doing. And it was, it was very upsetting. I truly, I truly was disturbed by this movie. It takes a lot to, to shake me to my core. That's why I think I want people to see it. I know that YouTube don't, you want to, you want to gatekeep this movie, but I believe that, I believe that children, everyone needs to see it and, and then respect the Rankin Bass, the Peanuts a little bit more, a little bit more.

1:03:52What are the, what are the, do you guys have holiday movies now in your family that you watch in the holiday season? Oh yeah, big time. Well, my main one is Mixed Nuts. Well, that's June. Of course. The Nora Ephron movie. I think that Jason was asking. A movie that I really was poo-pooing and now I enjoy it. The family ones. Home Alone, big hit. Home Alone 2, maybe even a bigger hit than Home Alone 1. is that the is that Manhattan is that New York yes that's New York yeah great then we're talking about Elf Christmas Vacation is a big one those what about like Muppet Christmas Carol no no to see it at the New Beverly not into it they don't like the Muppets oh okay they love June's movie 8-bit Christmas sure of course as well as my Christmas movie Family Switch which is a little more of a body switch movie even though it does take place at Christmas but yeah those are kind of like the ones that we really by the way solid list but do you guys watch like the Rankin Bass do you watch the TV specials do you watch a Charlie Brown Christmas like any of the ones that we watched a Charlie Brown Christmas we'll have on but we won't it's not really like something we'll sit down for it's not like these are the ones we watched as kids now will you now have like the modern movies that you all watch together yes i think that's and we and we like that and our kids taste is getting it's it's evolving they have a lot more you know like this is a big it's a big year we might even you know show them lethal weapon uh well i was hoping that would be the christmas movie of my choice or you know diehard has been very close to being oh no yeah yeah die diehard i mean lethal weapon and of course kiss kiss bang Lethal Weapon's pretty brutal.

1:05:44Die Hard's a lot easier. Yeah, Lethal Weapon goes down a little tougher. Yeah, no, I think so. But yeah. It's fun, though. I like it. Maybe we'll try a Rankin-Bass. Family Stone? Were you guys on Family Stone? You know what? I would love to try that out. I honestly had forgotten about it. You know what I haven't watched? Because I like the Family Stone. People hate it. But you know what I haven't watched in ages that I'm going to revisit this year is Home for the Holidays. I love Home for the Holidays. And that's a Thanksgiving movie, in my opinion. Yes, it is. With like planes, trains, and automobiles.

1:06:18One of the very few. Yes. One of the very few. Well, also, did we talk about Christmas Vacation? You said that, Paul. Yeah, Christmas Vacation is big. Okay, yeah. Christmas Vacation to me is a very important, it was a very important piece of my child. Or I just, it felt like a formative Christmas movie. I will tell you, the movie that I have gone off of, I used to love A Christmas Story. Love it. Now, if I put it on, it irks me in a way, it bothers me in a way that I don't like at all. I prefer to watch, and I know I'm in it, but I do prefer to watch 8-Bit Christmas. There you go. I mean, I also, I think The Holdovers is going to make a showing now.

1:06:58I think I will watch that. I like The Holdovers. That's a good one. I like that. In a planes, trains, and automobiles way. Yeah, that's a nice one. And I think we were enjoying, you know, we're going to watch them all. We get into it. Like, I feel like the kids might like Jingle all the way. Oh, yeah. That's good. You know. Oh, yeah. I mean, I don't know. I'm so excited to stop talking about this movie and watch all of those movies. Oh, my God. Wow. So excited. I'm so glad to tell you guys I'm already forgetting this movie. But please don't forget me mushing dogs on dry land. Jason. None of us will ever forget you dry mushing and also your gray market quail hunting.

1:07:41and you're de-feathering. Here's the thing. We are going to continue talking about Christmas, the three of us, in person with Jessica St. Clair on December 10th. We are going live and worldwide with our annual holiday tradition. How did this get made a holiday for your ears and your eyes? Because we are doing it via video. We'll be in the same room. It'll be a lot of fun. There might even be some fun treats. We'll be announcing the movie very shortly, but you can get tickets. I mean, you've been listening to this podcast for so many years. You have no idea what we look like. No idea. Why not tune in to the live stream?

