The Real Report - Rip Micheals on life-changing heart attack, T.I. booed off stage, 20 years of Wild’n Out & the Kevin Hart collab

23 Mar 2026 · 43 min · 22 chapters

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In short

Rip Michaels (Rip Micheals) discusses his life story from being homeless in New York to becoming a top comedian/promoter, his 20+ years with Wild ’N Out, and major career moments including a heart attack onstage, being booed, and a T.I. comedy appearance. He also explains why he avoids certain corporate deal structures and how he built arena-scale shows independently.

Guest backgrounds

Rip Michaels is a Chicago (South Side, 86th & Racine) comedian who moved to New York homeless with his daughter, started as a Wild ’N Out warm-up guy/writer, and later built his own touring/promoting empire. The “guests” are the hosts Learjet Lenny and Turbulence Tony (plus mentioned figures like Nick Cannon, Kevin Hart, T.I., and others).

Key claims

Wild ’N Out is a “boot camp” that forces comedians to find their voice; he sells out huge arenas largely on his own; booing happens, but roasting the crowd is wrong; his heart attack led to a heart transplant list and a focus on prevention/CPR.

Notable examples

Sleeping near Bryant Park/1515 Broadway; selling out arenas (e.g., D.C. two arenas in one night); April Fool’s Comedy Jam growing to 18k–19k; T.I. was booed after switching from rapper to stand-up; heart attack twice (Atlanta, then after Apollo show) and surviving via emergency cardiac response; donating a show to the American Heart Association and teaching CPR.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Introducing Rip Michaels

2:58 to 4:25

The hosts introduce comedian Rip Michaels and discuss his background.

“See nutrition info on Hero.co for sodium and sugar content.”

Rip's Journey to Comedy

4:25 to 8:39

Rip shares his journey from Chicago to becoming a comedian.

“It could be wild, but I was always good.”

Wild 'N Out Experience

8:39 to 11:21

Rip discusses his involvement with Wild 'N Out and its impact.

“So I was like, man, if that's your dream, I got you.”

Transition to Promotion

11:21 to 12:15

Rip explains how he transitioned from comedian to promoter.

“You couldn't go to a borough that I didn't have a room in.”

Success and Challenges in Comedy

12:15 to 13:12

Rip shares stories of challenges and successes in his comedy career.

“Just because you're funny on your phone, it doesn't mean nothing.”

Top Comedians Discussion

13:12 to 14:01

Discussion about favorite comedians and the influence of comedy legends.

“and then have a good turnout how you wanted it?”

Family Dynamics and Comedy Aspirations

14:01 to 16:43

Explore the complexities of family relationships and the journey to becoming a comedian.

“People think I'm joking, but that's the truth story.”

The Challenges of Stand-Up Comedy

16:44 to 19:48

Insights into the tough realities of performing stand-up and crowd reactions.

“I've seen the comedian get a mop bucket thrown on them.”

Rip's Perspective on Healing through Comedy

19:49 to 22:55

Discussion on how comedy serves as a healing mechanism for both comedians and audiences.

“Like, it's just, maybe that was the thing for him to do.”

Navigating the Comedy Business Landscape

22:56 to 25:50

An exploration of the business side of comedy and the importance of independence.

“So I think that when you have that ability, you should harness it.”
Show all 22 chapters

Collaborating with Friends in Music and Comedy

25:51 to 28:00

How personal relationships influence creative collaborations in comedy and music.

“I probably just didn't want to do that shit, man.”

The Reality of Ticket Pricing

28:00 to 28:40

Discussion on the inflated ticket prices and resale practices of Ticketmaster.

“They don't care about your ticket price because on top of each ticket, Ticketmaster takes 19, It's$19 on a$30 ticket.”

Creativity in Comedy and Music

28:40 to 29:50

Rip Micheals shares how music and comedy intertwined in his career.

“You'd say, hey, Rip, I'm coming through.”

Memorials and Friendships

29:50 to 30:50

Rip discusses the memorial he organized for Rich Homie Kwan and the importance of friendships.

“come up and everybody was like oh you shouldn't do it i had his family come up i had the whole thing and we rocked that arena.”

The Importance of Creative Freedom

30:50 to 31:30

Rip talks about his journey in writing and creating content for various shows.

“To this day, you don't even hear me talking about money.”

Facing Life After a Heart Attack

31:30 to 35:30

Rip Micheals narrates his life-changing experience after surviving two heart attacks.

“Michael Blackson told me all this, so it's all fake.”

The Journey of Healing and Purpose

35:30 to 36:30

Rip reflects on his health challenges and his new purpose in life post-heart attack.

“so God bless you I'm still looking for that.”

Legacy and Impact

36:30 to 41:00

Rip shares how he aims to create a legacy through his experiences and story.

“So what goes, cause when we interviewed Tracy Morgan, he told me and Murda, I got the closest to God in this fucking room.”

Reflections on Life and Materialism

42:00 to 43:34

Exploring the mindset of valuing life and material possessions post-heart attack.

“and you got to prepare yourself your family what you're gonna live them because we all know we programmed to die.”

Upcoming Comedy Show Lineup

43:34 to 45:29

Discussion about a comedy show featuring various famous comedians.

“Justina Valentine, she's calling me now.”

Interactions with Justina Valentine

45:29 to 47:28

A lively phone call with Justina Valentine discussing their work and banter.

“Yo, how do you feel about rappers beef with comedians?”

Promoting the Barclays Center Event

47:28 to 47:45

Exciting details about an upcoming sold-out event at the Barclays Center.

“And then the Fall Back of Love is coming back out.”
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Transcript

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3:07Tony Yayo:You want that Louis to let people know you can do this too. Without these big companies, you can do it. That's why you went and got the Louis after you made it, man. Yep, the dude was outside y 'all's studio with the blanket. And I was like, you know what?

3:18Uncle Murda:Get the f*** out of here, man. I got the jacket. You got the chain.

3:27Tony Yayo:He didn't get stabbed. Go ahead, shut the f*** up.

3:30Uncle Murda:Brovers! Brovers! That's the point you get movies with. Oh! Brovers!

3:34Tony Yayo:Bro, bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Bro, bro. Yeah, yeah, it's the boy, Learjet Lenny. And it's your boy, Turbulence Tony. And it's the Real Report Show. Yo, y 'all make some noise. And tell them who you are. Today we got one of the biggest comedians in the world here, man. Rip Michaels, man. Shout out to Rip Michaels. Make some noise for Rip Michaels. Rip Michaels in the building. Thank you very much for having me, man. I appreciate it. Love the studio, man. Love the staff.

4:08No, we appreciate you coming in. That's what I'm talking about.

