Fall Film Festivals Begin! What are we seeing at Venice, Telluride, NYFF & more

4 Sep 2026 · 24 min · 8 chapters

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In short

The start of fall film-festival season, previewing Venice, Telluride, NYFF, and other awards-circuit stops; includes discussion of major industry conversations (Warner/Discovery merger, AI) and specific films to watch.

Guests

Anne Thompson (Los Angeles-based film industry journalist, co-host of Screen Talk/New Irish Weekly Podcast) and Ryan Lattanzio (Venice-based film journalist, just arrived for the Venice Film Festival).

Key claims

Venice is “quiet” despite early buzz; Clooney’s comments reflect fear about AI and media consolidation; Ruffalo has broad Hollywood support after prior controversy; Telluride lineup is strong for awards, especially acting.

Notable examples

Danny Boyle’s Inc. (Jack O’Connell, Claire Foy, Pierce Brosnan); Herzog’s Bucking Faster; Primetime (Lance Oppenheim, A24); Wild Horse Nine (Malkovich/Rockwell CIA satire); Everest (Chin/Jimmy Chin & Jimmy Chin’s documentary; fictional Tenzing with Dafoe/Hiddleston); NYFF’s Artificial (Guadagnino on Sam Altman); Barbara Forever (Bridie O’Connor).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Excitement and Controversies at Venice

0:45 to 2:44

Discussion about the Venice Film Festival including George Clooney's insights and apologies regarding previous comments on Mark Ruffalo.

“Ryan, why are people calling this a quiet quote-unquote Venice?”

Upcoming Films and Their Impact

2:44 to 6:32

Hosts preview films screening at Venice and Telluride, highlighting notable directors and their works.

“Well, in terms of the films, actually in about an hour, I'll be seeing Bucking Faster by Werner Herzog, which I'm actually pretty excited about.”

Telluride Lineup Highlights

6:32 to 14:05

In-depth discussion of the Telluride Film Festival lineup, including anticipated films and performances.

“Bucking Fasterd is the only movie to play all four of the festivals, I want to say, New York, Telluride, Toronto, and Venice.”

Venice Film Festival Highlights

14:05 to 15:03

Explore the documentaries and films featured at the Venice Film Festival.

“It is it's a lovely cinematic respite to these movies.”

New York Film Festival Insights

15:03 to 17:34

Discussion on new films announced for the New York Film Festival and their significance.

“So there's some new movies that just got announced, and that includes The Last Photograph from Zack Snyder for Toronto.”

AMC's Leawood Films Initiative

17:34 to 19:31

Analyzing AMC's new distribution initiative and its potential impact on indie films.

“So Ryan, what do you make of this AMC theater's Leawood Films distribution initiative?”

Weekend Movie Recommendations

19:31 to 20:49

Recommendations for weekend movie viewings including highlights from film festivals.

“Okay, so Ryan, what are your recommendations for this weekend?”

Discussion on Lanterns Series

20:49 to 22:44

Chat about the TV series Lanterns and its unique approach to superhero storytelling.

“But she is a fascinating character, and I found the movie is very moving.”
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Transcript

Automatic transcript. May contain errors.

0:05Anne Thompson:Welcome to Screen Talk and New Irish Weekly Podcast, bringing you up to speed on what's happening in Hollywood. I'm Anne Thompson in Los Angeles.

0:13Ryan Lattanzio:And I'm Ryan Lattanzio in Venice. I literally just got here a couple of hours ago, and that means that the fall festival season is beginning. So Venice, of course, is launching everything today with Inc., which actually is a movie we'll be able to talk about, Telluride following over Labor Day, starting September 4th, then rolling in Toronto, then the New York Film Festival, and then there's all the other regional ones like the Hamptons, Middleburg, Savannah, Virginia, Mill Valley, that all play a role in the overall specialty film and awards ecosystem, and we'll be at some of those as well.

0:46Anne Thompson:Yes, we will. Ryan, why are people calling this a quiet quote-unquote Venice? And even though that's true, tell me what excites you there.

