Ep. 427: Crafting Contemporary Elegance with Kim Lapin

19 Aug 2025 · 1 h 1 min · 18 chapters

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In short

Kim Lapine Interiors’ approach to contemporary elegance—how Kim’s design style evolved through renovating seven houses, and how she selects stone, plans lighting, and prioritizes “interior architecture” (permanent elements) over furnishings. She also shares kid-proofing lessons from her own home and previews an upcoming ranch-style development project.

Guest backgrounds

Kim Lapine is a West Coast designer. She modeled full-time for about a decade while pursuing acting, then renovated multiple homes with her husband (Echo Park, Redondo Beach, Silver Lake, Hollywood Hills/Rolling Hills). She launched Kim Lapine Interiors in 2020. She has three young kids (including twins) and is currently in the middle of major renovations.

Key claims

Her style is “west coast casual” with elevated materials and layered details; stone and lighting are major budget priorities; lighting is “art” and should include sconces/end/ambient layers; nail permanent architecture first, then furnishings can be simpler; in each room, she prefers one “star” material/detail (often stone) rather than multiple competing stars.

Notable examples

Caballeros project in Rolling Hills (black/white stone influence); a girls’ bathroom with deep terracotta plaster plus pink/red/white stone; custom marble fireplace surrounds with Art Deco-inspired shapes; marble casing details around passageways; her own home’s demoed fireplaces, arched doorways, barreled ceilings, and sconce-heavy lighting plan.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Renovation Journey

1:23 to 5:36

Kim discusses her experience renovating seven houses and her passion for design.

“We got to start with you renovating seven houses in seven years.”

Evolution of Style

5:36 to 10:56

Kim elaborates on how her design style evolved through projects and experiences.

“And the whole world shut down, audition stopped, everything was remote.”

Using Stone in Design

10:56 to 14:00

Kim shares insights on selecting and using stone in design collaboratively with clients.

“But I didn't know what those things were even called like millwork.”

Designing with Client Preferences

14:00 to 17:00

Learn how to balance client desires with design choices in home decor.

“That feels like a little bit more con to me.”

Creative Uses of Marble in Design

17:00 to 21:00

Discover unconventional ways to incorporate marble into home designs.

“I think it gets really overwhelming and ornate.”

The Role of Architecture in Design

21:33 to 23:26

Explore how architectural features influence overall design aesthetics.

“Yeah, it seems like a lot of your, I loved your house tour on YouTube.”

Maximizing Lighting in Interior Design

23:26 to 28:00

Understand the importance of lighting and its impact on home feel.

“that didn't have arch openings or we would take away arches because like that's going a little too crazy.”

Incorporating Vintage Elements in Design

28:00 to 29:06

Learn about the importance of vintage elements in contemporary design.

“look but you're actually got the spray painted gold look you know and it's like oh it's not quite hitting right.”

The Preference for Sconces Over Table Lamps

29:06 to 30:25

Discover why the guest prefers sconces to table lamps in her designs.

“Something that really surprised me when looking at your portfolio.”

Designing for Family Life with Young Kids

30:25 to 33:16

Explore the challenges of designing a home with young children in mind.

“But I just mean like some of the vintage ones that I really love have cords and there's logistics to it where I'm like, that will be really inconvenient.”
Show all 18 chapters

Lessons Learned from Home Renovation

33:16 to 36:44

Hear about the design mistakes and learnings from renovating a home with kids.

“You mentioned you have three kids, all quite young.”

Upcoming Home Renovation and Design Plans

36:44 to 42:00

Get insights into the new home renovation plans and design elements.

“And we're about six to seven months out, but my twins will be three and a half when we move in.”

Designing a Ranch-Style Home with French Vibes

42:00 to 44:28

Explore the blend of vintage and modern elements in home design.

“We'll see how it comes together, but it's more layered than what my current house is.”

Balancing Personal Projects with Client Work

44:28 to 46:48

Learn about the challenges of designing your own home while managing client projects.

“It's just like, our doors and windows are like on a container, we're ready for them.”

Designing Functional and Fun Kids' Rooms

47:32 to 53:16

Get insights on creating playful yet practical spaces for children.

“Yeah, this week is set aside for my FF &E.”

Creating Timeless Design Trends

53:16 to 56:00

Understand how to avoid fleeting trends in home design and focus on lasting style.

“organic, cool, and you have so many pieces that feel trendy but aren't trendy, and you balance that all so well.”

Designing with Love and Authenticity

56:00 to 58:03

Learn how to trust your gut when designing spaces that reflect your joy.

“And then they just look like the fake version of that thing.”

Designing with Love and Authenticity

58:07 to 58:31

Learn how to trust your gut when designing spaces that reflect your joy.

“Back to School Season is officially here and Dee Dee's has everything on your list.”
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Transcript

Automatic transcript. May contain errors.

0:01Welcome to How to Decorate from Ballard Designs, a weekly podcast all about the trials and triumphs of decorating and redecorating your home. I'm Caroline. I'm on the marketing team. And I'm Taryn, and I'm a product designer. I'm Liz. I head up the creative team. We're your hosts. Join the expert team at Ballard Designs for tips, tricks, and tales from interior designers, stylists, and other talents in the design world. Plus, we'll answer your decorating dilemmas at the end of each episode. We love answering your questions, so don't forget to email us at podcast at valordesigns.net. Now on with the show.

0:33Hey, Chicago. Class it up with Crocs. You know back to school is coming in fast. So why wait to find your new fave footwear? Step into a local Crocs store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up. It shows off. First day fits, handled Walk out ready for whatever's next Visit your nearest Croc store today Alright, our guest today is West Coast designer Kim Lapine After renovating seven houses in seven years More on that later She launched her design firm, Kim Lapine Interiors in 2020 And hasn't looked back She mixes elevated materials and a casual feel To create rooms that are contemporary but easy to live in Kim, welcome to the show Mm-hmm Right, ladies.

1:25Thank you so much. We got to start with you renovating seven houses in seven years. I don't even know how that's possible. I'm exhausted. Yeah. So it's crazy. Obviously, that unlocked a passion for you. So why don't we start there? Okay, yeah. So there was no like, there was no intentionality thinking we were going to start renovating homes. That was not the plan. I was modeling full time. I was actually pursuing acting and in the pursuit of acting they were like well you're tall maybe you can get some like print jobs to support your acting classes it's really expensive and just like to make some money in the meantime because it takes a long time to get started in the acting world as I'm sure everyone would know that or just assume that because you know it's very competitive and so I kind of like got pushed into it because I was a college athlete and they're like well you're tall and really broad and not really like model vibes.

2:22Cause like, I'm not like a size zero, I'm a size six, but like you can do commercial, commercial modeling. And so I was like, okay, whatever I need to do to make money, I'll just do it. So I started modeling and that lasted a decade. And I never got pushed into the acting thing. Like I tried, but every time they'd be like, you're so tall, you're so tall. The guys are like 17 inches shorter than you. And it just wasn't working. So during this time, I still had this like love for construction because my dad's a GC, my brother's a GC. and I loved just making the spaces I was in look beautiful. And my husband and I got married in 2014 and even our first apartment, it was like full furnishings, changing out some of the lighting, changing the flooring.