1:08:19See us in real life. And so get your tickets at howdidthisgetmade.com or just go right to Veeps. Jessica St. Clair will be there in person, which means no tech issues, but will she get there on time? Question mark? It really is a question mark. Oh, there's no way she'll be on time. I'm willing to say that. Now, June, you are going to be doing a Christmas special a couple days before ours, right? That's right. Now, this is a different type of Christmas special, and I do hope Jessica can make it because she is, well, hosting it. Okay. You know, so I do hope she will be there. But this is our deep dive second annual Christmas Spectacular.

1:08:56Paul will be doing a tour of his Christmas village. Oh, yeah. So we'll be able to check in on what all the villagers are up to, what's happening to the town. That's really exciting. It's such a fun show. So we will be talking trees and we have a professor of holiday studies. Yeah. Stoff Shear. Yeah. Paul's cousin will be coming on to discuss Krampus. So we'll be learning. We'll be celebrating. Head to the deep dive academy.com for tickets and you can use code howdy for$5 off. Wow. All ticket prices. Making us look bad by not having a code. Howdy. Howdy. Why? Or howdy. I. E. Great question. H-O-W-D-I-E.

1:09:43Why pick such an odd password? Howdy. How does that tie into... Why don't you just dive? Divers. Well, because this code is just for how to skip maidless. Oh, got it, got it. Okay, got it, got it. Okay, so it's a tip of the hat to the howdy. I love it. Yeah. I still love that for our show, we use code bonkers for mental health. Yes. for a mental health advertiser. Hey, you want to get your brain in check? Use the code BONKERS. Hey, you know what? It'd be great for you to talk to a mental health professional. All you need to do is, for 15 % off, put in the password, I'm Cuckoo Bananas. Jason, Man on the Inside Season 2 is now on Netflix.

1:10:29Man on the Inside Season 2, get it while the getting's good. And Percy Jackson Season 2 is right around the corner. and then as always guys you know it's a great holiday watch when you've got downtime it's called Taskmaster season 19 is all on YouTube season 20 just finished fantastic season watch that as well why not? and if you are looking for a gift you can get my book now in paperback and hardcover and you know what if you get it in early I can even sign it for you alright well don't watch it or maybe watch it if you do watch it don't tell June that you did that's a wrap on the Christmas tree We hope you all sit down with your family after Thanksgiving and enjoy this wonderful film together.

1:11:10If you have anything that we might have missed, and you know what? There's a lot here. We didn't even talk about the fact that there are two characters that are just shadows. They weren't even colored in or even drawn, for that matter. So there's a lot to add to this conversation. You can give us a call at 619-P-A-U-L-A-S-K. That's 619-Paul-ask. Or write a comment on our Discord. Go to our Discord at discord.gg slash HDTGM. and we will respond to your messages and your comments on next week's last looks. Plus, Jason and I will sit down, talk about what we're watching. Also meet up with our old engineer, Devin Bryant.

1:11:46It will be a blast. And if you want to give a gift of how did this get made this holiday, well, guess what? We have brought back our first shirt. That's right. Ridiculous Cage is up. Take a look. The very first shirt that we took down because we were going to get sued and now we've put it back up. It's in our merch store. Just go to hdtgm.com. You can also get a How Did This Get Made hat that are very fashionable. And remember, if you listen on Apple Podcasts or Spotify, please make sure you are subscribed to our feed and have automatic downloads turned on in the show settings. It helps us, and we appreciate it a lot.

1:12:17A big thank you to our entire team, our producer, Scott Sonny, Molly Reynolds, our audio engineer, Casey Holford, our social media manager, Zoe Applebaum, and of course, our intern, Quinn Jennings. We always want to just also give a shout out to Averill Halley and just put good wishes in the air for her. We are always thinking about her. And that's all we got for now. See you next week on Last Looks.

From the publisher

Is this the worst animated holiday special of all time? Paul, Jason, and June brave the longest 43 minutes of their lives to find out! This week we're talkin' 1991's The Christmas Tree, a direct-to-video holiday cartoon about an orphanage owner with a gambling problem and a tree named Mrs. Hopewell. They discuss the bizarre narration, the kids who seem to be drugged with Benadryl, the Mayor's job responsibilities, Judy caring more about a tree than her missing daughter, what drives Mrs. Mavilda, Santa Claus' lightning powers, and so much more. Plus, Paul drops new childhood stories about his dryland mushing hobby and more!


 

Watch The Christmas Tree for free on Tubi.


 

The Deep Dive Christmas Spectacular streams live on Dec 5th! Get tix here and use code HOWDIE for $5 off.

• Get up to 20% off tix to see Jason in ALL OUT on Broadway with code ALLOUTPOD at AllOutBroadway.com
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