0:56Ryan Lattanzio:Well, the festival did get off to a little bit of noise today. While I was on a, I made the decision to book a shared water taxi rather than take this really long Ali Laguna boat that takes an hour and a half to get you from the airport to the Lido. And it ended up being just as long. And it gave me a tour of the Grand Canal, which I didn't realize I was going to be getting today. So while I was touring the city of Venice by accident, George Clooney was talking about all of the things that are on everyone's mind. The WarnerMount merger, how he doesn't believe that he doesn't see a world where financially it's going to coalesce.

1:35Ryan Lattanzio:Also talking about AI and how he feels it's really going to hurt us. He's obviously not one of those filmmakers like James Gray who's arguing, oh, the bubble on AI is going to burst some point soon. George Clooney says we're in a lot of trouble. He also stood in defense of Mark Ruffalo's comments, which we talked about last week. We will talk about the Venice lineup itself, but I actually did want to take a second here and apologize for some things I said last week that have upset people, in which I basically implied that Mark Ruffalo was trying to insert himself into the issue by making these comments.

2:11Ryan Lattanzio:I totally defend and support his right to free speech. as we've always said, he's been very consistent and very true to himself. And that's very admirable. And I was taking a cynical outlook on what he was trying to do, which was the right thing.

2:26Anne Thompson:And a lot of people have risen up to support him and sign a poll. You know, they're trying to give him some support here in Hollywood. So as I suspected, I think that in the end, Ruffalo has a lot of support here. So back to Venice, Tell me what excites you there.

2:47Ryan Lattanzio:Well, in terms of the films, actually in about an hour, I'll be seeing Bucking Faster by Werner Herzog, which I'm actually pretty excited about. Kate Morrow was on my plane. This is a narrative fiction movie from Herzog. And those can be kind of weird. But we really like Bad Lieutenant. And even Rescue Dawn is kind of interesting. And then, of course, he had all those 70s ones. A movie we can't talk about yet that I'm also seeing tonight is Chai Vasarhali and Jimmy Chin's Everest, which I know. So, well, I'm assuming it's going to be at Telluride.

3:16Anne Thompson:That's playing in Telluride. Yeah, that's playing in Telluride. We're allowed to talk about it now. All right. Telluride lineup is announced.

3:22Ryan Lattanzio:Yes, because this podcast will be on Friday. I have some perverse curiosity about the new Paul Schrader and Casey Affleck movies that these two guys have directed. Just wondering about what crazy headlines are going to come or what people might ask in these press conferences, because there is going to be one for both of them. And they obviously carry a lot of controversy with them to the Lido.

3:44Anne Thompson:So didn't Inc. already screen the Danny Boyle?

3:47Ryan Lattanzio:Inc. is screening. As we record this, Inc. is going to screen in about an hour after George Clooney receives an award. So we can talk about Inc. So we can talk about Inc. because that's going to be a Telluride as well. Ann, why don't you kick us off?

3:58Anne Thompson:So Inc. is the latest Danny Boyle. And as you know, Danny Boyle doesn't write his screenplay. So James Graham is adapting his own play. And this is a great, fun, very fleeting in a way, because it moves like the wind, a portrayal of Fleet Street at the time that Rupert Murdoch came in, hired this editor who's played by Jack O 'Connell. And he's really it's a revelatory performance by Jack O 'Connell. Actually, I've always liked him. But this one, he really goes wild here. And it is so much fun. And then, you know, he goes for the nudity and the tabloid stuff and everything is lurid and horrible.

4:39Anne Thompson:And so it's a lot of fun. How is it going to do in the Oscar Derby? It's a very competitive year for actors. That's all I'll say.

4:48Ryan Lattanzio:The actors would be the play here. And like you're saying, there may not be room for them. And it's very well acted even by a guy Pierce who initially was almost unrecognizable to me. And I can't really explain that. I just we've seen him in things like the brutalist playing these other kind of characters in this one He's almost a bit of a pushover by the end for reasons that I won't want to spoil especially as the sleaze factor of what is quickly becoming a tabloid against Rupert Murdoch's wishes is coming into view Claire Foy is really fun in this as a feminist journalist who Kind of lets her scruples fall to the wayside until finally she has a come-to-Jesus moment.

