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How Did This Get Made? - Episode Summary: The Wicker Man w/ Jonah Ray
Podcast Overview
- Title: How Did This Get Made?
- Description: A comedy podcast celebrating bad movies, hosted by comedians Paul Scheer, June Diane Raphael, and Jason Mantzoukas. They discuss the most notorious flops featuring guest appearances from various celebrities.
- Episode: The Wicker Man w/ Jonah Ray (HDTGM Matinee)
- Release Date: Originally released on 09/27/2011
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Episode Highlights Introduction
- Hosts: Paul Scheer, June Diane Raphael, Jason Mantzoukas.
- Guest: Jonah Ray (known for Mystery Science Theater 3000).
- Focus: Analysis and critique of the 2006 remake of *The Wicker Man* starring Nicolas Cage.
Key Themes and Concepts
- Bad Movie Appreciation: The hosts emphasize celebrating the absurdity of bad films rather than merely criticizing them.
- Plot Overview:
- Nicolas Cage's character, a motorcycle cop, investigates the disappearance of a girl on a mysterious island run by women.
- The plot meanders through bizarre events, including dubious police work and surreal hallucinations.
Memorable Moments
- Cage's Performance:
- Initially subdued but becomes increasingly erratic as the film progresses.
- Iconic dialogue: “No! Not the bees!” showcases the film’s mix of horror and absurdity.
- Ridiculous Plot Points:
- A series of nonsensical events, such as Cage investigating a doll thrown by a child, which leads to an explosion.
- The use of flashbacks that reiterate previously shown scenes, emphasizing the film's poor pacing.
- Hallucinations:
- The distinction between hallucination and reality is often blurred, with Cage interacting with people and situations that contribute to his growing hysteria.
Analysis of Characters
- Nicolas Cage’s Character:
- Described as a poor detective with little regard for jurisdiction or proper investigation.
- His interactions often lead to comedic moments rather than serious detective work.
- Island’s Inhabitants:
- The women of the island behave oddly but are not overtly hostile, leading to a sense of intrigue and comedy amidst the horror.
- Themes of Cult and Feminism:
- The film’s portrayal of a matriarchal society raises questions about gender and power dynamics, albeit in a confusing and poorly executed manner.
Conclusion of the Film
- Climactic Ending:
- Cage’s character ultimately meets a gruesome fate, being sacrificed in a Wicker Man, highlighting the film's critique of traditional horror tropes.
- Unresolved Mysteries:
- The episode concludes with reflections on the film’s lack of coherent logic and resolution, leaving viewers puzzled about key plot elements.
Special Segment
- Call-In Guest: Liam O'Donnell, co-writer of *Skyline*, defends the film against the podcast's earlier critique, providing insight into its creation and his perspectives on filmmaking challenges.
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Key Takeaways
- Cinematic Absurdity: The conversation celebrates the ridiculousness of *The Wicker Man*, illustrating how poorly executed films can become endearing through their absurdities.
- Cultural Commentary: The episode discusses the film’s exploration of themes like femininity, cult behavior, and the absurd nature of horror films, providing a deeper layer of analysis.
- Engagement with Audience: Listeners are encouraged to appreciate the humor found in bad movies and consider how they reflect broader societal themes.
Final Thoughts
- This episode of *How Did This Get Made?* offers a humorous yet thought-provoking exploration of *The Wicker Man*, engaging listeners with both a critique of the film and a celebration of its unintentional comedy. The hosts' dynamic and the insights from guest Jonah Ray enhance the enjoyment of dissecting a beloved bad movie classic.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00Nicholas Cage goes to a pagan island run by women to solve a crime of a girl that may or may not exist and definitely not get stung by bees. We saw The Wicker Man, so you know what that means. Now it's time for How Did This Get Made? We're gonna have a good time, celebrate some failure, not just be a hater, cause you know you wonder, How Did This Get Made? Let's follow in the mediocrity of subpar art. Perhaps we'll find the answer to the question, How Did This Get Made? Hello, people of Earth, and welcome to How Did This Get Made, the show where we try to make sense of the movies that make no sense.
0:36We have actually a really big show for you today. Not only are we going to talk about The Wicker Man, but we have a special call-in guest. That's right, the producer and co-writer of Skyline is going to call in and talk a little bit about the movie, answer some of our questions, and we will get to that a little bit later in the episode. We got a lot of show today. As always, I am Paul Scheer, and I am joined by June Diane Raphael and Jason Manzoukas. How are you guys? Hi, Paul. Hello, everybody. What's going on? Nothing much for all of our new listeners here on Earwolf. This is how the show works.
1:07We watch a bad movie. We sit around. We talk about it. That's it. Each week we have a special guest. This week is no different. We have a fantastically, a funtastic. Great guest. You know him from the Nerdist podcast. Please welcome Jonah Ray. Hello. How are you? Good to hear you. It's me, Funtastic Jonah Ray. Fantastic. Don't you ever call me fantastic. I like Funtastic. Well, all right, guys. The Wicker Man. Oh, guys. Where do we start on this movie? I mean... Well, the beginning of the movie, which has nothing to do with the rest of the movie, opens up in this coffee shop, and it's like he's looking at a self-help book on tape, but it's like the weird dialogue that was written in a high school play, like, if I just ate one of them burgers, I'd be in a trance, too.
1:50It's like the bad part of a horror movie, where you just get to the horror part of the movie. And you know that that guy was Aaron Eckhart in... Yeah. Well, it's because it's a Neil deGrasse movie, I assume. I'm like, but it did that thing to me where I was like, oh, it's the guy at the diner with Aaron Eckhart? The first guy, not the cop. No. Not the cop. The guy that pays first and leaves is Aaron Eckhart. Yeah. Oh, wow. And I was like, oh, because it's Aaron Eckhart, I was like, oh, that's part of the movie. It took me a long time to be like, oh, he's not coming back. Yeah, yeah. It's almost like that opening scene was just like, hey, this is what happens when our characters are not in the movie.
