The TRUTH About The BBC | Nihal Arthanayake, Former BBC Radio 1 Presenter

20 Jun 2026 · 1 h 34 min · 36 chapters

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In short

Nihal Arthanayake discusses his career from early hip-hop promotion and performing to becoming a long-serving BBC Radio 1 presenter and later a BBC Five Live interviewer, then argues “the truth about the BBC” on diversity, class, and institutional incentives. He also reflects on interviewing style and conversation, citing lessons from his book The Art of Conversation.

Guest background

Nihal Arthanayake is described as the longest-serving BBC Radio 1 presenter and a master of long-form interviews on BBC Five Live. He later became chief storyteller at Endava. He started in music at 16 promoting “revival of rap” events in Harlow, then fronted the early-90s band Collapsed Lung, later moving into journalism (Hip Hop Connection, Mix Mag, The Face) before joining Radio 1 in 2002.

Key claims

British rap didn’t “catch” due to timing (pre-grime/garage), distribution gatekeepers, and middle-class representation. At the BBC, he claims diversity is “window dressing,” with “colonial” attitudes and limited power for people of colour; he says BBC staff are often “liberal” in branding but not truly liberal in practice. He also claims BBC expertise budgets are shrinking, reducing the ability to book experts.

Notable examples

Collapsed Lung signing choices (Deceptive Records vs Go Discs), being played on Radio 1 by Joe Wiley/Steve Lemac, his 2015 Oxford Media Convention remarks about “One Extra,” a BBC Panorama leader asking him for Sri Lankan stories, and his LinkedIn post about being told he made staff feel seen.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Nihal's Early Aspirations and First Job

0:30 to 0:42

Discussion about Nihal's early career aspirations and first job in music.

“Nobody does it better than Regent Seven Seas Cruises.”

Nihal's Early Aspirations and First Job

1:51 to 4:28

Discussion about Nihal's early career aspirations and first job in music.

“So Niihau, welcome to Jimmy's Jobs of the Future.”

Nihal's Journey into Music and Band Formation

4:28 to 7:09

Nihal shares his transition into forming a band and the excitement of early gigs.

“Whereas I went from that kind of promoting thing to being an artist.”

Signing with Deceptive Records

7:09 to 8:08

Nihal discusses signing with a new record label and early success.

“And we were doing these gigs and loads of record companies were turning up.”

Struggles and Challenges in the Music Scene

8:08 to 12:12

Nihal reflects on the challenges faced in the British rap scene and eventual drop from the label.

“which was owned and run by a man called Andy MacDonald.”

Cultural Reflections on British Rap

12:12 to 18:11

Nihal shares insights on why British rap did not catch on during the early 90s.

“And in the end, we got dropped, you know?”

The Shift in Radio 1's Role

18:11 to 21:54

Understand the transformation of Radio 1 from gatekeepers to curators in music.

“to curate a musical experience for you that is based on our knowledge of the scene the culture the authenticity, the lineage of the music.”

Nihal's Journey and Impact at the BBC

21:54 to 27:55

Learn about Nihal's career at the BBC and the impact of his work in radio.

“and, you know, to a certain extent, 5 Live gave me.”

The State of Broadcasting at the BBC

28:00 to 29:00

Discussing the challenges facing news shows and the impact on morale.

“where you are a news show and you are doing complex stories and you're trying to translate those stories to your audience and you can't book X from Chatham House because you haven't got the budget to do it.”

Nihal's Journey Through BBC Radio

29:00 to 30:50

Nihal shares his extensive career experiences across various BBC stations.

“Did you see the end coming with that then?”
Show all 36 chapters

Navigating Challenges and Speaking Out

30:50 to 34:40

Exploring the challenges faced within the BBC and reasons for speaking out.

Diversity and Inclusion at the BBC

34:40 to 38:20

Critiquing the BBC's approach to diversity and the actual workplace experiences.

“You just get this sense of injustice, right?”

Bias and Class Issues in Broadcasting

38:20 to 42:01

Discussing perceptions of bias within the BBC and how class impacts diversity.

“and getting a big fat pension or whatever pension they get from the BBC.”

Class and Diversity at the BBC

42:01 to 44:25

Explore the class dynamics and diversity representation within the BBC.

“So, for instance, you'd find someone as a person of colour and you'd go, yeah, let's put them forward and show how diverse we are, right?”

Political Identity and Pragmatism

44:26 to 46:40

Discuss the complexities of political identity and the pragmatic approach to politics.

“If you were left, you'd love winding the Daily Mail up.”

Interviewing Legends: Personal Experiences

46:41 to 48:28

Learn about the challenges and experiences of interviewing prominent figures.

“And I'm anti-Muslim hatred and all of that stuff, right?”

The Art of Conversation and Engagement

48:29 to 51:58

Understand the importance of conversation in interviews and storytelling.

“So did you find when you gave an amazing list of names there earlier, like were you ever, like who were you most sort of in awe of?”

Talking as a Path to Resolution

51:59 to 56:00

Discuss how dialogue is essential for resolving conflicts and understanding.

“But it was like a week after one of his MPs had resigned from the government over the Lib Dems kind of weakness in the face of strict immigration talk from the Tories in the coalition.”

The Need for Dialogue in Conflict

56:00 to 57:25

Learn about the importance of conversation in resolving conflicts, as illustrated by historical examples.

“And it was interesting that sort of basically peeled back the layers of the people.”

The Art of Conversational Storytelling

57:25 to 58:27

Explore how great conversationalists create compelling narratives and connect with audiences.

“There's some good people in that book, actually.”

Networking and Career Mentorship

58:27 to 1:00:22

Discover the value of networking and mentorship in shaping one's career path.

“and I'm playing music and Al comes over with his amazing wife, Sophia, who you know, and, you know, they're like, God, you're really good at this.”

Research Techniques for Effective Interviews

1:00:22 to 1:03:08

Uncover strategies for conducting in-depth interviews through thorough research and preparation.

“I have one more question I wanted to sort of ask on interviewing.”

The Challenge of Modern Journalism

1:03:08 to 1:07:22

Discuss the changing landscape of journalism and its impact on political commentary and public engagement.

“Long-term supporter of Jimmy's Jobs, Amazon.”

Public Concerns vs. Media Narratives

1:07:22 to 1:10:01

Examine the disconnect between public issues and media focus, highlighting the importance of addressing real concerns.

The Changing Media Landscape

1:10:01 to 1:11:23

Explore how social media has altered the media landscape and news consumption.

The Rise of Farage and Communication Skills

1:11:24 to 1:13:25

Discuss the communication strategies of Farage and their impact on politics.

“So the tech companies and the social media platforms are clipping up this stuff, and the algorithms are feeding it into your feed based on what you've looked at before.”

Reflecting on Politics and Personal Connection

1:13:26 to 1:15:59

Insights into the nature of political relationships and personal connections.

“I saw a roofer on Sky News saying, you know, the great about Farage is he never lies.”

Navigating Politics and Trust

1:16:00 to 1:18:36

Understanding trust in politics and the challenges of relationships.

“And there was some truth in that, that at times you did need to sort of, you know, you need to have quite direct conversations with people.”

Empathy in Politics: A Balancing Act

1:18:37 to 1:20:57

Delve into the balance between kindness and assertiveness in political roles.

“Who you know will kill you in a heartbeat to get closer to the Prime Minister.”

Proximity to Power and Its Effects

1:20:58 to 1:23:54

Investigate how proximity to power can change individuals and dynamics.

“But I think you can be a kind, lovely person, but you've got to have your wits about you.”

Fame and Its Transformations

1:24:00 to 1:25:02

Explore how fame changes individuals and their relationships.

The Nature of Political Conferences

1:25:02 to 1:26:06

Gain insights into the transactional nature of politics at events.

Parenting and Time Management

1:26:06 to 1:27:39

Discuss the challenges of balancing parenting and personal time.

“It's interesting on this one about saying.”

Childhood Memories and Football

1:27:39 to 1:29:26

Hear a heartfelt story about a memorable football experience with family.

“And so dad was prepping me being like, look, that means Man Utd are going to have won.”

Importance of Family Moments

1:29:26 to 1:30:19

Reflect on the significance of family connections through sports.

“Anyway, it was the most incredible day of my childhood because it was the day that Paolo Wanchot made his debut for Derby.”

Transitioning to Stand-Up Comedy

1:30:19 to 1:32:11

Learn about the journey from broadcasting to stand-up comedy.

“If you remember and scored that incredible goal.”
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Transcript

Automatic transcript. May contain errors.

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0:30Nobody does it better than Regent Seven Seas Cruises. Enjoy all-inclusive unrivaled luxury with unlimited shore excursions, indulgent cuisine, personalised service and more aboard spacious all-sweet ships. Visit rssc.com to experience the unrivaled. Welcome to Jimmy's Jobs of the Future. Today's guest is Nihao Arfanayke. He is one of the most prominent names in UK radio. He was the longest serving presenter on BBC Radio 1 and he was the master of the long-form interview on BBC Five Live. It's the show that all the celebrities wanted to go on because you got a proper 30, 40 minutes with him. This, of course, was long before podcasts were a thing and the long-form interview has been revolutionised.

