In short
Tony Yayo and Uncle Murda discuss 50 Cent beefs and hip-hop rivalries, how modern media (VladTV/YouTube/podcasts) drives money without needing to drop music, and street “temptation” stories about avoiding criminal layups. They also trade anecdotes about international fame, security, and touring (Colombia, Germany, Dubai/Turks & Caicos), plus debates about whether people still care about “rats” versus just listening to good music.
Guest backgrounds
- Tony Yayo: G-Unit affiliate/rapper; known for street credibility and involvement in major New York rap beefs.
- Uncle Murda: New York rapper/rapper-turned-podcaster; long-time battle/rap scene figure with stories tied to NYC crews and rivalries.
Key claims
- YouTube/interviews can replace music releases as a major income stream.
- “Temptation” is often the trap: even when a plan seems legit (e.g., a “boat with 4,000 keys”), it can lead to federal trouble.
- Fame levels change behavior and safety needs; bigger stars require real security.
- In the streaming era, audiences care more about good music than labels like “rat,” though some still refuse.
Notable examples
- Colombia trip with J Balvin; drug-sniffing dogs at airports.
- A Miami friend allegedly offered a quick $2M by moving a boat of “4,000 keys.”
- Chicago incident where Young Buck allegedly tried to test Fat Joe/Crack and a fight broke out.
- Stories of Mark Anthony and other international celebrity moments, plus security/fan dangers.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VODiscussing Guest Selection and Relationships
4:21 to 6:01
The hosts discuss their guest selection process and the importance of relationships.
“You know I always got to take care of my people.”
Fashion Choices and Personal Style
6:01 to 8:01
The guests share insights about their fashion choices and personal style.
“I feel right now we in the times where D-Exchange, where you can hit the artist yourself, like, yo, I need you on the show.”
The Evolution of Music and Media
8:01 to 10:10
Exploration of how music consumption has changed with technology.
“When he come on here, I'm going to listen shit to God.”
Dangerous Temptations in the Music Industry
10:10 to 14:01
A discussion on the temptations and challenges faced in the music business.
“There's certain people that whenever they do an interview, I've got to press play.”
Reflections on Street Choices and Temptations
14:01 to 16:56
The hosts discuss the challenges of street life and the tough choices faced by hustlers.
“I know shit is fucked up, but you a hustler, man.”
Fat Joe's Health Journey and Self-Perception
16:57 to 17:45
Fat Joe shares his health journey and amusing observations about his self-image.
“Meaning, if you ever wanted to know what Fat Joe was in his childhood.”
Upcoming Movies and Their Relevance
17:46 to 18:58
The hosts discuss potential upcoming movies and their implications in the film industry.
“You can bring a nigga back, his cousin, his nephew pop off.”
TV Shows and Recommendations
18:59 to 20:08
The conversation shifts to recent and popular TV shows, highlighting favorites.
“But Snowfall, it started too slow for me.”
Beefs and Rivalries in Hip Hop
20:09 to 21:45
The hosts delve into past beefs in hip hop and their personal experiences with rivals.
“I was too busy thinking they wanted to be Franklin.”
Young Buck Encounter and Stories from the Past
21:46 to 23:48
Fat Joe shares a detailed story about an encounter with Young Buck during their beef.
“50 cent rapper real funny gets your nut off.”
Show all 39 chapters
Discussion on Loyalty and Movement
28:00 to 28:14
Exploring the dynamics of loyalty within the music industry and personal relationships.
“Because the nigga ain't down with the movement no more.”
Discussion on Loyalty and Movement
28:18 to 29:08
Exploring the dynamics of loyalty within the music industry and personal relationships.
“You can bet NBA games any night on the app.”
Discussion on Loyalty and Movement
30:15 to 31:51
Exploring the dynamics of loyalty within the music industry and personal relationships.
“While the world keeps finding new ways to nickel and dime you, Boost Mobile gives you unlimited wireless at one set price for life.”
Reflections on Past Rivalries
34:16 to 35:38
Discussing the historical rivalries and tensions in the hip-hop scene.
“I never, look, I never had a problem with Buck.”
Fame and Its Impacts
35:38 to 42:00
Exploring the complexities of fame and how it affects personal lives and relationships.
“But I was, you know, shouting Roc Nation.”
The Dangers of Fame and Fan Interactions
42:00 to 43:36
Exploring the risks and experiences of high-profile fame.
“I mean, like, niggas in front of your house and all that, because you know Selena, it was her number one fan who killed them.”
Discussion on Music and Generational Shifts
43:36 to 45:30
Debating the impact of artists' credibility and music quality over time.
“but for many years he was the only guy that could come today and be like Concert in Madison Square Garden tomorrow, that shit sold out in 10 minutes.”
Rats in the Industry: A Tough Conversation
45:30 to 48:26
Tackling the sensitive topic of artists who have snitched and their acceptance.
“And I ain't fucking with nothing he's doing to nothing he's saying to nothing he's doing to nothing.”
Tony Yayo's Journey into G-Unit
48:39 to 55:14
Tony Yayo discusses his early interactions and eventual signing with G-Unit.
“They going through the Joe and Jay defeat.”
Debating Legends: Ice Cube vs. Biggie
55:14 to 56:00
Engaging in a heated debate over the legacies of Ice Cube and Biggie Smalls.
“Just like how you had Terror Squad and certain artists could feel like they are Fat Joe after a while.”
Debating Hip Hop Greatness
56:00 to 58:01
The hosts discuss their opinions on hip hop legends and debates about their rankings.
“It'd be hard sounding artists and having artists because they start feeling like, you know what I mean?”
The Boxing Showdown Announcement
58:01 to 1:00:21
An introduction to an upcoming boxing match featuring Jake Paul and Anthony Joshua.
“When I'm out of town, I fight for New York.”
The Boxing Showdown Announcement
1:01:24 to 1:02:11
An introduction to an upcoming boxing match featuring Jake Paul and Anthony Joshua.
“After 30 gigabytes, customers may experience slower speeds.”
The Boxing Showdown Announcement
1:03:28 to 1:03:41
An introduction to an upcoming boxing match featuring Jake Paul and Anthony Joshua.
“Monthly rates on the Total Base 5G Unlimited plan.”
Reflections on Past Beefs
1:03:41 to 1:10:01
The hosts reflect on their past conflicts and beefs in the hip hop scene.
“This is Tab Ramos from Inside American Soccer.”
Life After Jail: Tales from the Streets
1:10:01 to 1:17:41
Listeners will hear about the experiences and challenges faced after incarceration, including encounters with famous personalities and the dangers of street life.
“That first thing we went to Mexico, I think it was the deep cover soundtrack he was on, Rowdy Rowdy, back then.”
The Hustle and Early Connections
1:17:41 to 1:24:00
The discussion dives into the hustle of becoming a rapper, connections made with influential figures, and the stories behind their rise in the music industry.
“He'd be with Jack Scooter, Tut, Henchman.”
First Encounter with Styles P
1:24:00 to 1:25:29
Tony Yayo shares a story about meeting Styles P and his early experiences in the studio.
“I don't know if your leg was fucked up or something, but I know you was already in the van at the time.”
First Encounter with Styles P
1:26:04 to 1:26:43
Tony Yayo shares a story about meeting Styles P and his early experiences in the studio.
“Hi, it's Colin Coward from the Colin Coward Podcast.”
