In short
DaBaby promotes his album Be More Grateful and tour, discusses creative rollout (especially music videos), reflects on gratitude and career longevity, and talks about relationships with 50 Cent and NBA YoungBoy. He also covers lawsuits/caution, plus playful “country vs New York” cooking and car preferences, ending with a food segment tasting jerk chicken and oxtail slices.
Guests
DaBaby (rapper; 7 years in the game; 54th Billboard Hot 100 entry; father of a daughter who appears on his song). Hosts/other guests mentioned: Tony Ayo and Uncle Murda (NYC rap figures; “Talk of New York”).
Key claims
“Be more grateful” is a mindset; he made a “classic” with 23 tracks; he doesn’t like releasing a “double album” due to attention span; his videos are movie-like and he personally oversees casting/wardrobe; he connected with NBA YoungBoy during YoungBoy’s house arrest; 50 Cent backed him when he was “canceled.”
Notable examples
Daughter’s recorded verse at age 6; Be More Grateful Tour tickets on sale; NBA YoungBoy project in 2022; video content shot in Miami; “no hood pass” Atlanta story about 50 Cent; “lawsuits” leading him to avoid trouble; tasting Cuts and Slices jerk chicken/oxtail slices.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOIntroduction of DaBaby and Discussion of 'Be More Grateful'
4:36 to 7:20
Hosts introduce DaBaby and discuss his recent work, including his album 'Be More Grateful'.
“put this shit on display, man, and step on these niggas and, you know.”
Gratitude and Personal Reflections
7:20 to 9:04
DaBaby shares what he is grateful for and his journey in the music industry.
“on time on the record like that, you know, I just not put it out.”
Creative Process Behind New Music
9:04 to 11:29
DaBaby discusses his creative process and collaboration with producers.
“My son was like, he was talking about your album.”
Collaboration with NBA YoungBoy
11:29 to 12:30
Discussion about DaBaby's collaboration with NBA YoungBoy during challenging times.
“That young nigga Years ago they had that project.”
Artistic Integrity and Independence
12:30 to 14:00
DaBaby talks about maintaining artistic integrity without relying on features.
“I remember the time it was me, you, Gilly, and Wilder.”
Behind the Scenes of the XXL Cover
14:00 to 15:00
Joe and DaBaby discuss the memorable moments from the XXL freshman cover shoot.
“And she saw the video and she see me breaking down the video and shit.”
Viral Moments and Street Credibility
15:00 to 16:00
The conversation shifts to DaBaby's experiences with street credibility and viral moments in his career.
“She's like, you met 50 and introduced me to him, called him on the spot.”
Mixed Vibes of Fun and Seriousness
16:00 to 17:00
Joe and DaBaby reflect on the blend of fun and seriousness in DaBaby's music.
“He was like, I don't know what y 'all talking about.”
The Process Behind Creating a Classic Album
17:00 to 18:20
DaBaby shares his process in crafting his latest album and the importance of accountability.
“Shooting at the police and all type of crazy shit like that.”
Marketing Strategies for New Singles
21:44 to 22:58
DaBaby explains his marketing strategies for releasing singles and engaging with audiences.
“Why did I search the internet for answers to my cold sore problem?”
Show all 18 chapters
Video Production and Creative Control
22:58 to 24:28
Discussion on DaBaby's involvement in video production and maintaining creative control.
“I got them shot the content all in Miami.”
Navigating Lawsuits in the Music Industry
24:28 to 27:04
Joe and DaBaby talk about the challenges and realities of dealing with lawsuits in the industry.
“Luda, Busta Rhymes, Outkast, all them niggas.”
Navigating Lawsuits in the Music Industry
28:00 to 29:10
Learn about the risks of lawsuits and the importance of caution for artists.
“Tell these artists coming out how it works, man, with the lawsuits.”
Community Engagement and Giving Back
29:10 to 29:50
Explore the significance of community service and giving back in the industry.
“I ain't finna sit down at the motherfuckin' table.”
Culinary Skills: Southern vs. New York Style
29:50 to 31:50
Delve into the culinary differences between Southern and New York cooking styles.
“I was about to say, this nigga don't even like - He heard the way he said it.”
Cars and Identity in Urban Culture
31:50 to 34:04
Understand the connection between cars and personal identity in urban culture.
“So why all my niggas from the South can cook?”
The Role of Social Media in Car Culture
34:04 to 35:58
Examine the impact of social media on car culture and showcasing vehicles.
“It just made me and my niggas, we was like, oh.”
Food Experiences and Recommendations
35:58 to 37:50
Discover popular food spots and food preferences shared during the episode.
“You need to get me and Murda on the court.”
Transcript
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2:43Tony Yayo:Don't talk about my daddy. Right. When I did it the second time, she kind of looked at me like, I know what I'm doing. Like, wait. He didn't get stabbed. Shut the f*** up. Okay. Bro, bro. What's that point you get movies with? Out! Rambo! Yo, bro. All right. That's my video. I don't know. What's that? Out my f***ing list. That's it, just a dumbass. Yeah, it's the Talk of New York, Tony Ayo. And it's the boy, Uncle Murda, a.k.a. Lynn Jet Lenny. And ladies and gentlemen, live from New York City, it's The Real Report. Shout out to the value. Make some noise up in here. Whoa! Whoa! And we got one of the biggest artists in the world, worldwide.
3:23Tony Yayo:Not local. I done seen him overseas rocking stages. Arenas. Number one hits. Right now, the album is out. Be more grateful. A lot of y 'all need to start to be more, especially you, Murda. Be more grateful. I gave you this job. Be more grateful. You know what I'm saying? Be more grateful. Out now, my nigga. It's out now. Spoken, nigga. Now the baby, I appreciate you, man. We appreciate you taking time. Just seen him in Miami. Party. Just seen you last. It ain't even been a week. You know what I'm saying? You're working. So be more grateful. Pop that. Pop that thing for sure. It's on the charts.