4:11Tony Yayo:We appreciate you being here. I heard you's from Chicago. Southside. Oh, shit. 86 Racine, yes, sir. So tell us your story. What it was like growing up in Chicago. Are you good on 63? I'm just trying to figure out. Yeah, I'm good on 63. All right, cool. All right, cool. Southside, what part of Chicago? What part? 86 and Racine. 86 and Racine. So yeah, it's just been a journey, man. You know, Chicago's a great place. It could be wild, but I was always good. Of course, that's everywhere. But I grew up in an era where they was taking starter coats in Jordans back in the day, where they was getting dudes with the triple fat goose.

4:40Look at that.

4:41Tony Yayo:Rob from my startup, coming from school. Right? That's the generation I did. That's my generation right there. Oh, okay. So we're the same type of - Yeah, yeah, yeah. Hell yeah. That's that era. That's that era right there. I still don't think y 'all got the best pizza though. Of course we got the best pizza. Cause you know why - Come on, man. You ain't new. Tell me. We don't do cold, reheated slices. That's what I can never get used to. I can't never get used to the fact that y 'all willing to walk in the belly, walk in the pizza pot and take pizza that's been all day long and let it warm it up.

5:08Tony Yayo:But all y 'all got is deep dish pizza in Chicago. We got regular slices too, but the deep dish is what we're known for. Nah, y 'all keep talking, that deep dish shit is alright. Mad tomato sauce, that shit is alright. I don't eat healthy, that's all. See, the whole thing is, when you come to New York, you can't judge the pizza off the dollar slices in the city. Don't judge it off for that. So who got the best pizza in New York? To me, I'm going to go with Jamaica, Southside Jamaica, Queens. We're going to eat it on the show too. I should have brought it here too. Margaritas. Over Gabby's though?

5:33Tony Yayo:Yeah, Gabby's is Ja Rule shit. Okay, I'm just saying Gabby's is good. That's Northside. But Gabby's is good. No, Gabby's is good too. I would've said pizza. But when you think about Queens - Shout out to Margaritas, man. Yeah, no, Gabby's, shout out to Gabby's too. Gabby's is like Northside. I even think they got pictures of Jaru in there. But Gabby's is good too, cause light the bar, but go to Gabby's. But Margarita's is Southside, but that been open since niggas was kids. Got you. We talking about 30, 40 years in business. You want pizza? That's way better than Chicago. Go to Margarita's. I've had Margarita's.

6:02I have, I have a Margarita's.

6:04Tony Yayo:And that's better than, that's way better than Chicago pizza. I have had margaritas. Because I be out there. When it comes to Queens, big shout out to everybody at 40, Bazley, Moog Diamond, the whole crew. Oh shit, shout out to Moog Diamond. Yeah, yeah. Those are my cats. Oh shit, okay. Queens in the building, baby, today. You don't know nobody in Brooklyn, my man? We going Brooklyn. I'm going to say, I don't know. Everybody I know in Brooklyn is Jamaican or Haitian, so I don't really know. Oh man, oh man. It's all good. Big shout out to all my Jamaicans. Because I used to have rooms in Brooklyn.

6:35I used to do Squads. I used to do Venus. I used to do Footprints. I used to do all those. Okay. And a big shout out to my, what are we going to do? Brooklyn, we got a big shout out to Rashid, man. One of the funniest comedians to ever do it. That was Poppy Ain't No Shit. Ain't no, remember that Jamaican dude in the Jamaican store and Poppy Ain't No Snitch? Yeah, yeah, yeah. Big shout out to him. That was Brooklyn. That was Brooklyn.

6:54Tony Yayo:You working, man. Yeah. I mean, it's just been an interesting journey because when I came to New York, I came to New York homeless. I had never been here in my entire life. Seriously? I literally, I met Dave Chappelle in a club and he was like, man, if you ever want to find out if you're funny, you got to go to New York. And I was like, you know what? I'm a go. I got off the Greyhound bus with my daughter and I was like, all right, New York, let's see what we got to offer. And I was homeless for about a year. I used to sleep outside of like, like Bryant Park and the Fett Institute. And big shout out to the Fett Institute.

7:20There was this Haitian security guard that would let me sleep every night by the vents because it was warm and he would tell me just be out by six o 'clock. And that's what we would do, me and my daughter. And I just constantly started doing comedy and more comedy and it just led to me doing other things. And I think the funniest thing about it is I used to sleep sometimes outside of 1515 Broadway. We all know that's MTV. And I was like, one day I'm going to be on that network. You know, I started off as the warm up guy, making people laugh in the line and just taking that and elevating that to the next level.

7:47And then went from being a warm up guy to being on Wild Now and a whole bunch of other TV shows.

7:51Tony Yayo:Yeah. How'd you get to Wild Now? Because Wild Now is, you know, a big syndicated show. Shout to Nick Cannon. Shout to everybody that's on Wild Now. Extremely funny. How many years was it? Ten years now? Wild N' Out's been on for 26 seasons. So it's been on. Shit. Yeah. I didn't even realize that. You never get tired of Wild N' Out. 26 season. The longest urban running comedy television show in history. Yeah. 26 season. Coming up on 27 now. So we about to do a whole new season. And we doing it live, man. And if you want to talk about Queens, man, I actually started. Come on with all this Queens shit.

8:23No, but I'm just saying it. It's just funny that he said Queens. Damn, man. We ain't going to do that to you. It's funny because he said Queens Because I actually You know I started the Wild Now Tour in Queens It's just funny that Oh look at that Because it started from Nick You know I was writing for Nick's Stand Up Don't Shoot And you know I wrote for a lot of comedians And write with comedians And we were doing that I was writing for him And he was watching Cat Williams And we was at I think it was on Ontario At Anaheim And he was watching Cat And he was like Yo man one day I want to do that man I was like what are you talking about He's like I'm on the sellout arenas Look at Cat He's just in there in front of like Six, seven thousand I was like that's what your dream is And I got to give Nick his flowers was because Nick put me on the show and took me under his wing and let me write for him and let me do all these different things.

9:04So I was like, man, if that's your dream, I got you. We're going to be selling out of the rain this is six months, bro. And he was like, really? And he just looked at me like, ah. So I went ahead and I started and I booked it. And I did it at Amazur in Queens. And I had 1 ,500 people show up. And Nick thought it was a joke. So Nick was like, man, what are you talking about? We got a show. I was like, man, but you told me you want to do this. And it's the day you said you was free. So we got Amazur. And he was like, look, man, I got a show in Chicago that's paying me way more than that. And I was like, listen, I promise you, I can't give it to you now, but before you step on stage, I'll have$10 ,000 more than you was getting in Chicago.

