Tell Your Story with Jonathan Capehart

7 Jan 2026 · 1 h 1 min · 22 chapters

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In short

Podcast Notes: IMO with Michelle Obama and Craig Robinson

Episode Title

Tell Your Story with Jonathan Capehart

Description

In this episode, Pulitzer Prize-winning journalist and MSNBC host Jonathan Capehart joins Michelle Obama and Craig Robinson to discuss his memoir, *Yet Here I Am*. The conversation explores Capehart's journey into journalism, his childhood experiences, and his identity as a gay Black man in media.

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Key Themes and Discussions

  1. Jonathan Capehart's Background
  2. Early Life:
  3. Grew up shuttling between New Jersey and North Carolina.
  4. Spent summers with his Jehovah’s Witness grandmother, highlighting contrasts between Northern and Southern cultures.
  • Education and Career:
  • Initially pursued journalism during the Trump administration.
  • Relevant experiences discussed include his transition from personal storytelling to journalism.
  1. The Significance of Storytelling
  2. Capehart’s Memoir:
  3. The memoir captures his life journey, emphasizing how storytelling shapes identity.
  4. It reflects on significant childhood memories and their lasting impact on his worldview.
  • Writing Process:
  • Jonathan shares his experience of writing about personal and familial history, including memories of summers in the segregated South.
  1. The Impact of Race and Identity
  2. Growing Up in a Segregated South:
  3. Capehart discusses feelings of being a Black boy in a Jim Crow-era town, the necessity of understanding racial dynamics from a young age.
  4. He recounts a poignant moment with his mother, emphasizing the reality of racial disparities and the importance of education.
  • Personal Identity:
  • Capehart discusses his sexual identity and the process of coming out, especially in a context where acceptance wasn't guaranteed.
  • The conversation emphasizes the supportive role of his mother and the complexities of navigating family relationships regarding his identity.
  1. Family Dynamics and Support
  2. Margaret Capehart (His Mother):
  3. Described as a strong, single parent who emphasized independence and education.
  4. Key lessons learned from her about resilience and self-reliance.
  • Chosen Family:
  • Capehart discusses the importance of building a supportive chosen family in addition to biological relatives.
  • His experiences in New York highlight the significance of community among fellow Black professionals and LGBTQ+ individuals.
  1. Audience Interaction
  2. Listener Question:
  3. A question from Dominic, a listener feeling isolated as the only openly gay man in his family.
  4. Capehart offers advice on navigating familial relationships, advocacy for self-respect, and building a supportive community.

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Key Takeaways

  • Storytelling as a Tool for Connection:
  • Personal narratives deepen understanding and empathy across different experiences.
  • Resilience in Identity:
  • A strong sense of self is crucial, particularly in the face of societal and familial challenges.
  • Value of Community:
  • Both chosen and biological families provide support in different ways, highlighting the importance of surrounding oneself with understanding individuals.
  • Navigating Family Dynamics:
  • Setting boundaries with family, especially regarding respect and identity, is essential for personal well-being.

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Conclusion This episode of IMO offers a rich tapestry of insights into Jonathan Capehart's life and professional journey. With humor, vulnerability, and wisdom, Capehart shares valuable life lessons about identity, race, family, and the power of storytelling. Join Michelle Obama and Craig Robinson as they explore these themes, leaving listeners with a profound understanding of the complexities of personal narratives and community support.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

A Journey Begins

0:00 to 0:41

Michelle Obama and Craig Robinson reflect on a childhood memory.

“I was like, mom, you just go down there and go.”

Welcome and Introductions

0:47 to 2:14

Hosts welcome back producer Natalie and introduce guest Jonathan Capehart.

“And I have the beds at the Airbnb to thank for it too because.”

Jonathan Capehart's Journey

2:14 to 4:43

Discussion on Jonathan Capehart's memoir and his experiences.

“So we have a friend of yours and I met him many years ago during the first administration in the White House.”

Writing About the Past

4:43 to 6:00

Jonathan shares the inspiration behind his book and writing process.

“And I didn't become a reader until I was an adult.”

Summers in North Carolina

6:00 to 7:05

Jonathan recounts his summers spent in North Carolina with his grandmother.

“And I spent an entire weekend just writing what I started calling the down south chapter.”

Witnessing with Grandma

7:05 to 8:30

A heartfelt story about experiencing faith and witnessing as a child.

“It was this woman, she only had a fourth grade education.”

Segregation and Identity

8:30 to 12:57

Reflecting on growing up in a segregated environment and its impact.

“cock that wig on just right, and put her, you know, purse in the crook of her arm, Queen Elizabeth style.”

Main Street vs. White Street

12:57 to 14:02

Discussion on the significance of Main Street and its colloquial name.

“I mean, like Craig said, our experiences in the South were intermittent, but you going down there every summer and living it.”

Childhood Memories of Severn

14:02 to 16:48

Explore the significance of childhood memories in shaping identity and community.

“I was like, Mom, you just go down there and go.”

Margaret's Strength as a Mother

19:16 to 23:16

Hear about the resilience and upbringing of Jonathan's mother, Margaret Capehart.

“Your mom, I want to talk about your mom too, because just a lot of things you said in describing your time down South.”
Show all 22 chapters

Navigating Race and Identity

23:16 to 28:00

Discuss the challenges of race and identity faced during childhood and adolescence.

