The Real Report - King Beamo on Pop Smoke’s advice, 50 Cent co-sign, Cash Cobain & Bobby Shmurda

19:56You know what I'm saying? And I always tell my friends like, that's not believable. If you don't make it believable, as in like... You're not a rapper if you're not gonna move like a rapper. There's certain niggas that rap, but like the music that we make, like we try to make hits or we try to make club shit or shit like that, feel me? Facts. If the part don't match the image, none of that shit is not gonna go. It ain't gonna work. It's not gonna go. You don't gotta have the most top tier clothes on.

20:27Tony Yayo:I agree with you, but I don't agree with you. And I'm gonna tell you why. Like, when you seen Dipset versus the locks, right? Yeah. Them niggas came there drippy, niggas getting chains put around their neck, and Jada and them just had Tim's on and a couple chains. No, but Jada always had shit on. No, but I'm not saying he didn't. Jada still doobie with his joints. Jada be having shit on. No, I'm not saying he wasn't drippy. I'm just saying they didn't come there with a million chains on. Nah, nah, nah. It's not, you know what's it? It's not even the chains, because you'll be having your big shit on all the time.

20:58Tony Yayo:Nah, because you know what I tell you about? What you wear, you got on Dior? My face is a Jew. When they know me all around the world, I don't really care. Nah, that's a good job. If I go to Africa, niggas, look. He still got on some Dior. Still got on some Dior. Still got on some Dior. You a New York nigga. It don't matter. You a New York nigga. It's New York niggas. Listen, all I'm saying to you is - A better example would be used would have been somebody like J. Cole. All I'm saying to you, what's my man name that believe? Ace. Ace. All I'm saying to you, Ace, is if you would have played me the music without seeing you He fit in the jewels.

21:28Tony Yayo:Yeah, he fit the part. I'm when he gave a fuck. Hell yeah. Cause like a wise man once told me, Mayweather, but he be fucking up here, in there. A wise man once told me, right? Him in 50 gotta get it right, I guess, right? A wise man once told me, skills pay the bills. Hell yeah. You got the skills. Why I would even say, oh shit, he aiming for next king of New York is because a lot of artists are fire, right? I love Chow Lee. I love Cash Cobain. I love Bay Swag. I love K-Flock. I loved a lot of drill niggas. You know, I was paying attention to D-Thing and what's going on. We pay attention to all genres.

22:11Tony Yayo:You know what I'm saying? K-Flock was the last one. When niggas would say, oh shit, Eden, the New York curse, Dead or Rico. Right? So what you is, what I like about you is you're not depending on one or two records. Nah, I don't know. You just played me eight. I don't know. So when you play me eight like that, I'm like, nah, I know what that is. Then you started off with Mini Man. So I'm like, yo, all right, let me see what he gonna do with that. And your 50 fuck with you, so he gonna clear the record. But yo, 50, he got it. Shout out my big dog, man. Shout out to Steve Victor. But you still gotta play the rapper part.

22:48Tony Yayo:Nah, but you still gotta - No, I agree with you. You still gotta play the rapper part. Cause look, I agree with you. But I'm just saying, if you wasn't it - Jewelry. No, I agree with you. But if he wasn't in the room and you just played the records - Rob Markman - Yeah, they'll love it. They'll love it. Rob Markman - Without him being there - Rob Markman - Of course, no. I know what you're saying. The music is extra good too, but you still gotta play that part. Rob Markman - And then he's picking classic hip hop beats that an older nigga be like, oh shit, this young nigga picked that one. Rob Markman - He did that over.

23:14Tony Yayo:Rob Markman - Oh shit, hey, Swipman. Rob Markman - Yeah. Rob Markman - And then the flow was there, and then he got the punchlines because we was laughing. He got the, see Banks, you know, punchline king, you know what I'm saying? He got the punchlines, he's picking all kinds of different beats, then he'd go back to that grimy younger nigga shit. But it was crazy. I still like the beat that Fritz and all the other guys was doing on there. Shout out to them too, because I don't want to - Lulav, Slick, man. Lulav and Slick? Yeah, Slick. Shout out to them too. So the beat selection for me was like, all right, cool.

23:48Tony Yayo:This ain't no one hit wonder type shit. This ain't no - My boy here to stay, man. Like Sleepy Hollow and Chef, they got hits under they belt. Yeah. B-Mos just did Summer Jam work. Yeah. Tell the people how that felt. That shit felt crazy. From East New York, Brooklyn, to the Summer Jam stage, nigga. That's a fact. That shit felt crazy. I ain't gonna lie, I love that shit. Nah, facts. I love that shit. But it was just being there that made me feel good. Like, even saying my name on that shit looked crazy to me. Yeah, people getting promoted. Know your media and all that. And mad. Like, everybody I used to go with me, but I took my mom's.

24:19Oh, look at that. That's dope, man. She deserve it, man. Yeah, yeah, that's what my mom's. She made sure you ain't get a job. Yeah, you know what I'm saying? So I had to take mama love, you know what I'm saying? Doing a black truck with me every day. So how did you get there?

24:29Tony Yayo:How everybody knew you was hot? How did you get to murder deaths? How niggas, like what did you do? Just kept doing the reels? I just kept doing the reels. Just kept doing the reels. Stay consistent. Stay consistent. And I always like, everybody just started tapping in with me like, I ain't gonna lie, I fuck with East Heavy, like my son Dave East. Like, sure niggas just posted me 24 seven. I see he did the 5AM Lamb Chop, I see Don Q did it too. Yeah, Don Q. Shouts to Don Q. Don Q is one of them too. That's my brother. I love Don, word. Don was one of the first niggas that he started the remix off.

25:01Yeah, yeah, facts. Don is one of my favorites, bro. He gotta put out more music. I ain't gonna lie, Don is one of my favorites, word. You see it later? When I first met Don -

25:10Tony Yayo:We want more from you, Don, and we need you on the show. I ain't gonna lie, man. I'm gonna tell that nigga, he gonna come over here, word. He definitely gonna come over here. Nah, me and Don got a lot of shit. Me and him got some shit in the tuck, though. We got more shit. Oh, word? Yeah, you got plenty of shit. Me and Don got some shit. Me and Don got some shit. When I first met Don, he came, he hit me. He like, yo, what's up? What you recording? I'm like, I'm at Brooklyn. He like, send me the address. I'm coming to the mall. I'm like, word? Nigga pulled up, had his slippers in the book bag, came, took out all his weed, threw the slippers on, took his sneakers off and just went straight to it.

25:47Like, where? And then he like, yo, what else you got? What you working on? And I played some other shit, the Peace Treaty shit. And he looked at me like, who the fuck did this? Man, my producer, my son Slick, did the shit. Nigga Don started rapping on the shit. And once he got up, I sat down. Once I started rapping, that nigga stopped me like, oh, you trying to go back and forth? Like, hell yeah, nigga. Like, yeah, that's what two pull up for.

26:17Tony Yayo:You gotta play in Stoes. Yeah, yeah, yeah. We started recording and shit. I fuck with Don Heavy. I ain't gonna lie, everybody just started jacking me. Everybody just started posting my shit. I bought it nowhere. I just guess because I was just being my consistent. And it gets another nigga, gets another nigga, gets another nigga, and then everybody just started posting. Nah, New York is back, man. We got a lot of niggas. We named a lot of niggas. You said to me early, a few years ago, you one of those niggas, King Pimo, East New York, nigga, you back, y 'all. Yo, boy talking that shit, boy talking that shit.

26:54I'm like, oh, okay. And I started checking it out. I go, okay, my boy talking that shit. For real. That's a fact. That's a fact. And then we got a couple people from the same hood and all that shit.