9:37And God blessed me and I hand off lights every day and I promoted the hell out of it. And it went from just one show with 1 ,500 to two shows back to back. And then we did another show in Patchogue at the Soundgarden, which is crazy. It was just crazy. Yeah, and it started right there in front of a room of 1 ,500 people. And the next thing you know, six months later, we was on every single arena there was. And we was doing like, I was number two on Polestar that year for promoting. That's crazy. Yeah, like pushing it together.

10:02Tony Yayo:Polestar, you know, once you were, you talking that Polestar. Oh my God, I still hold a record in Detroit. I still hold a record. I mean, not Detroit. I still hold a record in D.C. for selling out two arenas in one night. We did Show Palace Arena. We did, I think, 14 ,000. And then we went over to Capital One, took a police escort and did 17 ,500. We had a seven o 'clock show and a nine o 'clock show. So how does a comedian turn into slash promoter? How do you transition to that? people not allowing you on stage. People, and a big shout out to all the New York comedians, but they got this like hazing thing where it's like they'll put you on when you're not funny, they'll make fun of you.

10:36And then when you get funny, they won't book you no more. And being told no so many times, I was like, you know what? I'm going to do my own room. I'm going to do my own grind. And I started doing like little bars, like Squads and Venus and like Footprints. And before you knew it, I had like six rooms. and then Rasheed passed away and I remember his brother-in-law coming to me and said, hey, they about to lose the rooms that Rasheed had because Rasheed had like five rooms and I was like, well, I'm going to let that happen, man. You know what? I'll do the rooms. I think the budget was like$800.

11:07I was like, take$600 and give it to his kids and y 'all take that and I just do it for the$200 and I'll book one comedian so I was getting$100 and I was like, I'm going to keep this so his family can do it and then that turned out crazy. Overnight, I literally had 12 rooms. At one point, I ran to New York. You couldn't go to a borough that I didn't have a room in. I used to have two shows every single night. And when you came to New York, you had to say Rip because Rip could put you on for two weeks straight of just doing comedy. And then I turned that into just like promoting myself like any other artist.

11:34And I'm like, you know, I'm going to promote myself. I'm going to do this. And everybody kept coming around me like, hey, Rip, can I be on the show? Can I do this? So then I just tried to start uplifting us all. And then just next thing you know, I was doing, that's how the April Fool's came about. I was like, all right, cool. You know what? Instead of doing it by myself and pushing myself, I'm going to take all my friends and we're going to go ahead and sell out the Westbury Music Fair. We're going to do something that nobody ever done. 5 ,000 people just to see us. And 10 years later, now I'm doing 18 ,000, 19 ,000 people.

11:58I mean, we got regular comedians doing Chris Brown, Drake numbers. We're performing in a round. It's crazy. It's been a phenomenon. Sold out the garden in three weeks on a Wednesday.

12:08Tony Yayo:Yeah, because it seems like everybody from Wildin' Out took their success and did other things. It wasn't like, yo, we're just going to piggyback off of Nick Cannon. yo look we gonna do our own thing like everybody off that show was kind of doing their own thing yeah because it's an institution um i look at wild not as the best institution you could ever be on for comedy and big shout out to nile and nick because they put you through like a boot camp like you come in as one thing and you leave out as another they they you have to find your own voice in that show and they'll be screaming at you you'll see some of your favorite streamers um that and and instagram uh famous people that just can't hack it they'll be they'll be crying because they would tell you are not funny.

12:48Just because you're funny on your phone, it doesn't mean nothing. It doesn't mean shit. And people just be walking out crying and they be hurting feelings. But if you make it through that other side, you make it to, and you find out who you are and what your voice and your strength is. So that's why you see the Rip Michaels. That's why you see the 85 South. That's why you see the Matt Rives. That's why you see the Kevin Hart's and the Mike Epps because everybody came from the institution, the D-Rays and the Corey Holcomb. We all come from that wilding out there.

13:11Tony Yayo:That's crazy. You ever perform somewhere and then have a good turnout how you wanted it? Like, it was a bad night. man that I ever and how you bounce back from that like have a performance and it didn't go as you planned like oh man we all get booed any given Sunday that happened any night man of course man like coming up in the game of course I think I think the worst boo I ever had when I was in college because I actually started doing comedy when I was 13 years old my auntie Jockey whatever really my auntie was my daddy's girlfriend but he made me call her I didn't know that I didn't know that wasn't my auntie I had no idea I really didn't know it.

13:49It was my daddy girlfriend. I didn't know it. Until I was so happy I was doing comedy. I was like, mama look. Look what Auntie Jackie bought me. She was like, that ain't your goddamn auntie. That's your daddy girlfriend. Now go outside, your Uncle Charles gonna take you to the zoo. I had Uncle Charles too. Don't get it twisted. My parents been together 42 years. They've been cheating for 41. I had Uncle Charles too. I had Uncle Charles too. I had Uncle Charles too. That's the truth story. People think I'm joking, but that's the truth story. I love my parents. Don't judge my family. Y 'all don't live with us.

14:15It's all good, all good. People go through shit, it's all good.

14:18Tony Yayo:Yo listen man, I got the hardest job in the world to make people laugh. It's not easy to make people laugh and be in front of a crowd, you know? And we on The Real Report, so you know we gonna ask you who are your top five comedians of all time for you? Of all times? Yeah, that's a difference. If you're gonna go all times, you're always gonna go great. But if you're gonna go, who are my favorite comedians, that wouldn't be of all times. Cause if you're gonna go all times, you're gonna have to Eddie Murphy, you're doing the Richard Pryor's, you know what I mean? But if you like who my favorite comedian is that's grinding and doing it, I would say I'm going to give a big shout out to Tony Roberts.

14:49I'm going to give a big shout out to TK Kirkland. I'm going to give a big shout out to Deon Cole. These dudes are like revolutionary. Because you got to realize I watched Def Comedy Jam as a kid and seen all these cats perform.

14:59Tony Yayo:Same here. I love Def Comedy Jam. You know what I'm saying? I was a little kid watching Deon Cole and all them at 10 years old going like, wow. One day I want to be like this. This is what I want to do. And it's weird being in the position I am, because that was my only dream in this whole shit was to be just on Def Jam. I thought that was it. I thought that once you got that, you was rich. And not rich. Def Jam comedy back then. Yeah, they was only paying people$777. That's crazy when you find out what it is for real, right? That is crazy. I mean, we looked at it like, come on, that was the biggest comedy show to watch back in the days on TV.

15:33Tony Yayo:It was. Def Jam comedy. All of Grace. How many Grace came to be? Everybody. Everybody. I remember whoever you could think of. Everybody you could think of. Bernie Macs, the Mar, and I remember everybody on Def Comedy. Ooh, I miss Bernie Macs and Bernie Macs. Rest in peace. Everybody was on that though, man. Everybody. I remember Bernie Macs. Go ahead, go ahead. No, no, go ahead. No. I was going to say, Bernie Mac had a style like... What's the father that played in Kid and Play. Robin Harris. That was the black father? Mm-hmm. Yeah, he did have a style. Oh my God. That's one of my favorites. To me, him and Bernie Mac had that same kind of style.

