The Real Report - Bonnie Godiva breaksdown battle rap politics, Wild 'N Out problems, Doechii being on Kendrick's level, and top 5 battle rappers

20:35She ain't killing me. She ain't killing me. She ain't killing me. You battle with Bonnie? I mean shit to me, no? You ain't battle with Bonnie? We setting that up, man. Shayna, she don't like you. Shayna Ashley. They know who to play with.

20:44Tony Yayo:Bonnie, Jazz. Cause Jazz, yeah. I'll go by as much battles y 'all was going to. The ones that do the most battles. Hustle. Miss Hustle. I'm a throw one there. And... I don't know. There's so much more. It's Eat Hard. It's official. It's a lot of good... Oh, official. Oh, official was... You see what I'm saying? I fucked with official too. You remember Couture? Couture too. There's a lot of good girls. Yeah, you gotta... With battle rap, you gotta have a top 10. You can't do just a top five. Tori Doe, there's a lot of good girls. But Queen of the Ring, that's why I said shout to Devo, man. They fucked that shit up because I feel like when that was on YouTube, that was like my go-to.

21:20Tony Yayo:Like imagine if that would have kept going because I tell Merc all the time, like him and my man Light, they stay on ESPN. I love ESPN, but that's when you call them, you know how you hear somebody TV? ESPN, Sport News. You know what it is. If you call me, it's going to be YouTube. So for me, if Battle Rap was still on YouTube, Queen of the Ring and all that, that shit was like the go-to. That was like, yo, fuck that. You ain't nothing on line. I'm going to catch me a nice Battle Rap. Somebody getting disrespected. And that was the hype for the YouTube babies. That's when I met people like y 'all.

21:52I went to concerts with Ghostface. And he like, yo, you know what I'm saying? People invited us out because we were at the top of the YouTube streets.

22:01Tony Yayo:Do you remember the beginning of Smack? Maff Hoffa knocked out the little nigga. Remember that shit? Nigga said something. Man, little knocked him out. She was crazy. So I said, you remember all the fights in Queen of the Rings? Yeah, the fights. The females fight 10 times more than the men. That was the best shit. 10 times more. And look, the atmosphere for battle rap was so gangster, because it's like, you got 100 niggas on stage, you got 100 niggas - Never know when it's gonna go down. You're in New York, you got the, you're in Philly, relentless crowd. New York, relentless crowd. London, relentless crowd.

22:31Tony Yayo:Chicago, I feel like for artists, a rap artist, it's less pressure because you know my record already. You know Murda's gonna go up there and do fucking some shit with Future or do some rap up or whatever, or get the strap, whatever it is. You know I'm gonna do whatever I'm gonna do. 50 gonna do it. it's less pressure. But for battle rap, cause fucking pause, choking is the worst thing you could do on battle rap. It is. It is. It is. I know that's a pause. Cause you know he got a pause. We gonna get a pause. Gonna get some eggs and cheese. Pause. I already know. Yo, cook the bacon. Pause. Yo, crossing the street.

23:08Tony Yayo:Pause. Yo. But choking on stage, that's a pause. Yeah. How was it for you battling against the dudes? Like the Oom P's and all these guys. I like it. I feel like I said, I like doing shit like that. And I like taking the advantage where people think I don't have it. Whenever you battle a man, they always think you're going to lose. It's a male sport. It's male dominated. But this is not a physical sport like basketball and shit. So I can beat this nigga. I can lyrically whoop this nigga ass, even though I can't physically. Say the line you said. You said some crazy shit to him that went viral.

23:41Tony Yayo:Which one? He said some crazy shit to you. But you said some crazy shit to him that went viral I don't know Ed if you were funny Oh I was talking about his wife And I was like she could take the come out of the community Oh my god She could really take the come out community I battled Enes and I said You better hope Jehovah witness And the internet went crazy I had a religious scheme I said stop on your floor and knock on your door You better hope Jehovah witness And they went crazy for that one too I try to give those bars all the time I just said some bars that have been like People have told me it's the best bar I've ever heard I had niggas that never went to Puerto Rico with Fed cases.

24:14They went from Puerto Rico. That was one of them too. Oh shit. You gotta be a street nigga to know that. How the fuck y 'all battle rappers think of that?

24:21Tony Yayo:Like, you know, average rapper ain't thinking about the metaphors, the bars. Like, what do you think, how long it takes you to think about a rapper to prep? Like, say I say, all right, you about to battle fucking - That girl you just ain't like, that girl. Shayna Ashley. How would you prep for Shayna Ashley? Like, what does it take - Yeah, you put in the back, cause you see he keeps saying that name. I can't see if you're gonna get a special. I can't see if you're gonna get a special. No, I can't see if you're gonna get a special. I want some money on the floor. I can't see if I can put some value money up now.

24:46We need to put that battle together, man. I know it's gonna be a good battle. Cause he keep mentioning this girl. No, listen, I'm saying - But who you invited here first? I invited you, of course. Fuck that. Get Shane up here, we gonna get jazzed. Fuck that. She ain't here now. DNA, we're gonna love it. It's the Bonnie Gadiva show. She ain't here now. That's right, Bonnie. Talk your shit. See, it's always competition. That's right, always.

25:05Tony Yayo:It gets real disrespectful. And she talking about, she don't talk about kids. Oh, man, they talk about everything. I don't talk about kids. I don't need to do that. I like battling men, though, because I like getting that advantage. When I do get that advantage, it's very hard for them to get it back. So when I battle Oon and I talk about his wife, your wife, oh, she fucked all the rappers. She even let Petey crack. It just make niggas laugh and they look at this nigga different. You know what I'm saying? And now it's hard for him to get that energy back. That's what I like doing when I battle men.

25:31Tony Yayo:How do you know to get that? When you writing, how do you know? Did you win that battle against him, P? Oh, shit. I don't even lie. Sometimes I don't even make it shit up. I don't give a fuck. I battled a nigga. I said, you got a wife named Crystal? Everyone smash Crystal. Mazel Tov. I already had the bar. Now your wife's name is Crystal, nigga. That's crazy. Give a fuck what your wife's name is. This is what I'm missing, man. This is what we missing. Your wife's name could be Natalie. It's Crystal tonight. Nigga, I got this bar. So what do you think we need to do for marketing for battle rap right now to get it back to like, I'm not saying it went anywhere, it's just back to - Back to where we was at, in the YouTube heights.

26:10I think it would take more people like y 'all, man, giving us opportunities like Cam Ron, bringing us on Revolt. I saw you with Cam. I saw you with Cam. I heard Cam did an event.