3:55Tony Yayo:Again, you know, congratulations to you. Come on, man. My 54th Billboard Hot 100 entry and shit. Uh, talk that shit. That's right. God damn. 54th. Shit. 54th, man. Niggas got me fucked up. Damn. Damn, congratulations, man. I appreciate you, my nigga. So, be more grateful. Yeah. You know, we like family. Come on, man. Can you give me three things that you're grateful for? Man, look, you know, the journey in itself, the character, you know what I'm saying, developed long away. Still being, you know, seven years in the game. I know y 'all niggas left. Y 'all done been in this shit. That shit sound light to y 'all.
4:28But, you know, still be in the motherfucking game. Niggas don't make it past that. Come on, man. That's good. Still being in a position to be able to feed a nigga family. You know what I'm saying? and still being able to, you know, put this shit on display, man, and step on these niggas and, you know. Skill is all good. Don't worry about it. That's the weed we were smoking. These niggas, I ain't smoking six months. These niggas. This shit strong, these niggas got this shit. I done caught contacting this bitch, but yeah, and you know, just being able to deliver a project, like be more grateful, man.
4:56I'm grateful for all this shit, you know what I'm saying? Yeah, to have rich ass, real nigga friends like y 'all. Come on. You know what I mean? This shit. You rich. You rich.
5:04Tony Yayo:One thing about you is we know you're going to kill the club. For sure. And one thing I love about artists is, like, you know, 50 had in the club. We had G-Unit. That was the format. Like, I had Seductive. So it was like, yo, when it's rocking in the club, you're getting them extra bookings and everything like that. We need all that. Pop that. Like, what is the creative process with a record like that? As soon as my niggas sent me to beat. Like, how do you pick the beat? Who's your favorite producer? That wasn't even when I picked. First and KO, they producers from around my way and shit. Oh, shit.
5:33Shout out to my niggas. They sent me that bitch. I really had majority of the album. The album was really damn near done. I was working on picking the track list and shit. That'd be a whole headache and shit. And they sent me the beat. As soon as they sent it to me, I called the engineer. Where you at? Hell nah. Meet me at the spot. Right now. Meet me at the spot. I knew that was one. So they really gave me a oop. I had to text them niggas the other day. Like, boy, I don't know what the fuck y 'all had going on when y 'all made. This bitch sent it to me, nigga. But yeah, y 'all did that. And they was like, well, yeah, you did that.
6:02You know what I'm saying? So they threw me the oop. I windmilled that bitch. You know what I'm saying? And I knew, I already knew what was up with that one. Like, I already, I knew off top, I knew that one was goddamn, it was gonna, it was gonna connect instantly.
6:13Tony Yayo:You know, I'm loving Pootie Tang. Pootie Tang, that shit, definitely. Marinating that shit. I'm loving, I'm loving the joints you got with Honcho. Come on, man. The song with your daughter. Come on, man. Talk about your daughter, man. You picking them once. That's my baby, man. I just, I just got off the phone with her. That's my twin, man. She, you know, she, that's my, My rider die right there You get what I'm saying She a OG at 8 years old A princess and a gangster at the same time You get what I'm saying Her lyrics on that song What she said on that song I didn't even tell her to say that shit I just told her to say something at the beginning of this shit Right, I was trying to nudge her Like start right here, baby, start talking I nudged her I told her the engineer started over She got the head on low, she in front of the mic The beat started playing again She let it build up She didn't start until the beat dropped I'm like, go ahead, baby she kind of, when I did it the second time, she kind of looked at me like, nigga, I know what I'm doing, nigga, like, wait.
7:02For sure. You know what I'm saying? So I'm like, all right, I sat back, then the beat dropped. Y 'all gonna watch out here. I talked to my daddy. Y 'all gonna watch out here. I looked at the answer. I said, hold on. I'm like, all right, all right, all right. I said, yeah, you got it, baby. Yeah, go ahead, do you. That's dope. And yeah, we really did that shit like two years ago, too. So that was a six-year-old, you know what I'm saying? Little girl that delivered that shit on time on the record like that, you know, I just not put it out. That's dope. I wish I would've did that back then. Yeah, I was.
7:25Come on, man. Put your kids on the record. That's fine. I might do that. It's only him and Kanye. I still got the... Kanye, you know. That's going to be some And that's crazy you bring your daughter out on tour.
7:33Tony Yayo:The tour is coming. Come on now. You know what I'm saying? Talk about the tour process, man. Yeah, the Be More Grateful Tour, you know what I mean? We just announced that bitch today. Just went on sale today. That's going to be crazy. You know what I'm saying? Crazy. Big ass party. Make sure y 'all go get y 'all tickets. You got us 23 songs. It feel like a double album. I had to come with it, man. Did you feel like it was a double album? It got me fucked up. At one point, I thought, I'm like, damn, man, we may have to make this shit a double. I'm like, man, I don't nobody want to hear that shit, that double album.
7:59I'm putting all this shit on one. That's what murder was saying. I'm putting all this shit on one. I'm saying it's a double album.
8:04Tony Yayo:He was like, it was a double album. I said, he's not promoting it as a double album. Yeah, because I mean, you know. Yeah, niggas ain't ready to receive shit as a double album no more. I don't think so. So, like, you know, niggas' attention span ain't, you know, it ain't there to receive 23 songs. So to even be able to, because I would never put out 23 songs. I don't, like, you know, I used to be against putting out over 14 because I don't want nothing to go over niggas' heads. But the mode I'm in, you know what I'm saying, in the time, I ain't dropped an album in four years. So I know, you know, me and the audience, we got catching up to do.
8:32I got plenty of this shit for them. So I'm like, fuck that. I got to be able to put out, you know, the turn up records, the shit that people come to me for to get the party started. I got to be able to showcase the lyricism, the shit I go do when I go on them platforms and just get in front of a mic and freestyle. I got to go burn that bitch down. You get what I'm saying? I got to go do all that shit. I got to reconnect with my female audience and talk that shit to the ladies. You know what I'm saying? Get to make them feel some type of way. It's that Don Julio lemonade, baby. Don Julio lemonade, baby.