“boil water to make pasta she taught me things so that way as she said you don't want to have to rely on anybody else you want you have to be able to depend on yourself And, you know, there's some upsides to that.”

Childhood Realizations and Conversations

28:00 to 29:19

Explore the emotional impact of confronting racism in childhood.

“and he's going to climb higher because he's white I was screaming at the tops of my lungs how can you say that that's not true you're lying Why are you doing this?”

The Importance of Education and College

29:20 to 30:29

Understand how education shaped his identity and future aspirations.

“And also, you know, back to my mother, my mother always made a point of ensuring that our education was front and center.”

Finding Comfort in Identity at Carleton

30:30 to 32:08

Learn about the journey of self-acceptance at college.

“What was it about Carlton that made you feel comfortable enough to sort of be yourself?”

Coming Out to Family

32:09 to 33:37

Delve into the experiences and emotions of coming out to his mother.

“Did you worry about what this would mean?”

Generational Differences in Acceptance

33:38 to 36:12

Examine the clash between traditional and modern views on identity.

“Because so many times I came up to the line of saying, mom, I'm gay.”

Lessons from Family Relationships

40:20 to 42:00

Reflect on the influence of family members on personal values and lessons learned.

“Investing doesn't have to be complicated.”

Family Acceptance and Personal Identity

42:00 to 45:00

Explore the importance of acceptance within family dynamics and the impact on personal identity.

“And he had been in my, Uncle McKinley had been in my life since birth.”

Navigating Family Relationships

45:00 to 46:28

Discuss the challenges of navigating family relationships while being true to oneself.

“But it was good that you found out your grandmother's intent.”

Understanding and Establishing Boundaries

46:28 to 53:14

Learn about the importance of setting boundaries in familial relationships and self-identity.

“That's a good time to move into our listener question.”

Building a Chosen Family

56:59 to 1:01:00

Explore the concept of chosen family and its importance in personal growth.

“And on the other end of that, those boundary settings, there's room for new, better, more.”

The Power of Storytelling

1:01:01 to 1:02:08

Understand the impact of storytelling and personal narratives in advocacy.

“Dominic, just hit your brothers one at a time.”
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Transcript

Automatic transcript. May contain errors.

0:00The formal name was Main Street. The colloquial name was White Street. And so my mother would make that right. And I never understood why. I was like, mom, you just go down there and go. But driving down south in your brown 450 SL Mercedes. Which I was like, stop there. Stop there, mom, Capehart. With your Benz. I know, with her Benz. She was like, and we going down White Street in our Benz. In our Benz. And as I write in the book, it was like her, it was a slow motion protest at 15 miles an hour.

0:41This episode is brought to you by Theraflu. How are you? I am really well. I got a good night's sleep last night. And I have the beds at the Airbnb to thank for it too because. Oh, that's right. Yeah, you've got, so the beds are comfy. Comfy where you're staying. And you know, not everybody has the same mattresses, right? But this one is on a platform. So it's not like a box spring and a mattress. This is just the mattress on a platform, but it feels like I'm on a regular bed. Oh, well, there you go. Yeah. That's a good tip off. Enough about my night. Uh-huh. Yeah. We have a guest here. We do.

1:25But one of the things we said we wanted to do today because we want to officially welcome back Natalie, our producer, who has been on maternity leave. And she is a new mommy of a beautiful baby girl. Remind me of your daughter's name, Leona. And she's back. Welcome back. And, you know, we also have to say. thank you to Julia who substituted in your stead and did an excellent job. So Julia, thank you so much. Welcome back to Natalie and thank you to Julia. I know. Do we get both of you now all the time? Okay. So we have a friend of yours and I met him many years ago during the first administration in the White House.

2:22But I told him it was so many people I met and I probably I was still coaching, so I probably had lost the game and didn't want to... I don't know how you can not know Jonathan Capehart. I mean, Jonathan Capehart is like, he's a fixture in so many homes. Yeah, I know of him, of course. But you didn't remember whether you meet him. I didn't remember meeting him. And, you know, Jonathan is a Pulitzer Prize winning journalist. He's also the co-host of the morning edition of The Weeknd. He's an analyst on the PBS NewsHour. This man's got a lot of jobs. I know, I know. K-Part was previously associate editor at the Washington Post, where he was also an opinion writer.

3:07His memoir, Yet Here I Am, was published earlier this year and was an instant New York Times bestseller. Yes, it was. It is a really nice read. It's a beautiful book. It's a beautiful book, and I'm looking forward to talking to him about it. So without further ado, Jonathan K. Park. Here he is. Hi, hi, hi. Hi. Good to see you. Thank you for having me. Thanks for being here, man. Great to see you. Great to see you. Nice to see you again. Jonathan, Jonathan, welcome to IMO. Thank you very much. We did this. We concocted this visit because of your bestselling book. We talked about it a bit. I was like, why don't we talk about it on IMO?

3:54And I was thrilled, thrilled that you wanted to have me on and talk about the book. And I'm looking forward to these. Do you understand how weird this is? I'm the journalist. I'm the one who asks the questions and try to find ways to get you to not get off your talking points. And now I'm getting it from you guys. This is going to be fun. I don't know. You say that now. But this is what I love about the book. It's a beautiful book. It's a wonderful journey through your life. But I love it because in telling your story, we get to see all of Jonathan Capehart. It gives us a real connection to you as a human being, as a man.

