In short
Teyana Taylor discusses her Escape Room era (album + short film), her faith-driven approach to creativity and fame, leaving/returning to music on her own terms, and how film/TV and choreography shaped her artistry. She also debuts her new single “Better Roses” and talks about working with major artists and brands, plus a vocal-surgery update.
Guests
The hosts are Joe Crack and Jada (Joe and Jada Show). Teyana Taylor is the main guest.
Guest backgrounds
Teyana Taylor is a multi-hyphenate performer from Harlem/NYC known for music, acting, and choreography; she has worked across music videos, film/TV, and major stage performances. The hosts are long-running hip-hop/entertainment podcasters.
Key claims
She says she’s “covered” by prayer and stays grounded through God; she believes fame can be destabilizing. She describes her career as refusing to be “boxed in,” and says her album is an “audio movie” meant to be fully absorbed. She frames “Better Roses” as emotional healing without armor.
Notable examples
Choreographing Beyoncé’s “Ring the Alarm” (and learning “chicken noodle soup” for Beyoncé). Working with Beyoncé and Leonardo DiCaprio (referenced). Her “Escape Room” process as connected to the short film. She also recounts Kanye West altering a track after hearing her “Pride and Joy” hook, and her production company “Auntie’s Production/Auntie’s 360.”
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOTeyana's Early Aspirations
0:52 to 2:00
Explore Teyana's journey from childhood dreams to stardom.
“You don't realize smart people use smartphones, huh?”
Teyana's Early Aspirations
3:14 to 5:15
Explore Teyana's journey from childhood dreams to stardom.
“Well, I'm just so happy you're here, man.”
The Challenges of Artistic Vision
5:15 to 8:20
Listen to Teyana discuss the complexities of sharing her artistic vision.
“Because you had to know when you was young.”
Faith and Fame
8:20 to 10:40
Teyana talks about the importance of faith amid fame and challenges.
“And so when I sit down, you know, I tell them, you know, my, my wife, she best friends with Mary J.”
Better Roses: Emotions and Healing
10:40 to 14:00
Teyana introduces her new single 'Better Roses' and its themes.
“Like when I see people who are - I rather wish I could just be wealthy and put out there that nobody can know you.”
Grounded in Success
14:00 to 14:30
Learn how Teyana Taylor finds balance between hustle and grace.
“wasn't my bike on my skateboard or something, but it was just like.”
The Essence of 'Better Roses'
14:30 to 14:59
Discover the inspiration behind Teyana's new single 'Better Roses'.
“Bed and Roses, for me, well, you got to kind of hear the album.”
Navigating Relationships
14:59 to 15:35
Teyana discusses the importance of vulnerability in new relationships.
“You know, and that's what Better Roses is for me.”
Friendship and Safe Spaces
15:35 to 16:10
Teyana emphasizes creating safe spaces in friendships and love.
“because I think right now music is so toxic and so prideful and very, very egocentric, you know, and it's just not who I am.”
Growing Up in the Spotlight
16:10 to 17:20
Teyana reflects on her journey and the impact of public perception.
“But I watched it, I skipped it a bunch of times, but once Tiana, you know, I'm keeping it a buck.”
Show all 37 chapters
The Evolution of Artistry
17:20 to 19:40
Discussing how Teyana's experiences in film influence her music.
“Like coming home has been funny as hell because every single interview I've been doing has been all like my big brothers.”
Hard Work and Talent
19:40 to 22:00
Teyana shares insights on the importance of hard work in achieving success.
“Or you share it a little because you've been around, you've been doing, you doing shit.”
Choreographing for Beyoncé
22:00 to 23:40
Teyana recounts her unforgettable experience choreographing for Beyoncé.
“And I think that's probably that New York shit too.”
Memories from the Block
23:40 to 24:50
Teyana shares her childhood memories from her neighborhood.
“walking by dance groups like, nah, this need to be like this.”
Memories from the Block
28:58 to 29:49
Teyana shares her childhood memories from her neighborhood.
“ChatGPT work is built for bigger projects with multiple steps.”
Growing Up and Influences
29:55 to 31:04
Teyana reflects on her growth and influences in the industry.
“You doing your auntie and uncle surgery?”
The Art of Dance and Performance
31:04 to 31:51
Discussion on dance styles and the pressure of performances.
“Oh, yeah, when I be like, but that's that Harlem shit.”
Strippers and Performance Dynamics
31:51 to 33:45
Teyana shares her experiences in clubs and performance dynamics.
“but like as a mom and like just super grown, like I'm so chill, I be chilling.”
The Concept Behind 'Escape Room'
33:45 to 35:05
Teyana explains her album and film concept, likening it to an audio movie.
“I came out there and started going like they was like, nobody wanted to be embarrassed on camera or nothing like that.”
Working with Kanye West
35:05 to 39:43
Insights into Teyana's collaborative process with Kanye on her music.
“When you got the time to absorb this thing You feel me?”
Passion Projects and Artistic Control
39:43 to 40:48
Discussion on the importance of passion and artistic integrity in music.
“So I needed you to pour into, like, continue on the passion of it.”
Sneaker Culture and Personal Experiences
40:48 to 42:00
Teyana discusses her sneaker collaborations and the culture around them.
“You're on some bullshit with the green watch, with the green Louis, with the green.”
Sneaker Launch Stories and Challenges
42:00 to 45:00
Teyana Taylor shares her experiences and challenges around sneaker launches, including the special packaging.
“Okay, I'm sure there's other shoes that came out that was fly, But to me, I do the sneaking shit for real.”
Gratitude and Career Reflection
45:00 to 46:45
Teyana expresses gratitude for her career and opportunities, emphasizing the importance of her beginnings.
“Yeah, how does it feel to have a song in the video with us too?”
Vocal Surgery Announcement
46:45 to 48:11
Teyana discusses her upcoming vocal surgery and the importance of addressing vocal health.
“Tell them a little bit before, you know what I mean?”
Animated Personalities and New York Flavor
48:11 to 49:53
The hosts discuss their animated personalities and how their New York backgrounds shape their communication.
“that's crazy are you the animated one in the crew I am the animated one in the crew.”
Auntie's Production Company Overview
49:53 to 50:55
Teyana talks about her all-female production company and its mission to create a safe space for creatives.
“So we creative, direct, produce, design, merch, stage, design, sound design, movement, coaching, choreography, directing, like literally everything is really a safe space for creatives so they don't feel boxed in.”
Navigating Brand Collaborations
50:55 to 54:06
The conversation shifts to Teyana's approach to choosing brand partnerships and the importance of creative freedom.
“You see a bag, that should be called a - What's the weirdest bag they try to throw you to you?”
Navigating Brand Collaborations
56:27 to 58:00
The conversation shifts to Teyana's approach to choosing brand partnerships and the importance of creative freedom.
“And for a drink, I'll probably have a nice cold Sprite to go along with that perfectly, and I will be a happy girl.”
Teyana Taylor on Acting Choices
58:10 to 1:00:12
Teyana discusses her approach to selecting acting roles and working with icons.
“I mean, including projects with Paul Thomas Anderson, Tyler Perry, Ryan Murphy.”
Leonardo DiCaprio Encounter
1:00:12 to 1:02:35
A humorous recount of Teyana's experience meeting Leonardo DiCaprio.
“It's the only time I ever did that shit.”
Soul Food Favorites
1:02:35 to 1:04:54
Teyana shares her favorite soul food spots and culinary experiences in Harlem.
“Fonzip put me on to turkey chops back in the day.”
Dance and Performance Dedication
1:04:54 to 1:08:51
Teyana reveals her passion for dance and her commitment to rehearsals.
“and everybody told me, nah, they got the turkey chops.”
Upcoming Projects and Aspirations
1:08:51 to 1:10:00
Teyana discusses her upcoming projects, including a new film.
“It's like, alright, fucking dancing motherfuckers.”
Teyana Taylor's Upcoming Projects
1:10:00 to 1:13:03
Teyana Taylor discusses her upcoming projects including a tour and her directorial debut.
“Tour probably in January, because then I got to get ready for one battle after another, September 26th coming.”
Exclusive Track Play
1:13:11 to 1:16:42
An exclusive play of Teyana Taylor's new song from the Escape Room project.
“Latina, make sure we got permission for this because last time I tried this shit, they said, boom.”
Discussion on Music Influence
1:16:42 to 1:18:31
The hosts discuss the impact of Teyana's music and her connection to the new generation of artists.
“Make sure you download, stream, purchase.”
Transcript
Automatic transcript. May contain errors.0:00Yo, you know what's crazy, man? It's hip-hop fans will argue about anything. I'm talking best rapper live, best era, best album, but nobody gets started on best verse. Don't even get me started on best verse. That's a fact. And now Sprite got y 'all debating something new. It's called the Sprite Living Tracklist 50 Records That Really Shaped the Culture. That's crazy. We talking legends, we talking icons, and yeah, new artists carrying the torch right now. present day. But it ain't just songs, though. It's the stories behind them. The lyrics, the moments, what those records meant when they hit.