2:24It was like, it had nothing to do with anything. Just a small town. Or it's almost like somebody was like, hey, Aaron Eckhart's going to stop by and say hi today. Should we just shoot a scene? Why not? I mean, we've got some wardrobe. What if we just sat in that diner across the street? All right. I love the picture that was on the cover of the Everything's OK. I want to know who that is. Who is that guy? You know, it's someone's friend or dad, you know. I love it because this gesture was so like, I know. I know it's not. It's not. And that only comes back once. One time. Yeah. One time. And then there's like a comedy of errors where it's like, it's called Everything is OK.
2:57All right. well here's i mean basically the movie is starts off with nicholas cage as a motorcycle cop who may or may not be bored with his job i don't know what they were trying to set up there but a girl throws a doll out the window he picks up the doll of a moving car yes yeah yes sorry of a moving car he picks up the doll he pulls over the car and he gives the doll back to the girl who was very rude. Very rude girl. Very precocious girl. You'd think it'd be foreshadowing, but it's not really. Not really. And then she throws the doll back out the window of the car. Nick Cage goes to pick it up, and the car is promptly hit by a giant tractor trailer, and the car explodes.
3:43Killing two people inside. Not killing two people inside. But then not killing two people inside. This is immediately where the movie becomes like absolutely untenable for me because I was like, he's been given like commendations and awards. Yes. For what though? Because he's like, well, they still haven't found the bodies in the car. And they're like, no, the charred car had no bodies in it. So basically he was exploded next to an empty car and got out citations for it. He tried. He got an effort, you know, effort. For what though? By the way, it seemed like he caused the accident. He did. Yes.
4:18Yeah. Okay. So that's what he was commended for. He was commended for not getting hit by that Mack truck, I think. And then it's like, then the movie again, it's like, have we started this movie? I'm not sure. Like a cop comes over to his house. This is all just, what am I watching? And he gets this letter from an ex that he reads. It's like a letter. Beautiful calligraphy. I was just going to say, the letter is like from Anne of Green Gables. It is like so insane. Be still my heart. It's nice quill pen writing, I thought. And Nicolas Cage gives one of his best reactions of all time, like reading this letter, his hands are to his head.
4:55The letter basically says, we had a daughter. I didn't tell you, but now she's kidnapped. Come find her. I live on this crazy island. Oh, she doesn't say that we had a daughter. She says, I had a daughter after we left. And that was the strangest storytelling. One of the many reveals that don't make her sense in matter. And then he brings the letter and shows it to his buddy. And his buddy's like, I mean, ignore this, right? I mean, like, who is this? But is she an ex-girlfriend? He goes, no, ex-fiance. And I was like, oh, fuck you. And then he says, he's like, my ex-fiance, we were close. Oh, I'd hope so.
5:28I'd hope you were close before you got engaged to the lady. It was, I feel like for like three quarters of this movie, Neil was secretly giving Nicolas Cage like downers because his performance is like really kind of sleepy. And then the last 30 minutes, I feel like he just gave him like crack cocaine. and was just like, go mental. Everything's crazy. Well, yeah, because it feels like his sleepiness feels like they taped the rehearsals. They were just like, I'm just reading this. I'm just reading this for the first time. He has a blocking rehearsal. Yeah, okay, all right, yeah. And everyone's saying stuff with importance, but I feel like no one really knows what they're saying.
6:05The guy, his buddy, though, is like a comic actor in the middle of a movie that has no comic actors. He's like, oh, the plot thickens. I didn't even know there was a plot. Yeah, he goes, I didn't know you had a pot. He goes, I didn't know either. Yeah, yeah. Oh, they're buddies. Now I'm realizing, so he must have been suffering. Was he suffering from anxiety before this all happened? And then it made it worse? Yeah, because then he was on medication after. He's not suffering. Sweaters. They're wearing comfy sweaters. But is he suffering from anxiety, or does he just have crazy hallucinations? because this whole movie, he's having, like his hallucinations have hallucinations.
6:45He hallucinates that he jumps into the water to find a dead girl. Then he comes back out and then he's like, oh God, that was a bad hallucination. Looks down, finds a dead girl in his lap. Oh, then he wakes up again and he's like, oh, okay, I'm back. No, but he does that reaction where it's like, it's like, it happens all the time where he's like, oh man, again. And he just has to pop a pill immediately. Whenever he has a hallucination, he pops a pill. But you think it's going to be like a pain medication but not like a crazy medication. I feel like the movie, every 15 minutes somebody, or every couple of days somebody would whisper into Neil Buttey, you're like, hey, this is a horror movie?
7:20And he'd be like, oh, fuck, fuck, I'm sorry, sorry. We gotta shoot something kind of scary today. I feel like he would forget, and then be like, waterlog one of the kids and put him in Cage's lap. Let's roll on that. Do it, do it. It really makes those, so Nicolas Cage goes to find this girl who's on this pretty much female-run pagan island that makes honey. Not the island where Wonder Woman is from. No, no, no, different pagans. And he gets on the island by bribing a helicopter pilot who's like, I wouldn't want to, I can't risk my pilot's license. I can't, I can't bring you there, I can't bring you there.
7:58And then Nick Cage is like, how about here,$150? Yeah,$150. And he's like, oh, okay, yeah, sure. Like, that was it? Like, this guy's whole life in contract? 150 bucks. And then like one of the worst green screen flying shots. Oh, just the angle from the outside. Terrible. And it wasn't a helicopter. It was a seaplane. Oh, it was a seaplane. You're right. And now they get to this island run by women. And this is where the movie takes off to full on weird. One of my favorite lines is he arrives on the island. He's like trying to walk. He's trying to get his bearings. And he goes to like the bar or whatever.