5:30Ryan Lattanzio:But basically all of these horrible things happen in and around this newspaper, and it's a very fun, almost swinging London-adjacent kind of movie.

5:37Anne Thompson:Yeah, 60s, 70s, 80s.

5:39Ryan Lattanzio:There's pills, there's booze, but there's not too much of that stuff on screen. I think stylistically it's a little overcooked. He uses a lot of the same devices, like the step printing, the shuttering step printing that he used in 28 years later. I mean, this is the mode that he's working in now, but it could have used a sort of softer touch. And especially at the end, there is a way that it invokes Trump and Elon Musk in a way that I found a little groan inducing. The timeliness can be tiresome.

6:11Anne Thompson:I didn't have a problem with the end. I did think it was fun and snazzy and bold, but I agree with you that it starts to wear out after a while. That's the only thing I'll say. But I love Danny Boyle. I think he's a great filmmaker, so I think that most people are going to enjoy this one. The Telluride lineup is, so Bucking Fasterd is going to come.

6:37Ryan Lattanzio:Bucking Fasterd is the only movie to play all four of the festivals, I want to say, New York, Telluride, Toronto, and Venice. I think Mike Lee. Mike Lee is in Venice.

6:48Anne Thompson:Ah, yeah. Okay. All right. So when is Primetime playing?

6:53Ryan Lattanzio:That's playing on September 5th here. And this is the only festival where Primetime is playing. This is the A24 To Catch a Predator movie directed by Lance Oppenheim.

7:02Anne Thompson:Okay. And there's a new Vim Vendors architecture documentary. I want to see that in 3D. I love it when Vendors does docs.

7:10Ryan Lattanzio:I'm planning to see this one. And they're showing it in 3D. So they're not giving you any links. but this is another 3D architecture movie. This is called From Inside Out, the architecture of Peter Zumthor. This is someone I'm not super familiar with, but he's a Swiss architect. And this is about his relationship between people and the places they are visiting. And he is bringing new cutting edge 3D cinematography to the film, which takes us through David Geffen galleries and other parts of Los Angeles.

7:38Anne Thompson:So basically, Inc. has opened And now we have Telluride revealing its lineup, which plays out over Labor Day weekend. And Herzog is among the regulars who come every year. There's Lisa Henson throwing a party, Frank Marshall and Kathleen Kennedy throwing a party. Marshall's going to show his doc, Pete Townsend, behind Blue Eyes. And then we've got some execs coming, like Apple TV's Eddie Q and Disney CEO Josh DeMaro. oh, he's never been in Telluride. And then Oprah is mounting a gathering to support the movie you were mentioning before, Everest, the other side, because she's pals with climber Jim Morrison.

8:22Anne Thompson:He used to live in Telluride. And so he tries to ascend Everest with chin, but he also wants to ski down its north face. So that's what that movie's about. And then there's another second Everest movie at Telluride, which is Jennifer Petum's fictional Tenzing with Willem Dafoe and Tom Hiddleston. So the other big movie that is playing both Venice and Telluride is the Martin McDonough spy comedy Wild Horse Nine, which Searchlight is releasing, which is an acting showcase for John Malkovich and Sam Rockwell as two very jaded, completely jaded, C.I. Spooks. and Malkovich gets one of the three Telluride tributes this year.

9:09Anne Thompson:He's 72, and he is amazing in this movie, I have to say. He's going to get nominated. The question you and I have been debating, actually, is whether he could win. He could beat Matt Damon.

9:22Ryan Lattanzio:It might not happen for Hermigan, which it could for Matt Damon.

9:26Anne Thompson:So Matt Damon, your argument, if I may tell you what it is, Ryan your argument your argument is that Malkovich is older and may not have more chances whereas Matt Damon is still in his 50s and may have more chances and Malkovich affects a crossed

9:47Ryan Lattanzio:eye in this movie and so I'm fascinated I don't know that he does it in every frame of the film but it is in there and I'm very curious how he achieved that but this is someone who he doesn't really do like physically mannered kind of performances he's very kind of loose his approach and effortless even and he's excellent in this movie and very funny and full of pathos and he's also a morphine addict so this leads to interesting well he's taking morphine because he's dying

10:15Anne Thompson:well it seems like it's you could look at it no he's abusing it don't you think he's in pain

10:21Ryan Lattanzio:the fact that it has to be wrested from his clutches by his friend sam rockwell suggests that there could be some abuse going on. Well, he's a morphine addict now.