0:37Yo, go check out the full Sprite Living Tracklist and get into the stories behind your favorite bars. I like that. At livingtracklist.genius.com. This is the Sprite Living Tracklist. Obey your thirst.
1:17We'll see you next time.
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2:06It's also the most technologically complex. 104 matches, 16 stadiums, three countries. But for Verizon Business, that's another day. With private 5G networks in every stadium, more than 80 ,000 miles of fiber, end-to-end security, Verizon Business is powering FIFA's World Cup. If Verizon Business can do that, imagine what they can do for your business. Visit verizon.com slash powering FIFA World Cup now to learn more. No, no. What the bigger question is, is what exactly are we talking about? Fake pork chops. He must be hungry. That's what I'm saying. Are you hungry? Like, do we need to order?
2:55Yeah, yeah, what up, y 'all? This is Joe Crack. Your boy Jada. You know what it is, the Joe and Jada show. And without further ado, ladies and gentlemen, we'd like to welcome our beautiful guest, Tiana Taylor. to make some noise. Hey, y 'all. What's up, G? What's poppin'? What's going on? Well, I'm just so happy you're here, man. You know, my family, we celebrate you. And so, like, you're one of the favorite artists, my wife's favorite artists. And she's big in my household. She big everywhere, but in my household. So I know all that. Definitely my household. I was dizzy to, I made it, I made it.
3:39Hey. I made it. Like they was real. They had that all super repeat when it came out. So it's an honor to have you here. Thank you. They told me not to talk much, but I got to set it off. I'm going to be honest with you. I know Tiana is crazy. I'm looking at your daughter right now. And I think I met you about that age. Yeah. About that age. And I'm in Harlem coaching at the Rucker. and you pull up in that famous, that world famous bike of yours. And the reason why there's such an ill... First time I ever seen that she, first time I ever met her, she had that bike. She was on the bike too? Yeah, that's crazy.
4:20Around the same time? I don't know if it was the same, but when I ever first seen it, she was on the bike. I'm like, Vic, who's that? Like, nah, that's TV. You know what's crazy is, I meet so many people, right? I've been doing this 30-something years. And I met so many people who told me, yo, I'm going to be rich. I'm going to be a billionaire. Even Angie Martinez laughs at me because she said the first time I met her, I was like, yo, I'm going to be the biggest. And she was like, yeah, right. And so you out of nowhere, you pull up on me and you're like, yo, I need to meet Pharrell. Like, you got to introduce me to Pharrell.
5:01I'm going to be his next artist. And I'm like, yo, this girl, she flies, she little, But I mean, she got big dreams. And to see everything you ever predicted at that age to come to fruition. How did you know? Because you had to know when you was young. Like, did you how did you know? Did you say, yo, I'm special. God made me special. Because for real, though, you have to have a certain type of blessing and confidence to just predict all that in the future and it actually to come true. I mean first and foremost I got a lot of prayer warriors that's first um I feel like I'm covered you know um but secondly I think it's just some cocky Harlem shit like that's just Harlem shit in general we understand aesthetics and vibes and what things are supposed to look like but I've always been very intentional even at a young age so it's kind of crazy to see Junie now speak the same way you know but it's kind of like seeing you like that was a big thing for me I'm I'm like, yo, what's up?
6:04I know you in there. Tell Pharrell and them. Da-da-da-da-da. What we doing? And then she got with Pharrell. How crazy. That's crazy. Yeah. It's safe to say she's good at everything. I'm a manifester. Anything she puts her hands on, it turns into something. We call you a triple threat. Right. Because there's nothing you can't do. And was that ever a complication for, you know, an A &R, somebody to see your vision? Because you do so many things. was it hard to get the team to just get aligned with like all right i want to choreograph this i want to i want to sing i want to shoot i want to like people just like yo what the fuck like everybody ain't built like that did you ever have that problem i mean it was it was a lot and it was it was very difficult and the way you're breaking it down actually make me like want to like empathize with them for them a little bit because no real shit because I never used to send this to people like, they don't know what to do with you.
7:04What the fuck does they don't know what to do with me? I'm not trying to hear all that. Like, you, like, if I'm giving you everything, you're avoiding all the things you would pay for on normal for the next artist. So I used to think it was easier having an artist that didn't fuck. I used to walk into the label with the old school mood board, like cut out pictures and like glue to a cardboard box. Like I had the vision. So I was like, if everything is literally laid in your lap, how are you saying you don't know what to do? Yeah. How are you saying you don't know what to do? But to your point, if it's like a robotic system and they they're stagnant in their comfort, their comfort is here's a standard.
7:43We do this with all our artists. So because we do this with all our artists, then no other way is the right way. You know what I'm saying? I dealt with it for a long time until I took that step back because I do do everything. So it's kind of like, again, when I seen you and when I took a step back from music, I went and I manifested the same thing because I was definitely shoved in the corner. So I'm like, yo, if you, if you retire, you boom, boom. I don't think that's smart. This is what I'm telling you is not, I'm like, I'm going to be a big director. Everybody's going to call me. I'm going to be a go-to director, going to be a big actress.
8:12I'm going to protect other creatives. I'm going to pour into other creatives. Everything I said I was going to do, I did that. Did that. Did that. And did it superbly. Thank you. You know what I mean? let's not forget that but that's all a part of that faith walk you know what I'm saying like you know I go to the casino with God yo who we betting on today who we betting on today you're both of y 'all with God in the casino not literally but I'm just saying it's like when people take bets elsewhere people take gambles elsewhere my gamble is like Father God what we doing what's my purpose you know what I'm saying when I'm ready to give up like why you keep pushing me why you keep pushing me back in what's my purpose you know i'm saying like i want to do everything i don't want to be in a box okay if you want to be in a box show me you don't want to be in a box you know i'm saying keep praying keep having conversations you got to communicate you got to over communicate over communicate so like with over communicating then he's more clear on what i want he can lead me in that direction because he ain't gonna throw it in my lap you know i'm saying so i've always took my gamble you know within my faith it's weird times you over communicate you can overstand I understand that and it's weird times out there right in the world you know hard to get a job people on tough times this thing has made it so everybody and their mother can say something about somebody so this price of fame right it's on another level to where I think the only thing that can keep you normal right now is your belief in God.
9:56And so when I sit down, you know, I tell them, you know, my, my wife, she best friends with Mary J. I sit with all the Jim Jones, Chrissy, Harlem. I'm always surrounded by Harlem. Right. And then the, the conversation always turned into God. I don't know how it just, if you just start talking about everything, everybody be like, yo, but thank God for God. I pay my tides. and I, because I feel like it's the only salvation, it's the only way through with all this noise that's going on around us. You know, this, you know, you gotta be careful what you wish for with this fame and fortune. You know, now I know what I love my life, but you know, I think I would have rather been wealthy more than wealthy and famous, right?
10:46Like when I see people who are - I rather wish I could just be wealthy and put out there that nobody can know you. I mean, but I meet wealthy people and they want to be lit. Like they want to hang out with the famous people. They want people to know. They think they want to be lit. They don't really. No, that's real. A lot of people think they know what they want until they get it. You know what I'm saying? But I think for me, it's super important that even through my accolades, that like every single one of my speeches that then they always go viral but i in my speech my all my speeches are always a prayer i think it's important because i think a lot of times we we turn to god when when things ain't right yeah you're not talking you're not turning to him for nothing else then when something go wrong yeah through good have them conversations through good bad in different you know submit and and pray and understand that we're not perfect it's still a work in progress none of us haven't been perfect enough you know i'm saying so it's just like you gotta pray through it all you know and give thanks i think is important gotta give thanks it's been five years since the album what pulled you back what made you say it's time um i i got pulled back on my on my own terms you know i'm saying like i left the first time because it wasn't on my terms you know i'm saying and i knew that i was more i was more than what was being, you know, put in a box for me.
12:15You know what I'm saying? They were trying to stuff everything in one box and that's just not, that was never me. I can't stay still. You know what I'm saying? Like me, I always consider myself a Glade plugger. I'm a plug in every single socket outlet you see in this building. Why only make the bathroom smell good when you can make every inch of this motherfucking building. Yeah, like smell the fruits of your label. Like I'm not about to be locked in one room. I'm not gonna be locked in one box. I'm not going to be locked with one set of keys and one door. You know, shout out to your mother. Your mother's in the building.
12:45Yeah. Harlem legend. And, you know, I just feel like you, me, Jim Jones, not to alienate nobody, but New York made some hustlers. Say Lala. Lala Finesse, an MTV job to being an actress, to being a this, to being that. You know, what is it in you that make you that hustler? dead because some people are content. I'm a fake Harlem guy. I'm from the Bronx. But I got to hustle too. I'll sell you some beer stuff. No, real shit. I think that's just a New York thing. But also it's like, you know, my mom, hustler. Her work ethic is insane. You feel what I'm saying? Yeah. And also what would help keep me grounded is actually use and use and gems and like to see y 'all be successful and still be on a block.