The Story of Getting Shot
1:29:04 to 1:31:40
Uncle Murda recounts a dramatic story about a shooting incident and its implications for his persona.
“They introduced me to him, yo, this old murder niggas got shot, nigga.”
Beef and Promotion in Hip-Hop
1:31:40 to 1:33:22
Discussion about the promotion, beef, and the stories artists create to enhance their image.
“I said, probably about six months later.”
Collaborations and Competition
1:33:22 to 1:35:24
Exploration of competitive dynamics in rap collaborations and how artists push each other.
“You feel like the new music is microwave music or no?”
Reflecting on Biggie's Legacy
1:35:24 to 1:38:01
A heartfelt discussion reflecting on Biggie Smalls' impact and legacy in hip-hop.
“What you going to do if they put you on the court with Jordan, Ron, Kobe, Shaq, Tim?”
Biggie's Legacy and Reflections
1:38:01 to 1:40:19
Exploring Biggie's impact and circumstances surrounding his life and death.
“Nigga went in, he was on a stool, but his leg was still hurt.”
The Evolution of Rappers and Beef
1:40:20 to 1:42:11
Discussing the change in perception of rappers and the nature of hip-hop beefs.
“Because we get to look at it from the third time.”
The Role of Entourages in Hip-Hop
1:42:12 to 1:44:47
Examining how entourages influence actions within the hip-hop community.
“And no disrespect to Diddy, but no more shiny suits.”
Upcoming Projects and New Ventures
1:44:48 to 1:45:42
Announcing new podcast and ventures in the cannabis industry.
“Because I heard you was going to get me first.”
Upcoming Projects and New Ventures
1:46:06 to 1:47:34
Announcing new podcast and ventures in the cannabis industry.
“He said, I said, yo, I need you on the box, man.”
Upcoming Projects and New Ventures
1:48:30 to 1:48:47
Announcing new podcast and ventures in the cannabis industry.
“We all get distracted when we drive, but how we handle these distractions can be a matter of life or death.”
Transcript
Automatic transcript. May contain errors.0:00You ever notice how everything keeps going up? Rent, streaming, even extra salsa at your favorite burrito spot. But with Boost Mobile, you don't have to play the will this go up soon game. Boost Mobile offers an unlimited talk, text and data plan at a price that'll never go up. It's the same price you'll pay for life. Switch now for unlimited wireless at a price that'll never go up. Only at Boost Mobile. After 30 gigabytes, customers may experience slower speeds. customers will pay$25 a month as long as they remain active on the Boost Unlimited plan. Hi, it's Colin Coward from the Colin Coward Podcast.
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2:09When you own your own business, you need to keep things moving. Need to book a last-minute flight? Earn a$300 travel credit to cover that. Need to take a meeting before takeoff? Do it from the comfort of the Chase Sapphire Lounge by the club. Need to catch your breath before you board? Done. Chase Sapphire Reserve for Business. The business card that gives back all you put in. Visit chase.com slash reserve business to learn more. Cards issued by JPMorgan Chase Bank. Any member of DIC. Subject to credit approval. Terms apply. Welcome to Real Report to the Volume family, which is Tony and your uncle Murda that have their own podcast on Volume.
2:48Definitely. We part of the ValueMup family. They going through the Joe and Jay defeat. That means we getting money together. Exactly. Let's toast some$1 ,800. Yeah, definitely, definitely. Dropping in January. Dropping in January, the real report.
3:18What up, y 'all? This is Joe Crack, the dog. You know who it is, your boy Jada. The Joe and Jada Show. Every show legendary. Every show iconic. And we fucking crushing shit. Pardon my French. Killing them. Don't pardon me. Fuck them all. When you think of today's guests, think of loyalty. You think of controversy. Somebody give me a lighter. Who got a lighter? You think of, uh, Of course you think of cannabis. You think of history in the rap game. You think of surviving. You think of starting from the mud and being a part of a legacy of a dynasty. You think of the end of the year wrap up. You know what I mean?
4:02This is time. You think of Queens. This is that Mariah Carey. You think of Brooklyn. That bad keep coming back at the end of the year. You think of East New York. East New York. Southside Jamaica Queens. Oh. Ladies and gentlemen, make some noise for our guests today. Yeah. Yeah, yo, and Uncle Bill. Yeah. Whoa. Whoa. Whoa. Yes. Whoa. I like that introduction. Kiss. Whoa. You know I always got to take care of my people. Yeah. I've personally been waiting for this episode since we started the podcast. We started the podcast. This guy said, yo, we fucked with him too much. I said, Jada, who you want?
4:39And they were saying Dick Gregory. Yo, rest. Yo, Cosby, this motherfucker. He can't have enough sex. Wendy Williams, mom's Cecil. That nigga. Beyonce, like shit. I was like, yo, by the way, Jada, I don't know if you know, we ain't get none of these niggas on here. I think we can get Yayo and Uncle Murda. I think the ratings will be great. I give them a list, and I know they wasn't going to get. None of them. I was asking me for people, and they really don't get none of my people. You see? You know what I'm saying? It's a rare case that they get them people. He wants to rock, grab pick. Oh, Lord.
5:20He's just his adjunct. I asked for regular. Not regular, but I asked for people that I thought would have been no brain. Mm-hmm. You know what I mean? They kept spinning me. I got digits. Got you. They call themselves having a meeting. Yo, let's get together. Let's ask Jada. Me, I was in the crib smoking. I didn't want to keep playing with me, actually. But Jada, you got to hit him yourself. I sent them a crazy shit. Make this happen. Jada, you got to hit him yourself.
5:49Tony Yayo:You got to hit whoever you want on the show yourself. Because you Jada Kiss. That's what I'm saying. I'm just keeping it real. That's the next season. I got to keep up on negotiating power. Yeah, yo, it's a lot of shit. Hold on. I like that. I'm paying attention. I'm paying attention. I feel right now we in the times where D-Exchange, where you can hit the artist yourself, like, yo, I need you on the show. You know we have these relationships. The man ain't want Muhammad Ali. He asked him for Cassius Clay. He asked him for Red, not Malcolm X. The man wasn't. Detroit Red. I said, that's for they ass.
6:26You know, you two's a partner. This is my partner. So when he come with the list, I said, that's for they ass. You know, they kept asking him. They kept fucking with me over here. You want Whitney Houston back. You know what I mean? Yeah. This nigga's fat. Whitney Houston. He's saying the craziest shit that man kind. Ladies and gentlemen, part of my partner, he's wow. No, I'm fried. But yo, we got, yeah, yo. Yeah, we in the building, man. We got Uncle Murda. Uncle Murda, this is your time. Yo, listen. When you see the Christmas trees, you know your time. You got to throw a wind high. We crushing, nigga.
7:01Somehow you got to throw that in. You already know Joe. Joe told me that as soon as I walked in here. He said, listen, nigga, rookies of the year, nigga. Rookies of the year, nigga. That's a fact. Y 'all crushing shit. Y 'all crushing shit. That's a fact. That's a fact. Y 'all crushing shit.
7:16Tony Yayo:But do y 'all have stylists or y 'all dress yourself? Nah, this is all out of pocket, baby. You know what I mean? No, I'm just saying. Do a stylist pick your clothes or do you? Well, most of the times I pick my own shit, but I do have We have Duke, yeah. Yeah, I got Danny. Shout out to Danny. But today, Danny is with her grandmother. You know what I mean? But sometimes the artist playing out of the closet. I got what to wear. I do. He be out of the closet, too. He just got that shit. No, sir. My style is putting together something. I got an outfit because 50's supposed to come. I got a premeditated outfit for 50.