4:37Your journey is beautiful and it's beautifully told in this book. So congratulations. Thank you. Thank you very much. It's a nice read. It really is. And I didn't become a reader until I was an adult. I knew how to read. I know the way you say that. I was like, whoa, I missed that part. I only read for school. And I've told this story many times that the first book that got me to be a reader was Firestarter by Stephen King. And so I try to, I have this pattern of I have to read two nonfiction books in order to get to read one fiction book. And yours, of course, is a nonfiction book. So thanks for doing it.

5:22Oh, sure. I feel like now I feel like I know. I mean, if you don't know me, I don't know what book you read. So tell us about the process of it and how it sounds like it was wonderful. But I want to hear from you. So what was it like writing it? So during the first Trump administration, I decided to, you know what? This is a little intense. I'm going to get off this merry-go-round and all these stories that I had in my head for my summers as a kid, spending them in North Carolina with my maternal grandparents, I'm finally going to get them out of my head and onto the screen. And I spent an entire weekend just writing what I started calling the down south chapter.

6:08Wow. Writing about how, the prominent thing is my, I went to Catholic school in the north and then would go down south to North Carolina and spend the summers with my Jehovah's Witness grandmother. That was that. That stood out. Because I don't think I knew of your connection to Jehovah's Witness faith. And I didn't realize that your grandmother was such a devout witness. Are they called witnesses? Yeah, yeah. So you had started, you've been going down south since how old? I can't even remember the first time I went down. But, you know, I went basically every summer until I was 12. Yeah. And so going down south, being in the heat, the humidity, the mosquitoes, the thunderstorms, the rain hitting the tin roof, all of that, just, I mean, those memories, the smells of the summer never left me.

7:04And especially going witnessing with my grandmother. It was this woman, she only had a fourth grade education. She knew how to read. She knew how to write. And she was such a devout Jehovah's Witness that we would go witnessing on these country roads in North Carolina. That's a trip. If I'm just picturing this old lady and this well-dressed little man in the back. Talk about what, you know, help us paint that picture for us. Grandma or Sister Alame. Sister Alame. Sister Alame and I made for quite a pair. Now, we'll put aside my fashions for a moment. My grandmother, she liked to dress. And she would get a simplicity.

7:51She would look through that. Wasn't there a book or something you could look through? Simplicity, buttermilk. There were tons of catalogs for patterns. Right, so she would flip through and then she would see a pattern. And then we'd go into town, Murfreesboro, and go find the pattern and bring it back home. and grandma would make her dresses right there on the kitchen table. I could still hear the scissors crunching on the metal tabletop. And then she would sew them. She'd get behind her little singer sewing machine. And then on Sunday, you couldn't tell her nothing. She'd put, just slip that sack dress on over her head, put her faux pearls on, cock that wig on just right, and put her, you know, purse in the crook of her arm, Queen Elizabeth style.

8:37Yes. And you couldn't tell. Sister Isla Mae Kindred, not a thing. And so then there's me, you know. So my family calls me Todd. Everybody in my family calls me Todd. So there I am, little Todd or Todd. Todd. And I see myself in like khaki pants. Of course. A little shirt. Button down. A little button down. Blue? White? I don't remember. I mean, I do remember like a khaki pants and a red, like a red polo of some sort. I like to look good because of my grandmother, but also my Aunt Annie, Aunt Annie Brand. She's like, I like it when you dress up. You look nice. And so it was all about looking good for Aunt Annie, looking good for grandma.

9:26And of course, you're going to Kingdom Hall on Sunday. You got to look your Sunday best. So it stuck. Fuck. So you're pulling up to somebody's house. I'm sorry. No, I'm just going to say, we didn't go down south as often as you did. You went every summer. We went like a couple of times, three times maybe in our childhood. Oh. Yeah. So you all, you and grandma all dressed up. You go down a country road to witness. And you're going to all kinds of folks' house, white folks, black folks. Oh, I wasn't sure. Because one of her friends. Ah, yes, Miss Betsy. Miss Betsy. Tell us about Miss Betsy because that story was very sweet to me.

10:11So I don't remember how grandma met Miss Betsy. But Miss Betsy was a true character. True, true character. Jehovah's Witness, but her husband didn't know. Her best friend was my grandmother. Her husband, according to Miss Betsy, was just this out-and-out racist. So could never know that, one, she was a Jehovah's Witness, and two, she was cavorting with black people. And so whenever we would have to go, not to Kingdom Hall on Sunday during the daylight, she could make her way. But if they went witnessing or in the evening or Bible study, Miss Betsy would call. And the phone would ring and we would go, I'd go get the phone.

10:58Hello? And then there would be silence on the other end. And that was like, oh, this is Ms. Spetson. It's time to move. Right. So I would wait to listen. And then she would whisper into the phone like, I'm on Country Road, Route 4, by the big tree across from the house on the bend. I'll be in the hiding in the ditch. You just, you honk your horn when you get there. Like, okay. Hang up the phone. I'd run in. Okay, I know where Miss Betsy is. I'd tell grandma and grandma. Driving really slow. Hour later. I'm just picturing Miss Betsy in the ditch, wondering where is she? No, she knew. She knew. So we pull up in this one instance that comes to mind.