13:42You feel what I'm saying? Like that's big for me. The first time I met Jada, I was mad young and I asked for autographs and I didn't get wrote something in the script. And for the life of me, I was trying to figure out what he wrote. And at first it was me and my aunt. I was like, he was like, so, you know, I was like trying to figure out what he was saying, but it was the fact that he like took out the time to write the autograph and I probably wasn't my bike on my skateboard or something, but it was just like. yo, this shit is dope. So not only do I have the hustle, but I got the ground. I'm grounded because people that I look up to that's paving the way for me is really outside, you know, grounded, but successful and still graceful and, you know, like just the balance of it.
14:25I just think that's a New York thing. I love that. New single, Better Roses. Describe this way. Better Roses. All your emotions, big. I like that. What inspired you? Bed and Roses, for me, well, you got to kind of hear the album. Once you hear the album, it's like a whole story. It's an ombre album. So it's like the different emotions from heartbreak to healing. You know what I'm saying? Or from like dark clouds to, you know, sunny skies. So it's kind of like all the moments of vulnerability and grief and different things like that. But most importantly, resetting, realigning and recensoring yourself without armor.
15:07You know, and that's what Better Roses is for me. Like, I feel like even through everything I've been through, I still got so much love to give. You know what I'm saying? Like, I'm not a guarded person. I don't walk around with bricks ready to build a wall. It's just not who I am. So you don't base a new relationship based on a past relationship? Yeah, I mean, always move with caution. Exactly. But to be to be guarded, that's how you block your blessings. You know what I'm saying? Like, yeah, I don't I've been I've never moved like that. You know what I'm saying? And that's what Better Roses represent.
15:34I wanted to do something for, you know, just the lover people, lover girls, lover boys, because I think right now music is so toxic and so prideful and very, very egocentric, you know, and it's just not who I am. And I wanted to create a lane to create healthy dialogue, healthy conversations with them music. you know this whole time I'm looking at you the petty Joe is just like yo what's up with the cute boyfriend right now this guy right here that's the big brother shit that's the petty Joe man I'm sitting here the other day I'm gonna tell you and shout out to the brother right but the other day I'm sitting on the couch trying to look at something in Netflix and I see his fit and I'm like yo you know that that's Tiana's man right there you know what I'm saying we watched the movie and shit and You know, what - You watch Rebel Ridge.
16:23Hell yeah. But I watched it, I skipped it a bunch of times, but once Tiana, you know, I'm keeping it a buck. Well, y 'all got the clamps on me. Y 'all don't want me to go. Y 'all don't want me to - You doing so well today. Okay, I'm gonna calm down again. But you watched it. Hell yeah, because I mean, he was a great actor, but what about the pretty boy? I mean, I'm not like, this guy, Yeah, tell us about him, man. Well, what's the question? You said, what about the pretty boy? No. What's the question? Because you so rough, and you from Harlem, you from this, and this guy's like, you know, model or something.
17:05But anyway, you don't think she fit? You don't think they fit? No, no, yeah, I just think she fit. I figure out for more of a, like, I'm being cool with it. Nah, this is what I think it is. What I think it is, is like, y 'all watch me grow up. You know what I'm saying? Like coming home has been funny as hell because every single interview I've been doing has been all like my big brothers. So it's been a lot of tough love and a lot of like, you know, y 'all knowing me from being little T. You feel what I'm saying? But I'm a woman, you know, and I am a mother and, you know, people grow and people change.
17:44And I feel like, you know, young when you're young, yeah, you just, you hot, you heavy, you just, your personality is big. But when that carry on into adulthood, majority of it is survival mode. You know what I'm saying? And when you find a place that is so gentle and so delicate and so kind, it will, it can soften anything. It's like boiling noodles. You know, you're going to go in there. Was it like, this the guy for me? Or was it like hard work? Was it like, what did you see him? And you was like, yo, this, this, because, you know, you come off of such a big publicized relationship. Is it scared for a girl to take a chance with the next guy and say, yo, all right, this is the guy?
18:34Because, I mean, you're beautiful. You're on top of the world. You got money. You got whatever. I'm sure everybody and their mother was coming at you. How did this guy get your attention? I mean, I am really big on feeling and I always tell people like it's okay to feel allow yourself to feel whatever you feel. Follow that, you know, and it wasn't something I don't go looking for anything. I didn't go looking for anything and neither did he. You know, we were friends and it. You know, it went where it went. And I think the biggest thing is is the friendship. You know what I'm saying? in the safe space.
19:11We created a safe space, you know? And that's why I think now in days when people put in titles and labels on everything, it's just kind of like, create that safe space, create a friendship. You know what I'm saying? Like, it's sweet and it's gentle. And I deserve that. That's right. That was a perfect answer. It was a perfect answer. How has your experience in film and television influence your creativity on making music now? Or does it even contrast? Or you share it a little because you've been around, you've been doing, you doing shit. Yeah, like I've always been a character. So like even when I was into music and doing videos, I was like, I'm ready to do more.
19:53I started my own production company, Orphi, my production company, my partner Coco, called Auntie's Production. So we always like, even when we were doing my videos independently, I was like, yo. I know he was going places from Byron. When I saw that, I knew that was just the tip of it. Yeah, I was just ready. I was always ahead of my time. I was just like, I'm ready for something else. Like even when I started doing videos for everybody, I'm like, all right, I'm ready to move into television and film. I knew that's what I wanted to do. So by the time I, you know, took a step back from music, I was just like, I'm ready to do movies.
20:26I want to do this. I want to do that. Things I was already doing. But, you know, you already know how it is. When you're preparing for an album, and everything's about the album and everything else is put to the back burner. And I'm like, yo, if y 'all can't balance this, then I'm too much. This don't even make sense to do this. So they came correct. And I got everything that I wanted. You're a good-ass actress, though. Thank you. You went to acting school? No. You took no lessons? She's just from Harlem. Oh, nah, you're a different human being, though. Yo, we acting in the bodega. We acting everywhere, bro.
20:59No, but she's really good on screen. I like the movie you had the hard time in. I think that shows your skills. And now you're with Leonardo DiCaprio. Doing shit. That's the shit, though. You done elevated to enough. You know, a lot of people are talented. You know, sometimes I go to karaoke and some girl go up there and sing her ass off. But I'm like, damn, why this girl never became a star? You know, what's such a blessing from you? was you said I'm acting and you went from, let's say that movie wasn't a lot of money, right? But it showed your skill. Now you're with Leonardo DiCaprio. Yeah. That's crazy.
21:40That's real shit. I mean, you got to work your area. You know what I'm saying? I think people want what they want so fast without doing the work. They want the glory. They don't want to do the stuff that is creating the story for the glory. You feel what I'm saying? Like I want to do the work. I'm a student. I'm never above learning. You feel me? So it's just like I'm a student even when I'm teaching, you know? So it's just like, that's my mindset and understanding. And I think that's probably that New York shit too. Like, yo, bam, bam, bam, bam, do this. My nigga see what's going on. Get you, get where I want to be.
22:09Then start calling some shots and, you know, making some noise and boom, boom, boom, boom. But you gotta, gotta do that first before you can do this. You just gotta know how to work your area. Man, this is a great segue. It's so blessing. At 15. Yeah. The sweet tender age of 15, you choreographed Beyonce's. ring the alarm, Vitty. What was that? How did that? That's crazy. How did that? You want to know what's crazy? Another stamp to New York. She wanted to learn the chicken noodle soup. Wow. And this is, you know, this one I was rolling around with the big hair, the fitted cap, you already know.
22:41You know what I'm saying? So... Who better to get it right than you? You feel me? So they called me because I was outside battling everybody. Like, it was up for everybody. So it was like, they called me to come and do it, but you already know the hall. And you're like, I'm about to throw a wow of this shit in there. It was like, yo, she had one job. She just wanted to learn the chicken noodle soup. And I went in there and I was ready. Like, I wasn't like, I was like, hey, everybody, I'm ready to work. Let's go. Boom, boom, boom. And she just started dying laughing. She's like, oh yeah, she's a star.
23:06Like, I was ready. We was chicken noodle soup and some more shit. Like, I was throwing in mad other shit. Like, maybe this, maybe this. Then she called me back for another performance that she had. And, you know, let me, you know, help work on that. And, you know, it just was amazing. But I'm also a sponge. I'm SpongeBob square fucking pants. Like, I'm a soak in everything. I'm a take in everything. So it was like learning. So to be able to, you know, work with her and it's like at that age, I'm taking in everything. But all of me is like, I understand aesthetics. And I was already 15 walking by dance groups like, nah, this need to be like this.
23:44Yeah, because if you look from here, it's just not, it ain't, I ain't rolling. You feel me? Like I was, oh, I was bossy, but it was always for the best. You know your hood, right? You know, I don't know if you know, I started at 132nd and Park Avenue. Where? Yes, ma 'am. Right by where the pimps and the hoes used to be and the free cheese was out there underneath the train. My man Chubby Love, he passed away. Oh, shud. My man Chubby Love, a.k.a. Gerard X, his sister's trying to get the block named after him. So you know the term where the basketball court's in a handball court where he used to say, crack is whack.