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16:06Tony Yayo:Yeah. Bernie was a beast, man. And I remember being Bernie Mac when I was like, I think I was 12 going inside the Cotton Club and he used to host it. And they used to bring me in through the kitchen because I wasn't old enough to come inside and they would just let me perform and they would sneak me right back outside. And just watching him, he would always just tear that room apart, man. Him and back then Diane Quarter and like Tony Schofield. And it's like, it was just fraternity of just like people, just a brotherhood. Damon Williams, just so many dope comedians that just embrace you to be like, hey man, let's do this.

16:34But if you wasn't funny, man, they don't play around. But New York don't play around. They don't play around. With Sydney and clubs, they will throw pepper pot on you. They will throw oxtail and gravy. I've seen the comedian get a mop bucket thrown on them. I think they threw mop water on Gerald Kelly one time. And I was like, whoo. And he looked at us like, what are we going to do? I was like, we're going to get you a towel. But these niggas are skills. We're going to get you some cotton ale, paper towel.

16:58Tony Yayo:New York is tough, man. Remember Showtime at the Apollo back in the day? These motherfuckers will throw everything at your ass. Get you the fucker party there. Yeah, man. Yeah, it's just a time. But that don't happen anymore. There is no more booing. Now everybody just sits and watches and they just go on your page and say you're not shit later on. But they don't really boo like they used to. Well, sometimes they do. Sometimes in my shows that I put on, sometimes people can get it. How was it when, because I know you brought T.I. out to one of your shows and it was crickets. Okay. First of all, let me explain.

17:28First of all, T.I. Because you think a rapper should be doing comedy? Of course. Of course. T.I. is a funny, funny comedian and person. T.I. has great stories, and it's just, I just think it's that night. And he went around the country blaming me for getting booed. First of all, I didn't set T.I. up. T.I., everybody knew you was coming. I didn't. I didn't. He tried to say that they thought he was doing music, and they booed him. No. The crowd knew you was doing comedy. I promoted his comedy. I had his drops in comedy for the first time. That was the whole appeal.

18:00Tony Yayo:What's the other thing that you promoted is him coming out to perform. him. No. So when he came out doing stand-up comedy, they were like, what the fuck is this? No, he got a roaring reply. I did not, man. Y 'all not going to put that on me, Bobby J. You're not going to put that on me. I did not. You set him up, bro. He came up and he went up and the crowd was so happy to see T.I. And everybody knew he was doing comedy. As a rapper, not this. No, as a comedian. That was the whole reason everybody bought tickets. Because he had been doing comedy. It wasn't his first show. So they had been doing comedy across, and he changed his name to Tip Air.

18:28So he'd been doing comedy for a minute. So when he said it, that he was doing comedy, because my friend write for him and he went up and the crowd you watch the video yourself the crowd listened to him for about seven minutes they was like this they didn't boo him right away they was like this

18:43Tony Yayo:I thought you were going to say seven seconds no no no no they listened to him they was like T.I. and then he was like yeah and then they was like okay okay mmhmm mmhmm boo and they couldn't take no more I think he did a joke about like something about heated seats in the gas station bathroom and the girl sitting down that's when they had enough So your man who wrote the jokes for him wrote some bad jokes. I don't think nobody wrote jokes for that. I'm just saying that he just, and he took it personal. Like, it happens, bro. Like, you get booed. It just, you know. How do you feel about comedians getting mad at people with the crowd?

19:15I think that's right. Any given night, it can happen. I just want to say that. Any given night, it can happen. Like, the crowd looked at him, and it didn't end bad. Because afterwards, I didn't make fun of T.I. I didn't go out there and roast T.I. Like, we as comedians, we supposed to do. The internet did that for him. No, I didn't go out there. I played his music and say, why would y 'all do that to a legend? That's a legend, DJ Envy, played some music for him. We played all his hits and we rocked out for a few seconds and showed that's the king. He tried something different and that's what it was.

19:39Like the crowd was just looking at him like, hey man, you can have whatever you like, but it ain't comedy.

19:48And his wife was there on the other side. She was like, who can you run to? Cause she couldn't escape either. To fill that empty space. And it just happens. He took it too personal. He didn't cut his hair off. He got the number one song. You're back rapping now. Like, it's just, maybe that was the thing for him to do. Like, but go back. But he's funny. And listen, if T.I. is watching, you are more than welcome to come back anytime and do comedy. T.I. ain't watching this.

20:12Tony Yayo:He don't. Oh. Oh, I'm sorry. We just listening to the stuff. He ain't watching this shit. Oh, you're not watching? OK. But I just feel like when - T.I. ain't got tubi? I feel like, no, this is why I feel like - T.I. ain't got tubi? No, look, this is the purpose. No, we ain't tubi. No, I'm just kidding. T.I. get you some tubies so you can watch his shit Yo look the reason why I say that cause like when I see him like I see another clip of him like arguing with somebody you can't for me if I'm a comedian I wanna be a comedian cause people say I'm a funny motherfucker I don't wanna go to the show and argue with nobody and to me a good comedian you don't gotta just pick somebody in the crowd to fuck with them like I'm not coming look I don't wanna come to your show and get roasted my nigga I'm gonna be real, that's why I never was on Wilder.

20:59Tony Yayo:That's a possibility, right? That's a new way of doing, that's called crowd work. So sometimes that is cool to do crowd work. And that's like, cause sometimes people sit there and you want them to have a good time. So you see somebody say like, unfold your arms, man. Enjoy yourself. Why are you looking like the last kid picture I'm making? No, I'm just saying, no, I'm not saying that. I'm not saying that. I'm trying to make it home.

21:19Uncle Murda:That's what he's telling me. I'm trying to make it home. See, y 'all would smile with me on the camera. They'd be like, Rip, go downstairs and get your coat. You good, man, you good. You need to ride to Harlem? We got you, man. Go get in that car." And they be like, Rip had an unexpected heart attack on the way to the Barclay Center. They be like, another one? Another heart attack?

21:36Tony Yayo:No, Rip, it's cool when somebody's doing something stupid like you talking. Like Aerie Spiers, I seen somebody walking by and this motherfucker going to the bathroom doing your show. Now you deserve to get guy. But if I'm in the front, I don't want to take that bullet, man. I don't want to... Because y 'all motherfuckers be roasting, motherfuckers. But it's all in fun. I think some comedians do it wrong, and I think some comedians that, you know, do do it. But it can be a lot of fun. It can be – crowd work can be a lot, a lot of fun. Like, that's – you know, I was the warm-up guy for so many years, and, like, crowd work now, thanks to a lot of people, is revolutionary.

