In short
Screen Talk episode “Inside The Emmys (and the Afterparties) with Marcus Jones; Who is Ahead & Behind after Fall Festivals” covers (1) fall festival momentum for awards contenders and (2) Marcus Jones’s on-the-ground Emmy night/afterparty impressions.
Guests
Anne Thompson (IndieWire host; Los Angeles), Ryan Lattanzio (IndieWire; New York), and special guest Marcus Jones (IndieWire awards editor; Los Angeles).
Key claims
Emmy telecast cut categories hurt audience value; Mariska Hargitay’s singing/dancing surprised, but the show’s ending “vamping” was awkward. Fall festival “ahead”: Rachel Zor/Yuval Abraham’s Naza (NYFF screening; phone-surrender due to Israel passport threats; IDF/Gaza testimony), Sean Haters Being Human (crowd-pleasing disability rights doc), Venice standouts like John Malkovich for A Wild Horse Nine and Maya El-Tuki’s A Woman Unknown. “Behind/losing steam”: Christian Mungiu’s Fjord (Winterfjord) amid backlash; Fatherland; and weaker/negative buzz for Prima Facie, The Idiots, and others.
Notable examples
Club Kid, La Bolá Negra, I Play Rocky, The Debut, and Zach Kreger’s Resident Evil (Austin Abrams; “locked gates” action).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOEmmy Awards Insights
0:45 to 1:40
The hosts share their experiences and surprises from the recent Emmy Awards.
“You were running the show there as we covered all those different, mostly expected wins.”
Fall Film Festivals Overview
1:40 to 4:48
Discussion on the films gaining traction from the fall film festivals.
“You're going to New York Film Festival screenings now.”
Highlights from Recent Screenings
4:48 to 7:55
The hosts recount their experiences from various film screenings and audience responses.
“And this was the TIFF opening night movie.”
Debating International Film Entries
7:55 to 10:40
The hosts discuss the rules and implications for international film category entries.
“being automatically eligible through our film festival more than this other film that we like.”
Upcoming Films and Their Potential
10:40 to 14:00
The hosts explore upcoming films, their buzz, and potential for awards.
“sort of like the most extreme evangelical Christians led by John Cho.”
Primetime Performances and Breakout Stars
14:00 to 15:00
Discussing standout performances in recent films, particularly Skylar Gisando.
“Well, where did you end up on primetime?”
Oscar Predictions: People's Choice and Beyond
15:00 to 17:40
Analyzing the potential contenders for the People's Choice Award at Toronto and discussing various films.
“The critics all loved Club Kid out of Canada.”
Film Quality and Oscar Buzz
17:40 to 21:00
Debating the quality of several films and their chances in the upcoming awards season.
“I think La Bola Negra would be my pick to win a People's Choice Award.”
Emmy Awards Insights: Show and Afterparties
21:00 to 23:20
Marcus shares his experience of the Emmy Awards show and the related afterparties.
“isn't as provocative as people said it was.”
Emmy Show Highlights and Controversies
23:20 to 28:00
Discussion on the reception of the Emmy show and controversies surrounding the omitted categories.
“I think that I didn't have very much expectation for Mariska Hargitay.”
Show all 15 chapters
Karaoke Moments and Film Celebrations
28:00 to 28:48
The hosts discuss karaoke events and a film celebration they attended.
“But the theater room is where the karaoke was happening.”
Exploring the New Resident Evil Film
28:48 to 30:22
A deep dive into the new Resident Evil film and its unique direction.
“There were six Mila Jovovichs, none of which I ever saw.”
Upcoming Films and Festivals
30:22 to 31:24
The hosts share their anticipation for upcoming films at the New York Film Festival.
“I have played many of the Resident Evil video games, and I'm personally super excited about this one.”
Review of Monster: The Lizzie Borden Story
31:24 to 32:28
A critique of the Netflix show about Lizzie Borden and its performances.
“morning of Monster, the Lizzie Borden story, which is now on Netflix.”
Recommendations and Late Night TV
32:28 to 33:59
The hosts share their TV recommendations and discuss recent shows.
“But this is a family where the parents and the kids are all in different government agencies, whether it's Secret Service, FBI, U.S.”