10:29Anne Thompson:Now he is.

10:30Ryan Lattanzio:Yes, of course. And so he is spilling the beans on all of these things to beautiful women in the airport while they're heading to Easter Island about activities as a CIA agent back in the day. And there's some really interesting ways that this movie twists back into actual history that we know and actual conspiracy theories of the past. Again, in ways I don't want to spoil.

10:52Anne Thompson:Well, we definitely destabilized Chile. That one, yes.

10:56Ryan Lattanzio:Yes, but there's another thing in there that's very clever. This movie could have used a bit more Parker Posey, who is very funny as Sam Rockwell's wife, who looks like she's living in Palm Springs or something. They seem to be estranged. She's apparently an alcoholic. She's on the phone spiraling because she believes that Steve Buscemi has sent people from the CIA.

11:17Anne Thompson:Steve Buscemi's their boss.

11:18Ryan Lattanzio:That's right, that's right.

11:19Anne Thompson:It's sort of weird how the coastline of Easter Island and the landscape somehow mimics the Irish island that they were on last time, Banshees of Innesharon. Okay, so the other tributes in Telluride are, of course, Sandra Huller, and Rose and Fatherland will both show there. And then the other one is Andrew Haig, the British filmmaker of All of Us Strangers in 45 Years. He's showing A Long Winter, a Deepwood Survival Tale, starring Kit O 'Connor and Ebon Moss-Bacrack. I'm looking forward to seeing that. And then, of course, there's a bunch of Cannes titles that we all know would be showing up there.

12:01Anne Thompson:The new movies are Elsinore-focused, which hasn't shown anywhere else, and this one is a performance from Andrew Scott as a dying thespian that is already yielding raves. And I'm going to see it in Telluride.

Read the full transcript

12:17Ryan Lattanzio:He's playing Ian Charlson, who you'll know from Gandhi and Chariots of Fire, who then in this film, he is doing his last performance, which is on the West End with Hamlet.

12:28Anne Thompson:And then he could find Scott could finally, from what we're hearing, he could finally land his first Oscar nod. He's never been nominated, shockingly. I mean, every year it's he's one of those people that they overlook somehow. There's a tender loving care from Mike Lee, which might be his last movie starring Widow's Bay breakout, Cato Flynn. And there's the debut, Jesse Eisenberg's much-anticipated follow-up to A Real Pain, which got a nomination for screenplay. It stars Julianne Moore as a stage actress, you know, a tentative newbie trying to meet the demands of her director, played by Paul Giamatti.

13:05Anne Thompson:Can't wait. Cannot wait. The other bleaker movie that's playing is The Liberation from Guy Nativ. Are you a fan of Guy Nativ?

13:14Ryan Lattanzio:No, but I'm a fan of Carrie Coon, so I am intrigued.

13:17Anne Thompson:So she plays a woman who's sort of an uptight banker who joins a feminist cult. So that's what's going on there. So some of the things that people may not have anticipated that are going to be at Telluride are Alpha Gang from the Zellner Brothers. Burgundy, which you've seen. This is a wine country documentary from Michael Dweck and Gregory Kershaw of Truffle Hunters fame. And also, I love them. I think they're great filmmakers. Did you like that one?

13:51Ryan Lattanzio:Yes, I did. It's very delightful. And I think it is a movie that is asking you to languish in it and relish the beautiful images and some of the beautiful people and the insights on wine. And it's programmed alongside documentaries here in Venice, like Musk, like My Undesirable Friends, like even Part 2, even Guadagnino's Bertolucci doc, which we can talk about in a second. It is it's a lovely cinematic respite to these movies. And I think they're trying they want to make something that's pure pleasure and it's it succeeds in that way. So, yeah, that'll be a Venice and then making its way to you.