3:01And it just seemed second nature to me because my whole life, my parents would do that to their houses because it was like they couldn't get their dream home, but they would buy the ugliest house on the best street in the safest neighborhood with the best soul systems and they would just turn that house into like their dream house over time. But it took a long time for them to like do that. But I was used to these personal home projects. So it wasn't been intimidating to me. And we lived in that apartment for a year and then we bought our first home in Echo Park. And we renovated like flooring and lighting and just like not crazy.

3:37We weren't doing full gut renovations, the full seven years. That came like in the fourth house. And then we had like four homes in a row that we were doing like massive renovations. but it was a really good market. So there wasn't this fear of not getting our money because we knew that if we sold, we were like already in the green. California, the real estate market was crazy during this time. So we bought our first house in Echo Park, did a few things, renovated some things, did some exterior set. And then we sold it a year later, bought a picture in Redondo Beach and realized Redondo is too much in the bird.

4:07So we held on to it, rented it out, bought a house in Silver Lake, did a few floors, did some lighting, did some furnishings. And we did that again. Silver Lake, let's see this. Let's see this. Hollywood Hills, Hollywood Hills, I was ready, I was ready, rolling hills. And it was like, all over the place. But it gave me this confidence, like the projects got bigger and bigger and more and more detailed. And I was so overwhelmed the first two, three, four projects, because I just didn't know order of events. And I'd have to call my dad and brother cost like, they're asking for like rough ins. Like, what does that mean?

4:39What's a rough? And like, it's a rough in like a valve okay okay so i need to get the rough in valves like just understanding like the order of events and the timeline and just not being so overwhelmed by the details that got easier and easier and easier every time um we did a new project and so i just became more confident and i was kind of documenting it a little bit on social media but i was mostly still modeling at that time so my social was like mostly my modeling jobs with nike at target and old nike whoever i was working for at the time. But it kind of got easier and easier for me also to kind of like, like rebrand myself because I was still putting little bits out into the world.

5:19This is what I really want to do. And I never really loved modeling. It wasn't what I was pursuing. It wasn't really what I wanted to do. It was just something I got pushed into and felt like I had to do it because I had to dream of acting. And so anyways, I had my first child in 2020. And that was like at the end of the seventh project. And the whole world shut down, audition stopped, everything was remote. And I'm like literally filming myself in my bedroom while my daughter sleeps. I'm like, this freaking sucks. I don't, I didn't even like this to begin with. Like, why am I doing this? And people started asking me because they were like, I loved your last project because I got better and better too.

5:54You refine your style or you realize what your style is. You refine your style. And then you kind of go like, oh, if I could do this for someone else, like this is how I would do it. And so you get better and better at just figuring out like, who am I as a designer? But I never thought of myself as a designer because it was always a hobby. But then people started asking me to do their homes. And it just became a thing. Like all of a sudden, I was like, why am I not saying yes? Like, why am I so scared? And it was because I didn't feel like I had my systems and processes in place because I never really put time and effort into that part because I didn't think this was actually going to turn into something.

6:30It was so organic. So it just happened over time, which is how the best things happen. I'm so grateful that it did because I was truly not happy. And modeling can be such a toxic environment and so competitive. And I felt like I needed something to pull me out of it, but I didn't know what it would be. People started asking and I just was like, I'm so tired of feeling this way, this horrible feeling of not feeling fulfilled. Nothing could be harder than this feeling. So not knowing the business, not knowing contacts, not knowing the verbiage, walking to LA showrooms where people are looking at me like, who are you?

7:04And I'm like, Jim, I'm here. And I'm doing someone's house in Manhattan Beach, can you help me? Like, I just started putting myself out there. And that's like how it snowballed into something. Wow. Okay. So many places to go. But I feel like that was more than I bargained. No, not at all. No, it was great. I just have so many questions now. But I was curious, like, you kind of mentioned that as you evolved, the projects were getting better. And you felt like you were solidifying your, I guess, voice. So I was curious, like maybe kind of talk through maybe how your style sort of evolved in that time and maybe how you sort of, I guess, isolated what it was that you liked from all the other, you know, sort of influences.

7:53For sure. So in the first, I would say like two to three projects. I feel like I was just doing like my version of fun because I always feel like my style, even like my clothing style, the way that I present myself into the world, I'm like very casual and laid back. But I also like to like have fun accessories and fun details. And that's kind of the way I design as well, where I have like this foundational base layer of like clean laid back design. But I like to layer in slowly the beautiful, delightful, fun details that make the room feel more special and unique than like another designer over here who might do the same thing in a different way it's like still kind of modern still kind of west coast casual but it's maybe like more coastal and there's more grays and more blues and more literal west coast i kind of have that like base layer of like that laid back effortlessness where it's like a lot of white oaks and a lot of like natural materials but then i layer in a little bit more like punchy colors and um fun details vintage lighting and that those are the things I started to see like as a through line as I was doing each project I would like find myself on first dibs till four in the morning being like my heart would be racing and I'm like what is feeling passion I have passion for this like I didn't recognize it because then I was like so you know like I'm getting like so excited over these sponsors like I have to have this content and so I just started to like recognize like the things that would excite me and when I'd go to like market, I would see like, like, what is this?

9:22What is this style called? Like, oh, it's Italian 1940s. And so I would like take note of the things that I love so much. And that is just what informed my style. Because in the beginning, it was more like quiet couch from RH because it's on Pinterest. And I'm going to do that with the CD2 rug. And then I'm going to do that with this. And I was, I was finding ways to make my house look cool. But it wasn't that much different from everyone else's homes out there. And I think it was because I wasn't comfortable. I didn't have enough experience to know like what the options were to me, like how to customize a sofa.

9:58I didn't have a custom workroom. I didn't even know what that was in the first couple of houses. But as I dug in and did my research and learned more and more and more, I realized like the world is my oyster. I just need to be passionate and curious. So I just started getting more curious and figuring out like, well, if I wanted to do that sofa that had that arm detail and that base detail. Okay, I can't find it on a big box store, but that no designer is probably buying all their stuff from big box stores anyway. So I started realizing like, they're just doing a lot of custom stuff with their own custom fabrics.

10:28Like I can do that too. I just, I need to not be intimidated that I don't know what the verbiage is. I don't know how to talk to these people in the language that they understand. So I need to learn to speak that language. And it was just through practice, trial and error, and not being afraid to look stupid that I learned what my style was because I love the details. Like design for me and the details and I love designing custom furniture. I love designing custom millwork. I love using vintage lighting. And those are the three lines for all of my projects. But I didn't know what those things were even called like millwork.