Transcript
Automatic transcript. May contain errors.0:05Anne Thompson:Welcome to Screen Talk, IndieWire's weekly podcast, bringing you up to speed on the latest goings-on in Hollywood. I'm Anne Thompson in Los Angeles. And I'm Marcus Jones, also in Los Angeles.
0:19Ryan Lattanzio:And I'm Ryan Lattanzio in New York. And so the three of us, with Marcus as our special guest, our awards editor, we're going to debate who's ahead and who's behind in the fall festivals, as we've attended a few between the three of us by now. And then Marcus is going to talk about his experiences inside the Emmy Awards and at the various after parties. I was asleep the minute that the show ended. In fact, I was asleep during the show. You were doing a lot of work.
0:45Anne Thompson:You were running the show there as we covered all those different, mostly expected wins. I mean, like the pit, that wasn't a surprise. I guess Allison Janney was the big surprise. Yeah. It was a lot of slight surprises. Mariska Hargitay singing perhaps was a surprise.
1:05Ryan Lattanzio:I don't know why they made her sing. That's like a childhood wish fulfillment thing. I don't know. She can't hold a tune. We're going to get to this later.
1:13Anne Thompson:We're going to get to this later. I was going to go to a few Emmy parties, but was felled by a post-Telluride cold. I worked too hard up there in the altitude. I'm fine now. And we're going to look at Zach Kreger's Resident Evil as well. But first, Marcus and Ryan, what films do you think are coming out ahead from the fall film festivals?
1:36Ryan Lattanzio:Well, obviously, we've got the Venice Awards to talk about. but I just want to talk first about two screenings that I went to yesterday that I feel like told me a lot about where we're at.
1:45Anne Thompson:You're going to New York Film Festival screenings now.
1:48Ryan Lattanzio:Yes, exactly. So first I went to this packed, these are wildly different movies, by the way. So first I went to this very packed afternoon P &I of Naza from Rachel Zor and Yuval Abraham. These are the two Israeli filmmakers from the collective that won the Oscar behind No Other Land. And their film Naza, which got the special jury prize at Venice. And we can talk about kind of what happened there. And at the screening, we had to surprisingly, and to the surprise of even the PR involved, we had to surrender our phones and electronic devices over to the staff of New York Film Festival and Synetic.
2:23Ryan Lattanzio:And I think a lot of this has to do with the fact that Netanyahu and the Israeli government are threatening to rescind passports. I mean, they're trying to take away their citizenship, their Israeli citizenship. And this movie shows in rigorous detail the premeditation of the IDF in basically working to dismantle and wipe out Gaza in ways that make it really hard to deny. And I can't imagine that because it's coming from the Israelis themselves. Exactly. The people who did it. It's their own testimony, even though their faces are obscure, their voices are anonymized. But this is real testimony from the people who are involved talking about the systems that are used to plan and organize all these massacres.
3:06Ryan Lattanzio:This movie still needs a North American distributor, but it's produced by Guardian Films. It's executive produced by Oscar winner Jonathan Glazer, who was at the premiere of it in Venice, I noticed. So I think the assurances of a quicker release are probably better here than they were with No Other Land, which was self-release slash released by Synetic Media. And then at the end of the day, I went to the standing room only. Literally, people were standing and sitting in each other's laps of a guild screening of Sean haters being human.
3:37Anne Thompson:Was it a really small screening room?
3:40Ryan Lattanzio:It was sizable, but it was fairly small. It wasn't a huge screening room. But, I mean, they were turning people away. And I thought, you know, by the time I got there, 20 minutes before it started, I could barely get a seat. So that, I mean, yes, that does have to do with its size. And the crowd really went crazy for this movie, which is about a disability rights movement that I really had no idea about. And why would many of us?
4:03Anne Thompson:You never saw the Crip Camp documentary?
4:05Ryan Lattanzio:I just outed myself as not having seen that. So there we go. Ryan! I did not.
4:10Anne Thompson:I did not. With all apologies to the Obamas.
4:14Ryan Lattanzio:Yeah, I'm sorry.
4:16Anne Thompson:In other words, this is the story that that was told in that documentary, which went on. I think it got nominated for an Oscar, as I recall. Yeah.