26:18Tony Yayo:How did that work? It was great. That's the whole tournament I did was Cam Ron's tournament. So he did it It was four rounds And it was about I want to say Six on each side It was 12 of us It was me, Shuni, and Yoshi We're the only three females Everybody else was guys And we battled every week We didn't know who our opponent was And I like that Because a lot of people Tend to do a lot of bullshit When you have time That's when the Writing together happens That's when the This and that happens If you only have three days You don't have time for that You either have the talent Or you don't Or you're going to drown You sink or swim You're going to get busy You sink or swim So that's what it was with, like, with Cameron.

26:54We didn't know who was going to balance. We didn't know. We just had to get it together in three days. So that pushed something extra out of me that I wouldn't have had come out if I had three months. Now I'm just taking my time. I'm being lazy and shit. Slowly writing it as opposed to me trying to take this nigga head off at 25K. It matters right now. So that's what it takes. It takes more of that, like, more of y 'all shining some of the lights y 'all have because we are, like, y 'all favorite pastime. That's how we got where we got, being y 'all favorite pastime. So it'll take y 'all pushing us in that spotlight.

27:24Tony Yayo:How do you think more battle rappers can transition to making records like Sue Surf did something with Leaf Ward, me and Murdo was talking about, we love that record, right? I heard it. He's spitting bars, I love it. And you see Eminem was a big battle rapper. He started off and he transitioned to make, you know, hit records for the world. What do you think battle rappers have to do, male and female, to get over the heat, to get out the box of saying, you know, we can make records too, you know? if you want to be in the superstar lane and not the writer lane it's very easy for us to be in the writer lane we wrote a lot of shit we wrote in movies we wrote for celebrities when they had that little show where they was battling each other with Method Man a lot of battle rappers wrote the rounds for the celebrities like we've been in we write in movies if they have a battle or some other shit they've had us around and they book us for that but if you want to be in the spotlight you have to learn how to play the game you gotta just right now only way you get famous is by getting all the eyes on you you see a nigga I don't even know his name.

28:19I just seen him yesterday. He had a pink dress on on Rolling Loud. And now he's all over the internet. Oh yeah, I just seen that. You see what I'm saying? Hey, who was that? You see what I'm saying? I just seen that. I had his girlfriend. I have no clue who that is. He said he gets 900 million views a month. I'm like, well, I never heard of this nigga. But now we know. But he's popping. Now we know. You see what I'm saying? He get in the bag, though. Yeah, he wore a dress on on the show.

28:38Tony Yayo:It went viral. I ain't gonna lie. Yeah, but I never heard of it. You see what I'm saying? So you're right. The baby with the diaper on You know what I'm saying? That got him viral The baby wearing the diaper How he used to do it So that's what it takes Is knowing how to do that A lot of rappers just think Hey, we're great And we are good at what we do But you got to tell You got to figure out a way To make everybody put them eyes on you You got to figure it out That's why I work so hard

29:05See? And it was his girlfriend Supposedly It was his girl's dress?

29:10Tony Yayo:Yeah, she was with him She was with him and he was doing He does how many views you said? He do 900 million views a month He said right? But what he do? He rap? He do a bunch of skits where he'll be like Send this to somebody, it'll be like us sitting here Send this to somebody who needs their own show Tag them in the comments And then everybody will go tag, you know what I'm saying? He do shit like that So he doing a bunch of different things that's generating all these views But then he'll wear a dress on the stage so everybody can pay attention And see what he's doing But that's what I mean So that's what it takes I think I need to wear a dress to blow up.

29:41Come on, pause. You don't need to do that. I'm only joking, man. See, don't get him started. We was doing good. We was doing so good. Come on. I could see you doing some shit like that.

29:49Tony Yayo:Couple of rappers wore dresses, man. I can see you. Stop playing. It's a joke, man. It's a fucking joke. Couple of rappers wore dresses. They definitely did. And you still listen to their music. I'm dead. Yeah, you definitely did. Tyler Perry wore a dress. We still watch his movies. It's funny. Big Mama's House. Martin, we still watched it. Young Thug was in a dress. We know that. You still listen to his music? But yeah, I think that's what it's for. It's just to put the eyes on you. He's just doing anything. I don't agree with doing anything, but I feel like you should have a balance. You got to have a balance.

30:19If you want to be in that spotlight, then you have to figure out the balance. You was in the spotlight for a minute on Wildin' Out with Nick Cannon and all that. Oh, yeah. What's going on with that? What happened with that? What's going on with that? I won in front of everybody. It was a competition called Who Wants to Wildin' Out? It was the only competition they ever did like that. And I remember it so vividly because I was asking Charlie to put me on the show. I'm like, yo, can you just talk to somebody, give me an audition? He's like, don't worry. It's coming up. Just look out. And maybe a week later, I seen the email that said, hey, if you want to be on Wild N Out, you want to be a cast member sending your audition tape.

30:52Right. I didn't go through anybody else. I didn't try to sneak on. I said, you know what? I'm going to send my audition tape. I audition taped and I battled everybody on the show. Like in my audition tape. I just, everybody I could think of that was on the show, I was just there battling them on the thing. And I got on there. I beat 999 other people. No advantages. They didn't know who I was. I wasn't in there like I'm Bonnie Godiva. I was a regular person. And I beat 999 other people to be on this show for three seasons. I won. I started to realize as this season was going on that I was supposed to be on that I wasn't really getting the notifications that I needed to get to be there for the shows.

31:30I'm missing shows at this point. And I'm battling. I'm battling as well. So it's the point where like, okay, I'm not going to take the battle if I know that we're shooting. So I need you to tell me that we're shooting so I don't take the battle. And I'm not double booked. And I kept having to, nobody's telling me. So now I got a battle and I can't do the show. And it was happening repeatedly.

31:46Tony Yayo:Yeah, because you're missing money because you got battles set up where you can make thousands of dollars. And they bullshitting and playing around telling us, am I shooting or not today? You got to let me know. Right. So if I didn't hear nothing, I'm battling. Yeah, fuck that. I got to go get that money. Now I got a contract I signed and I can't get out of that. So that's what was happening. and I ended up, there was a lady that was working on staff and she was, I guess, quote unquote, in charge of letting people know the schedule. So I'm like, I started complaining a little, like, hey, I'm not being told, I'm not getting the opportunities I was supposed to be getting.

32:14She's like, oh, I'm going to let you know. And I think I sent another email. I'm like, it wasn't mean. It was just like, it's assertive. Like, hey, I need to know so I can set my schedule. She's like, oh, well, you need to wait and I'm the only one that's helping you and da, da, da, da, X, Y, Z. And she started to like, go off. Some random white lady just on the staff. And I didn't really, I never came into that situation like I said, like I'm Bonnie Godiva, here's my manager, here's my this. My manager at the time happened to know Nick Cannon's manager. Like she was in that circle. I just never brought her in because I already had it.