1:13But he gave me a great tip a couple of months ago when I was asking him for advice about interviewing style and I was talking him through my process. And he said, do all your research in the same way that you normally do, but instead of writing 10 or 12 questions, just trust yourself with one question at the beginning and really listen to the answer and you'll be much more engaged it is something that I've taken on and it has changed my interview style a huge amount so I am very grateful to Nihal for it he also most recently jumped ship into the corporate world going to become the chief storyteller at Endava so we also have a few reflections on that as well.

1:50This is Niihau Arfanaki.

2:02So Niihau, welcome to Jimmy's Jobs of the Future. Hey, what a pleasure. What an honour. I feel blessed. No, I'm looking forward to it. So the first question I've got for you is, what was the first job you wanted to do? oh to be a rapper to be an mc to be on stage like my rap heroes in the 80s that's what i wanted to do and i ended up kind of doing that not to the level that my heroes did it but i ended up i just wanted to i wanted something to do with music i was at primary school and i just remember because that's my age it was like my dad bought me an album by a band called madness and the album was called Absolutely and he bought it from a place called Parrot Records in Chelmsford in Essex and I was at primary school and I put it on and I just wanted to be in music and then hip hop came along and that changed my life.

2:59And you did, right? Because your first like proper, well, I'm also interested in what was the first thing you did for Money. Yes. Oh, that. Yeah. Oh, that. Okay. Well, that's a different. No, no, I know that's a different question but we'll get on to the music because I know that's where you're first professional career started yes it did yeah it did yeah so I guess the first job that I did in music was I was 16 years old and I put on events at a venue which is now gone called the Square in Harlow and we called it the revival of rap and the reason we did that was because we thought that you know rave culture was coming in it was pushing rap and hip hop so we wanted to do a rap gig and I remember we put this party on we got the flyers done we distributed it to people our age we were obviously well connected in our community because I remember the buzz of seeing a queue like a massive queue outside this venue and the excitement of it and having that kind of power you walk down that queue and you walk to the front of it and you walk in the venue yeah and you didn't have an access all areas pass or a laminate or anything like that but it was your gig you and a couple of other people had put this on you'd curated it and we were 16 years old and i remember that being the first job in music where we were charging people and we made some money and we paid some acts or maybe didn't pay any acts i'm not sure i can't remember we were 16 but we put on an incredible event you know how did you do tickets i think we just it was on the door so it was flyers yeah so this is a kind old school way of promoting pre-mobile phones where you would print out these little flyers and then you just go around the local shopping center every weekend afternoon usually a saturday afternoon just handing them out to people and that's how you spread a kind of word of mouth i mean this venue it probably needed about 100 people to make it look busy and maybe 150 200 i mean it was rammed it was absolutely full it was a big queue of people and it was a buzz right you'd given an audience what they wanted and it's really interesting because not that long ago i interviewed the two men sam kandel and rich mcginnis who own the warehouse project in manchester which is you know 12 000 every weekend from september through till the end of december huge promoters in the northwest and indeed incredibly well respected in the world of promoting and that's kind of how But, you know, they started by putting on, and then they took it to the next level, next level, next level.

5:38Whereas I went from that kind of promoting thing to being an artist. I wanted to be on the stage. I wanted to rap. I wanted to perform. So it was a very different route that I took. And so talk to us through the steps then that you kind of go on, right? The sort of hip-hop career. Yeah, it's all about just sticking with it, doing it. And then it kind of, nothing really happened other than just sporadic bits and bobs until my early 20s, where I'm at university and a guy called Anthony Chapman calls me up. He's also from Harlow in Essex and says, I'm putting this band together. I need a vocalist.

6:21And the band is called Collapsed Lung, which is, you know, I didn't name it. and so it plays me these beats and it's quite eccentric got elements of cypress hill in it and then weird elements of subculture samples that are looped in it metal elements in it like a kind of a kind of rage against the machine crossed with a carry-on film and if you can imagine such a thing and so i wrote some verses in a studio and then and then i don't know how this happened but suddenly a load of record companies were getting excited about this band collapse lung and we're doing these gigs and i'm really coming into my own right as a front person it's kind of part comedy i'm jumping around a lot i'm in my early 20s got loads of energy um i look very different we all looked very different as a band like i mean And you would never be able to put a band like that together in an AI world.

7:28It was so random and wild. And we were doing these gigs and loads of record companies were turning up. Like loads. And it was heating up and heating up. And Anthony was kind of in charge of shepherding and all that. Even though we were all in our early 20s and we had no idea what was going on. And then Steve Lemac, who was an incredibly, and still is, respected DJ, At that point, he was on Radio 1. Him and two other men decided they wanted to set up a record label called Deceptive Records. And we were their first sign-in. And there were majors courting us. There was a label called Go Discs, which was owned and run by a man called Andy MacDonald.

8:11And they signed The Beautiful South and Porter's Head and Paul Weller. And they were a big label, part of Polydor Polygram at the time. They were really courting us. I was like wow you know kind of dollar signs in my eyes like wow I'm going to sign to a big label and then we just went left and signed to this brand new label that no one had ever heard of set up by Steve Lamaque and these two other men and so I did the first two singles with Deceptive and it was it was mad I mean we became the kind of doy ends of alternative rap rock kind of beastie boys-esque but with very British sensibilities it was a time when there were bands like Sensor and Pop Willie itself and the NME loved us, Joe Wiley and Steve Lemack which is a kind of weird conflict of interest but played us on Radio 1 which was wild listening to our songs on Radio 1 and we were touring and coming on and doing festival appearances I mean you know thousands of people it was a mad time and this was in the early 90s so over 30 years ago and we were touring in you know the back of a van doing all these the adelphi and hull and king tut's wawa hut in glasgow um moles club in bath we're doing all these like kind of toilet tours they used to call them but it was crazy you know sleeping on the promoters you know couch in their two-bedroom flat somewhere in the middle of nowhere and it was wild and we were just enjoying the ride and then i did two singles with them and go discs really weren't interested in collapse lung and i was a guest vocalist in collapse lung really they were interested in me so they were courting me and then i went back to two guys i'd been in rap crews with since i was a teenager and i said i'm going to put a group together and would you join it and they said yes and i said collapsing i'm off and i went to sign to go discs and suddenly i'm part of this record company machine you know we're getting invited to paul weller's stanley road album launch which chemical brothers are djing at you know we're going into these studios in central london working with producers we've got budgets we've got all of this stuff going on we got an advance um five figure advance which you know what did you spend the money on so the 90s well the thing is with the advance was it wasn't like a million pounds it was i can't even remember the exact number of it but probably under 50k and that's a part of it on signature and a part of it on start recording and a part of it on delivery of an album and we never delivered an album so the bit that we had we had to split kind of three ways and then we got a manager involved and we were just again going on tour as the muddy funksters that's what we were called and we were making really interesting hip-hop in the sense that we would veer from talking about mental health to talking about the environment to just doing all out wild tracks as a homage to 1970s kung fu movies we were just super eclectic at a time when a number of things were happening firstly the british public did not want to hear british rap voices today we take it as a given that stormzy and tiny tempers and dave and all of these i mean hundreds of rappers and the british public central c of course being the biggest one i guess at the moment or sd kid are all around, right?

12:01But then British rappers were even trying to rap in American accents because it was so difficult. So we kept going, we kept going, never releasing anything, just constantly writing. And in the end, we got dropped, you know? And the label just ran out of patience and was just like, this isn't going anywhere. And British rap is a bit of a joke. And thanks, guys, but it's over. thankfully I had already been writing for Hip Hop Connection which was this I don't know if you saw recently Louis Theroux said that he used to write to Hip Hop Connection he used to write letters to Hip Hop Connection magazine it was like this kind of bible for British hip hop fans and I started writing a lot for that and ended up being paid as a journalist and then as a music journalist I could then go and write for Mix Mag and The Face and various other publications that I wrote for so I went from artist to journalist and I did that for a few years how did it feel when you were dropped um

13:07it's humiliating yeah yeah I mean it's humiliating but also as well Jimmy at every stage of my career when I look back at it now as I am at 54 years of age I always saw the end coming and you know I asked my my mentor about this um and I said to him you know what's it like when you have to let someone go when you have to fire someone and he said overwhelmingly they know the end is coming and I always saw the end coming I knew that the internal relationships between me and the other two members of the Muddy Funksters, the fact that we weren't getting any great feedback from any of the music. It was constantly, you know, go back and write some more, go back and write some more.

13:57It was taking time. We'd run out of the advance. It was coming up to having to get us some more money. Then there was some trouble that happened with one of the band members and the law and all of this stuff. And you could just see that it was coming to an end. And that's why before it was coming to an end, I'd already started writing. And if I look at each stage of my career, I've always known when the end is coming. what are your reflections culturally on why british rap was not didn't sort of catch the the sort of zeitgeist i suppose like why why did that not well it it was just too early you know we were we were on labels in the early 90s and this was pre-grime and you had a whole generation of kids that grew up not through u.s rap as such but through listening to jungle and garage and jungle and garage had those kind of british voices on it they weren't american art forms we loved hip-hop which is an american art form but garage and grime are british in fact many would say london art forms that then spread out to the rest of the country so it meant that by the time the early noughties came you had bands like so solid crew on top of the pop rapping in english accents in fact south london accents and it became just totally accepted we were doing this stuff seven eight years before that so our timing was terrible but also as well we were ostensibly two members of our rap crew were middle class right like i grew up in a village in essex i didn't grow up in south central los angeles i didn't even grow up in a housing estate in London, I grew up in a village in Essex.