4:23Ryan Lattanzio:Yeah. Is that the one that lost to my octopus teacher? Yeah. This was COVID year and I didn't see a lot of these docs. I'm sorry. I just, this is my confession. So anyway, is the movie a great film? No, but it's very inspirational. And I did feel like moisture forming in my eyes at one point. So yes, it's very effective in that way. You're a hard case, Brian.
4:45Anne Thompson:I am a hard case. You do not like being manipulated in this way, usually.
4:49Ryan Lattanzio:No, I do not. And this was the TIFF opening night movie. It's better than a lot of these TIFF opening night movies. I actually think this would do really well theatrically, because it's such an audience, crowd-pleasing movie. But it's Apple Original Film, so they'll put it in theaters for a week or two, and then they'll dump it on the streaming platform, and that'll be the end of that.
5:06Anne Thompson:It's playing closing night at AFI, by the way. That's right.
5:09Ryan Lattanzio:So I could see this movie gaining some traction, but I don't have confidence in its distributor to achieve that. Did either of you see the movie? I haven't seen it yet. I have it on Saturday. Yeah, same. Yeah, we can talk about that. We also, obviously out of Venice, coming out way ahead is John Malkovich for A Wild Horse Nine, which Anne and I touched on a bit last week. The movie that won the Golden Lion, Maya El-Tuki's A Woman Unknown, which also won Best Actress, was kind of unexpected. Reportedly, the jury was deadlocked between Possible Love and Nasa. That report came from Jordan Rumi, so I can't speak to its...
5:50Anne Thompson:Don't trust that source.
5:51Ryan Lattanzio:No, yeah. This movie's very well directed, and I think, unfortunately, people are pillorying it now because these other two movies didn't win. And, you know, Possible Love, which played hugely well at Toronto to oppress an industry crowd. I don't know how audiences feel about that movie quite yet. And it is the Korean entry. It's less flashy than these other international contenders, but it's still pretty strong. And sorry, I'll let you guys talk.
6:17Anne Thompson:Well, France went with Minotaur. Exactly. So we were waiting for that. And I posted something on Twitter and I got some interesting reactions like it's not a French movie. I mean, they've done this before. We had the German nomination of the Iranian movie, the Jafar Panahi last time. I mean, this has been done many times. It's a French production. He lives in France.
6:43Ryan Lattanzio:I mean, and he's a Russian dissident filmmaker. His country's not going to submit him. So who's supposed to do it? This is not the moment to get very nationalist. I feel icky about that when people kind of hammer in like, oh, well, this isn't French enough or this isn't German enough or anything like that. I think what I wanted to sort of bring up that I find most fascinating is obviously there's the new rule with the best international feature category, where if you win at one of the big festivals, you're automatically eligible. And so with Cannes or Berlin or Sundance, this is kind of all happening before countries are making their decisions.
7:25And now with Venice, it's kind of afterward, there are already plenty of films that were being submitted, including possible of already being South Korea submission. And so when it comes to the jury decision, I'm wondering if they're like, well, Possible Love is already at Netflix. It's already South Korea's entry. This film Woman Unknown that we also love doesn't have a U.S. distributor, has not been chosen by a country yet. Like maybe this is the film that could use being automatically eligible through our film festival more than this other film that we like.
8:01Ryan Lattanzio:Maybe, but they shouldn't do that. They should judge them objectively, which of course is impossible. Maggie Gyllenhaal was very defensive to the press corps afterwards in a kind of joking way, but not really in the sense of like, oh, because I'm a woman and I've spoken out about the lack of parody for women and between men and women and male directors at these festival lineups. Therefore, of course, I'm going to give a golden line to the movie directed by a woman. But she says it's the one that they all agreed upon. I suppose giving this filmmaker best director at Venice would be a little more conspicuous and she would have to answer to that possibly in a different way.
8:39Ryan Lattanzio:Anyway, this movie could end up being the Danish entry. I don't see why it wouldn't be. But I don't know what the other... I have to be honest, I don't know what the other Danish movies are. Well, that's the thing. If there's another Danish movie that is good, Denmark doesn't have to
8:55Anne Thompson:submit Woman Unloat because it's eligible. Yeah. So you guys have mentioned most of the movies that I was focused on And I want to bring up The Life and Deaths of Wilson Shedd, which screened in Toronto, which is a really good movie with Amanda Seyfried and the extraordinary Scoot McNary. It's a long harbored labor of love from the filmmaker. Tim Blake Nelson, he did a great job with this. And it's looking for a distributor. So I'm hoping that will happen. The other one I'm curious about is Furies, which I'm hearing good things about. Very good.