11:44And, you know, it's pitch black. The brights are on. And grandma beeps the horn. And we just sit and we wait. Because, you know, what if we were followed? What if her husband's following us? And then out of nowhere, Miss Betsy would pop up out of the darkness. And she's this white woman in her own sack dress, purse in the crook of her arm, Bible in the other hand. Just the white version. Right, the white version of Grandma. And she would come running, you know, old lady Wally running to the back. Miss Betsy would dive into the backseat and get on the floor. and then we would drive away in case her husband was following us, which he never did.

12:23And then she would get up and we'd be laughing and she was just wet. She was always just stopping. Well, after laying in the ditch and then running in a sack dress, I mean, I'm like, I bet she was sweaty. Heat and humidity. She would kiss us and give us hugs and kiss us. Cheeks all wet. I hate that to this day. But it was so sweet. It was really, really sweet. I mean, it's a sweet story moving, touching on so many levels, but it spoke to the challenges of a deeply still segregated South. And you witnessed, you grew up in that. I mean, like Craig said, our experiences in the South were intermittent, but you going down there every summer and living it.

13:10and talk about what it felt like to be a Black boy in the segregated South. I mean, I didn't know what it felt like until, you know, decades later, and particularly when writing this book, understanding, well, wait, well, what were those summers like? Oh, Severn, North Carolina is a Jim Crow relic of a Southern town. You know, my mother, I read about how my mother, when driving down South, when you're coming down the road, the first right will take you down Main Street. The second right further down will take you down the street where she was born and raised. My mom always took that first right down Main Street.

13:51Main Street, wide, paved boulevard, double yellow line. The street was lined with these big houses. And the formal name was Main Street. The colloquial name was White Street. And so my mother would make that right. And I never understood why. I was like, Mom, you just go down there and go. But driving down south in your brown 450 SL Mercedes. Which I was like, stop there. Stop there, Mom Capehart. With your Benz. I know, with her Benz. She was like, and we going down White Street in our Benz. In our Benz. And as I write in the book, it was like her, it was a slow motion protest at 15 miles an hour.

14:38You know, the black daughter of Severn is back in town. She's announcing, I'm here. I don't have to honk my horn. Let the car do the talking. And I'm home. I'm here with my Northern address and my education. And I'm bringing my kid. And so, but then you get around the band in those early years in Severn. that street wasn't paved. It was a dirt road. And it had no name. And one summer we came back and it was paved, but it was paved in sort of like tar and those pebble rocks. So when the sun was beaten down on the summer, it would bubble up in tar. So my feet would be covered in tar because I'm running around.

15:25I'm a kid in the summer running around in the street and on the grass and everything. Again, no formal name until they named it South Street, but it's still known to the same, Colored Street. Yeah. Wow. We were the first generation in our family that didn't have to pick cotton. And we were sort of the first generation of sort of, quote unquote, post-civil rights movement kids. I was born exactly three years to the day after the enactment of the 64th Civil Rights Act, less than two years after the passage of the 65th Voting Rights Act. So at, you know, five, six, seven years old, I'm the first child, we're the first children in our family to live in de jure freedom in the United States.

16:16And I'm doing it there in this, you know, where segregation is still kind of around us. It is among the many memories in writing the book where I realized just how much those summers shaped my worldview, my view of this country, my view of myself, Miss Betsy.

16:47This episode of IMO is brought to you by Theraflu. Theraflu, makers of fast-acting cold and flu relief, believes everyone deserves the right to rest and recover when they're sick, no matter where they live or how much money they make. When I was coaching, if I got sick, I found it hard to choose between taking time for myself to rest and heal and showing up for my family and my team. Luckily, I had the ability to take paid sick time when I really needed it. But not every American has that option. In 2021, Theraflu launched the Rest and Recover Fund, and they've committed more than$1 million to provide microgrants to families and individuals, helping offset the cost of taking a sick day for those that don't have coverage.

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19:25Your mom, I want to talk about your mom too, because just a lot of things you said in describing your time down South. Number one, Southern girl comes back after with an education, a beautiful car, successful. But your mom was a single parent and she did all that on her own. And I just want you to talk a bit about Margaret, who, by the way, I would want to have here because Margaret is actually my favorite Capehart. You know, she is going to dine out on that forever. Well, tell us about your mom's story, her journey, and, you know, how she pushed through and what she was like as a mother to you, all of that good stuff.

20:17So, a few things. Foundational facts. Yes. I know you know how to do this. My mother and father married two years before I was born. They moved to Brooklyn, to Park Slope, and then moved to Newark. My father died when I was four months old. He had a blood clot that went from his legs to his lungs, to his heart. I found out from my godfather years later that the doctors told him he needed to have his legs amputated. And so my father apparently said to them, well, I like to dance. And so you are not taking my legs. I was born with two legs. I'm going to die with two legs. And my godfather told me that from that moment, he decided to live life the way he wanted to live it.

21:14And unfortunately, that meant he left his pregnant wife before I was born. And so when he passed away in 1967, no one called my mother to tell her that he had passed away. Oh, I left out a key point. When he left, he moved in with another woman. No one called her to tell her that he had passed away. She would call daily the hospital to check in on him because my mother is a nurse. She's now retired, a nurse. And they said he passed away. And then she told me a guardian angel called, came to the apartment in Newark and said, you need to get over to Capehart's place now and get his legal papers.

