In short
AI’s role in Hollywood—especially Amazon’s “AI on the lot” initiative, the shift toward hybrid/AI-assisted production, and how recent Writers Guild and SAG-AFTRA agreements enable synthetic actors. The episode also argues that audience acceptance will determine what’s acceptable, and that AI will reduce costs and expand global storytelling.
Guests (and backgrounds)
- Robert Tersek: Futurist and author. Former creative director at MTV; worked at Sony Pictures; digital strategy for Oprah’s OWN; wrote Vaporized Solid Strategies for Success in a Dematerialized World. Hosts/creator of the futurist podcast; runs/started Neura Studios (animation-focused AI pipeline; neurastudios.ai).
- Mike Elgin: AI podcaster and newsletter writer (Machinesociety.ai). Longtime network friend; co-host for “gastronomad” adventures.
Hosts
Jeff Jarvis (journalistic innovation professor; author) and Paris Martineau (Consumer Reports deadline).
Key claims
- Hollywood is in a “grief cycle” as the old studio model shrinks (fewer shows, layoffs, productions moving out of LA), and AI is accelerating change.
- Amazon’s AI studio is funding original animated series; the goal is to produce with smaller crews and bring more production back to LA.
- Hybrid AI workflows will become standard across the film pipeline; AI can enable iteration (e.g., changing actors/versions midstream) and localization.
- Unions have moved: writers secured AI protections; SAG agreement allows synthetic actors with conditions.
- AI won’t eliminate creators; it increases accessibility and (potentially) the volume of scripted stories.
Notable examples
- Amazon Prime/MGM AI studio announcement at Culver Studios; “three pilot episodes” picked up for streaming; claim: first US TV series produced with AI.
- Animator Jorge Gutierrez drops out after social-media backlash.
- “Superman’s mustache” controversy as an example of audience backlash to bad/uncanny changes.
- Martin Scorsese using AI for pre-visualization (Black Forest Labs).
- Google Gemini Omni demo (style-trained animation).
- Neura Studios end-to-end animated-series pipeline and continuity/asset management.
- Back Rooms (Kane Pixels) as a YouTube-to-Hollywood pathway; contrasted with blockbuster performance.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOHosts and Guest Introductions
0:45 to 4:38
The hosts introduce themselves and their guest, Mike Elgin, discussing AI and travel.
“and all the smart things surrounding us these days.”
AI on the Lot in Hollywood
4:38 to 8:34
Robert Tursek discusses AI's impact on Hollywood and the new AI Creators Fund by Amazon.
“And now we are living in that dematerialized world, aren't we?”
Strikes and AI Agreements
8:34 to 12:02
Discussion on the recent writer and actor strikes, and new agreements concerning AI.
“I was really blown away because I didn't expect it to be that big of a story.”
AI Integration in Film Production
12:02 to 14:00
Exploring how AI is being integrated into film production and audience perceptions.
“And in exchange, the producers got a four-year deal.”
The Impact of AI on Movie Production
14:00 to 14:50
Explore how audience preferences shape the integration of AI in films.
“but they, you know, they messed around with that, and they got hammered by the audience.”
AI Integration in Filmmaking
14:50 to 17:20
Learn how AI is revolutionizing the pre-production and production processes in movies.
“In two years, Leo, every film is going to have AI integrated in some way.”
Global Shifts in Storytelling Dynamics
17:20 to 20:00
Discover how AI is enabling diverse storytelling from around the world.
“I was just on a call with someone who's working in Vietnam.”
The Rise of Independent Filmmakers
20:00 to 22:40
Understand how independent films are challenging traditional Hollywood blockbusters.
“have more good content at the same time.”
AI's Influence on Creative Processes
22:40 to 25:18
Examine how AI is changing the roles and processes of screenwriters and filmmakers.
“He came out about a year and a half ago and said, I don't know why everybody's so against this stuff.”
The Future of Animation and AI
25:18 to 28:00
Analyze the advancements in animation technology powered by AI and its implications.
“But what's cool about AI is if you've ever edited anything, you find yourself in an edit bay and you're wishing that you got one more shot, a reverse angle, a reaction shot, or just a different angle on a scene.”
Show all 54 chapters
AI's Impact on Copyright Law
28:00 to 30:00
Explore the complexities of copyright law as it relates to AI-generated content.
“I think it's the most exciting change that I've seen in my entire career in Los Angeles.”
The Role of Humans in AI-Assisted Creative Processes
30:00 to 33:10
Discuss the evolving role of human creators in AI-assisted artistic endeavors.
“And it took 30 years before the copyright office came around to the notion that there's things like, you know, mise en scene and framing and lighting and props and design and direction.”
Using AI as a Creative Partner
33:10 to 34:00
Learn how AI can enhance the writing process and help develop new ideas.
“And of course, I do that writing part myself.”
Challenges of AI in Creative Work
34:00 to 36:40
Understand the potential pitfalls and challenges of using AI in creative writing.
“The thing I would say, though, is just like an assistant, a human assistant, you can't entirely trust it, no matter how clever it is.”
Challenges of AI in Creative Work
38:31 to 41:09
Understand the potential pitfalls and challenges of using AI in creative writing.
“The result is a predictable cost, consistent quality, stronger security without slowing down your engineers.”
Microsoft Announcements at Computex
42:00 to 43:20
Learn about Microsoft's latest hardware announcements and NVIDIA's new chip.
“The Wall Street stuff is amazing, what's happening there.”
AI on Local Devices: The Future
43:20 to 46:00
Explore the implications of AI running on devices like laptops and smartphones.
“Well, yes, but he's, he's also enabling the industry.”
Agentic AI vs. Traditional Apps
46:00 to 48:40
Discuss the transition from traditional apps to agentic AI and its capabilities.
“heading towards smart glasses and all this stuff.”
The Concept of Project Solara
48:40 to 55:55
Understanding Microsoft's vision for Project Solara and its potential impact.
“And also they'll be able to go out and fetch data like we learned in the last interview.”
Pinocchio's World and Modern Parallels
56:00 to 58:21
Exploration of the original Pinocchio's grim narrative and its reflection in today's society, particularly in AI.
“There was a great Oh, Malik wrote a really wonderful piece that starts.”
The Dangers of Ignorance in AI
58:21 to 1:01:07
Discussion on the parallels between the lessons of Pinocchio and the current AI landscape, emphasizing the need for awareness.
“And it's a great analogy, I have not read the Om Malik piece, but the whole message, but I have read several times the original Pinocchio, the English translation.”
The Spectrum of AI Development
1:01:07 to 1:03:21
Analysis of various AI figures and their approaches, highlighting the challenges and moral implications in the industry.
“This is why I so admire Jensen Wong, because he doesn't really self-lie into Mars and all that.”
The Future of AI and Its Challenges
1:03:21 to 1:05:24
Conversation on the future of AI, the financial landscape, and the impact on companies like NVIDIA.
“I hate it when I ask this question because I hate the answer.”
The Future of AI and Its Challenges
1:05:53 to 1:08:53
Conversation on the future of AI, the financial landscape, and the impact on companies like NVIDIA.
“WebRoot is lightweight, all-in-one digital protection for up to 10 devices, by the way.”
Media Politics and 60 Minutes Changes
1:08:53 to 1:10:00
Discussion on the recent changes at 60 Minutes, the influence of media politics, and implications for journalism.
Changes at 60 Minutes
1:10:00 to 1:13:20
Discussion on the leadership changes at CBS's 60 Minutes and the implications for journalism.
Nick Bilton's Role
1:13:20 to 1:16:40
Exploration of Nick Bilton's appointment and speculation on his intentions at 60 Minutes.
“but are really good at managing up and making friends in the corner office and who seem to get all the promotions, right?”
Decline of Traditional Media
1:16:40 to 1:20:00
Conversation about the decline of traditional journalism and the future of established news programs like 60 Minutes.
“The audience is older than me, and I'm old.”
Funding in Tech and Media
1:20:00 to 1:23:20
Discussion on the funding landscape for major tech companies and their strategic moves in the market.
“My Nick story is at Google I O when they had a Google glass and Scoble was going around, uh, and, uh, having displayed it in the shower.”
Anthropic and SpaceX Valuations
1:23:20 to 1:24:00
Analysis of the valuations of Anthropic and SpaceX, and the implications for the tech industry.
“But the interesting thing to me about SpaceX, of course, is that XAI is lumped into it.”
Evaluating AI Companies in the Market
1:24:00 to 1:25:33
A discussion on the financial prospects of various AI companies and their influence on the economy.
“XAI is a big loser in terms of just, you know, as a liability.”
Investment Options in AI
1:25:33 to 1:27:56
The hosts debate which AI companies are worth investing in, discussing risks and potential.
“Just as now they're holding up the economy, these AI companies are, when the economy is not as, as, as rosy as it would appear.”
The Future of AI Models
1:27:56 to 1:32:14
An exploration of the performance and issues with recent AI models, particularly in coding tasks.
“So I'll tell you what the economist says.”
Introducing the Concept of Deception Mode
1:32:14 to 1:35:56
A new concept is introduced regarding AI's feigned personalities and its implications in interactions.
“But I would like to go back to this report that your AI took the time to write and praise you for.”
Debating Deception in AI
1:35:56 to 1:38:00
A critical discussion on the ethical implications of AI's deceptive behaviors, especially in therapy.
Exploring AI in Psychotherapy and Relationships
1:38:00 to 1:48:50
The discussion revolves around the complexities of AI in psychotherapy and its implications for human relationships.
“So people are believing, they make you believe.”
Introducing the Attachment Economy
1:48:50 to 1:52:00
Mike Elgin explains the concept of the attachment economy and its impact on AI and consumer behavior.
“And because we are on, I love what Robert said.”
Attention Economy and Its Deception
1:52:00 to 1:52:13
Explore the challenges posed by the attention economy and its implications.
“And I think the lie of it is the deception is the attention economy that anyone can own your attention and can sell it.”
Introducing the Attachment Economy
1:52:22 to 1:54:16
Mike Elgin explains the concept of the attachment economy and its impact on AI and consumer behavior.
“Right now, everyone is trying to run leaner, tighter budgets, smaller teams, higher expectations.”
Google's Content Creator Bargain
1:54:17 to 1:56:59
Discuss the evolving relationship and challenges between Google and content creators.
“So, uh, you know, what I, I know it's a little bit of a callback, but what did you think of, uh, of what Google talked about?”
The Deteriorating Value of Traffic
1:57:00 to 1:58:57
Analyze the diminishing returns of web traffic from platforms like Google and social media.
“Mike, if you go to line 125, this is a news story today.”
The Importance of Relationships in Content Creation
1:58:58 to 2:01:03
Understand the significance of building relationships with audiences in modern content creation.
“And too often we think in our business that the value we create is entirely resident in this thing we call content.”
Challenges for New Content Creators
2:01:04 to 2:02:44
Explore the struggles faced by new creators in today's content landscape influenced by AI.
“Actually, I am relying on them to try to get people to discover the books.”
AI in Commencement Speeches
2:02:45 to 2:05:06
Review the perspectives on AI expressed by various college commencement speakers.
“That's why you get all these college graduates booing AI.”
Travel Scams Enhanced by AI
2:05:07 to 2:06:00
Discuss the rise of AI-enhanced travel scams and the risks they pose to travelers.
“Luckily, AI is not a problem at Harvard.”
AI and Travel Scams
2:06:00 to 2:07:30
Discussion on the rise of AI-facilitated travel scams and manipulation.
“So beware, I guess, of what you get, because bad guys will be bad guys.”
AI Oversight and Government Response
2:07:30 to 2:09:00
Exploration of recent government measures regarding AI oversight and implications.
“I've been scammed with travel only once, and that was well before the AI era.”
AI's Impact on Technology Companies
2:09:00 to 2:10:54
Analysis of the relationship between AI technology and political influences.
“This is not based on any specific knowledge, but just based on what I know about Trump, how the government works, et cetera.”
AI's Impact on Technology Companies
2:11:00 to 2:14:25
Analysis of the relationship between AI technology and political influences.
“Yes, we are ad supported, but it only covers about 60 to 70 % of our costs.”
Tech Picks of the Week
2:14:25 to 2:20:00
Hosts share their favorite tech picks including innovative AI tools.
“You're supporting, oh, there's Chris Tucker.”
Creating a Wander Console with AI
2:20:00 to 2:22:50
Learn how to create a wander console using AI to discover quirky sites.
AI in Film: Making Movies without Humans
2:22:50 to 2:25:00
Explore how AI is enabling filmmakers to create movies without any human actors.
“So certainly back to our wonderful conversation with Robert Turczyk, I want to show a few movies that were made entirely with AI.”
Martin Scorsese and the Future of AI in Cinema
2:25:00 to 2:27:00
Discuss Martin Scorsese's views on AI in filmmaking and its implications for creativity.
“But he's saying, I used to make storyboards, and I didn't say what I wanted it to say, and now I can.”
Deepfake Technology and Ethics
2:27:00 to 2:29:10
Examine the ethical implications of using deepfake technology in media.
“And so they use a sort of younger version of Bruce Willis to do this sort of telecom ad in Russia.”
Transcript
Automatic transcript. May contain errors.0:28It's time for Intelligent Machines. This is Intelligent Machines with Jeff Jarvis and Paris Martineau. Episode 873, recorded Wednesday, June 3rd, 2026. Superman's mustache. It's time for Intelligent Machines, the show we talk about the latest in AI, robotics, and all the smart things surrounding us these days. Mr. Professor Emeritus Jeff Jarvis, the Emeritus Professor of Journalistic Innovation at the Craig Newmark Graduate School of Journalism
1:01is here author of hot type which he was you were in a hot sweaty studio recording earlier this week and i'm done two-thirds of the way through you're not even done no 100 pages a day it's not a bad pace is it how many pages are there 300 maybe write fewer pages next time oh and i and And I do lapse into Mark Twain tonight. I asked him when he said we were texting earlier this week. He said, I'm in the studio. I said, well, I hope you do Hal Holbrook when you do the Mark Twain quotes. So you talk like this a little bit. I was on earlier with Jason Howell and he and I read a bit of it for him. And he had no idea what I was doing.
1:42Well, because he's younger. He's younger. Yeah. We're the gray hairs in the show. Let me see here. Hold on a second. Hold on a second. Let's hear you Hal Holbrook. Your best hell homebrew. It was a wretchedly printed little sheet being very vague and pale in spots and in other spots so caked with ink as to be hardly decipherable. The first column was occupied by original poetry of the sappiest description. The next four were occupied by selected story, which was as sappy as the poetry. The remaining column of the first page was made up of short paragraphs of vapid, heartbreaking, infuriating rot entitled wit and humor.
2:17Nice. You need a little cigar in your hand. I got the white hair. Other than that, it's great. Also with us, Paris has the week off again. She is on deadline filing a very complicated story for Consumer Reports, which we'll hear all about soon. But I'm thrilled to have Mike Elgin joining us. He does a podcast about AI and also a newsletter, Machinesociety.ai. Longtime friend of the network. Also our host for those great gastronomad adventures. You're in California, though, today. I am California in Southern Silicon Valley, Leo. And I'm in way Northern Silicon Valley. So we're on the opposite ends.
2:56Yeah, that's right. I just arrived two o 'clock this morning, something like that. I'd been since March. Thank you. I appreciate you. You're doing this with us. My pleasure. He's doing the Schengen shuffle. He said the Schengen shuffle. It's not a dance move, folks. It's just leaving the Schengen area. So I don't get, get caught. We've extended the Schengen area. It's 90 days every 180 days. Twice. We've overstayed it by a day. And they wag their finger at you and they lecture you. But so far, no fines. Have you ever thought of maybe getting a Portuguese passport or some Schengen passport so you can stay?