9:00Like they're marinating. You know, I had to check every single motherfucking box with this one. Like, it was necessary.
9:05Tony Yayo:I'm in the truck rocking to it. My son was like, he was talking about your album. I'm like, yo. Definitely a creative Definitely a creative new album, man What's up with the video process, though? I feel like you can make movies Yeah, I can't wait I feel like you can do that, too Because your videos be like Ludacris, damn near Like the Buster Rhymes It be real life It be next level You just don't do regular videos I be going there with it, man I have fun with that shit Going all that Come on, man You was actually shooting videos For other artists, though, too 100 % I still, like, to this day I mean, a lot of people I don't really care to do it you can't even I can't even charge a motherfucker enough for that you know what I'm saying cause the shit take more than you know I charge what I charge to come perform for an hour shooting a video take way longer than that you get what I'm saying definitely you know but but with that shit it's like you know definitely like artists like labels reach out to me to direct videos for artists and shit and have you know what I mean I have done it I done did it for several artists you know what I mean it's crazy because I was telling Murda I'm like yo you kinda remind me of like a 50 cent and like a NBA young boy like y 'all don't work with too many artists.
10:07Tony Yayo:Right, for sure. You did a dope project with NBA Young Boy. Yeah, for sure, yeah, yeah. You know what I'm saying? So you can talk about that because that was a dope project. I was feeling that. Yeah, we can talk about it now. I mean, it was why he was on House Arrest and shit out in Utah. And yeah, we definitely, I don't even know. Because it seemed like a lot of rappers was mad at you at that time. Yeah, yeah, that's when everybody was, that's before everybody tried to, yeah, before everybody jumped. It was like everybody was blackballing him and the baby was like, fuck that. For sure. And I mean, I'm pretty sure niggas That's when it wasn't a popular thing to goddamn fuck with, bro.
10:40But that was like the only nigga out in my era that I was even listening to. You get what I'm saying? So we connected. I can't even remember how it came about with us even doing a project. But the nigga told me to pull up on them. I goddamn had my—I took my kids out there. It's like a little fucking ski resort or some shit out there where bro was at. So I took my kids and shit out there. We out there skiing and shit. Then I go pull up on bro. It was while he was on house arrest and shit. so, you know, I could talk about it now, goddamn, but, yeah, right after the little curfew time and shit after the month, after the people come check on you, I pull up, you know what I'm saying?
11:14It's like, they hit the door, they hit the door, I gotta jump out the window and I pulled up on my nigga, you know what I'm saying? Like, fuck that, you know? I'm rocking with you. I'm that type of nigga. If I'm rocking with you, I'm rocking with you. I don't give a fuck, you know? The whole world against you. Yeah, yeah, yeah. All right, copy, copy. For sure, 100%.
11:30Tony Yayo:He's that guy, man. That young nigga Years ago they had that project. Yeah, it was 2022. And this is when, like, everybody was kind of mad at NBA Young Boy for no reason. He had a project with him. Like, you know how 50, we never really rocked nobody. At the time, they was picking sides. People had to pick a side. People were stealing next to the other side because what he was going through. But this is what, to me, artists that don't mess with a lot of other artists, this is what make them special to me, like a 50, the baby, NBA Young Boy. They don't lean on features to make a hit. They made hits and continue to make hits without features.
12:05Tony Yayo:By their shows. He's one of them guys. A friend to everybody is a friend to none. You know what I'm saying? At the end of the day. And that's how I be with these niggas. So I wasn't ever really on friendly time. Oh, we rappers. Let's hang together type time anyway. You know what I'm saying? That's why I fuck with, you know, with niggas like 50. Like, I already know, bro, don't fuck with nobody. You get what I'm saying? So it be fucking people up when they see the way, bro, fuck with me. And the way he, you know what I'm saying? Like, the way he rock with me. niggas get around me and get to like man how is he man they be so fucking mind blown can you call him for me and tell him you know what I mean to call me and shit one time somebody asked me to do that I said hey bruh I called him y 'all know this nigga I called him I said at first he wanted to he wanted to holler at you nigga said for what he said fuck that nigga he like nah he don't care about that shit fuck that nigga I ain't got that you know but if you need something that's different other than that yeah man listen man five that's my nigga man That's my nigga.
12:59Tony Yayo:Come on, you family. I remember the time it was me, you, Gilly, and Wilder. I forgot where we was at. And we was talking about when they tried to cancel you and how Fifth really stood up. 100%. I had just met, bro, the week before that shit. She just met him. That's crazy. You know what I'm saying? So, you know, when you got all the reason in the world to say, nah, you don't owe me no loyalty, you know what I'm saying, to no relationship we done built or developed or none of that. You just met me. So, you know, when we met, we chopped it up for like two hours I was right there on the spot. I pulled up on, I said, I'm Vanessa from XXL.
13:32Shout out Vanessa. That's my baby. XXL. Yeah, her birthday tomorrow. Happy birthday. Happy birthday, Vanessa. Yeah, I was doing like some press. I was doing press for the, I think it was for the album with NBA. Young boy, it might have been that. No, no, no, no, no. This was before this because this was before the, so this was 2021. But I was doing like a little media day and shit. I was up here in New York.
13:55Tony Yayo:Right. And I'm just, you know, I'm doing what I'm doing. and I'm showing him a video. I'm showing him that lonely video. It's one of them videos. He fucked with this one. I had like the Joker shit going on. That shit right there. And she saw the video and she see me breaking down the video and shit. She's sitting in there. It's a room full of motherfuckers from different platforms, all that shit. And I'm chopping it up with everybody after I play the video or whatever and do my little one-two. And she's just looking at me. I've been fucking with her since I did the XXL freshman cover and all that shit.