7:47This kid make his outfit according to the guest. Yo. Yo. Yo. Yo. Yo. Yo. Yo. I already got Christmas at Madison Square Garden. That nigga going to catch the blues. You know Westside Gunner. You know he be dressing and he be doing this. I know Westside Gunner. When he come on here, I'm going to listen shit to God. That shit going to be like flashlight then. That nigga going to look. He going to be like, God damn. I shouldn't have came up in this bitch. I got the 50 cent outfit pre-med. I got Christmas.
8:16Tony Yayo:So look, if you rushing, how do you get flopped? Because if you rushing, you know when you in a crib and you You rush, you just kind of fucking. I really don't want to tell you, yeah, yo, because I don't want these people to think I'm, like, I go to the supermarket, dip fresh. You'll be a Fendi sweatsuit, a Louis Vuitton sweatsuit. The name, I'm a gym. Get up! Get up! Yeah, yeah, yeah. Get up, see ya. Get up, get up. Let that shit. Why you got to get fresh to go to the supermarket? I got to. I'm from the suburbs, man. I'll be having a sweatpants. I'm from the suburbs, too. I'm from the suburbs now.
8:46Tony Yayo:I got my sweatpants on. I see you got the quarters here. I see you got the quarter zip. No more 90s. Oh, that L-O shit, my yes. Oh, that shit. Got that shit. Yo, that boy, yeah, yo. You might be the most. See, we all hustle. Right. Be him, all of us. Right? You know what I'm saying? One day, you're a highly paid hype man. Right. One day, you doing your cannabis, opening up cannabis joints. The next day, I think you're the most. I'm going to give you an example. No, no, no. This is where I'm going. All right. I'm going to give you an example. I think you have the most, you make more money for doing your Vlad interviews and doing them interviews.
9:29Right. Like, that's a nine to five. Like, that right there, you got that budget. Like, you know how somebody got, I make$200 ,000 a year. I think you do that with this Vlad.
9:39Tony Yayo:I don't want to disclose the numbers, but Selke, you ask. Oh, you're killing that nigga. But he makes a lot of money off me, too. Yes. So it's like, in YouTube, like, you don't have to drop music anymore. All you got to do is go to YouTube, and you got Instagram now. It's a whole different thing. A lot of ragging new streams, yeah. You know, like, when you get in the car, you think about it. You really don't listen to radio no more. Your car got Apple Play. It got all the stuff. It's serious radio. All kinds of stuff. And then when you in the house, I'm going on YouTube. I'm just keeping it real.
10:07Tony Yayo:Keeping it honest. It got to be an ill show on TV for me to go to TV. You the king of the podcast. Nobody could fuck with you. Nobody could fuck with you. Damn, damn. Nobody can fuck with nothing you do. There's certain people that whenever they do an interview, I've got to press play. I think what people like is that I got substance. Like, I think the money don't really mean nothing to cause. Y 'all, we all legends in the game. Keep it real. Like, I think it's the experiences. I got a billion dollars worth of experiences. I don't got a billion, which I did. You know what I mean? You're going to turn it into.
10:36Tony Yayo:Just like we just did J Balvin. When we went in the crowd, I'm like, damn, fuck rap. This man got 80 ,000 people here. Six hour show In real talk In Colombia Look Nobody knew who the surprise guest was He had 30 surprise guests I'm like yo So he did this 80 ,000 by himself Yeah Shit I'm ready to start rapping in Spanish Nigga For real I'm looking at the crowd We came out It's just a whole different type of Fucking atmosphere Yeah Like experiences like that You know what I'm saying These Well shout out to y 'all for going to Colombia What was that Colombia like That shit was crazy It was crazy.
11:13It was crazy. J. Bally. The dogs was sniffing the bags. They serious with them drugs out there, man. I had a bag that some weed came in. Just in a, you know, it wasn't no weed in my bag, though. The dog knew that it was weed. Somewhere around there. He was going crazy on my bag. He was in his bag. In my bag. I'm like, dude, they pulled me to the side. I just saw first Martina leave like Honduras. He was like, yo. Yeah, they were playing in Colombia. Yeah, they serious. Think about it. They sniffed the fuck out of there. Yo, they were serious, man.
11:40Tony Yayo:What's your nigga Brit course in Colombia? shit probably like 2G. So if you on a private jet, they like... They throw y 'all game for J Balvin. They throw y 'all game for J Balvin. Y 'all game for J Balvin. They like... Word. But shit like that, them experiences, you know what I'm saying, going to Columbia, J Balvin, coming out with that nigga, like that shit. You talk about the temptation, right? I had a guy, I told J to off the thing one time, but I had a friend of mine when I say he was the king like he had all that crippy all that shit in Miami anything they was selling on that in Washington Heights one day he did a meeting and looked like the godfather everybody who wanted to kill each other was at the table I'm sitting there Fat Joe the Rapper like Jesus like this I know him from Miami old Cuban guy I don't know how he knows these niggas in Harlem Queens was there all the niggas was there at the table right I'm sitting there with Everybody we thought was a drug lord in New York, this nigga was the...
12:43And he's just my friend from Miami. But the point is, he used to tell me all the time, yo, just fill the tall bus up with the yalla. You go up one time. I got... And I'd be like, it's tempting. But I was like, yo, I ain't coming up in the game to get caught up with a fucking bus full of...
12:58Tony Yayo:Unless they call that K-9, let's be finished. You know? Yeah, but the temptations. You know, anything that seems too good to be true or seems too quick, you know if you feel like even if you trust a nigga and it's too quick this guy tells me I'll tell you a story this guy tells me just me me and one of my mans me and one of my mans fell on hard times at the same time when I met him he had 48 condos and crypt this nigga was loaded but the feds when they took my money for taxes they caught him for some shit so he comes home He said, yo, Joe, where you at? I said, yo, come through, pick you up. So he drives me, and he stops in a place in Miami.
13:43He said, yo, there's a boat there with like 4 ,000 keys. If I just take it and move it, I can make like$2 million right quick. I'd know the nigga for 20-something years, this and this and that. So I looked at him. I said, yo, I said, you just did about five. I know shit is fucked up, but you a hustler, man. you're going to find a way to get this bread. You're going to find a way to come back. I don't know. I know you know him for 20-some years, but every single time, it's like Boston George and Blow. Every time it seemed too good to be true, that it's the layup that's right there, it's something.
14:21So he ain't do it. Now he's super caked up. You know what I'm saying? He flipped this shit to the music business. I don't want to say who he is, but now when I see him, I was like, you know, I told you not to go in there. Fuck it. Don't take that boat. You know what I'm saying? He took me there. He was like, yo, Joe, they got the boat there. You know what I'm saying? I was like, yo, I don't think you should fuck with it. And sometimes it's that one little thing where you know. You know what I'm saying? You know when you caught, you caught. When the niggas grab you, you don't know what you caught for.
14:53But you're like, damn, I did too much shit. Let me see what they got. Stay quiet. Let me see what's going on. Because when they got you, they got you. You know what I'm saying? But, you know, thank God he ain't do it. But that temptation that.