8:32And the woman is like, this here is mead. it's one of the pleasures of our island and I was like what? What the fuck is happening? It's the same woman who when he says do you think you can swing it? You mean like the blonde Kathy Bates? Yeah. He goes do you think you can like I need a room for the night do you think you can swing it? And she's like swing it? What is that city talk? Yeah. I was like what? This movie this is like the island of furtive glances to everyone here it's like a lot of close ups on people's eyes going from left to right like ooh. And it's super weird like when he first gets to the island Like, these guys are carrying a bleeding bag.
9:07That was crazy. And it's like, it's wiggling around, and they're talking to him like, oh, you're a cop, aren't you? And he goes, what's in the bag? A shark? Like, that was his version. No, the best was the sassy 20s response. Like, it's like, he's all, oh, it helps to look at the picture when you're trying to figure it out. And then they're just like, hmm, huh, oh, you know. But by the way, he keeps on asking everybody on that island if they recognize this picture of Rohan. It's like, there are 12 people on this island. It's a population of 20 people. They're all lying to you. He arrives on the island and immediately treats everyone like they're a hostile witness.
9:42He has, A, no jurisdiction. None. Zero. They keep on telling him that, too. He's like, I'm a cop from the mainland. It's like, you're from California. We're an island off of Washington. This is private property. He has no business being there. It's also like, I just don't understand why he didn't question what the fuck was happening on this island. It's like, this child is the least of our concerns. There's systematic child abuse. Yeah. And potentially, like, there are bigger things happening. Well, look, when he goes to the shark bag, when he goes, what's in the bag? The shark. And they open it for him.
10:13He looks at it. He's like, oh. And then he walks away. They all laugh. They all laugh at him. They laugh at him. But what was in that fucking bag? Embarrassment for Nick Cage. I really wanted him to, I kept on imagining, the movie was a lot more fun for me when I imagined him as the same character from Bad Lieutenant. Oh, yeah. New Orleans. That's exactly what I was thinking, too. Like, this is a prequel to him. Yeah, exactly. This is before he gets really into drugs and really crazy. I also love that he wore that wool suit like every single day on that island. And that terrible hair. Every day he had to get up and put that horrible hair on.
10:44That hair was like jet black. That was a black that does not occur in nature. Now, once again, like these people are being weird to him, but they're not being outright mean to him. And when he does that thing with the mead, he takes the glass of mead and starts banging it on the thing like a gal. I'm like, all right, you're all suspects. I'm interviewing all of you. Like, what? Where did that come from? Have you ever had me, Paul? Oh, it's crazy. It's tough stuff. I just thought, like, I was like, well, of course they want to kill this guy. He's abusing them. I have a clip, actually, from when Nicolas Cage breaks into a schoolhouse to question a teacher and kindergarten students.
11:21It's all the girls from Village of the Dam. Yes. Will you tell us what man represents in his purest form?
11:31Yes. Phallic symbol, phallic symbol. How dare you stand there and frighten my children. Sorry, I'm Edward Malus from California. Oh! I'm a policeman. What? See my badge? Put that back. Put that back. Sorry, you're going to have to bear with me. There you go. You little liars. He's accusing the kids. And you're the biggest liar of them all. I am warning you. You tell me another and I'll rescue myself. That is a promise, Miss Rose. Sister Rose. Of course. Another plant. Rose. Yeah. That is the level of dialogue that you're getting. That is the scene where he interrogates people in a school. Like you said, girls from the Children of the Damned.
12:20And he's calling everybody liars. But what has been cut out of that scene, I mean, I can't believe we didn't keep it in. Shame on us. is the part where he opens a desk and finds a bird. I was going to leave that in, but you can't see it. He opens up a desk, yeah, and it goes, why was that crow in there? It's like, because we were trying to keep it, see how long it would live inside that desk. And he's like, what a terrible assignment.
12:50Everybody's weird. He also erases the blackboard and writes his own name on it. Like, what? I had a fantasy that that island was there just to try and figure out a theorem, like a mathematical theorem that was going to solve world hunger. And they almost had it. He's like, hold on. And he just erases all the work. Well, he writes nothing important. It's just his name. And then he goes and gets the, they say, no, they never heard of this girl. They never heard of this girl. And then he gets the class registry and he sees her name. And it's just a line. And it's beautifully written. Yeah, beautifully written.
13:19And it's just crossed out with one line. But wait, can I ask you guys a question? Because there was something I was not tracking in this movie. For a while, I felt like they were saying she had already been killed the year prior, and that's why the harvest was so bad. And then it was that she was going to be killed now because the harvest was so bad. Somebody explain that to me? I think that there's a rebirth and birth thing. Didn't they have that whole thing where they're like, you die, the celebration of death and rebirth. Yeah. So maybe she was killed and then rebirth, but then they have to kill her again because the harvest is bad.
13:50I don't know. I couldn't figure it out because at a certain point, I was like, oh, that's kind of cool. She's dead already. Yeah. So he's searching for a dead girl. Cool. Okay. And then, nope, she's not dead. Why? Well, who knows? And the mother's just like, that's not her grave. And he's like, okay, I guess I believe you now. Rowan? Rowan? Also, that red sweater showed up in like five different spots. He's always in different conditions. Well, he definitely is having these hallucinations. But then the hallucinations turn out not to be hallucinations because they are real. Like, he is finding the red sweater all over the place.