14:22Because I fuck with her. Like, she's stiff. She's stiff. You get what I'm saying? She ain't smile the whole time at none of them niggas. Everybody up there doing what they do. And I was on the same shit. Like, I came. They had a stylist in there. Them niggas had, like, 20, 30 outfits for me and shit. When I pulled up to do the XXL cover, I had on a Nike, a Nike hoodie, some Nike joggers, and some fucking flip-flops. And I came in there, bitch, and they're like, okay, baby, we got the stylists in here. They got all this shit. Got nothing for me to pick from. I looked at it. I said, man, I'm not wearing none of that shit.
14:50I'm doing a freestyle. And this is right here. You know what I'm saying? and had the best one out of everybody in the freshman class or whatever. But I think she really, like, you know, just respected the way I came. You know what I mean? And it was vice versa. But after I was done, like— Fuck that.
15:03Tony Yayo:You was standing on business. Come on, man. 100%. 100%. Come on, nigga. She called me over. She's like, you met 50 and introduced me to him, called him on the spot. You got to think, man. You went viral before viral was viral. Yeah. Remember he was in Atlanta? This is what made me like this, nigga. I'm going to keep it real. Remember he was in Atlanta and niggas tried to press him? He was like, what? What y 'all talking about? The permission slip ass. Yeah, yeah, yeah. I ain't, yo, no hood pass. No hood pass. For sure. No hood pass. For sure. And he was dolo. Definitely, yeah. So the whole New York was looking like, yo, you had the records, but he also had the street credibility.
15:38Tony Yayo:It's them no business. To this day, it's niggas. You know what I'm saying? But to me, that Atlanta shit, what year was that? This was like 2018. Yeah. 2018. That was then. That's crazy. He was dolo. That was crazy. I remember that. He came up, he was like, yo, I don't know what y 'all talking about. And you could tell, it was like, yo, nah, this dude is real. He a real nigga right here. Yeah, they tighten right on up. They tighten right on up. And it was a whole, you know, whole bunch of, you know, about 12, 15 of them niggas. And I just seen him. He was like, I don't know what y 'all talking about.
16:05Tony Yayo:Hey, poor tax. Nah, I don't know what that is. That was viral. We ain't doing that one. We ain't doing that one. We ain't doing that one. That was a very viral moment, bro. That was crazy, bro. I'm glad it went how it went. Because it could have went left. You know what's ill of me about you with that? Because when you do, like, the music, right, in the videos, you give off a character. Right. Like I just told you, ludicrous vibes. Yeah, like I ain't too tough for myself. Like you give the guy, like, yeah, like, all right, but when you hear about you, you read about you, and you do your history, it's like, oh, he be shooting motherfuckers for real.
16:38Tony Yayo:Yeah, man. But you have so much fun and entertainment when it comes to creating this shit. It's like a mission of Tupac. It's like, you got to be careful. to that. It's like crazy. Yo, that's crazy to me. That's how I am. It's like a mixture. You know what it is? It's a mixture of Tupac and Digital Underground. Remember, you know they had shit to dance to the home city dance and then Tupac was the nigga the real life shit. Shooting at the police and all type of crazy shit like that. And he mad humble. You meet him, he be like, damn, this nigga shot people and shit. I be like, yo, nigga back, cool.
17:08I be cool.
17:09Tony Yayo:You know, nigga shoot people and be like, yo, man. But that's, in the South, that's everyday shit. I'm not advocating the balance, But I'm just saying, back in my days, when I had my little prior incidents, you know, when I shot people allegedly, they didn't tell. Allegedly. And I was cool. We don't want to talk about that. I'm just saying it was cool. Like, times have changed. He's trying to get demonetized. The baby was protecting his property. 100%. And I was protecting my life. Nigga, what the fuck you mean? Shit. He going to get us demonetized, though. Let's go to the next thing. Let's go back to the album.
17:39Tony Yayo:I ain't knew he was cool. Yeah, listen. I'm Hollywood. I'm not with all this stuff. Nigga said I'm Hollywood. You heard that? I go eat a smoked duck. Nigga, we ain't got time. You know, I feel you. Come on, look at the baby. You see him in his big mansion. They said he fell off. This is what I said. Somebody with character, charisma, and all that is never going to fall off. What he do? Look, what you do? What you doing right now? What you doing right now? Look, two maybacks. Laying on the maybacks. What you doing right now? Two maybacks and the Lambo. Fell off. Come on, bro. The Phantom was right there, too.
18:09Come on, man. They said he fell off.
18:10Tony Yayo:And now he's right back at it with the hit records because he's like a 50 cent. He's not going to stop, brother. And I can't stop. I can't stop. What's the process of the album, though? 23 songs, man? 23 songs, man. I really, you know, I took my time. I made a classic. That's something, bro. I took my time. I made a classic, man. I checked all the boxes. I wanted to be able to really, you know, blitz their ass the way I like to do it. Like, my style of relationship, it's how I did it in 2019, 2020. It ain't, you know, I ain't had the opportunity. And it's really, you know, nigga, I take accountability.
Read the full transcript
18:40I really could have been did this shit. like this, but I wasn't. I was out of love with the game, with the business, so I had to take a step back. Okay, let me see how this shit go like this, because I ain't know. I was on a well. Okay, this shit go like this. Let me take a step back. Let me soak up what I need to soak up. Okay, cool. And then let me goddamn re-approach this shit. But when I re-approached it, it had to be in the way to where I can goddamn, like, you see me, I'm about putting it in a motherfucker's face, like, nonstop. Boom, boom, boom. I don't like the calm shit. Oh, I got a single.