15:40So our rap represented a kind of like the Beastie Boys. Beastie Boys are middle class kids, right? You run DMC and middle class kids. So we very much came from that angle. But what came through was grime and garage and rightly so. And that means that Dizzy Rascal and people like that, you know, absolutely put British voices at the heart of it. um do you think it would be different today in the sense of you would obviously be on tiktok socials and you might find that audience quicker that almost didn't know that it was a thing yet i mean that's obviously a great point yeah i mean there's no question we had no way of distributing ourselves and allowing an audience to become acclimatized to what we were doing the gatekeepers was so small it was radio one there was i mean there was kind of small black music pirate radio or kind of kiss fm but there wasn't anything really that we could do about it we couldn't control our own destiny in our phones we couldn't be uploading videos i mean it's gone so far the other way now that there's something like 150 000 songs a day being uploaded yeah because this is what i think i know you've got a um son that's just about to go to university like do you think it's more meritocratic now or was it then it's definitely more meritocratic now without question because look i remember i joined radio ones of radio one dj in 2002 jimmy and we were still gatekeepers in 2002 but by 2009 i was on twitter right yeah and And that kind of time onwards, Radio 1 DJs became less and less powerful.

17:34The generation that came before me were even more powerful, right? I mean, they were the absolute gatekeepers, right? But we were definitely gatekeepers. But I saw during my time at Radio 1 from 2002 to 2014 that we went from being gatekeepers to curators. So we ended up curating. now your Spotify algorithm will curate based on your tastes and your YouTube algorithms will as well but back then I saw the job change and it was like we're not here to stop the music right it doesn't stop with us yeah the music will go out anyway what we're here to do is use our experience to curate a musical experience for you that is based on our knowledge of the scene the culture the authenticity, the lineage of the music.

18:27And we can do that. Because that was kind of pre the algorithm. Spotify hadn't, I don't think Spotify launched when I left Radio 1 in 2014. So the DSPs, the digital service providers, weren't there then. And so then you get, so what are your other kind of reflections on what changed in Radio 1 during that time? And what was it like getting the job there? so a guy called shabs who was another one of my mentors calls me up because he gave me my first job in the music industry in the 90s in pr and he called me up and said radio one are looking for an asian beats dj presenter you should go for that and i went really he went yeah i'll link you up with the head of specialist at radio one a guy called ian parkinson and let's see what happens So Ian Parkinson gets in contact.

19:24He says, come in and do a demo. So I'm the last person that they see for this. They've seen over 20 presenters for this and they think they've got their pairing, Bobby Friction and this other guy. And then I do my demo. And they totally change. They say they want to keep Bobby Friction, but they're going to get rid of the other guy and put me in his place. Right. so this is on the last day literally the following day they're going to make their decision and i'm the last person to audition for this it goes so well that they go do you know what maybe that was a fluke so let's get him to do one again so i do one again it's not great not as good as the first one but for some reason they held their nerve and said no this is the pairing bobby friction and nihal on radio one's asian beats and jimmy if i had known the difference that would make to my life i would have been paralyzed with fear going into that first i mean i met my wife through it you know whatever happens in my life and obviously i'm the kind of person that keeps it moving forward i'm not one that got like if you look on any of my bios none of it says former radio one dj former BBC none of it I think that sucks when people do that I'm just like you know executive director Darvish Studios author of uh you know let's talk how to have better conversations that's you know that's me um but having been a Radio 1 DJ it's quite a big deal yeah right yeah cultural zeitgeist of the UK yeah the fact that that's on my CV and also the kind of the longest running Asian music show in the history of Radio 1, the longest serving Asian presenter in the history of Radio 1, the only presenter I can think of in the history of Radio 1 who won a Sony Gold for both speech and specialist music.

21:32Wow, that's cool. So there's quite a lot of things that I've achieved during my 23 years at the BBC. And, you know, I mean, we'll get onto it, I'm sure, in detail more, but it definitely didn't end with a nice taste in my mouth, that's for certain. But I shouldn't forget all of the amazing things that Radio 1 specifically and the BBC Asian network and, you know, to a certain extent, 5 Live gave me. I mean, there's no question that in all of those stages of my career, my profile has got bigger and bigger and bigger and bigger and bigger from my 30s when I joined Radio 1, which is late, right? Like I joined Radio 1, I was 31 years old, which is probably seven, eight years after most people joined Radio 1.

22:19But I'd had a career, right? I'd been a music journalist. I'd been a PR working for Elton John and Mo Steff and working with Lionel Richie at the Mobos. And I'd done all of these incredible things in music PR before getting to Radio 1. You talk about profile raising there and your profile increasing rather than you going out to raise your profile necessarily. But what was it like doing it on radio? Because back then, radio wasn't filmed. So did you just have this sort of thing where people would recognise your voice really clearly but not recognise you? So since moving to Manchester, or Stockport specifically, 10 years ago, Jimmy, I realised how many people outside of London listen to Radio 1 and how few people in London listen to Radio 1.

23:13So you would walk around in London and no one would care. Literally no one cared because they all listen to Kiss and Capital, right? Yeah. And then you would go and do a Freshers' Week in Southampton and there would just be a row of people at the front going, Ne-Halp, Ne-Halp, Ne-Halp, right? Especially, obviously, once I started doing daytime radio. And then now, I don't think a week goes by without some kind of Asian in their 40s coming up to me and saying, as happened to me twice yesterday, including a selfie at Stockport Station, saying, I remember you on Radio 1 and thinking, wow, there's one of us on BBC Radio 1.

23:59That whole thing about you need to see it to be it, right? it was powerful but sadly it was it was a fig leaf of representation it didn't open the door for there to be a plethora of british asian talent on daytime radio one yes there became a bbc asian network where all the presenters are asian as far as i'm aware and how many of them managed to migrate onto bigger stations with bigger audiences if that is their career trajectory and they want that very few if any i can't think of many bbc asian network presenters other than myself who've gone on to big presenting gigs why do you think that is i think the bbc

24:54I'm loathe to say institutionally racist because I think that's strong you know it's not like the police metropolitan police of the Stephen Lawrence era I think that the BBC is well I think it lies about diversity I don't genuinely feel it cares really I think what it does do is because at its heart it tries to be liberal it feels that that's a liberal thing to say and do but I don't think it wants people of colour in positions of power I don't think it's geared up to do that I think that I think that actually the BBC is still oddly colonial I think it's and I was there for 23 years and I worked across music and news and they always seem to see like a stay in your box this is your box you're so i remember seeing a woman who was running panorama right an unpleasant woman really in many ways very very classic bbc posh condescending could have worked in a colonial administration right and she said to me so what stories do you want to tell about Sri Lanka bring me some Sri Lankan stories and I said I'm from Essex I go to Sri Lanka two weeks a year right you probably go to Tuscany two weeks a year give me some Tuscan stories it was this kind of weird patronising backwards and that's why to a certain extent you know you'll just see now lots of content creators they wouldn't go near the BBC of colour right they just wouldn't touch it they'd be like well why would I do that why would I go there and give that away for next to nothing to be told you should be grateful to be here and that's another kind of colonial thing that the BBC has which is that you should be grateful to work here this is the BBC what they don't know and what they haven't realised about young people is is that brand loyalty or awareness for the bbc is not there it's not there very interesting a content creator friend of mine has just been doing some work with the bbc and they said afterwards they're just like i'm not doing that again because it was just so like but it's so it just it's okay you're grateful to be and you yeah it's yeah it's just i mean I hear stories like this all the time I'm so happy to not be there anymore because now the budgets are getting worse I was told by a producer at Five Live where I used to work that they had been told to book less experts because they don't have the money to pay experts now imagine you being on a show where you are a news show and you are doing complex stories and you're trying to translate those stories to your audience and you can't book X from Chatham House because you haven't got the budget to do it.

28:16So what are you relying on? You're relying on your producer and AI or something to come up with some news lines or some factual context to give to your audience. I mean, it's just dying before our eyes and morale is super low from... Look, you know, the plural of anecdote is not data, but there's enough anecdotal evidence out there to say. Anecdotal. Yeah, yeah. Yeah, exactly. Anecdotal. There's enough anecdotal evidence out there to say that it's shrinking. And also as well, it's just ill at ease with itself. Right. It's just been battered around so much that I don't know. I feel I feel sorry for it.

29:00I'm so happy to be away from it. But I am. Did you see the end coming with that then? For me? Yeah. Oh, gosh, yeah. I mean, so. So why did you do so long there? So what, 23 years? But remember, that 23 years is Radio 1, Asian Network, 5 Live, and also within that, that's documentaries for the World Service, for Radio 4. It's two Olympic Games, one Commonwealth Games. It's quite cool. There's a lot of diversity in that, right? There's Radio 1, big weekends. I did Edinburgh Festival for like 10 years, spending a week in Edinburgh doing shows from Edinburgh Festival. So it was a very diverse set of experiences without question.