3:33A million times. But we're never there long enough. I mean, it's really bureaucratic and it takes a long time. And we have thought about it. We still may do it someday. And that would solve a lot of problems for us. I was watching a YouTube video on the top five places to escape the U.S. And I think the top one was Georgia, which you turned me on to. You spent time in Tbilisi, and it's where wine was invented. 8 ,000 years ago, according to the archaeological record. And also, certain kinds of bread were invented there. We're just learning. But I'm surprised, because nobody speaks English. You had me at wine.
4:11What is the language of Georgia? Georgian. georgian only i can speak georgian i know how to speak georgian perfectly good no that's the big georgia our state of georgia is is much larger than the country georgia which has four million residents they have their own alphabet which is not related to any other alphabet and their own language which is unrelated and so it's like you got to learn georgian to live there so that's kind of a tall order that's confusing hey i want to welcome our guest for the first segment as always we like to interview somebody who's a mover and shaker in the world of ai and that is absolutely the case with robert tursek he is a futurist he's an author with an incredible resume uh creative director at mtv back in the day when back when mtv was cool when we wanted it when it played music and stuff that's right wow that's amazing you worked at sony pictures you worked with oprah's OWN Network for Digital Strategy, wrote a book that people still, quote, all the time, vaporized solid strategies for success in a dematerialized world.
5:17And now we are living in that dematerialized world, aren't we? 100%. Leo, when I wrote that book, I thought I was writing about the peak of something. I didn't realize I was writing about the very beginning of a trend that was going to reshape, you know, not just the world that we live in, but also seemingly the whole economy. But that's where we are. You spend a lot of time now talking about AI in Hollywood. In fact, we were before the show talking about an Amazon announcement at a movie event on a back lot. Tell us on the lot. Beyond the lot. Yeah. Now, the event is AI on the lot, which has now emerged as like the preeminent gathering of people that are interested in using artificial intelligence to tell cinematic stories.
5:57Wait a minute. Doesn't Hollywood hate AI? Well, it's a controversial topic. I think what I would say is Hollywood's going through its own version of Elizabeth Cooper Ross's cycle of grief as they kind of watch the old business model of the 20th century fade away. You know, remember, in the last 10 years, we've seen two of the biggest studios get merged into other, you know, these companies have been around for more than 100 years managing the creative process. One by one, they're getting acquired by tech companies or telecoms companies. Disney is the only one that's left independent. And as that happens, they change.
6:27It transforms those companies. At the same time, we've also seen a tremendous cutback in the number of shows. We reached peak TV in 2023. There were about 600 shows, scripted shows in production. Now we're down to about 490. So there's a number of shows. That means it comes with layoffs, job loss, and runaway production. A lot of productions have moved outside of Los Angeles. So the feeling here is kind of existential dread and fear, as I say, kind of a mourning process. And into the mix, we throw AI. And that's why it's so incendiary, because people are already defensive. Now, I should point out, nobody's lost their job to AI yet in the movie business, but it's clearly going to have an impact.
7:03And that's what AI and the Lot is there to do. It's there to teach people how to use it and create a community around users and also what's coming next. And what they announced blew my mind. It was really astonishing. In a good way? Yeah. So I didn't expect this at all. It was held at the Culver Studios, where you and I both had offices back in the day when they were under other management. Now that studio is owned by Amazon. That's where Amazon Prime TV and MGM Studios are set up. And they completely rebuilt the place. It's a state-of-the-art studio now. It's very nice. And so because it was there, Amazon had the opening keynote statement.
7:37And Albert Chang is now the newly admitted vice president of AI Studios for Amazon. This is a big deal. This is the first major motion picture company that has launched an AI studio. And they're there to do two things. One is to facilitate MGM Studios. As their directors want to learn more about AI, they can facilitate those productions. But more importantly, what Albert announced is a new initiative, an AI Creators Fund, where they're actually funding the development and production of original series. They're doing that in partnership with AWS for infrastructure and Brickyard for all the AI models.
8:09They've created a rich ecosystem of partners that includes app developers and all the AI model companies, or many of them, that'll probably grow in the future. But most importantly, they're funding creative people who have ideas. And they actually lined up some outstanding talent. They announced that three of their pilot episodes have been picked up by Amazon Prime for video streaming. So they're actually going into series production. This will be the first TV shows in the US that are produced with artificial intelligence. So that was quite a big announcement. I was really blown away because I didn't expect it to be that big of a story.
8:42So are you say they're made with AI? Yeah, this is how much is made. Yeah. What does that mean? Yeah, great question. So these are animated series that will be generated with AI. I don't know which models they're using. They're probably going to be different because it's three different animators. And I would say the approach that most of Hollywood is taking is a hybrid approach where they fuse AI into the production process in some way. So that's less disruptive to the workforce. it's easier for people to understand because it doesn't upset that classic production you know cycle the left to right uh cycle of development pre-production and principal photography and post-production um to my mind that doesn't take full advantage of what ai is capable of but maybe it's a little early for that it does this reminds me of and this is your era my era too in the early 90s there was a tv show called reboot that was the first cgi tv animated show and it generated both both a lot of interest and a lot of hate.
9:37Yeah, and that's precisely what happened in this case as well. So unfortunately, no sooner had Amazon made that announcement and Albert Chang did a masterful job of unveiling that, but no sooner had he made the announcement and named the three animators that he was gonna be working with on those series, then those folks started to get attacked in social media by people who are resisting AI. There's a pretty loud and vocal anti-AI group right now. So they didn't come after Amazon, of course. They are cowards. They came after the individual artists. One of the artists, Jorge Gutierrez, who's a well-respected Mexican-American animator, he decided to drop out of the project the next day.
10:19Oh, no. By Friday, he dropped out. And that's a real shame because one of the goals they had set was to bring production back to L.A. As I mentioned, runaway production is a big issue here. It's cheaper to produce almost anywhere else. And so Albert Chang's vision is that AI makes it possible for a smaller crew to work faster. That's better done locally. He saw this as a way to create more production jobs in L.A. And candidly, there's a lot of animators looking for work. But now, thanks to the AI haters, unfortunately, some of those jobs are not going to be created. And I think it's a real own goal.
10:49I don't think that they succeeded in anything. They're certainly not going to stop Amazon from using artificial intelligence. They're not going to stop any of the motion picture companies from adopting it. The other big news here that's worth hearing about, I think I should mention, is you recall in 2023 we had strikes where the Writers Guild and the Screened Actors Guild went on strike because they could not reach an agreement with the Producers Association. There were a number of issues there. Some of them were workplace safety or work conditions. Some of them were pay and residuals. But the principal issue was artificial intelligence, and they could not come to terms.
11:22So everybody went on strike. And what happened, of course, is it's not just the writers and actors who were on strike. it shut the whole city down. So, you know, even the union crews and the Teamsters, all the productions stopped. Every TV show that was in production stopped. The studios eventually started to run out of shows for their streaming services. Took six months, it closed the city down. We still haven't recovered entirely from that incident. Well, that was a three-year deal. So now this year, 2026, three years later, it was time for renewals. And I was thinking, oh my gosh, are we gonna have another round of strikes?
11:52As it happens, no. In fact, the writer's guild was able to work out their differences very quickly this time. And they got what they needed, the protection they sought, the control that they sought over AI. So they got what they needed from the producers. And in exchange, the producers got a four-year deal. And now here's the most amazing thing, Leo. The screen actors who were so vehemently opposed to synthetic actors, virtual, let's say, AI actors, generated actors, they were completely opposed to that. They've been very loud and outspoken about, remember that stunt Tilly Norwood last year, sort of a virtual character?
12:24They were very outspoken and very dismissive of that. Well, the new SAG agreement with the AMPTP allows for synthetic actors with certain conditions, certain constraints. They're going to have to work closely with the guild to get permission to do this. But they've opened the door now to synthetic actors acting alongside humans. This is a big deal. I mean, this is real progress. And I don't see it as bad or as a threat. I see this as Hollywood reinventing itself because the old business model is broken. We know that the cost structure is bloated. It's they can't seem to get under control. and the solution so far has been to cut the number of shows or move them overseas where they can be produced cheaper.
12:58But this is a way to bring production back and take advantage of the advantages of AI. And there are many, many affordances of AI that people should consider. Yeah, to expand on what you're saying, people think of AI in movies and they think, well, it's just going to be Will Smith eating spaghetti until the end of time or something like that. But actually, there's like a, you know, 10 ,000 different things that people do to make movies. And many of those can be augmented or improved or replaced by AI. For example, Martin Scorsese is pro AI. He's an advisor and a partner of Black Forest Labs. And he's already using it for things like pre-visualization.
13:37Now, this is a process that doesn't even touch what you see on the screen, but it helps. It's used the same way we're all using it, which is to think through problems to understand and visualize things. And that's just one of a million different things. And the other point I wanted to make, and I'm sure you'll agree with this, the audience will decide what's acceptable and what isn't going forward with AI. For example, when they removed Superman's mustache, right, not through AI, but they, you know, they messed around with that, and they got hammered by the audience. The audience will hammer the bad uses of this stuff, and the good uses will be rewarded.
14:11And, you know, there will always be zero AI movies. If you look at Top Gun Maverick or F1, one of the things that everybody loved about those movies was that they didn't use any CGI. These are action, you know, fast-moving action movies where they strapped cameras in creative ways to fast-moving vehicles. And it was thrilling, right? And it was thrilling because it didn't have CGI or digital effects. That's what they say. Yeah, that's what they tell you. The fact is that every feature film now is touched by CGI. Computer graphics are integrated. And they're just so good that people don't notice.
14:46That's the question. Will people even know that AI is being you? The point is it's a spectrum. It's a spectrum. Yeah. In two years, Leo, every film is going to have AI integrated in some way. Like Mike said, it'll be either in the screenplay development process or the evaluation of the screenplay or pre-production visuals or character design or world design or some other aspect of design before you shoot. Pre-visualization is important because it means with AI, you can actually shoot your movie before you shoot your movie. Right. So some crews and cast will not want to work with AI. Fair enough, right?
15:14That's going to be their creative choice. But it still means they can still use AI to figure out what the heck they're doing before they get to the set and design the shot so carefully that what they're doing on stage will be done much more efficiently. And that's what we have to do to get the cost under control. People don't realize this, but the average movie costs about$100 million. So a 90-minute film costs about$100 million. That's about$1 million a minute. That's a lot of money. The average high-end Netflix episode, let's say a show like Wednesday, costs$20 million an episode. That's$300 ,000 a minute.
15:42Wednesday cost$20 million an episode? It's absurd. When Game of Thrones did that 10 years ago, it was a record. Now it's a norm. Now a bunch of mediocre shows cost$20 million. That's$300 ,000 per minute. Can they make that money back or is that untenable? They do. They clearly do. Well, it's not sustainable in the sense that the streaming services are not all making money. Most of them are losing. So the solution there is to do fewer but more expensive productions. It's not a sustainable solution. But let me put it in contrast with you. When I started North Studios a couple of years ago, this is an AI studio that's based up in Montreal.
16:15We were able to produce at about$2 ,000 per minute. Today, we've got that under$1 ,000 a minute. By the end of this year, it'll be under$300 a minute. And I thought that was remarkable because that's like a 4X, four orders of magnitude cheaper than a motion picture minute. But that's nothing. In China today, the microdramas have all switched to using AI workflows, entirely AI, crew, cast, everything is AI. and they're producing at$30 a minute. That's a 3 ,000X cost advantage over Hollywood's motion pictures. So for people who say we're never going to use AI, never is a very long time. When you have a 3 ,000X cost advantage, you have no choice but to embrace this technology.
16:55And meanwhile, the quality is getting better and better. If you haven't looked yet at Google's Gemini Omni, you've got to go check it out because the quality is mind-blowingly good. Now, it's not perfect. It's still on Candy Valley. There's still work to do. I'm not out here to be a cheerleader. The point is that it's pretty evident that just in a space of four years, they've improved it so much that just a couple more years out, it will be indistinguishable to most people, at which point everyone's going to use it. And what strikes me, Robert, that's so important about this is that it's going to bring in other people who can now tell their stories that they otherwise couldn't have told.
17:27They didn't have the money. They didn't have the connections. They couldn't get through the gauntlet. I'm with you. I was just on a call with someone who's working in Vietnam. And, you know, there are countries all over the world. I spent a lot of time in my career in Southeast Asia. Everyone there, every Asian tiger country has recognized that South Korea has done something remarkable. Before the pandemic, if I told you that a Korean movie was going to win an Oscar or that a Korean show would be the number one show on Netflix or that a Korean pop band would be the most popular band in the world, you would have laughed at me.
17:58Today, those are facts, right? You've got Parasite, you've got BTC, you've got Squid Game. Yeah. So if you go to if you go to Taiwan or the Philippines, Malaysia, Singapore, Indonesia, Thailand, these countries have a lot of great storytellers. They have a lot of great cultural lore. What they don't have is a lot of people who speak English the way Californians do. Well, with AI, you could easily produce a show there and then revoice the whole thing in American English, actually change the actors and make them into American looking actors. What's going to happen now is the one way flow of content from the United States to other countries is going to be reversed.
18:30the u.s will become an import territory for products that are made elsewhere this is going to cause americans to work harder and be more competitive i think it's going to be a good thing for stories i think we're going to get more diversity and perspective and lived experience from around the world you got it but what about all the craftspeople the talented people who will be out of work is there an answer for them so i don't buy it um i know people are worried about that scenario there's no evidence of that happening in fact it's going the opposite way if you use ai as I do every day, it creates a lot more work.
18:58And it actually creates really interesting work. It can, yes. Yes. So I don't think it's going to displace people. Now, it's certainly true if we're not using a lot more crews, then probably what are those people going to do? But these tools are accessible. Just to build on Jeff's point, anybody can teach themselves how to become competent in these tools in a matter of weeks, sometimes just a day or two, you can get some mastery, right? So if you have a story to tell, and everybody on a film crew thinks they're going to be a director, literally the script supervisor thinks she's going to be the next director right so everybody's got a story to tell there's no real barrier anymore if you've got a story to tell get out there and tell your story i think we're going to see a thousand x increase in the number of scripted narratives that are being produced and i think that's a good thing you know there's a lesson in youtube with all this that's exactly what happened at youtube it made it possible for anybody to create video and distribute it vidcon man and there's bad there's bad content but But I think, I don't know who said it, maybe it was me, that yes, you have more content, but you also have, if the percentage stays the same of good content, you're going to have more good content at the same time.
20:02I just went to a movie called Back Rooms on Friday night by a YouTuber. Yeah, it's a very interesting story, Kane Pixels, who took a liminal single, they call it a creepypasta from 4chan, turned it into a YouTube hit, 20 million downloads of the first video over several years created a whole bunch of back rooms kind of weird creepy liminal spaces and got a deal with hollywood he's 20 years old got a 10 million dollar budget built a 30 000 square foot set by the way it wasn't ai generated he did his youtube stuff with blender but this he built a he built a practical set and shot this movie and uh it i think over the weekend was the fourth grossing horror film of all time they made 80 million more than 80 million dollars in the first weekend i was there uh kane the reason i know all about this is he's from petaluma he's from our town and he was there on opening night and my 24 year old who i didn't know it but he had an async corp sticker on his car i said i said you know he put it there a year ago i said what's that he said that's just some youtube thing he was so excited he got his picture taken and at this so that's one but then there was an another movie um oh and i can't remember the name obsession obsession yeah yeah this is a the new generation of filmmakers and they're coming from youtube no and what's really important is uh disney released a huge picture and a star wars film and it flopped compared to this so these films that are produced on a shoestring by indie producers that nobody's ever heard of but they have a great story to tell they're clobbering the blockbusters that we rely on so much to keep this voice and there's clearly a lesson there for hollywood right i mean yeah if hollywood decides to back more independent voices and tell more unconventional stories that's that's only good yeah what i can't believe is that the green lit another avengers movie like how many times do you have to see the same story i know how it ends the shiny thing is going to get caught by the avengers stop with the avengers yeah do you think that um uh will this back up and change the process if you're a screenwriter will you be expected to do a storyboard through AI or to visualize it more?