32:43I don't need to have people help me if I already got it myself. So I called her. I'm like, hey, this lady's kind of weird. I want to call her, but I need you on the phone. So she was on the phone and she was recording the conversation just because we never know what the fuck's going to happen. So I'm like, hey, I just wanted to call you because it seemed like the email was kind of weird. Like we just want to know what time the shows are that I have. and she started cursing me out, calling me all type of ghetto bitches and all type of shit on the phone and hung up on me. Dang. So mind you, luckily my very well-resourced manager at the time was on the phone to hear it because it could have been he said, she said, and she would have just said I was fucking lying.

33:18But she couldn't because my manager had the recording and she also is somebody. So now I'm starting to use my little influence. Like, all right, now we're going to have to do something. I need you to actually hit his manager up and see what we could do because that was weird as fuck. I don't even know where that came from. and it felt very racist in nature because I don't even know this white lady. I had to be calling you ghetto and shit. Racist and lying. You are fucking lying. I've never gave you ghetto. Like, for you to even, you know what I'm saying? So, so, that happened. Next thing I know.

33:45You ghetto bitch.

33:46Tony Yayo:Call HR. They sent me an email. Call HR department. You see what I'm saying? Next thing I know. You can't do that shit. There's certain things you can't do in business. I agree with you. So, I had my manager call. They called me into, I was supposed to go to the show the next day. Somebody else reached out to me with the schedule, not the same lady. It was a different person now. And from then on, it was a different person. It wasn't her. I don't know if she got fired or moved or what, but they were like, hey, we want you to come in a little early, we just need to talk to you. I went in there and I knew Nick Cannon knew what was happening and I really felt like because he's so pro-black, I expected him to do something.

34:17I think that was my biggest disappointment with this shit because you're so pro-black, I expected you to at least care a little bit like, hey, that's happening on my show. But did you, you know what I'm saying? But hold on, hold on. But did he know? He knew. But hold on. I just told you how to move.

34:32Tony Yayo:You know why you can't blame Nick Cannon? Because sometimes like, and this is what somebody once told me in business. You could be the best person for the show. You could be, but if they feel like you're a problem, they will go with the secondary person. That's how a lot of corporations is. So if this, look, if this person had power and there was a misunderstanding, and even if she did call you a ghetto bitch, which is wrong, right? She's going to flip it and bounce it. And they're going to believe her over you no matter what. And that would have happened had not been for my manager. But if it's being that she's a sister and there was this white lady, she felt like Nick should have been more...

35:09Because my manager put him on to the situation. That's what I'm saying. I had the resources. You had the taping. You had the taping. I had the taping. I had the taping listening to it. You know what I'm saying? It's not like it was a he said, she said. No, I'm not saying you're in the room,

35:21Tony Yayo:but what I'm saying is the person with power is going to be favored no matter fucking what. I'm just keeping it real. That's a fact. She's going to flip it like she was cursing at me. The real power come with Nick Cannon if she got to connect to him with the managers and they got the taping. So that's what she didn't understand. They're going to feel like body's replaceable, nigga. I'm going to tell you, but they didn't replace me. Here's what they did. They sent two black employees from the law team to come shuck and jive in front of me and say, hey, you know how this happens with them and we just have to deal with this.

35:48Just sign this paper and don't sue us and we'll put you on the show. Because the HR department gave that call. Because that's what the fuck happened when they found out I had that recording.

35:56Tony Yayo:That's what Nick Cannon did. Yeah, so now and what makes me so upset about it, and that's why I didn't end up going back, because I could have went back. But they were like, hey, if you sign it, you can go on the show. But if you don't sign it, you can't do these episodes. Mind you, the whole world is waiting to see me on the show. I just want in front of everybody. My family's at the fucking TV right now. So if I don't sign this, I can't let everybody down. It wasn't even on my mind to sue. It just was wild to me that it happened like that. I didn't even do anything but be here and be talented.

36:28On top of that, I was...

36:29Tony Yayo:Somebody else would've been like, fuck that, yo. On top of that... I could sue. You putting that bulb in my head, like, hold on, I could sue. Maybe. But on top of that, too... You did just get crazy. Did you ever sign? I did sign. I went on the show. So you wanted to sign it. I signed, I went on the show, and then I just... It just took all the fun out of it for me. Like, I... Yeah, you was fiending to be on Wild, and I would've been wilding on somebody's bank account. I didn't want to go anymore. I didn't want to go anymore from that situation. But on top of that, too,

36:57You know what I'm saying? Like, I was there when, that's where his mind was.

37:00Tony Yayo:His mind didn't give a fuck that I just had a racist altercation. He didn't even care that you was getting drunk. No, half of the time when I walked in there like, oh, you a Wild N' Out girl? They called me somebody else's name. I'm a cast member. I'm not a Wild N' Out girl. I'm not one of Nick Cannon's girls. I'm here to do the show. I'm a cast member. So that's how a lot of that shit went. It was just very disappointing for me overall. Gotcha, gotcha. I thought it would be just fun. Nick Cannon, man, we got to fix this, Nick. We got to fix this, Nick. Yeah, Nick Cannon, y 'all took some wild, man.

37:27Tony Yayo:You gotta fix this, man. But she can't talk about it. I would've sued. I would've got the bag. How long was you on the show for? I would've got that money. I got to do five episodes out of my... I was supposed to do 13 times three. I was supposed to do 39 episodes, but I ended up only doing five episodes. So what do you mean you battled 900 people? Truthfully? 900 people? No, no. I can battle 900 people. I have 80 battles, I said. It felt like you battled 900 people. You said the Wild N' Out thing when you said it was you and you said you were not. Oh, a thousand people total went into the competition.

38:00Oh, okay. That's what I mean. I beat out 900 and 9 other people. Oh, shit. A thousand people winning the competition. A thousand people. I wasn't even the only battle rapper. At the end, it was me and four other people. Three of us were battle rappers and one was a comedian. So it was me, Myverse, Dre Dennis, and a comedian girl who passed away. Yeah, because look how good,

38:20Tony Yayo:when you look at it, I know it was exciting for you. A thousand people, you was the one to win. Yeah, that's because she's one of the best. No favors, no handouts, no I'm Bonnie Godiva. Just going in there and doing my shit. Come on, Nick Ken. Let's fix this, man. Yeah, it's the Talk of New York, Tony Ayo. And it's the boy, Led Jet Lenny. Whoa! And right now, we representing Baskin Lava, black owned. One of my best products that I love to use is the beard grow, because I want to use, you know, pull a whole beard out. I've been working on my waves, so I've been messing with this one. Yeah, I ain't going to hold you.