19:10Let's talk about this one song. It's a nice song. I'm going to talk about this shit for six months. Fuck all that. Like, I get bored. I'm going to give you a bunch of records. Yeah, so I'm going to give you a bunch so I can goddamn smack they ass left. I'm going to smack they ass around the whole year. The whole year. Don't. What if your soda actually did something for you? Introducing Sky Pop Protein Soda. With 10 grams of complete protein, zero sugar, and 45 calories, Sky Pop Protein Soda offers four delicious flavors with big taste and real benefits. Light, refreshing, and ready for wherever your day takes you.
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22:16Tony Yayo:Even Sticking Bones set the tone the right way. Sticking Bones. It set the tone. That felt like he's talking about his life. It felt like the records were changing. No records sounded the same. Sticks and Stones felt like you on his Tupac. you got the bandana that's why I said Tupac did you underground but you know me I like that club shit when I'm in the car so I'm listening to Pootie Tang he said he want yeah Pootie Tang I'm listening I'm listening to Shake I'm listening to Shake I already know so I feel like like Miami worldwide I'm thinking of clubs because I know for the summertime like I know how to pick singles there's a lot on there and that's how I marketed the shit like I went down there I got them shot the content all in Miami.
23:00It got cold up there where I'm at, cold turkey. I told the whole team, whole in-house team, fuck, they'll be going to Miami tomorrow. Everybody, I flew these two, these two people I got on the film side, on the film production time, flew them in. I flew one nigga in from here. I flew three niggas in from here, one nigga in from here. I got down here with four niggas that could work a camera and we shot content. Brought the dancers in and we shot content. It's really a master class on how to roll out of motherfucking songs. We went down there for a week by the time I left Miami that song was the the talk of the motherfucking of the world you get what I'm saying they like nah you gotta put this shit out right now and it's cold as hell outside niggas back at the crib niggas is in the ice storm they can't even go to the store school out and shit but we down there on the motherfucking beach dancing around and shit vibing and shit you get what I'm saying but that set the tone it let you know okay boom like this song the first time they heard that song they saw sunshine clear water you get what I'm saying nigga on the yacht they saw good energy you know what I mean beautiful women dancing and shit and that's how you you know that's how you market a single how the fuck are you gonna top
24:03Tony Yayo:all your videos though with these shit come on man cause you know what I listen to your album and it's so crazy you the only artist that I like motherfuckers like yo he gonna shoot a video for that right for sure that's the first thing that's why the reason why he say Luda and Busta so much it's not really the same style it's just they had the illest 100 % nah I got I definitely grew that's the era you know I definitely was inspired by them niggas especially visually, like, from them niggas, Luda, Busta Rhymes, Outkast, all them niggas. I'm a 106 apart, baby. You get what I'm saying? So, like, all them shits, even, like, marinating, like, I'm going to tap into the 21 questions concept with that one.
24:44You get what I'm saying? It's like, you know, all this shit.
24:46Tony Yayo:The fuck is the budget, though? You got fucking marching bands. Man, I go there. How much you spent? Half a million on the video? I done put plenty of my own money in it. I believe you. Plenty of it, you know? I done seen marching bands, bitches, dances, 100 dances. Like, I made sure I was right there, hands on with the business side of it. So that's why I been learning how to produce and direct. You get what I'm saying? So all my videos, like, I produce them. My team produce them. So I do the casting. I find the crew. You get what I'm saying? Like, I handpick the fucking actors and shit, all that shit, the dancers, all that.
25:20I even run around and get wardrobe. Like, I don't even leave it in the hands of fucking no wardrobe person sometimes because they, oh, we couldn't get this, we couldn't get that. Like, I'm real particular. Like, I go myself, I go pull up the fashion district in L.A. and hop out on the street. Look where they got all that shit. I go do all that. You get what I'm saying? Like, I really take this shit, you know what I'm saying? From my mind, I put this shit, I make this shit, you know what I'm saying, pop up right here, you know what I'm saying, in front of a nigga. So, you know, when they come to that shit, I really didn't soak the game up.
25:47I got the cameras. I got all the cameras. I got every fucking camera, you know what I'm saying? All the way to the one I got the camera they shoot power on. I got it at the crib. I got a fucking lens that costs $125 ,000. It's only like six of them in America. Damn. Yeah, these, look. The white boys on the sets and shit when I come on these productions, they see that shit 100%. I already got scripts that I'm gonna start writing this shit. And I linked in. I done asked bro for advice on that shit plenty of times. 50 and shit. But one thing that nigga told me like two years ago, it'd probably been like three years ago, like, nah, fuck that.
26:20and you ain't done with the music. Like, nah, fuck that. You can do that shit whenever. You know what I'm saying? You know, he could have been, you know what I'm saying, pressed the button and had me on any one of these shows. Of course. You know what I'm saying? Like, they got other niggas playing roles in some of these shows and shit, whatever, but them niggas can't fuck with me. Them niggas can't fuck with me when they come to that shit. You know what I'm saying? Young Denzel over this motherfucker, okay? But it's shit like that. Like, I respect shit like that to the highest. I expect shit like that to the fullest extent because he like, nah, nigga, like you ain't done with music like niggas can't you ain't done with music you know what I'm saying look at the hits you made on the album be more grateful exactly y 'all make sure y 'all go get that so imagine me thinking you know man fuck that shit man you know that thing that I can't you know what I'm saying still deliver you know what I mean a better body of work than anybody out here in my area you know what I'm saying exactly look how you take care
27:06Tony Yayo:of your kids your family your daughter that's what it's about you know what I'm saying you mad humble sometimes you got a lot of lawsuits wait wait now he beat the lawsuit no he beat the lawsuit I just got another one. I know it's good. I got the one. Yeah, what the fuck? Man, come on, man. This is what I learned about Louis Vuitton. God damn. We'll be on video set. You know, everything is smooth. Yeah. Somebody gets punched in the face. We don't advocate violence. Rappers don't advocate the violence. You know why? Because that costs$50 ,000. Man, that shit costs. On my shoot. But you know who they sue?