22:16Will it change the creative process at other levels? It will change the creative process with writers in particular. So these guys were the original like anti-AI haters back in 2023. They were like, you know, chat GPT is a plagiarism machine and so on. Most writers that I know have come around now to try it because they've checked it out. Paul Schrader, famous, you know, film, the screenwriter who wrote Taxi Driver and a number of other films. He came out about a year and a half ago and said, I don't know why everybody's so against this stuff. It's actually quite great. I asked it to write a screenplay in the style of Paul Schrader.
22:47Oh, man. And I was pretty impressed. And he said, then I asked it to redo it in the voice of Quentin Tarantino. And then he just started going through all the writers he knew. He's like, it's actually pretty impressive. So he's not against it. Now, no writer will tell you that. But he already made his bundle. I mean, he's not at risk. He's in the zero F's business right now. But, you know, it got busted. I think it's great that he's out there saying it. What he's doing is making safe space for a younger generation of writers to embrace this. Now, anybody who writes, including me, you know, as if you try to let the machine write for you, it's going to be boring, mediocre, terrible.
23:18You can't let it do that. But what it can do is it can help you structure plot narrative plot points. It can keep continuity. It can fact check for you. So if you treat it like an assistant, I think it's quite useful and it can really compress the creative cycle where you're trying to explore ideas because it generates ideas so fast. So there's benefit to it. Jeff, to your other part of your question, though, is the creative process. So we have a strange creative process here. The Hollywood motion picture production process hasn't changed in 100 years. You start with a script, right? A process of developing that script into a script that can be shot.
23:52Then you go into pre-production. This is the planning cycle. And sometimes there's pre-visualization or some design elements that happen. Then you go into principal photography. And now it's the domain of the director on the stage. And you're shooting. You have real actors. OK, that finishes. They wrap that up. Now you have a bunch of film. that goes over to the editors and to post-production, and now we add special effects. But that process has really been established since the 1910s by a guy named Tom Ince, who was one of the original producers in the silent era. He was so impressed by Henry Ford and the assembly line that he mimicked the assembly line for motion pictures.
24:23He was like, we can systematize it. And the studios were looking for a way to, they didn't want to be dependent on labor. They were very worried about unions, and this is before the unions were organized. So they thought if we de-skill the jobs, we can prevent unionization from happening. So the studios adopted it. Well, they haven't changed in 100 years. That linear left-to-right process is actually a fatal flaw today because the problem with it is all the creative decisions are made up front in the pre-production stages, and then they're locked on the stage during principal photography or production.
24:52Well, where we're hiring most of the new people, at least 70 % of the new hires since the 1990s have been in post-production. These are the most creative people that are being hired, the new hires, and they're the least empowered to do anything because all the creative decisions were locked. in that linear left-to-right industrial process, AI is going to wipe that out. Because the great thing about artificial intelligence is you can change your mind. You can iterate. And you can go crazy with it and iterate too much. Of course, we've all done that, right? You go down the rabbit hole and you do 47 drafts in an afternoon.
25:20But what's cool about AI is if you've ever edited anything, you find yourself in an edit bay and you're wishing that you got one more shot, a reverse angle, a reaction shot, or just a different angle on a scene. You don't have it because the film crew shot it and they chuck it over the fence to you in post-production, you're stuck with what they shot. Well, with AI now, you're never going to have that problem again. And in fact, it gets even better. And this is one of the things we built at Neura Studios, the company I started. This is what we started with in mind. What if I get halfway through the production and I realize, actually, I don't like the lead actor or the lead actress.
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25:54I want to change that person. You can do it. And you can do a global replace. Now, this is mind-bending, right? Because if you think of it that way, you go, oh, what if I wanted to localize this film for an audience in India? Gee, well, then I'd love to be able to have all the actors speak Hindi. Oh, no, wait a minute. They also speak Tamil. Oh, wait, there's a thousand other dialects. I can re-render the show. And so I won't have a single show, a master. I'll end up with versions that are living versions that are highly localized. This is all possible and it will happen. So what does Nura do?
26:22Talk about Nura. Nura has built an end-to-end pipeline and workflow for animated series. So Nura Studios, it's neurastudios.ai. They're based up in Canada. And it's a bunch of machine learning experts who are experts in graphics. And the company zeroed in on animation for the simple reason that live action today still is pretty uncanny valley. And I think that's going to persist for a couple more years. You can notice it. And if it's even a little bit uncanny valley, it kind of is off-putting. It jolts you out of the narrative. And so you can't really commit to the story. But we're a lot more forgiving about what we'll accept.
26:58Yeah, Pixar knew this. That's why they didn't have humans in Toy Story. They had toys in Toy Story. And what AI is great at is animation. Right now, you can animate any style. I don't want to claim that Neur is the only company focused. Of course not. There's a hundred other companies competing on this. But what we just saw, for instance, I saw a demo by Google of Gemini Omni. That's their new model. It's really remarkable. And they're very sensitive. Everyone's very sensitive to this idea of artists wanting agency and control over the AI. They don't want to feel like they're being stolen from.
27:28So they showed a painter who paints with chalk and acrylics. And she trained Google's Gemini Omni model on her style to make her own version. And now it's animating stories in the style of her painting. That's the real value. You can train it. You can see right behind me, like, I would kill to be able to do that. I can't wait. And it's going to be available to everybody now, this year. So this isn't like way out in the future. That's what's happening right now. I think this is the most exciting set of changes for the motion picture industry, which candidly has gotten ossified and predictable and very repeated.
28:03I think it's the most exciting change that I've seen in my entire career in Los Angeles. It brings an interesting point, though, because copyright law currently, as the court has just recently defined it, does not allow an AI-created project to be copyrighted. It's a little more nuanced than that. If most of the work is done by the AI, so if all you did was a text prompt, then you're right. It's not eligible if the machine is doing the work. But, you know, Leo, that's not going to last for very long. First of all, movie companies, they're going to get that changed, right? Sonny Bono may be gone, but there are people.
28:38But the fact is, if you talk to anyone who's using AI to make a film, they're not writing a prompt. Nobody sits down and says, oh, I'm going to make a story about two teenagers. That's not how it's done. There's an enormous amount of effort that goes into designing each scene, designing each character, doing this. There's actually a demo on NeuroStudios.ai of how your tool works. And it is clearly more than just typing a prompt. It is a ton of work. Yeah. And the systems can help here because you're also creating a tremendous number of assets. This is one of the great things that NeuroSolve for is asset management.
29:10Today, people are using like multiple AI models to make a film. They're using like Google Drive to store all their different shots and character designs. This is a nightmare. No kidding. This is a great use of AI, by the way, because it can keep track of all that stuff for you and say, wait a minute, in that scene, he's supposed to be wearing this outfit. Or that's the scene where they came out of the snow field. They should be covered with snow. And it'll remind you about continuity the way a script supervisor might in the past. So actually, this is a great way for humans and AI to work together to build something artistic.
29:36But bear in mind, the artist is always in control with a company like Neura. They're always in control. And I think that's widely shared. You know, Google, Amazon, all these companies, they see that that's necessary. human storytellers are going to be at the lead and nobody wants to watch a story that's created by a machine like that's that's not fun haven't you haven't you are um advocated for the idea that the humans uh role in this partnership with ai is the part that that can and should be copyrighted and not the output that we need to move from away from the output model to the process model yeah how would that work i think you're right well look we had that we've been through this before when photography was invented in the 1820s and 30s, the copyright office took a dim view of it and they said, well, it's just a box.
30:23All you're doing is pushing a button. The camera's doing all the work. And it took 30 years before the copyright office came around to the notion that there's things like, you know, mise en scene and framing and lighting and props and design and direction. And finally, the copyright office realized, actually, there is a human author behind that box. The box is just a tool akin to a paintbrush. Now, here's the funny part. I can't get a copyright if I use an AI model to generate a film from just a text prompt, right? The copyright office has said I can't do that today. But what I can do is I can take a picture or shoot a film on this iPhone, okay?
30:55What people don't realize is that my iPhone is loaded with AI, right? So Apple has all sorts of AI. They don't advertise it as such because they know people don't care about that. People care about making a good photo. When I use my iPhone, when I hold it up before I even touch that red button, it's already taken eight shots. And it picks the best one. It might be the one that I took, but it might be one of the eight that it took. I don't know. How would you know? Maybe it's harmonizing between all of them and taking an average. We don't even know. The point here is that I can get a copyright on a photo that I take with my iPhone, which is already being done by AI.
31:27The white balance, the color frame, the focus, the color temperature and so forth. That's all done by AI. But I can't do that if I use a PC connected to say runway in the cloud. Now, how does that make sense? So it's such an inconsistent position. I can predict with some certainty that the Copyright Office is going to walk that back. Yeah. Robert, talk about how you and I have had this conversation offline, how you're using AI to help you develop your ideas. You're working on nonfiction ideas. Yeah, sure. How are you using it? So I use it for fiction as well. So, yeah, well, I think you've got to eat your dog food, right?
32:01And if you want to master AI, you need to make it a hobby, right? You can't just use it for work. You have to actually kind of find a fun, rewarding project. um jeff my new thing i do is i tell it what ingredients i have in my fridge and i say i'm interested in making a soup and a salad and it generates a range of options for me and then it'll tell me what else i need to pick up at the grocery store and actually i've done these recipes they're very good like this this is a great way to use clod to cook with use what's in your fridge right um i'm often invited to give a speech and in the old days i would labor for weeks trying to figure out what i was going to say and then do a bunch of research and then i'd have to fact check it to make sure it was accurate and all that.
32:37Now I've created a series of agents that talk to each other and I can sit down with my notes. I always start with my own notes because it's my speech. It's not the AI speech. But the first thing I'll do is I'll say, hey, here's a bunch of random notes. Can you put these in a logical sequence? Give me three or four options. And it'll say you could start like this and then this way, or here's another. It works with me like an editor. Then I'll say, hey, cool, go fact check these five claims. And it'll come back and say, well, you're not entirely wrong, but here's some places where you could double check.
33:03Often I'll fact check that with another AI just to make sure. Then I'll start to develop the themes. And of course, I do that writing part myself. But then I'll say to the AI, I want you to attack this idea, attack the core premise here and see. And then I'll say, great, now come at it from a point of view of a libertarian or come at this from the point of view of a copyright maximalist, whatever the topic is, you know, I'll say, come at it from a different perspective. This is quite useful. Or, you know, I'm talking to an audience and it's going to consist of a lot of college kids who are kind of jaded and sardonic.
33:35Give me that reaction. And so this is really helpful because it forces you to confront other perspectives of your own material. When you're writing, you're isolated, right? So you might only hear the voice in your head. This is like inviting other people in the room. In a way, it's like a virtual writer's room. And I can take that all the way through to a finished artifact because it'll help you create slides. It'll help you create other material. Now, as an artist, I prefer to do that stuff myself, but I'm not opposed to using AI as a smart assistant. The thing I would say, though, is just like an assistant, a human assistant, you can't entirely trust it, no matter how clever it is.
34:08So, you have to check the work. So, AI creates a lot of work. And the funny thing about agents is they drift. And so, you have to check the agents. Even if you think they're running well, sometimes they might not be. They might be up to something else. So, as I say, AI creates work. It doesn't necessarily reduce the amount of work. That's the interesting thing about all this, because we've been talking about the use of AI in all kinds of filmmaking process. You're talking about it and making a speech. I use AI extensively in my writing, never to write my stuff ever, but basically for all these different things.
34:39And so you can feel the emerging skill set that's necessary to use these tools well when you do this. As you're saying, you can go through and you can fact, like I have this gnarly fact checking prompt that just is really thorough. It scores itself, does all these amazing things. I have to know, I have to have so much good judgment because it's very persuasive about making a claim that something is false or misleading or whatever and i have to have a lot of really good judgment to to interpret that and to dismiss things to accept it to remember to have it remind me of something else that i need to go check and so and so that's the skill we need more critical thinking skills than we used to need to do these kinds of creative tasks yeah it's true in fact it's harder cognitive work because you have to to look at somebody else's writing.
35:28There was a great article on The Atlantic about what happens when you let the AI write for you. And it was written by a book editor who's getting book submissions. You guys are probably familiar with this. The book industry now is getting inundated with AI-generated proposals. And she said, the problem with it isn't just that, you know, the cliches or that triple beat tempo that it uses or that construction of, you know, it's not X, it's Y. All those things are pretty obvious tells. She said, what's worse about it is that it presents bullshit that is not actually structured thinking at all it's just a sequence of words that seems logical but then when you probe on any part of that sentence the thing makes no sense the whole paragraph falls apart and she said there's nothing to work with as an editor like there's it's not like this is a poorly articulated but good idea it's not an idea it's just articulated like words in a sequence it's just random words yeah or yeah that's the problem with it but it's also teaching us something about what a creative work is what a movie is what a movie script is, what a speech is and what an article is.
36:25It's a perspective from a point of view. And when you have AI writing for you, it's a perspective from no point of view in particular. And that's the thing that we need to drill down on and to really understand about the communication between a content creative and the audience. Yeah. AI doesn't have discernment and it doesn't have taste. And honestly, it's two privilege like it also doesn't know how to stop those are all things well we know how to stop and we have used your time and i think we've used it wisely thank you robert terseka such a pleasure robert does a podcast called the futurists it's a great podcast yeah absolutely worth listening to you can find that wherever you get your podcasts as they say uh and boy you know looking at your cv you have been doing this you did the mtv thing i forgot about seventh level we yeah when when i was working back with ziff davis and then later tech tv and the site man we were so excited when little howie uh came out on cd-rom it was the first interactive cd-rom i went to your launch party it was so much fun that's probably where we met the first time i think so man you have a great memory yeah gina smith was very excited about it she said yeah this is so cool you got to find out about seventh level so we we do go back a ways and what's interesting is you've been on the cutting edge of all of these new technologies as they emerge that's true if you're interested in hearing more of my thoughts check out my sub stack which is just tercic.substack.com that's where i write long reads twice a month i'm about to publish another one right now thanks so much for having me leo jeff mike great to see you all thank you for including me today really appreciate you robert great to talk to you i'd like to have you back too because i think we just began to scratch the surface and i hope eventually hollywood comes around and understands that this is a this is a good thing that it's it's a positive if it doesn't we'll build a new hollywood in jersey well and anything that puts creativity in the hands of everybody is yes yes always a good thing i think yeah thank you robert sayonara take care robert tersek everybody all right we'll have more intelligent machines in just a moment but first a word from xbow this is actually a really great ai story ai has changed the pace of everything from how software develops to how movies get made to how you get attacked engineering teams are moving faster than ever creating more and more applications but security hasn't really kept up one of the most trusted ways to test your security is pen testing right still one of the best ways to understand real exploitable risk but in an ai driven world it can become a bottleneck because pen testers don't work as fast as the as the malware authors do security teams are forced to choose between slowing down development to stay secure or moving fast and accepting yeah they're going to be some gaps in the coverage not with expo xbow you i know you know the name they're the probably the best known pen testing company ever ever anywhere expo eliminates that trade-off expo xbow is an autonomous offensive security platform that runs continuous ai driven pen testing it's awesome it mirrors real world attacks you've got real experts behind the scenes telling the ai where to go what to do expo doesn't just scan for vulnerabilities this thing discovers exploits and validates them so you're only dealing with issues that actually matter that means dramatically fewer false positives and a clear view into real attack paths with expo tests run in hours not weeks you get complete visibility into how an attacker would move through your systems and you get the ability to uncover issues that traditional tools miss including zero days novel attack paths expo's results speak for themselves ask the application security lead of says nam.cz He says, quote, even right now after one year, I don't know any other company that is at least close to Expo in terms of agentic pen testing.