15:06Tony Yayo:I think the average brother from the street would have did that. 4 ,000 keys. Keeping it real. Murdered on front like you. Boat. Don't say you wouldn't try to snatch that boat. No, I know. But he needed a fat Joe to tell that nigga. It's most likely. Skinny Joe. Yo, you know I'm skinnier than I ever been. I went to the doctor. Come on, yo. Come on, yo. Yeah, Joe. Well, your health journey, man. Yeah, Joe. I mean, 242, you can be 222. You're stupid. Yo, let me tell you something. Let me tell you something.
15:42Pre-freditated. Let me tell you something, man. I ain't never been 242 in my life. I'm like the movie Shallow How. I still think I'm fat, Joe. So when the man told me 242, I said, you sure? He's like, yo, 242, you know, give or take. The shirt might be 2 pounds. You might be 240. I'm like, what the fuck? I'm like the movie where the dude keeps saying that he, she's fat, but she's skinny. Like, I think I'm Fat Joe. Like, I swear to God, I move like I'm Fat Joe. But I actually lost man weight.
16:15Tony Yayo:This shit is bogged out. Yo, what was that first movie you was in as a kid? You was fat in that shit. I ain't gonna lie. Do you look at your movie and be like, on the train? What was that movie you was in? It was called Prison Song, but I was fat. I watched that. I was a kid in that shit. Got to watch that shit, man. My first name in the hood ever in life was Fat Joey. Two years old, one years old, shit. They was always called. Because how old? You was like 16? You was a big kid in that movie. You was like, fuck. He was old in it. Nah, he was like 16, 17 in that. Listen, when we was with Punt.
16:45When we was playing that movie. When we was with Punt.
16:47Tony Yayo:Nah, it was a movie where you was a real little kid. You know what I'm saying? It was probably like the first movie you ever been in. Nah, he think he was him. You thought he was in French? Nah, not French. Yo, yo. I can't fuck with that. I'm over here thinking that. I'm not busting the dope moves. Damn, was that Joe that fresh? No, but I am Chucky from Fresh. Yo. Like, I am Chucky from Fresh. Meaning, if you ever wanted to know what Fat Joe was in his childhood. Busting the dope moves. That was my man, right? It was exactly him. Yeah. Busting them dope moves. Busting them dope moves. That was a classic.
17:17That was me.
17:18Tony Yayo:I always took all the old movies is better than the new movies now, bro. Fresh was a classic. Yeah. Yeah. But that was me. My fault. They can't figure these new movies out. Are you trying to do Scarface 2? That's ridiculous. Too late for that set, right? I think it's just a rumor. Son of Scarface. I seen yesterday they doing Jareem Akbar from New Jack City. I said, how they doing? They going to make it work? I guess they going to figure it out. You know, your man 50 done put the son of a tiger. That nigga's on Power 67. Nigga like, that nigga created that. You can bring a nigga back, his cousin, his nephew pop off.
17:53They're like, fuck that. We don't make it work. Cipher going on. I bet you there's a nigga somewhere in there like, I'm going to get a spinoff. Like me, I'm going to have my own shit. The spinoff got to work, though.
18:09Tony Yayo:Kareem Akbar. No, it got to work, but, you know, I mean, obviously that man know how to make the shit work. Of course. You know what I'm saying? That man, he - And I think with TV, it's timing, because there be times where there's nothing on TV. Like, all right, cool. You had Godfather Harlem. That was dope. I love that. You had Snowfall. That was dope. power was out. At that time, I'm locked into all three of them shits. Right now, I'm Mayor of Kingstown. You know about Mayor of Kingstown? I'm just getting hurt with that. I'm just getting hurt with that. Yesterday, I looked at you. Mayor of Kingstown?
18:41I don't see you putting me on. How many seasons is King? Four seasons? But they move fast. You're going to love this shit. Mayor of Kingstown, I'm going to check for that. I love that shit out in the UK. Marble. That was big. Marble. Marble. You was watching that. Yeah, Marble. Top Boy was crazy. I never got to that nigga. Top Boy was crazy. Well, you know what I never got with? And y 'all going to kick me. I mean, it's flags. At the time, I thought that myself. But Snowfall, it started too slow for me. And Rich was watching it. Snowfall was classic, bro.
19:16Tony Yayo:You bugging out. Who produced that again? John Sting. He passed away, right? Rest in peace. That wasn't classic. No, Snowfall was there. John Singleton came to me. What's the actor name? That put him on. John Singleton came to me, OK? For Snowfall. We have, no, we have. Yo, you full of shit. Yo, this guy. Yo, listen. That's what I was thinking. You mean, baby. I was saying, he said Snowfall. He thought that. I was saying, he said. I did think it was Snowfall. This guy is a mad subliminal nigga. When I watch the episodes, I see him shooting me from the, like, this guy's the guy you. He's with me.
19:52Carlitos, right? You stay here. The nigga Benny Blanco told him no. You stay here. I watch the episode. I get the, yo, he's killing me from the side. He thought you was about to say John Singleton came to you for snowfall. Don't kill me from the. Oh, kill me from the side.
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20:10Tony Yayo:That's crazy. Yo, kill me from the side. Y 'all late. Y 'all are late. Y 'all are late. I needed a red flag for that one. Whoa. Yo! See, that's, I didn't even hear that. Y 'all didn't hear that? I was too busy thinking they wanted to be Franklin. Give me some more flags. I need some more, man. Joe, what's going on, man? You need a red one, too. That was a red one. Yo, I'm old school. Nah, I know, but come on. Nah, that's it. Come on, man. He would have been a hell of a Franklin. Everybody know. They was like, everybody was like, yo. Nah, that shit foul, man. I only want to repeat that one. Yo, that shit foul, though.
20:49Tony Yayo:It was either you or the dude from the UK. We in a new generation. We had beef with y 'all. We had beef with y 'all. We're not elaborating on that. But you know what the biggest shit used to get me, man? When you used to do this. Stick it talking. Stick it talking. This nigga talking to me. This nigga right here. Yo, that nigga know he doing his shit. Oh, you know what this is. You know what's crazy? Oh, my God. Everybody we beef with, I looked up to. They thought it was this? Everybody we beef with, I looked up to. I be in my man Fat Shot basement, rest in peace. DJ Rough Hands, I'm playing your first album.
21:28Tony Yayo:Ding, ding. I'm playing. Like, I'm a fan. I'm listening to Cam. I'm listening to Jada. So we in the basement listening to y 'all. So for me, it's like, I didn't have no beef for nobody. But you know, 50 was the bad guy from How to Raw. But what fun dissed him on the first album? I was kind of excited about that. Rest in peace to fun. And we in the car, capital punishment. I take 50 head off. 50 cent rapper real funny gets your nut off. In real life, you don't know me, I blow your motherfucking head off. Look, we wasn't on. So I'm in the basement listening to y 'all. I said my name. Even Jay, I'm about a dollar.
22:00Tony Yayo:What the fuck is 50 cent? We was excited. Oh, shit. Yeah, that shit recently. And know who we is. Yeah, they know who you are. In the eye of our shit, we going to LAX. I'm flying home. It's me and Groovy Luke. Shout out to Groovy. Shout out to Groovy. 14 of y 'all sitting on the curb good thing they didn't good thing they didn't look to the right hell yeah you hit them with the OJ Simpson yeah cause battling y 'all it's the whole fucking G unit right there with extra niggas that wanted catch felonies it was one of them please let this door right here I'm gonna tell you I'm gonna tell you one time I'm in the district we gotta run to the gate y 'all didn't even see it It was one of them.