24:24He used to be out there. So one day he pulls up, he's in a Ford Taurus, and he gets out the car. This guy's like 600 pounds. You have had to seen him when you was a kid. He was this big, and he got out Louis Vuitton from the floor. And I said, oh, shit. What's that? Because this guy, 500, 600 pounds. What the fuck? and he was like, yo, this Dapper Dan. He was like, yo, I was like, what? He took me to Dapper Dan when I was 14. I got my first Dapper Dan because Gerard X, I never seen no shit like that. He get out the car, the car go up. He goes and the motherfucker Louis Vuitton all the way up and that guy took me to Dapper, Gerard X.
25:16and so when I realized you're from that same hood right there uh very important growing up so hard though right like growing up in that area because you know you go to that school across do you went to that school right there what school the school right around the current what's that school right there what oh my god yo they got fucking I was a menace in Yeah, but you know they got like metal detectors and shit, TSA in that school. My man's wife was the principal. She had me go talk to the kids. I never seen no shit like that. They had the metal detectors with the cop in the front. They still got pimps and shit and all that over there.
25:58But growing up so tough, right? To be so polished and to get to where you going and where you at now, what does that feel like? When you come back to the city, I seen you with Bevy. Yeah. I love Bevy. I love Bevy. I love Bevy. Yo, you know what time it is with Bevy and all that? Yo. Who don't know Bevy? Everybody know Bevy. I seen you with Bevy. I was like, you know, and it is true. It is like kind of like a homecoming. It is. Yeah, yeah.
26:36Y 'all, I was scrolling through the Sprite living track list the other day and immediately started arguing with myself. Arguing with yourself? I'm serious. It was wild because records like California Love, Still Not a Player, back then, those aren't just songs. Nah, those are moments, memories, snapshots of where hip-hop was and where it's going. Exactly. and that's what Sprite gets. They spent over 40 years celebrating artists who really defined the culture. And now they flipping it, letting the fans be part of the conversation. Which is where it gets interesting because the real debate is why.
27:14Like, why did that song matter? Why did that line hit? Why did it change hip-hop forever? I can't promise you we got the answers. But you're definitely gonna have a good time figuring it out. Go check out Full Sprite Living Trackless. And break down the stories behind your favorite bars. At livingtrackless.genius.com. This is the Sprite Living Trackless. Obey your thirst.
27:565G with the same towers the other companies use. Pay what you want or not at all. You're in control. Show these ridiculous carriers we ain't paying for stupid. Because we're way too smart to pay dumb. We shutting them down. Free app-based talk and text. You can text now. App requires Wi-Fi or data connection. Data plans sold separately. 5G where available. Foodies, unite! This is Angie Martinez from IRL Podcast. Here to tell you about something new and delicious from McDonald's. So they just released an all-new Caesar sauce that is a creamy blend of rich Parmesan, zesty lemon, and bold garlic flavors.
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28:32The sauce on a chicken Caesar snack wrap, ooh, or the McCrispy Strips, delicious. Which, by the way, the crispy strips are even crispier now. And that combination is perfect for McDonald's. And for a drink, I'll probably have a nice cold Sprite to go along with that perfectly, and I will be a happy girl. Don't take my word for it. Try it out for yourself. for a limited time while supplies last at participating McDonald's. ChatGPT can do more than answer questions. It can help you get real work done. ChatGPT work is built for bigger projects with multiple steps. You bring the goal along with the information it needs, like briefs, notes, files, feedback, calendars, data sets, or project plans.
29:14Then ChatGPT can help turn all of that into something useful, an analysis, a tracker, a deck outline, a prototype. or a workflow you can keep shaping. It can also use approved apps, connected tools, files, and browser contexts to help move the work forward. And you stay in control. You give direction, review drafts, approve actions, redirect the work, and choose the final output. So you spend less time sorting through busy work and more time making progress on the work that matters. Put ChatGPT to work on your most ambitious ideas and projects. Get started at ChatGPT.com by selecting work mode.
29:53available on Plus and Pro Plans.
29:59You doing your auntie and uncle surgery? Yeah, no, real shit. That's why I'm like, yo, it's a lot of, it's like fucking y 'all up to see me be a little baby. This is crazy. Growing up. She's grown. You know? She's all grown up. Yeah, I know. I seen it in that Kanye video. I was like, what the fuck going on? Like, that was the time, right? That was when she became a woman, right? When we seen that video, I was like, holy shit. I was at the wards when they played that shit. You know, they played the first time on the wards, right? Yeah, that was. I was in there watching. I said, what the fuck? I said, yo, this shit crazy.
30:39And I seen you in a club one time, too. You did? Doing some astronomical shit. It was in Miami, and it was like a pole, like a light. and the way you, not a stripper pole, a pole, and the way you was dancing on this fucking pole, I thought like, yo, she's an alien or something. I said, yo, she out of control with this shit right here. I was like, yo, what the fuck? And you, like, TV doing the pull-ups. You doing all that shit on there. Oh, yeah, when I be like, but that's that Harlem shit. Yeah, we used to be on the scaffolds doing that. Doing the pull-ups. When I'm in battle mode, like, especially in the yams, I don't like feeling like people playing with me a little bit.
31:22And I feel like people would come around like my table and try and like start dancing. I got to let you know because you can't do no pull-ups. You from the years. You can't do no pull-ups. Yeah. We got scaffolds on the block everywhere we go. No, I seen that shit one time. I was like, yo, this girl crazy. Like this shit out of control. Like I said, you a triple threat. That's what I'm saying. I had every stage in my life. Like Miami was like my young 20s, but like as a mom and like just super grown, like I'm so chill, I be chilling. As a mom. But I'm still ready to battle whenever cause I be feeling like people be trying me.
32:05They think you lost. You know what's crazy? I can't even go, I've been to a strip club where the girls didn't even want to dance around me. They was in Timiddy? Yeah. Yeah, but it was the sweetest because it wasn't like a battle thing. Like in the club is when people try and try it, but it got to a place where like, it went from people wanting to battle to now, people don't even want to like dance. I mean, the girls are like, oh my God, could you be dancing down? I feel crazy. I'm like, girl, this is - Do your job. Not even, girl, you killing it. You feel me? Because y 'all be doing shit that I'm like, bitch, yes, get it, you know what I'm saying?
32:40So it's like, I don't want people to see me and be intimidated, you know what I'm saying? like y 'all are beautiful y 'all killing it and they just be like start pop locking this y 'all just like babe it's alright. Oh they want to do a lot. The pop locking the six inch heels is insane. I always hated that shit. You know when you at your videos where they dance or they come to be in your video and then they nobody want to see that shit right they come up in there and start pop locking you be like yo my man we looking for the like a vibe like the other dance. But yo when they start doing the other dance You're like, yo, my man, like, you know, we, this ain't that type of party right here.
33:18Oh, shit. It's crazy. You know, the one time I seen some shit like that was, we was at the Ruck and we brought AI and they didn't want to check him. He's the only player, NBA player, I ever seen at the Ruck that they would not D him up. They didn't want to D up AI. Like, he came out there and nobody wanted to D him up. They was playing them from far, like almost like the strippers don't want to dance around you. I came out there and started going like they was like, nobody wanted to be embarrassed on camera or nothing like that. He was just hopping to the rim. Nobody played defense on it. I've seen that shit before.
33:57Escape Room is an album and a short film. Walk us through the process. Walk us through. I mean, you told us we got to hear everything. Yeah, you got to hear. It's like going to the movies and having to pee. you know, you need to pee, you might miss some. You feel me? Like we won't be able to pause the Joe and Jay show. You feel me? I like that shit. You got - Sometimes you gotta pause. You know, you got, you keep drinking that water, that shit run through the system, man. You know what I'm saying? Water's good for you. For some reason I ain't pee as much with Diet Pepsi, man. Now I'm drinking a whole bunch of water.
34:34I'm in the fucking bathroom all day. You're filtering, you're filtering. Water works. Nah but like real shit It's like it's an experience And it's like It's one thing leads into another Versus like Okay let me listen to a few songs And then I'm gonna go It's all connected I like it Yeah like when people listen It's like an audio movie Like even without the movie attached Like listening to the album It's like an audio movie So it's one of them things Where it's like I want people to receive it And really listen to it When they got some real time Don't rush into my shit If you joy riding a workplace Don't skim through my shit You feel me?
35:04Don't skim through my shit When you got the time to absorb this thing You feel me? and like I said, it will create a lot of healthy dialogue. I think it's important to create those safe spaces and have an album that's not a whole bunch of pointing to the fingers and different things like that. The process is dope and then once you see the movie with it, it's just like, oh yeah, this is insane. I got a personal question. The first album produced by the icon Jay Yeezy, right? What was that process like working with this man? Because I wasn't there to make a song. You on the song. I brought a whole nother song.
35:47Everybody's on that song. It's like 88 people. Yeah, but you on the song. Listen. It's me, you, and 87. Which song is it? I had a song. It's called Pride and Joy. I did with Kanye, but he went and called. Kiss, bust, the diss. He did. The point is. You know what's crazy? I think it had me lay the hook for Pride and Joy. Yeah? I just told you. Now that's 85 more people. 86 and a half. Yo, the craziest shit is. I like that song. Yeah, but I want to be on that song. Listen, I do the another round with Chris Brown. The shit is out of control popping. You know, this game, you need to be on a roll. Sometimes, you know, when I was young, I would just say what you want.