14:31Anne Thompson:Along with the canned stuff, Hunsinger actually programmed The Only Living Pickpocket in New York, which is one of my favorite movies out of Sundance. And the reason she did that is that John Turturro totally deserves a Best Actor Oscar campaign. That is a very crowded category, but if anything can help it, it's Telluride. Telluride could give it a little bit of a lift. I think that's pretty much it for Telluride, I would say. And where are we going next? We are going to...

15:02Ryan Lattanzio:NYFS.

15:03Anne Thompson:So there's some new movies that just got announced, and that includes The Last Photograph from Zack Snyder for Toronto. And the New York Film Festival is going to do Luca Guadagnino's Artificial about Sam Altman. Ryan, why did that end up at the New York Film Festival?

15:21Ryan Lattanzio:He has a long relationship with this festival. They show all of his movies. They opened with After the Hunt last year, which played a lot better. We've talked about it a lot on this podcast, but it played a lot better there than it did in Venice. I have to imagine he was a little burned by what happened in Venice with that movie. It totally bombed here. But he already has a movie in Venice this year, which is a seven-hour Bernardo Bertolucci documentary that, to just say a little bit about, is a close reading of all of his personal favorite Bertolucci movies, meaning he spends a really long time on something like Tragedy of a Ridiculous Man.

15:55Ryan Lattanzio:So the choices are very unusual. and mercurial and against the grain of what you would typically expect for Bertolucci Canon. He's also getting an award here, so he needs to be promoting that movie and potentially selling it, which to me feels like a streaming play on MUBI or something like that. All of these seven-hour documentaries, they really have a better life to be had on streaming platforms like the same situation MUBI has both of the My Undesirable Friend movies. And also, you know, the Tony crowd in New York City, I think, is going to go for a movie that's really hard on Sam Altman. And, you know, it's guaranteed to get the laughs and understand the currents of the movie.

16:36Ryan Lattanzio:You can think about something like The Apprentice a few years ago to Cannes about Donald Trump. All the French press thought that movie was hilarious, but American press did not want to sit in that world. But then it did better at other festivals and then it went on.

16:51Anne Thompson:And it did better with the Academy, with the actors branch of the Academy. They went for it. Sebastian Stan.

16:58Ryan Lattanzio:These were probably, hopefully, apples to oranges. The Apprentice is not a very good movie. And I'm starting to hear really good things about Artificial, which Neon's going to release for a qualifying run in December before going a bit wider in January. But the October New York, this last minute premiere, almost like the addition of Marty supreme last year is a way to drum up early positive word of mouth and get people excited about those qualifying runs and maintain momentum with other Academy screenings. And I'm sure there's other festival stops along the way up until then.

17:32Anne Thompson:We'll find out. So Ryan, what do you make of this AMC theater's Leawood Films distribution initiative? The AMC released Taylor Swift's era's tour movie and of course collected tons of cash and it didn't go over that well with their uh theater rivals who didn't get a piece of that action but that doesn't happen every day i mean you know indie movies small budget movies they don't necessarily score in theaters especially

18:04Ryan Lattanzio:if there isn't a lot of marketing what do you think i mean could there be some of this a reaction to a percentiment, a concern about, are we not going to have enough product to put in our theaters if this merger goes through? That was already kind of a concern, though as we've seen from the way that the theaters are capitulating to the merger, they are more trusting in it because they have to be at this point. But this Leawood Films has an interesting advisory board. You have Toby Emmerich on it, former Warner's chairman, Ricky Strauss, former head of marketing at Walt Disney Studios. Also, Kyle Davies, who used to be head of domestic distribution at Paramount Pictures.

18:42Anne Thompson:I think he's the one who's going to run it. He's the guy in charge, I believe.

18:46Ryan Lattanzio:Yeah, so it sounds like these are going to be low to mid-budget movies that already come with financing fully in hand. So what are we looking at? What are those movies? Are we talking about movies like...

18:58Anne Thompson:The Last Photographer.

19:00Ryan Lattanzio:Yeah, exactly, that sit on the festival circuit and don't quite fit in theatrically in a typical way.