22:44Look at that. I'm glad. Look at that. It was 18 deep. It was me and my nigga and I only eat plants. He didn't have a chance. He didn't stand a chance, yo. I said, yo, please let this door right here be open. Yo, you know why? We're going to go in this door and get to the fucking gate. I always think nothing ever happened.
23:07Tony Yayo:Like one time I'm coming out of the Diamond District. And you know, Pistol Pete was like, he just was like considered the most grimiest nigga. Like, yo, this nigga catch you. He's the jail nigga. He ain't been up north. He's going to catch you. Knives all that. You know, I told you about the Spanish niggas. Yeah, yeah, yeah. With the knives in the bro. Some bravo nigga. I wrote that in a rhyme recently. I seen that nigga coming out the district. You know when you know these. You just know when niggas are killers. Like, he had two little niggas. These niggas was like four foot one. They never left the block.
23:36Tony Yayo:But you could tell. I'm like, nah, these. I had niggas with me, too. Thank God. but like you could tell the two little niggas he had, they get busy. I could just tell. I could see. I'll tell you breaking news if I never, I never told nobody I said this story before, but because we saying that I might as well. But you know, I caught Yumbuck in that time. Oh, shit. I never heard that story. You know he ain't going to tell 50 that. Yeah. Call Yumbuck. Tell us the story because he ain't going to tell 50. Man, he got two-piece legend. Like, oh, shit. Yeah, yeah, Yumbuck, man. That nigga tried to front on me.
24:07He said, he said, uh, I'm telling you. They put hands on Buck. I'm telling you. Supposed to be no head. No. No story or you want the story? I want the story. I never heard this. Nigga, I'm out of it. So I'm at like a winter jam, not a summer jam. I found out Fat John and I'm going to put hands on Young Buck. That's a fact. I'm just thinking of shit in my head. Go ahead. Go ahead. Keep writing, Murda. Keep writing. I'm over here writing while we doing this. To this point, he said, yo, Fat Joe, real nigga. You haven't told that. So to this point, he said Fat Joe, real. I didn't. We was talking. You already said it.
24:50All right, fuck it. Nah, fuck that. Finish that shit. Go ahead. I need this shit. Finish that shit, Joe. Damn, I want to go to Nashville, Tennessee, one day. It's so good. I was just supposed to go out there. And I needed some air power. You ain't got nothing to do with this. He just deaded my money in Nashville. Go ahead. So what happened, man? Go ahead, man. Nah, he fronted on me. So we in Chicago, right? And if you talk about the pistol beat little niggas, no, I had the ugly ones with me. Ugly ones. Ugly ones with me, right, in Chicago. And so I'm coming off stage. It's like a summer jam, but a winter jam.
25:28It was winter, right? So everybody on there, Young GZ, Fab, there was a lot of witnesses, too. Nobody be, I don't know, They don't never tell my stories. When I'm the victor, I never hear the story. You know what I'm saying? So I'm getting off the stage, and it's dumb dark. Like, it's mad dark. And there was somebody up on the second thing. He was like, yo, crack. Yo, crack. But I just got off stage. I'm ripping it down. Chicago. I'm walking down. He says, yo, crack. You hear me, nigga? I look up. Oh, it's Yumba. I got a water bottle in my hand. Fuck out of here. I throw the water bottle up there.
26:02I said, come down, pussy. Come down. Damn. Come down, pussy. Yo, I'm going. Oh. You know, I don't never get like. So when he came down. I don't know. I don't get tested. Like, it's very hard to test me. Yeah, yo. I'm telling you, I'm going. Come on, man. I just black out. So I'm waiting for the nigga. The nigga up there, he got to come down the staircase, right? So I'm losing my mind, right? Like, yo, come there. Come. He had a bunch of niggas with him, too. A bunch of Chicago dudes with him, right? So the cops come and they form like a barricade. Like there's like five cops. They close the staircase so he won't come.
26:44He took too long to come down, by the way. Like, you know, when you see a nigga, you ready to tear him up. You down. He's taking too long, right? And so when he comes down, he's in the staircase and he's trying to tell me like, yo, this ain't got nothing to do. But he was just talking crazy. He tested me to see if Fat Joe was pussy. You know, a lot of niggas is pussy. They act like they tough, but you catch them. So you sure he just wasn't saying what up?
27:06Tony Yayo:Like he said what up? Hell no. It was at the height of the beef. Oh. So he's in the staircase. Yo, I wasn't this and that. But he poked his head out just one second over the cops thing. When niggas caught the...
27:26What'd he do? Even the barber hit him. So what'd he do? Even the barber hit him? He hit us with the, my bag, yo, it wasn't like that, this, this, that. Damn. Then we jumped. I tell you, I had the ugly niggas with. He said, my bag. I'm just thinking little lines again. No, I'm just telling you. It was like, yo, yo, yo, yo, yo, yo, it happened. I never heard this story. It's the first time. I'm telling you the truth. That's great. Now, believe me. There's a lot of stories we never heard. He, um. He's not the one that come up yet. He can't come up here anyway. Come on. Because the nigga ain't down with the movement no more.
28:03He can't come up here. Say his... What he gonna say? I'll tell him in his face. Come on, J.D., you fucking with... Listen. I know. Look.
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34:21Tony Yayo:You want to talk about Buck? I never, look, I never had a problem with Buck. I never kicked him while he was down. I just think, you know, back in the days, you know, come on, we from New York. When we was at war, it was all grimy tactics. Oh, yeah. I could tell you your grimy text. I could definitely tell you your grimy text. Remember when he got Greenland fired back in the day? You don't remember that? No Greenland slants on here, man. No Greenland. Yeah, Green is family. Green is family. Green is family, man. Green is family. He put you to the infancy. No Greenland. No Greenland. Green is family.
34:58You ought to watch Jada and Beef, man. That's all I can tell you about. Greenland. You don't remember that? Y 'all don't remember that?
35:05Tony Yayo:No, I'm from. Y 'all don't remember? We don't want to remember that. No, we don't want to know. No, fuck that. We want to know. Everybody gets it on this shit. This is Yayo and Murty. This is Yayo and Murty. This is the yay. Fuck all that, nigga. They in the building. This ain't no regular shit. This ain't no regular shit. We talking that shit. What happened? What he do to his ladders? Yo, we was talking last night, like, yo, we really in the Roc Nation building? What's the plan? But I was, you know, shouting Roc Nation. Hey, listen. That was the red flag. I can't believe it. I'm like, oh, shit.
35:46Toughest person in this building is Jay-Z's sister. You see how you stay away? Sis don't play that shit. Sis don't play that shit.
35:54Tony Yayo:She on that beef. You don't remember that? They hurt my feelings a lot of beef. They like to kill you on rec. They kill you. Oh, no, they going hard. I hated that beef. There was nights I was like, fuck the nigga. You're hurting my feelings. So look, nah, niggas hurt my feelings. So look, Jada Styles, them niggas hurt your feelings in the back. You too, Joe. You just be going in. So I forgot what it was. We was beefing, and Green Lantern was DJing for Eminem. True story. And Jada recorded him. He was talking mad shit. Fuck them niggas. He didn't even say that. He didn't even say that. So it was mad funny.