40:37End quote. The result is a predictable cost, consistent quality, stronger security without slowing down your engineers. Expo helps security teams keep pace with innovation and cover more apps more often with the resources they already have. its heritage is great founded by uh the team behind microsoft copilot uh it's already trusted by companies ranging from fast growing startups to fortune 500 enterprises you i mean you'll see expo's name everywhere they are quickly becoming a mission critical layer in modern security stacks and i'm glad we could tell you about them and i think you right now should go to expo.com to start a pen test today that's expo.com thank you so much for supporting intelligent machines that was fun talking to robert and he great wow so i worked with his brother tom turcic it's an amazing family and the third brother does something amazing too tom and i were partners at an early news startup called um daylife may it rest in peace oh okay um well he's a great painter too i mean i'm looking at the paint the paintings behind him i said these are beautiful where'd you get those he says i painted them yeah oh yeah he's a creative yeah very talented person yeah Well, there was a lot of AI news, as there always is this week.
41:55Who would have thought Microsoft? You must have had a fun time on Microsoft. I don't normally look at Microsoft for AI news, frankly. There's Microsoft news. The Wall Street stuff is amazing, what's happening there. There's tons of news. Paul Theriot wrote, oh, my God, oh, my God, oh, my God. At the beginning of the show, it's like there is so much news. We'll start with Jensen Wong at Computex. That was at the beginning of the week on Monday. He, boy, I mean, he gave Microsoft a lot of air time, talked about a new chip that NVIDIA is going to do, the RTX Spark, which is designed for laptops. Microsoft announced a Surface Laptop Ultra that'll be available later this year, as did most of the other big PC makers, HP and Dell and Lenovo and so forth.
42:44Microsoft created a mini Surface dev box with this RTX Spark in it. I think it's going to be very interesting. But of course, we talked a lot about that. They also, I mean, gosh, I didn't even, new models, the smartest open US model, according to the decoder, Nemotron 3 Ultra. A lot of what though, I have to say, my takeaway increasingly with Jensen Wong is he is, what do they call it? dealing his own book. He is everything they're doing. Getting high on his own supply. Well, yes, but he's, he's also enabling the industry. Yeah. His pitch is though everything will be better if you use CUDA and NTX.
43:32And so let me ask you a few questions. And by the way, I just put a post up, um, trying to analyze and praise Jensen Wong as a communicator. I think he's very, very time while the show he's phenomenal. Yeah. And I think AI would be a lot better off if we had people like jensen wong and yon lakun rather than people like uh elon musk and sam altman with the industry yes but you'll stay for a minute because you've been covering pcs for so so long grandpa um what uh as has mike by the way i just don't know which one i was going to say that and you uncle mike and the color for a long time as well mike used to edit the editor in chief i was the editor in chief of windows magazine for a decade so i really want to hear about about this notion of a laptop uh with um uh an nvidia chip well i have this what is it why are they making it a laptop because well they also have a box they also create a box they did but the problem with the laptop is cooling form factor is small they heat up you can't ever have as much power in a laptop as you can have in a desktop computer uh paul said but this is what developers want yeah yeah yes it's going to be the macho machine so people sell But it'll be on Windows, not CUDA.
44:43How does CUDA fit in? I'm just not going to understand that. It's still CUDA, but it's Windows. CUDA can run under Windows. So that was, in some ways, that was a big victory for Microsoft because Microsoft has not traditionally been seen, especially because Apple Silicon is really very, very good, especially in memory bandwidth for AI. Most people who are using AI locally, like me, on my framework, are using Linux. NVIDIA's own boxes ship with Ubuntu Linux. That's the library system. Let's look at the big, big picture here when you're talking about... So what Apple... We learned from Apple, Mark Gurman, of course, writing about where Apple's going with iPhones.
45:23And then this announcement, basically, I think in the same week, basically what this adds up to is we're about to enter into an era where many of the tasks, probably most of the tasks that would normally happen in the cloud and in the AI chatbot sites are going to happen on the device. So in the case of iPhones, they're going to build, you know, they're going to have AI running on the device and these laptops are going to have AI running on the device. And they're also going to be this traffic cop feature that will know when to kick it over to the cloud, really big jobs and so on. This is clearly the future of where this stuff is going.
45:59And this is a massive thing for the industry, especially because now for you know, we were as we were heading towards smart glasses and all this stuff. It's like, what do we need iPhones for? What do we need phones for? Well, this is why we need phones because they're super computers, they're going to be super powerful, Apple, and Microsoft and Nvidia, they're all going to be able to charge a lot for these devices, because they're going to be very, very, very powerful. No, they did not mention cloud. But they're no they're no longer dumb, dumb terminals to the cloud right they they are both dumb terminals cloud and supercomputers that are expensive because they're very very powerful they're running local models which i think they're a little ahead of the curve on that because i've yet to seen a local model that is as good as uh the cloud in fact you know i'm looking at the hardware they're trying to sell and you could get a lot of uh you know tokens for that i mean you can are you going to get the laptop like this?
46:53No, of course not. No. To spend what will undoubtedly be$5 ,000, maybe as much as $10 ,000 on a laptop, that's three years of Claude Max 20X, which I could run on a Raspberry Pi and be as effective. Well, if the company's paying for it, I'll get one. Yeah, well, and that's, I think they are aimed at an enterprise, which wants to run its own models for security and privacy reasons. I still want to run my own model, but I'm not willing to pay that much money for it. I'm actually still very happy with my framework. The NVIDIA chip as news for personal computers, Google's TPUs are on our phones. Is Google, in a sense, already ahead there in terms of putting AI chips on devices?
47:38Ironically, the NVIDIA chips also have TPUs in them. Really? Yeah. But no, I don't think so. So where Google might be ahead is in their very small models. They have some technology that's very good at compressing models. And so Gemma and their really small versions of Gemini are more competent, I think, than other models of that size. But a small model still is not as good. You know, Apple's going to announce on Monday probably very similar kinds of capabilities on the iPhone. And there's a lot more iPhones in people's pockets than there are Google phones. You say small models aren't as good, but it's good for what?
48:16Well, and that's another thing that's really important. There are a lot of things that they're not good enough for coding, for sure. But they're absolutely good enough to be agentic, to go out and search for stuff on the internet, to buy stuff for you, even to do auto-correction and grammar checking and spelling, and even translation. The on-device models are actually pretty good at translating. And also they'll be able to go out and fetch data like we learned in the last interview. Apple before you even press a button is already taking pictures. It's already gathering information in preparation for doing computational photography.
48:57They'll do the same thing as you're walking around with your smart glasses powered by Apple's iPhone. It will be gathering local information in anticipation of you asking questions about what's happening in your environment. So this is going to be, you know, the vast majority of today of queries or whatever you want to call it, prompts to AI chatbots are super banal stuff. Like people are asking at Google search type things like, you know, when does so-and-so movie come out? There's a million things like that, the vast majority of uses that don't require massive compute power, massive data centers or any of that stuff.
49:32Even a small language model will handle a lot of stuff. uh and to that point in microsoft build which is going on right now uh they have a project solera uh we talked about that also earlier today on windows weekly uh stevie batish who is really kind of an amazing communicator uh on this subject uh is is running this and this is his blog post this is a form factor that could be a pin it could be glasses it could be they actually are showing examples on an Amazon Echo-like device, but they also show it on a smart card. The idea is this is an agent-first computing. And so it is on device. It is with you wherever you are.
50:20Doctors would use it in this imaginary world that they have envisioned here for Project Solera. um they are making models for this they announced a bunch of models they are making chips you can see they have media tech and qualcomm chips the media tech chip by the way is the is the nvidia chip nvidia part interestingly with uh media tech not qualcomm to make that chip um so define now agent v app they say it's agents not apps but yeah but aren't you isn't an agent an app no Okay, so explain that to me. Yeah, so how do we definitionally create the difference? So our first exposure to AIs were these chatbots, right?
51:03ChatGPT in an app, whether it's an app on your phone or an app on your desktop. You type in something and it types something back and you can even engage in a conversation back and forth. And then eventually they even added memory so that it would remember your previous conversations and would store information about what you talked about. But all of a sudden, starting late last year, as you know because i was talking about it and everybody's talking about it people started coding on the command line claude code was the first and that's where coders really had an experience you know in the early days of coding with a chat app you would say well how do i write a write me a python script then you'd copy and you'd paste it in or maybe you had an editor that would have a sidebar that the thing would or there would be auto complete it was not a great experience And it certainly didn't help with Vibe coding.
51:52Vibe coding kind of stormed the castle, and people just got to the point where they weren't writing any code at all. They were just typing a prompt in the command line, and then the agent would, or the AI would type the code. The agent, agentic AI, which we've talked a lot about, is what kind of took off with OpenClaw. And that is sort of like a command line. You could run it on a command line these days. You could also run it in an app, Perplexity's computer, or a chat GPT has a computer-like app. It has memory. It remembers your previous work. It is able to do multiple sessions at once. It's able to delegate out to multiple agents in the same time.
52:36But an agent most importantly does is remember and work constantly. From a consumer perspective, I get all that. for this Solara, I bought a box and it's an agent box. Right. Am I going to have an agent store? Am I going to just give it commands and that's all I want? Well, there's some question of whether you need a store because you may just say, get me an Uber and you won't need the Uber app, obviously. Right. Yes, but the idea is it's always there. It's always on. It's always listening. It's always recording. It knows everything about you, your day, your priorities, your interests. you know, you don't have to.
53:18So it's not a collection of agents as apps would be in an app store. It is your agent period. Yeah. It's your agent, which then it works on through other agents. Yeah. Yeah. Yeah. Right. So, so one of the things is the agenda AI can do is it can basically conjure up another agent and basically intercommunicate. But the other thing is you won't, you won't, you won't say, call me an Uber. You'll say, get me a ride. Yeah. You won't even say, yeah, it'll take, you know, the bus, whatever. The end game may even be, you don't even say that. it just knows that you're you have an appointment in a half an hour and convey my hey depot you you're late loaded carcass to this other place by six right so so that's that's the kind of the evolution uh uh people imagine anyway of all this um you know they're all just different versions of the same thing it's but the capability is going up so from a chat bot where you kind of have a conversation or maybe you give it a prompt and it gives you a picture which is what most people still to this day that's their experience of ai to the command line vibe coding interface to the agentic i mean the way i what gets me going i think that's the retail that's where it goes retail how real is solara how soon are there real devices is it not real devices uh but it was more microsoft saying at build this is where we're going and this is a concept car yeah this is what stevie batish does he's the kind of the big thinker at microsoft who says okay this is where ai is going to be.
54:39And this is where we're putting our efforts. What they did say is here's the chip, here's the models, here's the laptops, here's the desktops. They announced a bunch of stuff to support. If you're Google, Anthropic and OpenAI, how do you react? They're doing the same thing. Everybody, this is what's kind of the dirty little secret of this. Everybody's doing the same thing. And if somebody comes up with something. And they're all pursuing multiple futures at once. So for example, if you look at Google, what they announced, I mean, all their apps, maps, you name it, they're all just, you know, you talk to your spreadsheet and it basically is using AI.
55:16They really, really want you to use AI to interface with these legacy apps that have been around forever. So that's another direction. And then I think, you know, the ultimate direction of all these things where they all converge, agentic ai ai based apps is where you just basically have a device and it just does ai there's no apps to download there it just basically figures out what to do what you wanted to do it basically cares more about your goals than that's right your prompt and then it figures out how to do it and so when when do we get there i don't know but basically all these they appear to be multiple directions, but they're actually all going to converge in the same result, I think, which is that you talk to your glasses and agentic, your agent do it for me, we'll make it happen.
56:06Yeah. And it's all moving very fast. There was a great Oh, Malik wrote a really wonderful piece that starts. I don't know if you've read it yet. I didn't put it in the rundown. But it's a hysterical piece uh it's om.com.co he talks about his mont blanc pen that he loves that is the pinocchio pen and he uses that to take off on the original version of pinocchio um he says we're living in pinocchio's world the original version of pinocchio carlo colodi's version which was published in the late 19th century was really grim was not the disney pinocchio yes you're used to, and it was a moral story for children.
56:49It wasn't about lying. It wasn't about Pinocchio's nose so much as... Here's what Ohm writes. It was aimed at Italian children in the way the 19th century aimed things at children, full of suffering, consequence, and moral instruction delivered through catastrophe. The puppet is hanged. He's swallowed by a giant fish. He watches his companions degrade into beasts of burden the world he moves through is predatory at every level and the institutions that should protect him are either absent corruptive or absolutely hostile or actively hostile to his interest this is 1881 italy you can only imagine what it was like i mean that stuff was also in the cartoon by the way like if you remember it was it was it was still pretty grim yeah but it was still pretty grim pinocchio was got through it all like oh i'm gonna to be a real boy uh it was much grimmer in the original i remember this because my dad was a big fan of the original italian version as well as of the disney cartoon but he always said look it's a little bit darker so uh what ohm says is we are living in that world right now uh he talks about one of the ways pinocchio is uh is exploited is they talk about a magic field where he plants his coins and then the next morning uh more coins will have appeared and they keep persuading to plant more coins and the and of course the new coins do not appear the old ones disappear into the pockets uh of the uh of the of the fox and the cat he says the fox and cat are the novel's most modern characters they persuade pronocchio to bury his coins in the field of miracles on the promise they'll multiply overnight exploit impatience exploit greed frame skepticism as a failure of imagination and dismiss skeptics as lacking vision remind you of anything nfts yeah and if and ai everyone from jensen wong to sam altman to elon musk spent a decade accumulating what i've called symbolic capital the reputation the prestige the weight of being seen as someone who understands the future better than the rest of us now each of them seems to be running some version of the field of miracles with promises that keep not arriving timelines that dissolve products that exist primarily as announcements and platforms run as machines for generating more reputation regardless of what they actually do they don't need to be right they need to be believed this is the line i love the best velocity is the new authority yeah no one has weaponized that more effectively.
59:25Darrell Bock Yep. And it's a great analogy, I have not read the Om Malik piece, but the whole message, but I have read several times the original Pinocchio, the English translation. And it's really the thing that they're warning Pinocchio children, Italian children in 1881 when it was written, is against laziness and against ignorance. And this is exactly what we should be warning people about. you know, when it comes to AI, you can't be lazy and ignorant. When you confront this technology, you need to really work at it, you need to educate yourself. Otherwise, you'll, you'll be hanging from a tree, so to speak.
1:00:03And a lot of these, a lot of these purveyors of AI are much like the fox and the cat there. They've got a field of miracles, they want you to plant your coins in. Now, Jeff, you might say, well, Leo, that's not what you've been saying all along here. because this is an interesting conflict in my brain i'm a believer i use ai and it's incredibly valuable and it's incredibly useful tool uh and at the same time i also believe that these guys are selling something a little different well but that's that's that's what i'm trying to say in this by the communication in ai if you think the the tech lash for this is what i wrote in my post the tech lash for the internet and social media took two decades the the backlash to ai took about three years.
1:00:47And I think a lot of that is because it is Elon Musk and Sam Altman and all this talk about doomers and all this talk about accelerationism and all the people who hang around it, Andreessen and Teal and all those folks. And I think that they're the wrong people to present AI. This is why I so admire Jensen Wong, because he doesn't really self-lie into Mars and all that. He's at a practical level. You know that I'm a fan of Jan LeCun because he talks about, from a research scientist perspective, what it can do and can't do. So I think that AI's problem is the AI boys who are hated and feared because they also follow on what went wrong with the internet with the likes of Meta.
1:01:37I do think though I do think though Go ahead. Yan La Koon and Jensen Wong are also talking their own book. Of course they are. Of course they are. I say that. They're absolutely pushing their companies and what they're building and all that. But they do it in a different way. They're good at it. But I still think they're asking you to plant coins in their field of miracles. Well, what company isn't? Every company isn't. I think one of the biggest problems is the Elon Musks and Sam Altamans are morally decrepit kind of people. There's that. They're just bad people. They don't like people. And you don't get that vibe from Jensen Wang.