29:46Asian Network, I started off doing a phone-in because the reason I went to the Asian Network was a lovely man called Bob Shannon, who was a very, very senior guy at the BBC. he took me out for lunch when I was at Radio 1 and he said, you should come and present on the Asian network. I'd done some covering of the phone-in show when Anita Rani wasn't around. And he said, you should come full-time. And it wasn't a request, right? So I went and ended up doing the phone-in show. The reason I did the phone-in show, Jimmy, was because I wanted to prepare myself to go into speech broadcasting. In 2012, I told my then agent, we now start planning for my exit strategy from radio one and in 2014 i was asked to leave radio one it was it was over you'd done 12 years it was over so i'd planned that two years before and with asian network it was all about going into the championship to learn my trade to get back into the premier league and the premier league was five live and that meant me saying to the end controller who you know over a period of time you know got to know me a bit more i was you know training up to manchester all hours i was still doing asian network but any bit of cover they could give me on five live i was doing the cover i was doing the cover i was i and then my agent and i sat down with the guys that ran five live then and we said we'll move if you give me a daytime show i'll move my family from london where they were very comfortable very happy my wife had been in the country well 10 years at that point from Sri Lanka where we met and we uprooted them we went there it was a torrid couple of years kids bullied had to take them out of schools wife unhappy isolated, lonely wasn't working Five Live not being exactly what I thought it was going to be I mean the first three years in the North West were just terrible but i'd always seen it and the thing was i became too much trouble for them too outspoken too opinionated too willing to challenge their lies too public about it i didn't kiss the badge jimmy yeah but i didn't kiss the badge right and i think probably the biggest mistake I made in that respect was that at points I thought I was untouchable because the show was massive the guests that were coming you know Ricky Gervais Matthew McConaughey Liam Gallagher like that anyone who was almost anyone I mean I was almost on the circuit with you do you do Graham Norton you do me you do you know Radio 2 Breakfast like but if you wanted to come for the big interviews the big long interviews on live radio no one else was doing a 45 minute interview but me so that's why all the book publishers so like right dave grohl's uh biography is coming out patrick stewart's biography is coming out sally fields oliver stones you've got to go and do nihal like that's the show you have to do so there's a little bit of hubris crept in in the fact in but the hubris wasn't about me being a dick it was about me saying now i've got this platform i'm going to use it to call out externally and internally i'm going to call it out right and then see what they'll do and in the end they conspired to just engineer me out right but i knew it was coming because you can't keep can't keep kicking your employer in the bollocks and think that at some point they're going to go do you know what i don't like being kicked in the bollocks so i'm going to go and i'm going to go and give him someone else go go away You go and kick someone else in the box.

33:39But I didn't want to kick anyone else in the box. It was just them because they were such liars. You know, internally, the difference between their messaging to the public and actually the reality for people of colour being in there was really different. And I put a post on LinkedIn just this week because someone reached out to me. She was Asian. She was a producer at the BBC. and she just DM'd me just to say, I've never really said this to you, but you absolutely made us feel seen by standing up for us, right? And I always remember speaking to... People always think that when I spoke out, it was because I was pissed off.

34:22But a lot of it was driven not just because I was pissed off, because I was, but because younger members of staff of colour, young women, young men, would just tell me about how they were being treated. and it pissed me off so much. Apparently, I think it might be an ADHD thing sometime. You just get this sense of injustice, right? And you can't not do something about it. You know, it kind of got my grandfather killed, I found out when I did a documentary about him, that he was a similar kind of vibe. But it just wound me up. Like, I'd see these people swanning around like everything was grey, because largely they were white, they were middle class, and they fitted in, because the bosses were of a similar ilk.

35:08They were all of a similar thing. They'd all talk about the same things. And then you see this isolated young black woman, this isolated young black man, this isolated young Asian guy. And they'd just be like, we'd have conversations and they'd be like, oh, this is terrible. It's horrible being here. We feel ignored. And I was like, this is horrible. Because at the same time, you see them going, we believe in diversity and we believe in inclusion. And they didn't. Was it always window dressing? Of course it was. Of course it was. When I called out BBC Radio 1, One Extra Nation Network, I said at the Oxford Media Convention in 2015 that diversity isn't having a one extra where you're going to put all the black people to work, having an Asian network where you're going to put all the Asian people to work, and having a Radio 1 where only white kids seem to be working there and any black or Asians that want to get over there never get anywhere near it.

36:07But they think that by coming in through One Extra they can get to Radio 1, but they don't. They don't. They don't allow them. They see like this whole thing, oh, we don't see colour. It's like you did. You did, whether it was subconscious or not. You did, you know. So when you... See, I'm in trouble. No wonder they got rid of me. But I find it interesting on that because I also think it was a bit of a noughties vibe but I remember playing football in Derby City and there was, we had league and we had a couple of Asian lads that played for us and then as part of this diversity drive from the city centre, they set up a team for Asian boys and so the Asian boys left our team and went to play for the Asian team.

37:01And I just remember thinking, but hang on. I don't know. It just didn't seem like a very good way for it to sort of work in terms of integration. Yeah. I mean, that's an interesting word, isn't it? Is integration. Because the thing was, what people didn't understand when I said how an overwhelmingly white working environment was affecting me was that I wasn't asking for an overwhelmingly brown environment. I was asking for a mixed environment. And also, we were in Manchester with a stone. OK, people say you were in Salford at Media Keys, not Manchester. But Manchester's there, right? And Manchester's an unbelievably diverse place, right?

37:45And yet you'd walk into the BBC building and it wasn't. You might as well just be in leafy Cheshire in a village. And I wouldn't have complained about a lack of diversity, Jimmy, if it was radio devoured, right? because there's no diversity. So, of course, that would be stupid to complain about it. I complained about it because there was a huge amount of diversity on their doorstep and they were doing nothing to address that. Instead, they were just keeping people in positions who'd been there for 20-odd years, who were fairly ineffectual, and they were just coasting towards retirement and getting a big fat pension or whatever pension they get from the BBC.

38:24I doubt it's big and fat, but getting a pension. and there was allowing no new talents come in. And then the new talent of colour were coming in and feeling disenfranchised, disillusioned, disempowered and leaving. Yeah. So you're just going, and I was like, you do realise you are not creating a talent pipeline for the future, right? Yeah. Because this country is only going one way in terms of diversity. it's not going to become a whiter country. It's going to become a more diverse, well, maybe. I mean, if Rupert Lowe gets in, we'll be doing this remotely and I'll be in Sri Lanka because he would have deported me.

39:06But, you know, we're going to become a more diverse country. There's no question of that, right? And I don't think of the UK as a white country. I just think of it as a country. It's a landmass with borders. And whoever's in it and wants to contribute to it is British, right? If you want to do that, that's the thing. So I just didn't understand how stupid they all were to not see that you're not future-proofing yourself because you're like, there was this woman at the BBC, her name's Karishma, and she was super bright, right? She then, subsequently, she's just gone on to become a green councillor, which is mad, but she left the BBC, And I was like, this is a really good journalist.

39:54Yeah. Right. Really clever. Switched on. Knows how to make connections. Is out there looking for stories. And in the end, she just couldn't. She just couldn't deal with the fact that. And I remember saying to her, do not take a staff job. Do not take a staff contract job. Yes, you may get security for it, but you're not married. You don't have kids. You don't have a mortgage. All those things that mean you should. yeah i totally get that freelance go and work for bit for sky do a bit for lbc come and do bbc like spread it around but no she took a staff job and then within like 18 months she left do you think there is a what other biases are there right um my instinct is to ask you about left-wing bias yeah yeah but i also do it no no but i know that plenty of left-wing people also feel there's a right-wing bias for the bbc yeah my point to sort of fellow people that are sort of free marketeers, right wing is a bit of a funny phrase anyway, frankly, nowadays.

40:53But I say, of course it's got a bit of a left wing bias because if you've got a sort of right leaning thing, then chances are you're going to go work in the private sector and you're going to be drawn there. Like what it is, is not going to draw right leaning people there per se. So I'm always like, yeah, it's going to have a little bit of a sort of left wing. But what are your reflections having been? Well, I just think that I don't understand the term left, right? Because for me, that is, does it have a socialist bias? And that's absurd because most of them went to private schools and some of them send their kids to very expensive private schools, right?

41:31So they're not socialists, so they're liberal, not left, right? So if you look at the term that they're kind of liberally minded, but I even think that is a joke. They're not liberally minded, really. Well, yeah. then they're not I think they're kind of they don't like being called Tories so they're cosplaying as liberals right I think there's a lot of cosplaying of being liberals right so you get kind of I remember there was a guy who used to run the arts nice guy but his name was John T Claypole and he went to St Paul's I think right one of the poshest private schools you could have gone to and his name's John T and he runs arts and he made i think he put mary beard in some position to present some art show which was the weirdest decision in fact i sat across him once and said you should have been fired for that right because you're a great historian but i'd like culture was moving so quickly and art was moving so quickly and it was like why have you you know you just got to be more interesting than that but yeah you've got all these people in these levels and they're just a They're a group of people that...

42:44So, for instance, you'd find someone as a person of colour and you'd go, yeah, let's put them forward and show how diverse we are, right? The biggest issue that BBC had was class, right? So you'd go, oh, look how diverse we are. We've got so-and-so. And then you'd look a bit behind the surface and go, they went to Cambridge. They went to Oxford or they went to a really good grammar school or they may have gone to a private school, you know. And if you look at some of the BBC people of colour, they're, you know, I know one of them specifically because he went to the same school that my son now goes to, which is a private school called the Manchester Grammar School.