36:31Tony Yayo:He was talking secret strategic battleship. But to this day, I wanted to ask him on the show. Look. Greenland. Strategic shit. Greenland is damn. Did you get him fired? He got fired. Did you record him? Keep it real. You recorded him. Then that's dangerous. It was involuntary. It was involuntary. You were recording? I got to buy some shit. During the beef. And he put it. And how did it get out? How did that get out? It was before. It was strategic. I stay real. Yeah. I be talking with Jada. I be like, I be talking to Jada. I be like, man, fuck these white niggas over here, man. They trying to this and this and that.
37:11I don't watch where I sit around and show you. Let me ask you. You might be under here.
37:15Tony Yayo:When I used to fuck with you on that record? I'm not fucking with Jada. Yo, Murdoch. I always fuck with Joe. I ain't fucking with Jada. Because you was a gangster to me. I'm like, nah, these niggas are gangster. But I never got it while you were scared to fly. I was scared to fly. I'm still scared to fly. I'm sitting out on the record. I looked out the window today. I was like, thank God I ain't got to be on the plane. I could never get over that. Evan, y 'all be private all the time. Let's talk about this. I'm not scared. Bolognese, what's the best shit you ever ate in Turkish or something? You've been eating bison burgers.
37:45This nigga don't. Fur waffles. Yo, this guy. Yo, yo, yo. Yeah, nigga. Fur cakes. Caviar pancakes. Listen. Caviar. Listen. Let me tell you something. He got this squizziness. You know, we used to have a little. Little, little beef with Jay-Z, right? We won't elaborate on that, right? Hip-hop. Whoa, whoa. And that man would say, no, no, no. That's good. That's not a bullshit. But the man, every time I thought he said a verse around me, he would be like, imported by y 'all, a hundred million dollar steak flying over this guy. He don't like the... I'd be like, damn, all he got to do is touch that paper.
38:26Ain't nobody seeing him with the paper. That's your shit. When niggas try to diss you, you be like, yeah, I was eating the Turkish bolognese eggs in the morning.
38:35Tony Yayo:Look, you could have more money than me. I have a billion dollars worth of experiences. Like how you say, Jay, I'm in the Swiss Alps doing my own tour. So y 'all could do that, but certain artists can't do that. Y 'all could go overseas and do shows. I'm quite sure you do. Where was we at? We was in Turkey. We was in Germany. We was in Germany. We had breakfast. Y 'all got legendary records. That's how this shit came about. That's how this whole shit came about. We had breakfast. Having breakfast in Germany. We had breakfast. Bolognese? Yeah. We ate breakfast. The A's. Holiday A's. We sat down.
39:04He saw Sloppy. He said, man, who would have thought we'd be eating breakfast with each other? Absolutely.
39:09Tony Yayo:You're trying to see us. But he didn't also have a country. And then at that, when you were in Europe, there's no guns really like that. No. It's laid back. You know, there's no food coloring. You ain't going to find Frosted Flakes and all that. You're going to find caviar and all that in your house. Last night I was at Nobles with my wife, and for no reason, security nigga, he looked like Israeli or something. He was like, he's staying at my table. I'm like, right? The nigga dead ass staring at me? I'm like, I felt uncomfortable, right? I mean, because we a noble, everybody's hunk. Why do I got to be the thug nigga you want to?
39:46He obviously was somebody's security, and he was on me. Like, I'm chilling with my family. I'm looking at him. Then he gets up. as fucking David Beckham. Victoria Beckham walks out the fucking noble. I'm saying, but why are the whole niggas in here? They told him, watch him. I'm not bothering him or nothing like that. I'm sitting there like that. But, you know, that's that stereotype shit. Like, man, baby. You know. You know. I've been to some incredible, I'll be following y 'all. I can't even pronounce some of the places y 'all been doing shows. What is it like in them other fucking regions? and they sold out and shit.
40:25It's crazy. What is it? To me, that should be crazy. Like, I've been rolling for the last year. I've been running trenches. You know, for me, for the last 10 years, fucking with Fifth, that shit been like, next month, make 10 years. That shit just be crazy. Like, you know what it'd be to me, seeing that these people barely know English, right? But then, when we go perform these records, they know all the words to the records. It's like, now they know English. I was like, get the fuck out of here. The nigga, like, super amazing. It'd be like, yo, why? This is amazing. 50 Cent to some people is like Superman.
40:55Yeah, that should be bugged up. My people in Dubai, they said they learned the news from 50 Cent. All they news in America, they tell me 50 Cent's the news. They watch him, OK, this is what's going on. And that's how they know and do why. 50 Cent report the news. It'd be kids, too.
41:11Tony Yayo:For me, I always say I don't want to be on a 50 Cent, Jay-Z, Nas level, or service artist level because it's like you can't go outside. So for me, you'll be in a suite. You staying in your room. Ficky staying in his room. All right, bet. We got to connect some dude. Yo, we going to go to stay in Paris. We going to eat at their restaurant. Or yo, we going to go to Dubai. They got a fancy restaurant for us to eat. Or they want to go to ski Dubai in the mall or something like that. So the bigger you are as an artist, for me, it just gets a little more. I'm the reason Cali got security. We went to Turks and Caicos.
41:45it was COVID. I think my 50th birthday, right? Kyler took me out there. We in the middle of the ocean. I look at the nigga. I said, yo, you too big of a star now. He was like, what do you mean? I said, you need, because he never had security. I was like, you need security. I said, like, real security. He said, what you mean? I mean, like, niggas in front of your house and all that, because you know Selena, it was her number one fan who killed them. This nigga, everywhere I go with him, it's like, oh, everybody I'm like, you might get killed by one of your fans, like John Lennon and all of it. Nah, I'm telling you.
42:18It's like that. You get to that point. I do a show. I tell you a story. I do a show in Miami. I sell it out. Maybe like 3 ,000 people. Bay front. I'm sitting in the back. Five fans snuck in the back to get a little autograph. You know, they snuck through. Yo, crack. Yo, one pick. This. All right, cool. Unannounced. Mark Anthony comes out of nowhere. He pulls his boat up. Comes unannounced. 1 ,000 niggas in the back. Oh, my God. Picture Marquette. I said, yo, there's different levels of fame. That man cannot go in the restaurant.
42:52Tony Yayo:Yo, bro, we did a show. I think we was in Columbia again. This years ago with Yinssen and Vendell. Hey, yo, I'm telling you. Shout out to Edgar. This dude, that's why I tell you about the Latin market. We playing soccer with J-Lo early in the morning. I'm like, what the fuck? That's J-Lo. He's playing soccer, shit. Just fuck. That's the experience I can tell you about. so she brought Mark Anthony out I got pictures of him on Instagram and everything so he came out and he started singing and the mic went out and the crowd just kept going crazy of course Edgar fired the mic man the next day but he was like the Michael Jackson of fucking Latin music yes I'm like oh shit he's the only guy well he's one of them now because that whole shit just got big but for many years he was the only guy that could come today and be like Concert in Madison Square Garden tomorrow, that shit sold out in 10 minutes.
43:44He done ran that fucking play so many times. He'd be like, all right, Barclays. All right, Madison. He just sold out, sold out, sold out, sold out, sold out, sold out. It's never been a sold out show for Mark Anthony. He's like Mary J. Blige and R. Kelly combined type shit. He's that. Mark Anthony, we going. You still listening to R. Kelly? Huh? Still listening to R.