14:23Like, he is seeing this girl. And I mean, the island is terrible about hiding clues, by the way, too. If they wanted to cover up that this girl was here, when the guy comes to the island, just hide all the clues. There's a lot of brush you can put over things. Basically, everywhere he went, he was like, I've got to find a picture. Oh, here it is. Nothing was ever hidden. And I guess that, I mean, without spoiling the end of the movie, spoiler alert to kill him. That being said, I'm assuming that's the point of it. They want him to find these clues. They want to put him through the next one. I mean, that was the whole movie.
14:55That was the whole thing, though. Who fucking knows? Yeah, like, why are we going through all this trouble? Because just to burn him in the Wicker Man, which, spoiler alert, but that, I mean, that's basically the end. They burn him alive in the Wicker Man. They go, you came here to be burned. Yeah, and you realize, like, the last, you know, 10 years of his life were all set up for this moment, which is crazy. I mean, first of all, I want to go back to one other thing, too, which is about 25 minutes into the movie, they do black and white flashbacks to the first 25 minutes of the movie. Literally, they have a five minute sequence that relives the first 10 minutes of the film.
15:31It's like that crappy friend. It's like, remember when we were at that party? It was great, man. We were just sitting here. Yeah, man. It was great. It was a good time. I love that there's this shit in this movie where Nick Cage it's lost at its worst. When something obvious happens that you should just ask a definitive question about and you simply don't. It's like he's talking to Molly Parker in the school, right? Who's the teacher. Then he walks down the hill and sees Molly Parker again because apparently there's twins everywhere on this island. He sees Molly Parker again. Oh, maybe the little girl was a twin.
16:06I was thinking that there was two of them. There was a bunch of twins and the creepy blind twins. Oh, I didn't like them at all. They weren't any good. Anyway, so he sees Molly Parker again and he goes, hey, wait, didn't I just talk to you? And she's like, no. And he's like, alright. And I'm like, wait, you are literally the worst police officer. You're a police detective. And you are doing the worst job. That's like when he's a bike cop. That's true. He's also not putting anything together. I mean, because you're right. There were twins everywhere he went. All he saw were twins. So, yeah, there's nothing connected.
16:38There's also like Frances Conroy. He talks to Frances Conroy in her house. She's the doctor and photographer. and then two girls in beekeeper outfits show up and like escort her away. It's scary. Nothing. Scary beekeeper outfit. Scary mess. Old timey beekeeper. And instead of following the people, he breaks into her house. I just love that. Hiding behind the bush and running over to her. The worst. Yeah, I also, the back of the scene with the bar when he's like yelling at everybody and then the bee goes and like he slams the mug down on the bee and kills it. She's like, why would you do that? I really like, when I first saw the movie, I was like, they're all bees in human form.
17:12Oh, this is going to be great. Debbie. Nope. Not now. I did love, though, during the End Harvest Festival when they were all in their costumes getting ready to kill the Wicker Man that there were two little girls dressed up as bees. Oh, those were, yeah, no. My girlfriend Deanna, she's like, we have to be those bees for Halloween. That's with them. Like all these elaborate, weird, like carnival costumes and then just like store-bought bee costumes. Yeah, exactly. Two like blind melon bee costumes. Yeah, exactly. Well, I mean, the whole idea, too, that, I mean, this is the whole rub of the story.
17:42that Nicolas Cage is allergic to bees. Oh, gosh. And he's going to an island where their main output is honey and bees. I like the shot of him putting, like, he has his gun in, and then he gets, like, the little bee allergen stuff. He has an EpiPen with him. And his EpiPen, by the way, is giant. Like, he has, like, a metal box with two, like, it was, like, a comical-sized box of EpiPen. It's like, all right. Well, I feel like they made so many, like, wickedly obvious moves to be like, and here is his bee medicine. You better have this. But he also doesn't travel with his bee medicine. No. The bee medicine stays in the hotel.
18:21He does travel with his tapes, though. Yeah, yeah. He does travel with his tapes. And that's what they want. That was the craziest moment. The morning that he woke up in that hotel lodge place, he looks downstairs over the banister and those two fucking creepy twins start talking in unison. And his response is, who moved my everything okay tapes? He was really worried about who took it. And why did they take his audio book? Why did they take him? In the grand scheme of everything. Take his gun. Take his gun away from him. Well, maybe that would make him feel safer. One of the best moments, though, is toward the end when Sister Rose is, I think she purchased him on her bicycle.
18:57He gets so mad at her and he wants that bike. He's like, get off the bike. He pulls a gun at a woman. He pulls a gun on her. To get off a bicycle. To take her bike. Step away from the bicycle. Which was a callback to Con Air. Step away from the bunny rabbit. Oh my God. That's amazing. One of my favorite things is anytime Nicolas Cage was anywhere and heard a sound, he would think it was his daughter. Yeah. Rowan. Rowan. Rowan. And it's just like. Who he has no connection with. He's on a fucking island with trees and birds and animals. And I mean, also he loves to get information, but cut people off at the same time.
19:31He's like, just tell me what I need to know. And it's like, okay, well, listen. Okay. Where's the thing? I'll tell you. Now we all go over here. No, Gary, shut up. Where do you go? Like he's always gutting them off in the middle of what they're saying. I love the bike riding. Every time he was on a bike, me and Deanna would just crack up. He's on like an old school bike. And you don't even see when he originally gets the bike. No, he just shows up. He shows up on a bike. Can we also talk about his love interest who looks like Fiona Apple. Yeah. And they met 10 years ago, which means that she was like in her early 20s.
20:01If not younger. She's a child. And Nicolas Cage is just like, oh, 10 years ago. like they met and she they have the most awkward kissing okay that was so upsetting there was that it's like mormons mormon making out yeah there was also him being like what happened you know like he wants to talk about how she left him at the altar or whatever her daughter is missing like yeah there are things that are more important right now than her giving you an excuse as to why she left. What about the tongue-less men? Yeah. Yeah, there were so many other bigger things going on on this island, but and he was only concerned with the very basis of it.