22:07Go and get all of them. My mother said, you know, he always traveled around with an entourage. And so she goes over to the house with police officers. And she said, you walked in and there were just people sitting around. Any of these jokers are going to call his wife? Because he didn't divorce her. She got the legal papers. And then another person, another guardian angel, as she described them, told her that, you know, you're entitled to veterans benefits for the rest of your life. And it's those two guardian angels who changed the trajectory of our lives. I would also say that, you know, Willie Capehart changed the trajectory of our lives by not divorcing my mother, because as a result, we were able to avail ourselves of those things.

23:00So my mom, she worked her butt off double shifts she taught me how to iron how to do laundry how to how to okay mom even knows this she's not a great cook oh but but she did teach me how to boil water to make pasta she taught me things so that way as she said you don't want to have to rely on anybody else you want you have to be able to depend on yourself And, you know, there's some upsides to that. There are also some downsides to that. But she instilled in me an independence that she knew I would need. She sheltered me as much as she could from the slings and arrows of life, particularly when it comes to matters of race.

23:51And we left Newark and moved predominantly white towns. The first day of school, she would say, okay, two things. One, anybody calls you the N-word, you let me know right away. And two, don't let them put you in vocational education. They're always trying to push us into voc-ed. You are going to college and you should be in college prep courses. Yes, ma 'am. And did she intentionally move into a neighborhood where she felt you would have, how did she think about education? And the fact that she lived in a predominantly white community. I think you said she made choices about where she was going to live to ensure that you got.

24:31Oh, sure. Now, it wasn't as like today, folks like, hey, what is the elementary school? What are their scores and their placement within the state? No, mom was like, we got to get out of Newark and we got to go someplace where it's not Newark. So the first place was North Plainfield. Lovely, not ideal. We only lasted two years. And then we went further south to Monmouth County to this town called Hazlitt, New Jersey. And we were only there for four years. But to me, that was an incredible lifetime. And, you know, another predominantly white town where I just dove in. I ran for student council, became student council vice president of Beer Street Elementary School, and then did the same at Raritan High School.

25:21I dove right on in. And you felt accepted? Did you have issues of race teachers lowering your expectations? Did you have any of those kind of challenges? When I got to Raritan High School, I was looking forward to going to homeroom with my fellow nerds. And instead, my homeroom was the shop. They tracked you. Sitting around this giant wedge table with the, what's that thing called? The vice. The vice. Yes, that vice thing. Smell the turpentine and wood. And oil. And metal and stuff. Jonathan's like, where am I? This isn't Kansas anymore. What is that? Like, Aggies, they're going to get dirty. How dare they?

26:10But Jonathan, I want to go back because I think there are a lot of mothers who are like Margaret. Single mothers who are raising black kids. and somehow she gave you the confidence to walk into these spaces and be okay, fit in, not feel intimidated. How did she do that? That is a great question. I mean, I think it's a combination of her parenting, but then also just sort of the way I was. I took it upon myself to be like hi I'm here let's be friends also you're an only child you want to go make friends so it was just perfect my mother I'll never forget she again her admonition was if anyone drops the N-bomb you let me know well it happened one day in Hazlitt right outside our apartment and it was a kid who was not part of our crew, but he dropped it.

27:18And I ran in screaming to my mother. It happened! He said it! He said it! Mom! He comes running out. Halfway one to see what would happen. Right, right. So mom comes down and she breaks it up and says, my little friend's home. And then she says, Todd, come here. We have to talk. Sit down on the sofa and skip. my next door neighbor was also my very best friend and she says now listen you and Skip right now you're equals you're right here but as you get older and you move through life Skip is going to climb higher and he's going to climb higher because he's white I was screaming at the tops of my lungs how can you say that that's not true you're lying Why are you doing this?

28:16She tore my heart out, this conversation. Tears. I screamed myself hoarse. And I remember just the look on my mother's face, in hindsight, was one of sorrow. Yeah, sorrow is the way I would put it because just think about it. She has had to have this. She knew this conversation was coming. she probably knowing me she knew what my reaction would be and you can steal yourself against that and prepare yourself for that as much as you can but when you see your child respond in that way how could that not be heartbreaking but also heartbreaking because you know at some point that same child is going to come back to you decades later and say, you were right.

29:12I was naive. In a lot of ways, I still am that naive little boy, but it was that naivete that gave me the blinders to plow ahead, to walk into rooms where people would look like, who's this black kid? Who does he think he is? And also, you know, back to my mother, my mother always made a point of ensuring that our education was front and center. We would go out to the mall and she would say, don't even think about going into Toys R Us, KB Toys, not going, not buying you a damn thing. But we go into Barnes & Noble because mom would always go into the bookstore. You all spend whatever you want on any books.

29:58She said, you are going to college. And if you are 18 and not in college, you are not living here because I'm not taking care of a grown man. So I was always going to college. It was just a matter of getting in and where would I go. So speaking of college, I want to delve into the Carleton College because you write about knowing that you were gay since you were 10 years old. But you did not feel comfortable until you got to Carleton. Can you talk about that? Because I'm just fascinated by that because I'm a Midwesterner and I think people in the Midwest are nice. What was it about Carlton that made you feel comfortable enough to sort of be yourself?