44:09Tony Yayo:Kelly? Yeah, I still listen to R. I have a lot of... I was listening to Big Shoot. Who? Biggie. I kept it. I can't. You can't... You can't be used to be standing. Because I feel like Gunnar did that old... His music didn't catch his shot. Yeah, Gunnar. You want to... I like that one. Oh, you want to do that old. So you listen to Gunnar. I listen to his music. So it's no... Hold on, hold on. We got a conversation. So it's no problem if a guy rats, you listen to their music and stuff. I think right now, people really don't care no more. Niggas don't care no more. We like dinosaurs. It's like if you make good, if you could make good music, regardless to what, look at 6ix9ine.
44:46Tony Yayo:Like, oh, I'm not. I can't stand 6ix9ine. He didn't make good music. OK, OK. But listen, Joe. That nigga's the bottom of the barrel. That nigga's the gook in the Project Dumpster. Hold on. When 6ix9ine got out of jail, right? I can't do it. Did he have a record with Nicki? Right? When he got out of jail. When he got out of the car, he went on the hub and had 2 million people watching him. It was a smash hit. It was a hit. At the time, it didn't age well. It didn't age well. It beat the views, man. It didn't age well. It didn't age well. It got, like, some paid promos, and then it dropped right after that.
45:22Yo, listen to me.
45:23Tony Yayo:Yo, listen, Joe. Listen to me. Yo, we in a new era, man. All right, well, I have. People don't care. They just want good music. Joseph Anthony Cartagena has the right not to listen to rats. I'm a nigga's a fuck nigga. And I ain't fucking with nothing he's doing to nothing he's saying to nothing he's doing to nothing. And I don't fuck with this shit. But everybody on that case took a plea, Joe. Hold up. But no, this guy. Gunnar took a plea. Gunnar took a plea. I was just about to say that. Because he was on camera. You a rat. It's not like he called Rapper Red. He was guilty already. I'm not calling him a rat.
45:52As on you.
45:52Tony Yayo:I'm just saying it all took a plea. You triggered something. Because we started with R. Kelly. We went into Gunnar. You like. You like. You're a podcaster now. You got to know that we're partying out here. Oh, shit. Oh, shit. Oh, shit. Changing my life, everybody. Oh, shit. Why not? Changing my life. Why not? If the young boys are doing the streaming, then they caking up. Why you can't have a podcast? Hold on, Kel. Can we just do our toast now? You got to make sure. You know, I agree. Hold on, let's do a toast. I agree. Shout out to 1800. 1800 to Leela. We love it. Only the best. Strictly the best.
46:38Can we get some assistance over here? Matter of fact, I was about to, this is Joe and Jay. I thought I had beef with him. He got a Wu-Tang shirt on. Wu-Tang here. You have beef with Wu-Tang?
46:48Tony Yayo:Look, everybody that 50 beef with. 50 ain't beef with Wu-Tang, right? What are we doing, a mixed drink? Yo, 50 beef with Wu-Tang? I gave Ghostface a pound at the power permit. Right? Y 'all go straight up. Real talk. I turned around and looked at my man, Yayo. Let me go straight. He said, oh, niggas moving funny, huh? Supposed to be my man. I said, what happened? He said, you know I got issues with this nigga. I said, whoa. I forgot. I'm not going to lie to you, Yayo. I said hi two days in a row to two suckers. No way. I said hi to two suckers two days in a row. I'm not going to lie to you. I won't tell you who.
47:25I'm just saying another rat. He ratted on y 'all. I'm up in the store, and he happened to be up in there. he sticks his hand out. I'm like, yo, he tried to actually like my, I was like, yo, bro. Boom, that was, but I wasn't supposed to say hi to him. Right? And then today when I came up in, some dude, you know, he was like, yo, Joe, you remember me? I'm such and such. I was like, yo, another sucker, nigga. Like, two days in a row, suck this.
47:50Tony Yayo:Can I ask you a question? Is there such thing as selective niggas that we know as rats and certain niggas don't want to say niggas? Very selective. I mean, even me. Even me. For me, I was. Look at Joe. I can't fight. Joe say, even me. Even me. I say what's up to certain rats when I know he's a rat. I ain't got no business saying hi. It's selective shit is real. Not because just because we agree. Just because he's a rat. Selective shit is real. You need to shoot it. Yeah, what about the rats that'll kill you? They'll kill you. No, no. Kill a rat. No, that's the most dangerous. That's the killer rats out here.
48:24Thank you, brother. Damn, he gave me the bitch. Yo, 1 ,800. Ladies and gentlemen, we got to make a large, extensive announcement. You heard? Welcome to Real Report to the Valium family, which is Tony and Uncle Murda. They have their own podcast on Valium. Definitely. We part of the Valium up family. They going through the Joe and Jay defeat. That means we getting money together. Exactly. Let's toast some$1 ,800. You heard? Definitely, definitely. Shout out to Joe and Jay My brother Dropping in January Dropping in January The real report I need them to have 500 ,000 subscribers Out of the gate Let's go Dear Let me tell you something And we definitely wanted And this happened It's crazy This happened on the Strip for Fat Joe We seen them in Germany Can't even lie We seen Fat Joe at Germany Me and Ye was talking About some things That we was trying to do And no bullshit Joe was just like What?
49:25Dern I'm going to get you the situation there. Yeah. He actually got the situation. So, Joe, Rich Play, I see you, Rich. Shout out to Rich, too, nigga. Rich Play, I'll take you, you nigga. Hold on, shit. Hold up. I have to, kid. I don't want to take me. They came to me and said, what do you think about murder in Yale? I said, hell yeah. Hold on. Shout out to my nigga, Kiss, you heard? Shout out to my nigga, J.D. Kiss. Why you didn't do my flowers for that? My business part. Damn, Joe. Joe, you ain't mention that, Joe. You ain't mention it.
49:59Tony Yayo:Joe be busy, man. That's my day. My job, I can't sleep right if I don't get my partner some money. That's why I love this. That's my job. Hello. Okay? So I'm always thinking about my business partner in whatever we do. I can't have this shit fail. I can't have him walking in the streets. I'm like, yo, you believe I put in six, eight months with Joe, man? We ain't make a fucking dollar. This nigga, this. I need him to win because he believed in me. And I said, yo, let's do this. I need him on a mountain top. This is the Vapors, man. They ain't think we can do it, man. No, we knew we can do it. Nah, y 'all did that shit, man.
50:40Y 'all did that shit, man. I'm going to tell you.
50:42Tony Yayo:Y 'all did that shit, man. Y 'all did that shit, nigga. Ain't they the best dress? Take it off the Vapors. Let me tell you something. Yo, what's y 'all dress, buddy? Fuck all that. What's y 'all dress, buddy? Because I'm not spending all my money on that. You ain't got to do that. Don't start it. If you don't start it. Quarter sit. Don't start it. Well, regularly, you good. Get your set where you can smoke. Make your shit leisure for you. Well, you know what they always say about G. Y 'all niggas ain't know how to dress because we, man, I don't shit that's just wearing hoodie. Please, niggas, it's good.
51:10Tony Yayo:Yeah, master. My name is 50. Y 'all. But niggas was getting flunk. Niggas was on that Hermes shit and all that way back. Niggas was wearing a uniform. Yeah. So if you're wearing a uniform, that's how the G-Unit clothes was selling. Let's not talk about G-Unit fashion. Yo, listen. Yo, Murda. Let me tell you something. Yo, Murda. Hold on. That's so bad. No, no, no. Yo, no. That's what you're trying to say, nigga. Yo, Murda. You ain't fucking the G-Unit. Yo, Murda. No, I do. I do. Something I never understood, Murda. Oh, shit. Oh, man. Something I never understood. What's that, Joe? What's that? How did you get into G-Unit?