9:34Ryan Lattanzio:Yeah. Very good.
9:35Anne Thompson:I may have heard them from you. And I've heard good things about Your Mother, Your Mother, starring Mahershala Ali. Did any of you see that? Yeah. So I actually interviewed the director of Awesome Tarek. You can find that on IndieWire.com. But I think that's a film that also just has so much goodwill around it because the sort of narrative is that Boston Turek was supposed to direct Blade because he had done Mogul Mowgli. Brian, that's the name of the film? Yeah. He had done that film around pandemic time, got hired on Blade. He ends up dropping out. he does get replaced but uh eventually we've learned marish ali is also done with blade and so this was kind of their people saw it as a middle finger to marvel like okay you're not going to let us make blade well we're going to go off and make this really interesting action film that has like a lot of religious themes to it he's basically a muslim hitman who comes up against sort of like the most extreme evangelical Christians led by John Cho.
10:51Anne Thompson:And so that's interesting. Yeah, I really want to see that. And then the other one that I don't know why I really want to see the Michelle Yeoh movie about the woman who's a surgeon, the surgeon who gets hired by the mobsters to to take a liver out or whatever it is, a tumor out from somebody. And she realizes that, you know, she could either kill the person she's supposed to operate on or she this is based on me reading reviews. I haven't seen this movie. I really want to see it. She's and she figures out how to survive this very bad situation. So I'm did you hear good things about that? You guys?
11:32Ryan Lattanzio:I heard tepid things. I think our review was was mixed with all due respect to Michelle Yeoh. we won't see this at New York Film Festival no we won't maybe at these other regional ones
11:44Anne Thompson:no did you hear anything about Stuffed the Harry Melling movie that looked interesting to me I just thought people were excited about it I didn't really see the reaction this is the taxidermy musical
11:58Ryan Lattanzio:with Jodie Comer I heard mixed to good but we like the actors in it so that's in need of a distributor also So as are a couple of the ones that we just talked about.
12:10Anne Thompson:So basically we see that certain movies have been building momentum like Club Kid and Wild Horse Nine and Bola Negra, obviously. The debut. I just saw the debut last night. And? Well, one, I love that Jesse Eisenberg in his intro was like, I didn't know what this was. And they just told me that the audience is all the important people in L.A. who couldn't make it out to Toronto. know we felt he buttered you up exactly um but yeah i mean i think it had the same reaction people really enjoyed it i love that they hand out uh playbills for it um everyone uh cheered at the scene with julianne more that everyone is talking about people cheering in the middle of the film about um and so it's one of those things where i think at venice wild horse nine was like the one film where it's like, okay, this is probably going to be nominated for Best Picture.
13:12Anne Thompson:The same thing was true of Telluride. Yeah, and I think the debut, which was like a world premiere at Telluride, felt like the world premiere where it's like, okay, this is probably going to be nominated for Best Picture. No, I don't know about that. I know it will be nominated Julianne Moore. No, that is not a given. I think that that's a possibility as a one actor nomination for a movie. I would say A24. There's something very scruffy and not entirely, how do you, you haven't seen it, right, Ryan?
13:43Ryan Lattanzio:I'm not seeing it for two more weeks.
13:45Anne Thompson:Yeah, we'll get there. We'll talk about it at greater length later on.
Read the full transcript
13:48Ryan Lattanzio:How do you feel about theater kids? I didn't like theater. How do you think I feel? Yeah. But no, I think A24 thinks it's probably their most likely best picture. Of course.
14:00Anne Thompson:Well, they're going most likely. Well, where did you end up on primetime? You were so high on primetime, Marcus. I wasn't. I liked it. No, I liked it a lot. I am pro-Robert Pattinson. And furthermore, I think that Merit Weaver and Skylar Gisando really stuck out. They're very good. I would say that Skylar Gisando is one of the great breakouts of the season, actually. He's really good.