22:08It's because you make jokes for people in that space. But just roasting somebody, no, I think that's wrong. But, like, enjoying a moment, asking a question, involving their lives, and bringing joy to it, I think that's dope. Because my name is actually Rip Mike Heels. It's not Michaels. It's actually M-I-C-H-E-A-L-S. So I try to heal with the microphone because I know my crown. Like I bring out a lot of hood people, regular people, but people buy tickets. And I think a lot of comedians don't realize who buys your tickets or what they go through to get a ticket. Like some people, this is their last$25.

22:38Some people just came home. Some people got going on. Some woman just being abused is so much and they come just to laugh. And escape that. And escape that. And if you could take 10 minutes of somebody's day and get them not to think about what's going on in their life and make them smile. Because comedians, all we do is really turn tragedy into comedy. Because there's nothing funny when you talk about being beat as a kid, but you're able to laugh so you can overcome it and make it a good memory instead of something that's tragic and let go of it. So I think that when you have that ability, you should harness it.

23:05And that's why I don't always stick to my material. Sometimes I'll just look at the crowd and be like, tonight the crowd don't want this. Tonight the crowd needs this from me. Because I want everybody to go home and feel the way. I'm not selfish. I don't want everybody just to hear my story. You know what? Oh, my daughter's going through this. I don't use it as therapy. I use it to make everyone else feel good. And I think that's why I've been able to do these 18 ,000, 19 ,000 seat arenas because that's the type of energy I put into it.

23:27Tony Yayo:God bless. 19 ,000 seat arenas is big, bro. And I've done it in every facet, man. Not only just with the Wildin' Out tour, creating that, the April Foods Comedy Jam, and there's comedy and music. I take my friends. With that, that's hip-hop and comedy together. So I take it's like Fat Joe and Jadakiss is on that. And Kodak Black. That's how that is because those are friends of mine. I'm like, you know what? We're going to do the comedy. Y 'all do the music and we're going to have fun. And if you look at Fall Back in Love, that was me taking all my R &B friends and putting R &B together with comedy.

23:56So that tour was super dope because it was fun. It was like one minute you'll see Brandy and then you'll see D-Ray and then you'll see Monica and then you'll see DC Young Fly. And it just took that that that rhythm of just sitting there when the band is playing while you're waiting for the next act and just make it a nonstop party.

24:10Tony Yayo:Wow. Yeah. And even if the offer rip, that's when I go in the crowd and I'm super interactive with that tour. And it's just these platforms that I created just for my friends, just for everybody to have fun. That's for us to go and say, look what we can do as a culture without the big machines behind them. Because I didn't know that. I didn't know that every comedian has some huge machine. I didn't know that every comedian signed to some weird Live Nation AG deal. I didn't know comedians wasn't selling anything on arenas. I didn't know that. I thought everybody was doing it themselves. I found out the hard way.

24:36I was supposed to do like a weekend in Vegas with Kevin Hart. And we was going to mix the brands and do like he has a Kevin Hart weekend. And we was going to mix with Wild Nile weekend. And we was going to do this huge collab. and he came back to me and he was like, yeah, AEG said they can't do it. And I was like, AEG? Wait, wait a minute. I thought it was, oh, it's not you. Oh, it's AEG. You have to, okay, I didn't know you had a boss, partner, whatever you want to say. I didn't know that. So when you ask me a question, it's me. It is not no Live Nation. There's no AEG behind me. There's no, it's just me doing.

25:08Tony Yayo:And you're doing ball clays and big spots. I've done it every single arena in this country at least five times. You and Kevin Hall were supposed to do something together, you said? We were going to merge his Heartbeat Weekend. He had a thing called Heartbeat Weekend. And then we were going to do the two brands and that was going to be added to Heartbeat Weekend because that weekend we did the Wild 'N Out Live. So I had Wild 'N Out Live at Cedars-Pattis and we was going to do a pool party and make it a whole package because, you know, Kev did Wild 'N Out. He was on it for a while but then AG said, you know, we don't really want to merge like that.

25:36It's a big company. I was like, oh, okay. But I didn't know that you had to go back. I didn't know people had that. I didn't know I was probably one of the only comedians to sell all the arenas by himself. I didn't know that. I had no idea. I thought that's what everybody did. I was here working too hard. I didn't know that.

25:53Tony Yayo:Everybody ain't doing that. I probably just didn't want to do that shit, man. Nah, it's really, it really, when you look at it, and even when you look at y 'all went on tour, that was Colin. That was Live Nation when y 'all went on tour. Yeah, that's Live Nation. That was Live Nation when y 'all went. Live Nation, A-H-G, they not. Some things was without Live Nation tour. They looking at him like, without that company, they probably like, well, who's he with? You know what I'm saying? But he's doing it on his own. He's proven if they see, they can look up your receipts and see what the fuck you did.

26:18Tony Yayo:Yeah, but sometimes the corporate don't know until it's too late. That's when they come when they see him selling out barclays in the garden and doing this. And then they'll come and snatch him up. But until now - Did any of these companies try to holler at you, Rip? Oh, a thousand percent. Of course. He wanted the money for himself. No, I just felt like when these companies approached me, I just didn't think the deals made sense to me. It didn't make sense to me because I've already done it. So when someone is, I offer me a deal and they got these deals and I tell any person, I will never do a cross-collateralization deal because that's just a loan.

26:50They're giving you a loan against your ticket sales. And if you don't sell it, then you don't get it and you pay the loan back, which makes no sense. And then if I'm already doing 18 ,000 seats and you're splitting my gate with me, but then I'm splitting my gate with me, you're selling me your marketing. You're selling me your production. you're selling me all these different things that's coming out of my share of the money not your share of the money and then at the end of it i'm splitting my ticket sales with you but you're not splitting anything that you bring you're not splitting you own ticket master why am i not getting any ticket master revenue you get food and beverages where's my food and beverage where's my part of parking so what are we splitting so how are you going to come to me and offer me something i don't need your marketing i've already proven this market i'm already selling out 18 ,000 so So it added no value.

27:35So when I sit with these companies, they look at me like I'm crazy. Well, we could do more shows. So you want me to do more shows and get half the money. How does that make sense? Give you half the money and do more shows for half the price.

27:46Tony Yayo:We know he shit when he starts talking about park because that's that live nation tour. That is. We learned that being on tour. Like they care about the beer sales, the parking. Better believe it. The fucking, just the little shit. Parkour, you in it? No, but it's small. It's small. The smallest. It's small money at the ticket price. They don't care about your ticket price because on top of each ticket, Ticketmaster takes 19, It's$19 on a$30 ticket. Right. It's a$19 fix on a$30 ticket. The money is all that's holding. So if you just think about it, if it averages$19 to$20 on top of your ticket price that you get nothing about.