38:47I'm going to show the people how my waves is looking too on the next couple of episodes. I got to be like, oh, whoa!

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39:34Tony Yayo:Louis? Ball game. What's my name? Hitman. Shout out to Hitman. I fucking... Because that's what I said. Battles. I need to watch more battles because I know all these guys. I like all of them. But you see their success being on the show. It's a pause. Oh my God. Is that a pause? Yes. I like all of them is a fucking pause. For a New York nigga. Yeah, it's a pause. Pause nigga. Yeah, the fuck you talking about? But I'll tell Murda, yo, I'm about to flip my eggs in the batter and it's like a pause. I'm trying to like - I like all of them. That's a pause? I'm done. I'm just about to flip my eggs - That might be a pause too, man.

40:10Tony Yayo:Thank you, man. Everything is just a pause. We just gotta get a pause, man. My fault. Finally, back to what I was saying, man. I know you was excited to be on a platform because Wildin' Out is, you know, it's a big platform, been around for black people, our people, all people. Yeah. This, you know, for this long a time. It's been, what, 20 years now, maybe? And for you to be on there and get excited because you see Conceited and Hitman on there that built a career off being on the show as well as a lot of other people, you know what I'm saying, Rip Michaels, the list goes on and on. And you being there and being excited and that happened to you and you being black, a black woman in the business is hard enough.

40:47Tony Yayo:Hell yeah. A black woman. Come on, Nick. We know how you rap for the black people, Nick. How did you feel like? What did you feel like on the inside? Like, damn, I signed, but I still feel wow, because I didn't do anything. I felt like I might be too black for the industry. Like, I was just supposed to shut up and let this lady talk to me however I wanted. That's how they put it. However she wanted, and I would have had all the fucking episodes. Shut up and rap. That's what it felt like they were telling me, and in the back of my head, I know me, and that's why I said, That's why I told y 'all in the back room, I ain't want to be a superstar.

41:16Because I see that's what come with it, and I don't have the ability to shut my heart and mouth.

41:21Tony Yayo:I don't have the ability to do it. I witnessed some crazy shit. I ain't going to lie. Sometimes, though, in business, I ain't going to front. I heard some crazy shit. You just got to sit there. And you just like, yo, I'm on tour. I know if I throw this nigga off the stage or throw him in the cameras or I'm going to fuck 50 shit up. And I know 50 going to be like, well, why that nigga say that? but at the same time, business is business. A lot of people, I think, I'm not like that. I think a lot of people just prejudge anyway. Like your manager, your manager, I know managers that would be like, just bitch, shut the fuck up.

41:55Just do what you do.

41:56Tony Yayo:Listen to the white lady, just shut the fuck up. If she wasn't connected, that's what she would've told me. Because like I said, you could be the best. Like you was beating everybody. But if they feel like anybody in business feels like you're a problem, white, black, Jewish, Indian, Muslim, Christian, whatever it is, right? They're gonna go to the secondary person. That's how I just think business is. So I've been in meetings with 50 and Jimmy Iveen on Interscope, and I just shut the fuck up. I'm just sitting there like a sponge, just listening. But you just trying to figure out your schedule, and she looked at you like, who the fuck are you?

42:29Tony Yayo:Who is she? It's one of the fucking Nix Cannon girls. Probably thought she was one of his baby roms. You know what I'm saying? I'm just keeping it real I was there during the breeding rounds He only had Mariah's kids When I was there That was his only kids I was there when he was Yeah you was early Wiley Okay that girl that girl I was there in the beginning of that shit You seen him picking him out You know what I'm saying She said she was watching him picking him out So I seen him like okay that's why he don't give a fuck About what's happening with me He's over there I think he had enough kids now that he could revisit the situation.

43:09I don't think it's that. After this come, I think Nick Cannon gonna give her a call. Watch. I think when somebody like Nick Cannon

43:15Tony Yayo:is on a level, right? Like, right? I'm just keeping it real. He's on a certain level. He got this big deal with... Who's he signed with? Who is it? Probably Universal, whoever. He signed with Wild N' Out, got this big deal. Now you got this head honcho lady that might not be number two or three. She might be number four. She was a scheduler, yeah. I wasn't like - But in her mind, listen, and I'm not saying she's right, but in her mind is who the fuck is Bonnie Godiva? Even though you killing it, sometimes management be... What I'm saying is management and business would have been like, your Bonnie, just chill.

43:48Tony Yayo:We know this is a bitch. You know what I'm saying? Your Bonnie, you know she's a bitch. We know she might be a little racist - She don't know how to talk to people. Yeah, she don't know... Or disrespectful or whatever it is. Sometimes in business, I don't know. I think people just learn to eat that because that's just the business. You're gonna, everybody, you're not, I done been on tour. How many people we hated on tour, bruh? That's a fact. Come on, bruh. That's a fact. I done heard racist shit before. Little watermelon jokes or whatever. And I'm like, yo, if I throw this nigga through this barrier, I'm gonna be wrong.

44:19Tony Yayo:And then you know what? It not only stops my money, then you got a person in the back that'll amp it up. Like, yo man, yo's out of control. Murder's out of control. They fucking beat up the guy. I didn't say watermelon. I didn't say watermelon and chicken. I said, we have watermelon. They gonna flip it some way or bounce it. Like that's the industry. You talking to a nigga that MTV at the time, yo, being us from red carpet, you know what I'm saying? We was beefing with Jimmy Henchman, Al Sharpton, stomping on our CDs. Niggas. Yeah, you can look all that shit up, facts. So I'm a nigga, yo, yo, you tell yo.

44:55Tony Yayo:I remember Chris Lighting telling me, yo, MTV said they don't want yo on the red carpet right now. Niggas 50 was like, tell them to hide in the back. You know what I mean? And not chilled in the back. So I just was used to that shit. Like yeah, 50's, cause you know it's all about 50. 50's the primary. Fuck all them other niggas. Security will knock you out the way. And then that's when niggas, I done seen it. 50, 50, niggas knock you right out the way. You with 50, security knocking you out the way. But if me, I don't care. Like I'm just like, yo, it's the industry. Nobody's ever been my friend.