20:43Like, why don't you call in some backup? I mean, first of all, he doesn't have a phone that works, which is the other. Well, they didn't get reception, man. Yeah, they don't get reception. I'm just afraid. But this is one of the scenes. He finds the doll that was thrown out the window earlier in the movie. He digs through a grave and then finds that doll again, but the face is slightly burnt off of it. And also he thinks at this point the girl was burned to death, maybe. Maybe, right. So she was burned with the doll. She will, or she will be burned to death because Molly Parker's like, she'll burn to death.
21:14And he was like, what did you say? And she said, she'll, she'll, she, she burns to death. I, uh, ur, and she's like, uh. Pulling at her collar. Yeah, like really, like really obvious. She's right behind me. I'm sorry to backtrack. Can someone explain to me the wordplay of The Day of Tomorrow? Oh, I wrote that down. I don't know. I don't understand that. He was like, what happens the day after tomorrow? It's like, oh, in two days? Yeah, nothing. No, no, I mean tomorrow. Oh, tomorrow. It was like there was some weird ass work. And then take me with you. Oh, yeah. Lily Sobieski. All right, well, this is a clip of him trying to get some information about the burnt doll from his girlfriend.
21:50This is where the movie became amazing. Yeah, at this point, it kicks in here in the third act where it goes bonkers. Here you go. How'd it get burned? How did you burn? How did you burn? How did you burn? I don't know. Kill me. Can we just play it again? Just because I need to hear this. How did you burn? How did you burn? How did you burn? I don't know. Kill me. Wait a second. Is he talking to the Fiona Apple woman? Oh, my God. I forgot about that. Oh, my shit. You don't know where she's coming from the entire time. The entire time, you're like, is she just really bad at covering up the conspiracy?
22:29Is she happy that he's going to die? Is she sad? You have no idea. No idea. My favorite part is when he gets, he's interrogating someone and like, and they're doing gardening and some bugs fly into his face. So he's like asking her questions and a bug flies into his eyes. Like, oh, that's foreshadowing. Yeah. That's foreshadowing. I love that it's the middle of the day. He finally is talking to Ellen Burstyn who runs the place, right? Yes. She's looking beautiful. Radiant. Looking gorgeous. Radiant until she's wearing like football faces. No, it was like her. I was like, is she like playing? Is she like cheering on like fucking Utah or something?
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23:02Like what is happening? I thought she was a cheerleader from Miami Dolphins there. I was going to say it was kind of like a Braveheart. Because she's from a bunch of people. They may never take our lives, but they'll never take our honey. Anyway, he's talking to Ellen Burstyn. He's like, so do I have your permission to dig up the grave? And she's like, well, I think I already gave it to you, right? It's the middle of the afternoon. And he's like, well, okay, got to dig up that grave. Guess I'll do it in the middle of the night. Yeah, yeah, near the creepy cemetery. So he literally goes and digs up a child.
23:24Like, you're a police officer. Like, there's a worse time to gather evidence. Yeah, well, I said to Gio, and I said, like, I felt this whole movie was, like, they shot it in order, and then they edited it way out of order. It's like, when did he get the bike? Why is it night? How many days has he been here? Like, is it night already? Like, what is he doing to pass his time during this? I was curious, too, like, how he was planning on enforcing. Should he figure out this crime? Like, what was the plan beyond, like, figuring it out? That's true. He could not enforce anything. No power. But when does, I guess my biggest question still is, what is a hallucination, and what is not a hallucination?
23:57because he gets stung by bees. Oh, yeah. He runs into this bee field, and he's like, oh, bees! And he starts running, and he runs deeper into the bee field, gets more stings, he passes out, and he wakes up with only one bee sting on him. Oh, wait a minute. And then Francis Conroy's like, oh, he did it the old-fashioned way. And I was like, what is that? Yeah, tell me what that is. So interested in that. And then he walks around the house, and he opens up all these weird doors. Oh, the beard. And there's a woman with a bee beard, and then a guy in a bed with like bee stings all over his face and an eye missing yeah and I was wondering is that him?
24:32and then he walks by Ellen Burstyn's room and doesn't go in no and he's trying to find her and Ellen Burstyn is in a bed that's like like a shining light and she's like sitting in this beautiful she's the queen bee yeah it's oh let's be honest the movie is she is the queen bee guys the movie is uses metaphor I love it the movie is pretty gorgeous though it's like if you're not paying attention it seems like a capable really well shot movie. Yeah, the sounds like the sets like the locations it's all very I want to go there wherever that is. Yeah, let's see a beautiful aisle. I thought it was Summer Isle.
25:05Yeah, I want to go Disney's Summer Isle. Summer Isle. I did think that one of the cool moments in the movie that I did enjoy actually is when he's getting stung by the bees and is like racing through the bee fields and then it pulls out into like an overhead shot and the trails that walk through that area are all honeycomb. That was cool. So like the whole field looks like a honeycomb. I thought that was neat. Wait, so I'm sorry did we ever find out what the old fashioned way was? No. My theory on it was that You guys watched the unrated cut. I didn't. My theory was that he, that she transferred all of his bee stings to that guy in the room who had all the bee stings because he had no bee stings on him.
25:38Like he was getting stung in the face and he like two minutes later he was totally fine. I don't get it guys. I wish I did. I really wish I did guys. I think there's something there but you just gotta be real dumb. So now third act kicks in and it's amazing. Like he's having a full on meltdown. He gets into a karate fight with Luli Sobieski, like literally kicking her in the gut and she flies back into a wall. With the weirdest, longest pass out scene where she just keeps on going, oh, oh, oh, oh, oh, oh, oh. By the way, what was her end game? Because she seemed to want out and then. No, she didn't.