30:41Well, two reasons. One, Carlton is a very nurturing environment, one. But two, it boils down to a person, and his name is Matthew Brooks. And he was a year behind me in college, and we met my sophomore year, his freshman year, in Goodhue Hall. And he was gay. He didn't tell you he was gay. He's gay. He didn't run away from it. And in fact, he took over, took over. He, you know, became part of the leadership of the gay group on campus. Okay. Moved it from the basement of the chapel to the second floor of the student union. And just symbolically bringing it out of the shadows, putting it someplace where, you know, yeah, people might see you.

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31:31But guess what? You're not hiding. This is not something to be ashamed of. And so, you know, coming out at Carleton was easy. I mean, relatively easy. And what was going on with you internally in this process? I mean, you know, you're having this awakening at Carleton on so many different levels. But you're doing it away from home. And there was the Jonathan at Carlton, but then there was this whole Todd back at home. And how did you feel as you were coming into your own? What did that do to you? Was it frightening? Did you worry about what this would mean? I never feared that my mother would disown me.

32:26Yeah. that my family would kick me out and, you know, the horrible things. Why did you know that for sure? I just did. I just did. And also, even then, I'm of the mind that you're going to kick me out of the family because this is who I am? Okay, well, bye. Bye. Exactly. Bye. So when I was at Carleton, sure, you know, you're dealing with these things. You're struggling. Like, who am I? Is this me? What's going on? How will my friends react? And then, but there's a liberation there. But then you go home. And now you're under the roof of your mom and me at the time, my stepfather. But you get home and now you have to go back into the closet.

33:20Yeah. And so finally, when I came out to my mother, it was, you know, it was a relief. Was it a surprise to her? Was it sort of like, I was just waiting for you to tell me? It's a yes and no. All moms know. You know, I maneuvered the conversation so that she would ask me. Because so many times I came up to the line of saying, mom, I'm gay. And chickened out. So I'm back from Carleton. I graduated and stayed a year to work as assistant to the president of the college. Back home in my childhood room in Hazlitt, which suddenly feels a whole lot smaller now. That happens. I'm sitting on the futon.

34:04And my mom, she's mad because I corrected her on some of her language about things. College boy. Right. And she said, ever since you came back from college, you've you've become so, so liberal. It's like, ooh, slap me in the face. I was like, tear you. And I said, well, what are you talking about? And so we go back and forth. And I said, you know, I just and somehow made the way to, you know, gays and lesbians. They're always talking about, you know, wanting to be accepted and blah, blah, blah. Well, they're doctors and lawyers and journalists and all these things. You are part of the mainstream, blah, blah, blah.

34:51And my mother standing at my door, she's like this, well, are you gay? And right then I'm sitting on my futon, feel like this beam of light, like I'm in my own one man show. and it was a moment of truth and I said yes the first thing she said first she goes why and I said I don't know and then she says why oh that's sweet and then I said it's not your fault it's not your fault it's just me it's just who I am and then the next thing she said to me was don't tell anybody you don't want to you don't want to ruin your career and I looked at her and I said too late I'm not going to go out and tell, you know, that if someone asks me, I'm not going to lie.

35:41Yeah. Right. You know, and also, besides, have you seen, I got a big, there's a gay bar in, I don't know if it's still there, in Minneapolis called the Gay 90s. And it has a big neon sign that says Gay 90s. And then it has like these rainbows that come down in neon lights, like this. And I said, I've got this neon sign over my head. Gay 90s. Gay 90s. So, I mean, if you got your eyes open, you know. You already know. But I'm not going to lie. And, you know, this is a part of the tension between my mother and me. She's from the older generation where you don't talk about these things. You don't put yourself out there like that.

36:27You don't make risks like this. And I'm from the new generation, the post-civil rights generation. I'm still that kid. I'm free. And the world is changing, while it's not changing as much or as fast as I think it is, or that I hope that it is. So the truth is still somewhere in the middle. You know, January always feels like that moment to hit reset. to finally stop saying maybe one day and actually start becoming who you're meant to be. And that's why I love Shopify. If you've got a dream, whether it's a side hustle you've been sitting on or something bigger, Shopify makes that first step simple.

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41:00Now, Margaret was your protector. I mean, in so many stages of your life, she was being honest with you, protecting you from the truth, preparing you, making sure that she was taken care of. And the reason why I want to talk about her second marriage, your stepfather became one of the voices that could have made you think that you weren't worthy. He was someone, you know, we can learn lots of lessons from people. Yes. You know, good people and bad people. Good lessons and bad lessons. And I learned from him what not to do, how not to be, how not to treat people. And so if he did it or said it, I knew, you know, this is not right.

41:51This isn't kind. This isn't how you should treat someone. Or at least that's not how I'm going to treat someone. And especially when I had someone like my Uncle McKinley branch, who was the complete opposite of him. I had the counterbalance. And he had been in my, Uncle McKinley had been in my life since birth. My favorite aunt and uncle, Annie McKinley. And from him, I learned what it meant to be a good dad, a good person, a good man. He was so caring and loving of his wife and his son, of the family writ large. I mean, Annie McKinley, they were like William and Kate in our family. They came down south.