43:28Right? So, you know, that's not his fault. He's very good. He did, I'm sure he did, I can't remember where he did, Economics Cambridge or somewhere. But class was the issue. And I went to a, this was another thing about the, tell us some Sri Lankan stories thing was, wait a minute, you're constantly putting on air, on screen, private school educated, middle class people. Whereas you're looking at me and going, you're niche because you're Asian. But I went to a state school. Yeah, right. I support a football team. I'm way more mainstream than the posh, posh middle class people you're putting on.

44:05Yeah. But For some reason, they remind you of you. So you're putting them on. You're chummy with them. So the left thing is not the thing. The thing that I found was that if they were truly left, they wouldn't give a fuck what the Daily Mail thought. The fact is they're terrified of the Daily Mail, right? So that doesn't make you left. If you were left, you'd love winding the Daily Mail up. You'd think it a sport. Every day you saw a headline from the Daily Mail saying BBC mess up. You go, brilliant. Because if we're winding those wankers up, we're doing a good job, right? Right? The fact that you were terrified of them, which is what they were, and I heard it in the newsrooms, right?

44:52GB News. God, Brexit voters. Right? Tells me that they're not left. So anyone who accuses the BBC of left, I think you need to slightly move on from that kind of reductive idea of it. It's way more nuanced than that. And yet the proof doesn't pan out. Yeah, yeah. Yeah. I mean, please push back on me because, you know, I know at heart you're a conservative. Yeah, I am.

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45:20Because I get called lefty all the time. Well, I get this thing going, you lefties, right? So on social media, they'll go, you lefties, right? And I could never do this at BBC. But I always wanted to respond. I'm a property owner. I drive a really nice car. Both of my kids go to private school. What part of this, you know, I own shares in the stuff. Like what part of this is left? No, I'm not a lefty, but I am a liberal pragmatist. That's what I describe myself as, right? Liberal pragmatist. Right? Ed Vasey once said this to me, right? Which is an interesting thing. When the coalition happened, I said, oh, you know, so what's going on here?

46:04with you guys how the hell are you two going to be bedfellas and he went well you know we're there to give them common sense and they're there to make us human right that's very bad right and he also said and then he also said he said we're we're not remainers or brexit is we're pragmateers i quite like being a pragmateer pragmateer right because i'm not ideological jimmy yeah i mean i guess i'm ideological about anti-fascism and you know uh anti-antisemitism and all of that stuff, right? You know, no, I'm not anti-anti-Semitism. No, I am anti-anti-Semitism. Yes, I'm anti-anti-Semitism. Yeah, I've got that right.

46:42You've got that right. And I'm anti-Muslim hatred and all of that stuff, right? So I'm ideological in that sense. But that makes me, I'm an empath. I'm a pragmatic empath. That's what I would class myself as. I mean, look, I think... Are you aligned to a political party anymore, really? I think it's less so in that sense. Partly because I just think it's in so much flux, right? Yeah. Like, I mean, I think Kemi's actually doing a really good job. Seems to be, yeah. And I... Or Kier's just doing such a bad job. I mean, that's true. I mean, it is... I don't know when we're going to put this out. Yeah, yeah, exactly.

47:23We're recording this at the end of the Labour Party tearing itself limb from limb. Yeah, I WhatsAppped Andy Burnham. He didn't respond, really. Of course, man. He's busy. I just feel like I feel oddly detached from it all at the moment I feel like you know when people slow past going on the motorway past the crash that's how I feel like looking at the Labour Party at the moment or the country I know I'm like weirdly fascinated by it and then I'm like well this is not good were you not lured in by Blairism at all I was like 10 then right oh god I forget you you're way younger than me and he was a bogeyman And, you know, my dad was Tory MP and whatever, so he was sort of bogey-bogging out.

48:04Yeah, of course. Yeah, he was responsible for one of the biggest electoral humiliations the party has ever seen. He was. I'll tell you what, though, because what I want to get onto partly is conversation and interviewing, because you've written this brilliant book. But my word, when I went to go and see Tony Blair for an interview, that was quite sort of daunting, because he was, like, from my childhood. Yeah. So did you find when you gave an amazing list of names there earlier, like were you ever, like who were you most sort of in awe of? Who were you most nervous about? Like just what are those sort of, yeah, reflections?

48:45Did you always meet heroes there? Yeah. The one I'd been most nervous on wasn't a radio one. It was Professor Richard Dawkins at the Royal Festival Hall, right? because that's you and him in front of two and a half thousand people most of whom are incredibly knowledgeable of his work you don't turn up to a Richard Dawkins talk if you're a bit thick it's just not why would you do that? you don't pick up a flyer and think I might try that yeah right you're like okay god delusion you know debates with jordan b peterson taking out this person oh i want to go and you know i want to be intellectually rigorous and you probably you know um get you know some might be a bit pompous i think so before that one i thought this is going to be a real test yeah of interviewing conversational skills with someone who will have really little truck with you know this is not like me doing the ones i've done a number of times with rick hasley right right right where he's like really warm and he's gregarious and he wants to tell anecdotes and he's self-deprecating he's funny and all that this is a guy who's one of the world's leading evolutionary biologists and written a number of books the selfish gene the god delusion you know i mean insane right yeah oxford professor so and i'm a essex comprehensive school boy who left school not doing well at exams got cd and an e in my a levels went to through clearing tost mary's university in in twickenham you know none of this matches up does it right like it just doesn't match up because he's usually interviewed by other people who've been similarly academic and all of that so that was without question the most nerve-wracking doing liam gallagher was because i interviewed liam gallagher in a room not dissimilar to this at the top of a recording studio set up in central london so a tiny room and you had no idea which liam gallagher was going to walk into that room right was it going to be who the fuck is this guy wasting my time why do i want to be here with this prick or was it going to be right let's let's see where it goes right and it was the latter thankfully and i kind of got him on side quite quickly then we had a great conversation it made all the papers um the following day because he said some stuff about Noel which he hadn't said before so that was really really interesting real nerves I think Jordan Peterson the first time Jordan Peterson the second time was very very different very different because we did it in a boxing gym in Moss Side with 10 young men and he basically became again a clinical psychologist and was brilliant with these young men like absolutely brilliant talking about what it felt like to be a young man that was that was one of my favorite weirdly one of my favorite things was an interview with jordan bb it's just kind of strange i had a massive tear up with nick clegg massive on the bbc asia network like he was so angry afterwards so angry uh we had a really big tear up yeah because he came on to the bbc asia network thinking he was going to sell this big kind of diversity thing that he had cooked up.

52:28But it was like a week after one of his MPs had resigned from the government over the Lib Dems kind of weakness in the face of strict immigration talk from the Tories in the coalition. So he came on trying to be all like, you know, we love you guys. It's all good. And I was going, well, wait a minute. she's just resigned because she said you. And I was like, well, why do you think she resigned? Well, you should ask her. Well, I'm not asking her, I'm asking you. Well, yeah, well, you should ask her. And I was like, wait a minute, you must know because she's been very clear as to why she resigned.

53:06So what's your reaction to that? And then I went a little bit Poundland Paxman because I came, my Asian network here was very much at the height of that Paxman Humphreys style of doing things. The thing that sadly Emma Barnett It still hasn't worked out. No one wants to hear anymore. That kind of badgering, kind of like, you know, yeah, pugilistic. You know, the thing that Michelle Hussain didn't do, but still managed to get loads out of people by just calmly dismantling you, right? Being forensic and clever, rather than that kind of Paxman pugilism. Not to say that John Humphreys and Paxman weren't really clever people.

53:47They were. But that was a style of its time. Of its time, yeah, yeah. Right? And I was like the pound shop version of that, trying to do a bit of that. And I remember very brilliantly, a producer called Bill said in my ear, after the fifth time, that I'd asked the same question, thinking, oh, I'm going to do a bit of a Michael Howard here on this person. He went, three times an hour. Never, because by the time you get to the third time of asking a question, the audience know they're not going to answer it. So why do you keep going on and on and on and on? Right? and I learnt a really valuable lesson Jimmy about not making yourself the centre of the interview which is something so many interviewers haven't worked out yet I think that's getting worse as well actually but that's podcasting isn't it that's kind of like you're coming on my podcast therefore I'll get to talk as much as you if you ever listen back to my 600 odd interviews on BBC Sounds I was always super conscious of do not hear me more than you hear the interviewer interviewee that's a failure isn't it right but saying that podcasts are different podcasts are much more meant to be a conversation than an interview so hearing 50-50 with you and me now wouldn't be a bad thing no it wouldn't but I'm always wary of it very much so but how else has kind of because you've written this book on you the art of conversation yep um which is brilliant and i really thanks to enjoyed it and uh what did you learn from it Or did it just reinforce what you thought anyway?

55:33No, I tell you what, the big thing that really, the thing that I'll be quoting about it, right, in a month's time, is the Good Friday Agreement all started with talking. And the way the process happened for that. Because it was such an obvious thing. I always think you take one or two things away from a book, basically. You don't really end up remembering that more. but it really made me think that is exactly the way that it happened. And it was interesting that sort of basically peeled back the layers of the people. Mary McAleese, yeah. Yeah. President of Ireland, yeah. She was fascinating. Do you know the thing that, I'm really glad you took that away from it, because in these intractable, seemingly intractable, eventually the Palestinians and the Israelis will have to talk.