28:15And then once your ticket starts selling, they have the ability to resell them. So they have the ability to pull the tickets, sell them for a higher price and give you the original price. So you think you're selling your tickets for$150. They pull the ones that are selling when they see how quickly and they see the EDPs and they see the ratios and they pull it and then they resell it for higher. And you still get the$100, but they sold for 300 other sites. Gangster. What made you get so creative to put the music with the comedy? Just my friends. It was just all my friends. It'd be no different.

28:43You'd say, hey, Rip, I'm coming through. I want to go up. Well, hey, Rip, I want to be a part of that. I want to do that. Like, Jacquees was like, Rip, let's go. And I met Jacquees in the airport. And I was like, hey, man, I'm going to put you on Wild N' Out. I think you dope. And he just came to one of my comedy shows. And he thought I was lying. And I was like, man, watch. And then two months later, he was on one of the episodes. and he was on tour.

28:59Tony Yayo:I was shook to get on Wild N' Out. Call me for that shit, man. Big shout out to Rich Homie Kwan. Rich Homie Kwan, I was like, man. That's the piece, Rich Homie Kwan. Yeah, I hit Rich Homie Kwan. And Rich Homie Kwan was like, hey man, I really, I was like, man, I got you. I'm going to put you on this Wild N' Out there and put you on there so we're going to do all these different dates. And we got him back popping. And when he passed away, I actually did the memorial for him at the State Farm Arena. Because his brother called me and his brother was like, hey man, you know, he passed away last night.

29:26I think I spoke to him the night before. and he's like this he had passed away and i was like wow and he's like everybody just it's a bad space i just wanted to tell you um because right now everybody's asking for your money that money back and we're gonna get them the money and just give a second i was like but i want no money back keep the deposit and on top of that i'm gonna pay you the balance and on top of that i'm gonna raise money for you too because i understand what you got to do real nigga shit and then i had his family come up and everybody was like oh you shouldn't do it i had his family come up i had the whole thing and we rocked that arena.

29:55We showed them so much love and in front of 20 ,000 people at the State Farm Arena. His family was sitting there, his brother was sitting there and we played his music and it was just a huge celebration. I've always just looked out for my friends and people that care about me.

30:08Tony Yayo:On a while now, how many places y 'all been around? Did they go overseas before? We did Canada and we did London. That was only two states. But April Fool's now, it's going to be in London. So April Fool's Barclay, April Fool's and then we at OVO Arena. My man got his own shit going. Yeah, and big shout out to Daniel. Daniel been riding with me every day. I know you know Daniel, man. Daniel Genie, that's my man, man. Yeah, crazy. Yeah, he's a good guy. He's a crazy, crazy dude, man. Talk about some of the writing you did, because Daniel was telling me you did a lot of writing behind the scenes, too.

30:34I write for a lot of people. I've written for a lot of people over the years on different TV shows. I was the head writer for the Nick Cannon show, Rolling Whitney. A lot of different things. But then that's just a way of continuing down your path and politicking with everybody so y 'all can come together and create that.

30:48Tony Yayo:Is that how you was able to bet on yourself? Like from doing that, stacking that money, like fuck it, I'm doing all this shit on my own. It was never about money. To this day, you don't even hear me talking about money. It's not about money. I talk about how many people it is. Got you. Got you. It's about the people. It's not about, it ain't, not one time am I going like, hey, it's going to make this. I'm going, we going to do 18. We going to do 20. But you got the Louis hat on, Louis boots, Louis jacket, Louis shirt. This is all Daniel. This is all Daniel shit. Get the fuck out. Get the fuck out.

31:15This is, ask Daniel. I promise you, ask the nigga Daniel. And you're spending the money. No. So you enjoy the money. You enjoy the money. All that ain't about the money shit. Listen, you're getting the money, you enjoy the money, you're spending the money. Nah. Nah, actually. So that's what I'm saying, Rip. Nah. You bet on yourself with the grind. You bet on yourself, Rip. That's what it was, Rip. You bet on yourself, Rip. I want to know what - No! Michael Blackson told me all this, so it's all fake. Oh, my gosh. Okay, all right. This come from a blanket on Canal. Mother sucker. Okay, so you mother sucker.

31:46Don't get me robbed out of here.

31:48Uncle Murda:You ride me. You ride this motherfucker looking at me like I'm a fucker. You don't have me out there all hemmed up. I got you, Rip. Walking through Brooklyn. I got you, Rip. Yo, yo, Hickam Rip. He coming out Canarsie. He getting off the L train. I got you, Rip. I got you, Rip.

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34:17Uncle Murda:That means flexible and engaging online courses and resources, tuition savings options if you qualify, exceptional student support, and much more. Online nationally or check out their 20 campuses across six states. Start when you're ready and get the support you need. Visit rasmussen.edu. you? Honestly, before I had a heart attack, I literally wouldn't care. Like, if you look at the old stuff, I didn't really care how I dress, like, or really care to push myself. And I always stay behind the scenes. Like, I've done these things for years, man. Like, and I never really even thought about being in the forefront.

34:51I was just always happy just to do what I do. Got you. And then, like, I thought I was going to die when I was in the hospital and I had a heart attack.

34:58Tony Yayo:You had an heart attack at the Apollo, right? Yeah, I had an heart attack twice. I had an heart attack in Atlanta and then I thought I was going to get better and then when I when I had the heart attack after the show at the Apollo I just I've been in the hospital I was in the hospital for like like eight months in in in in the Mayo Clinic in Phoenix and big shout out to Daniel and Joe and they came to visit me and when I was in LIJ big shout out to Envy and Nick Hanna came to visit me it just I just thought I wasn't going to make it and everybody thought I wasn't going to make it and I'm honestly still not better I'm on a heart transplant list so I still got to get a heart so God bless you I'm still looking for that.

35:31But that's why every day is grateful. So when I came out, I started really caring. And I was like, God gave me the ability to even be here. Like, I'm here. I'm here. It's sitting here. And I'm not supposed to be here. But I'm supposed to be here. But you're supposed to be here. But I'm supposed to be here. So now I promise God that I won't stand in the background anymore. And I'm going to share my story so other people can do it. And now I'm going to step out on faith. and I'm going to raise my stock and go higher than I was ever supposed to do because it's not about me. It's about me sharing my story so the next person can do it and it can continue.

36:07Keeping it to myself, then I'm not creating a legacy for anyone to come behind me. So I'm going to show people that you can do this. I'm going to show people you don't need these deals. I'm going to show people that you can take it from being a small comedian sleeping on the streets of New York with your daughter to selling out arenas and being number two on Polestar and having an Apollo special that did a million in like the first week. Like independently, And that's what I'm trying to do.