11:00I was like, well, what's that? What's a millwork? Like, well, millwork is like wood, joinery. You know, I'm like, joinery? Wood. Speak plainly, people. Like, okay, it's wood. It's built in, you know? It was just, I was such a novice and so I also would ask my dad and my brother a lot like what are they saying when they say that to me and so they would help kind of like translate and so over time it was just figuring out like how to speak the language of people in the industry and I was like oh okay so that is what that is what I like I just didn't know that that's what it was called we were calling it two different things and to be honest with you I'm still learning so much I've only been doing this for four and a half years so I'm still client facing for four and a half years I did it for myself for five six years before that but it's just learning like it's learning and curiosity and and realizing like okay vintage lighting is a big thing for me and if it's not vintage it's vintage inspired or it has like that maybe an art deco shape to it i love urban electric for that reason because they do a lot of like uh like period inspired lighting but in like a modern fresh way so you start to learn the the brands and the showrooms that kind of carry the products that you relate and resonate most with and and so for me again like vintage lighting more detailed millwork like fun and delightful hardware details and it's and like um stone like I use like shown a lot in fun ways and we were gonna say marble edge detail because you're oh yes like yeah I mean it's like so obvious to me that I don't say it because it's just part but yeah like this stonework marble surrounds anywhere I can find a way to use marble in a fun way without it being too ornate because like I think the balance is also where I do I think I do a good job with balancing like the masculine and the feminine the details and then pairing back and like knowing when to let something shine and then being like this feels good I'm gonna stop here or like I throw the spaghetti at the walls and I'm like too much and then I start pairing back that's usually how every project goes actually more and more detailed.

12:59And then I'd care back and find that like that midpoint. And I just learned through trial and error, honestly, it probably took me up until like that point where I started my business 2020 to kind of realize like what my design ethos was and like what that style was, because that's when people started acquiring. They weren't acquiring the first few houses. And I think that it's because they were C, I was getting like, I was refining my style over that time. And then finally, it seemed like, oh, there's a look that she does. You mentioned marble and stone and you use that in I think just about every project and you go big and you go bold when you use stone and it's really absolutely gorgeous but how are what are some things that you're thinking about when you're selecting a stone and what are some tips that you can give us for you know looking for stone or how much stone to use in a space?

13:53when I'm trying to figure out like how to use a stone and what stone to use, it's always in collaboration with the client. So the client will be like, Kim, I love that Caballeros project that you did in Rolling Hills. That feels like a little bit more con to me. And you seem to use like that black and white. So I'm like, oh, Califetocorcio, that's what he used. Like, yeah, I really like that because I'm not a big colored person. So like what the client one is wanting is also dictating so much of how I'm sourcing this down. But I do try and push them a little bit because most of the time, and people just don't know what they want.

14:24And until you show them some options, they might really love something that feels wild to them, but it's not wild. It's used all over Europe and it's been used for hundreds of years. And it stands to testifying there. And it doesn't feel like, if you go to a patisserie or a cafe there, they have like Levanta Rosso, burgundy marble and like onyx on the table and like all these crazy different looking marbles, but it doesn't look crazy. It's a natural material. And I think it's just like beautiful and it can be simplified if we do other simple elements in the room. And so it's just a lot of transparent conversations of saying like, okay, you seem like you're leaning a lot more towards projects that I use with like terracotta than pinks.

15:01Are you cool if I pull some like fun pink stone or do you want me to like do that on the walls and then like more of a simple stone? And if the conversation back and forth and they'll like surprise me. Some people want me to just surprise them. And like, I just recently did a bath and it's like really deep terracotta plaster in this pink, red, and white stone. And it's for their little girls' bathroom. Like we want our girls to feel like they had this like dreamy, whimsical bathroom. We want that to be their memory. So it's like, oh, like I have kids and all I ever think about is like what they're going to picture growing up in our house.

15:33I want every little diesel to be perfect. So in their memory, it's like my mom created the most magical wonderland for us. And so I really put myself in the shoes of those parents too. And I'm designing spaces of like really wanting to make sure that when my client entered their homes, it feels magical and whimsical and it's a place they want to be. And sometimes the place they want to be does not have pink stone. It might have white and black stone or they want to go like a little bit more bold. But if people are coming to me and asking me to design their home, usually because they're already on board with what they're seeing on social media, like with what I'm putting out there and they know that stone is something that I mean heavily into.

16:12And so they naturally are aligned with that. But really, it's just kind of like, we have a really in-depth questionnaire where we go through like, what are your favorite colors? What are colors that you hate? What would you be really excited to have in your home? What would you be like disgusted by? Like I like to have these really transparent conversations so that I know I'm not just sourcing things like because I like it. It has to be something that I know they're really into. And I'm constantly showing them samples, color palettes. We have meetings where I lay out like all these slabs in front of them samples and just say like, show me like what you're really drawn to and show me what you're not.

16:47So it's not like I'm guessing and just like, oh, I'm really good at, you know, deciding what my clients want. It's because they're showing me what they're drawn to. And then I lean really heavy into that and then find other things look a lot like that. But one thing I will say is that I try and have like one star in any room, but not multiple stars. I think it gets really overwhelming and ornate. And some people are maximalists and that works for them. And that's what clients want. For me, I like to have like a rock star and then like backup singers. Because otherwise, it's too much going on. And I find it to be over-stimulating and a little too busy.

17:20So a lot of the time, the stone is the star and maybe the chandelier. And then everything else is like backup singers. This is, it's like peaceful on the eyes. Like I don't need to have crazy wallpaper in my office. This is my office. I have a really worn calming plaster because that's what feels good to me. And then I have like my cool lights, like calm millwork, and then like a couple of fun details, you know? And so it's just finding the balance between like who's the star and then who are the backup singers and not getting carried away. What are your favorite applications of marble? Like you mean, obviously, I think most people would think of a countertop, but you use them in all sorts of like surprising ways.

17:59I mean, side tables or what are some ways that are sort of like your more go-tos I guess for stone that people wouldn't think of it's funny like countertops you're like well yes of course a countertop like I know a lot of people associate stone repair tops but like fireplace surrounds are the things that I like have a lot of fun designing I will do deep dives for hours on figuring out like what are the fun details I could throw into the surround and make it feel a little bit different than just like a typical fireplace with like if we're doing like an art deco step so like steps out steps out that's out or steps in or whatever you want to say, we'll find like, well, what's another detail we can throw in there that we haven't really seen?

18:36And so then I'll do a deep dive into like, what are some like shapes and reoccurring themes in Art Deco style that we could throw in here? So we're looking at like plank, like a circle in the corner, circle in the corner. And then we're having channels go down from there. And we're figuring out like, do we want it to be two-toned or like two types of marble or one type of marble? And just having fun with making those details come to life. Like there is no rhyme or reason with me. I'm a very casual person and I like to have fun and I want things to feel fun for my clients and like a surprise and a delight.