27:01Tony Yayo:It was in tune, man. Hell yeah. It's fire right here, man. What's a fact? I told you, last thing he wrong was Leaf War, shout Philly, so I take his word. I'm like, we be in the car looking for the new shit, but New York is back, man. It's a fight. Reese Witherspoon here, checking into my favorite hotel in Paris. Bonjour. Bonjour. I'm traveling with my Wells Fargo autographed journey card, so I earn rewards wherever I book travel. Five times points with hotels, four times with airlines, three times on restaurants and other travel, and one point on other purchases. Phew, that was a lot. I need to lie down.

27:36Is the room ready?

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28:23Book between July 24th and August 27th and enjoy up to 55 % instant savings. From relaxing beach days to unforgettable moments with the people who matter most, your next vacation starts here. Travel through July 31st, 2027. Start your vacation today at AppleVacations.com or through your travel advisor. Apple Vacations, where your story starts. How's the new place? Get your Wi-Fi figured out? I got T-Mobile 5G home internet and I'm loving it. It's the fastest 5G home internet. My old provider was so slow. Mine is slow. And only$35 a month. Do I need to try this? Try it for 15 days. Love it or get your money back.

29:00I love it already. There are over 250 reasons to join T-Mobile. Find yours and check availability at tmobile.com slash home internet. That's this according to Oculus B. Test Intelligence. Date a second half of 2025. All rights reserved. Redeemed money back guarantee within 30 days of cancellation. So what's some of your inspirations, man, that made you want to even do this whole rap shit? Like, what's niggas that made you want to get into this shit? I ain't gonna lie, man. I ain't gonna say that just because I'm here. But y 'all, of course, y 'all. Appreciate it, man. Facts. Like, my mom's gonna tell you, like, it wasn't a G-Net poster I never had.

29:30I had G-Net boots, nigga.

29:36I had those shit. You was playing the video games. See, it's the marketing. I still got the games. I still got, I'm saying. I got blood on the sand. For real. I got every, every, I'm saying. I always been one of those, I'm saying. I say five. But I always listen to different shit. Like, I don't lie, I don't really be listening to a lot of rap. Now that I rap so much, I don't be listening to a lot of rap. I tried to get away from all that. Yeah, I be listening to R &B and shit. My mom's always played Charlie Wilson and all that shit. Oh shit, yeah, old soul. Got you. I was always fucking with Pharrell and shit.

30:12Just different shit.

30:13Tony Yayo:Your mom's helped you get music. Hell yeah. My mom's played everything. Some of the beats you was playing, I was just like, what the fuck made this young nigga do? Yeah, my mom's played everything for me. My mom's and my uncle. He picking out the old classic shit. My uncle was a mixtape fiend. Oh, okay. My uncle was a heavy mixtape fiend. Like, heavy mixtape fiend. So like songs before it came out, I always had it. Or like even when LimeWire was out and shit like that. You had to like steal music and shit. But a nigga had MP3 players, iPods and all that shit. He'll just give me them shits. Like Christmas and all that shit, he'll give me them shits.

30:47So I always was up on music and shit like that. So once it was like, it just started getting easy for me. But then my man's came to me one day. I probably was like 13. He like, yo, after school, we gonna go to Butter & One's crib. Those are my buzzers. He like, we gonna go to Butter & One's crib. They got that mic over there. We gonna rap. I'm like, what? He like, nigga, I be paying attention to you. You be in the trap, writing a little shit. You know what I'm saying? But you don't, you know what I'm saying? I'm like, all right. Back. I went to my cousin's crib, yo. Them niggas had a mic with a sock over the shit.

31:30Old skin. Old skin. Put a mic with a sock over this shit. And they like, yo, speak up a little bit louder. And when you done, press the space ball. I'm like, all right. And I was doing that and I was just doing that shit for a summer. Like, I'm probably 13, 14. What? I really learned how to rap at like 15. I knew I wasn't doing shit though. My pops like, my mom's like, you heard a song he made? Yeah, that shit whacked.

32:01And then one day I made a song and he called me. He like, yo, that shit that you made, that shit was fire. I'm like, where are you jacking it? He like, that shit is fire. Old ass fucking with you.

32:13Tony Yayo:You fucking with you, man. And at the time, I'm mad young, you feel me? So I'm like, word. And then after that, I'm like, all right, bro. I'll just keep rapping. I used to do it as a hobby and shit like that. I had kids at an early age. When you had kids? How old was you? Like 16. Damn. Damn. Damn. Damn. Damn. 16. I was outside. I was outside. I was outside. That's how me and this nigga got cool at high school. You was going to one of them Jamaican parties? I was going to those. Hell yeah. I was breaking pasta, pasta parties. Hell yeah. That's how me and this nigga got close to high school. Cause this nigga, this nigga, my son be put me on.

32:58Tony Yayo:This nigga, be coming to a parent teacher conference one time. And everybody like, your little brother and sister cute. Like little brother and sister who? My kids. Everybody like, what? Even my teacher's like, what? But him too though. Like he come to a parent teacher conference. Everybody going, your little sister cute. Started young too nigga? You got a kid, 16 too? No more Pasa Pasa. That was in them streets. You know what I mean? Like, word. As long as niggas taking care of the kids, that's the point. As long as you take care of the kids, it's all good. Word. Nah, but to be 16 and have a baby, you still a baby yourself.

33:41Hell yeah. How was that? My kids was loving me. What was that like? It wasn't bad for me. You got a good family sport. Hell yeah. My moms and all that. So I wasn't by myself. My grandpops, everybody was there with me.

33:54Tony Yayo:Who you told first, yo, I got somebody pregnant. You told your mom? My mom's. What she say? Nigga! Yeah. I said, yo, because I was in, I was, this one, yo, this one I was living in, I was living in Eastern York. 16. I was living in Eastern York at the time. And I'm telling shorty I can't do this. She like, oh, it's my body. I don't know. Oh shit. You was nervous? I got to figure out how to tell my mom's. and I'm standing like my mom's on this side of the bed, but I'm standing in the living room. Like she's in the room. I'm in the living room. I'm like, yo, can I ask you something? She like, what?

34:32I'm like, yo, what if I ever told you I got somebody pregnant? She started laughing. Damn. But I never laugh. Uh. She like, are you not laughing, nigga? I'm like, cause it's not funny. She like, oh, you got somebody pregnant. Oh shit. Yo bro, listen, I kill you. I'm like, nah, I ain't gonna lie. I think I, what? She chased me through the crib. Oh shit. Word. My love wasn't killing that. What? You in high school, like what? I'm like, yo. She straight called my pops. Like, yo, listen, man. Like, I don't know what you about to do. Like, everybody panicked. But I ain't gonna lie. Everybody was. my kids.

35:17At the end of the day when I saw he wasn't trying to get rid of his son to keep it. Yeah, it's all good. I mean, it happens on time. A lot of people, you know, a lot of people have kids. And I grew up with my kids in the world. They wasn't, I never, because my kids was never crybabies. So I had it good.

35:33Tony Yayo:No, one thing about Brooklyn Lakers, they always have their kids. Yeah, I never, I never, my kids, my kids wasn't crybabies. Brooklyn Lakers always got their kids. Yeah, I wasn't, I was cool. Like, my kids wasn't crybabies. My kids play all day. That's how they grew up. They played a lot. So I was good with that growing up. Rest in peace my son Goldie, because he always used to have his son in the baby carriage. We in the hood. In the hood, we ain't go there, nigga. We on the block. You know what I'm saying? We in the style. He always had his kids. My kids always in the middle of the hood. When I first had them, my whole hood knew my kids.

36:07How many kids you got, B-B? I got three. I don't care. That's what I'm talking about. I got three. Damn, you didn't start up early.