56:26They've tried it so many times before and it's failed. But eventually the only way out of this is through talking. That is the only way. You keep bombing each other. You can keep committing horrific acts against Palestinian civilians or horrific acts against Israeli civilians like what happened on October the 7th. You keep doing that if you want. But eventually you're going to have to talk. eventually the south africans had to talk to each other eventually the irish had to talk to each other eventually the rwandans even had to talk to each other right so that was and the thing that i always think about what mary mccalee said when i asked her how did you start what was the point of commonality amongst people who were trying to kill each other not a single one of them wanted the same future for their children not one of them ran that the only thing they all agreed on first was actually, you know what?

57:21We don't want our kids to go through this. That's so powerful. I loved that chapter in the book. Yeah, it was Mary McAleese. She was great. There's some good people in that book, actually. Because you basically took a really interesting model for it. Almost every chapter was a case study of a great conversationalist itself. It's like Matthew Saeed and Kelly were another two. John Sutherland, who was the chief crisis negotiator, for the Metropolitan Police. He's brilliant. People love the chapter. But even Rick Haythornthwaite, who's now the chairman of NatWest Bank. You know, I interviewed him when I think he was chair of Mastercard at the time.

58:03So how did you meet... Well, how did you meet our mutual friend Al Lukies? Through Rick. Through Rick. So I DJed... I don't know, Al will like me telling this story in public, but I'm going to anyway. Sorry, Al.

58:21I DJed at Rick Haythorn Fakes 60th and I'm behind the turntables and I'm playing music and Al comes over with his amazing wife, Sophia, who you know, and, you know, they're like, God, you're really good at this. You know, have you, like, have you done this before? Have you played music? Like, it's really good. The music you're playing is really cool. And I was like, yeah, you know, I've done a bit of this before like you know you're like because you're obviously going to go yeah I was on radio or what because that would be really cheesy and horrible so I was like yeah yeah it's good yeah I've done a bit right so he wanders off and then he's gone got that guy you know he might have even said it to Rick but he said it to someone like that guy you know he's a good DJ isn't he near Harwell yeah and this person's gone to him and gone no he's on radio one right like at which point they've gone oh my god and he always brings it up that this was like the first time the first time that we met and he has been an incredible incredible North Star to me in many ways Al Lukey's CBE for those people who don't know he's kind of like the godfather of fintech in the UK you know fintech advisor to a number of prime ministers and good pal of ours Jimmy and as you know a force of nature right yes complete force of nature and someone that you know someone that should be at the highest echelons of helping to forge what growth looks like yeah right like what entrepreneurial flair looks like how you get the best out of people and you know as this is jimmy's jobs al is the one that's given me my post bbc job yes right he's the one who's taken me on this career pivot which I'm on now.

1:00:19He's 100 % a force multiplier. Absolutely.

1:00:27I have one more question I wanted to sort of ask on interviewing. What research and how did you go about structuring it for these kind of guests? So the straightforward answer is they've got a memoir out, right? Yeah. So read the damn book. You know, I remember once bumping into a Today programme presenter who was about to interview an incredibly famous football manager. He hadn't read the book. He said, oh, I better go and leaf through this. I'm interviewing so-and-so in 10 minutes. And I was like, but I guess if you've got a four minute interview, you can hide, right? You can read the press release, ask, you know, you only have to ask five questions max.

1:01:13Yeah. And some research can write them for you. I'm doing 45 minutes, minimum 30 minutes. Nowhere to hide. You interview Oliver Stone, right? You interview Damon Albarn, Tom York. These people are incredibly clever people, right? Who've been interviewed hundreds of times. Rod Stewart, Elton. You interview these people. Do your research. Tears for Fears. I remember interviewing Tears for Fears. and I'd found this fanzine they'd been in online and I'd gone through it and I'd picked out all these facts about them. And they were teenagers when this fanzine came out. I was asking them questions about stuff they didn't know about.

1:02:00Yeah. You know, and on quite a few occasions, guests would go, how do you know that? How did you know that? And you're like, because it exists in the world and you've done your research. so my thing was always two questions that i used to put in and this was pre-ai so i'd always go jimmy mclaughlin loves jimmy mclaughlin hates right into search engines and all this mad stuff would come up because at some point you've gone i hate lemon meringues right right or you would have said gosh i i hate ballet or something right and that would then lead you into a a conversation immediately um and richard dawkins was interesting because i just interviewed him a couple of days ago at the barbican because it's the 50th anniversary of the sheer of the selfish gene and i started that one off because in the opening for the 50th anniversary edition talks of a woman who was then a student who wrote a letter to him essentially saying that my teacher has said do not contaminate your fellow students with this book because it has meant that you now feel purposeless and we don't want to spread that so that was like the opening jumping off point so i'm always finding what is the interesting jumping off point to ask that first question i have no other questions planned after that but what i do have is a bank of research and I always compare it to a kind of Amazon warehouse of information, but what will happen is you'll say something, Jimmy, and then in my brain a robot will go, pick out that bit of information and then carry it to my mouth, right?

1:03:50That's how I see it. That's basically how I see it, right? Long-term supporter of Jimmy's Jobs, Amazon. It's great. It's a shame it's at 62 minutes.

1:04:05that's how i always that's how i always see it and i tell you it's never let me down it's never ever let me down so you you completely i don't know if you saw my post on this but you completely changed my i did yeah i really touched no but it honestly because we sat in darver's office and had a conversation and darver's office about it and i had not really ever had any mentoring about interviewing and interviewing technique i'd read lots about it i'd ask people and whatever like you know i know nick romanson and so on but your thing about just have one question like keep your research however you do your research keep it the same but just have your first question ready and we could we talk about it being trusting the parachute and it's made so it's made the job a lot more um relaxing which is good in some ways but also i slightly missed the the adrenaline of it but it does make it i do all the research just the way that i used to so there's less adrenaline doing it this way now than there was before yeah why where was the adrenaline coming from before i think it was like i would just like get myself like right we've got to get to this we got to get to that thing we've got to get on to the next one oh so on okay so there was a bit more there was just a bit more like like with it but i i think i mentioned to you at the time that the tony blair interview i remember getting so worked up about that but three days before thinking, do you know what, I'm just going to ask what I want to ask him.

1:05:28Like, and I'm just going to pretend that I've got 40 minutes for Tony Blair, and I'm just going to, you know, the audience trusts me, he's doing this because of that, just go with your instincts. And that was one of the best interviews that I've done as well. So, but it's a great, it's completely changed my sort of interviewing style. So when I joined Five Live, there was this kind of weird, intellectually quite weak sense that get me a headline get me a headline get me a headline and my attitude to that was if if i go for headlines a couple of things will happen one the guest will get pissed off yeah the publicist will definitely get pissed off and you'll get nothing other than just an angry kind of email and you might get a headline but You won't get that artist again.

1:06:23The publicist won't put any of their guests with you again. Yeah. Because it's like you were just fishing. I remember interviewing Jon Bon Jovi. And the publicist said, can we not talk about his daughter's issues? Right. And I was like, I have no intention of dragging out their family trauma for entertainment value. I don't. I just that's not what I'm here for. but if you want that you can go and read the sun right but i'm not here for that what i'm here to do is have a really warm and curious conversation with a person who's achieved so much and you end up getting loads out of them you know because look how relaxed you are jimmy like this is it's like two people having a conversation right but why that is so much of what seems to drive of the media right it's the status game of generating more media yeah right like and that's it and that's part of this kind of like the gotcha question you know that's still quite prevalent on radio 4 and the today program right in terms of like we've got 12 minutes i know why do you think amal rajan is leaving to set up his own thing he doesn't just like it's boring yeah that that kind of gotcha gotcha gotcha gotcha whereas why do you think why do you think the rest is politics and the news agents and all of those things are so much that this huge yeah you can do a today program that could fill out the o2 yeah right but you can do that you can do the rest is politics yeah and a shit ton of people will come out to see that they won't come out and see today live why is that why do you think that is

1:08:09why do Rory and Alistair have a cut through well so I think on Rory and Alistair specifically I think there's this weird thing in politics where a lot of the political commentary is dominated by people that have not done it which is different in terms of football commentary that's so true like you think of all the sort of post-match analysis it's done by people that played it and so on and so yeah beth rigby laura coonsberg nick robin you know none of them been in those rooms they've been on the outside they know it incredibly very knowledgeable and so on ed balls might be the only one is he ed balls and probably yeah and even that he still finds out a bit like it's a bit it's a bit challenging you know stuff he ran into with zach polanski the the day which was a bit unfair but yeah it's yeah it's hard so i don't i don't know today program is yeah it feels like it has to set the agenda i suppose and it has to set the agenda by asking people you know the questions that they can't answer but i don't i mean i don't maybe it's because i don't consume that that anymore but i don't get a sense that the today program is setting the political agenda i think that there's just much more social media that's setting here i feel like you know you could argue that that um that nigel farage's tiktok has you know as much power to i think that maybe the chattering with westminster classes it does and ultimately maybe you could argue they run the country but if you're in stockport where i live no one gives a fuck right yeah but i tell you what an ai founder said something very interesting to me the other day running a very fast super impressive young woman running a very fast growing company and she said that journalism though does set the tone of the national conversation and i have been thinking since she is right right because in a way i'm sort of with you in like they're not as influential as they were you know they're no longer the gatekeepers they're kind of the curators etc etc all that's changing but i did think well it does actually set the tone quite a lot the media as a whole and I'm talking from the BBC through to the Daily Mail Sky News, all of it the chattering there's just a lot more chattering classes now I suppose there is but also as well it's just an absolute boon for Farage because the chattering classes seem consumed or subsumed by this melodramatic drama that goes on in Westminster when people can't get a train from, they can't pay their heating bill and the schools are not great and there's youth unemployment and there's poverty and there's all these things going on and Farage can point to them as he tried to do with Beth Rigby the other day when she was quizzing him about his£5 million gift you know this is why the mainstream media no one cares about you guys anymore and to be honest mate, the rise of reform and places like that didn't happen because the today program was setting a news agenda it's because facebook yeah and social media right if that that's what happened right that's what shaped it brexit didn't happen because you know people will go oh the bbc didn't do a very good job of and they kept platforming forage and yada yada but actually the spread of social media and disinformation all that you could argue that the tech companies are setting the agenda yeah right Well, actually, on purpose, if you look at who was standing around Trump.