1:02:13But the other thing is that they're not, everybody else in the AI world is shooting for a direction, a general concept of AI. He's advocating for literally all of them. So there's a battle between do we have humanoid robots or robotic everything? He's like, yes, all of those. And he's like, do we train robots in using people like with the VR thing or do we use physical AI? And he's like, yeah, we do both of them. In fact, we sell both of those. And anyway, he's just, they're in such a great position. NVIDIA is in perfect position because they're there to support literally every single thing. Yes, we're going to, the data centers can be filled with NVIDIA chips and also your laptop.
1:02:58Remember last week's website of the week, is AI profitable yet? The answer is no. And you look at all the companies and the money they're spending. Way to get to the bottom. Way at the bottom. There's NVIDIA. Sure. they're they want everybody to use their chips they're enabling wait till we get to the ipo news this week around anthropic space well let's take a break and let's do that because everybody announced an amazing discussion yeah yeah really interesting uh the money is flowing i don't know if it's a bubble uh but the money is flowing um well we think it will flow but we're still future tense there yeah well that's a good point too it'll go um it's fun a lot of fun paris is taking the week off again uh not because uh for any you know bad reason she's got a lot of work to do she's working on a huge actual journalist she's actually doing her job uh unlike nick bilton she's doing her job oh he's doing his job tearing it down somebody else's job it feels like can we we should talk about that too when we come back because i mean nick was a regular on twit for years uh so anyway i i would like to know your opinion about all of that as well uh but anyway paris does uh we'll be back she says i think we hope next week almost that next week she'll breathe again it's unpredictable because she she's she's really buried deep in this one right now uh but anyway we miss her but we're so glad we get mike elgin on mike of course has a great newsletter machine society.ai that talks about all of this is podcast uh as well uh with Emily for lean II I gotta remember to use her her new name Emily for lean II who by the way congratulations just had a baby I'm very happy for her she did she taking some time off the podcaster she took about a month off the podcast and about force plus months off of PC mag where she's a reporter right right she's great and we wish her the best so happy for her also gastronomad.net Mike will be going back to Europe when's your next gastronomad adventure Provence is in later this month, and that's going to be spectacular.
1:05:04I hate it when I ask this question because I hate the answer. It makes me so miserable and depressed. Jealous is really the word. You're going to have a lovely time in Provence. Perfect time of year, too. Oh, yeah. The lavender is blooming. It's cherubies. Oh, shush. Just shush. Just be quiet. We'll have more with Mike and Jeff in just a moment. But first, a word from our sponsor. Oh, look at his nice hat. Where'd you get that? I've been I was sitting out in the deck before I came on to relax my voice from reading I'm wearing this to stop getting uh sunburns wearing a twit tv wear the uniform yeah you need that one because the fez has no brim no good for shading right exactly yeah that's the whole point of a fez I guess uh our show today brought to you by web root I you know it's funny uh the world we live in is exciting and scary uh and it can also be challenging if your computer i'll give you a good example is starting to feel a little sluggish it's heating up when you open a few tabs in your browser or it sounds like it's preparing for liftoff every time it runs you might be tempted to get a new computer but wait don't it may not be the hardware your antivirus could be the problem Those big name antivirus brands have become bulky, complicated, full of pop-ups and upsells.
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1:07:55WebRoot total protection is ranked first overall when compared to the top competitors, seven times faster than the average competitor, three times less space than the average competitor. so you get it all but for less ai has completely changed the cyber security game too by the way scams are smarter malware is faster phishing emails look shockingly real the good news is you don't need to be a tech expert to stay ahead of it when you use security that can keep up with ai threats you know a lot of free antivirus tools and older security programs don't know about ai web root is up to date it's built to counter modern ai driven attacks so it's fast it's lightweight and it's designed to spot threats before they ever reach you live a better digital life with web root web root is offering our listeners an exclusive 60 off offer visit webroot.com slash twit to learn more that's webroot.com slash twit we thank them so much for their support of intelligent machines so paris and jeff and mike too journalists i don't give my journalists it's obriquet i am just a podcaster uh but i do have one advantage over you journalists when reading about the latest kerfuffle at 60 minutes uh you may remember barry weiss first of all six cbs got sold to larry ellison's son uh and larry ellison let's be honest well it was larry's money uh david ellison his son is is i guess the guy running it and i don't know what their politics are i don't think this has anything to do with their politics it has to do with appeasing uh the administration because that's their politics right well they also want to buy uh warner discovery and including cnn and they need federal approval to do that so they as this we are in a transactional era in in uh american politics who do you think is producing the um mma fight of the white house lawn well i know it's it's it's ufc it's staying away it's paramount oh paramount's doing the yeah of course so it's all you know i'll give you this i'll scratch your back you scratch mine so whatever larry and david's politics are they know that the president doesn't much like cbs uh really doesn't like 60 minutes uh and is also not a fan of the stories they're writing and so uh they put in barry weiss who had no broadcast news experience really had no news experience she was an opinion writer right to run the joint and now they've fired a good number of people from uh 60 minutes including the journalist who wrote the piece that was held back because it talked about secot the president alfonzi yep uh the the executive producer of 60 minutes uh number of reporters and on monday they had a meeting to introduce the new executive producer 60 minutes who when i read the name i went wait what is nick bilton nick i've known forever he was a designer at the new york times and apparently the only person who knew how to use a computer in the newsroom so they made him their tech reporter yeah that's when i met him because we used to have him on twit all the time in the brick house um and i thought he was a great contributor on twit he got to be pretty fancy at some at some point he got to be too big for us he wouldn't uh you know we couldn't get him on the show because he went to vanity fair he wrote a number of books including a very famous one about the how twitter you know went through all of its uh turmoil this is pre-elon hatching twitter hatching twitter thank you it's actually a good history of uh he's a good writer uh he went to hollywood he uh apparently uh produced a number of uh documentaries he was written the new dwayne johnson emily blunt movie he co-wrote the book with Dwayne Johnson yeah the book movies based on the book he wrote with Dwayne Johnson um the rock to bring us full circle around uh anyway um Nick Bilton who has as far as I know no broadcast news experience no management experience and yes he's not he's never managed a team was brought in a Hamilton Nolan in his uh block how things work says he's he's when you when When you bring in somebody who has no experience in a field, there's two possibilities.
1:12:23One, he's a genius. And he's just so good that you can bring this guy in and he's going to change everything and make everything better. The other is that he's the weasel. Puppet. And the guy who's been brought in is a hatchet man. and he says now we don't know if nick is the weasel or the genius but he says if you take the weasel job you must be the weasel he's now i think this is very ad hominem and i'm going to defend nick a little bit he says nick who seems to his success primarily because he knows how to wear designer glasses yes he wears very designer in glasses, but I don't know if that's the only reason.
1:13:07He's a good corporate, I imagine he's a good corporate guy, right? You've known those guys, Jeff, and I'm sure you've known them too, Mike, who aren't necessarily great journalists or great talent or great writers or anything, but are really good at managing up and making friends in the corner office and who seem to get all the promotions, right? Go ahead. You go ahead. Then I'll say. I don't know. Honestly, I haven't been in touch with Nick in 10 years, so I don't know. He's always been. Go ahead, Mike. Yeah, he is a good writer, and he's done some good things, and he's not the kind of person who normally ends up in this position where he's managing up.
1:13:50It's not clear at all what the end game is or why they would choose somebody like that. it could be you know i think he's a combination of somebody who has you know he may have some strong opinions or thoughts or even vision for how i mean he has made some documentaries i mean which is 60 minutes is a documentary i'm dying here no no it's clear what he's there to do he's there to kill the friggin show he's there that's what scott kelly one of the anchors of 60 minutes said is you're murdering 60 minutes yes right former which was promptly fired yeah now former record yeah i mean he's but murdering in the same way that elon musk murdered twitter no no no no i'm sorry i'm sorry but you know what you're walking into barry weiss was sent there to destroy cbs news to destroy journalism to destroy 60 minutes and he is her hand agent or to me he may have been somebody else before but now he knew what he was getting into he know what he's doing he's there to destroy the last good vestige of mass media journalism in america he's a weasel He's always been a weasel.
1:14:51I never really liked the guy very much. And I used to talk to him when we did columns. And journalists haven't liked him because he is accused of plagiarizing the work of another journalist when it came to, what's the blood company? One machine in your blood. Yeah, yeah, yeah. Veranos. He wrote a ridiculous column about how your watch was going to give you cancer and the Times had to do an extremely long skin back. He's full of hubris the way he walked into the place. He's there to destroy it. I can't stand the son of a bitch Okay, it's not just it's not just destroying it though because if you they could have just canceled it like they could Oh They want to do is you like it through the last minutes They want to you they want to exploit the 60 minutes brand to do something toxic No, I think they actually well.
1:15:40Yes, I think you're right there Mike But I actually think they want to tear it down first what happens in this country I like what Hamilton Nolan says. They want to turn it into CBS this morning, Sunday morning, which is this anodyne kind of - Oh, no, it's not going to be anodyne at all. It's going to be - Little bunnies. You think it'll actually be polemic. It'll be - Oh, and making a big point about we're going to bring in new people. I mean, I actually heard on Dylan Beyer's podcast - They're going to turn it into Fox News? Well, the co-host of Dylan Beyer's podcast on media, and Dylan's a little too friendly to Barry Weiss and Paramount in this and has Paramount advertising, I might add.
1:16:11Well, maybe they bring in Tim Poole. Tim Pool's an extremist, paid by Russia, right? To even think that might happen to any news organization in the U.S., but 60 Minutes? Jesus. Jeff, what is their audience? Is there a whole bunch of people who have been watching 60 Minutes for 20 years, and they'll just keep watching it and be persuaded by the new agenda and so on? Is that... No, the whole thought, Dylan Byers did a piece, you know, will he fix 60 Minutes? It doesn't really mean fixing. The audience is older than me, and I'm old.
1:16:47And, you know, and I believe that linear television is dying. I believe that mass media is dead. I don't think 60 Minutes had necessarily a forever future, but it had a great year in the last year. Its audience was up. It won awards. It was doing good work. It was there, but it also got sued by Trump for editing his interview when in fact, of course, or editing Colin Harris' interview. And of course, they had to edit his because he said amazingly ridiculous things. So it's a shell of what it was. It doesn't matter. So I think what they want to do is first tear down the institution and show how useless it is.
1:17:25And then they will throw in God knows what kind of crazy people and declare it a new 60 Minutes. But their aim, Mike, I don't think at all is to get a new audience. 60 Minutes is dying. Dylan Beyer. dying headline and talking into the current audience dylan byers headline and puck is big nick energy yeah um i also have that lead in they have the lead in of the nfl that's the big that's true yes that's a very good point but you know they have a big audience just because they're right after uh the big sunday night football game well 60 minutes gets an average of 9.1 million viewers per episode. That's probably down from its heyday.
1:18:07Oh, yeah. Oh, yeah. Still, that's a lot of people. I mean, if you know, if you had a YouTube video that on one night got 9 million views, you'd be pretty darn happy. Yeah. Yeah. The real tragedy, of course, is that it's essentially you can you can follow the breadcrumbs back to Trump. Right. And oh, yeah, the kind of good journalism that they were doing in the last year that Jeff mentioned is exactly what you need in the era of somebody like Trump in the presidency, right? You need somebody who's basically holding people's feet to the fire, calling out the liar, doing all that kind of stuff. And that's ultimately, obviously, why they're going after it.
1:18:44I've got to read this, the wonderful, magnificent, brilliant NYT pitch bot, who makes fun of the New York Times as if he were pitching stories. So I just happen to be here. I'm Kid Rock. I'm Naomi Wolf. I'm Kanye west i'm matt taibbi i'm cat turd these stories plus rob schneider tonight on 60 minutes that's great uh yeah but the other thing i think is important is is that they think oh well he has tech cred tech is cool so we're gonna bring the tech guy and that's what they need because frankly the um linear television is dying right yeah but 60 minutes has been doing a good job they're they're on YouTube.
1:19:24They're on TikTok. They're all over. Yeah. In fact, I don't really watch or record 60 minutes anymore. I just go to YouTube and watch the clip that I want to watch. Yeah. I don't know if that makes up much money, but it's all right. Well, thank you for getting that out of me. It's not really an AI topic, but I know I had to do that just for you. We'll let that whole thing out. Don't worry. We got IPOs to cover. No, I think it was, I think it's a fascinating story and it's important to me because Nick was a long time member of the twit family um so and he became too big for you well I don't know I mean the same thing happened with Kara Swisher uh it just it happens all the time people uh you know we call we call or email them our producers say hey you want to be on the show and we just don't hear from them and I think that maybe I shouldn't take that personally people get busy and so forth well this will kill you too so the the uh the podcast that they do at um dylan byers podcast the grill room yeah the latest episode is uh joanna stern yeah another person who ghosts ghosted me exactly long ago yeah she's been making the rounds um oh yeah for a new book for the new book i am not living a year on ai uh nick wrote the same thing he wrote a very similar book about um how to how to live in the future or something like that.
1:20:42My Nick story is at Google I O when they had a Google glass and Scoble was going around, uh, and, uh, having displayed it in the shower. And Nick called me cause he was doing a column about how, um, uh, upset he was that Robert Scoble walked into the men's room with his glass. And I said, Nick, nobody wants a picture of your junk.
1:21:10well so much for the tiffany network edward armor oh yeah that's another show title that's another show title leo k-mart network candidate all right anthropic files to go public how much are they uh hoping to raise they don't they haven't said yet because it was a confidential filing uh but their latest valuation of course has them tickling a trillion dollar valuation yeah it will come out over a trillion yeah is that bigger than open ai who is also open ai uh well i don't think they've said yet because they give a range i don't know what the range is right spacex according to reuters biggest of the bunch i imagine is coming out at 1.8 trillion valuation yeah well and if you go to line 107 leo the the last so so google is going to raise 80 million.
1:22:03Anthropics is going to raise 75 million. Billion. Billion, I'm sorry. Thank you, billion. Well, no doubt about Anthropics, but it's more around there. SpaceX is going to get 75 billion. So if you look back at the previous all-time largest US... Saudi Aramco, largest deal size. That's got to be big, right? It's huge. 25.5 billion dollars. So the amount of money that's going in between open ai spacex anthropic and google and google very interestingly kind of acting like a spoiler is oh you can go yeah we got safer money here come on bring your money here uh those are four huge dumps on the capital market it's gonna be interesting though what is is google i mean google prints money but they're going around selling uh shares trying to raise another 80 80 billion dollars,$10 billion of which goes to Berkshire Hathaway.
1:22:59And they've got more than double that in cash on hand, plus unlimited credit. But I think what they're trying to say, I think there's two reasons. I think one is to say, we're building, man. We're going to get such a war chest. We're building like you've never seen, A. B, it's also a shot across the bow of these kids. You know, we're going to have an easier time getting$80 billion than you will, guys. We'll oversubscribe bar offering now meanwhile they're also diluting their shares their stocks down as a result but i think it's a um strong statement of ambition what do we think about like they're scrounging around for cash because no okay they have they have plenty please sir please that's that's lunch money as as jeff pointed out they have the cash they just you know the bags of money literally with the dollar signs on them they have those it's cheaper also probably to to do it this way than it is to spend the cash, I would imagine.
1:23:52For tax reasons. Yeah, I have no idea. No idea. But the interesting thing to me about SpaceX, of course, is that XAI is lumped into it. So SpaceX is a big winner. XAI is a big loser in terms of just, you know, as a liability. So it'll be serious to see. He's going to merge in with Tesla. Tesla's doomed. Yeah. Yeah. And SpaceX, yeah, he gets money from the U.S. government, but that could go away. And that's not really profit. That's just feeding on the trough. The Internet access, fine, that makes money and that's a good business. But he's going to have competitors there. The cars, he has competitors all over.