14:27Ryan Lattanzio:The A24 movies, Club Kid, people's feelings about Jordan Firstman aside, that is the one that feels like it could travel the furthest. I agree with you. But we already have two gay movies. I don't know that we can have too many. We have Elsinore and we have La Bolinegra. Elsinore could also be just actor. Correct. But that's a lot of gay for one Oscar season. So I'm just cautioning you. But I do think that Club Kid of the A24 movies, that's the one. And I think that's the one the audiences are most going to go for.
14:58Anne Thompson:We're going to learn a lot when the critics weigh in on some of these things.
15:04Ryan Lattanzio:The critics all loved Club Kid out of Canada. Club Kid is fine.
15:07Anne Thompson:I'm not worrying about Club Kid or La Bola Negra. I'm happy and Wild Horse Nice. Those three movies are super cool. They're going far. I think primetime and the debut, we will see more nuance in the responses. A24 also has The Invite, so that's another one. I think the invite's going to do really well at the Oscars, actually. Yeah. Okay. So I have a question for you both. I would love to know what you think the People's Choice Award is going to go to at Toronto.
15:41Ryan Lattanzio:Well, I think there's five movies that we're looking at here. The debut had a very good response. Wild Horse 9, Club Kid, La Bola Negra, and I Play Rocky, which I haven't seen yet. But people are doing backflips for that movie. And unexpectedly, honestly. Yes. So I have seen I Play Rocky. And did you see it?
16:02Anne Thompson:No, I can't wait. I really enjoyed it. And I would probably have like a mental breakdown if it won People's Choice Award. It is a very wax museum quality. Like, I don't think anyone is wrong in saying that the lead gives an excellent performance. And that this is sort of one of Peter Farrelly's best directing. What's his name? The guy you played? Anthony Ippolito. Yeah, there you go. And I'm kind of desperate to see what he's like in person because it is so kind of sliced alone in the film. But it's just like, it's so bizarre to like for the biopic to be specifically about this actor who's still around making a film that ends up winning Best Picture.
16:56It is a crowd pleaser, but it's just the Academy already gets enough accusations of having its head up its own ass that like putting a lot of recognition towards this would be so bizarre to me.
17:12Anne Thompson:Peter Farrelly, he's been there before. He played really well in Toronto. Green Book. Green Book. And then he ended up winning.
17:20Ryan Lattanzio:One of the worst best picture winners of all time.
17:23Anne Thompson:That was the year of Roma, and it was the year that the industry couldn't have been more anti-Netflix. I would argue that they're not as anti-Netflix now as they were then, that they have become much more friendly. I think Netflix has made serious strides also with wanting to buy Warner Brothers and looking like a better solution than Paramount in many ways. I think La Bola Negra would be my pick to win a People's Choice Award. Yes, I agree with you. So what films lost steam? I think everyone is saying Fjord. Palme d 'Or, Winterfjord, Christian Munju's film. In addition to being eligible for Best International through the Cannes Award, it's also Romania's choice.
18:09And I think a lot of people have been waiting for Munju to get some Oscar recognition. But I don't know if people think this one is it now.
18:20Anne Thompson:I'm afraid that Fatherland is losing steam also. And it's a terrible reason. It's because it's not as good as all his other prior films. I hear it back from people over if they screened it recently. Now, Sondra Huller could go forward. I'm excited about Sondra Huller, because the best actress race isn't that strong. But yeah, yeah. Am I crazy to think that the three of us prefer Rose, her performance in Rose? I saw both Fatherland and Rose and was like, why are people saying Fatherland is the performance? Because it's Pavel Polakowski, who is established and has won the Oscar race before. He's actually very highly regarded.
19:08Anne Thompson:And more people are going to watch Fatherland than Rose. Yeah, there's more familiarity there. But I'm like, Rose is, because that one, it's all her. And it's such an interesting story. And it's a really great performance. And so I have seen a little bit, especially from the people that went to Telluride, being like, oh, I hadn't seen Rose yet. I finally saw it. She's amazing in this, too. And so I would like to see that happen. I think Rose ends up supporting Fatherland. It's also who's distributing it, who's got the money, who's got the wherewithal to give it. Oh, yeah, they're both movies. Support, yeah.
19:43Anne Thompson:That's going to be interesting for a movie, you know, in terms of how they handle that. Ryan, what do you think?