19:07So when I'm doing the design presentation, I get really excited about the about thinking about what their reaction is going to be when I present this to them. And I want like if it's cooler to do two types of style than one, that's not harder for me to do that. I'm just calling that out on the plan and I'm just specifying two types of marble. and I think sometimes it's just going that like extra mile the extra step to make the design a little more interesting and sometimes I actually think about this a lot I'm like why people will say a lot like you do a lot like the detailing is like you do a lot of detailing in your projects and I'm it's like not that much it's a lot of work but it's also not that much more work than if you were just to do like a simple fireplace throughout it's just like one or two more steps to kind of make it that much cooler.

19:51And the impact is tenfold. So I don't know. The fireplace surrounds for me are really, really fun. And recently, like, or recently, I mean, we just presented it, but the house will be done in the spring. We have like three or four projects that will be finalized or finished in the spring. And we're doing these fun casing details around passageways. But we're not just like wrapping the passageway in the marble. We're also carrying it as a detail outside of the passageway to like have this fun shape. So it's just boxing in the passageway and just creating interest when you're going through like main areas of your house.

20:25This is the reoccurring thing through this house. So like all of the rectangular passageways have this fun marble detail. And it probably mean the labor is the biggest thing, but it costs like it's four more slabs that we need to buy. And it's this huge impact in the house. So it's kind of like, well, it's it's worth some money if you really want to have like an impact in your home. So we're doing some fun casing details and trim details right now to work marble. And it's just like, but we have to like hear it back. We can't go crazy marble because you want to look at that for the next 20 years.

20:54So we might be doing more of like a travertine or like a commie, like green, white marble, you know? So just figuring out like, how do you want to live with this long term? And then let's do it. Hey, Chicago, class it up with Crocs. You know, back to school is coming in fast. So why wait to find your new fave footwear? Step into a local croc store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up. It shows off. First day fits, handled. Walk out ready for whatever's next. Visit your nearest croc store today. Yeah, it seems like a lot of your, I loved your house tour on YouTube.

21:39and it's been featured in print as well. But there are so many choices that you made in your own house that it almost seems like the architecture and the space itself is the main focus and the furnishings are sort of the accent to that. You know, like for example, the entryway in your house with the staircase. Is that how you're thinking about it? Or do you, is that sort of the end result of some other sort of thought process? I'm so glad you said that because that's exactly how I think about every project. Like I was just telling my office manager, I'm like, I love FF &E and I love the furnishings, but it takes so much time.

22:24I kind of want to like pass that along to someone else because like while I kind of go and use these fun, pure free fabrics to grow out a way to make this work because I want to have some control over it. But I also like my love is the construction. and my love are the permanent parts of the home. Because I think if you can nail that, you can do a really simple furnishings plan or a really ornate furnishings plan, and the house will be stunning either way. So for me, the interior architecture is the design. And to me, lighting is part of the interior architecture because they are attached to the wall or the ceiling.

22:57And to me, even though, yes, you can remove them, I consider them like part of the permanent design. And so if you can nail that and you can get that right, you have such a point of view and you have such a strong foundation that you can, except for maybe like lazy wire or something like work, like you can throw things in there that wouldn't be my fave. But like you can, there's flexibility in how you would do the furnishings because it's such a strong statement as is. So we focused a lot on that in my house where we would arch doorways that didn't have arch openings or we would take away arches because like that's going a little too crazy.

23:33they did a little too much over here or you know it's finding it's it's trying to strike that balance between like super ornate but like we need to add some some fun here um and like we did we do the same thing with our fireplace like we would we demoed all the fireplaces and created like all new fireplace surrounds and architecture surrounding the fire because so like a built-in bench that we clad in on it from like wall to wall because because it's so white thank you it's so white and creamy and like in that room it feels really soft i'm like well now we're getting on we're verging on boring so like what are we going to do to make this not boring so like onyx that would be really fun but not the backlit onyx because i just i'm not a big fan to me it feels like hollywood hills bachelor bachelor pad um but like finding the ways to like add the jewelry and the accessories like i think of stone and lighting it like the jewelry and jewelry by the way like a jewelry person um so it's just it's like where can i lean in and then where can i pull back you know hit the hit the brakes hit the gas and i do that throughout every project where i like the pink dining room and it was a normal ceiling we barreled the ceilings oh barrel ceiling just feels more fun why wouldn't we it's not that much more money it's not that much more material there's ways to make your house feel so interesting and cool for not that much effort and so we tried to maximize um in the interior architecture so that we could like relax a little bit on the furnishing because we did not spend a ton of money on the furnishing we just couldn't You just, money doesn't grow on trees.

25:01You do have such a pared back design, especially within the styling, I think, that it works. But it works because the architecture is so strong and so thought out and in many cases old that you can kind of pull back a little bit in the furnishings. That makes total sense. Yeah. Thank you. I love that you see that because sometimes I don't know how to describe it, but it's nice to hear it like echoed back because that's how I want it to be. But I never know if it's like landing that way. So I think that's the first time it's been like described to me like that. And that's what I want. Like, that's what I intend for.

25:45I want you to talk about kind of lighting because it seems to be this passion of yours as well. Like you talk about it a lot and how much you love lighting. So how about you talk us through how you handle lighting in different projects? Yeah. So that's actually one of the first things I talk to clients about when we have inquiry balls is that like lighting is to me, it's like art. So instead of spending a lot of money on artwork at your house, like I'm not going to be choosing any art for your house. Like I'm not an art consultant, but I do know lighting. And I think that we should maximize the lighting plan so that you are getting like certain types of lighting in different rooms.

26:22Because to me, if you have all overhead lighting and no decorative lighting, well, then you live in a spec house and it's very like flat, feels very flat. It's unflattering. And you don't know why it doesn't feel great. You just know that it doesn't feel great. But when you're in a house with sconce lighting and end it lighting and floor lamps that are like shining over the top of the couch, like a little area for reading, you don't know if you're not into design and you don't really know how to define things, you just know that it feels good. there's it's just the warm the glow the way it makes you feel and lighting had that effect on people um and once i really got into like again after like the third or fourth house and realizing what that through line is people would always say like you do such great lighting and i'm like i do like i don't know it just seemed like second nature to why wouldn't we have a sconce on that wall it feels like a fun moment to have light shining in that corner where otherwise it wouldn't be kind of like a dark jewelry corner, you know?

27:17And so now I just, I think of it as art. And I think of it as part of the budget where it's like art budget. And I'll call my clients like, I'm not going to be specifying art for you. If you want me to, I can connect you with a consultant that I trust and love. But I'm going to be spending a lot of your budget on the lighting, because if we don't have the lighting right, then we don't have anything right in my, because it's the permanent pictures of the house that brings so much soul and life and character. and if you have lighting that you're like okay i'm gonna i'm gonna go for that like the french 1940s look but then you buy like the 200 knockoff version sometimes it will work because sometimes it could look really really cool and i totally like to be frugal when i can be but then sometimes it it kind of looks exactly like what it is and it's like you're trying to get the patina look but you're actually got the spray painted gold look you know and it's like oh it's not quite hitting right.