45:28Tony Yayo:We not gonna be friends. That's why me and Murda friends. Murda beef with everybody. Rap up, disrespectful. Like a battle rap. I know they be on your ass about that rap up. They don't be liking it. That's why, yo, look. That's a pause too. Pause me too. He pauses me too. For sure. I'm just saying you said baby on my ass. You're right, you're right, you're right. We're going to have the pause meter. I don't know if that's a pause. We're going to have that for the show soon. But, you know, we love the culture. But I just, we never really got along with nobody. And that's why I like battle rap. because I think people like when rappers get at each other.

46:00Tony Yayo:They love blood sport until somebody gets shot or killed. And niggas be like, kumbaya, we got to stop. Why niggas acting like this Drake-Kendrick thing was so wrong? Like, niggas been losing battles forever, like, since the beginning of time. I think before Drake and Kendrick, all we was listening to was Sexy Red at the point. I'm just keeping it real. Sexy Red. How do you feel about that? How do you feel about that? Rob Markman - Because now it came to a point where I remember when Nicki first came. I remember the first G in the office, Madison Square Garden, and there was this kid A, and he was on Nicki Minaj early.

46:33Tony Yayo:We was on Nicki Mixtapence, Nicki Minaj around the time Fendi got around with her. I remember Fendi didn't want her to come to the G in the office. He didn't want her around at all. Shout out to Nicki. He didn't want Nicki around at all. And we was on Nicki. Rob Markman - My man A just kept talking about... He worked in the office. He was intern, he was like, Nicki, Nicki. And Nicki was going crazy. At that point, it was crazy because that point in hip hop, it was like, it's always been a stage in hip hop with female rappers. There's only like three. Like could it be MC Light, Queen Latifah, and who would you say?

47:05Tony Yayo:Let's say MC Light, Queen Latifah at that time. That was big at that time. Of the Lady of Rage, right? She was poppin'. Yeah. Lady Rage. I would say what's her name was more poppin' though. What's my girl? Was it Yo-Yo? Don't play with my yo-yo. Remember that? You don't remember that drink? Yo-yo is a pause? No, it's just how funny to me. That's a pause, Bonnie? I don't know. Yo, get the meat out. It's the name of the song. No, we're not doing that. That's the name of the song. You can't play with my yo-yo. All right, pause. I mean, it do sound kind of crazy. But that was yo-yo. Remember yo-yo?

47:39Tony Yayo:Who's the name of the song? Yes. Remember yo-yo? Yes. Oh, no. Oh, cool. You know, my three, I would say Queen Latifah, MC Light, and definitely, I always say Salt-N-Pepa because that was like, to me that was like the first sex sells. I'm not gonna lie, I was like, I can't even tell you how I was young as shit and I should not have known the words to shoot, but I knew every word to that song. Well I remember Push It, Push It was the shit cause they had the tight outfits. You know, we was by the TV watching them dance and they had the body suits on and the big earrings. You know how women was in the eighties, everything just was so perfect at that time.

48:12Tony Yayo:Bamboo earrings. Yeah, bamboo earrings. So we watching video music, watching them. And then we fast forward to the era when it was just, what you feel, it was just Foxy, Lauryn Hill, and Lil' Kim. Lil' Kim. There was other rappers. Eve came along. Eve came. Missy. Shout out Rap Fridays. That's family too. Shout out Rap Fridays. Rap Fridays. But now, let's keep it real. How do you feel about the game? There's way more female rappers. Like I feel like female rappers kind of taking over. Like 40 % to 50 % of music being consumed is females. was listening to female rap. Yeah. It's like y 'all got your own shit going on.

48:50Tony Yayo:Like y 'all listen to niggas, y 'all listen to Future Gunner, certain niggas. Yeah. But y 'all got your YK nieces and your Lottos and Nicki and Cardi and who else? Let's just go on and on. It just seemed like this is the most you've seen female rappers on the game. Yeah, and I like that because it shouldn't always be one or two or three. It's way too many talented people and music is not a gender-based sport. And I look at it as a sport. It is a sport. I look at it as like athletes. That's how I feel about it. And that's how we should be treated and respected as such to me. But I love it that there's a lot of women in it.

49:26I just hate that it seems like the same. Like only girls who sexualize themselves can make it to a certain height. I feel like that has to change because it's so much of us now. So many of us. Yeah, hell yeah. I felt like that from the sex he read all the way to the dochi. Look at dochi. She's a lyricist But she still felt like She's talked about it I felt pressured to get a BBL Still currently in this day and age

49:50Tony Yayo:But don't she I mean Don't she sexy though You know what I think I mean she looks good But she still felt pressured To get a BBL To make it in the industry So she got it She has a BBL She has a skinny BBL But then sister get a BBL too And she looks Like everybody loves it It don't matter But what I'm saying is We shouldn't have to feel like We have to do that I think females get them BBLs Because they want to though Yeah I think it's more of just they want to do it, man. I think females just really want to look a certain way. Because even females that's not trying to get into the industry got their little BBL.

50:21I think it's just a personal preference with that. But I understand what you're saying, too. Sometimes they feel like I got to look a certain way to be successful in this industry. We're told that. It's not something that we just feel. We're told that. I've been told by a label, hey, we'll get you a BBL. I don't need to do that, though. I'm a person that can say I don't need to do that. You said that shit. Put them on blast. This is the real report. I don't get fucked that, man. Who the fuck said that shit? That's crazy. What label said that shit? Labels is paying for BBLs. Labels is paying for BBLs.

50:54This is a while ago. This is a minute ago. This is a minute ago. But when you listen to these same females that were talking about talk, Nikki talked about it before, how she felt pressured to get it. Doshi talked about it recently, how she felt pressured to get it. Lotto, she felt pressured at a young age because everybody was talking about her body all over online and how she looks bad. But niggas are watching the video.

51:14Tony Yayo:Niggas are watching the video. I think even with like female battle rappers, like I think when a guy initially watches like, all right, this battle rapper is attractive. I might just watch it just because she's an attractive woman. Yeah. So, I mean, I feel like there's nothing wrong with that. It's not. Like you're going to watch SZA video because SZA is attractive. Yeah. Because though she's attractive, I feel like it's more pressure, but beautiful women. Yeah. As much as we don't like to admit it I always tell women this Our currency One of our highest currencies Is how we look How we look How we smell But the physicality of it Is our currency for us Because a man's not gonna be like A lot of women feel like Hey I have three degrees I have two houses I have five cars Why doesn't this man want me?

51:59No shout out to the women Because none of that shit matters No no that shit matters No no listen to what I'm saying now Shout out to the women That got them degrees We still We like women with morals too Yes We love you We like women with morals too

52:10Tony Yayo:And every woman wants to feel sexy. The whole thing is if you have morals, you know, but at the same time, I mean, I don't I don't want a, I don't want a, I don't want a, I don't want a, I don't want a, I don't want a, I show you all want a, and she has degrees. She has more degrees cards and everything. And she has looks, she bottom of the brow when it comes to looks, but everything else is top. And I show you woman B who has it more balanced. Y 'all go on woman B. You can't say that. I'm going to tell you why, because sometimes you can't, you can't judge a woman just on the outside. Cause you could be a baddie and have a stink.