27:36Tony Yayo:They sue 50. Why don't we want to sue Yaya for it? Fuck him. We want the boss. Right. So DaBaby, like, I know, like, you know, a lot of shit happened in your career. Yeah. I could just imagine them lawsuits because a broken jaw could cost you anywhere to$50 ,000 to$70 ,000. They got hired, bro. They got hired. Look, they... What? They was coming for my boy. They was coming for 70s to first just to get the... Retain the lawyer. That's just to retain. Tell these artists coming out how it works, man, with the lawsuits. Man, keep your hands to yourself. Don't do it. You know what I'm saying? Or lure them niggas in to the back alleyway around the corner.
28:14they say ain't no cameras try to make sure they ain't no I about to just say no cameras no cameras you know what I'm saying that shit was live on TV for some reason come on man whole movie it was live on TV a whole movie that makes
28:25Tony Yayo:yo that makes a lot of people stay in the house just cause of the lawsuits that's a fact that's what made me fall back and shit too I'm telling you cause it's like it kept me from going outside moving around and shit as much as I would cause it's like you know in person I ain't gonna let no I'm still to this day like I ain't even let a nigga play with me you know what I'm saying Because you got the baby hit me in that Maybach truck, the Cybertruck, the Ferrari. I can't get it. Fall on the ground. I sneezed the wrong way. I sneezed the wrong way, nigga. I ended up goddamn with a subpoena, you know what I'm saying?
28:54So once I saw it became like trendy to like come after a nigga, you know what I'm saying? Like on some lawsuits, I'm like, I gotta stay my ass out. I'm telling you, I had to sit back and like, okay, whoa, let me, let me goddamn, let me, let me reevaluate what the fuck going on out here. Like I don't, I ain't want to play no game without knowing what's going on. If I don't play spades. You get what I'm saying? I ain't finna sit down at the motherfuckin' table. I'ma sit back behind it and goddamn peep what's going on and shit. You know what I'm sayin'? I'ma see, okay, how this works. Oh, okay. When you run out of these cards, you cut books.
29:23When you goddamn boom, boom, oh. I bet. That's how to not slip up and do that. Don't play your motherfuckin', your high card too soon. You may need it at the end, this and that. You know? And once I do get equipped with what I need to approach the game the best way possible, that's when I'ma sit my ass down and goddamn and spank that shit. You're going to always have your blessings, man.
29:43Tony Yayo:Come on, man. You get back to the community. Yeah. I'm on your page. Yeah, all the time. All the time. You're doing turkey drives, giveaways. Come on, man. Nino Brown shit. Let me ask you something about country niggas, man. I always wanted to ask you something. Come on, man. How the fuck country niggas could cook? I was about to say, this nigga don't even like - He heard the way he said it. Let me say something. No, no. He be thinking we're going to have issues because of my rap. He don't even realize how he talk. No, not a baby. Let me ask you something about you country niggas. Bust you country-ass niggas, man.
30:07Tony Yayo:Yo, listen, not like that. Have some respect for our fucking gang. Nah, damn self. I got family in the country. What are you talking about? Say it different, nigga. What are you talking about? Say it different. Look, I'm going to say it different. Niggas, let me ask you something about you country niggas, man. I got it. Help me figure this out. Baby, look, check me out. You know what I'm going to say, because South niggas, niggas from the South, right? Nah, say it to country niggas. Say what you want to say. It's something normal. I'm going to say country niggas. Go ahead. Talk how you talk. I'm talking about niggas that could kill a hog, cut the hog, and put the pig.
30:44Tony Yayo:No, I can't do that shit. Right? That's a country. That's a country. That's what I was about to say. All right, got you. I done seen that. I done been to a place. There's family in the South Florida. Everywhere. I done seen that. Kill a pig. That's a country nigga. A New York. Listen, my explanation is, a New York nigga is never gonna do that. Right? So, and I'm gonna make, and I'm gonna tell you something about murder. Look, we gonna get to that, right? New York nigga ain't never kill a pig. This nigga's crazy. We got projects and shit like that. Ain't no pig around for us to kill. You know what I mean?
31:16Tony Yayo:You never do that shit. Now look, you got cooking with Kirk. Come on now. No knife. No knife is a fish. Look, niggas from the South could cook. You know, y 'all could take everybody chicks because y 'all know how to cook barbecue and all that. Yeah. Murder can't even make a grilled cheese. This is what I'm talking He can't make a grilled cheese. Because he heard my kids. I'm on the phone. He called me. My kids, it's morning time. They're like, dad, make a grilled cheese. I'm like, I can't make no grilled cheese. New York nigga can't make a grilled cheese. He started talking, popping shit, and I learned.
31:44Tony Yayo:This is where I'm going. You don't need enough of bread and cheese. He can't even, yeah, he can't put it on a fucking pen. You put a little butter in there. That's what you're talking about. I learned, nigga. My kids put the presser on me. I learned. So why all my niggas from the South can cook? I'm going to keep it real. All the niggas from the South can't cook. that nigga no knife though that nigga different he you know I don't know nobody that can cook like me I'm gonna keep it hot I don't even I ain't in the hiring chefs or none of that shit cause them niggas can't I don't be wanting that shit I'm gonna keep it hot I see what they doing see what they got going on they put the little green shit on top of my food they put the little flour on there the purple flour and shit I'm gonna get this I smack this shit off smack this shit off the bucket try to dress it up make it look like stew yeah don't do all that nigga don't do all that you said how a New York nigga can't make a grilled cheese I can't explain that I got that, man.
32:31Tony Yayo:I see you cooking for all the people out there. I get it in, man. You cooking for all the people. I'm going to eat good. I'm going to eat good regardless. That's the thing. So if you around me, you know what I'm saying? Because I'm going to eat. That's one thing about me. Like, on a Wednesday, I'm eating smoked duck, nigga. That's what I'm talking about. Smoked duck and Morocco. I swear to God. Don't eat your voice, nigga. On a Wednesday. Invite us to the estate. For sure. We going to goddamn, yeah. We mix it up. You know, it's family, bro. I ain't tripping, but, you know. And that's that Southern hospitality shit, too.