36:33I was just throwing out hits. so much. I gave Jairo New York. I was just, I felt like it was hit mania. Like there's no way I could stop. Everything I did was a hit. Number one. Then you get to that motherfucking gray area. No, I'm telling you. I'm pulling them out. Just everything I put out, I know it's gone. It's gone. I'm putting out hits. Then you get to that little stumble where you try and catch that shit again. That ain't easy. Right. Facts. I go in the studio with Chris Brown we got another one right so now I that was my shit too that was my shit right
37:19so we make another one after that I swear to god it was a smash hit and Kanye hears it says yo let me work on that record he changed the whole fucking He made it like, we had another one. I had another one coming right after the Chris Brown shit. Like another one, like I had one. And he switched the whole shit up. So I know the one time I worked with him, I know what he did to me. What was that process like working with him on the whole album, even though the project was, came out incredible. I mean, I definitely feel like, you know, KTSC was like some of his best work and he's amazing. But like what he did with Gonna Love Me and Ish was like, that nigga was in a whole nother duffel.
38:07You know what I'm saying? Like what he did. And that's why I say like some of his best work. That shit is just like incredible, you know? And I think because it was that incredible that I think it became the both of ours versus a my thing, you know, like a me thing. I think he was, you know, And as a creative, even now looking at it, like being as I do everything for everybody, like this was a passion project for him. I think he was very, very, very, very proud of it. And I think that in that moment of being so proud is like he was living in that moment. And I don't think he thought about everything else that was also a part of that moment.
38:51You feel what I'm saying? Because if it was up to me, like dropping that shit right after Faye would have been insane. you feel what I'm saying um but I definitely think that it was a this project was his baby and he treated it as such you know I'm saying and I think both of us like he was like yeah because you're going baby yay on me so I think both of us being like the super creatives that we are I think that like in that in that moment from one creative to another creative like we both is like okay I get that you probably this is a proud moment for me too it was just a lot of of that you know I'm saying but I think it's an amazing project and I think it's a life changer and it's just like that was that was a time to be alive you just had to you just had to be there you know I'm saying and now even today like I cut so much more grace like I give so much more grace because it's just like people go through stuff you know i'm saying and i think all he ever wanted to do was create you know and i know that feeling of just wanting to create and i think those seven albums allowed him to just create without any of the extra shit you feel what i'm saying so at that point it was blocked everybody out he was locked he showed up for himself and i think that's amazing you know I'm saying I think we always talk about who's being selfish or whatever but it's like you know what show for yourself because it all still helped us in a way you know I'm saying I would have preferred it to to move differently and to roll out to be handled differently because I am the baby and I am the girl so it's just like you know out of everybody I've been waiting the longest you know I'm saying like everybody else here is consistent with their music I don't have consistent music.
40:37So I needed you to pour into, like, continue on the passion of it. You was passionate, like, knowing you killed these fucking beats and now be passionate about this rollout and understand that, you know, we're in this together. You know what I'm saying? I gotta take a slight pause. You're on some bullshit with the green watch, with the green Louis, with the green. I'm acting up right now. What type of smoke you can't, when you want it, all the smoke today? Like, what the fuck? I'm looking at the green watch with the Louis. Like, you acting up out here, man. That's how you feel? Yeah, that's how he's feeling.
41:13You have to come according to our guests. Yeah, that's right. She throw that shit on you. You know what's crazy? That's actually a compliment. I noticed that. When I go places, like, people really be throwing on their Sunday's best. I ain't know I'm coming in. That's a good piece of me. When you come around, you can't just go gray sweats. Let me tell you something, boy. You can't go like you're going to the laundry lab. I love that. I really love that. Yo, these stupid people. And it pisses me off and I ain't really get to get my rocks in. Can we elaborate on these thinkings, right? Yeah, yeah.
41:39Jordan, they love you. Yeah. Because the type of quality they gave you. They let her go action. They let her name on the shit. Yeah, they let her do shit. All kind of fucking trees and shit. And yo, this shit is, this shoe, to me, when it came out, was the shoe of the year. To me. Okay, I'm sure there's other shoes that came out that was fly, But to me, I do the sneaking shit for real. And I know the quality. I know how they let you get away with, you know, Fran Jordan don't let you put your name on the shit. All this, the box it came with. I think I got stiffed. I think they gave me a whack box.
42:21I think you had some special boxes. What special boxes? They had a special box. You had a concrete box. They gave me a regular red box. I didn't get the premiere. They gave it to me regular. I'm just being honest. They just gave you a pair of sneakers in a red box? Yes, they fucked me. You lying. I swear. I'm not even sure what kind of box I got. No, they came in the fly boxes. I've seen people with fly boxes. I was calling the Tina Kirsten out everybody. I was like, yo, we're the fucking box. We're the fucking box. They got a special box. I got to get you a special box. You can put it in the store.
42:52My sneakers don't come in the special box. I got to get you a box to put in the store. They shot my shit in the fucking, what's the joint? The Bening spot and all that. We shot, my photo shoot was on top of the projects in the what, Gucci Frito, with me and Remy in there like this. Like that was our rollout. It's like, you got a special box, all type. I got the regular shit. They was like, nah, you representing, you know, the average man. Nah, but you know what I did though? It's like again, but nah, that's that. That's also the hustle and the finesto. You wouldn't let them just give you. I went into my commercial budget.
43:29I was taking money from different places and saying yo this is what I want to do you know what I'm saying I need to make sure that the people you know that I fuck with heavy receive these sneakers in a special way you know what I'm saying I ain't gonna find the sneakers was sold out before we even dropped the commercial so low key I could have made more than even more boxes I went to give you my sneaker and it was so much marijuana it had got you high in there that night who was it little baby's party or something it was like 3 in the morning I came to give you the sneaker and give them the sneaker, the T.I.
44:00sneaker. It was, I was high. Like, there's no way to fake secondhand smoke. Them motherfuckers were smoking so much shit that night. I'm over a certain age. That show in our A's was, I was in there dying, but that was the tour I created. Three in the morning, bro. I'm up in there and that shit was like dumb, dumb, dumb. They were smoking so much shit. I was dizzy. She was like, yo, I know you got my shit. I said, yeah. I couldn't wait for that dude to walk in that door to give him that sneaker so bad. I was like, yo, little baby, here you go. You got it. Take the pick. That shit was crazy. But, you know, we grind different.
44:38We can't. Jay, the man hit up with one of those. I ain't saying anything. I'm just enjoying the conversation. Auntie's production. So that's crazy I ain't bringing up the fact that I got a song in the video with both of y 'all. We're here to talk about you, though. I'm a part of that. That's a part of my journey. Why be on the big stuff? You know what you're talking about? You know what I mean? That's why you say, yo T, how it feel to... Yeah, how does it feel to have a song in the video with us too? Yo, where's the camera? Like some of the best moments of my life. I need y 'all to understand, like, this little girl from Harlem having the opportunity to work with both of y 'all is amazing.
45:18And I don't ever want y 'all to get lost on that. You know what I'm saying? Like I feel like people see where my career is going and, you know, feel like the other shit don't matter. So again, I say it's all about where I started and people always believe in me. We got a few records together. You know what I'm saying? And, you know, I feel with the most gratitude. No, we really do. You know, and that's one thing I can always say. Like, I call Jay and it's like whatever. And it's quick too. You know what I'm saying? It's like that's the kind of shit that means the world to me. You know what I'm saying?
45:52He let me wait all the time. Oh, you make it wait. You ain't her. Yeah, I'll be having it. I'll be getting my shit. I'm chopping. What am I? They go my acting like, what am I? Chop me? What am I? What am I? Chop me? Yeah, what was what I do? What Jay the kids verse out here? It's good. You start telling me, you know, people give me watches for verses. Oh, you're giving you the hint? That's my artist. That's my own artist. They ain't got to do that thing in the first time. Yo, that shit crazy, man. Well, listen, I'm just happy to be a part. You know what I'm saying? And I feel blessed to have both of y 'all in my life and have been able to work with y 'all.
46:35And I just really want to give y 'all y 'all flowers. The podcast is fucking fire. I could not go into this surgery without coming home and seeing y 'all like this shit really mean the word to me. Hold on, hold on, hold on. Let's backtrack here. We talked off the air. It's a bittersweet moment. but we walk with the faith of God. Our sister has to have vocal surgery. Tell them a little bit before, you know what I mean? Let the people elaborate a little before we say a prayer with her, before she go on surgery. No, real talk, we got to say a prayer. And since we're going to let them know. I'm good, you know, I think, you know, I've, there's been a lot of years of singing and then, you know, and acting and just a lot of trauma to the vocal cord.
47:18You know what I'm saying? a lot of stress to the vocal core and I think it's just time to fix it and sometimes we just try and keep going and keep going and keep going until our body is like alright now. Your body will let you know. Exactly and I think it's something that I want to handle now so I am able to go on tour and I may not be able to talk when this album drop but to be able to go on tour and even have a bigger moment with that and with my supporters and give them a real show is amazing but I love to be transparent with my people and you know I just wanted to share it because I will be like I will have to really sit back and you know take that step back and handle that and a good thing is it's treatable and I caught it in just enough time because it could get worse you know what I'm saying if I don't handle it so I'll be doing that tomorrow so it's got to be quiet for like two weeks straight that's crazy that's crazy are you the animated one in the crew I am the animated one in the crew.