52:39Tony Yayo:I'm telling you what general men say. You got to let me talk. You could be a baddie, right? You could look good on the inside, but you could be dark. You could look good on the outside, but you could be dark on the inside. So that don't mean nothing. So a guy would go for a girl that got her shit together that might be a six or seven because she got to potentially be better or smarter and got things going on instead of messing with a chick with no morals but look good. See, I said balanced. You can't say that. I said balanced. I said this one has way more accolades than looks And I said this one has it more balanced I didn't say she doesn't have accolades or morals I said it balances out more with her She's also attractive Alright I feel you but I feel like I feel like you never pressured to have a BBL Because for me with women it's confidence I can look at a woman and if you're a confident woman Like Sexy Red For instance What I like as an artist is she's confidence In her music You like my style?

53:38Tony Yayo:You like my voice? No matter what anybody says in the comments about her or any bad thing, she's confident. She don't look like she got a big BBL. She slim. But what I'm saying is she's confident about her shit. She might get crazy on shit, but the confidence. So a woman could be thick. She could be bigger than the other chick. But if she come in there with the confidence, nah, I'm jacking her. She's confident. She's more confident than this girl. This girl might have the looks, but she might not have the confidence or she might not have her swag or - She too, because Lizzo got confidence. She just don't be caring.

54:10And I respect that about Lizzo. I know she went on her Olympic run, but other than that, she always had confidence. I feel like she just like -

54:17Tony Yayo:I feel like, and then you got girls now taking away from the BBL. So the pressure's gone, because girls are like, I want to get rid of my BBLs now. Yeah. Because to me, you can get a BBL, right? And I don't like to talk about women on the show. We just got a woman on the show. But you just can't have the ant legs with it. Yeah. Like if it fit you, cool. Yeah. You know what I'm saying? Them girls in Hollywood, they getting the best surgeons. If you go to the hood surgeon in apartments, girls used to do back. Because remember back when it first started, shout to K Slade. There was girls that died getting BBLs.

54:50Tony Yayo:So for me, I'm like, damn, your girl got to take a risk for her life. Nah, that shit don't make no sense to get a BBL. Because remember when it first started. Yeah, it was in hotel rooms with shots in the eyes. There you go. You didn't know what was in the shot. There you go. Just taking the risk. Matter of fact. We talked about that. Yeah, matter of fact, there was a girl that was like a model that got arrested way back then. She was giving that legal shit and a girl died off that shit. That shit don't. I don't think no surgery is worth your life. I think the way God made you, he made you and just whatever.

55:20Tony Yayo:I think you touched on it though. You said security. A lot of these women are taking it out now. It's not only because it looks bad. A lot of them are taking it out because they found the security in themselves to know that I never needed that shit. People like Blac Chyna who went in Years later took out all her fillers And all that shit that she put in her body that she never needed So it is A pressure there So when the label told you to get a BBL What made you second guess it? You was like fuck it I'm not doing it First of all I'm scared of needles So then you never fuck with the label? I'm scared of needles Throw them under the bus, what label?

55:51I can't I can't do that You scared of them? I'm scared of needles We don't want to get hit by a truck when she leave. I want to know who the fuck did that. What label said this shit, man? You got to go get a BBL. Wow. Another label also told me, hey. It was two labels? No, listen. No, this is not a BBL. This is years ago. Another label also told me. This is years ago.

56:17Tony Yayo:No, because you got to remember, years ago. This was before it was normal. This was back in the days. This was before it was normal that they told her that. That's what I'm trying to say. It wasn't a thing. She took them out. This label still around? Yeah. It wasn't a thing, they're not. I'm trying to get it. Yo, Vag, we need to pay some money for this information. Do you know how this shit, this is like a big investigation. The label told her to get a BBL. The label told her to get a BBL. Another label later on, like closer to more recently. Look, another label. Closer to more recently, right?

56:46I sat with the label and I'm talking, I'm all excited and shit. And they're like, hey, here's what you should do. If you really want to get signed to a label, you need to start paying for your views on YouTube. I'm like, huh? Like no, you pay for the views, you get it lit. We wanna see it lit already. That's the only way you're gonna get signed to this. That's what we do with our artists, we pay for the, I'm like shit, this is where the game is now. It's not, that's why I said it's not about just the talent. I don't think so man.

57:11Tony Yayo:No, it's a lot of that going on. There's a lot of that going on. Listen, YK Neese ain't got no um. I'm talking about people with machines behind them that you can't stop. But look, I'm just saying, for instance, look at YK Neese. She like a typical girl from the hood, she got hit records. She on that Belly Kush record, That shit is Come on bounce that ass like you're being dude That shit is out of here She ain't like got a BBL I think good music is just good music I mean when we looked at Lauryn Hill Lauryn Hill she wasn't like She never got naked or nothing but we thought Lauryn Hill is like in the whole thing But Lil' Kim you know she started that shit That's when the shift changed You seen that happen You all seen that in real time With the suspenders That started That's when girls started talking nasty.

57:55Tony Yayo:That's the start of it. Foxy, she had balls, but she wasn't getting - She wasn't. She was still drinking Dior and shit. It's mad pauses, so I don't want to - It's mad pauses. We can't play none of them. But that first album is like, when girls started talking nasty, you would say before Trina. Yep. And then, you know, now it's like - Who's going with Kim? Sex sells now. Like, niggas want to hear Sex and Wear. Niggas want Sukiyana. Yeah. I just hate that that's all they want to hear, because there's T-R-O-X, there's Rhapsody. There's a lot of great I think Rhapsody Them get their props Though Rhapsody Began her props So name some of the rappers Names Tiara Wack Rhapsody Oh what's this girl Leak And she's from Brooklyn too God damn it Leakley 47 I'm saying her name all wrong It's spelled kind of crazy But she has a lot of music On like NBA 2K And all that shit like that And she's from Brooklyn And she doesn't rap About her pussy She raps like One of the guys But she's just a girl But nowadays that you can't blame nobody for right like um not buying into nobody's music right i say that because there's so much exposure out there with this whole internet shit so if people not grabbing to the the rap cities like that and a couple other people you name who thought is that though that's just the i mean the people and the people grabbing more to sexy red right in the glow realers or whoever's talking ratchet that's just i guess what people want to hear yeah that's what I'm saying though, people are fucking stupid then.