42:40And you spent time with them, too. Yeah, a lot of time. When did you come out to them? Oh. And how? I was going to bring my first long-term partner down south for Thanksgiving. Grandma was still alive. But my, and my grandmother said, yes, come on down. I want to. And she knew. Yeah. Wonderful. Yeah. Oh yeah. I want to, I want to meet him. And then I got a phone call from my grandmother about a week before Thanksgiving or two weeks saying, I can't have that in my house. Oh. And I said, excuse me. You know, I was talking to so-and-so and, and, and I can't, I just can't have that in my house. And I said, are you talking about Giuseppe and I can't come down?

43:30And she said, no. And so I was heartbroken. And Grandma, we were close. Super close. I didn't talk to her for a good two years after that. And it was Uncle McKinley who said to me, he called up and he said something like, I heard what happened and I want you to know, Annie and I want you to know that we love you and you are always part of the family and Giuseppe. And it was all just, it was loving and affirming. And he didn't have to do that. Yes. But he did. Yeah. And an African-American man picking up the phone and calling to tell me that. Yeah. Told me everything that I needed to know. Well, one, I already knew this about him.

44:27But the fact that he called me just sort of showed that this is a guy who pays attention and knew that I would be hurt by this. Yeah. He knew you. And called and wanted to make sure that I knew that, you know, don't get it twisted. We are here for you. That's kind. We love you. And then I go and talk to grandma. Grandma and I finally talk after a couple of years of not talking. Come to find out, she was fine. It was my Aunt Dorothy. That's always that. Dot. Dot. Aunt Dorothy. Dot in her ear. You don't want none of that down here. She's like, maybe I don't. Right. But it was good that you found out your grandmother's intent.

45:19Oh, yeah. You know, where her heart was. I mean, I'm sure, you know, you can't win them all and people will be who they are. But I just sense in you, you know, just an internal security that isn't always there in young people as they are dealing with their sexuality. And you've continued to hold on to that. It's a reasonable man approach to things. Yeah, and particularly a young black man because, you know, I'm a little bit older than you, but in black families, being gay is tough because we're tough on gay folks. And your level of security in yourself, young people should look at that. And our mom always said, you know, just be yourself.

46:12Never be afraid to be yourself. People will like you or they won't like you. But all the people who care about you, it won't matter. They're going to like you no matter what. As you get older, you soon realize, what, you don't like me? Yeah. Great. I don't care. One less person to deal with. That's a good time to move into our listener question. Thank you, Jonathan. Thank you for that. Yeah, we're not done yet. Oh, okay. Yeah. I'll have to settle back. Yeah, and Natalie will read it for us. And this is from Dominic from Washington, D.C. I'm writing as someone who is hurting and feeling deeply frustrated.

46:55As the only openly gay man in my family, I often feel isolated, especially when spending time with my brothers. One is a professional athlete, and our social outings usually revolve around straight bars or environments where I feel like I can't fully be myself. recently I invited them to join me at a gay bar for the first time after going to multiple straight bars and they wouldn't even come inside they stood outside and waited I ended up crying feeling rejected and unseen later in the night am I wrong to feel frustrated how do I keep showing up for my family who don't always show up for me Dominic in Washington DC wow Dominic I've I have so many reactions.

47:41So many emotions. One, I wonder how many, where does Dominic fall among the siblings? Is he older? Is he younger? Is he in the middle? Is he the Jan Brady of the family? Two, and this gets back to something that I said earlier about family. And maybe this is because I'm an only child and an only child of of a widow who taught me to be self-reliant. And it's being taught self-reliance to the point where it is not hard for me to even say to family members, you're not going to treat me that way. This is who I am. This is what I am on a whole range of issues. And if you don't like it, Well, you will not have the pleasure of my company.

48:39And I wonder, Dominic, at a certain point, you are going to have to stand up for yourself. Family or no family. Sometimes I think family uses the family tie to keep you in place. And sometimes, you know what? if family's not treating you right in the same way that friends aren't or strangers aren't, at a certain point, family needs to learn who you are. And so those brothers of yours, I don't know how close the relationship is. It must be close if they're at least going to come to a gay bar and stand outside. I don't know what that's about. Right, right. But if they don't want to, you know, see you, the full you by coming inside the gay bar.

49:33But at a certain point, you're just going to have to, where is your chosen family? At a certain point, the real family has to give way to the chosen family. Because as you get older, family ties can be corrosive, toxic, not right. And sometimes it's difficult, but you're going to have to say, you know what? You're not treating me right. I treat you with all the love and respect because you are my brothers. You are my family. But if you are not going to give as much as I give, well, I'm going to have to go and take care of me. What makes me happy? And if that means we don't spend as much time together because I'm with my chosen family where I am seen, where I am respected.

50:27In the end, that's what this is about. Family or no family. Are you seen? Are you respected? Do people really care about you? And that's what you should feel. You shouldn't feel guilty in demanding that. Certainly of family. Definitely of family. do you think dominic's potentially afraid of losing that connection because again you were an only child um the connection was was different um what do you say to you know the the kids out there who are you know do have they feel like well this you know yes i have a chosen family but I don't want to lose this relationship to my brothers. And I understand that and recognize that as an only child, I don't know what it's like to have brothers and sisters with all the teasing and the joshing and the talking over each other.