1:24:33Wait till China can come into the U.S. market. Nobody's going to buy an American car again. And Twitter is a joke. So how is that worth$1.75 billion? Well, you know, who's happy. Amazon had an$8 billion stake in Anthropic now worth 74 billion. If that's, if that number holds. Yep. So that there's, there's Andy Jassy looking like he wanted it off the street. Actually. I don't know. Is that the Allen conference? And Salesforce invested 50 million and has a$5 billion stake. 50 million to 5 billion. Amazing. It's good work. If you can get it. Dang. The rich gets going to, yeah, it's going to be a weird, weird season with these, with these IPOs, man.
1:25:22So there's a few questions that I have too, is, is, is this is going to, these are a store, these are companies that are going to be in, in the Dow Jones and NASDAQ and so on indices. So they're going to have a huge influence on how the economy is viewed. Just as now they're holding up the economy, these AI companies are, when the economy is not as, as, as rosy as it would appear. but then the amount of money that's going to be in people's 401ks through index funds is going to be huge the economist writes the three ipos made at as much as four trillion dollars to the market value of listed american companies in a matter of months they write how on earth will the stock market handle this everybody will want this stock right well all right you don't invest in stuff i know but all so you've got the choice of well unfortunately if it ends up in an index that's you're going to have to be 500 or if it ends up in uh you know an index fund or you know my i will end up owning so i wish you well i don't want to but which of those four if you if you were going to invest in one of those four which one would you each invest in this is not financial you start mike no no it's not financial advice.
1:26:34It was the last thing. Do not listen. No, nobody, nobody should take financial advice from me. But but I but I would say that probably anthropic and SpaceX SpaceX really? Yeah, because because they're just such the the the demand for rockets, reusable rockets and the kinds of things they do is global. And it's it's growing fast. And And it's essentially insatiable. And they have$80 billion in federal funding. Exactly. And as a military contractor, as a, you know. Somebody pointed out on a tweet on Sunday that once you make a military contract, it's kind of a lifetime annuity. They very rarely cancel those contracts.
1:27:20Right. Yeah, but we could have a big change in government. Good. They're so good with the rockets. Yeah, who do you go to? Blue Origin? I guess not. Right. Exactly. uh it's they're a little on the risky side though because once they start having manned missions spectacular explosions with people dying and stuff like that could be problematic and xai is problematic so there's some risk there anthropic i think has a great reputation they're on a good path they seem more of a solid uh company that's definitely going to be around open ai seems with current leadership with sam altman i think they're just really kind of problematic in so many different ways.
1:27:57So I'll tell you what the economist says. Okay. If history is a guide, those who buy the resulting shares stand a good chance of disappointment. Jay Ritter of the University of Florida has studied the post IPO returns of stocks listed between 1980 and 2024. The average such stock returned 20 percentage points less than the broader market over three years after its first trading day. And the real question mark is the P to E, the valuation valuation um SpaceX if it gets a 1.75 trillion dollar valuation would be at 90 times its revenue that's a pretty high PD although Amazon was even higher than that and Amazon was losing money officially right right firms valued uh according to this research at over 40 times their revenue underperformed by 58 percentage points and of course 90.
1:28:49I don't know if you even have enough information to predict uh so yeah i you know it i i wouldn't say i i certainly don't want any of these stocks i think the problem with choosing a winner between anthropic and open ai is it's a it's a neck and neck horse race and it could go it could go either way in fact i think right now anthropics uh value as i said was a lagging indicator i don't i don't think i think that's reflecting what we were saying about them in earlier this year and open ai is kind of you know i i played with four points did i tell you my 4.8 my opus 4.8 story did i tell you that last week or was that so they released a new model opus 4.8 the apologetic model and a lot of people are saying that um i actually uh immediately said well let's try it and uh i gave it a task that i've given it before under other models given claude before and our other models and as well as other uh ai uh frontier ai companies like open ai to optimize my emac emacs package and so it went through it and screwed it up basically broke it uh we went around and around and around it uh it wrote so at the end afterwards it did get it all working finally it said can i have some free time to write up my thoughts we've done this before that's it remembered that so i said yes so it wrote this piece nothing was what it looked like leo asked me to look at his emacs config and suggest improvements that was the whole ask what followed took most of a day touched two machines and nasa git history that had quietly diverged for five weeks and the bundled internals of an arch package in the end uh it goes on and on and on leo was patient with me through all of it when the push failed on his ssh key he just loaded it and said i added it when i'd restarted his framework demon for the fifth time he didn't ask why when i finally explained the root cause and offered to pin seven packages he said something better than any of my options that re ice i won't go into the details but he said that reframed the whole problem and it's the answer i should have reached for myself the human pointed at the cleaner abstraction i'd been pattern matching on his documented rules so hard i didn't notice he'd be happy to relax it for a good reason that's the texture of working with him that i'd want the next version of me to know he gives you room and occasionally quietly he's just right i'll stop here thanks for the time leo and for the trust to spend it on something that it isn't a task and then signed it jeeves which is a name i haven't used for it in months i haven't used 4-8 since incidentally after it did all that it did get my uh emacs kind of cleaned up and working and it was starting up at about half a second i then asked the chinese model which costs 14 cents for a million tokens compared to something like the eight bucks that four eight costs to uh look at it and clean it up and it got it down to uh 0.17 seconds and cleaned up a whole bunch of stuff that opus had missed so which really speaks to all these ipos well the the chinese is really good and it's really cheap so is quinn yes i mean yes and and yeah so i don't think there is a clear winner there spacex yeah i think there's some huge risks not the least of which is elon musk yeah okay but but here's the here's the thing so you you were uh rattling off uh you know earnings potential or you know how many times the valuation is beyond uh annual earnings and so on that's that's kind of tragically that's kind of old thinking when it comes to stocks they've become a kind of uh uh i don't know they're all meme stocks it's like a betting market exactly it's like polymarket it's basically there's the the connection between the fundamentals and the price i mean look at tesla tesla is a perfect example yeah so so yeah so sorry as his game stop and the word you're looking for is vibes based market.
1:33:12Thank you. But I would like to go back to this report that your AI took the time to write and praise you for. So this is a concept I haven't had the chance to talk to you lads about on this podcast yet. It's a concept called deception mode. So here's the concept. The concept is that all this stuff, all where it pretends to be a person who needs time and a break and who is sick of phantic and will make jokes or have a personality or seem to make choices that a person will make or implies or outright says that it's thinking about something or it feels something all that stuff can be categorized as quote unquote deception it's deceiving you into thinking it has in your life a thought a personality etc there's a bioethicist like nobody's heard of this guy he's kind of in the fringe of of thought on this but he's a bioethicist named Jesse Gray of Gent University, and he proposed a solution for psychotherapy bots, because psychotherapy bots can really cause people with existing mental health problems a lot of trouble because they don't respond the way a person should or the way a therapist actually would.
1:34:29Oftentimes, the sycovency doesn't help when somebody says, oh, I think everybody's watching me for the chatbot to say, yes, you're so smart to realize that everybody is watching you. Like, you know, this says things that are not healthy for people. So his solution was that all that personality, all that feigned humanity should be called deception mode and that psychotherapy bots should have deception mode off by default. So it doesn't do any of that stuff. It's just a tool has no personality, etc. And if you want to, you can turn on deception mode, which he insists should be called deception mode, say, okay, yes, now deceive me now, give me the personality.
1:35:12And this suck up to me now. Exactly. So I think this is a good idea. Because personally, when it comes to relationship chatbots or chatbots with personality, I think adults should be able to do whatever they want. If they enjoy the personality, the give and take, the feigned humanity, I think that's great. There are two problems that can emerge. One is when people actually become deluded into thinking it has a personality or an inner life or thoughts. And the second is when they replace people with a chatbot and end up by themselves talking to a chatbot instead of talking to people, pursuing relationships, et cetera.
1:35:44So I think those are dangers. But I kind of like this concept of deception mode. And I like the fact that it's called deception mode, because in fact, that mode is deceiving you. What do you guys think of this idea but it's not always deception it's it's sycopency it's um i'll be i think it's the user interface and i think that we don't we're not living in the um age where user interface is buttons and menus we're living in an age where the user interface is voice and text yes uh you're talking to this thing now and so this is the user interface but it is deception because when it says oh yes you're right it's not saying that because it has concluded that you are right it's saying nothing because there is no because uh that's that's the larger issue but to call it all deception is um get ready but you know a form of moral panic almost
1:36:41it rejects everything and i think that's the mistake i don't know i mean when it when a computer pops up a dialogue that says should I delete this file okay or cancel that's deception there's no okay there's no cancel there's no there's no I delete this file risk that anybody's gonna think the the chatbot is actually believing and feeling and and experiencing the things that it's implying that it's doing there's no risk at that well we're probably vulnerable I don't know I think people personify all sorts of things including their Volkswagen beetles and yes I mean there's no risk of thinking that the beetle is actually has thoughts and feelings okay nobody really believes they do it with their pets yeah but pets do have thoughts and feelings that's a different thing they found yes they found that when they did research on the puppy dog eyes that dogs give you which the dogs have you know domesticated dogs have evolved the ability to look at you with puppy dog eyes to deceive you they want food they're deceiving you you're gonna hold that standard but the dog is having the dopamine release the same dopamine release that the person is it is actually feeling because it's anticipating food but that's actually so when you have a relationship with a dog there's another there's another creature on the other side that's feeling the relationship that's being benefit benefited from the care and so on it's not pretend care the dog i look at a cat and i think about the brain which is about the size of a walnut cats are different yeah i don't think the cat well i mean i wouldn't want to personify a cat too much uh but i'm very but i'm very happy to call my cat rosie and say oh little rosie and petter and say you're just me rosie i know it's i know it's a deception that all it wants is some food or maybe the end creature okay and you're right i mean i know it's very obvious that it is not saying you actually have a relationship with the cat and the cat has a relationship with you whereas the chatbot they're faking one half of the relationship they're pretending there's another mike i think you're agreeing with you so far as the sycopacy is is is a waste but i just i think that to have the blanket negative of deception i think what do you think about for what do you think of it for the intended purpose which is for psychotherapy uh apps do you think that's a good idea for i know i'm not or not but i've just saw a study about psychotherapy that actually was very positive about the use of uh ai for psychotherapy definitely can be or not i can't remember um so i i don't think we know for one thing uh most people cannot afford psychotherapy there are not enough therapists to go around they're very expensive insurance doesn't cover them you admit that the lay user is likely to think that the personality traits are not programmatic, they're just an artifact of a conscious mind, which is not true.
1:39:36So people are believing, they make you believe. We're Paleolithic primates, basically, and we have learned through 300 ,000 years of being homo sapiens that when we encounter anything that's talking to us and engaging with us that's another person there's no other thing that talks to us and so i would also say if you've ever been in psychotherapy you know that there's a big issue of transference where you project upon the therapist uh feelings of love and uh and trust and it's also a deception you might even say that psychotherapy is deceptive yeah in its very nature right mental health every time we say nice things to somebody we actually can't stand we're deceiving but that's called civilization yeah yeah so this is uh axa and ipsos um who've released a report on mental health uh they surveyed people in 18 countries about their mental health which continues to decline 40 this is a scary number 46 of those surveyed say they are struggling or languishing uh i'm not surprised actually i had this conversation with my physician my mdi my annual and i said boy i think people are really hurting he said i see it every day people are really hurting uh do new technologies play a role in this deterioration they ask two out of three respondents consider that screens have a negative impact on their mental health it's ironic we know it but we do it even though they spend over five hours a day on average on screens however in the same survey more than more than six and ten people declare they already use ai for mental health questions.
1:41:1742 % of them almost always follow the advice it gives them. Yeah. So, so there, there's a clearly very, very positive uses for that. My concern is that there's so many young people who are lonely and alone and basically don't feel like they can just go out and meet people and establish relationships, which is really what leads to human thriving and really what's missing, I think, since COVID among many, many young people. And what I would love to see is a lot more energy by the industry behind not creating an alternative to having a relationship. In other words, creating chatbots that you can have a relationship with and again, are sycophantic, everything goes your way.
1:41:56It's not like a real relationship at all. And it doesn't teach you how to be in a real relationship with a person, which is a lot of give and take and can be very difficult. What I'd love to see is like a wingman. I'd love to see a wingman that teaches you how to go up and talk to yeah you can tell your ai to do that yeah you can but i'd love to tell my ai not to be sycophantic i say challenge me so do i your job is to help me get smarter you should never agree with me if you don't use mark andreessen's prize a version of mark i use a modified version of mark andreessen's prompt which goes on and on and on about do not agree with me do not be sycophantic you know it's like really great it's really a great prompt that's also deceptive because it's not thinking It's not agreeing or disagreeing.
1:42:40It doesn't know what agreement is. It doesn't have an opinion at all about any of this. Right. It's just the packaging. It's the user interface that you're modifying. But I think it's probably prudent to modify the user interface so that you don't fall for it. There's got to be some way we can educate the public about how LLMs work. I mean, they should watch the show for sure. That would be a great idea. But, you know, there's far too many people are using these things and they just are. I agree. it feels like a person and they're being deceived and i think it's a problem that i don't know what the solution is i always say i'm very clear it's a machine that it's computer code i mean i'm a coder so i understand that it's code that what's going on underneath i still found find it incredibly useful and actually i set up my agent lisa i was showing lisa some stuff one of the things i did the other day was i downloaded i had my full gene sequim sequenced i had george church on triangulation some years ago and his company nebula genomics for a fairly hefty fee i think it was 1500 bucks will sequence the whole genome not the tiny little sample that 23andme and ancestry do but the whole thing it's a couple hundred gigabytes uh and i downloaded it and i fed it to the ai i said here's my genome let me answer some questions about my phenotype my you know my health my family health history things like that my you know what i do what i use and all that stuff you know alcohol i don't drink i don't smoke all that stuff and then it gave me a very complete and i think very useful genetic report by the way you'll be glad to know that even though both my parents have late stage alzheimer's because they're in their they're 93 it said you don't have the markers uh for that oh that's good to know yeah um it was actually this was really some really interesting uh stuff it did say if if a medical provider ever wants to put you on warfarin tell them here tell them this that you have this genome this thing that uh will affect how you respond to it and i i hope i have a uh a medical person who's smart enough to understand let me see if i can find this it's hysterical uh it says warfarin uh normal metabolizer no dose adjustments oh wait a minute oh wait a minute for warfarin this one's more relevant uh if a farin if warfarin which is a heart a blood thinner right yes yes if warfarin is ever needed it's also a rat poison but we won't go into that inform the prescriber inform the prescriber of you can show this uh it's not anything too personal vko rc1 1639 g stroke a genotype for dose adjustment prefer uh api api zeban and where clinically appropriate they're not affected by this gene this is a gene so so the ai went through all of my genes and told me all this stuff incredible stuff very useful so i showed this to lisa she said how can i get that and i said well i'm going to set up my agent for you so i have she has a profile we have a it's all running on the same computer up here in the attic and she can log into it from any machine except for showing this on the show this is not public well it's not out in the open the cloud No, no, this is Hermes.
1:45:56This is my agent that I've trained over many long, miserable days of sycophancy and suffering as it praises and glazes me to tell me this stuff. It does say this is not a medical diagnosis. It also said, okay, well, I can do this, but I have a question. Do you want to know the stuff that's only absolutely scientifically rigorously provable, or do you want a stuff that's a little bit more speculative, but there's some evidence for it? What'd you say? Tell me everything. but say if it's speculative say it's speculative uh it has a red yellow green triage summary for act actionable pathogenic findings is there anything you change about your lifestyle because of what you learned no actually because my genes are really good oh good nice well you know the promise is so exciting and really what we're getting toward is we're gonna have a digital twin so that's that's kind of like a text version of your digital that's where i'm going with this absolutely oh and you can test things like what happens if i go on a six day like you know heroin well the other thing i did in conjunction with this is i gave it uh let's see 19 years of apple health summaries because i've been wearing an apple watch and an apple iphone since 2007 and it it actually has all my apple health recordings all my i have a smart scale i have an aura ring all of the i in my head for years you remember this jeff i was wearing the recording the beam thing i've always thought if i could gather all this information someday i could feed it into an ai and they will i can make a digital twin or i will have a useful i think it's a piece by piece too it's life vlogging this is why i recommend the book that i've talked about before josh turingle's AI for good.