1:11:42Right? Yeah. Right? So the tech companies and the social media platforms are clipping up this stuff, and the algorithms are feeding it into your feed based on what you've looked at before. So you could argue, actually, if someone in tech is saying journalists are setting the agenda, maybe you should ask yourself the question, why would they be saying that? Yeah. Because that's a deflection away from the fact that actually maybe they're the ones that are setting the agenda. But the last thing that they want to do, because that puts them in the crosshairs of government and legislation, is admit that actually they're pulling the strings.

1:12:22I've just got an observation. I'm not turning this into a Farage reform thing. But one of my observations of why Farage is doing well is that he has just been at it a long time. Oh, yes. Good point. And I think that is massively underestimated in terms of he's quite comfortable with himself. And he's just... I just think that we've got this thing in politics at the moment where a lot of people don't have much experience, often end up getting quite senior positions very quickly. And they just don't... And I just think Farage's been in this game 30 years and so on. And he's just kind of good at it.

1:13:00Yeah, he's very good at it. However much I loathe him, one thing I can't deny is the fact that as a communicator, it's extraordinary. It's extraordinary how a Dulwich College educated commodities broker has ended up persuading huge swathes of the working class that he has their best. Same as Trump. Yeah, same as Trump taking, you know, five million quid from a crypto billionaire has persuaded huge amounts of people that live in estates that he's their guy. I saw a roofer on Sky News saying, you know, the great about Farage is he never lies. You're like, that is wild. That take on, I mean, he literally sat on LBC with Nick Ferrari saying that the Speaker's office had essentially advised him not to do in-person things.

1:13:47And then LBC ran up the Speaker's office saying, did you advise? And they said, we would never advise an MP not to do face-to-face surgery. Yeah. like constituents and you're like you literally sat there and said this out loud like it was a fact I mean it's it's it's such a it's such a so do you enjoy this job is this the favourite is this the best job you've ever done doing a podcast yeah I think so yeah I mean I love number 10 like it was amazing wow and it was great but I felt I saw that picture that you put on it with Boris Johnson walking past it. Oh, yeah, coming in. Yeah, yeah, that was like...

1:14:29You haven't aged, by the way. I mean, it wasn't that long ago, but you look exactly the same. Which is pretty good. Well, do you know what the funny thing is, right? So I left not long after that because we were having our first kids. And I said to Boris, look, you know, I've run my race, I've done this. And it's, you know, time for, you know, fresh blood and whatever. And he sort of totally understood it and whatever. Did you use a cricketing analogy or Greek?

1:14:58You've got to stay at the wicket for a little bit longer. Yeah, well, there was a bit of that.

1:15:06When I saw lots of people a few weeks after having our first kid, they were like, because it literally arrived two weeks later, and lots of people were just like, you've got to be the only person that after three weeks of having a kid looks immeasurably better from what they did before. That's one number 10. Exactly. Everyone was like, you look really refreshed for having just that kid. So in all my interactions with you, Jimmy, you come across as a really warm, curious, really nice guy, right? But then you always hear that to do what people like you did in politics, it's brutal, it's backstabby, it's just vile, and you have to get down in the vipers' nest and get on with it.

1:15:49Is that true or not true? Or is that part of who you are is part of you kind of I can do that brutality if I have to I think there's an element of that I remember going around when I got the job and getting advice from everyone that had been there and so on and they were like one of the things that stood with one of them was what John Major said was if you're yourself you'll enjoy it if you try and be someone else that you're not you won't and that stuck with me and then the other one was from my sort of predecessor who'd done the business side of it, and they were like, you know, you will have to be a hard man, but don't be a hard man at the beginning, win the respect and then be a hard man.

1:16:27And there was some truth in that, that at times you did need to sort of, you know, you need to have quite direct conversations with people. I think that's... What does that mean? That sounds suitably ambiguous. What does direct mean? I think what happens a lot, and I talked to the team about it here as well. Malcolm Tucker direct. No, no, no, but you just chisel away a lot of the a lot of the sort of softer talk and what I mean by that is like you have everything is about work and you don't end up talking about what drives people sort of outside of their thing I remember working with a really great mate of mine in there called Tricky and we did lots together he sort of ran events and visits so we were often sort of doing stuff together and I remember just like after a couple of meetings that we'd had, I was like, by the way, I should have mentioned I got engaged last week.

1:17:21This was like one of my best mates, right? I'm certainly my sort of closest friend in there and I just sort of like haven't got round to kind of mentioning that. Is that to the detriment of progress or is it actually just protection so that you can progress without getting too close to anyone? I think there's an, I do think there's an element of that. my dad often talks about that actually as being chief whippers you couldn't have friends if you want a friend get a dog as they once said about the musical yeah and I don't quite agree with that because I do have friends from there but I don't know it'd be quite interesting to ask people because you did have to do stuff and have tough conversations but not my natural sort of style at all I mean think what Liz Truss had to do to Kwa Zikwatek right like she had to fire someone who the news was saying these were friends and they were and she had to do it to kind of save her own neck which obviously didn't happen but that right like how do you how do you navigate that when you think weirdly on the train today I bumped into Sam Allardyce and then we had a long conversation we got into this conversation because I asked him about who can you trust in a football club you know and he said it is really difficult to know who you can trust because you can have he said one of the things that he did was you'd always be nice to the all like the groundsman the kick guy you know that all the people that worked in the county like really nice to them because some of them will be moles yeah for so you in your role at number 10 surely you you would see, because they're not very good at hiding it, the kind of brutally ambitious ones, right?

1:19:10Who you know will kill you in a heartbeat to get closer to the Prime Minister. Yeah. Right? Yeah. Because they're not very good at hiding it, are they? Those people. I don't think so particularly. I'd say one of the things about number 10 is there is quite a lot of like upstairs downstairs vibe. In the sense of you have the sort of special advisors, the policy people, you know, the people that are sort of almost literally running the country And then there is a huge amount of support staff, secretarial staff alike. And so you've got to be, you know. How were you with them? Well, they were great people, right?

1:19:48Like, I'm always conscious of it. But I think... Did you know anything about them? No, but it goes back to a lot of it. I mean, the two ladies that were in the kitchen were called Alison and Marjorie, and they were amazing. and then I knew my diary team quite well because they would often sort of work miracles with it like Jenny and so on. But no, I mean, I think that is a, you didn't, you know, you were so stretched. And back then, you know, I was single and didn't have kids and whatever. And that's why almost all special advisors are under the age of 35 or over 50. No one does it when they've got kids at that sort of like tough age.

1:20:25Very few, basically. You know, Midderman talks about this in terms of the special advisor job takes over your life and it becomes who you are, a massive part of your identity. Can you be a really nice person, empathetic, really nice, and also be successful in politics? Yes, I think you can. I think David Cameron's quite a good example of that. But I do think you have to have your wits about you of when people are going to take advantage of you. And that's where you have to be quite careful as somebody who probably does have a disposition. I don't think I like the phrase nice. I think that's the problem.

1:20:59My mum hates it. Okay. But I think you can be a kind, lovely person, but you've got to have your wits about you. Do you have to have a brutal switch? That you can just go, I need to kill this person now. Obviously not literally, but I need to just, this person is in my way. Yeah, I mean, there is a... And I can't have any sentimentality towards it. Yeah, because I'll tell you why it is, Nihal, because you end up thinking, I have got a I am here to serve the Prime Minister I have to drive her agenda through I have to make that happen like when she's having a shit time which she was for a long time that I was there you owe it to her to kind of like ram this stuff through and if there are people in the way and being persistently in the way then yes they need to be dealt with right any regrets?