36:14Tony Yayo:Three? He's mad young. Yeah, I got three. I got two girls and a boy. Right. I ain't seen my kids in a little minute, dude. You want some murder shit? Nah, it's child support, man. You don't have a baby ever? You want some bullshit with you, man? Yeah, this shit. Me, this shit, man. This shit is going to be... Oh, no. This is going to be a child support. Look. Oh, man, I hope not. No, no, I'm trying to... All right. Yo, yo. Yo, it's like, look. All right. I'm trying to tell you this. I know I'm going to see this in court. Leave him alone. Stop thinking he making a whole bunch of millions. Yeah, like.

36:45My man trying to come up. I'm trying to get lit. We make it look on Instagram and social media, man. But to come up, you know the way up yet, man. Leave my boy alone, man. Thank you for explaining this shit. I be looking like, yo. Now show this to the judge. Like, yo.

37:00Tony Yayo:Damn. Yo, with all that jewelry on, Steven Wonder could see you getting some money. Fuck you. You ain't making shit no better. You ain't making shit no better. Cause that's the part that, that's the part they gonna use too, right? That's it, right? That's the part. I got that bag. Nigga, I'm sorry, I got that bag. Go get that shit, man. You just got that new deal. You just got that new deal. You supposed to wear some little shit like this. Nigga, you got all that shit on, trying to put some girls? But look, on social media, it's a present. It's a present. What's the first thing a girl's, one of your new girlfriends is gonna ask you?

37:34Tony Yayo:Because you young and you getting, let's not say he's not getting money, but he's in between, right? There you go, in between for court purposes. That's right, for court purposes. All right, cool. Now, how many babies? Three? Three different baby mothers? Nah, nah, two. Oh, two, all right. That's not that bad. Two. So you had two by the last one? The last one? I had two by the first one. Oh, okay. But me and my other baby mom was cool. She write me, check on me, we cool. That's my man, you know what I'm saying? Fags, that's gay. That's gay, like, whatever. Shit, shit, don't want no brag. Don't get it.

38:10Yeah, like, you know what I'm saying? I'm going to say, yo, you good? You good for the day, we need some shit? I'll be like, no, I'm good, I'm chilling. She don't be bothering me and shit like that. But it's the other one, I'm saying.

38:21Tony Yayo:The first one be like, I need that bag this month. God damn, let my man breathe. He just want to see kids, he trying to get it. She here when we here, nigga got the streets. You knew he was talented. Yeah, you ain't making shit no better for my man. I'm telling you, you knew he was talented. I heard the rapids. Like I said, skills pay the bills. Skills pay the bills, man. My son got it. She said she was with him shooting in the gym. Yes. What nigga? It's all good, man. It happens to the best of us. Nah, y 'all, what's so crazy? I'd definitely be telling these niggas, but I'd be like, shit just happens, man.

39:00And I said, I'm serious, but I would be crying about it, though, I'd be like, it's all right. Definitely. I'm serious. I just cry about not seeing my kids like that. Of course, man. Of course. But other than that, I don't really child support, but I ain't paid up. I'm saying, but other than that, but like, as in, I've been inspirated by this shit all my life, bro. I'm saying like, so I always chase this shit. Like I said, y 'all, I ain't gonna lie, a lot of people be saying I be bugging, but I ain't bugging. Like my top, one of my top favorite rappers is Banks. Shout out to Lloyd Banks, man. You giving us props, man.

39:33He's my favorite rapper. Word. Banks always be my favorite rapper. My favorite rapper. He's like, yeah, talk your shit, B-mo. Like, B-mo a little bit more. You ain't right about this kick, B-mo, nigga. That's why I got my hands tied. Yo, B-mo. What he said, you better get to know the man with the tattooed hands. Listen, Murda was supposed to sound with us years ago.

39:51Tony Yayo:We don't understand Uncle Murda. So it's like, the whole thing is the marketing. Like, the marketing with you is the street niggas are saying you the best nigga. Yo, now this nigga got it. We got some new energy in New York City. Yeah, that's a fight. And you stuck to it. And talk about the deal with Steve Victor, man. How's that? Because, you know, that's a big deal. Steve Victor's, you know. Shit, man. Steven called me one day. No, one of my mans called me one day. He like, yo, somebody trying to see you. I'm like, where? And then Ace, we had left a million from somewhere from another label.

40:26And I'm like, all right, where? He sent the location. I seen it was the studio. So I wanted to go to the studio anyway. So I'm like, all right, get over there. and there was like security guards in there and all that shit. I woke in and the nigga turned his chair around. Nigga like, what up, B? Oh, shit. He like, you know me? Like, yeah, you Steven Victor. Right. Like, yeah, man, like, what's up? Like, you the boy. Mm. Like, I'm hearing you the boy. Like, yeah, something like that. He like, he like, Like, man, what's up, man? When he first asked me a question, he like, five of you on a limb chop.

41:10That shit fired. How you gonna clear it? I'm like, clear it. He's like, yeah, it's a sample. I'm like, sample? I didn't even know it was a sample. I was just rapping. He like, yeah, it's a sample on that shit. How you gonna clear that shit? That's a big clearance. I'm like shit, I don't know. Like I'm trying to figure it out. And we just chopping it up. We just probably chopping it up for a minute. Chopping it up for a minute, chopping it up for a minute. Then I get a call from Vok. And Vok told me some shit. And Vok, yeah, me and Vok talking. And he like, yo, I think you should go over there.

41:49You heard it? Like, I ain't gonna guarantee nothing, feel me? But the type of nigga you are, fashion, and all that extra shit, that's your lane. You know what I'm saying? Like, he's probably gonna work for you over there. Like, saying, and that nigga, he like, but that nigga ain't saw nobody since the boy. That nigga don't really care about that shit. You know what I'm saying? So if he keep popping up on you, you gotta figure this shit out. He's like, I could take you over here, but it ain't the same. I'm gonna tell you, like, he like, yo, you like fashion and all that shit. You like clothes and all that.

42:27You like getting fly and all that shit. Something like getting fly. I think you should go over there. I'm like, all right, bet. I spoke to him and I already was fucking with J News. I was already chilling with J News already. So, the news like, you want to do it? I'm like, yeah, I'll do it. It's not bad. I just want somebody to fuck, I'm gonna go over there. I need a distribution anyway. So I'm like, let me figure this shit out. And I just went over there. I heard the deal was for like five million.

42:58I'm holding you. You fuck shit up now. You said this nigga trying to have me in charge of support so far off. Oh my God, son. It's just a joke. It's just a joke. Oh my God. I wish that shit was for that. I would've paid her out, your head. Never ain't no hairstyle. Leave me alone. Leave me alone.

43:17Tony Yayo:Once she hit Steven Victor, she gonna Google that nigga. It's gonna go to his Ferrari collection and all that shit. Yeah. And come on. They covering the - Women are the best at playing detectives, bro. What? They look good. They are the best. Once she hits Steven Victor, she gonna Google him. She's gonna see - Females are the best detectives in the world. Shout out to Steven Victor. 10 Ferraris he owns and all that. I ain't gonna lie, there should be no way a female don't got no job, man, cause they the best detectives ever. Yeah. I ain't gonna lie about that, man. Like, swear to God, they can fire anything out, bro.

43:50Who you was with last night, who they was with before they got with you. Everything. Like, everything. Did y 'all get to working on some records together yet? Hell yeah, he dropping an album. I just did the intro for his album the other day. Oh, okay, that's right. Oh, he got an album coming out. What's the name of the album called? I think it's called, I forgot what he called it. Okay. But I know something Victor Victor. Okay, got you. He put me on the intro the other day.