26:10That's the end. That's the trick. It's all a trick. Who fucking knows? I'm so sorry. I'm so sorry. Also, to upset the patriarchy? I don't understand, man. It made no sense. And then the best part of the movie, in my opinion, is after he cold cocks another woman, he steals her bear costume. Oh, yeah. He puts on a bear costume to get in a processional of other people. That's where the bee costumes were. He's in a bear costume. He's the only bear, though. He's the only bear because he's stealing the mother bear. Sister Beach. Sister Beach's bear costume. Which is a great conversation they have. Oh, I can't fit in the bear costume.
26:42I'm going to have to get some bear costume. That is so crazy because that is one of the only scenes in the movie in which we're watching people that aren't Nicolas Cage. And it stuck out like you almost never have scenes that don't feature him in it. Right? Because that would be misleading. But there is one scene where Sister Beach and the other woman are talking and it's all about how Sister Beach can't fit in the bear costume anymore. And it's really big and blah, blah, blah. And then, oh, here's Nicolas Cage. Who misses the conversation. I was like, this is absolute insanity that this is what they're doing.
27:16It's so crazy. I mean, but he's even in when he's in that bear costume. You can see his face. Oh, yeah. You can clearly see it's not Sister Beach. But he then, when he runs into Fiona Apple, lifts the mask up to be like, even though we're walking in public with everybody else on this threatening island, I'm going to show you my face so you know, hey, it's me. I thought I told you to stay at the house. And she's like, I had to come because we're about to kill you, you maniac. by the way I found this out today looking on Wikipedia who were two actors in the movie that were bar patrons did you see it?
27:49oh no James Franco? yes and someone else and Jason Ritter right? did you not see that? I did not see that where were they? I looked on Wikipedia too and I think it was a deleted scene wait it was in my movie When Lili Sobieski and Fiona Apple goes to a bar afterwards? Yeah, see, that's what happens. I read that and I was waiting for it. Wait, so we didn't see this. This is so weird because I didn't see the bees scene. Oh, wow. There's two cuts of this movie out there. So at the end of the movie, he saw it. I just wrote about it. So at the end of the movie, they kill Nicolas Cage and the Wicker Man.
28:27He's like, ah! My legs are broken! That's the thing. Did they break his legs in your version? I didn't see it. You just hear him ADR lying. That's the thing. Oh, my legs! Yeah, in the unrated version, they break his legs violently. With a mallet. With a mallet, yeah. They hobble him like Kathy Bates? Okay, so they burn him in the Wicker Man, and then it cuts to six months later. Okay, there's a tag that says six months later. And it's a bar scene, and it's James Franco and Jason Ritter, and they're sitting there like, oh man, this sucks. Yeah, man, they're looking around, it's all like yuppies or whatever.
29:01and then one of them catches sight of a hot girl walk by and they're like come on let's go yeah bro and they walk over and it's Lili Sobieski and Fiona Apple are sitting there and they just instantaneously sit down and they're like thank god you guys are here we thought this place was all lawyers and stuff and they're like ha ha ha ha hi and then the guys are like instantly the girls are like DTF right Jersey Shore the girls are DTF and the conversation they have is absolute insanity. Whoa. James Franco pairs up with Lili. So basically, it turns out they're going to do to these two guys what they did to Nicolas Cage.
29:39These guys are also... They're the next wicker man. They're the next wicker man. These guys also, inexplicably, just graduated from the police academy. So they also prey on policemen. Well, it's because they'll have the drive to be, I can come by myself and go and help out. But why two this time? Why two? They had a really bad harvest. They need to... They got to set it up years in advance. You never know what's going to happen. Oh, that's true. It's a 10-year, it's a decade-long class. Yeah, exactly. Wow. So they've got to hang out with them, and then get pregnant by them. Almost get married.
30:09Almost get married, bail, and then other girls come and join the force as well. Wow, that's pretty crazy. Because you know that was a reveal of you, too. Yeah, yeah. That the female cop was the one. The weird buddy. Yeah, the one who came in to visit him to give him the letter. She gave him the letter. She had a lot of weird looks. If you watch that scene, she just has a little... which is kind of how she walks away. The effort that these women have gone to. To just get honey. I mean, like, the effort they've gone to for their harvest is, I mean, like, millions of dollars were spent on this. Like, the woman had to get a job as a policewoman.
30:45Send them to the mainland. And also in a very specific, not even off the shore of Washington, D.C. No. California. Far away. Well, Jason, you missed the part that we saw, which I actually do have a clip of. So can we play that clip of, this is the torture scene that happens. So this was not in the cut I saw. This wasn't in the cut that you saw now. He is getting his legs broken by mallets in this. You can't see it, but you can see it. You bitches! This is murder! Murder! You'll all be guilty! Oh, my God. And you're doing it for nothing! Killing me won't bring back your goddamn honey! Ah! What?
31:19Ah! What is it? What is it? They're putting a bee thing on his head. What is that? What is that? What is it? No, not the bees! Oh, my God. There's a beast! Ah! I love my eyes! My eyes! Ah! Ah! Oh, my God. The drone must die! The drone must die! So that is why he is burning. I was going to say, if I knew I was going to be killed, and the first thing I felt was bees, I think I'd be actually kind of relieved. Yeah, like, oh, this will kill me before I burn. But then they do, they revive him. And then just to make sure they cut that. Oh, really? Yeah, they revive him. She shows up, the lady who did the old fast way, shows up with one of his things, what do they call him?
32:03Oh my God. EpiPast. And then goes up and she's like, okay, we'll do it your way this time. What? And they make him alive so they can burn him alive. Holy shit, that's insane. None of that was in the cut I saw. How about the fact that at the end of the movie, it is dedicated to Johnny Ramone? Oh yeah, that's right. How fucking weird is that? I forgot about that. All right. Now it's time for a second opinion.