48:18Cause I'm the one that talk the most shit. You know what I'm saying? No, that's me. I'm like super animated. Hello. I'm super animated. Yeah. I'm like, I'm not even a texter. I got a FaceTime for every little thing. Like I have to like talk and I'm passionate. And that's what a New York shit kicking. I'm at a house soft. I get, we having like a little like conversation and that New York shit come out. Come up out of you. Fuck is you talking about though? like it's crazy all of that all of that i'm all of that they're like yo i'm not i'm like i'm not mad neither you ever see those uh like tiktoks or memes they be doing about new york girls and they'll be like yo i'm dead ass they be like for like the bay area somewhere they'll be like do your your new york girl they'll be like i'm dead ass where like man i've seen some shit on the gram the other day look i'm too old for this shit boy man i remember those ghetto love stories with the with the girl scream she was like jonathan ellis something i'm telling you boy i would get like they had like a hood girl arguing with her man and she was like jonathan ellis i'm telling you don't play with me he's like he trying to he's like yo i can't fucking eat Like, what's good?
49:37Like, she just, I mean, you know, that's part of growing up, right? New York love story. Let me hear about your all-female production company, the Auntie's Production Company. Yeah, the Auntie's Production. Your all-female production company. Really, we have a company called Auntie's 360, too, because we do everything. So we creative, direct, produce, design, merch, stage, design, sound design, movement, coaching, choreography, directing, like literally everything is really a safe space for creatives so they don't feel boxed in. You want to do this? Bet. You want to do this? Bet. You know, and cost effective.
50:17You know, these labels and shit ain't got no real budgets no more. You know what I'm saying? Uh-uh, honey, tell me about it.
50:25Uh-uh, honey. You work with a lot of major brands. Now, how you choose? Is it the bag? Of course the bags have to be right, but I can imagine and they just knocking down your door, Victoria's Secret, all of them brands. All money ain't good money. You feel me? All money ain't good money. I'll be the third one to tell you. I'm going and just snatching bags just because it's a bag to snatch. I'll be that motherfucker right there. Might be a bomb in that motherfucker. I ain't getting blown up. You feel me? So it's just like, I'm very cautious with that. You see a bag, that should be called a - What's the weirdest bag they try to throw you to you?
50:59It's like, nah, I can't do it. I'll tell you mine. What? No, no, dude, you first. Wait, boy. Nah, they tried to get me to do the Fahas, the man Fahas. They had the meal ticket. They had the meal. Like a million. I ain't going to front, y 'all. I ain't going to front. I was doing the Fahas. Hold on. Let him get the Fahas bread. You know. What you had to do? Just throw it on? You had to take the flick with just the thing. Yeah. That was it. Yo, that would have been. You would have been. I said this. No. Oh, but you want me to take that? Uncle Dan was like, yo, it's a mail ticket, B. But what if they want to say, just wear it?
51:39When we was on 170th and 3rd, you wouldn't have dreamed of this. But what if they said, just wear it? You ain't got a post in it. Just say, I got it on under the T right now. No, these guys are not. That's what I'm saying. You should have negotiated. You know what they wanted me to do? They wanted to flick that shit. They wanted me up in there with the solid gold. I got a dog. A dog with a solid gold ball. got a treaty with Tahiti. Did you negotiate? Or did you just flat out say no? No. Was they not trying to hear it under the, just let me throw it under and say I'm, I don't even want to say the story.
52:11Right? I don't even want to say the story. I'm not going to. You said it already. I'm making this about Tiana. I'm not making this about Fat Joe. I don't want to. There is times. There is times. Let's stay to the. They said they want to hear this. They want to hear this one? Yeah, they want to hear this. They want to hear this. Listen, people eat what they kill. Uncle Dan caught a company that told him they had a million to throw Joe to do that. And the man was on my neck. Like, yo, it's a meal ticket. Yo, what's up? This is just a picture. They're going to throw it on. I said, yo, I'm Fat Joe the gangster, B.
52:56Like, you want maybe now I might create my own brand. Now it feels a little better because, you know, we got the Rewind at 10. You could color your beard, your hair. You know why I look 53 when you could look 43, 43, you 20. You know, times are changing. At the time, when they gave me that, it was way too early. I feel like you could have told them, like, designed it like a bulletproof vest and the little straps would have made it tighter a little bit. You feel me? Maybe I should have asked you all these precautions. Maybe that's what I needed. But, you know, sometimes and not only sometimes, yo, it was just a period of time where I turned down more money than I made.
53:40It was just, they was coming with just like - Not be like that. All type of crazy, you think you crazy because I'm from the projects. So I'm turning shit down left to right. I'm like, yo, are you bugging? Like, are you ever going to get this? That's real shit. That's real shit. All money ain't good money. That's a fact. So I'm very selective in who I work with. And most importantly, your freedom, your creative freedom. Cause freedom ain't free. You feel me? Exactly. Speak on it, God. Freedom ain't free. Freedom ain't free. Neither is peace. That's what I'm saying. It's going to come with a price, you know?
54:17So it's just like, you want to make sure you go somewhere where you have that, that, that freedom to do that. You know what I'm saying? Let's talk about the Fahas in the future. We might get that back again. Maybe like I could come in on a creative director thing and figure out this. That might be the name of the company, the Faha's in the future. Yeah, Jaden's fucking. Faha Frieda. Yeah, Faha Frieda. I gotta watch this guy. Free the Faha's. I gotta, Free the Faha's.
54:47Yo, I was scrolling through the Sprite living track list the other day and immediately started arguing with myself. Arguing with yourself? I'm serious. It was wild because records like California Love, Still Not a Player, back then, those aren't just songs. Nah, those are moments, memories, snapshots of where hip-hop was and where it's going. Exactly, and that's what Sprite gets. They spent over 40 years celebrating artists who really defined the culture. And now they flipping it, letting the fans be part of the conversation. Which is where it gets interesting, because the real debate is why. Like, why did that song matter?
55:27Why did that line hit? Why did it change hip-hop forever? I can't promise you we got the answers. But you're definitely gonna have a good time figuring it out. Go check out Full Sprite Living Tracklist. And break down the stories behind your favorite bars. At livingtracklist.genius.com. This is the Sprite Living Tracklist. Obey your thirst. Remember FDIC. They don't realize smart people use smartphones, huh? Seeing through BS they thought was gonna slide. Download TextNow because it cuts out clownery. You can literally activate it from your couch. Nationwide 5G with the same towers the other companies use.
56:10Pay what you want or not at all. You're in control. Show these ridiculous carriers we ain't paying for stupid. Because we're way too smart to pay dumb. Free app-based talk and text-me-to-text now app requires Wi-Fi or data connection. Data plans sold separately. 5G where available. foodies unite this is edgy martinez from iro podcast here to tell you about something new and delicious from mcdonald's so they just released an all-new caesar sauce that is a creamy blend of rich parmesan zesty lemon and bold garlic flavors the sauce on a chicken caesar snack wrap or the mcrispy strips delicious which by the way the crispy strips are even crispier now And that combination is perfect for McDonald's.
56:55And for a drink, I'll probably have a nice cold Sprite to go along with that perfectly, and I will be a happy girl. Don't take my word for it. Try it out for yourself. For a limited time, while supplies last at participating McDonald's. Chat GPT can do more than answer questions. It can help you get real work done. Chat GPT work is built for bigger projects with multiple steps. You bring the goal along with the information it needs, like briefs, notes, files, feedback, calendars, data sets, or project plans. Then ChatGPT can help turn all of that into something useful. An analysis, a tracker, a deck outline, a prototype, or a workflow you can keep shaping.
57:36It can also use approved apps, connected tools, files, and browser contexts to help move the work forward. And you stay in control. You give direction, review drafts, approve actions, redirect the work, and choose the final output. So you spend less time sorting through busy work and more time making progress on the work that matters. Put ChatGPT to work on your most ambitious ideas and projects. Get started at ChatGPT.com by selecting work mode. Available on Plus and Pro Plans.
58:09You have an incredible slate of upcoming films with Bieber. I mean, including projects with Paul Thomas Anderson, Tyler Perry, Ryan Murphy. How you choose your actin' roles? That is a good question. I mean, I got to feel it. Honestly, if I don't fall asleep reading a script, I love it. No, for real, because sometimes I will read a script and I will read it and it will go through one ear and out. Like it won't leave the paper. But I'm just like, but when I'm reading it and I can see what's happening while I'm reading it, because I am a visual person, then I know it's it's for me. But it's also like, what's the what's the bigger message?