44:14Tony Yayo:That's dope. That makes sense. Well, you know niggas gonna check that out. You artist, it makes sense. That's some good promotion and marketing for you. I ain't gonna lie, he got a couple of good niggas on there. He got Lil Baby, Rallo Rodriguez. He got a couple of niggas on there. So you on there with all the big dogs? Yeah, how ya? How ya? That's a good look. That's fire, man. That's fire. You heard the project? You heard most of the project? I heard some of that shit. That shit fire. I ain't lie. You got a lot of Detroit niggas on there too. So we know you got a bright future. How do you duck the Ricos in the gunfire?

44:40Shit, I don't even get into that shit.

44:43Tony Yayo:Nah, cause I understand. New York City. Nah, real shit though. Murder, we don't talk sometimes. We don't got no ashtray. We don't got no ashtray over here. Okay, duck it out. You got me, bro. What's the name? Look, it's - It's - The owner of the studio is going to see that. I'm just saying - No, no, no, tuck it out, tuck it out. Yeah, I'm with you. Man, he said, fuck, I'm with you. Yo, to everybody that see me eating, they ate already, I'm eating some Rockstar chicken. Shout out to Complex, The Feed Yayo Show is coming soon. Shout out to Mark and Mark. Hold on, shout out to Mark and Mark, the bosses.

45:17Tony Yayo:I'm in a meeting with the bosses of Complex. Mark Echo and Mark F, The Feed Yayo Show is coming. Talk to me, man. Complex, thank you for my new venture. I love it. You know, I just pray - I love it. You know what I think it's me? I just pray to God. Look - You think it just went left on us right here. To my man. Look, I just pray to God and I duck evil eyes. That's it, man. So shout to Complex. Shout to my man, Great Scott. Shout to Mark and Mark. That's Mark Echo and Mark F. The bosses in Complex. Shout to everything that's Complex, Complex Con. Shout out to Complex, Sneaker Show, you know, and shout out to Rockstar Chicken, man.

45:59Tony Yayo:Shout out to the Golden Dino. You know what I'm saying? Don't be screaming at our cameras, man. You like. I'm just like, nah. Nah, just yo, listen. I'm doing what I like to do. I ain't trying to show niggas some deals don't stop coming in. See, sometimes Murda still likes to rap. You know, Murda and them, you know, 50-something. Yo, you don't rap no more, man, what the fuck? And I just be like, ah, just want to smoke and do the things I like to do. That's a fuck. This guy getting boozy, B-Boy. No, listen. I respect it, man. You just wanna smoke and eat chicken, man. I respect it, man. I see what's going on.

46:27Tony Yayo:There's a lot of niggas doing smart. I'm gonna explain marketing, because niggas be talking about bars and shit. Mm-hmm. Yayo's always been the marketing guy. I'm a hustler. Bars, bars, this, that. You know what I'm saying? Skills pay the bills, but they pay the bills in different ways. And what I mean marketing - You the one that says skills pay the bills. No, it doesn't. Nah, but he got bars and he got marketing. I wouldn't know him if you didn't say nothing. I'm not saying I didn't have bars, but you peep the marketing. The food deal comes from, I'm the first one that was on Hot Ones. If y 'all not familiar with Hot Ones, that company is worth about$800 million.

47:06Tony Yayo:They was on Complex, and they went to Louse Buzz. I was the first one on the show. What's the host name? Look him up again. I'm sorry. Sean Evans. First one on that show, right? That's where they do the hot chicken wings. Right. Every star has been on there. Every star in the world has been on there. I was the first one on the show. And me being the first one. Episode number one. Episode number one. Talk your shit. I'm just making sure. Talk your shit. I'm the first one on the show. And what happened is I said, if I eat the chicken, you got to eat the chicken. So now when I go into a meeting and Mark F is one of the producers of the show and he remembers me, they're like, well, he was the first guy that kind of creative directed the show.

47:43Yeah.

47:44Tony Yayo:You know what I'm saying? And he admitted it. Yeah. You know, so shout to him, you know. And then John Cena did the Yale dance. That was because I was on the run. You was trying to block your face from the police. Right, just trying to block my face in the club, right? John Cena said, yeah, I got that from Yale, my little brother. Cool, I'm the marketing guy. So that's how a girl was today. She went crazy on it. Oh, basketball player. I'm bugging right now. He asked me questions when I'm super hot hungry. I don't know what's going on. I'm on my Hollywood shit today, bro. King BMO. I'm trying to keep it going for you.

48:18Tony Yayo:Yeah, but complex deal. Y 'all look out for that Feed, Yayo show. It's coming soon. It's crazy. And look out for another show we got on the socials too. Shout out to my man, Mark. Shout out to Great Scott. Thanks for the deal. Shout out to Mark and Mark. Mark echo and Mark. I'm going to say it again. Shout out to Mark and Mark, man. The bosses. Yeah, this is the Talk of New York. And this the boy, Uncle Murda, AKA Leah Jet Lenny. Today we're here to talk about Basque and Lather. You know what I'm saying? One of the best products out there. Black owned. Rob Markman, East New York, I'm telling you, I'm trying to grow this beard now, right?

48:52Tony Yayo:So my thing now is to get the basking lather beard growth magic. Rob Markman, Definitely better for the skin, man. So I think the people need to get with the movement, get the new wave out there, man. Rob Markman, And this is what people got to understand. When you travel, right? And we go to all these places, we're in Ibiza, Monaco, and you jump in the shower, the water is totally different. Rob Markman, The water is different on the skin. It's harder on the skin. So when I jump out the shower and we're in Ibiza or somewhere, we know how that water be different in certain places. Rob Markman, M.D.: You use that Baskin Lava on your skin and it's the best thing for you.

49:21Rob Markman, M.D.: Yeah, it feels good, man. I feel like you're right back at home, man.

49:23Tony Yayo:Rob Markman, M.D.: Explore viral bestsellers and products for healthier hair of all types at BaskinLavaCo.com. Rob Markman, M.D.: That's BaskinLavaCo.com. Rob Markman, M.D.: Whoa! Rob Markman, M.D.: Yeah! Rob Markman, M.D.: Well, back to this volume shit. What was he saying there? Rob Markman, M.D.: Whoa, you heard this nigga, son? Rob Markman, M.D.: What? Don't say what like that. You're supposed to say back to King B-mo, man, back to this value. Like, well, Valium is chopped, living there? No, I'm not saying that. I said it like that, son. Yeah, you definitely said it like that. Shout out to King B-mo, my fault.

49:53Tony Yayo:But don't worry, we got the power with the editor. It's okay. You know what I'm saying? Why you want that? You living your life. You can do what you want to do. Do I say anything about you when you scream Empire, Empire, Empire? Shout out to Empire. Is there a problem, right? But we don't go. So now I'm going to scream complex, complex, and complex. But do we go, all right, now, back to this Valium shit. Shout the value! We don't do that. We don't do that, nigga. Shout to the value! We shout now Empire and his other ventures. Cause we love Empire over here. I love Empire too. We love me, man. We love the value.

50:25Now y 'all got to show what businesses y 'all got going on. I respect them. We happy for you over here. Because a lot of guys, man, took crazy. The Valiant family's happy for you on the food show.

50:32Tony Yayo:I don't want to get you mad, man.

50:37That's the last thing I want to do. Give me my life. Can I get my life back?

50:40Tony Yayo:I don't want to get you mad right now, man. Now right now we got the king in the streets of this motherfucker. Yeah, King Demo, man. Yo, when is, yo. Talk to me, man. So you was in the studio with Smurda when y 'all did that? Nah, I was in the studio. He sent that to you? Nah, I was in the studio and I played it for, and this one, just the last night of the Knicks. The last night. And he like, yo, don't play it, don't change the song. Right. Just when they was down. He like, don't change the song. They going crazy. Before we looked, 30 minutes, the same song playing. We never changed the song.