32:32Here are some reviews from Amazon from people who like the movie. I can't believe the negative reviews. So what? He punched three females. It was required. Get over it. Put yourself into his situation. He's trapped in a cult and discovering he can't escape. So you feminist groups need to chill out and stop bashing this film. Feminist groups really were against this movie. Spooky Chick wrote, I love it. Oh my God. While I'm not lucky enough to be a mother myself, I dream of birthing children. So this type of story really hit all small windows of just the sad lives. Did she like this movie because she hasn't had children?
33:08She goes, you can really feel the agony of this woman's lost daughter, especially if you're a parent. Or if you have extensive child care experience, like me. This is an advertisement. Wait, so this is Rebecca DeMornay from... And then the final one, I like this one. This guy agrees with you, Jenna. I like the settings. I like the colors. The acting was excellent. The plot confusing. The end grows. Four stars. What? M Hartman. Wow. He's coming from a different angle with this. Oh, my God. Oh, my gosh. Now, you may think, what does Nicolas Cage think about this movie? And let's let him explain.
33:46He has a hoarse voice, but you can hear it. There is a mischievous mind at work on the wicker man. You know what I mean? but and I finally kind of said yeah I might have known that that movie was meant to be absurd you know but saying that now after the fact is okay but to say it before the fact is not you know because like you gotta let the movie have its own life you know you have to let the audience have its own connection and bash it or not bash it or love it whatever they want to do with it that's up to the audience pretty pretty pretty pretty Peggy Sue that's the Peggy Sue voice he had in Biggest Who Got Married.
34:25He is full-blown. He is like one second away from Gary Busey. Oh my gosh. Well, we have a very special segment here on the show today. Two weeks ago, we reviewed, or two episodes ago, we reviewed the movie Skyline. We were contacted on Twitter by the writer and producer of Skyline, Liam O'Donnell. So we're going to go to the phone to him right now to talk to him about Skyline. Please welcome Liam O'Donnell. Hello. How are you? I'm good. Thanks for having me on. Yeah, I'm a longtime fan of Human Giant. I always followed Paul on Twitter. I saw it come up and dreaded it for two weeks, but ended up actually enjoying all the things you guys had to say about the movie and got a real kick out of it.
35:10Did you take issue with anything that we said? Were we mean? Did you feel like we were mean? No, I didn't feel like it was mean. I thought it was like one of the, there was a couple, I like that you guys at least acknowledged that it was done with this kind of independent spirit and that there was like a lot of cool things about the world, but it just didn't really come together the way you wanted, which is kind of, I think, how we feel about it too. So it was at the end of the day, I kind of, you know, I see all the criticisms. So correct me if I'm wrong, but it seemed like you put this whole project together fairly quickly, kind of outside the traditional studio system.
35:46Yeah, we really just kind of did it on our own. And it's kind of like we had like a three to five page treatment and like some artwork and people were already like gave us like we already got like investments for like 800 grand. Like go do it because it was all going to be set in Greg's apartment. So there was really like and it was so low budget. So I think it was one of those things where you got like such early success off of like minimal amount of figuring things all the way through. Like you guys even said, you're making fun of Faison's quote about like, yeah, they wrote in a month. Like we literally did write it in a month.
36:22There was a point where we're going to just do improv. And we're like, yeah, maybe we should write something down. So we wrote a draft in a month and then kind of rewrote it in another month. And then it was like already cast and ready to go. And so, yeah, I think it was just one of those situations of being so frustrated with development and how long it takes to get something done. and then being like, we have the cameras, we have this visual effects facility, we have the setting, we've got talent signed up, let's just go, go, go. And there was really no reason to go so quickly other than our own kind of ambition and naivete about how difficult it was going to be.
37:01I didn't know what Donald Faison did. Was he a movie star? No, no, he was a visual effects guy. He was a movie star. Yeah, you're right. He was a visual effects guy. He's actually based on - I just won$100. He's based on you? He's based on Greg Strauss, one of the directors. And you're saying that that was Greg Strauss' apartment you guys shot it in? Yeah, it was his apartment. It's his Ferrari. Oh, wow. And it's his automatic blinds? Yeah. It's his kind of attitude. My co-writer, Joshua Cordes, when he came out here like 10 years ago, it was kind of the Wild West days of visual effects. And there was like, you know, all these kind of young nerds with all this money.
37:42But, you know, that gets translated into like cooler stars with money. Yeah, totally. That was the real story. OK. And then my other question that we were talking about in the movie was how did they – there was like a kind of a question of the cheating, right? Because in the beginning of the movie like they – You guys – yeah, you guys totally ripped apart this like this whole thing that got cut. It was a whole different location and like a dancing scene at a nightclub. Wait, we missed dancing? Yes. How dare you cut out dancing, Liam? How dare you? So they exactly cut around and you guys are like, how did they warp upstairs?
38:22And people are in the bathroom. It's one of those things where you're like, you know, just hands over your eyes in the editing bay. But yeah, so that whole part's a bit of a mess. Okay. So that was just cutting for time, I imagine. You're cutting for time. you cut a whole scene where there was like a more conflict between them before that fight and uh and yeah and and it made sense you you actually saw phase on kind of uh pair off with the the younger girl uh crystal reed was the actress and uh and go into the bathroom and as far as the camera she she was established as it was actually her camera and all this stuff got cut you're Answering all of our questions.
39:03Answering all of our questions. It was actually her camera. It wasn't the New York guy's camera because she was supposed to be kind of a young photo girl who worked for him in the visual effects all on the editing room floor. But very astute viewers that you guys are. Now, is there a potential for the sequel? Because I feel like it's set up so clearly for a sequel. It was successful at the box office, wasn't it? Yeah. I mean, it was disappointing, but it ended up making around$80 million worldwide. It's amazing. China and Japan. But domestic, yeah, it obviously would have been a little more because, you know, when you do an independent like this, you sell all the foreign and you don't make anything off.