28:08So I like to tell them like, the vintage is the best if we can do vintage, because it already has that patina, it already has that life. And there's just so much character and quality that comes with things from the past, because things are just not made today the way they were made back then. And I try, I try and incorporate as much of that as possible. Also, you know, it's like more eco-friendly, but like, it's not the driving force, but it is great that we're not just like new, new, new, new, new everything. But yeah, I mean, to answer your question, lighting is the biggest part of our project budget wise to like, I, I'll tell them like, at least this much money needs to go to lighting, because this is going to make or break the project similarly to how the interior architecture is.

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28:48Because if we have that right, then everything else can be flexible. Like I can do some big box purchases for furnishings, if we had the foundation, right. But if we don't have that, right, then it's going to be a mess. So it's really one of my biggest priorities when it comes to budget and how I started the design training project. Okay. Something that really surprised me when looking at your portfolio. You are not a table lamp girl. Oh, yeah. I mean, it's not that I don't like them. I just don't. Like, I already have so much lighting everywhere. I'm like, do we need it? But no, I like them if I feel like I find the right one.

29:25But it's not that I'm against them. I don't know. I've never thought about it. Even the shrug you just did tells us a lot. No, it's... You're a sconce lady. Yes, yes. I'm a sconce gal. So you wanted a whole hard, you know, like a fix. Yeah. It wasn't really until maybe the second or third time going through your portfolio that I even noticed it because it's not as though there's like a hole. So it just, I finally, at one point I was just like, she like doesn't have any lamps. But anyway, so I just thought. surprising so true but um but like you said you i guess you've added you put so much care into um maybe the ceiling fixtures and the sconces that it's not necessary um and i guess maybe it does sort of create more of that edited down look that we're gonna achieve so anyway it just it kind of surprised me because i i feel like many designers are like the more lamps the better and okay so I have a comment about this so I totally like when you said that I was like is that true do I not have you're right I have three kids under five cords it's a disaster I have two dogs that barrel through my house and when I'm designing anyone's house I'm like designing it from my perspective of like what would I want and not want as the homeowner and like if the if the table lamp is like five feet from the wall where it would be plugged in, of course, I know we have cordless lamps and stuff.

30:56But I just mean like some of the vintage ones that I really love have cords and there's logistics to it where I'm like, that will be really inconvenient. And then there's going to be like a power cord or there's going to be something in the way, even though in the photo you won't see it, but for their everyday living, it will be there. So I think that is why, like without realizing that's what I was doing, I think that is why, as I give it more thought, why I try and hardwire as much of the lighting as I can. But for this last project right now that I just presented like two weeks ago, I do have some vintage like floor lamps and table lamps.

31:28It's just funny that you just said that. So I'm like, actually, it's because I'm thinking like, you know what, it would be nice to layer even more lighting. But this particular space, the sofa is close to the wall because it's kind of like a formal sitting room and it's smaller. So you're not having like a cord running like five feet to get to the wall or like logistically I'm like chipping hazards little babies kids you know like that's I think that's why but that's a good point yeah I never thought of it it's not like missing like I said it's not like I it took me several times to go through but um but yeah and it does make me curious to figure out like what would be the perfect floor lamp or the perfect table lamp for you I know well it would have to probably at this point in my life and if I'm working for all of my clients except for actually except for two right now that have like young kids and so I guess I'm yeah I'm just always thinking about it from that perspective but I guess it would have to be like cordless because like what I guess or in the ground a lot of these homes we're doing full gut run in the ground a lot of them like we're doing full gut renovation and they're not always tearing up the floor so then we're working with kind of what they have already but we're gutting the materials we're scraping it clean room to room but like if we're doing a new build yes like we could totally but sometimes there's just logistics of like hey do we want to tear up the concrete below when we're doing you have to create a channel for electrical to get to that you know there's logistical things that keep it from being realistic you guys have sent any links send them my wife record this vintage lamp center cordless well we can't have you the vintage ones but we've got vintage inspired ones maybe i have a collab coming up where I'm going to create vintage-inspired lamps that are cordless.

33:15There you go. Or rechargeable or something. Yeah. It is all the rage. For sure. Yeah. Totally. Okay. You mentioned you have three kids, all quite young. That's right. And correct me if I'm wrong, but it sounded like you renovated your current house before you had kids. So... Yeah. Yeah. I had a newborn, but yeah. Okay. Okay. Okay. Well, let's say before your kids were, you know, maybe interacting with the house very much. Yeah, they weren't doing a number on it. I was curious if that changed maybe things about your house that you were happy with or things that you would have redone. Just any kind of, I imagine there was a lot of design mistakes and learnings in the seven years.

34:04You know, they were like, gosh, no mistakes. No, I just knew from the beginning. No, no, no. Yes, there's so many things. So we bought the house that we currently live in in 2021. And we owned it for like six months before we started any plans on it. So wait, or no, yeah, 2021. And then we finished it middle of 2022. So it was like about a nine month process, but we got it the whole house, but we kept most of the structure the same. And my daughter was like six months old and we bought the house. And we moved in when she was, I don't even know, she was young. And then when I moved in, I found out two weeks after moving in, after it was complete, that I was pregnant with twins.

34:47So I was like, okay, well, I didn't design this house to have three under three here. So that was hard. That was a hard couple of years. Because also, like, I probably wouldn't have bought a two-story house if I knew I was going to be, like, pregnant with twins and have newborn twins. that it's just, I'm sorry, but I had stairs before and I had an accident on the stairs. So like not a big fan of a few story house. So like, that's one thing too. I kind of don't feel like you should do plaster in your house unless you have kids over a certain age that won't draw on the walls because my one and a half year old twins last year drew with marker and colored pencils all in the family room on the plaster wall.

35:34I'm not even talking for toilet paper plaster where it's like, you can kind of fix it yourself because it's like, it's like not faux plaster, but it kind of like a faux version. It's like real plaster that requires the plaster people to come out. And it is not cheap. So like, that's one thing, like if clients are like, oh, I have like, oh, I'm pregnant. I'm like, okay, well, plaster is beautiful, but maybe we do like a warm, creamy alabaster paint until your kids can understand instructions. because I can tell you, you're not going to be happy. Like I almost, I might've cried. I think I might've cried at least one tear when I saw the walls.

36:10I was so like, you have no idea, but whatever. Like at the end of the day, my house is meant to be lived in. I don't design for like one-off spaces to just be like museum, like living in a museum where you can't touch or feel anything. I'm going to have, when we sell this house, cause we're selling it. I don't know if you guys know that we're selling it in like six months because we're finishing our forever home. Thanks for people listening. Cause this is like our seventh forever home, but it's, I think it really is. But like we're, I'm done the design for the new home. I'm done almost everything.