51:20They won. He like, you're the next one because of you. I'm like, what? He like, I'm trying to tell you, like, it's that song. It's that song. Nah, because I got to get on that shit. I ain't rapping mad long. I got to get on that shit. I'm like, nah, go ahead. And then he sent it back. When he sent it back, I put in a chat with all the bros. and we just playing that shit. I'm like, nah, this shit crazy.

51:45Tony Yayo:Smurda, you and BMO got one, boy. Yo, Smurda, you went crazy. And I be thinking Smurda don't want to rap because Smurda the type of nigga... Yeah, he just living life. That's my brother, man. He having so much fun out there, man. BMO, let me tell you one. He living life. He definitely living life. My boy having fun. It's me, Murda, and 50, right? We have some big mansion in Miami, right? These guys took him out the art on his wall. Like, yo, this is 10 million. This is five million. I'm just in this shit. Wow. Doorbell ring, bing, bong. Kim Kardashian, Serena and Venus. I'm like, what the fuck?

52:17Tony Yayo:Who the fuck is this nigga? All of a sudden here come Bobby Smurda. Oh, Brooklyn. Oh, boy. How the fuck is he here? My son know everybody. Listen, I'm just here because of 50 Cent. Yeah, my son know everybody. Me and Murda in there, we - Bobby come out of nowhere and turn the fuck so - Yeah, but I nigga know everybody, bro. I'm like, mind you, this guy's a billionaire. He has art on the wall, 10 million, 15 million, Serena, Venus, oh, am I lying? Everybody was there. Like I'm seeing the level of celebrity there, right? Like, oh shit, what the fuck? All these people's here, it's like, what the fuck?

52:54Tony Yayo:He come by, be smurred out of nowhere, yo, from the D, came out of nowhere. I don't know if he was in the bathroom or whatever. Yo, Murda, what up? I'm like, oh shit. He performed that night too. He performed, yeah, he performed that night. So I kind of looked at him as like, yo, he's a hustler. That's why I fuck with him. Cause his, the way he carries himself, it's just marketable. He's just a funny nigga. When he come in the room, the energy. That's the energy, man. Yeah, shout out to Bobby. So when I seen him in there, I'm like, damn, it's some sort of like what you know sometimes, it's who you know.

53:27Who you know. Everybody got different energy. People just know your energy just genuine. That's a fact. Just fuck with it. Just fuck with the aura. That's what it is with Bobby. So look, you just dropped a new project, but then you just played us a whole bunch of new music, right? That's super fire that ain't even on the project. Yeah. Right? So when you plan on dropping some more new music? I don't know. The new project is already fucking up the streets right now. I plan on going to probably like, I really want to go on like two weeks. I really want to go on two weeks. You want to know why? I hold all the fire shit, because niggas going to hear the tape.

54:02You know how niggas is. Nah, he dropped all his fire shit on the table. I don't know, son. I know this nigga might not have him no more. Like, man, boy over. Yeah, I got you.

54:11Tony Yayo:Boy run over. I'ma keep it real. Since you got the streets, you gotta be on like some, fuck it, just flood the streets. Nah, that's what I'm on. Cause look, if you just played them eight right there, those old was bangers. Yeah. No cap. Them shit's just fire. You not one of them niggas that's making one or two or three. Nah, you like, you ain't listen to the next one. And I'm like, let me see what he got next. I'm like, oh shit. And then you picking them samples, and I'm like, oh shit. And then you saying the punchlines, like, oh shit. I don't know who it was, Ace or one of them. Somebody was like, yo, what he meant by that line?

54:44Tony Yayo:We're like, nah, bring that one back. Y 'all got to, I'm kidding. We knew. He went crazy, yeah. He went crazy. He went crazy, and you saying that shit, you talking that talk like, you talking that talk like Pop Smoke. Like, you talking about the drip, the bitches. You know what I mean? You said some real shit. Get in the bag, all that man. Get in the bag. Let me say women, not the bitches. The women, trying to clean it up, right, Murda? We need more admin. Oh my God. The women. Nah, I know. The women. The women. The women. The women. Yeah, yeah, yeah, yeah. That's the podcast. Yo.

55:18Tony Yayo:Come on, come on, man. We grindin' all summer, grindin' all winter. Yo. Nah, but you talkin' that talk. You know, the girls want the big Chanel bag. Hell yeah, you gotta say that shit. You talkin' that talk. You know what I'm sayin'? for real. Moving tech. I'm just listening to the lines that caught me and I'm like, nah. He got the punches. I try to make music for... I try to make music for the gangsters. Facts. And then I try to make... My thing is somebody, that's how I knew a nigga really listened to my shit. Old D, nigga showed me his whole iTunes. He got all my old shit, new shit, all that.

55:58He like, I fuck with you because you make an older nigga understand a younger nigga, but you make a younger nigga understand an older nigga. Facts. Right. Facts. I feel like that's where music go wrong at. And I'm not gonna hold you, that's what my boy Tellin' Blanco sent you, my nigga White, that's what he told me about you. He put me on my nigga White, he know he fucking shit. He told me that about you, he said, yo, Merc, nah, trust me, get in tune with him. He like, yo, it's for us, but it's for the young dude. It's still for us. I was like, okay, that's when I was all the way in the loop. Yeah, because like I said, I was raised by your music.

56:34Facts. From East New York. East New York. Niggas brought these guys. You know what I'm saying? Let's go, of course. You know what I'm saying? Like, bro, I could go back to like shit from what you and Rod Diggs. You know what I'm saying? I could go back. Free Rod Diggs, man. Free Rod Diggs. I could really go back. You know what I'm saying? Facts. I got niggas from Gawanas. You know what I'm saying? Like, they love me over there. You know what I'm saying? So that, with me, I try not to shy away from the older niggas that was raised by older niggas. So my thing is I need both to understand what's going on.

57:07You know what I'm saying? Like maybe this young nigga be tripping, but maybe he not tripping. You know what I'm saying? And to the young nigga, maybe your pops and your uncle tripping, but they probably not tripping. I'm going to tell you. They been there. They been there. I'm trying to tell you. So, you feel me? But you not looking at it. I'm saying young niggas not looking at it from that point of view. That's right. That's what counts. Think about it.

57:29Tony Yayo:That's what counts. Some niggas just make money, I mean, make music for just the younger niggas, right? But rest in peace to Pop Smoke. Pop Smoke has some shit that are older niggas. We bopping that shit in the car. The bitches, the older, look, the older women, the older women was bopping them. You know, son had his weight up when he came home. Even women thought he was a little older than 21. Yeah, yeah, facts. He looked like a grown man. Hell yeah. He had the drip on. Yo, with me and Pop, Pop tried to get me to understand this shit years ago. Look at that. And Pop used to always go like, because I was having it on some street shit.

58:07He like, yo, nowadays, you're not going to make a million dollars in the street, you heard? Right. You're going to make a million dollars just doing this. Like, this is what we supposed to do. Like, niggas like me, you supposed to do this. You playing. Trying to get him in them streets. It's going to be hard. You know what I'm saying? It's not going to work out the way you think it is. I'm telling you that as a brother, it's not going to work that way, B-Mo. Yeah, all right, whatever, nigga. My son just made$250 ,000 yesterday. About to button this shit up. You crazy? Crazy. You bugging, nigga.

58:40I know what's going on. You know what I'm saying? Shit lit. But then once niggas made the bread and niggas lost their bread, it was like, all right, what's next? You know what I'm saying? And it was like, man, maybe this nigga Pop was right. I should've been listening to this nigga. When he died, that shit kind of fucked me up a lot. Him and T-Dot dying, that shit fucked me up bad. So I was also like, all right, cool. sit there out of house and be like, yo, maybe I could make money off this shit. And then Cash spoke it into me, like, and then Bae started speaking into existence, like, yo, bro, you can do this shit, get a bag off this shit.