51:31Yeah, it gets old sometimes. Yeah. Yes, it does, girl. Right? But, you know, in the end, I think what I'm trying to get to is, Dominic, when you know who you are, when you are just firm in your belief, like, this is who I am, then everything else should flow from that. And that should dictate and determine how you relate to your brothers, how you relate to the rest of the family. I'm not saying, oh, just give up on them, dump them, you know, tell them bump you. I don't ever want to talk to you again. That's not what I'm saying. In the end, what I'm saying is, Dominic, learn who you are. And then once you know who you are, and by that I mean, what do you like?

52:29What don't you like? What will you put up with? What you won't put up with? just as a human being from people, regular everyday people, but also from family. And just because they're family, that does not give them a pass to not treat you with respect or the way you want to be treated. And so whether you are an only child or you are the middle of five or the oldest of five or the youngest of five or however many, as long as you know who you are, then you will know how to navigate this and never stray from that. You will always be safe and secure when you know exactly who you are. How old is Dominic?

53:15Did he say? Oh, yeah. He didn't say? Well, that's, you know. He's young. Yeah. Like maybe in his 20s. Still not self-assured yet. Right. Right. But, you know, life has a way of seasoning you. Right, right. In the end, it's all about boundaries. And it takes a while to learn what your boundaries are and then learn how to protect them. And that takes some practice. And Dominic, if you are young and you're just learning it, you're going to have to figure that out for so many levels of your life. because if you're not able to do it with your brothers, you're probably not doing it on the job. You may not be doing it with your chosen family and friends.

54:06And that's work that, you know, at some point you can't avoid that, right? There's sacrifice. There's sacrifice in when you set boundaries, you then learn who your friends are and really sometimes who your family is. and with that sacrifice so you have to be comfortable in the sacrifice. I know because of the boundaries I've drawn and the things that I won't do that I've probably limited opportunities for myself and you know what? I am just fine. Just fine with that. Just fine with it. You have to be just fine with the known sacrifices that come with setting those boundaries.

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57:05And on the other end of that, those boundary settings, there's room for new, better, more. Because if you free yourself up from the things that don't serve you and bind you down, you'd be surprised, Dominic, that there's room for something really special in there. I mean, you talk in your book, Jonathan, about your chosen family, this beautiful New York, you know, life that you've built for yourself. And, you know, having that attitude, you know, led you to what felt, as you described it, this amazing community of support full of diverse people who accepted you and the dinners that you all would have together, the travel, what that all did to expose you.

57:58You developed a love for other countries. And because you created some boundaries that opened up opportunities to bring other people into your world. And also with this New York family, as I read, I met these people through a friend who said, I'd come to this party and then he didn't come to the party. But I walked into this room that felt like just a giant hug. Because in the room were other nerds, other black nerds. They're not going to like that I call them that. But these were... They're special. Right. But these were African-American, mostly, not all, but young professionals to whom I didn't have to explain anything.

58:48They knew, they understood where I was coming from, similar backgrounds. You know, we all watched Soul Train Saturday morning. We all knew the music and the songs and we bonded over that from disparate parts of the country. And here we are in New York, young Black professionals, and we have this common language. and we have these common aspirations. We came to the city to do stuff, to make names for ourselves, to just forge a life on our own. And when you realize that you, especially for an only child of a widow who had this destination with no roadmap, doing all this stuff on my own, and I walk into this room and I'm surrounded by people who are all doing the same thing, generally speaking, but come from different backgrounds and different size families.

59:49And we all have this common cultural ancestry. I mean, just the shoulders come down. I mean, that's why Martha's Vineyard is such a special place. That is - A place where shoulders come down. Come down. That is my New York, This family was formed in the mid-90s in New York. And then, you know, come to Martha's Vineyard in my tender age, early 50s. And again, it's that place where the shoulders come down. I am with friends who I know from outside the vineyard, but we're there and we don't have to explain a lot, if anything. And sometimes we just, we need to have those places. And I would encourage Dominic to focus his energy on building that place.

1:00:43You call it the chosen family. And it's not to replace the current family, but we all have chosen families. I mean, I love my brother, but he's not coming to the venue. I come to the venue. Thank God for my chosen family because my actual family is not choosing me. Dominic, just hit your brothers one at a time. One at a time. Take them out one at a time. Find out which one is the leader and which one you can pick off and then slowly get them into your chosen family. That's actually a good point. Why are you doing all this stuff with all the brothers? Which one are you closest to? And just go and just...

1:01:30Hang out with him and do that with each one. And I think, you know, life is individual relationships. Jonathan, thank you. Jonathan, you are a beautiful storyteller. And your life is rich. And thank you. Thank you for your willingness to share it. And thank you for being out there on the front lines fighting for our democracy. it is sometimes thankless work but you do it with grace thank you it's a calling yes it is it has been a calling from the time you read in the National Geographic it's a little kid a little big kid appreciate the truth it is it is it is such a pleasure oh thank you this was fun

1:02:30Thank you.

From the publisher

Pulitzer-Prize-winning journalist and MS NOW host Jonathan Capehart joins the show to discuss his memoir, Yet Here I Am. Michelle and Craig turn the tables and learn more about how Jonathan ended up in journalism— from his childhood shuttling between New Jersey and North Carolina, to his early career in the New York, and his experience as a gay Black man in media.


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