32:59Like, if I'm cooking, you know, anybody around, man, y 'all niggas, y 'all niggas, huh? Come eat some of these niggas. Hell yeah, bro. Niggas jump up. Hell yeah. You know what I mean? But yeah, that's, you know, I've been doing how to get it in in the kitchen. I had to feed myself.
33:09Tony Yayo:What's your favorite car, man? Favorite car? You got a lot, man. I know Maybach truck. I don't see Cybertruck. Yeah, man, my favorite. Every time I see a new toy. What's your favorite? My favorite right now. Ferrari, Limbo? The one I'm jumping in more than anything, like, is the Cybertruck. That shit's just so convenient. That's my favorite right now.
33:29Nah, the Maybach truck for sure. Like, we, yeah. Like, that's my, that's probably my favorite one. I mean, we was at the Ritz,
33:34Tony Yayo:you had the Maybach truck out there. That shit was like me. That's my favorite one. The Maybach truck, probably my favorite one. You know what I'm saying? But what I'm driving most frequently, the motherfucking Cybertruck. Yeah, yeah. Yeah. The Phantom, too, is always the Phantom. Oh, yeah, you got, you got a couple of Phantoms. Let's see. I ain't got but one. Murder don't know nothing about cause either. Don't worry about it. Yeah, murder ain't no how to drive. He don't know what a Phantom is. He don't even know how to drive. He don't know what a phantom is, the baby. We're going to do an episode where I'm learning how to drive.
33:59Tony Yayo:I'm going to figure this drop and shit out. Can't make a real cheese. You know, it wasn't back in the day. We were so young. We used to identify, you know, certain people by their cars. Yeah. It just made me and my niggas, we was like, oh. They still do it now? Of course. You know, I know that. That's what I'm saying. I grew up like that. Niggas getting identified by their cars. Come on, now. You see, I say the one I drive the most is the Cybertruck, the one where there's plenty of them. You don't know who in. I ain't ready. You got that. I'm bulletproof. You got my little bulletproof. Uh-huh.
34:22Uh-huh. I got a few of them too, but I'm more about moving smooth than anything. You know what I'm saying? I ought to sell them bitches. I don't trip on no cars, man. I'm kind of, I'm not even kind of, I'm very much past that shit. You know what I'm saying? I may go get rid of one or two of them bitches after this interview. I've been feeling that. Because I don't drop. Like, my friend paid for. That bitch got like 7 ,000 miles. Mm. You know what I'm saying? I know what I'm saying. Like, that shit ain't, you know. I ain't really doing nothing with this shit. I ain't doing nothing with that motherfucker.
34:49That's like 650 murder.
34:51Tony Yayo:Exactly. You don't know nothing about that. Seven with Texas. Yes, yes. About eight with Texas. There you go. You don't even know what a fan of me is. I'm going to get into the car game. You don't know what a fan of me is. You believe you don't know what a fan of me is. Y 'all niggas from New York. Y 'all don't give a fuck about no car. Definitely don't, man. We love cars, man. I definitely do. Yo, listen. I love a nigga. Every time you get a new car, you post it on the page. Check and see what you get, man. Yeah. I ain't even into posting cards and shit no more. Like I say, like, that ain't doing nothing but, you know, giving the nigga, giving the nigga the ups on you.
35:19I'm telling you. I know how it go. Like, that's the thing. Like, I know how it go. So, you know, I be a fool. That's why I ain't with rapping them certain colors and all that. They want to see you. Yeah, well, fuck them. God damn it. Them niggas don't know. I do it. I do it to fuck with them and act like my leg broke and all they said. I fell out. Like, I do it to fuck with them But other than that, like, I ain't, you know, I ain't in a position where I got to goddamn show niggas, goddamn. You know, yeah. Yeah, show niggas what I got going on. I still got everything to show for you. You get what I'm saying?
35:46You got to come see this shit in real life. You know what I mean? Anybody goddamn, you know, they want to feel like they know something from a distance, I'm going to let them think they know something. Let them think they on to some age. We past that, you know, grown ass man.
35:59Tony Yayo:You need to get me and Murda on the court. We know you got that. Yeah, come on, man. Murda's trash, though, man. Now, you should see this nigga. Yo, Murda's shoot like this. I don't even know why you bring that up. This nigga shoot like Bill Cartwright. I don't even know why you bring that up. This nigga got the L, Bill Cartwright fall. My man can't shoot fuck shit, man. Bill Cartwright. I know we got some food, too, T. Did the food come in this motherfucker? So listen, this is what we doing, right? We got this thing we call the chopping block, right? Gotcha. So this is my first time. Shout out to Cuts and Slices.
36:27Tony Yayo:That's what we got. Cuts and Slices. We got Cuts and Slices. Shout out to McLaren. Can the niggas cook? They can cook at Cuts and Slices. They can cook. It's the one of the popular spots. we got the jerk chicken slices. Yeah. And we got the, I think the oxtail slices. Now, is the pizza thing big down south like that? Is it? Nah. It's not really big like that, right? Papa John's, you know what I'm saying? Cop, okay. What's that, the jerk chicken? Jerk chicken pizza. Shout out to cuts and slices. What's that? That shit ain't cold, right? Don't be embarrassed with us. Come on, nigga. You know it's not cold.
36:57Tony Yayo:Okay, just make it short. See murder game. Yeah, y 'all niggas be eating that cold pizza, that shit. They be having sitting up and up. They throw it in the oven real quick again, T. Shout out to cuts and slices. And what's the other one you got over there, T? The oxtail. That's the oxtail one? Bring the oxtail one over here, too, man. We over here with Mr. Caviar Pancakes and Smokeduck and Morocco. So got us trying all this shit. Shout out to McLaren. This is fire. This is my first time having this. You know the store be like, the door be out the line cuts and slices. Okay. But I never had a jerk chicken slice.