59:20You nice. Right. It's like, all right, I'm gonna do that shit. Like, I'm gonna try this shit. And I always thought about what Pop would say, like, yo, you're not gonna make an M in the streets. You can make an M off this shit. Like this right here, gonna feed you. Whatever you doing that shit, I'm gonna feed you for the long run, bro." And I used to be like, all right. So every time now, that's what's always in the back of my brain when pop said that shit to me. You're not gonna make an M in the streets, bro. You're gonna make an M off this shit. Like this shit gonna make a couple of M's off this shit if you do it the right way.

59:54So I'm like, all right, bet. And then my first time even speaking in the fifth, it was a random day, him and Self called me and he said the same shit.

1:00:02Tony Yayo:Shout out to Self, cause Self is the best. Shout out to himself, man. Shout out to himself, Brooklyn. And then he started, him himself, Fifth himself was awesome. I'm like, yo, that street shit, whack. I'm like, nah, it is. This shit is whack, this shit is super whack. It took me a minute to, you know what I'm saying, figure out what I was supposed to do. I was on some weird shit. You're sitting at the party I didn't even know Fifth was up on you. I'm like, yo, Fifth, he's a nigga, I already know. I don't know. Do you feel like your generation just kind of let artists crash? Because, you know, back in the days, niggas was like, yo, protect the bag.

1:00:39Hell yeah.

1:00:40Tony Yayo:Protect the bag. But now it's like, nigga, we going to get busy together. Nah, niggas let niggas crash, bro. Niggas let niggas crash, bro. This New York shit is weird. And I'm a New York nigga. Right. I love New York. But this New York shit is weird, bro. But it never used to be like that. Niggas used to be like that. Protect the bag. But now, you know what else it is? Niggas envy the bag so much now. Like niggas, instead of protecting the bag, niggas envy the bag. Niggas want the bag. Niggas want the bag for they self. But a nigga won't know how to play ball. And his mans know how to play ball.

1:01:17Instead of protecting his mans, this nigga's going to try to play ball tomorrow. You want to try to come and dribble, nigga. Nah, man. You know what I'm saying? This nigga never wrapped a day in his life. Shit working for his mans. this nigga wanna rap tomorrow. It started becoming too much of that. It started a nigga just supporting his memes. That one artist. Same shit Walo said. Everybody wanna be the man. You got maybe three or four niggas that really got it, support them niggas. Yeah, everybody wanna be the man. Niggas don't understand support go a long way. Even like I said, bringing back to when I first said it, when we first started the interview, when Ace came, got me, and Cash like, yo, you gotta keep rapping.

1:02:00I was rapping, doing songs, but I wasn't dropping the songs because I was supporting my memes. You know what I'm saying? I know my son gonna go. And I was trying to get the hood niggas didn't understand Cash Cobain at the moment. Right. So I was making the hood niggas understand, like, nah, this niggas going. Sexy drill. This niggas going. Yeah, this some new shit. It's a new wave. It's not no drill. There's some new shit. The females is going. I'm trying to tell you niggas, like, they loving this shit. Yeah, definitely. You feel me? And niggas didn't understand it until for sure it came in. And when you go to a club, they seen grown women, younger women, everybody going crazy to it.

1:02:34That was the hit record. And it was like - That's what made the hood of niggas go like, oh, nah, this nigga BMO was right. I said, when you dropping? And then I dropped after that. And it was like, oh, okay. But we always friends. So every nigga got signed. Got you. You know what I'm saying? After Cash got signed, Chow Lee got signed. Bae Swag got signed. B-Jax got signed. King Beemo got signed. It's like, you know what I'm saying? Like, we was all just a, but that came from, now we gonna support this nigga, then we gonna support this nigga, then we gonna support this nigga, then we gonna support this nigga.

1:03:08That's dope, man. You know what I'm gonna tell you? I didn't even know that. You feel me? That's how that went, you know what I'm saying? Niggas, niggas wanna be the man, you know what I'm saying? Like, sometimes you can't be the man, you know what I'm saying? Because if I know bro got it, let's go. I'm saying what bro do, I'm saying. That go. When it's my time. It's a go. Everything on play. I'm saying it's a go.

1:03:30Tony Yayo:It's so crazy that you come out that litter because it's like, yeah, they all got it at that point. Bass swag had a hit. Yeah, everybody caught a hit. You know what I'm saying? Yeah, facts. I didn't know you was like coming from that hit. Yeah, so it was like, but it was always because I did this. Right. And I always showed up and supported. Right. So when people in the crowd knew who I was, they'll always DM me like, yo, why you ain't performing? And I'd be like, nah, I got my shit set up to how I want it. I know what I'm gonna do. I know exactly what I'm gonna do. Support my means. Support my means.

1:04:05Sometimes everybody gotta just wait they turn. You know what I'm saying? But even niggas, it be niggas I knew that, it's niggas I went to school with. These niggas was never rappers. Like, they went to school with me, now a nigga in a booth. Oh, BMO did that shit. I'm doing that. Oh, I'm rapping now. You know what I'm saying? Instead of like - B-M-O and really learn and trying to really get my sins together.

1:04:29Tony Yayo:He's really a hip hop head because it comes from his parents. Yeah. And that's another thing that niggas don't get. It be different when you musically inclined as a kid and you listen to different genres. Yeah, like you know what you want. I'm saying? That shit could really hit me. And really, I'm saying, and that's another thing when New York, that's why I'd be like, for a lot of niggas that came out and then they died out, because they wasn't musically inclined, it was just, this nigga made a good song at the moment. He made a second good song. The label bought into it, pushed it, sun got lit.

1:05:02But then when it came to him dropping another album - And really keeping the shit going, he couldn't do that. He couldn't do it, but that's because he was never musically inclined. He was just doing it because it was cool at the moment.

1:05:12Tony Yayo:Definitely. Cause there's certain artists that can make like one or two records. And like when you look at a Sleepy Hollow, a Chef G, a A Boogie, and there's a list of other niggas. These are niggas that's musically inclined. They can make that shit. You know what I'm saying? It's never gonna stop. That's why I said, look, you played me eight back to back. How many more of those you got? I don't lie. That was in the entire. That was just eight. That's 300. You played shit before that, before you even came. Yeah, I was playing shit way before that. Rob Markman, I'm doing this shit too, man. Rob Markman, So when you see, and this is what I always learned in the business, it's not about the first record, the second record, it's about the longevity.

1:05:48Tony Yayo:So when you play me, it's hard for artists to come around me and play me eight records, no cap, that I love. Like, nah, this nigga, I'm looking like, hold on. Like when, you know, Murda said, yo, nah, King Bimo got the streets. I didn't hear the album. I ain't gonna lie to you. You put me on. I didn't listen to the album yet. I'm gonna go check it out. But I might be a little biased here in this loop shit. What I heard back then, what I'm telling you is what I heard back then, same order. See, sometimes, so if you're saying you got 300 records, yeah, you're going for King of New York. Because you're not just depending on one, two, ten.

1:06:30Tony Yayo:Listen, bro, you played me. I haven't seen an artist. That's why I think, because I know niggas is mad. some niggas like, yo, he called French the king of New York. I didn't say that. I said he got one. Don't try to backtrack now. Shout the French. I said he got one. You gotta check the comments in that too though. You gotta check the comments in that. Don't disrespect the French. I got mad comments in that. Oh, they were saying home-up guys. Yeah, I didn't get what's her name though. I didn't even, I took my phone and I'm like, why everybody keep tagging me and shit? And I guess it was that, the king of New York shit.