36:30Tony Yayo:You had a heart attack on stage? Right on Saturday stage. And it was rushed to the thing. So what goes, cause when we interviewed Tracy Morgan, he told me and Murda, I got the closest to God in this fucking room. And you're the second comedian that could say that shit too, right? Yeah. So you're on stage and you know, you're on the road, we all know the road, life, it fucks up your body. You know, Murda's drinking, you're eating bad, you're not really getting no sleep like that. Eating bad, no sleep. Now, what goes through your mind? Like, what do you see? Do you, when your eyes are closed, you have a heart attack?

37:02Tony Yayo:Like, what the fuck? Like, what did you see when your eyes were closed? Like, what was it like having a heart attack on stage? It's just crazy to me, because I think Fat Man Scoop, he died on stage, rest in peace. So like, what was going through your mind? Like, what's the mindset? said um that i hope everybody enjoys the rest of the show and that i hope that i don't stop it so it can't continue yeah that was the first thing coming to my mind because i put those people in those seats they came out because i gave them a flyer i emailed them I text them and I know how hard it is sometimes to get the money for that so that was the first thing I was thinking and then the second thing I was thinking was like what would I leave my kids behind what would my wife behind what would what did I leave them a whole bunch of behind the scenes stuff that nobody knows yeah that's what I was thinking about damn that's all that was in my mind that shit is deep you know it's great yeah see being that that happened so how do you do you get nervous now a little bit where you perform on stage?

38:16No.

38:17Tony Yayo:I'm fearless now. Got you. I'm fearless. It's fun. It's fun, man. It's fun. What did Pac say? That doesn't kill me. It only made me stronger. Got you.

38:28Uncle Murda:That's right. That's right. You strong, bro. That definitely, I'm fearless now and I'm just, because I'm like, I'm back on stage. I have an opportunity to be funny. So now I took it for granted before. I'm like, ah, da, da, da. So now every show is actually like it's my last show. So whether I got a million shows Or 50 shows Or one show Maybe the Barclays Whatever it is I'm going to live it And enjoy it to the fullest I'm going to give I can't say give it with all my heart Because then that's not that much That's only 19 % Y 'all comedians

39:01That's crazy man That's crazy You're waiting for a heart man It's a thing You're waiting for a heart It's just weird man

39:07Tony Yayo:What's the process with that? It's just a weird process Don't you got to move a little easier though? You can't be as energetic as you I keep EMTs now everywhere I go I got a home health aid and a nurse that I got to you know my readings are everyday I have doctors that constantly monitor me and some days are good some days are bad some days I don't get out of bed and some days sometimes for weeks I'm no good so I try to make sure everything continues to move with or without me and that's just a different pacing because when you you're looking for a life organ you realize that someone has to pass away or someone has to no longer need it for you to live and survive.

39:43So it just puts you in a whole different mind state. Like, I ain't gonna lie to you. Now, every time I hear an ambulance, I be like, is that my blessing? Damn, that's crazy. Is that for me? When somebody gets shot up, I be like, don't shoot him in the chest. Shoot him in the legs. Please. Headshots only. I don't need the brain. I need the heart. Please.

40:01Tony Yayo:Headshots only. Oh, my God. Only on the real. Headshots only. Man went from being so positive. No, I'm just... Happy to be here and say, Well, just hit somebody in the head so I can continue. If you're going to do crime, make no crime pact. No, I mean, yo, come on. No, I'm just trying to make it light because it's a real serious situation. Definitely. And every time I talk about it, somebody emails me or somebody DMs me and tells me thank you because they're going through it. And my heart is congestive heart failure. It's congenital because I got it from my dad, but it's congestive heart failure.

40:32So it's nothing that I did from eating. It's nothing from diet. It's just something that just over time from not knowing that this was something inside of my heart. that it just caught up. So that's why I teach preventative. I teach, tell people to go get checked out, find out what you got to do, find out before it gets to that point. So that's, and then if you notice, I donated my last show, we donated to American Heart Association. And I constantly have people like at the Apollo, we taught CPR. We constantly, I don't want anyone else to go through this. Cause you don't have to.

41:02Tony Yayo:If you would have got checked out earlier, could it prevent it? I could have lived a different lifestyle and I could have kept up, kept my own heart just a little longer. just a little longer because i'm i'm going in a thing and it's like oh they're gonna give you a stamp you know oh just because you ate too much no and then did that that right hard calf and they went in and literally like in seconds they were like stop everything and all the cardiac arrest team came in and it was like 10 doctors standing over me and then they just took me out of thing and it was just like you got to go to ccu you gotta and the nurses start changing from like being jokey jokey I'm just making jokes to in prescriptions to like asking me like who's your pastor and like quote I went from prescriptions to scriptures and uh just a hard thing to take and I did I was by myself during that time and it just it's hard man it is it is hard but God got me through it it is it is really hard when you you face with that and you got to prepare yourself your family what you're gonna live them because we all know we programmed to die.

42:05Tony Yayo:It's going on. Yeah. It's part of the program. So right there, but it's when it comes and it's right there for you. That's crazy. On stage? No, on the side. On the side of the stage. Stop. Well, just, you know, doing what you do. On the side of the stage. On the side of the stage, yeah. The first thing you think about is buy yourself a lot of fake Louis.

42:26Uncle Murda:Buy as much fake Louis Vuitton as you can. Don't let these European have your money. You give this shit straight to the black man with the blanket. He brought that Louis shit

42:36Tony Yayo:to let people know you can do this in two without these big companies. You can do it. That's why you went and got the Louis shit after you made it, man. Yep, the dude was outside your studio with the blanket and I was like, you know what? Get the fuck out of here, man. Get the fuck out of here, man. I got the jacket. You got the chain. No, man.

42:56Uncle Murda:No, this shit is real. Don't rub it too hard. It's going to fall apart. It's for sure. You can't touch it. I can't move. That's why I'm like this. Now the motherfuckers with the purses now,

43:07Tony Yayo:I've seen they got like some two strings that they hold. Like they could just, it just go. Oh, yeah. Damn, boy. They not playing with me. So you know my guy then?

43:20Big shout out to Mama Dew.

43:23Tony Yayo:Now tell us who you going to have on this comedy show, man. April 1st comedy show. I'm going to have a lot of dope people on it, man. It's got Marlon Wayans. It's got Bruce Bruce on it. It's got Bill Bellamy and a whole bunch of other people. Justina Valentine, she's calling me now. She's like, why aren't we at the Bargain Center? Justina. Yeah, it's got so many different people. So it's like a lot of cast members from Wild N' Out. Tell her leave my wrap up alone. Hold up. You want to call her right now? You want to tell her? Tell her leave my wrap up alone. Here you go. Justina, what's up, man?

43:51What's good, man? He with Uncle Murda.