19:49Ryan Lattanzio:I mean, Rose is a movie I've been trumpeting since Berlin. It's one of my top three movies of the year. And it's definitely, it's a performance that brings to mind Passion of Joan of Arc and Maria Falconetti in the sense that it's so much of it is on her face. And there is such a range of emotions that she plays so subtly. And, you know, it's a lot about being persecuted. It's a lot about martyrdom. and there's so many layers to it in that way. Fatherland is a very different kind of experience. They both seem to be these kind of abstruse, arcane art movies on their head because they're both black and white and they're both maybe a bit small and maybe a bit slow, if you will.
20:24Ryan Lattanzio:I'm just putting myself in other people's shoes, but then you get into those movies and you go inside them and you realize that that's not the case and I think they're both very accessible movies. That said, I agree that Fatherland is looking weak. fjord. Something happened between Cannes and now where there was all this discord discourse. Well, discord as well, really, about this movie's provocations with regards to whatever political biases in terms of sort of pitting this puritanical Christian super religious family against these quote unquote super woke white savior liberal type of people.
20:59Ryan Lattanzio:But I actually think that the movie isn't as provocative as people said it was. So it was really setting up people catching it for the first time at Telluride in Toronto to see a movie that was going to inspire this great debate. But in fact, I don't think the movie doesn't succeed in that regard at all. I've said this before on the podcast, when those kids are on screen, it is just deadly. Those scenes are just awful. They're terribly directed. And that's so much of what the movie is about, is these scenes, and they just don't work at all. And as a Munju head, this is one of his weakest movies.
21:30Ryan Lattanzio:And I think if he does make it in for this it's out of respect and tribute to perhaps some of his older i don't think it works that way but it doesn't no no it doesn't not for someone like him it doesn't work
21:41Anne Thompson:that way no you're right but the one that it will work that way for hopefully is mike lee so hopefully we get tender loving care into best director or picture or whatever we'll see the one i didn't think was very good at all was the idiots did you guys maybe i managed to warn you off it's all about johnny flynn having a gambling addiction it's horrible i i really didn't like
22:06Ryan Lattanzio:it the one that i didn't see that seems very extremely dead which also needs a distributor is prima fasci yeah that got bad reviews that was excoriated this is a cynthia revo starring adaptation of the play that i think we both saw and right with jodie comber did you see it's a It's a great play, but I don't know how you adapt that into a movie without losing some of the kind of intimate power of it. It was a one-woman show.
22:36Anne Thompson:It was a real tour de force.
22:38Ryan Lattanzio:I don't know how you make that into a feature film. Yeah.
22:42Anne Thompson:Even with the wonderful Cynthia Erivo. So, Marcus, give us your insiders look at the Emmy show and the after parties. It seems like the show played better in the room than at home, where it was a chaotic hit or miss for me. I want acceptance speeches and the show producers just didn't seem to to care about that. But as far as the parties go, I was sorry to miss my night of the Seven Kingdom singing karaoke at the HBO party. Yes, Mr. Peter Claffey singing Frank Sinatra. I could have met him. I could have met him. So that's how I ended my night. We'll get to how I started it. I sort of agree. I think that I didn't have very much expectation for Mariska Hargitay.
23:27I like her. I think she's sort of a fun personality. But like, I don't see her being known for comedy or singing or anything like that. And so I was impressed when she's singing and dancing in the opening number and sort of open to doing comedy bits and things like that. But like you said, I think them cutting some of the categories that are usually televised was a bit of a disaster. Well, they ended up short.
23:58Anne Thompson:They ended up vamping. And that was truly the worst note to end on. Like that was a nightmare in the room to see them just trying to vamp and trying to keep it going when like the job is done. We know what category they're presenting. They're there to give the last category of the night, Outstanding Comedy Series. Woody Harrelson and Matthew McConaughey already did their comedy bit about why you should watch their new show, Brothers, on Apple TV. And then for them to keep it going. And of course, like they couldn't even do it long enough because I think the show ended up ending like three minutes before 10 p.m.
24:36Eastern. And so seeing them try to fill the last 10 minutes, I was just so uncomfortable. And I'm like, let's get this over with, even though I understand you have airtime to fill. I think ultimately that viewership for the Emmys were already going down. I don't think you're going to get anyone new by being like, oh, I can't miss this comedy sketch starring Mariska Hargitay. Like if you are a person watching the Emmys, you are watching it specifically to see your favorite TV stars. Exactly. Finally win. Or win again. Right. Or win twice. The big categories, the big acting categories that got cut from the telecast were supporting actor and supporting actress for limited series.