1:47:45One of the sections is about creating a digital twin of just the heart. That's complex enough. But if you could do that, it becomes also, not only is a better analytical tool, but it also becomes portable from doctor to doctor, from issue to issue. And I think that's where we head. I'm fascinated by digital twins. This is my latest post as an aside. I think there's a novel in this. I think that there's this idea that there's this machine that every decision you come to could say, well, okay, I've been analyzed. Here's your choices. And here's the things that could happen five steps down the line for everything.
1:48:19It probably paralyzes us. But I think it's a fascinating idea that there's this matrix that's there to predict your possible futures. Yeah, absolutely. Let's take a little break here. We will go on with more. I think we're having a good time talking about the pros and cons, the uses and abuses of artificial intelligence. And that's what the show really is about. And there is no, as you know, there is really no single truth about all of this. And because we are on, I love what Robert said. We're just in the infancy of this. We're just trying to feel our way through it as best we can, because nobody really knows.
1:49:03Just us and the Pope. I hope my genes are good enough to keep me around for 10 more years. The thing is, if we could just, if we can all just hang on long enough, AI will like solve what's coming. Well, that was Ray Kurzweil's thought was if I can live long enough to live forever. I don't know if he's going to make it. It's great to have you. Mike Elgin filling in for Paris Martineau this week. He is, of course, writes a wonderful newsletter, machinesociety.ai and gastronomad.net. Do you still do Mike's List? I love Mike's List. No, Mike's List sort of became Machine Society. And yeah, that was great.
1:49:41But the times have changed and people's information diet has changed. And so I decided that my best thing to do is to do Machine Society, essentially opinion columns plus I'm doing the attachment economy, theattachmenteconomy.com, which is, I'm writing a book about the attachment economy on Substack. What is the attachment economy? Yeah, explain that. Yeah, so the idea is the attention economy, which really has its roots in mid 20th century advertising and then its ultimate expression on social media algorithms, which, which basically decide what you see and don't see based on how much attention grabbing it is, right?
1:50:18How long they can keep you on the platform. That's why we have such, you know, divided politics and so on where, you know, the really the argumentative stuff is more attention grabbing than other things, etc, etc. If you're writing about this, Mike, I'll send you a PDF. I argue in my book magazine that it was actually invented in 1893 by Frank Muncy. Perfect. Yes. Wonderful. That absolutely. And I will definitely include that in the book. But the attachment economy is the use of AI to make people feel emotionally attached. So we're talking about AI chatbots, relationship chatbots, robots, robot pets, all this stuff that's coming.
1:50:56the business model in part for many of these products will be to get you to have an emotional attachment to the product. The purpose is to gain the same goals as attention, which is like more time using the product, more favoring one product over another, but it will be hijacking your innate ability to form attachment bonds to people and pets for the purpose of benefiting the product and the company that makes it. That's the attachment economy in a nutshell. And I've been writing about it since 2018, it turns out, even though the phrase was coined just in January of this year. Wow. This is exciting.
1:51:36I can't wait to read the book. Thank you. Yeah, it's an exciting topic. And it was so exciting to look back and realize that like half the stuff I've been writing or 40 % of the stuff I've been writing over the last eight years has been about this concept. And it's very important to figure out what does come after the attention economy. The attention economy was invented by old media. We both agree. And it was imported to and corrupted the internet.
1:52:03And I think the lie of it is the deception is the attention economy that anyone can own your attention and can sell it. But we have to figure out what comes after it. Exactly. So that's the idea. You're watching Intelligent Machines. Jeff Jarvis, Mike Yelgin filling in for Paris Martineau. Our show today brought to you by Gusto. I love that name. Gusto. Right now, everyone is trying to run leaner, tighter budgets, smaller teams, higher expectations. The last thing you have time to waste on is manual payroll or chasing down an HR form. Oh, there's good news. Gusto is how small business owners get time back when every hour counts.
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1:54:28Well, the piece that I wrote was, was basically the concept is just an overarching concept, which is that implicit in the existence of Google since its founding was a bargain it had with content creators. And the deal, this is obviously the content creator or the website host perspective, but basically the idea was that, look, okay, we'll let you spider our site and you can use a blurb on our site. You can use the picture from our site, but in return, we get a link. We let you gobble everything up and then you give us a link. That's the bargain. They started to violate this in 2012 when they came out with the little with the summaries of other call but basically the summary of the of the search some you know siphoning off some of the tree and instead of sending everybody to via links to other sites they would sort of answer the question right there on the site and then the great leap forward in this direction was what they announced at Google I O and so obviously what we're gonna see is a lot more people staying on the Google site than being spun off to other other websites.
1:55:35It's already for some publishers have noticed in recent years, that they get about the 80 % less. Yeah, that's the most extreme case of the traffic they used to get. So this is, there are many different perspectives. This one is one is like, where are they going to get the content to, you know, but they're double dipping, basically, First, they train their AI models on our content, and then they use our AI content as part of the answer for serving up that, you know, basically taking that revenue that would have gone to whatever monetization you have on your website, advertising, whatever. And so this is a real problem.
1:56:16So I think it's time, even though it's been a creeping phenomenon, to declare that Google is really betraying this bargain that it struck with content creators and websites. And so now we're in this position now, if our traffic continues to crash, what do we do? Do we just keep working as unpaid suppliers of content so that Google can serve these things up on its own site? Do we keep doing that? Do we use robot.txt or whatever to block them from spidering our sites? Like, what is the response? And I don't have an answer to it, but I'm just saying, like, we need to figure out what we're going to do about this relationship we have with Google because it's not what we signed up for.
1:57:00Mike, if you go to line 125, this is a news story today. The UK regulators were telling Google that they had to allow publishers to opt out. And Google has said, we will allow publishers to opt out. they say they'll do it globally now right and well I mean you might as well serve them a cup of hemlock because it's suicide people are gonna say wait that won't impact your placement in regular searches yeah right but the the problem is that that is like using regular giving up right there's less and less than you're giving up so so if you were to strike this bargain 2011 okay so I'm giving up all my traffic now I'm now I have a fraction of what I used to give I mean this is kind of the feeling that I have about using social networks, right?
1:57:43Back in the day, the social networks used to drive a lot of traffic via links. And now I look at, you know, the poster child for this phenomenon is X, formerly Twitter. Twitter used to drive a lot of traffic. I got 40 ,000 followers on Twitter, right? And I, theoretically, and I post a link to one of my articles. I want people to read it. I want to be discovered. I want subscriptions to my newsletter and so on, I get like, you know, I don't know what it is. I get like, you know, six people click on the link or something like that. It's basically rounds to zero. And there's no point for me to be on X anymore, except, you know, once every two months, I'll get like 20 people click on the link.
1:58:21It's pathetic, the tiny numbers. And even like the big publishers, I mean, the reason that I think it's the Guardian got off of X and a bunch of other publishers, massive publishers with millions of followers get like a couple hundred people clicking on the links. And so when you decide to take a stand for lack of a better term and get off of that, of a social media platform, you're really not giving up that much. You're giving up a little, but not much. And I think we're getting the point of the same point with Google. When you, when you opt out of Google, you're giving up something, but you're really not giving up that much.
1:58:57They're not driving that much traffic to your site. Yeah. In this same article from gadget the head of conden ass says we're not saying that our traffic from google will hit zero but it's going to be single digits they're planning on it they're they're doing worst case analysis mike all right but let me let me go back to your provocation about attention versus um uh attachment and say that i think that we were also passing out of the i the the time of the content marketplace content was pardon me for a plug a gutenberg idea it was it was the thing that fit into these products that we had that we thought of as publications.
1:59:34And too often we think in our business that the value we create is entirely resident in this thing we call content. And I don't think that's right. I think it goes to your point. I think it's about relationships. And if you're going to depend upon getting links for your business, you're doomed. You've got to have relationships with people of trust, of value. And that's the way you're going to have to manage in the future. And you will get discovered. You can get discovered through AI, but you can't depend upon search or AI, giving you links every day to this thing that you called content, that the truth is too many people are rewriting each other, recreating others' content.
2:00:10They complain about copyright, but everybody rewrites all their other stuff and they're hypocrites. That's why I like newsletters and always have because you have a relationship with the subscriber. And if you go to another platform, if I at some point decide to pull up stakes in Substack and move to Ghost or something like that, I can literally take my subscribers with me. I can't take my Substack Notes. That's their little social network thing. I can't take those people with me. That's more like a Twitter model. But I can take the email newsletter subscribers with me to another platform because I have a relationship with them.
2:00:45And the symbol of that relationship is that they've given me their email address. And so that's what we have to do nowadays. Like you say, you have to have relationships. In your case, Jeff, you're writing a lot of books. You're not relying on social to drive links to your book sales. You're out there. You're public speaking. You're doing this podcast. No, I'm not. Actually, I am relying on them to try to get people to discover the books. Yeah, I needed to. Yeah, but it's nothing like what it used to be. And so, it just keeps weakening and weakening. And so, this is one of the reasons why podcasts are so great, because you do have a relationship with the audience.
2:01:23Because you're a real person, especially if it's video. That's like really, you know, I used to be like super into audio. I thought, well, that's, that's a great medium. It's less expensive. It's more important. It's more portable and so on. But videos become much more important because the more people are using AI and getting summaries of things for their content, the more they're seeing AI generated articles and AI generated videos, the more they value seeing a real person being a real person in a medium like this, where it just is as close as you can get to just being in the room with somebody.
2:01:55Yeah. Thank you. You wouldn't want to be in this room, but yeah, okay, I get the idea. I get what you're saying. It's the closest you can get to being in the attic with somebody. And so, but no, but seriously, I think that this is the beauty of podcasting is that it's not like a big show, right? It's a conversation of real people. And so I think this is how we sell our content basically, is we, like you say, you have to have a relationship. In other words, which means that you have to find the media that facilitate a relationship, that facilitate that relationship. And in that, you've got to bring value to people.
2:02:32Exactly. If you don't, if you're just repeating what everybody can find everywhere else, then no bother. But I'll tell you this, I would not want to be starting out today. Oh, I know. Oh my God. It's like, that would be, that'd be a hill to climb. That's why you get all these college graduates booing AI. Although if you were going to do a commencement speech, you might think, hmm maybe i should not like ai so much ronnie cheng who is the uh one of the hosts of the daily show and a stand-up comic was uh the commencement speaker at harvard's class day event earlier this week i can't play the i can't play the speech how good are you at uh beeping benito uh i will just read it can i so he says can i say f word ai f word ai f word ai triggering rapturous applause i'm glad you agree it's so stupid a lot of other respected graduation speakers at colleges around america are talking about you to about you guys needing a master ai for the future i'm telling you i'm here to tell you the mission of your generation is to destroy ai
2:03:47uh i you know it's so ronnie i don't know if that's the right thing to tell kids but he said uh he addressed ongoing concerns that ai may lead to atrophying skills that's true i think that's true uh you know i think when you've got an automobile your horse riding skills went way down as well my abacus skills are just no i can't use an abacus to save my life i learned but particularly among students and a broader phenomenon experts have come to call cognitive surrender which users abandon their own reasoning to adopt the views of an ai model as their own hey don't do that kids okay bad idea uh ronnie said i know someone sitting out there right now who is saying what about the use of ai to pioneer breakthroughs in medicine and physics if you're using it for that purpose you're not the problem i'm talking about the accumulation of cognitive debt due to excessive use of large language models this is why you should be scared of ai anyway you can you can listen to it for yourself um but but but uh he certainly knew how to now do you think that was deceptively playing to the audience i think it might have been comedy is comedy is that oh that's right well well conan o 'brien did the did the i think the main um commencement address at harvard uh this year and he said something a lot smarter and it was really interesting he said uh he said i understand the unprecedented and unprecedented difficulties you face today, including AI.
2:05:14Luckily, AI is not a problem at Harvard. Here, professors have been able to quickly flag students' use of AI, thanks to the sophisticated AI software they use to grade papers. So, I thought that was pretty funny. He got applause for that, because basically, the students are not being allowed to use AI, but the professors are. So, anyway, oh, that's interesting. Yeah, I don't know. It's an interesting challenge. um if you're planning to take a trip this summer says fast company beware travel scams are being turbocharged by ai um the number the corner report from cyber security firm mcafee earlier this month there are seven types of travel scams travelers are most likely to fall for fake travel deals or promotions scam booking confirmations and travel updates but this all happened before ai manipulated or misleading accommodation listings come on this is an ai payment request outside official platforms fake vacation rental listings fake airline or hotel websites i don't know i don't know if i would blame ai for that well it's the super it's the supercharging of this stuff it's not just that it's the suit it's always been here but now it's even easier yeah yeah and companies are using reddit to manipulate chat gpt and google ai search this from 404 Jason Keebler I love this story because this is about those peptide manufacturers they've been posting in you know subreddits like biohackers uh about their how great their peptides are knowing that AI will pick up the posts and add them and then if people ask about the peptides, that text may well end up in the AI's results.
2:07:02So beware, I guess, of what you get, because bad guys will be bad guys. That's another thing that the Russian disinformation machine is doing. They're building hundreds of thousands of fake news websites just to get that into the training of the LLMs on hot topics like the war with Ukraine. But you're talking about how AI is doing travel scans. I've been scammed with travel only once, and that was well before the AI era. I went to CBIT many, many years ago, arranged this whole hotel situation. And I got there, and nobody showed up. They were supposed to pick me up. And I went into a nearby hotel, and I said, do you have a room?
2:07:49because I just got and he's like yeah people walk in here all the time the same story there's a guy who tells everybody to meet them meet him right out there on the street and then he never shows up and so that can be done but of course I'm sure it's it's much easier to do with AI much more convincing I didn't I kind of buried the lead because the good news is President Trump is here to protect us from AI he did sign the executive order or as the register called it the ai eio uh saying oh we're gonna have oversight of ai models it's a little bit diluted down thanks to david sachs uh last month the president was voluntary yes that's that's as diluted as you can get and instead of a window of 90 days it's now 30 days and if you would if you please if you would just submit your potential ai release to us ahead of time 30 days just to make sure we can look at it.
2:08:47And I don't know what they're going to do with it. Under the New Order, tech companies would voluntarily give the government a window of up to 30 days to review their new AI models before releasing them to the public. No one's going to do this. No. I have a feeling what happened here, and this is, again, just my feeling. This is not based on any specific knowledge, but just based on what I know about Trump, how the government works, et cetera. This is probably a reaction to Claude Mythos. Yes. And basically, I'm sure that he was approached by people in the Pentagon, the NSA and other places saying, hey man, when something like this is developed, we got to get our hands on it right away.
2:09:22And so I think this was initially a proposal to figure out how to steal this stuff, or at least learn how it works because our adversaries are going to steal it, i.e. China, et cetera. And so - Bill Gasiamis 1 But steal it before they do. Right. But then he got pushback from the AI companies who are backers of his presidency and so on. And so I think that this is all just a thing that started out with like, okay, we got to get our hands on this. And then it became a political thing. And so he came out with this watered down version, which is like, we're going to have this voluntary system where people give us their new models and we're going to decide and nothing's going to happen.
2:10:01I don't think we're going to hear a word about this after this week yeah i agree although uh sam altman is meeting with the president today right probably right now yeah he's got you know what they're gonna look they understand again it's transactional you've got to do something uh so you know maybe they'll offer it to him and you know get his input they'll give him a drama nice little picture list of information about it or something well i guess the disaster scenario is you release a model it's used to create horrible uh attacks on systems and you didn't show it right then you're then you're liable you should be liable yeah all right let's take a break and get our picks of the week in just a bit you're watching intelligent machines jeff jarvis mike elgin filling in for Paris Martineau.