1:07:04That mad people just kept tagging me. I like y 'all, I love y 'all. I'm backtracking. I'm not backtracking.

1:07:11Tony Yayo:Walo said, so who's the king of New York? Is French the king of New York? I said, he got one. I didn't say that. Go back to the footage. I said he got one. But what I'm saying is, look. He said he got it. No cap. I know music. I know I know music. I know when I step in the studio, I've been around music so long, I know when something something is good and something is okay. Right? What I'm saying is when I go in a room and a nigga play me eight records, we ain't got the gigantic speaker either. Yeah. No, is that a pause? No, that's good. Gigantic speaker. No, that's good. That's good. Gigantic speaker.

1:07:51Tony Yayo:We got the small speaker and I'm still in there like, yo, what the fuck? That's a fact. Man. That's a fuck. The many man joint. You got, yo, don't hold. That's another thing. Don't hold that music. Just flood the street. Let that shit go. I ain't holding nothing. Recently I ain't been holding nothing. And that Bobby Smyrta shit? I ain't going to lie. Bobby Smyrta, he had a record he did with a dude from overseas that was fire. That's why I was like, yo, Bobby Smyrta need to start rapping again. But this one right here with the beat? Fritz made that one? Yeah, Fritz made that one. Shout out to Fritz.

1:08:25Yeah, Fritz made that shit. Get you a sleepy on the record too. Nah, hell yeah, hell yeah. We and BMO got some sippers. Hell yeah. Brooklyn East. Of course, East New York shit. East New York shit. You already know that's coming. We ain't playing with it. You know that shit gonna go viral. That's gonna go crazy right there. Brooklyn, baby. He's gonna do a minute a day off that. They gonna be feeling for that. Is that gonna be a Great John one? Yeah, we're gonna, it might be Great John, Fritz, you know what I'm saying? We gotta do something together, collab. We're gonna do a couple though. It ain't gonna just be one.

1:08:52So we're gonna get a Great John join in, a Fritz join in, all that, man. That's a fact, man.

1:08:57Tony Yayo:So what we gotta do, what's next? What's next for you? What you wanna do? You wanna drop the new music? We gonna keep promoting the project? More videos of the project? Trying to drop some new shit. I'm dropping a lot of videos of the project though. I shot Mad Ampsys already, so Mad Ampsys gone. Like Mad Ampsys, dropping Mad Ampsys. You and G Herbo got some shit coming up. Shout out to G Herbo. Shout out Swerve, man. Shout out Skizz, man. That's my man, man. Like, word. Bro, like, when my album first dropped, the first day it dropped, bro posted that shit. Look at that. Word. I ain't gonna lie.

1:09:28G Herbo. Yo, when G Herbo get on - I'm gonna kill this piece right now too, honestly.

1:09:33Tony Yayo:Every time he get on a nigga shit, he just get crazy. Yeah, he be popping. I'm not saying he can't do, cause he, you know, every day's my new shit. He got it. He got hits. But it's like when he get on a nigga verse, you just know that - I'm like that too though. When I get on nigga shit, I'm like that. Like, it's like when you get on a nigga song, you just gotta like overly pop it. You ain't lying. You gotta talk to this shit and go crazy. You ain't lying. Overly pop it. Like, Herb one of them type of niggas, he be cool. Yeah, he got, cause the last verse I like from, you know it's new shit, but everyday's a new shit.

1:10:06Tony Yayo:But Bloodhound Little Jeff, cause I know Murder, I put him on the Bloodhound Little Jeff recipes, right? From Chicago, he got a verse on one of his shits. On one of his tapes. Yeah, he be totally. That nigga like this shit. Herb be buggered. Herb be buggered. Herb be buggered. Herb be buggered, swerb be buggered. I always buggered. I ain't gonna lie, man. I just, I don't lie, all my new shit is, I'm just poppin' more shit. Of course, nigga. It's your time. Nigga, you said you got three, you just might just flood the streets, fuck it. New New York. I got 300 songs on Untitled. Yeah, the new New York.

1:10:39Flood the streets, man. Yeah, 300 songs on that shit. Cause nigga. Man, like, you just poppin' shit.

1:10:44Tony Yayo:You know I wanna hear more music after this shit. Nah, it's comin', it's comin'. Poppin' shit, pushin' my P. Just doin' me, man, these niggas. I'm sayin', there's a lot of niggas stealin' my shit. So if you got 300 songs, you just live in the studio. There's a lot of niggas stealing my shit. Come on, man. There's a lot of niggas stealing my shit, man. There's niggas that don't like me that stealing my shit. Come on, man. Get your own swag. You know what I'm saying? Like, it's King B-Mo beats out there. King B-Mo type beats. Yeah. I know. You want to know how I know niggas stealing my shit? Yeah.

1:11:15Because the fans say, everybody going to tag me in the shit. This nigga trying to be like, bro. But then when I hear the beat, I'm like, I know it's a King B-Mo type beat off YouTube. Cause they got them shit on. But you hot nigga, what you expect? Nah, of course. Mad at my niggas follow you too. That's why I do so much music though. Yeah, my son follow you. Cause I know, I know, I know. You know what, then niggas trying to... Nah, hell yeah. For the young niggas, when it's a young nigga, nah, when it's a young nigga, I jack it. Like when it's a young nigga, I straight embrace it. It be like, the niggas that don't like it.

1:11:51Be like, how you don't like it? My age bracket. How you posting a fake oppa, you trying to jack my shit. But you know what's crazy? Yo, look. You know what's crazy?

1:11:58Tony Yayo:My son, Dude Stacks, fuck with you. He fuck with niggas in the East and all that. My son, Claxta, fuck with you. I be seeing niggas ugly as shit that I know get, like, it's official. You know what I mean? Dude Stacks, Claxta, like all the niggas. Claxta, that's my boy. So the street niggas is fucking with you. So I'm looking at the page, because all that count too. Like, damn, nigga Claxta, Dude Stacks. Yo, yo. You know what's crazy? I was fucking with the street niggas before I got lit. Right. Because I was outside, bro. I always been outside. This is Brooklyn, East New York. Yeah, I always been outside.

1:12:28I always been outside. You know, like, East New York niggas is like, East New York niggas is like, what are we, what are we, yo, what are we, East New York? Yo, he happy. Another nigga from Brooklyn is here. You know I'm fucking happy, nigga. Queens, come on. East New York, we got Casper Raina, man. East New York niggas don't. Look, cause right. You crazy? You know what, niggas look at us like aliens around Brooklyn. Come on, man. Cause you know, East New York niggas stay in East New York. Facts. If you meet an East New York nigga in like Bushwick or somewhere, the niggas go, yo, where you from?

1:12:59East New York niggas go, where? You tell them where you from. Niggas look at us like aliens, bro, cause niggas stay, we stayed ourself. We don't be fucking with niggas. This is like super grimy. Niggas don't, you know what I'm saying? Niggas don't talk, you know what I'm saying? Like we chill. East New York nigga chill with an East New York nigga. Like niggas don't really fuck with niggas like that. You know what I'm saying? So like growing up, I always had to go to different schools. I got kicked out of schools and shit like that. So I would know niggas from different hoods and shit like that.

1:13:26And I always stuck out. Cause I was - Oh, she's going to schools and style. Yeah, just, I'm saying? Different schools, like going to school in Canarsie. That's how I knew pop and all them niggas. Cause I was going to school in Canarsie. You know what I'm saying? Like, I was going to school and I went to South Shore. I went to Roy H. I went to Mass School. I went to girl. What? Yo bro, I got kicked out of so much schools. You just named like four schools. Yo, I was bugging in school. So what was your first school? I got kicked out of a lot of high schools too, man. When I think about it, bro, I was getting kicked out like a motherfucker.