58:52Like, what are we what are we talking about here? You know, so that's important to me. And then, of course, have an opportunity to work with people that I've worked with. That's another big yes. That's like, oh, absolutely. I gave you a loud screen. I went to see Sinner or something. I seen a clip of your movie and I said, oh, shit, T. DiCaprio. They looking at me. Yeah, I know her, nigga, shut up. I gotta be honest. Only guy I ever been in a group before was Leonardo DiCaprio. Pause. So, Leo said do this Faha commercial with me. Nah. But listen to what I'm saying to you.
59:37The man at the Beyonce concert, he got a hoodie on. This? Like, there's no way to know this Leonardo DiCaprio. You know, we sitting in the arm, we standing in the thing, and it's shit like this. He got a hat like this. He's like, yo, what's up, Joe? I'm like, yo, what's up? I'm like, yo, what's up? You know, because, you know, I'm doing the Joe crack too. I'm out there. You know what I'm saying? I'm like, yo, what's up, man? He's like, yo, it's me, Leonardo. I said, what the fuck? Take the hoodie off now. I took a picture with him. Shit still came out fucked up. It's the only time I ever did that shit.
1:00:16And the picture came out too dark. But I made him take the fucking hoodie off. I was like, yo, take the shit off, man. I got to get a pic. He was like, boom, he was a nice guy, man. Nah, he mad. He played by his privacy. He love hip hop, but he's the only guy ever like lost my cool for pause. What is your favorite? Well, I'll give you I'll give you a way out. What's your all time favorite soul food spot in Harlem? I ain't going to front. Amy Roots. Amy Roots was your favorite. Yeah, it was. Yeah, but I used to also love. Well, Devin's was fried fish and shit like that. but um like soulful so Amy Roos Amy Roos was fire the fried chicken was fire the macaroni was fire and coming up like they would like just always show me mad love like from a kid to like you know I'm saying like coming into the industry like I have little events there like because I'm like a creature I have it so once I like something it's like that's all I want to eat because besides SoFood's Chinese spot on 40th and Lennox or it was Grinny's on 43rd.
1:01:29What is the Chinese? Is it just regular ghetto Chinese or? Yeah, right. Oh, there you go on Lennox. 40th and Lennox. 40th and Lennox. They still there. Oh, speaking of food, you know the spot? Well, shout out to Make My Cake in Harlem. Yo, Make My Cake. Make My Cake. They don't want 25th. They used to walk bottom on 7th and you could just smell it. People's watched our episode from the Bronx. I'm from Harlem. I'm telling you. The people from the Bronx, the restaurant you said that got the banging sauce is Groovy Lou's in-laws. Next show, they're going to lace you and bring you to the spot. Remember?
1:02:16Because you told us about it on the show. Somewhere in the Bronx, I got the chicken, the sauce. One of these episodes you was talking about a spot in the Bronx with the banging sauce. Well, whoever he was talking about, they coming. His movie whose sister's husband owned you. They coming. He's about to bring you all the chicken and all the sauce you want in the world. Fonzip put me on to turkey chops back in the day. Stop and shop. They ain't got the turkey chops because I went to every stop and shop looking for the turkey chops. They ain't got it. You ain't cooked, though, man. You gotta cook them.
1:02:51No, no, I'm trying to get them. The question is, what exactly are we talking about? Fake pork chops. He must be hungry because he can't talk about food. Do we need to order? I'm just saying, what's the end-all, be-all? Are we hungry? Because I'm hungry, too. Is it coming now or the next episode? Why would y 'all need to order no chicken? He ordering some shit for next week. I'm telling you right now. Same thing with you, Jade. I'm thinking, is the shit coming today? I'm hungry. No, no, what I'm saying is, we was talking Harlem, culinary. to conduct the interview. He over here asking you about your five favorite soul foods.
1:03:27No, I didn't. You said turkey chops. That came out the action about soul food because the Chinese bottle of 140. But you feel me, but I answered it. Food is really important. So we got the turkey chops. I'm like, yo, like they bring us up. I'm with you. I thought we was on. He said, no, no, what? Shout out to Von Zipp. I'm looking for turkey chops. No, no. What's on this guy's mind over here? And Vaughn Zip used to take me to a spot downtown, like big time, a Caprieli's or some wild shit. And they used to have the turkey chops that you take home and you fry it like pork chops. And it tastes like pork chops.
1:04:06They stopped making it. So the other day I seen a soul food joint and I was like, yo, it said turkey chops. I was like, yo, where the fuck the turkey chops been? What spot was that? And then everybody starts telling me turkey chops and they all said stop and shop, but I went to like 10 stopping shops. By the way, we got rewinded 10 up in that motherfucker too. So if you want to go 53, 43, 43, there's no turkey chops. They are, he just don't know where they're at. I love that we found something though, because I was confused as to... No, he's just saying... I'm just happy we found it. I'm crazy, don't mind me, guys.
1:04:40No, I love it, I love it. I'm just happy we found it, because I wasn't sure where we was going to defend you. I used to eat turkey chops for years. They discontinued it. And then the other day I talked about it in one of the shows and everybody told me, nah, they got the turkey chops. So I went to 10 supermarkets in the hood and I couldn't find the tech. How dare they? That's a big deal for me. That's a big fucking deal. But you know, ain't no swine. Ain't no pork on my fork. No ham in my pan. You know what I'm saying? I don't know what you're saying. I don't know. Listen, your BET performance of long time was categorized as futuristic.
1:05:23For me, you might be like the second to Michael Jackson how much you rehearse and how much you prepare for live performances. Me watching you, I see you all over. I see when you get ready to do a tour, you're getting ready to do something. It's like you're doing unlimited amount of dancing rehearsing and how do you, what is it with that? Do you take that even more serious than anything? I take that so serious. Cause honestly, if I could like record the album and then press the button that take me straight on tour and I don't have to do press radio, everything that comes with all that shit, I would go straight on, I would go on tour for the rest of my life.
1:06:05I love to perform live and I love to rehearse. I'll rehearse my dances. Like I can dance like 12, 13 hours straight. They tired, you still gone. You feel me? Like I would just, I can just do that all day. And that's also why I'm so toned. Like I be so ripped on the toilet. You look like you born six-packed up. Yeah, she looked like - You just born six-packed. No, I was, I used to call myself a Ninja Turtle. You know how they had the little hudges with the six-pack on top of it? Real shit, I was a Ninja Turtle. See, I never had a muscle in my life. Oh. We talk about - Yeah, I tried. I was in the gym two times a day, trainers and everything, and couldn't make a muscle.
1:06:47I don't know. I knocked you out. You needed the fire. I needed the fire. Tyson Fury, man. Yeah, you could have got paid to get that muscle, too. You could have got paid the milli to get the muscle. Who she get it from, mom, from you or from dad? Where'd she get the genetics from? No, I'm asking you. New York. New York. No, but my mom has been heavy into fitness at a young age. You look great, bro. My parents are both fit. You look better than ever. But let me tell you something. In order, I'm a big basketball fan. And in order for someone to become the MVP or to win a championship, it's a certain level.
1:07:33like that's why you see all these guys breaking their achilles and all that it's another like you got to be faster than everybody you got to go another level you got to train another level like to get to that to the chip and then when i watch your performances for no reason you'll be like you're jumping the hair like it ain't enough like for you it's like yo it's like you got so much built in the energy that i believe you trained your dancers because i see you outwork them. And that's very rare, you know, because the dancers, they supposed to, you know, help out the artists. You know, certain artists need a lot of help, you know.
1:08:13Yeah, but I also think that artists don't, other artists, they don't choreograph for themselves. So it's like I'm the dancer and the choreographer, you know what I'm saying? So it's just like, yo, this is what we're doing. This house is going down. And me, I just I love to dance. I love to rehearse. I just thought of one, Jay, that this is you ever battle Chris Brown behind the scenes at a show or something? It's never been a battle, but behind the scenes, it goes down. It's just always dancing. But the thing about it, we be so in sync. It's never a battle. It's always like if he move this way, then we both move in that way and then we catch it and then we just like in our own little world.
1:08:50There's a lot of videos of us literally doing that. We dance all day. People be tired of us. It's like, alright, fucking dancing motherfuckers. Sit down. You know what I'm saying? But like we literally do that shit like all day. And we hype each other up. You know what I'm saying? Like it's not, there's no like, we're not competitive toward one another. And I think us coming up together, you know. We would like to see the videos, the footage someday of you and Chris going. That was a good one. Thank you, brother. No alien talk. No crazy shit. They think I'm a basket. No, I definitely think the world deserve that moment.
1:09:29They deserve that moment from us. They deserve a stern dance number. That'd be insane. That would be nuts. With escape room coming out in August, what's next for you? Well, of course the surgery, how long is the healing? Well, I mean, the first two weeks, I just gotta, I gotta shut up. I gotta be quiet. And then the third week, I'll go into, back into like training to make sure, doing therapy on my vocal cords. Tour after that? Tour probably in January, because then I got to get ready for one battle after another, September 26th coming. Then I got All's Fair coming, and then I got Rip coming with Matt Damon and Ben Affleck.