59:20Oh damn. Stupid. How we stupid? All right, let me give you an example. Glowrilla, hold on, hold on. No, no, I'm gonna give you - Don't say Glowrilla, cause I like her music. Hold on, hold on. She doesn't rap just about pussy.

59:29Tony Yayo:The thing about Sexy Red, Sexy Red is like a female, we hate Gucci now, I don't hate Gucci, but he hate Gucci now. A female Gucci. So you don't hate Gucci? I don't hate nobody, I love everybody. Now listen, you know me? You might need that energy. I know he hate Gucci, I don't got nothing to do with that. He told on niggas, that's on his business, I'll stay out of it. But we know we don't do that. Street niggas don't condone that shit, right? We don't condone it. So if he wanna come up here and do an interview, you wouldn't do it? With Gucci Mane? Nah, I'm not doing an interview. Nah, he would never do it.

59:57So look, so what I'm saying, like,

59:59Tony Yayo:with Sexy Red, her producer, to me it's hun, take heed, it's like Drake in 40. Take heed on the beat. Once I know my man is on the beat, and she got her rhymes, and she's coming simple, it's not too complicated, it and she always just got style with it. She know how to rap. But when Tay Keed is with her, you know the beat. She got niggas bopping their head to her beat. And she might be saying shit for the females, but niggas is rocking. Lottos like that too. They'll just be spitting, but they beats be super hard. Glorilla too. I love Glorilla. Glorilla's content is versatile. See how she came out with that gospel record?

1:00:40this is not I don't want to hear that one

1:00:42Tony Yayo:but it was actually dope but it was actually dope though niggas ain't hear that one it was actually dope though, Kirk Franklin on the record we all know Kirk Franklin kind of a separate I'm sorry to say Kirk Franklin ain't an average church nigga me and Murda could go to the projects with a million dollars, give it away and that shit ain't get no press but if we go to the projects and get shot at a million times it's gonna get press I mean, that's how it goes. Negative shit spread faster than the industry. That's just how the industry is. But I just wanted to say, it's not like girls aren't working.

1:01:13Because they are working. No, I'm not saying that they're not working. I'm just saying like, who for is that, right? When people say like, oh, you know, the Rap Cities and other people, they're not getting their music. I be wanting to know because they do make dope music. Like, I think Rap City is dope. But like, who for is it that the people not grabbing to it more? Or they grabbing more to a sexy brand, a glow-rilla, a lotto. And people not grabbing to it more, because if that's the case, a person like Dolce couldn't do what she did if people didn't appreciate the lyricism of it. That's the fact.

1:01:43You know what I'm saying? But the thing about Dolce is,

1:01:46Tony Yayo:Dolce's making, she's lyrical, but she's making hit records. Skills pay the bills. You understand? That's what a wise man once told me. I do feel like niggas drag it. I don't feel like she's the female Kendrick. A niggas dragged it. You bugging. Dolce's the female Kendrick. You're fucking bugging. Now you on drugs. No, it's not happening. You're bugging, Bonnie. You know how long I've been listening to Kendrick and his type of work that he put in for one album? You think she did that? Don't she could flip her style in so many ways and the way she performs is ill. Yes, she's the female Kendrick to me over there too.

1:02:17Tony Yayo:She got to do more work to me. That's your opinion. How many Grammys she got? Look it up. Don't matter about that. She been in the game for how long? Hold on, because the accolades do matter. You think she at Kendrick level? You think she at Kendrick level, bro? Yes. Hell no. Yes. Kendrick just took over the world with one record. That's the female Kendra. With one record, he comes to the world. Come on, you're bugging. How many Grammys does though she have? Talking about - Two times - Hold on, Bonnie. Chill. Let's go with the facts. Stop screaming that - Two-time Grammy winner, right? Two-time Grammy winner, right?

1:02:47Tony Yayo:In how long she been in the game? Two to three years? Come on, bro. Nigga, I was top tier in one year. That's like me saying, oh, because I was top tier the first year. I'm the best one. No, that's not - It's because I got the push. I was there. I got the push, nigga. Let me tell you how the industry - I had the talent, but I also got the push. Once you get Grammys and Oscars and all that other shit, the world is yours, baby. That's how it works. But we're also talking about Kendrick. I don't know what you're talking about. Hold on. You're talking about Kendrick like he don't have Grammys. What are you talking about?

1:03:12Tony Yayo:He got Grammys too, but she has Grammys too. So I'm telling you that she's not the female Kendrick because she does not have what he has. She does not have the height of the reach that he has. She's going to get more Grammys. Two? Let me tell you something. To me right now, in rap, you know, Nicki and Cardi. Nicki, she's always in the Hall of Fame. but Doja Cat and Doshi are just different bro they different kind of I feel like those are that's the new regime Doja Doja Cat and Doshi like Doshi just won hold on what's the last album what's her first album she won two Grammys come on she had the push nigga you act like she just came out of nowhere oh me y 'all not acknowledging the push that she had y 'all not acknowledging the push that she had so they gonna say Exactly.

1:04:00Tony Yayo:So this is what I'm saying. It was promoted to us like that to be like that. But it was not her coming out here and doing the talent and grinding that Kendrick did to be the Kendrick. That's not what it was. It was his team saying she's the female version of him. And the world saying, OK, she had the skills. That's what I'm saying. She don't have skills. I just skills pay the bills. She made the hits to get Grammys. My daughter put me on a doshi years ago when she was performing in New York in small events. Shout to Ant the ladies man. He got tickets. That's Chris Brown and he messed with TD in them.

1:04:33Tony Yayo:Shout to Ty for punching him. I do agree with you. Now look, she was doing little venues. So my daughter put me on tour, maybe, because I don't know when Doshi came out, maybe four years ago, three years ago, sometime. She put me on tour, right? From my daughter going to small events to go see Doshi, to now I'm seeing all - She did a small venue. In New York. Not a good venue. Probably like 500 ,000. Wasn't no bullshit. It was a packed show. My daughter went, yo, Doshi. I'm like, damn, who's that? Dad, she's the next one. All right, cool. Cause your kids know. That's when that crazy song came out.

1:05:03Tony Yayo:Mm-hmm. Dad, she's the next one. Okay. And you be like, oh shit. So I'm seeing her from picking them up from like a House of Blues event, to all her on the stage with Grammys at it. Like that fast.

1:05:22That's what I'm saying. She's been grinding.