36:46And we're about six to seven months out, but my twins will be three and a half when we move in. so I'm doing plus because I'm like okay now they know not to draw they haven't done it in a long time I feel good about it but there's just certain things that are too costly to have to worry about so if like you have little babies before that they can understand like yeah no plaster that's not a good thing I would I mean sometimes you just can't really control the upstairs or not it depends on where you live a lot of the houses you can't buy a one-story house anywhere you go but um we have like wood floors in our primary bathroom I give them baths three times a day they love to get wet and they want to lotion up after, my floors have like oil stains on them because no one is caring for them the way I do.

37:29I have an integrated stone sink in my kitchen. When my twins are done with their spaghetti, they'll like go alt me and put them in the sink. Now my Calicata Rosa, which is like a pinky maroon-y white marble, has stains and I have to get it treated all the time. So yeah, there are things that I would, I'm not doing an integrated stone sink in the next house because I need a ceramic sink that I can clean. and as much as it looks so beautiful and cool to take like a photo with like florals in them, like what, for that one photo? Like, no, I'm not dealing with this anymore. So there are just certain things that I've learned.

38:00Like I was a little too like naive because I didn't have kids. I didn't understand to the degree like how they could destroy things. So very, very destructive. And so now I just learned like, okay, I'm going to do like tile or stone floor in my primary bathroom because my little kids are going to take baths for a long time, I think. Like in that, you know, and it's in my bathroom. Yeah. So there's just like places that get a lot of like, a lot of wear and tear. I have to make sure that the wear and tear can stand up to them. So I am making those choices. And when people ask me, I love the wood, the park, the wood forest in your bathroom.

38:33I love them too, but they're white oak and they're clear matte because I wanted like light, like really like, you like kind of like what you see behind me, like just untreated white oak wood. I love how pretty and airy it feels, but no, it absorbs oil, it absorbs lotion. And if they're like, they want to do my makeup in my bathroom and if they're like lipstick gets on the it's hard to deal with and I don't want my I don't want to have to worry like that I want to be present as a mom too I want to have fun with them and not be the mom was like don't touch this don't touch that no no you know yeah so I'm trying to set myself up for success in the next house although it is gonna look so great I'm like don't watch out okay I know I am gonna be like that but I'm trying my best to learn my lessons but like do I do wallpaper in their room part of me is He's like, well, three to a half.

39:19Get an extra roll and you can always like. Yeah. Go right up over it. Totally. It's also kid to kid. So like my oldest never did one thing wrong. She's very obedient. She's like really. So I just assume they do the same. It's always the second and third kids. It's always those twins.

39:42There's two of them, too. Yeah. Double trouble. Yeah. That's a hard age. you said you're still in the thick of that so yeah yeah um so you mentioned here and on your instagram you're talking a lot about your home you're working on can you share a little more about that with us yes so um we do like i had to mention the development projects that we do so my my custom client projects and then my husband is in real estate and does investment so we do development projects as well where we will purchase a home renovate it obviously the budget is completely different because we have to be really like on budget under control there.

40:20So it's a less layered version, like my client homes, because they're okay with spending on like the Pierre Frey fabric. Like we don't have that for a spec home. But we were looking at this house that we ended up buying for ourselves for a development project. And I just walked in was like, this is unlike any house I've ever seen before. Like it's one story. It's in this equestrian part of Palos Verdes. So it's all horse trails, huge like eucalyptus trees, just beautiful. And the house is 180 degree view of the ocean, like unobstructed. And it, the reason it was sitting, it was sitting on the market for a while.

40:53And it seemed like a really good deal for a development project because it was like the square foot, what they were asking for a square foot of the house was so reasonable, but people were intimidated by it because it had three kitchenettes, three little lunches, like it had multiple of like these main space of the house because they had three generations living there. And it's so funny. It was a family. It was a friend of a family friend. And the great, great, great grandparents lived there, the grandparents, and then the daughter lived there. And she had her son in one wing of the house. And it's like 5 ,000 square feet, but on one large lot.

41:24And it's all ranch south. So I just was like, oh, I want this house. Like, this seems like a dream. And it was such the right price. And it didn't intimidate me because, hello, seven houses in seven years. I'm like, we know how to do this. Let's do it. So I called my husband and we thought our current house would be like our 10 year forever home. Like I didn't really think it would be forever, forever because in the area that we live in Palsbury, it's a small little sliver. So there's like no yard. We knew it couldn't be our forever home, but we just didn't think after three years we would be moving.

41:56But this house is old. It's going to be totally different. I live in a Spanish house now. This house is ranch style. There's an HOA. So you have to keep it true to the ranch style, but it's going to be very like French countryside vibes because we're doing smooth stucco and like really beautiful like gas lanterns on the exterior of the house in the interior of the house there's a lot of your like the european eclecticism that i like like talk about so much just layering that vintage lighting in we have a lot of beautiful like all plastered on walls and ceiling but we're doing some cool modern elements to bring in that like like the old and the new so like in the foyer right when you walk in we have a big circular a skylight with this big bull nose so like this light in a circular like is coming down from the skylight above this foyer with this cool unrolling hill light which is not vintage but it kind of has like a um art deco shape to it and so we're doing a lot of like new and old lighting but they kind of they kind of relate to each other because they're like in the 1940s 1930s vibe like a fresh take um other like themes of the house are we doing really fun stone we have there's four fireplaces so we're doing like all very cool art depo style fireplaces but like a slightly less ornate version um and then we're doing a lot of wallpaper in this house which i've not done in previous homes so two powder bathrooms that are going to be like murals the whole bathroom is going to be like a big mural with these very crazy chipolino fabricated stone sinks so like class like happy clashing happening um but i know i'm just like saying a lot of details but like i'm so excited.

43:34We'll see how it comes together, but it's more layered than what my current house is. But my current house is Spanish and Spanish style homes are like plaster, soft curves. And I lean into the architectural integrity of whatever home I buy. So that was Spanish. That made sense for this. This is like more ranch. And I feel like there's, you have a little more flexibility there because it doesn't have like one specific style. So I could kind of make it what I want, but I'm leaning into like the French Provence kind of vibes because like Italian and French are right next to each other. They go back and forth with like sharing detail, you know, a lot of stone, a lot of parquet flooring, and then vintage lighting.

44:11That's like the three line through the house. And you said you're going to be moving in six months? About everything. It should be, we're saying March, but which means June, you know, I'm just, I'm accepting that that's the possibility. But I feel like we're on a good track. It's just like, our doors and windows are like on a container, we're ready for them. But like, we're because they shipped from Italy, because we like work with this, we do a whole wholesale situation with this family friends that own this window and door company. So anyways, we're just piecing it all together. And it's my priority.

44:50But at the same time, I have my client projects that I have to prioritize even over my own home because I'm getting paid for those and we're on timelines for those. So it's difficult. I honestly never want to do this again. It's like so stressful and so fun at the same time because I want it to be perfect because it represents my ideal style is what I would do in my home. And that's what people are going to look to and think like, well, this is what you would do if no one stopped her. So there's pressure to make it look right. You know, and so I had so much like there's so much in my brain just constantly going like, is this the fact right choice?