43:54Tony Yayo:I'm telling him to tell you leave my wrap up alone. Oh!

44:00Uncle Murda:Oh! Wildin', Wildin', Wildin', Wildin', Wildin', Wildin'. You should FaceTime, you should FaceTime. You should FaceTime. Hold up, go ahead, put it on. Go FaceTime, it's Uncle Burda. No, you ain't ready, no. You my sis, man. I told him I love what you do, man. I'm never mad at you. I remember your cup up. I remember the cup up. You already know that, sis. Uncle Burda, look, you know you got the best rap-up. Let me just do the female rap-up and let me be the number two. No problem, sis. No problem. We got you. No problem. It feels good. You know the thing about you, you go hammer these motherfuckers.

44:39Uncle Murda:You don't hold back. Me, I do it a little cute. You know what I mean? The PG version. You the PG version. I'm rated R. Yeah, it's all good. All good. All good. All love, sis. He gonna see you in a minute. We gonna let him go in a minute. On my way, Justina. On my way. That's what I'm talking about, man. Come on. Love, sis. All right. See, Justina just called. That's right. That's right. That's right. White man took your rap up. I don't care what you say. She looked like Tommy from Power in the face. And she got Gary Owen's original ass. She got a black ass now, but before, if she stood next to you with Gary Owen, you would say they got the same ass.

45:20God damn.

45:21Uncle Murda:Shut up. Justina, man. No, if you had to. That's my dude. That's my guy. That's my guy right there. Watch your mouth. Oh man, oh man. That's my God. Hilarious, man.

45:33Tony Yayo:Yo, how do you feel about rappers beef with comedians? Because you know Marlon Wayans and 50, that shit was the crack up a little bit. Yeah, I think - 50 held it down a little bit. I don't think no one stands a chance going against 50. I don't care who it is. 50 a different animal with that. I don't know what it is. I even got my own 50 Cent story. He did a show called 50 Central on BET. Yeah, I remember that. Right? And he was doing a comedy. He would come up doing comedy. And I did the comedy on the show and I failed. And I hurt myself because the floor was like shaky or some shit. And I was like, oh shit, I'm about to get paid.

46:04And I looked up and Fiddy looked at me and I was like, no, I'll just take a G in and teach you.

46:10Uncle Murda:Size 11. Size 11. He said, I'm all good. No worries.

46:15Tony Yayo:I was like, yeah.

46:16Uncle Murda:I'm good. He was like, you sure? I was like, mm-hmm.

46:19Tony Yayo:Definitely. And I'm here today. Because Bill Bellamy, he was in Shreveport. He definitely was. Yeah, we got to get you out to him under the next event. Definitely. I would love to be a part of that, man. But as y 'all can see, Justina just called this guy because he got a sold out event at the Barclays. Tell him who you having on there, man. He came through the show with some love. Tell him who's on there. It's going to be crazy, man. It's going to be, this show is going to be absolutely phenomenal at the Barclays Center. April 4th, you got Marlon Wayans, Bill Bellamy, Bruce Bruce. Oh, yeah. Oh, my God.

46:46Michael Blackston, Louis Duval. Oh, sucker. Justina, my guy. Yeah. That's my guy, girl. Come on. You got Emmanuel Hudson. You got in the building, you got performing live Kodak Black with a blanket on his face, dancing in a circle. You got Joe and Jada kiss. Kiss Joe. Jada kiss. Yeah, they're going to be there. And I think he's going to finally show me how to cook crack on the George Foreman grill. I didn't know you could do that. That was like one of my favorite lines. He was like, first dude to cook crack on the George Foreman grill. How? Because you got to close it to heat it up. I don't know.

47:20I don't think it's possible. When I see Jada kiss, I'm going to have a George Foreman grill. I'm like, please show me how you cook crack on this way. Because I burn my hand off trying to. Anything's possible nowadays. So it's going to be absolutely crazy. And then the Fall Back of Love is coming back out. So you can see that tour coming up in the fall. Thank you so much for having me, man. And I'm going to Barclays Center, man. It was a lot of fun, man. I hope y 'all come out, man. Oh, no, we need some tickets, bro. We definitely need some tickets to pop up. Thank y 'all so much.

47:43Tony Yayo:Rip Michaels, it's the Real Report Show. You know the vibes. I know it, man.

47:52Uncle Murda:Good luck surviving the offseason, football fans.

47:55Tony Yayo:At first I was afraid, I was petrified. Football's over, it's like a part of me just died inside.

48:03Uncle Murda:200 days till football's back, but tonight I won't just cry cause I've got a ways to play. And that's the place with hard rock bet I will survive. Offered by the Seminole Tribe of Florida. Must be 21 plus and physically present in Florida to wager. Terms and conditions apply. If you or someone you know has a gambling problem, please call 1-833-PLAYWISE. and now another appliance triumph from your friends at grand appliance meet jan her fridge died days before a dinner party but she didn't panic i just called my guy at grand appliance he recommended a large capacity ge profile option with fingerprint resistant stainless steel and a convertible middle drawer i can optimize for meat beverages snacks or wine best of all it was in stock and they delivered next day another crisis averted by grand appliance shop grand appliance Get a full body reset anywhere you go with Dr.

48:56Uncle Murda:Thiel's Magnesium Spray. It's a concentrated magnesium blend of pure Epsom and Dead Sea salts, all bundled up in a convenient on-the-go bottle. A few quick sprays will relax your body and mind and keep you feeling recharged all day long. It's wellness you can feel, and you can find it in your local bath aisle. Dr. Thiel's. Yep, you needed that. When it comes to advancing your education, you have more options than you think. At Rasmussen University, we find ways to remove barriers, not build them. Like a new laptop if you're eligible and enroll in select online or on-campus programs. That means flexible and engaging online courses and resources, tuition savings options if you qualify, exceptional student support, and much more.

49:39Uncle Murda:Online nationally or check out their 20 campuses across six states. Start when you're ready and get the support you need. Visit rasmussen.edu.

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From the publisher

This week Tony Yayo and Uncle Murda invite Rip Micheals onto the show as he discusses growing up in Chicago, the differences between New York and Chicago pizza, and his rise through the comedy scene into Wild ‘N Out where he has spent over 20 years developing talent and building a platform. He breaks down transitioning from comedian to promoter, the business behind comedians reaching superstar numbers, and the structure of Wild ‘N Out Boot Camp, while sharing stories about the toughest crowds, top comedy greats, and why New York audiences demand the most. Rip also reflects on moments like T.I. getting booed at his show, navigating crowd work, a Kevin Hart story, working with artists like Jacquees and Rich Homie Quan, and turning down company opportunities, along with personal experiences including his heart attack, becoming fearless, waiting for a new heart, a 50 Cent story, and a closing moment with Justina Valentine.

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