25:25And the two people who won were David Harbour and Linda Cardellini for DTF St. Louis. Those are two examples of people you know because of their TV work. Linda Cardellini, freaks and geeks. She had a standout turn on Mad Men. She had the show on Netflix with Christina Applegate. She is primarily famous for being a TV star. And so for her to finally win an Emmy would have been a big deal to people who watched the Emmys.
25:54Anne Thompson:Big whiff. Big whiff. Yeah. What about the parties? Similarly, the gala was kind of a bust. I was only kind of in and out there. It was cool to see some of the Daily Show correspondents because that show shoots in New York. Afterwards, Disney was probably like 10 minutes away. And so Jimmy Kimmel and Molly McNerney, the head writer of the show, and also his partner were really holding court. I think someone was celebrating a birthday. So like people are taking selfies with them. They're taking selfies with their friends. friends. Sterling K. Brown is walking around. I ran into him at the Whole Box Catering Station.
26:33I don't know if you know that restaurant. It's so good in L.A. And then after Disney was Netflix, which I was the most impressed by. This was Chateau Marmont. It was the first time since I've been covering the Emmys that their party has been there. They were getting people from other networks like the couple from love story was there chase infinity was there even though she was nominated for the testaments on hulu i was told that the corner coleman domingo was in was like a cigar bar type situation because they would have like a mark a bar specifically for martinis a bar specifically for whiskey this is all by the pool at chateau marmont which they cover the pool, which I think is probably extremely expensive.
27:21But you're getting Queen Latifah there, baby face, and you're seeing Chief Content Officer Bella Bajaria hold court. Ted Sarandos is maintaining a relationship with Sofia Vergara. And so I was just, it felt in the moment that I was there a little bit like the place to be. And with HBO afterwards, which was at San Vicente Bungalows. I think I had missed most of the talent, like Stephen Colbert was still there. Some of the Pitt people were still there. But it was fun. It's a lot of different rooms at that location. By the time I was there, the infamous sushi room, out of sushi. So I didn't get to have any sushi.
28:02But the theater room is where the karaoke was happening. And so it was a lot of like HBO employees at that moment singing like Chaperone and then Peter Claffey coming in and doing Frank Sinatra.
28:17Ryan Lattanzio:So Anne, you went out and saw Resident Evil, which I ended up skipping. I'm actually going to see it as a paying patron tomorrow in theaters. You'll have a good
28:25Anne Thompson:time, I think. I think you'll enjoy yourself.
28:27Ryan Lattanzio:I didn't go for a very legitimate reason, which is that I attended Christine Bichon and Pamela Koffler's killer film celebration for their Governor's Oscar Award, which was Julianne Moore was there. Paul Schrader was there. The New York regulars. Yeah, the New York regulars. Kent Jones, a lot of people who worked with Christine Vichon and Pamela Koffler. Anyway, that was a very fun event. And what did you think of the movie?
28:51Anne Thompson:It's the eighth one. There were six Mila Jovovichs, none of which I ever saw. And there was an attempt at a reboot, which I never saw. I never played the game. So I'm coming in cold. I'm a Resident an evil virgin. Okay. And but I like Zack Kregor. So that's why I went he pitched an entirely new approach to the franchise to this one German company, Constantine, which has managed the rights to this IP all these years. And they went for his pitch before weapons came out. It was based on barbarian. And Sony eventually agreed to distribute and Kregor insisted on casting Austin Abrams, who had a small role is a thieving junkie in in weapons memorable, something about the way he fought with the metal fence, convinced Kreger to give him the assignment of trying to shoot his way through a series of locked gates.
29:39Anne Thompson:You'll see what that is when you see the movie. Kreger is a visual writer-director who knows how to frame horrors really, really well. I just love watching his directing. He's a good director, and it was fun. Snowy woods, creepy house, car, burning high-rise hospital, maternity ward, sewer. So this poor guy is just moving from place to place to place to place trying to survive. And he keeps it believable. And he's funny. And I didn't mind that at all, as he figures out how to use bigger and better guns. Next up, he's surviving being swallowed by a whale in Whale Ball. So this is something of a career path that he's on.