37:30Tony Yayo:It's in Brooklyn. They got one in the city, they all over. It's like blowing up. I'm fucking with this. Mm-hmm. Mm-hmm. Oxtail hit it. You heard what the baby just said? I was hungry too. It's out to McLaren. Which one of these is my close-up camera? This shit good as fuck. I ain't gonna front. Custin' Slices, y 'all popping right now. Nigga hungry too. I'm gonna keep it real. The jerk chicken on the pizza is hitting. The Oxtail is popping to me right here. The Oxtail? Oh, man. And I've been feeding for Custin' Slices for like... Everybody know about Custin' Slices in New York. Never had it. So, yo, what you like to cook, man?
38:04Cook at night. You like to barbecue? Yeah, yeah, all that. I know you get crazy. That's easy. Yeah, that ain't about shit. See what I'm saying?
38:10Tony Yayo:Murder don't know nothing about burger. I don't. I ain't going to lie. You go ahead. Talk your shit. I don't. He be acting like he's going to barbecue. Yeah, me ain't on that shit. He's a barbecue. He ain't know nothing. I like the South, though. Fuck out of here. You don't know nothing about that shit. I went to Austin. I went to Terry Black's and all them places and barbecues. Come on. That shit different. The South known for barbecue. Like, Murdy, you couldn't kill a pig and then cook it and eat it. You can't hunt. Like, you ain't with none of that. That's what I'm saying. Country niggas do that.
38:35We ain't killing no pigs.
38:37Tony Yayo:We ain't killing no pigs. We ain't killing no pigs. We ain't killing no pigs. Yeah, you ain't talking to us. You just talking, nigga. Shut the fuck up. Nice niggas say, y 'all niggas kill pigs. That's country. That's country. That's country. That's country, but they doing that in the country, right? Yeah, I ain't. Like, what's my man? What's my man that be cooking? He be, um, I got his name. He be like, on YouTube and all that. He got like the big ass, uh, grill in his back. He be frying. That shit he be making though. Raccoon and everything. Yeah, yeah. I love his platform. You wouldn't eat raccoon?
39:09Tony Yayo:Fuck no, nigga. He be making raccoon. He be looking all right though. Nigga, you eat raccoon, shark, all type of shit. I ain't fucking with none of that. You wouldn't eat shark? I wouldn't eat shark. Hell nah. Yeah, you, you be on that fancy shit for real. You really on that. I wouldn't eat smoked duck, nigga. Me neither. When they try to put the caviar on my pancakes and I was overseas, I said, nah, take that shit out. I fuck with it, though. You got to live, man. That's Carl Gold's a snail. Come on, man. Come on. That's Carl Gold's a snail. Learn me something, nigga. Put me down. Yo, I want some fantasy.
39:45Tony Yayo:That's one thing about you. You worldwide. You stay in the best hotels, man. You got to get fancy sometimes, man. Not 100%, man. You got to live your life, nigga. Come on, now. I appreciate you painting in the picture for niggas when you cut down our face. I be, come on now. Because I'm with all that. You know what I'm saying? Keep a nigga inspired, man. Set out the cuts and slices. Yeah, cuts and slices. They got it, man. My shit gone. Look at that. I still, y 'all heard it from the baby cuts and slices. Right in from... Send us that check. You heard what he said. Don't be surprised. From 1 to 10, I'm going to give this bitch a 12.5.
40:18What time they close?
40:19Tony Yayo:Look at that. What time they close? 10 o 'clock. We're going to DM you an invoice. I'm about to have my boy them order. Number one, these jerk chicken motherfuckers. Tell them make one, tell them make two fresh jerk chicken. They're the ass. We gonna go pick them up. Look at that. Y 'all heard that on the chopping block. We gave it a 12.5. Out of 10. Look at that. I give it a 12.5. Shout out to cuts and slices. Definitely. It's the real report. Make sure y 'all like, share, and subscribe. We gonna eat these jerk chicken and oxtail slices. We got the biggest in the game. And be more grateful out now.
40:52Tony Yayo:The baby. Pop that's on the charts as usual. Nothing new to him. Come on, man. Y 'all know what it is, man. The baby. Make some noise. Love. You heard? Appreciate it, y 'all. My nigga. You heard? My nigga, man. The creative shooter. Come on, man. Come on. Thank you, brother. Appreciate you. Appreciate you, my nigga. Appreciate you, my nigga. All right.
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41:56You can even add his best friend. Start creating now at Funko.com. Be unique, not anyone else. Express it now. Just pop yourself. That's Funko.com. Picture this. Me, Reese Witherspoon, in London, ordering fish and chips so often they might start wrapping me in paper. I'm traveling with my Wells Fargo autographed journey card, so I earn rewards wherever I book travel. Five times points with hotels, four times with airlines, three times on restaurants and other travel, and one point on other purchases. Imagine getting rewarded for eating a toad in the hole. Wait, what is a toad in a hole? Visit wellsfargo.com slash autographjourney.
42:35Terms apply. Picture this. You're on the beach with the whole family. The sun is shining, the water's warm, and your kids are finally getting along. This is when it hits you. That Myrtle moment. It's the second everything clicks. When you realize Myrtle Beach is more than a getaway, it's right where you belong. Don't just daydream about it. Find your own Myrtle moment at visitmyrtlebeach.com. This is an iHeart Podcast. Guaranteed human.
From the publisher
Tony Yayo and Uncle Murda are joined by the first guest to grace The Real Report: North Carolina's own DaBaby. The "Rockstar" rapper tells Yayo and Murda about his latest project 'BE MORE GRATEFUL,' how his hit single "POP DAT THANG" came together, the stories behind the scenes of his collaboration project with NBA YoungBoy, and why he respects 50 Cent for not being buddy-buddy with the rest of the hip hop game.
All lines provided by Hard Rock Bet
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