1:21:48not on that side I don't think so what was interesting was I was taken back by who stayed in touch afterwards and who sort of helped out and whatever and who just wanted, I mean, I'm aware, right, you know, it's Jimmy from number 10 on the phone, I'm very aware that it's the number 10 bit of that that's important. Nihal from the BBC as opposed to Nihal from, you know, tech hockey, right? But Al's a great example of somebody who always became like a bigger champion afterwards, right, and so on. Yeah, same. So that's quite, you know, that's important and so on. And I remember another bit of advice that one of my predecessors gave was you are going to you're in a privileged position of being able to speak to business every day about this job you will have colleagues that fall on hard times and end up getting caught in the crossfire of things so make sure that you pick up the phone whenever day happens to them and help them careers advice business wise make introductions whatever because the male strong we were operating it i might not have done that every time but i was quite sort of consistent with doing that and so on.

1:22:54So yeah, we should get you back and interview me. Mate, I'm fascinated by your world and what you've seen and that because it's quite interesting what proximity to power does. I mean, I remember asking Oliver Stone about how far or short the distance is to barbarity when there are no rules and he said the distance is incredibly short when there are no rules when there's a young GI in the middle of a village in Vietnam who knows that he can get away with doing anything he wants it's not a long distance to barbarity and I just wonder how long is that distance to kind of uncivility when power becomes because power is I've been close enough to not where you've been for sure but you know i know some incredibly powerful people and it's a weird thing i mean it you know i mean obviously i'm working for elton john who is a really nice guy but just seeing that circus you know and how it changes people around yeah when they get into that yes and a lot of people who are famous say it didn't change me it changed everyone around me but that's not true it's not that's not true you know there's no question i mean i've known ed sheeran for many years and ed sheeran is without question as lovely now as he was when i first met him before really anyone knew he was right and he's still a lovely guy but he's also a guy that is worth hundreds of millions of pounds right and lives a life i got into a conversation with him and a premier league footballer and then they started talking about wine collections and i was like guys i'm out like i'm just out right this is this is not my world but still just a really really chilled guy with it but that political it was so interesting being at the labor party conference the last one and watching the spads watching these earnest people who are so pumped up on their own self-importance they're so young and they're wandering around like and they are walking around like every every single npl minister is a rock star yeah like he's a god like they're they're fawning they're just like everything you know and they're on the mission a little bit like you're describing about where you were at with theresa may which is that you're you're an exocet missile right yeah you're going in a direction and anyone gets in the way of that direction they're in the way of a missile right they're not in the way of a kind of care bear they're in the way of a missile and i just saw these people and they're and also as well just because i was in davos as well for my first davos this year courtesy of al lukis and indava and wow politics and is so brutally transactional in the way that the relationships seem to work right at conference and at davos they're the two i mean behind the scenes i wouldn't know but just the way that some of those people like an mp would come up to me who knew me who'd maybe listen to me on radio one or whatever but the spad would be looking me up or not spad spad not spad but um they're whatever their person that runs around with them just looking me up and down going you're not important because you know i wasn't dressed in a suit i wasn't you know and i was like wow okay that's and you think these people are rock stars yeah They do, do.

1:26:29There is a lot of that. They're like groupies. Yeah. Oh, yeah, yeah, definitely. I think the... It's interesting on this one about saying. I think kids has changed me more in terms of it has made me more clinical than I was in terms of my time. Because I do sometimes think I don't give people as much time as I used to. And I think that's just because it's being an entrepreneur. it's having kids just I think I can almost be more transactional now that I was when I was there you just to be clear you'll never give your kids enough time yeah ever minus 16 and 18 now and it's gone like that right and and they even my son said to me that day you know you weren't around that much you weren't around that much and I was like well yeah well weirdly enough they weren't letting you go to private school for free so that that had to be paid for that had to be that had to be worked at to be i can't wait i mean i think with with so many of us that's why the grandchildren think so important right right it's because it's like i'm gonna give them so much time so i've got to live long enough to be able to hold them and spend time with them and take them to the football matches and actually to be fair i took my son to every football match I could probably 90 % of the football matches I was there watching him and I was really really clear about that we had a very special day uh a few weeks ago because we um that was the one thing my dad always pretty much did as well in fact that's amazing my dad has an amazing story when um well with family folklore but Derby got promoted in 1996 so I'm 10 years old so like football is everything before I've discovered girls and all that football is life Derby get promoted into the Premier League and I'd been going a couple of seasons as well so I really knew what it was all about and my mum was when we got home was like well we know when the fixture list comes out that it'll be Man United at home don't we for when we're on holiday fixture list comes out a few weeks time Man United at home for when we're on holiday and dad is like I'm so grumpy on this holiday in Ireland so grumpy and I remember well I remember so many things about it I remember listening to the results coming that night on probably five live.

1:28:51And we weren't in the first three. And so dad was prepping me being like, look, that means Man Utd are going to have won. Because it'd be in the headlines if Derby had won. But actually they drew one all. But basically my dad just sort of, early on in the holiday, said, look, I promise you I will take you to Old Trafford away. Just cheer up for your mum, please. Basically it was the bargaining chip. How old were you? So I was 10. right so like quite a sort of like awkward age basically just playing on a football pitch on my own in the west coast of ireland and so anyway that's that's april so that seems like you know months and months away and of course it's april 1997 as i mentioned dad's tory mp yeah just thinks god was the election june of that year it was may oh was it may it was may so he basically four weeks out of the election had to take an entire day off to take his son up to go to Old Trafford and a lot of people on the day were like I'm quite surprised to see you here Patrick and he's like some things are more important than politics Was that a major government then?

1:30:00Yeah so he's right at the end of the major government basically, Tories on for obliteration potentially losing the seat Remember my dad's a coal miner before he's a politician so he's not exactly got a career to fall back on. Anyway, it was the most incredible day of my childhood because it was the day that Paolo Wanchot made his debut for Derby. If you remember and scored that incredible goal. I don't remember but I remember Paolo Wanchot. I'll be sending you the link. That was his debut. We won 3-2 away at Old Trafford. It was the most glorious. Do you know Grenson's shoes? Have you heard of Grenson's?

1:30:32Beautiful shoes. Beautiful shoes. So they're owned by Tim Little and I'm going to introduce you to Tim Little because him and his son Ivan are massive Derby fans. Oh, are they? Huge Derby fans. Home and away. Like, home and away. I'll probably recognise them. But to finish the story... You should get him on, actually, about jobs, talking about jobs. He's an interesting guy. Well, so, but to finish the story, two weeks ago, we took my eldest to her first game at Derby and it was this sort of, like, three generations going and whatever. Oh, wow. And she was actually quite into it. So, yeah. Oh, wow.

1:31:03Well, my son's kind of given up slightly on top of it. You've had a tough season, right? he has a Spurs fan for the uninitiators I'm a Tottenham fan yeah it's a fair thing what's time I know we have to like I just want one more thing reflection thing when you left the BBC you were like I'm going to go be a stand-up comedian yes and I maybe we should get you back another time and talk about it but that was one of the things that I was sort of toying with doing yes so I did a gig on Saturday in Bisham Abbey Marlow and I have to say Jimmy so the first time I interviewed Richard Dawkins I was terrified and really nervous and like wow this is going to be I don't know I'm just going to get humiliated here since doing stand up I interviewed Richard Dawkins a few days ago on stage at the Barbican I've never been more calm if you can do stand up there's no kind of presenting that presents any kind of challenge for you after you've done I've only done five gigs but at the end of every single one I have felt ten feet taller to be continuing for each time thanks so much for coming on lovely to see you Jimmy and what a blessing to be on this pleasure

1:32:36you

From the publisher

Nihal Arthanayake: From Radio 1 to Corporate Storytelling - Class, Diversity & the BBC’s Blind Spots

Nihal Arthanayake, former BBC Radio 1 presenter, joins Jimmy’s Jobs of the Future to trace his career, from promoting rap nights at 16 and fronting Collapsed Lung to being dropped by a major label and pivoting into music journalism and PR before becoming a Radio 1 DJ in 2002.

Nihal explains how radio shifted from gatekeeping to curating as social media and algorithms changed music discovery, and recounts his 23 years across Radio 1, Asian Network and 5 Live, including planning his exit and ultimately being engineered out after speaking out.

He argues the BBC’s biggest bias is class, says it “lies about diversity,” keeps people of color in boxes, and fears the Daily Mail more than ideological labels suggest.

We also discuss interview craft, his book on conversation, and how doing stand-up comedy increased his confidence.

00:00 Intro

01:22 Welcome and Early Dreams

02:51 First Money in Music

05:33 Collapsed Lung Breakthrough

09:22 Go Discs and Muddy Funksters

12:34 Dropped and Reinventing as Journalist

13:46 Why British Rap Lagged

15:36 Gatekeepers to Algorithms

18:14 Landing Radio 1 Asian Beats

22:29 Representation and BBC Culture

31:24 Calling Out Window Dressing

40:05 Is the BBC Left Wing

46:32 Politics and Interview Nerves

49:33 Nerve Wracking Guests

51:08 Peterson Clegg Clash

52:53 Interview Style Lessons

55:06 Talking Ends Conflict

57:36 Mutual Friend Story

01:00:00 Research Like A Pro

01:05:19 No Gotcha Headlines

01:09:12 Media Tech Farage

01:14:55 Politics Brutal Switch

01:26:14 Kids Time Football

01:30:55 Stand Up Confidence

Credits:

Host/Exec Producer: Jimmy McLoughlin OBE

Producer: Sunny Winter

Producer: Thuy

**********

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