1:05:23Tony Yayo:She's been grinding. Her real, like, eyes on her. Was T.E.E. Yeah, but you know what it is, though? Sometimes you never know a person's story. So, look, she's been grinding since 2016. So, that's a grinding. She still started getting her just due about last year, maybe the year before. Correct? So, it ain't been an easy role for her. So, you might feel like she ain't been grinding like Kendrick, though, Bonnie. But she's been grinding. She's been playing her working. I did not say she has not been grinding. She has not grinded like Kendrick. Y 'all keep trying to twist it to me. She said she was grinding since 2016.

1:05:52that she has not granted like Kendrick. You mean since he made it in the industry to put more work in like the people. You said she still got more work to do before saying she's like. I can say she's a female a lot of people. I don't think she's a female Kendrick though.

1:06:06Tony Yayo:But look, you know why I say she's the female Kendrick? And I'm gonna tell you something. Cause a lot of people, fans come day by night, right? So there's a lot of rappers that we might not know. Like I was, we was talking to Charlamagne. He named four rappers that is his favorite. My daughter, she's a fan of BK The Ruler. You ever heard of BK The Ruler? BK The Ruler has a following. People love her. You ever heard of the rapper Lucky? The mix. Lucky has a following. There's people that have a cult following that's eating, making 100 ,000, 200 ,000, 300 ,000, touring House of Blues stores. They're famous too.

1:06:39Tony Yayo:They might not have the clout another person have, but they have a cult following. The thing with Doshi, Doshi has a cult following. She has fans. She's for the women You know what I mean? She love the women She'll go viral and say, I'm not fucking with niggas this month Or whatever she's saying She's down with TDE, which is with Kendrick Skills pay the bills She came with the whole gimmick She could dance, she can do records with JT She got style And she won two fucking Grammys From 2021 to now So I feel like it's more about There's a lot of artists that are not we would say mainstream, but they have a co-following.

1:07:21Tony Yayo:And I feel like she's mainstream and has a co-following. That's why I said she's like the female Kendrick. I agree with that. Do you know how global Kendrick is? Do you know how global though she is? She's not a global person. Of course she's not there. That's what I'm trying to say. She's not there yet. That's all I'm saying is she's not - Kendrick got what? Kendrick got 10 grand? You're acting like she did everything she needed to do when she's on the same playing field. All I'm just saying as a woman, all I'm just saying as a woman, to come out like she was on SoundCloud Rappers to 2016, to win them two Grammys, like as a new artist, a black woman in the game, you know what I'm saying?

1:07:53Tony Yayo:You signed with TDE. Like even with SZA, success is not guaranteed. There's plenty of niggas that have been on the label. Listen, I was in the studio with Dr. Dre and see mad niggas. Brooklyn was in there, Joe Beast, 50, they were with the game. There was 10 niggas on the label, maybe three or four, make it. So what I'm saying is what she did because It was like Okay Kendrick dropped J-Rock dropped, scissor dropped Now here comes the pressure for Doshi She came with it She's not, you're right, she's not where Kendrick's at But five Grammys She can get there Five Grammys, exact, that's all it Five Grammys later Ain't nothing he could do wrong Like that nigga gave the American anthem What about Drake He took that whole, he sang something that nigga that's what happened that's how you feel that is what happened that's why everybody still complain oh it was too harsh oh you ain't gonna feel like that when ice man drop i bet you your whole shit gonna change that's one thing yo listen listen this is what is battle rap and drake noticed that's why i don't even know why he ever even felt the way people say you lost or not because you part of the culture you know how this shit go you win some you lose some you won with meek the world was behind you you win some you lose some bro that's how it goes so i never felt like, okay, even if you lost that one, but you would come back.

1:09:10Tony Yayo:I feel like Drake, like... I don't think he was mad that people felt like he lost. I feel like he felt like it was the things that were said about him, the pedophile shit. I feel like he felt that was like, that wasn't true and people was running with it and people kept saying it, shit like that. I felt he was more mad about that, but I don't think he was disappointed in the L like that. Like, I think he respected the coach. Do you think when niggas go back and forth - I think he was more hurt by niggas flipping on him. But do you think that goes back and forth to battle rap because it's about getting the most disrespectful?

1:09:43This is what I'm saying. Don't jump in this shit if you're going to feel that way. Because however niggas feel, oh, I don't like the way you say nigga. And now everybody's talking about how they don't like you the way you say nigga. At the end of the day, you're Canadian. People could feel that way, but you can't be too emotional about it because this is a battle rap. He's doing what he's supposed to do. He's doing what he's supposed to do. Because he took low blows too on pause or on Kendrick talking about the baby. That's not your son. but it don't matter.

1:10:05Tony Yayo:It's not taking nothing from Kendrick, accolades, and him. I think it was good for hip-hop. Skills pay the bills. And shout out to Doja. I wanted to say I'm a big Doja Cat fan. She showed a range of versatility for a long time. So what you got coming out next, you know, next battle or whatever? Before we wrap it up on the real quick. I was taking a little retirement, but I got some people. I'm on Shane Ashley ass because he done got me started tonight. Oh, shit. He said her name three times. Shout out to Shane Ashley. Michael Myers or some shit. Shout out to Shane Ashley. That's right. Jazz the rapper.

1:10:34Please y 'all on the show, you know, DNA, you know. I need Reed Dollars. I got to finish out my Philly trilogy. Nick's just put that belt to ass. I beat Enes. I beat Enes too. Damn, you want to Reed Dollars? That's going to be enough. Shout out to Reed Dollars. He called me out a minute ago. Let's get that happening. So you beat Enes and MP. Uh-huh. And Shunny the Rapper and Henny Man. Trap. All four for the tournament. So who said you want next? Shayna Ashley? Shayna Ashley. Via This nigga right here He has to host it Or I'm not doing I'll do it I'll tell you I'll host it Shelf the chain of ashes I'm not doing it

1:11:11Tony Yayo:We love battle rap You know what I'm saying Who else I said Anderson Burris Okay He's really viral I like that he viral So I like doing shit With people that's viral And then you retire After like The next 10 battles Yeah Exactly When battle rappers say We retire We just mean We're gonna slow down Just so yeah You planning on having A meeting with Nick Cannon To figure out that the whole Wildin' Out business? It was so long ago, bro. God kinda handled it for me. Cause when I left, my episodes were syndicated cause COVID happened. So they kept playing my episodes over and over and I got paid off.

1:11:43I still get checks from those episodes. Oh, look at that. Well, next you still need some money. Shout to Wildin' Out, shout to Bonnie Godava.

1:11:50Tony Yayo:It's the Real Report show. Make sure y 'all like, share, subscribe. We fuck with all the battle rappers, males and the females. We gon' bring y 'all back. Yo, smack. Yo, get it back on YouTube. We out, man.

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