1:13:56I got kicked out of Gersh and that was my zone school. Gersh is a grimy ass school. I got kicked out of Gersh when Gersh was crazy. Right. What else school you went to? You said the law school? I went to, I went to, I went to, I went to, yo, what's that other shit? I went to 218. They got a high school in there at the top. They got it there, probably. But I went to 218. Yeah, I went to 218. I got kicked out of 218, the high school part. They had a high school up there at the top. And I got kicked out of that shit, bro. No, because I'm lost. Because y 'all people and niggas get a lot of chances.

1:14:32Because that's 218.

1:14:33Tony Yayo:Queens niggas wasn't getting chances like that. You get kicked out of school, you go to satellite. That's it. Nah, this nigga. 218 is on his side. Two to four different schools right there. Yeah, 218 on his side. And Gurs was on his side. Gurs was on my side. Crazy thing, my mom, rest in peace, she tried to send me to Gurs to be away from my friends because she knew I was going to be bad at trouble. But I wound up going, she sent me to Gurs, I'm with the Gurs, got mad trouble, and they kicked me out, I'm going to 218. I'm with the homies. Fact. Go to school out your school zone. I'm with the Brooklyn.

1:15:05Tony Yayo:I'm with the homies. It might be a problem. You know what I'm saying? I ain't going to lie, I went to a mad school, so I always knew niggas growing up and shit. like that. Like, I'm saying so I always knew the real street niggas type shit like, or whatever. Or my mans would know another nigga and they'll get a clean and niggas will always bring me around type shit. So I always knew like a lot of niggas like type shit. And then I always knew niggas in the Bronx cause my moms, I was bad in Brooklyn. So my moms would send me to the Bronx with my pops. My siblings sent me out there. And that's how I always knew Cash.

1:15:38I knew Cash since I was a kid. I knew Cash Cobain, that's how I knew him since I was a kid. Because he was living in the Bronx. But my pops lived on his side.

1:15:47Tony Yayo:Yeah, I heard niggas say Cash was from the Bronx. Yeah, my pops lived on his side. So I always knew him before music. So I was like, I was an all around kid. That shit just lined up, it's crazy. If you getting kicked out of school, help the nigga. I'm smoking that Cash Cobain. All types of stuff when you get kicked out of school. Now went to school with everybody. I went to school with man. Niggas stay in school. Yeah, y 'all niggas stay in school. Don't promote that, stay in school. School now is not like school then. You know what I'm saying? That's a fact. It's not the same. You niggas don't do that shit, but it's like, I got kicked out of mass school, so that's how I always knew niggas.

1:16:18That's crazy.

1:16:19Tony Yayo:You knew niggas on the floors, niggas over here, niggas over there. I knew niggas everywhere. I always knew niggas everywhere type shit. And I'll just always stay in contact with niggas like social media and shit. Word. That's crazy, but so we know you got records with Don Q. Shout out to Don Q. We know you got records with Bobby Smurda. them records is crazy. I didn't hear the Don Q, but I know it's crazy. You gonna have records with Cash Cobain, Charlie and Bates? I got shit with them. I got a nice shit with them niggas. Okay, copy. Oh yeah. Me and Bates just previewed some shit the other day.

1:16:50Me and Charlie, Charlie dropping some shit on his tape. I'm on that shit.

1:16:53Tony Yayo:Oh, shout out to them. Shout out to them. Cash is, the shit I'm dropping with her, Cash is a dumb beat. Oh, what? That's a Cash Cobain beat. But, me and Cash got mad shit. That shit is crazy how that nigga produce and like make this too. Yeah, yeah. Always have the vintage. I always admit that artist. He got a super advantage. When they can produce and, you know what I'm saying? Oh, yeah. And, you know, rap at the same time. Oh, yeah. Oh, yeah. 100 % of his record, shit. Man right there. You know what I'm saying? That's the thing. They ain't gonna got splits with nobody. Nigga, they ain't got none of that shit.

1:17:26That shit all doly.

1:17:27Tony Yayo:I mean, the point is, y 'all keep going. Because like we said, there's a million dope artists that I know. You know what I'm saying? I tell my son, Duke Stacks, he nice. You know, Claxtor, they be playing me all kind of artists they got. There's a lot of niggas that's nice in New York, but they just be like, man, fuck that shit. I'm going to go get money or go work. Nah, it's a fuck. I was there before too, man. I was there with them niggas, man. I felt like that every day, bro. But then everything wasn't going right for me every time I did some shit. I scammed that shit didn't go right. Right.

1:18:01What's up, drugs? Shit, I get locked up doing some crazy shit. Niggas, small nigga. You said shit ain't go right. You just mending that. See that, kids? Fuck this shit, man. Like, yo, listen. And then I'm rapping. That's the only thing that's going right. Like, it's like - Yeah, people really liking this shit. You know what I'm saying? Like, I'm getting bookings and shit. I ain't better. It started working that way. Like, no, I'm just stick with this shit. That's the only thing that's going right for a nigga. and I just stuck with this shit. That's dope.

1:18:32Tony Yayo:So with 300 records, is it safe to say you don't know King of New York? You know what I'm saying? You know, if it come from you, Pop your shit, nigga! If it come from y 'all niggas, man, you know what I'm saying? But I ain't gonna lie, man, I don't be seeing nobody else there, nobody popping shit. Yeah, it's quiet right there, man. It's a little quiet. Nobody else popping shit, bro. You gotta turk up right now. I don't think nobody, but I don't think nobody pop more shit than me. It's hard to. What? It's hard to. I've been outside spending a lot of money, man. Like for years, bro. Talk about it.

1:18:59What's your favorite strip club? What's your favorite strip club? My favorite strip club is Atlantis and Starlitz.

1:19:03Tony Yayo:Shout to Atlantis and Starlitz, bro. Yeah. I get love in these places. Before I got lit, this before I got lit, I've been to strip club, boy. That's how I got lit. Niggas, when niggas is dying out, I was the only nigga that was going to the strip club. A lot of, that's another, rappers don't go to strip clubs. Name your favorite stripper and your favorite bartender right now. I'm trying to set my nigga up, man. I don't got no favorites, right, man? I don't got no favorites. I probably got a couple of favorites, but I don't got like one favorite, nah. A couple of favorites, no? I'ma seein'. Think about that child support.

1:19:42He like, I'ma chill. I'ma seein'. Say nigga trying to take me out, bro. Now you setting the strip club. Now you attention. Yeah, I'ma seein'. See, I done bring it up.

1:19:52Tony Yayo:Come on. You got a bright future, everybody know. People just spit it bad. Brad in the strip club. You heard that, Judge? No, that's a fact. One of my pictures on this shit was me like this in the strip club. My 50 ,000. I had that in court, right? I bet. I bet. Listen. I swear to God, I'm like, yo, this shit is crazy. I bet, man. That shit is wild. I'm glad you like, this is crazy. That shit is wild, man. Well Biggie Smalls once said, more money, more problems. King B-mo and this motherfucker. He got 300 records. New York is back on fire. We got the new artist, the legendary artist. Make sure y 'all like, share, and subscribe.

1:20:38The Real Report, yes! Say no to Chavs Report.

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1:22:17Ecculation, clear view of this guy for 36-month commitment. Ugh, Honda, ice cream has turned to soup. I think the fridge is finally dead. Hopping on grandappliance.com. Great idea. They were awesome with the Samsung Ranger microwave we bought last year. Oh, they have matching Samsung in stock and next day delivery. Let me see. Oh, yeah, that looks perfect. I hope we get the same delivery crew. Those guys were awesome. Agree. Total pros.

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