30:20Ryan Lattanzio:We love Austin Abrams. I have played many of the Resident Evil video games, and I'm personally super excited about this one. So there's a bunch of movies that are coming up that haven't screened yet. I think all of us are seeing Digger this weekend. I'll be seeing it at 10 a.m. Eastern Time on Saturday, which definitely means that they want a lot of people to be there and they want a lot of people to see the movie when you do it at that hour. And what else do we have coming up? This is the social reckoning, obviously, Doom Part 3.
30:48Anne Thompson:Yeah, yeah. The New York Film Festival brings a lot of new things. I want to see The Statement. I want to see Godzilla minus zero. A Long Winter from Andrew Haig was in Telluride. I haven't seen that yet. I want to see Tony Gilroy's Behemoth. Tony Gilroy is going to be our special guest on Screen Talk in New York, our live Screen Talk that we do every year at the New York Film Festival. So that's going to be fun. I obviously want to see Naza. So lots of stuff to look forward to in New York. Ryan, do you have a recommendation this week?
31:19Ryan Lattanzio:My recommendation is to not watch something, which is I watched the first episode this morning of Monster, the Lizzie Borden story, which is now on Netflix. And this is with Ella Beatty, who's a really interesting actress. She's playing the murderess Lizzie Borden.
31:37Anne Thompson:She's the daughter of Warren and Annette.
31:39Ryan Lattanzio:Exactly. Yeah. She's very good, actually. I quite like her. The problem with this show is that with the last Monster about Ed Gein, Ryan Murphy, he got Vicky Creeps. He sucked her in. She's in the Ryan Murphy world now and it's not doing her any favors. These are my least favorite performances that she's done and it's depressing. I hope she's getting a lot of money. I like Vicky Kreese. I love her. She's one of my favorite actors. But somehow with these Ryan Murphy shows, they find the worst parts of the best actors. And like, I skipped ahead honestly to watch a little bit of Sarah Paulson playing Eileen Wuornos and yikes.
32:18Ryan Lattanzio:Talk about some overacting. Anyway, Marcus, what's your recommendation? Diminishing returns of those Ryan Murphy series. I don't watch a lot of network TV, but I gave the show Line of Fire a try because I had liked a lot of Joshua Safran's previous shows, whether it was Quantico with Priyanka Chopra, Jonas now, or the Gossip Girl reboot. He also worked on the infamous Smash. But this is a family where the parents and the kids are all in different government agencies, whether it's Secret Service, FBI, U.S. Marshals, the USDA office. And so there's like the family drama that bleeds into kind of the national incident of it all.
33:06And you see the president and it ends up being this kind of like murder mystery as well. And so, yeah, I'm surprised that I'm having a lot of fun with a show I wouldn't traditionally watch.
33:18Ryan Lattanzio:Peter Krause and Hope Davis are in that one, right? Those are two of the best character actors. I don't know that you would call Peter Krause that anymore. He's a lead on, isn't he in 9-1-1 or one of those? He is a TV star. He's one of those blue, he's in one of those blue shows. I mean, I know him from Six Feet Under. Ann, what's your recommendation?
33:35Anne Thompson:I've Got the Weight, a period noir adventure which made the most of its limited resources. I would suggest if it had more money, it would have been even better than it was, and took advantage of two wily performers, Ethan Hawke and Russell Crowe.
33:49Ryan Lattanzio:They couldn't shoot it in the United States, and that's sort of the problem, is that it's supposed to be this slice of Americana kind of story, but they're shooting in the woods of Eastern Europe, and it's very obvious.
From the publisher
Anne and Ryan are joined today by IndieWire awards editor Marcus Jones to debate which films are ahead and behind in the awards race. Where will Netflix put its attention, which movie is taking home the coveted and predictive Toronto people's choice award, and who is falling out of the race. Then Marcus gives us a review of the Emmys from inside the Peacock Theater, and takes us inside the afterparties.
Who was snubbed and who surprised at the Emmys? - https://www.indiewire.com/awards/results/emmy-awards-snubs-surprises-harrison-ford-allison-janney-1235217076/
Read the full list of Emmy winners here - https://www.indiewire.com/awards/results/emmy-winners-list-2026-1235216883/
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