19:07Anne Thompson:And they wouldn't be awards contenders or anything like that. I would imagine it would be a lot of genre fare, honestly. And that could work. That could work. But it's probably B-movies, you know, movies that aren't that good, honestly.

19:22Ryan Lattanzio:This festival would be prowling at like South By or something like that.

19:27Anne Thompson:South By is perfect for them. Absolutely right. Okay, so Ryan, what are your recommendations for this weekend?

19:34Ryan Lattanzio:My recommendation is going to be a movie called Barbara Forever, directed by Bridie O 'Connor. Killer Films produced this film. It premiered and won an editing award at Sundance earlier this year. And it's opening in New York this weekend. It's a beautiful tone poem sort of documentary about the lesbian experimental filmmaker Barbara Hammer, who came out after being married to a straight man for some years. She really came out like in full force. She just like blew that closet door down in the early 1970s in the Bay Area and started making movies about lesbian bodies and lesbian desire that were anti-narrative and maybe more installation based.

20:13Ryan Lattanzio:The kind of things you would see in a museum, not playing theatrical runs. In fact, a lot of them were languishing in an archive that Barbara Hammer's longtime partner has been had kept in their home. And now this filmmaker, Bridie O 'Connor, is helping bring one of those restorations of a film called Nitrate Kisses to the New York Film Festival this year. But this is not an ordinary bio documentary. It really is a film that's made in spirit and in style of the kind of experimental movies that this very charming and very candid lesbian filmmaker made. She's someone who put her naked body on screen in many of her movies.

20:52Ryan Lattanzio:So there's a lot of that here. But she is a fascinating character, and I found the movie is very moving. I actually saw it at the Provincetown Film Festival.

21:02Anne Thompson:So I just went through the entire lineup of movies that are opening this weekend, and I basically haven't seen any of them. I'm not going to go see By Any Means with Mark Wahlberg. By no means will you see it? No way am I going to see that movie. uh onslaught not happening not going to onslaught you know i like cars the pixar re-release but it's not one of my favorite pixars i'm not going to go out of my way to tell people to go cars no i'm not going to go to the 30th anniversary of the nutty professor not going to happen so what am i going to recommend you're going to be shocked ryan

21:43Ryan Lattanzio:Oh, okay.

21:44Anne Thompson:I'm going to tell people to go to their television set and watch Lanterns. I love Lanterns. I actually love this one. Why do I love it? Kyle Chandler and Aaron Pierre, two great actors who are very clever and very funny. And I like the way that the series is going against the expectations of what a DC series should be. It's not your ordinary superhero movie. series, and it also has Kelly MacDonald in it. You look like you're falling asleep, Ryan.

22:19Ryan Lattanzio:No, I haven't gone in there with that one yet, and I know I left myself out in the cold. Everyone is really into this series. So I've been buried in these Venice screeners, and getting ready for this festival. I'm really worried that the window is shut. I think it actually probably never will happen for me, but I root for you, and I believe that it's really great.

22:43Anne Thompson:On that note, we are going to go back to our festival prep. I'm leaving for Telluride tomorrow. I have a lot to get done before I go, and I know you are up against it. What are you seeing next?

22:57Ryan Lattanzio:Bucking faster than Everest today. I've got the Paul Schrader movie tomorrow. I've got to go see the Musk documentary, Primetime. It's packed. I have a lot to go to, and a number of these will fall off, but those ones I just named are ones that I won't be missing. And Bunker, Bunker. People are saying weird things about that movie. I'm perversely curious about that one, too.

23:18Anne Thompson:Bunker is the one that stars the husband and wife team of Javier Bardem and Penelope Cruz. I look forward to seeing it. All right. See you later. Bye-bye. Bye, Ryan.

From the publisher

The busy fall festival season is upon us, and Anne and Ryan are traveling around the world to give us a peek at the best films on offer. They discuss why this year is being called a "quiet Venice," what to expect out of Toronto, Telluride, New York Film Festival, and more before breaking down the news of AMC's new indie label "Leawood Films."

Read more about the "Leawood Films" AMC announcement - https://www.indiewire.com/news/business/amc-theaters-launches-indie-distribution-label-1235213767/
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