1:10:12And, you know, it's just a lot back to back to back to back. And then I'm thinking tour maybe like January, February. And then, oh, I'm about to direct my first feature film called Get Lights on the Get Light Culture. And all of my first like feature film. Yeah, so. And that too. Yeah. That's fucking awesome. That's awesome. That's crazy. What advice would you give to somebody trying to do what you did or something remotely close to they want to sing, dance, produce? Have you just bumped into a young T right now? I mean, I bump into youngins that come to me all the time asking me that question and not tell them to be true to yourself and i know that shit sound you know gimmicky or whatever they call it like generic yeah generic because people say man we're for real don't tell me never give up we're for real i'm trying to get signed you feel me so it's just like i like to be real with people in in um transparent to joe's point like i'm a manifest it.
1:11:26You feel what I'm saying? So you got to manifest what you want and you got to say what you want and you got to pray on what you want. You got to believe that that's what it's going to be. It's the faith walk. I tell everybody, walk that walk, walk that walk. It ain't going to be a straight one. You know what I'm saying? Like it's going to be rocks and shit that's going to be thrown. And you know, you might run into a deer. You might, it's just, there's a lot of shit going on, but you got to keep that faith walk going. And that's what I tell him. Like, and, it's just it's important it's not never give up it's not boom boom boom because we have our times we're like fuck all this shit i don't want to do it you know what i'm saying so i'm not about to tell you to do that you know i'm saying but i do want to tell you to believe in and and and have those conversations with god that's the only real like bets you need to make you know i'm saying and understanding that shit not gonna be thrown in your lap and the number one thing is don't take none of this shit personal.
1:12:19My mom told me that a long time ago because I come in at 15, I took everything personal. That's why I was rah, rah, rah, rah, rah because I'm in survival mode. I'm taking it personal. You feel what I'm saying? Like I got mouths to feed, people to take care of. I'm taking this shit serious. You know what I'm saying? And ain't shit shaking. So how I'm going to shake this table? You know what I'm saying? But my mom had told me don't take this shit personal. It's a wicked business. And when you stop taking shit personal, you'll feel a lot better. So now being back on my terms, I don't take nothing personal.
1:12:51And I feel a lot better. And I'm glowing and I'm continuing to grow and I'm doing my thing because I don't take shit personal. That being said, get ready for the Escape Room project. Let's get into one of these bangers, courtesy of Tiana Taylor, only on the Joe and Jada show. You know what I mean? Latina, make sure we got permission for this because last time I tried this shit, they said, boom. Oh yeah, they turned the screen black. Yo, that was a great song. Matter of fact, hold on. Bullshit is that. You sure you smoked in the White House? Yeah. You. Me? What about me? We did this before, didn't I?
1:13:28I watched the episode on the screen. Y 'all just make sure y 'all find his turkey chops. You heard it? Say that again. Y 'all just make sure y 'all find his turkey chops. Dang, he ain't finding it. What about you doing them turkey chops? He ain't finding. Find them turkey chops. Stu Linens. Not Stu Linens. He ain't finding. You could have got it when you did the, when you sold the rum, when you sold the soferizo. You know what's crazy? Type it in Uber Eats. You was right. You type it in Uber Eats, you might be able to find the turkey chops and they gonna find them wherever it is at. You know what?
1:14:03That's my mission today. I'm gonna find me some turkey chops. Let me go to Uber Eats right quick. Let me see if they got turkey chops. I'm gonna go to Stu Linens everywhere. They got some in Louis, I'll get you. They ain't got no, they ain't got no, turkey chops up in Louis. Let's get into this exclusive. Feed the whole damn thing. Put it loud, James. Put it loud.
1:14:23I got a few questions for you. Shit is getting real confusing. Do you want this or do you don't? Mm.
1:14:36I see a difference in the way you move it. Proving you don't give a fuck by losing. I said home, so now I'm gone.
1:14:49Was your wife or was your father that But all you did was make me cry But you enjoyed the view Pain So fucking selfish can't get through to you Who really wins when a family feud So cold you'll turn love blue Your pride will divide the night this time I believe I never said it to me I never said it'd be easy But the hard part is over with you I'm through I believe I never said it to me I never said it'd be easy But the hard part is over with you
1:15:51Lucky day, I knew it.
1:16:07I do move on Thinking we timed out Thinking I signed out The hot party's over with Over with Oh now The hot party's over with Oh yeah
1:16:39Sheesh. Sheesh. Oh.
1:16:47Escape Room. That was the hard part. Holy shit, was that a beautiful song. Make sure you download, stream, purchase. Wherever you get your forms of music, Escape Room Project will be out. Shout out Lucky Day. Shout out Lucky Day. Fellow six-packer. This guy gonna perform six-packed out, this guy right here, right? Lucky Day. And let me... I gotta tell you, the vibe that gave me... First of all, you picked up right where you left off even better growth. Yeah, that shit was neat. That was a beautiful... You know, that reminds me of when she called the car and she was like, you might not have noticed me, but I'm the waitress.
1:17:33Alicia? You know, I throw water in your cool. My boss tell me not to throw the milk. He tell me not to throw the milk, but I throw the milk in your chocolate. What was the name of that spot? Legendary on the 130th. Pan Pan. Pan Pan was legend. Yo, you got to stop. You ain't no pork on my fork. You ain't know the name of it. No ham in my pan. That's a Harlem restaurant. I do the name of it. All right, but Pan Pan. But this is why y 'all got a ham. That's that vibe, though. Well, we're going to pray for you with the surgery. We thank you for honoring us with your presence. You after us, but we feel like you just bridge our era with the new era.
1:18:16Like you're great. She got that cloth. You from that cloth. You know what I mean? That's the mama love. That's hard to be from that cloth. You know what I mean? So we appreciate you and thanks for sitting on the couch with us. Thank you. I'm Joe Crack. J.D. Kiss. This ain't that. That ain't this. And it's Crack and Kiss, baby. Make some noise for Tiana Taylor. Thank you. Thank you.
1:18:47Before we go, let me ask y 'all something. What's a hip-hop lyric that changed the way you saw music? Because that's really what the Sprite Living Trackless is about. It's not about crowning winners. It's about starting conversations. 50 tracks. Generations of artists. Endless debates. And Sprite didn't just throw lyrics on cans either. Nah, they went deeper. Bringing in hip-hop experts and tastemakers. To totally break down the stories and impact behind every track. Check out the full Sprite Living Tracklist. At livingtracklist.genius.com. This is the Sprite Living Tracklist. Obey your thirst.
1:19:31This is Daniel Cormier from The Daniel Cormier Show. This podcast is sponsored by Total Wireless, the official wireless partner of UFC. Power doesn't wait in the octagon or outside of it. You either make the move or you miss the moment. That's why you need a network that's just as powerful as you are. With Total Wireless, you get unlimited 5G data keeping you in the action from the walkouts to the knockouts. Now that's a Total Power move. Make your Total Power move today. Visit TotalWireless.com or stop by your neighborhood Total Wireless store. Additional terms apply. See TotalWireless.com for details.
1:20:07Foodies, unite! This is Angie Martinez from IRL Podcast, here to tell you about something new and delicious from McDonald's. So they just released an all-new Caesar sauce that is a creamy blend of rich Parmesan, zesty lemon, and bold garlic flavors. The sauce on a chicken Caesar snack wrap, or the McCrispy Strips. Delicious. Which, by the way, the crispy strips are even crispier now. And that combination is perfect for McDonald's. And for a drink, I'll probably have a nice cold Sprite to go along with that perfectly, and I will be a happy girl. Don't take my word for it. Try it out for yourself for a limited time while supplies last at participating McDonald's.
1:20:49Hey, everyone. It's Kel Penn. I'm inviting you to join the best sounding book club you've ever heard with my podcast, Earsay, the Audible and iHeart Audiobook Club. Every episode, I nerd out with amazing guests and dive into the best new audiobooks available on Audible. It's the book club for your ears. Listen to Earsay, the Audible and iHeart Audiobook Club on the iHeartRadio app or wherever you get your podcasts.
From the publisher
Fat Joe and Jadakiss are joined by the multi-talented Harlem native Teyana Taylor to discuss her new album ‘Escape Room,’ its lead single “Bed of Roses,” and her upcoming role in Paul Thomas Anderson’s ‘One Battle After Another’ alongside Leonardo DiCaprio. Joe and Jada ask Teyana about choreographing Beyoncé’s “Ring The Alarm” video at only 15 years old, her time with Ye (formerly Kanye West) and GOOD Music, her iconic performance in the “Fade” video off Ye’s ‘Life of Pablo’ album, and her new relationship with English actor Aaron Pierre. Teyana also debuts the new track “The Hard Part” off her upcoming album, and Joe and Jada wish her well before her upcoming vocal cord surgery.
3:30 - Joe & Jada have known Teyana since a kid
14:00 - Teyana on “Bed of Roses” single
22:00 - Choreographing Beyoncé’s “Ring The Alarm” at 15
30:00 - “Fade” video
34:00 - Teyana on NEW ALBUM ‘Escape Room’
46:00 - Teyana’s upcoming vocal cord surgery
59:00 - Working with Leonardo DiCaprio
1:11:30 - Gearing up for tour & advice for young Teyana
1:14:00 - Teyana DEBUTS “The Hard Part” on Joe and Jada
[Timestamps may vary due to advertisements.]
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