45:23But at the end of the day, I just have to go like, whatever. I love it. And there's no right. It's just, I love a lot of things. There's a million ways this can unfold. Yeah. We always hear that from designers that sometimes it's hard to do your own space because you can go anywhere. So how do you narrow down the options? Right. Or not, you know, everything, but you know more than the average consumer because it's your job to know about the newest and coolest this and the best showrooms for this and you know the different options for construction like oh this type of overhead lighting that's trimless now and like there's so many choices but I think one of the things that I have to keep going back to is like if I love it it's it's gonna be fine like I don't have to I have to pull the trigger and just put the order in for so many things and I have to stay on a timeline and I try and do the same think of my clients where I'm like, no more Pinterest.

46:17There's a million ways this powder bath can unfold. And they're all going to be beautiful. But you're going to be obsessed with the one we have right now in the design plan. And you'll be obsessed with the one that you find in seven months. But guess what? Now you're seven months behind. But like an over budget and all these, we have to make choices and we have to move on. So I'm trying to take my own advice. Because like, the longer I take on things, we're paying two mortgages. Like that's ridiculous. list and that's stupid. So I'm having to like just keep myself accountable. Like, nope, this is fine.

46:46We're good. Moving on. This is not life or death. This is a house at the end of the day. You know, it's not the... Are you someone who has planned out like the entire furniture plan, all the fabrics and soft goods? No. Okay. You're like, you're going to do all the architecture. For my own house? Yeah. Yeah. For your own house. Yeah. Hey, Chicago. Class it up with Crocs. You know back to school is coming in fast. So why wait to find your new fave footwear? Step into a local croc store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up. It shows off.

47:25First day fits handled. Walk out ready for whatever's next. Visit your nearest croc store today. Yeah, this week is set aside for my FF &E. One week is what I'm giving myself. I give myself like two months for clients. project design is fully done everything is designed like to the t construction wise lighting is all ordered again like that's the first thing i figure out like that's how i start it's like my jumping off point and then i put the pieces together around that it doesn't always go that way but oftentimes it does um and so right now is like okay so i have like six months that's about the time it takes to get custom furniture done so i should probably submit and order the fabric so that's what this week is for literally and our development projects I have until the end of August I have to get all three of these projects wrapped up our own two development projects and my own FF &E and I'm just like why do you do this to yourself why it's just how it is like there's too many other client projects I have to focus and we're launching two projects in September you know we have a pipeline so I have to do what I have to do and I'm just like sleep is probably not going to happen for the next few weeks so that's okay what um what sort of fabric and furnishing choices will you make with the kids like any will you go different direction than what you've done in your house yes yes yes so for my kids okay so right now i have the twins have cribs like wooden cribs they're not going to be cribs at the new house because like we're slowly transitioning them out because they're going to be three and a half i'm just i'm trying to keep them contained because they do wreak havoc even on us.

49:04Like we had them in a tent because if we don't have them in a tent, they get out of their crib and then they run in different directions at night to just terrorize us. That's for fun. So we did that. We kept them in a crib, but now we have like the see-through eventable, you know, tents where they just like, yeah, it's like a mosquito net almost. So in the new house, they're going to have their own beds, like real little toddler beds. So I'm thinking, you know, I have this fantasy of like, doing like this beautiful velvet Pierre Frey, a custom upholstered bed with fun base, blah, blah, blah. No, I don't think that's very smart.

49:38I think I'm going to do like a crate and barrel bed. I think I'm going to do like a couple of cute crate and barrel Jake Arnold collabs. They're so cute, so affordable. And I have a feeling that they're going to trash them. And then in three years, we're going to have to switch the beds out or four or five, you know what I mean? But I'm trying to be able to... I need to have the high row at a certain point and you can't just spending money on stuff. And it's an expensive project. So for the kids, I'm going to make it the cutest version of the big box version that we can. So crate and barrel, CB2, something like that for their bed.

50:09And then I will do, again, their reading lights are vintage, their pendants are vintage. We're going to do like a really cute Nordic knot or something, some fun slowly rug. I'm going to drench their room in color from Farrow and Ball. And I think I might even have that crown moldings like painted on. So it's like a fun, folky vibe in their room. But no, on the furniture, I'm not, I don't have the, I don't have the bandwidth to design custom beds for them at this point. Hey, I don't even know if that would be like, let's see 12, 13, 14 yards for a custom full bed. $300 a yard. No, thanks. So I'm doing CB2 or like creating brown.

50:49Honestly, Jake Arnold's collection is so cute. So I think I might be doing that. That's exciting. I mean, do you have fun with kids rooms I feel like kids rooms you can kind of like go a little quirky oh yeah you okay so I'm doing two right now and they're really really fun to design but if I go like if I throw all the spaghetti at the wall like I was saying earlier we're doing like a really fun wallpaper really fun Roman shade and then like custom upholstered bed but in the beginning the client is always like, I want my kids to have the most special room. Okay, I got you. And I'll be like, okay, so this wallpaper is like X amount per yard.

51:28Are you? Yes, I want it to be beautiful. Okay, great. And this fabric is, you know, it's like$200 a yard. Are you sure you want me? I want it to be special. I'm like, cool. So we're giving we're kind of having this conversation one way, but then you're like, so your your son's rooms, it's going to cost$35 ,000 for the wallpaper. And then it's like, let's just paint it and let's do crate and barrel. I'm like, okay. So I love designing them. But oftentimes, the FF &E gets slashed when the budget conversation starts to happen with the GC. So that's why you see on my face when you ask me, like, do you love it?

52:02I'm like, I love it. If we could accomplish what the design is set out to accomplish. But I also am like the parent too. That would be like, yeah, no. I'm ordering the chandelier for my dining room overpaying that much money for wallpaper that will get painted on. from like, I have too much of a realistic perspective on this because I have three little kids. So as much as I would love to do like a custom canopy bed in silk, and I would love to. It's not happening anytime soon. Maybe for a client that's just like no budget and totally fine with redesigning in two years. There are those people. So yeah, when I have that client, I will be super stoked to do a kid's trip.

52:44but they all end up looking cute no matter what that's the thing like you could make a farrow and ball color drenched room with shade store stripes like we did that in our manhattan project from last year you know shade store stripes roman shade super cute table lambs okay so i did do them in that project um and like we did this really cool parma gray like colored everything the trim ever and it was so adorable and so cute and so much more affordable than the other option. So I have one more question. So your overall style is so modern, organic, cool, and you have so many pieces that feel trendy but aren't trendy, and you balance that all so well.

53:28I wanted to see if you have any tips for us on how to design a space that feels on trend, but not trendy? Yes. So I love this question. I, when people ask me like, what are your favorite trends? Like I just did, do you guys know Swike on Instagram, the Instagram account where she does the Rolodex series and she asked designers like, favorite white paint, favorite. Okay. I just filmed a video last week with her about my Rolodex and it was like favorite trend. And I just basically what I said, my new favorite trend or idea of what's coming up is just doing you and collecting things over time. over a long period of time that you enjoy and love for no other reason than it just brings you to life.