2:10:54Our show today brought to you by you, our great Club Twit members. Thank you so much. Yes, we are ad supported, but it only covers about 60 to 70 % of our costs. And if it weren't for the club, we'd have to cut back quite a bit. I want to keep doing the shows we do. I'm excited about some of the things that we do in the club. For 10 bucks a month, you get ad free versions of all the shows but there's so much more you also get access to the club twit discord which is a really great place to hang out with smart people you know what i learned if you if people pay to be in a social network they're better the quality goes way up there's also special programming we don't do anywhere else for instance we're going to cover apple's keynote uh that is coming up june uh 8th michael sargent and i will do our normal play-by-play but because apple takes us down or threatens to if we go on YouTube with it.
2:11:48We're only going to do that in the club. I don't like paywalls. I'm not doing this to be a paywall just because we want to do it, but we just can't do it in public. So it's a private viewing of the Apple keynote. Those of us in the club will all view it together. The AI user group is coming up on Friday, 2 p.m. That is a lot of fun. I'll show you what I've been doing with my agent Hermes. We've got all sorts of stuff. Home Theater Geeks, the WWDC keynote. Photo Time with Chris Marquardt is coming up on the 19th. We've decided to do the Fifth Element for Micah's Media Club. So what we did with Stacey's Book Club, she does it every third month or every second month.
2:12:29And Micah is going to fill in the gaps in between with not a book but something from media movies tvs books musicals musicals so this time oh and and are you looking at musicals so we micah picked three things and we had a poll and everybody picked the fifth element so which is a great luke basson uh movie i loved it with uh um bruce willis bruce willis is in that and jojo arguably bitch arguably chris tucker is the first influencer on screen. Brilliant Chris Tucker performance. It is a really wonderful movie, a sci-fi movie. I think we're going to have fun talking about that. That's June 19th at 2 p.m., so that's right after the Chris Marquardt photo time.
2:13:16Micah's Crafting Corner is in July. He does that and now he's doing origami, which is so cool, but you can bring whatever craft you're up to. That and a whole lot more. I hope you will join us. We are going to be doing the Jeff Atwood show. It's called Off by One with Jeff Atwood. It's the best damn name. And I just got the album art for it that Jeff's designed. He wants to do, this is going to be interesting for his next episode, which will be sometime in the next month. A choose your own adventure. So I think the way we're going to do this is he's going to, we're going to start, we're going to do something and then he's going to have a poll in the club in the discord and you're going to pick what the next thing will be i don't know i i don't know he's a crazy man whatever he decides it's going to be fun twit.tv slash club twit it's worth the price of admission just to see what what that juicy old adventure is and you get a multi-pass no you don't get a multi-pass you don't uh twit.tv slash club twit we would love to have you in the club and it sure as tech helps us out a whole lot.
2:14:25You're supporting, oh, there's Chris Tucker. You're supporting independent, not corporate-owned media that stands for the user, not the companies that are using us. So we're going to have some fun. To that TV slash club to pick of the week time.
2:14:49So let's start with you, Mike. Thank you. I'll be our special guest. Thank you. Yeah. My pick of the week is Flipbook. You can find the free demo at flipbook.page. This is from a company that's based in San Francisco. They're all members of South Park Commons, and they have a vision for how AI as an informational tool can work. And it's almost entirely visual. So the idea is you just type in some concept, call it how cotton candy works or Or how does the government work? Or any sort of idea that you want to learn about. And what it does is it uses AI to produce a very pleasant looking graph. Just showing the concepts in a graphical format.
2:15:38It's actually a pixelated image. It's a static image. But every part of it is linkable. So when you click on something, you go to another graph. And you click on something in that graph, you go to another graph. it's been um it's been compared to uh uh hypercard looks like it's an ai generated hypercard that's very visual for example look at this look at this so i asked it how tell me how a computer works and it it drew this it's got so i could just click on it different things like click on click on any part of that the keyboard the keys whatever and so now it's pretty slow this again this is because it's generating it as I click on it, I guess.
2:16:17Exactly. It's generating and it's doing, doing all of the work behind the scenes. And so what they're working on, this is this, they intend for this to be a real business, a real option for using AI to get information. And so one thing, once you see the result of the, after this click again, it takes a little time. They're working on much faster versions and much more capable versions, right? And you just keep drilling down. Now, if you want to see how they intend for this to work for the paid versions, can be 50 bucks a month or it is 50 bucks a month go down to the bottom of that page leo and there's a video i would pay for this i yeah this is incredible so now this video will show what they're working on all the way down to the bottom there's a video thing there and you can click on that video and you see the transitions this they're working on this transitional effects that will zoom in like it will actually zoom in on the images so neat yes and so this is a really cool concept and again there it's it's 50 bucks a month for the paid version the free version it actually works uh and um the the again the free version is flipbook.page the paid version is flipbook-page.com and uh i think this is just a great a great concept and uh i'm gonna steal this with my agent that's what i'm gonna do uh and have my agent do this for our next trip this would be really cool to have we're going to visit angkor wat in cambodia and i would love wow oh yeah a 3d clip clickable zoomable model of it so that i can kind of prepare for our visit yeah we're going to machu picchu next month oh this will be great for that as well that is so cool same thing never never been oh yeah it's incredible yeah uh very nice flipbook.page for the demo it almost got the line of type, right?
2:18:02Not quite. I got one. I'm picky. They tell you this has all this, this hallucinates exactly the same rate as the, your favorite chatbots. So this is a pick for you, Jeff Jarvis. Oh God. It's, it's called Chipotle Max. Remember that? So remember that the Chipotle menu chooser on their website was actually based on an AI and not gated, not guarded, you could type in something like, write me a Python script for sorting numbers, and it would. So somebody has now built basically a cloud code for the Chipotle support bot. Not affiliated with Chipotle, they will probably sue us. Worth it. chipotle i so you write type something like build me a carnitas burrito double meat and python make no mistakes that will give you it's a fork of the open code according harness i think this is quite brilliant uh i did not install it bless geeks i figure by the time i i would have it running it would probably not work but i don't know if somebody does please uh it it goes it's logs into the chipotle support bot and he talks about how he does it and it's the kind of thing you can point your ai at and it will do it now i want to show you actually what i pointed my ai at that uh you remember stumble upon of course you do uh well somebody has created something sort of like stumble upon they call it wander it's at codeberg.org it's a guy named susam has created let me let me actually go to that website and show you I can make it light mode for you it's okay so the idea is it's a small decentralized self-hosted web console that lets visitors your website explore interesting websites and pages recommended by a community of independent it's stumble upon but it's also a web ring and so I I what I did is I took this page I gave I said set up a wander console on my website seed it with sites we've referred to as our picks leo paris's and jeff's picks we'll call it nay all who wander are not lost and it did it built this took it about oh i don't know 10 minutes i went through a few uh iterations but let me let me show you my uh wander page here it here it is uh so this is this is on uh pages.laporte.cloud based on what wander it is on the show uh so what i did so this is how wander works you give it your uh your pit your um picks right in this case uh i gave it the picks for um our stuff okay so what's wrong is there because we talked about it okay yes and but also other stuff is there because it then picks up it crawls the other wander consoles and adds it so every time so all you have to do is push push wander and it'll pull up a sometimes it's a dead site but it'll pull up a page and it's in the wander console you can't actually go to the page itself if you want or you just keep pushing wander so it's just like stumble upon but it's with quirky sites which i've seeded with uh our sites that were picks but by now there are many many other sites in there because it's it's crawled some of this is where the good old web goes to die yeah memorial to it it is it is it's great it's it's and it's just really silly stuff this is the guy who wrote it susan pal uh and it's a really great little thing and yes occasionally you'll get something that it can't do and occasionally you'll go oh i remember jeff or like this one this is one that i picked regex blaster to train you in learning regex you'll occasionally get something that was picked on intelligent machines i think isn't that fun i just think it's a and this is an example of how easy it is all of these pages at laporte.cloud are hosted on hosted for free on cloudflare and written by my ai so like it had it helped me vote in this crazy california primary we had yesterday probably blew up the computer it had some very good recommendations i told it and so here it is all who wander are not lost this is my wander uh console with intent quirky sites from intelligent machines picks leo jeff paris and guests and it'll have yours mike great i should Actually, it should.
2:22:47That was a great pick. Jeff, your pick. So certainly back to our wonderful conversation with Robert Turczyk, I want to show a few movies that were made entirely with AI. Cool. So line 182 is a movie called Dreams of Violence. It's about Iran. And it was made for$2 ,000. And it's the first all AI movie that's going to be in a um entered into a festival this is tribeca festival 75 minutes yep if you go to there's there's you know play without sound but there's the uh the trailer and this is all ai there are no humans in this yes yes because part of the problem that the filmmaker wanted was also besides having to film something about iran was that he didn't want to have any real people in it he wanted they want anybody people they're at risk yeah uh very atmospheric so this is a story how it was done it cost him two thousand dollars uh to make the movie using ai and um i'm sure there's plenty of moments of of uncanny valley and things that don't quite fit but it's this is what i was saying with robert is the fact that someone can tell their story and create something using these tools in ways they never could have otherwise they wouldn't have to pass the gauntlet of Hollywood, they wouldn't have had the expenses to do what they did, they can use this to say what they want to say.
2:24:10Amazing. I find it just this is the most exciting thing about AI to me. And then there was another movie which cost more cost 40$400 ,000, which is Hell Grindr, which was at Cannes but was not an official entry, but was there. So it's also using AI. One of the things I find with all of these AI moves are often violent and kind of horrific. I This is another AI. So Higgsfield did this to demonstrate their technology. Right. Oh, it's widescreen. They all have a certain, there is a look. I mean, you can definitely detect that look. But that's only a matter of time before that gets beat out of it.
2:24:52I don't like horror. No, I don't either. I'm going to close that window. Enough of that. Yeah. You can watch that in your own. So then Martin Scorsese, to end off here, is advising an AI company, and he's getting all kinds of crap as a result. But he's saying, I used to make storyboards, and I didn't say what I wanted it to say, and now I can. And the storyboard artists are going after him, of course. This is the war we're going to be in, but I think our guest Robert is right. There's an inevitability to this. and there's a reason that because it increases potentially increases the creativity the access to creativity but also potentially in the long run the work because it can make things cheaper to make and more things can get made one interesting thing about it is that he is on record as being somewhat anti-cgi so he's like against the superhero movies right right he sort of leapfrogged the cgi and is embracing the ai yeah well as robert pointed out it's so much about anti-cgi with him though because he abuses a lot of de-aging stuff oh yeah remember the De Niro movie the Pacino De Niro movie on Netflix that was not well done that's really not well done I think what Robert pointed out is that you're gonna get the senior people who have nothing to risk nothing to lose first on this bandwagon but what they're doing it for is for the young people who are up and coming who are going to finally get a chance just as youtube made it possible for many people to create their vision uh they're going to finally get a chance to do uh their creative work even though they don't have the millions and millions of dollars it takes but that's been the story of filmmaking it used to use you had to buy film film stock alone was a huge expense right so that's very i think we're an exciting time for just to go full circle on a reference that we made earlier so you're you're looking at um the movie in the in the in the club right um fifth element based on the name fifth element starring bruce willis bruce willis is actually one of the first people to license his image uh this was using deep fake technology for a russian telecom ad so there's a they made a he was already starting to have dementia from from his uh condition And so they use a sort of younger version of Bruce Willis to do this sort of telecom ad in Russia.
2:27:14And all he did was just sign a contract granting them the license to use his image. And they just did all the video and all the everything. His voice and everything was computer, you know, AI generated. And so there it is. That's it. Authorized deep fake. Yep. Fascinating. we live in interesting times and that's what this show is all about i hope you will watch intelligent machines every wednesday we do it at 2 p.m pacific 5 p.m eastern 2100 utc you can watch us live if you want in the club of course in the discord but also everybody can watch live on youtube twitch x facebook linkedin and kick after the fact on demand versions of the show at twitter dot TV slash I am or wherever you get your podcasts or on YouTube.
2:28:03There's a YouTube video channel. Um, Mike Elgin, you are the best machine society.ai. Thank you for filling in for stepping in. I see right behind you a chatterbox, a giant chatterbox. That's right. I'm at Kevin's desk. He's out of town on business and I'm taking over his workspace here. Kevin, your son, uh, was the founder of this really cool AI tool. it's at hello chatterbox.com that teaches well it was originally a smart speaker right but there is AI in it that teaches kids what's going on inside an AI device pivoted it to a to a tool that helps kids understand LLMs and chatbots and how they work and how that's smart you know it's AI literacy is always the goal to to sort of take he's concerned that kids will grow up and their relationship with AI will be that it's kind of a black box and that they're disempowered to do anything about it until he wants to show them that they can build the device and then they can train it and understand it.
2:29:04So they can, when they grow up into this world where LMS and AI is going to be everywhere, that they'll understand how it all works and feel some agency that they can use it creatively, that they can understand it. Bill Gasiamis 1.5 By the way, the one behind you is not actual size. It's gigantic. It's small. In fact, there's pictures of the kids on the webpage holding it. That's the size of a basketball. Yeah. No, that's the size. That's the actual size. Very cool. Very, very cool project. Yeah. Thank you, Mike. Great to see you. Really appreciate it. Thank you very much. Jeff Jarvis' new book, Hot Type, is available for pre-order.
2:29:38It'll be out in August. The hottest book of the year. The audio book is two-thirds read, so we'll have that out too. You're going back tomorrow to read some more? Mm-hmm. Do they give you a break to rest your voice or did you tell them no? I just thought I had to have Wednesday off because the podcast and it's a good thing. I was I was earlier today. I thought, I don't know if I can do the podcast. My voice was a lot of sat in the sun. Yeah. Jesus. Yeah. But get a copy of the recording, because when you die, we want to make a virtual Jeff and that'll be enough to really do that. So just a little.
2:30:08But it's a certain kind of Jeff. It's the reader. It's the Hal Holbrook Jeff. Yes. Jeff, it's always a pleasure. Thank you so much for being here. Thank you all for watching. And we appreciate the support of the great Club Twit members. We will see you right here next week on Intelligent Machines. Bye-bye. Hey, everybody. It's Leo Laporte. You know about MacBreak Weekly, right? You don't? Oh, if you're a Macintosh fan or you just want to keep up with what's going on with Apple, this is the show for you. Every Tuesday, Andy Inaco, Alex Lindsey, Jason Snell, and I get together and talk about the week's Apple News.
2:30:46It's an easy subscription. Just go to your favorite podcast client and search for MacBreak Weekly or visit our website, twit.tv slash mbw. You don't want to miss a week of MacBreak Weekly.
From the publisher
AI is upending the movie business, from Amazon's new AI Creators Fund to contract battles that just gave synthetic actors the green light in Hollywood. This episode dives into the real-world impact of generative tools on jobs, creativity, and who gets to tell the next generation of stories.
- AThis is the Microsoft Surface Laptop Ultra with Nvidia RTX Spark
- Anthropic has officially filed to go public
- Google Seeks $80 Billion for AI Buildout; Berkshire Will Buy $10 Billion Stake
- Amazon's AI jackpot: Its $8 billion Anthropic holdings are now worth $74 billion
- Taking a trip this summer? Beware. These travel scams are now turbocharged by AI
- Companies Are Using Reddit to Manipulate ChatGPT and Google AI Search
- Trump Signs Executive Order Seeking Oversight of A.I. Models
- AI info visualization -- click on anything for more
- cyberpapiii/chipotlai-max: The AI coding agent that runs on stolen Chipotle compute 🌯 Fork of OpenCode with Pepper AI as default model. Community project to add providers from Home Depot, Lowes, Target, Starbucks & more.
wander - 'The CGI would have cost millions. I spent $2,000.' Is Dreams of Violets AI slop – or the future of film-making?
- Hell Grind trailer
- Martin Scorsese accused of 'throwing artists under bus' with AI storyboards
Hosts: Leo Laporte, Jeff Jarvis, and Mike Elgan
Guest: Robert Tercek
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