39:48Oh, that sucks. And so, but yeah, no, I mean, that's a big enough number that it's possible. It's just trying to figure out how to get something, you know, that that tells the kind of more epic story that we're trying to, you know. Yeah. When the movie ends, when the movie ends, they're like deep inside the sky, Gina. You know, I feel like that's that sets it up perfectly. Yeah. And it's it's one of those things where like the script, like it was originally like, OK, they just get sucked in and we want to end super bleak and that's it. And then like, you know, your team is like, you got to do something at the ending.
40:29And we, we started with like, okay, how about she just wakes up and there's like a mysterious voice on there and where, you know, we'll get to that later. And then it just kept getting, people wanted more and more of what was on the ship. And then it ends up being like, it's an entire prologue for another movie, which is where it all, all kind of ended up. Yeah. And his brain was affected. His brain was affected because he, he had seen it enough that he became like, that's how his brain became that hybrid yeah it's just like a like like venom you know like you know bitten by enough snakes and it you know the idea was that he had been exposed enough that he uh was no longer affected but yeah so that's why it ends up being like it's like it feels like it's beginning to another act and then it kind of ends but yeah but it was a kick-ass ending i mean it's like it comes because you don't think that that's going to happen i mean there's that great scene at end where they kind of get sucked up which is really awesome to look at and then it just goes on yeah and it it really takes a turn there i really enjoyed it when um when i felt like it was really bleak when they ripped when you guys ripped eric balfour's head off yeah i was like oh shit so much better before the mpa got it because it was in the wide and we cut to a close-up and you really saw his head get ripped off and i do like throwing his limp body into the waist Is there anything else that was cut out or anything that you couldn't do for the theatrical cut?
41:55Yeah, the whole red brain, blue brain thing, which is just completely asinine, that is because of the MPA. It was actually like just kind of wet, normal brains, and his brain had kind of the veiny effect on it. And they said, you can't do that. You have to make these brains look sci-fi. So we had to add this glow. but then when they're all glowing blue, how could you tell his part? And someone's bright idea was make it red. So that's one of those things that really pisses me off from the NPA. And just there was cooler brain-ripping shots from David Zayas in the garage and stuff like that. They just said it was too, like, prolonged violence, too.
42:35I think he might have beat up the big vagina drone for a longer period of time, too. Oh, you've got to beat up those big vagina drones. just begging for it. And David Dayas said you wrote the part for him. Did you know him before the film? No, we didn't know him. We just knew Dexter. Oh, you know what? There is something else that got cut off. Because the whole like pregnant scene from the first act, that was a reshoot because originally they had known they were pregnant, but they weren't sure if they were going to keep it. And that's why Zayas' character was kind of a – the tension between him and Balfour, He was a little bit of a traditional Catholic badass.
43:14And so they had a different scene together at night where he was kind of giving them a little shit. And, of course, the studio, when they bought it, they didn't want to touch any abortion thing with a 10-foot pole, which I don't necessarily blame them. Right. So that all got cut out, and that might have helped explain some of the – I think it was a little bit more of a meatier role for David. But, yeah, we were big fans of Dexter, and so we wrote for him. Now, I see here that you're producing a movie right now that's directed by Barry Levinson. What's that? Yeah, that's kind of more through just kind of us doing the visual effects for it.
43:50Okay, cool. Not really as much of a creative impact, but it is an awesome script, and it's going to be really, really creepy. It's kind of the next step of the found footage movie, kind of making that a little bit more epic. Oh, that's cool. Now, what is the thing that you're most excited about that's coming up next for you? What is the movie you're doing that you hope we don't do on this show? I think it's kind of perfect for the show, even if it's successful, because it's a kind of gonzo, crazy concept. It's called War of the Ages, and so it's pretty much like Bill and Ted meets 300. All of the emperors and conquerors from history kind of get brought together into a big epic battle royal.
44:34So you're bringing in – this movie sounds amazing. So you're bringing in all famous people from history to fight each other. It's like Genghis Khan, Napoleon, Julius Caesar, and Alexander the Great. And it's a lot of big epic battles like that. But it's with its sense of fun. It's not – but I actually met Keanu Reeves once and I was telling him about it and I pitched it as Bill and Ted meets 300. and he put his hands over his head like the guitar thing and did like excellent in his best school mind. That's awesome. That is amazing. Liam, thank you so much for calling in and talking to us. Yeah, thank you guys.
45:16Keep up the good work and hopefully I'm not on the next one. See you later. Bye. So that is the end of How Did This Get Made? Thank you to everybody. Jonah, thank you so much. Where can people find you? What do you want to tell people? Go to jonahray.com. They could get at jonahray on Twitter. And they can listen to the Nerdist podcast or watch The Soup. All right, perfect. Anybody else got anything else? At Miss June Diane. I am at Paul Shear. Jason. I'm not on Twitter. I'm, uh, I don't know. But follow Bob Duca's Twitter. Very funny. I'll plug Bob Duca's Twitter. Also, just a reminder, NTSF SD SUV is still on Adult Swim.
45:56We're in our final episodes here, so check that out. Thursdays at 1215. Thank you very much. Tune in next time. Bye-bye. towię!
From the publisher
NO!NOT THE BEES! Jonah Ray (Mystery Science Theater 3000) is in the studio to deconstruct and celebrate the ridiculousness of the 2006 remake of The Wicker Man starring Nicolas Cage and directed by Neil LaBute. We also get a call from Liam O’Donnell, one of the writers of Skyline, who defends his movie and offers an explanation of how it got made. (Ep. #19 Originally released 09/27/2011)
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