54:10That is all that I ever want as a trend. Because this whole interest in Instagram world, yes, while it's very helpful for my business and I like to use it as a business tool, I hate that everything becomes the same. Everyone just is like, oh, I like that bathroom. So I'm going to find out where she used that room and play. Find out if there's a knockoff of that light. Find out. And they just copy and paste, copy and paste. while I understand that for like the average consumer who is not looking to hire designers too much money I support that totally like you know use it as inspiration whatever I hate that even I see like designers will do that and it's like popping and pasting and I just don't think that trends have no longevity because there's too much money being spent in a short period of time to follow a trend it's such a waste of money and then you're going to want to redo your house in five years.

54:57And I don't want to set my clients up for that type of failure where they're like, oh, this was so cool. But now it's so outdated. It's so 2025. And we're in 2030 now. And I want to redo my house. So my whole thing is like, the reason I feel like it might feel like, quote unquote, trendy to some extent, but also you said, like, there is like a timeless nature to it. If I try and like lean on the, the like through lines of like historical places that kind to just always feel beautiful and cool. So like, we just went to Lake Como for vacation, and like all the floors are parquet, tons of stone. And I'm like, I see like, these are cool.

55:34These were cool then they're cool now because they are beautiful and timeless. And they're integral the way there. There's a lot of character and there's a lot of quality that's put into these things. So like, I lean a lot on quality, I only use real material. So I'm not using the fake version of anything like something that looks like this, but it's not like I did an X video recently and I was like, I don't like like fake marble looking things or faux wood or veneers because they don't last. They're still not cheap. I mean, they're still cost something. And then they just look like the fake version of that thing.

56:08They don't actually look real. So I think if you're focusing on like quality and using the real materials, you can't go wrong. And then if you're also just utilizing things that give you joy and you enjoy and you love and like they delight you and they make you happy in your house, you can't go wrong because you're just trusting your gut. You're not looking outwardly to figure out what's cool. You're just going like, I love this. So that can't be wrong. Like love, that's not up to anybody else. That's just your opinion. And so the way I design is just like from my gut. Like I, I adore this. I don't think it's cool because Kelly Worser did something similar two years ago.

56:45I think it's cool because I saw it at an antique shop and it just looks cool to me. I don't know why, it just is. It just feels that way. And if my client feels the same way, great. If they don't, then I'm like, we don't need to use it. I don't want you to do anything for me. Do it for yourself because this is where you're living. You have to love your space. So it's just, again, always having those fanfare conversations of like every single thing we put in your house, you have to stand behind. Don't feel like, oh, I have to do it because Kim Lapina is designing my home and she only wants to do homes that feel like her.

57:15Well, that might be true because I only take six products on at a time. I want it to be true to my personal aesthetic as well, but it's gotta be their version of me, you know? It has to work for them. So as long as they're not like looking outwardly to find the like acceptance or making sure they're friends, like it's like, does it feel good to you? Does it bring you joy? Do you love it? Then you can't go wrong, you know? It's never gonna go out of style if you love it. I feel like there's a ballad in there somewhere, you know? It's your design mantra that love can't be wrong. Like a rock style.

57:52I'm going to have Chad Jimmy T make me a song and I'm going to put it on my Instagram. That's going to have to be the title of this episode. Love can't be wrong. Yeah. Love can't be wrong.

58:03This episode is brought to you by Dee Dee's Discounts. Back to School Season is officially here and Dee Dee's has everything on your list. I'm talking bold styles, cool kicks, backpacks, and even dorm room essentials. All the prices that won't hurt your wallet. So don't sleep on Dee Dee's. Whether you've got a second grader or a sophomore, Dee Dee's has your whole family covered. Find a Dee Dee's discount store near you and go check it out today. Amazing. That's hilarious. Well, Kim, thank you so much. This is so fun. Your portfolio is gorgeous. And it was just such a pleasure to talk to you. You too.

58:42Thank you, ladies. So fun. Go to Houston. Go Spicey Marge. Can you tell everyone where they can find you and follow you? Yes. So my Instagram is at Kim Whippin Interiors and my website is Kim Whippin Interiors dot com. Perfect. And you're a fun follow. You have lots of tips and tricks. So everyone can hear your opinions on everything. So it's good. Okay. Thank you. Yes, I hope so. I get a lot of joy out of making those videos. So again, just do what you love. It doesn't matter what anyone thinks. Amazing. That's our show. And that's our show. You can find all of the show notes on our blog, howtodecorate.com slash podcast.

59:21To send in a decorating dilemma, email your questions to podcast at BallardDesigns.net so we can help you with your space. And of course, be sure to follow us on social media at Ballard Designs. Don't forget to subscribe wherever you get your podcasts so you never miss an episode. And please leave us a review. We'd love to hear your feedback. Until next time. Happy day, ladies. Bye.

From the publisher

Join hosts Caroline, Taryn, and Liz as they chat with former model turned West Coast designer Kim Lapin.

After transitioning from a modeling career and renovating seven homes in seven years, Kim founded Kim Lapin Interiors in 2020. Her design ethos focuses on mixing elevated materials with a casual feel, crafting contemporary yet livable spaces.

Kim explores how she embraces both modern and vintage elements to deliver timeless, functional designs for young families. She shares her journey, her passion for stone and lighting, and insights from her upcoming personal home project.

What You’ll Hear On This Episode:

00:00 Introduction to How to Decorate Podcast

00:33 Meet Kim Lapin: West Coast Designer with a Transformative Journey

00:57 From Modeling to Mastering Renovations – Kim’s Career Path

02:12 Discovering a Passion for Design through Multiple Home Projects

03:52 Building Confidence with Each Renovation

05:02 Transitioning to a Professional Design Career

06:53 Evolving Personal Design Style and Key Influences

12:56 The Role of Stone in Creating Stunning Spaces

24:45 Lighting as an Artform and Essential Design Component

32:21 Renovating with Kids: Challenges, Learning, and Adaptations

34:13 Designing a Child-Friendly Yet Sophisticated Home

35:29 Planning and Executing the Forever Home

38:51 Balancing Client Projects with Personal Design Vision

47:08 Thoughtful Choices for Kids’ Rooms and Furniture Selection

51:43 Achieving Timeless Design: Trends versus Personal Style

56:35 Conclusion and Final Thoughts from Kim Lapin

Also Mentioned:

⁠⁠⁠⁠ballarddesigns.com⁠⁠⁠⁠⁠ | Shop New Fall 2025 Items Now!

@kimlapininteriors⁠⁠⁠ | Designer IG

kimlapininteriors.com⁠⁠ | Designer Website

Please send in your questions so we can answer them on our next episode! And of course, subscribe to the podcast in Apple Podcasts so you never miss an episode. You can always check back here to see new episodes, but if you subscribe, it’ll automatically download to your phone.

Happy Decorating!
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