51:46Like, if you were fucking. Yeah, yo. How did this happen? How did you get. He fits like Tetris with the G-Unit. First of all, he wasn't in the original G unit. You know what it was? Fifth tried to sign me damn near before Jay-Z. Right? Because I was golf. I was managed by Chris Lighty. I remember that. The rest of the piece, Chris Lighty. Chris was trying to make the whole 50 play happen before Jay-Z. He seemed that you fit with the unit. He seemed like, yo, this is perfect. But you know what it was? I had a meeting up there with Chris. He called me to the office one day. And he like, yo, we going.
52:20I'll just get this. me and a couple of my guys, and he don't tell me 50 is coming in the meeting. He don't say like, y 'all, we're going to meet with 50 today. So I'm just there, me and a couple of my guys, we chilling, everybody, you know. At that time, niggas running around so crazy, everybody got their shit in their pocket. We also, we there at 50s, busting the meeting. Boom. What's up? Looking for a deal. And at this time, I said certain shit about 50, like, coming up. So I was already talking shit about everybody in the game. So when he pop up, I'm like, oh, nah, he on some bullshit. This is a setup.
52:52That's exactly what he's coming in like, nigga, you looking for a deal? I'm like, yeah, not from you, nigga. He like, yo, listen, man. I heard that shit you said about me, nigga. He said, you don't know me, though. He said, ain't no real beef. You don't know me. But nigga, young. So at the time, I'm thinking, nah, he's trying to line me up, nigga. You know what I'm saying? So we going back and forth having mad dialogue talking about shit. He's like, what you think? Jay-Z going to come for you, nigga? I'm like, yeah, Jay going to come. Yeah, Jay going to come for me, nigga, Brooklyn. He talked.
53:19We going back and forth. then he asked me and my previous one thing he said yo man what y 'all niggas think y 'all gonna sell if you drop I said what oh we gonna go shit we gonna go gold platinum the first week nigga in his head he was like you know what it don't matter he told me years later he's like yo at that point when y 'all niggas was like yeah we gonna go gold to platinum he said I knew it didn't matter what I did for you at that time y 'all would've felt like y 'all already was gonna do that on y 'all own so you probably was gonna flip on the niggas say fuck this nigga because you thought this shit was gonna You thought this shit was going to cross off anyway.
53:52Tony Yayo:This is the shit you talk about? Real talk. So he thought, like, he was looking like, yo, damn, you, at that time, y 'all already thought y 'all was bigger than what it was. So I couldn't do nothing for y 'all. You would have flipped on a nigga. You would have thought, nah, we was going to do this already. So he was like, yo, it's crazy how now everything worked out perfect how it was, like, now. Because it was crazy. After Jay came for me after that time, I seen him. So I seen the math there, like, yeah. I thought you said Jay wasn't coming, nigga. He was like, oh. Well, let's see what he do.
54:22Because I still had to go to the violin. I'm saying so. We still abomin' to each other. So he's like, all right, let's see what Jay do. I had the Brooklyn record. I'm feeling myself. Nigga, Brooklyn record. I'm popping. Jay leaves Def Jim shortly after that. I run into Fifth again. He brought everybody out at Governor's Island. I think you was there too. He brought everybody out at Governor's Island. He caught me in the truck. I didn't even know he was in the truck watching all the artists get on the boat, going to the island to perform. So Fifth just happened to be in the truck. and somebody came to see, yo, 50, you want to talk to you?
54:50I'm like, where he at? They say he's right there in the truck. I get in the truck. He go, yeah, nigga, what happened with that Jay-Z shit? I'm like, yo, yeah, it didn't work out. He said, listen, nigga, if I get another situation, we're going to make this shit right this time. And that was years ago, but then we wound up making it right. That shit worked out perfect. You know what I'm saying?
55:08Tony Yayo:You know what was the problem when he was so stupid at? Yeah, this guy. He was 50 Cent. He was dumb. But you know what's crazy? you know, I did. I did. I did. We felt like that. Just like how you had Terror Squad and certain artists could feel like they are Fat Joe after a while. Niggas just delusional, my nigga. No, you're right. So he was delusional. The bag was very thin, fool. You felt like that. You felt like that, though. The bag was thin, fool. He understands it now. Just like you, we all understand it. Me, I always knew my position. If I was number two, my brother was number one. I hold the door for him.
55:44I don't give a fuck. I'm not lying. Umbrella for pun. I don't give a fuck. I know my position. I've always played. Right now, I could play my position. Right now, if a Billy come and be like, yo, we fine. The old Joe and Jada. But yo, you got to. I know my position. Give me my 100 million. I know my position. Nigga say, give me my 100 million. I know my position. Oh, no. I got it.
56:06Tony Yayo:Nah. I got it. It'd be hard sounding artists and having artists because they start feeling like, you know what I mean? They the most ungrateful names. How about hip hop? Right? Hip hop. If we talk about hip hop in a hole. Oh, man. You want to get into that for real? It'll be a debate in here. I don't know what you think I'm talking about. Oh, I was like, I was. You don't even know. Go ahead, go ahead. Let me hear him, Jada. I was going to say like. Fucking yay, yo. Like for me, like one of my biggest debates on Nori's show was when niggas said Ice Cube was better than Biggie. Right? Right? So I just be looking at, like I heard DJ Self say, yo, Ice Cube better than not.
56:44Tony Yayo:So I be looking like, what? No, he delusional. I just be bugging because I'm always going to give my honest opinion. Ice Cube is one of the greatest ever lived in the history of man time, but better than Biggie. Look. I got Biggie at number one and maybe number two. Yeah, I got Biggie. You rap with me. You know what I mean? You rap with me. So for me, like, when I'm out of town, I'm arguing with Slim Thug backstage on tour. And the first thing, they always use this one line against Biggie. That just keeps me tight. You look so good. I suck with your damn stick. Hey, Paul. Hey, yeah. That's the Paul's.
57:15Tony Yayo:Holy. Look. It's the original Paul's. That's the Paul Paul's even in there, baby. But it's still a Paul's if you say it now. Yeah, but they got a fucking two on my top. I got his blight with it. OK. That was Paul's. So look. Yo, B.R., I don't know if you know how shit changed. And I don't for Big. I had so much problems in the West. Yo, you tell him. You see, B.R., you say. shoes against B.I., we could have helped you. Old Zepic came out after you left. That's how ill he was. He died mad years before Poise even invented and killed a party. Listen to what I'm saying, though. You see B.I. out there, you're like, yo, B.I.
57:52out there.
57:52Tony Yayo:That's the only line that people use when they talk about Big. But he said, he looks so good. Didn't that come from like a comedian or something like that? It don't matter. Old school. Richard Pryor, yeah. But that's the only reason. I fight for New York. When I'm out of town, I fight for New York. It's like the Fed. Well, I'm not. We ain't all the same car. Yeah, facts. I'm going to keep it real with you. I'm a New Yorker. But if you nice from anywhere, I give it up. Oh, we give it to us. Of course. Of course. You know what I'm saying? You give it up more than with the Mecca? I'll give it up.
58:24I take us against anybody. Thank you.
58:26Tony Yayo:There you go. Of course. But what I'm saying to you is, you know, now, the way they try to switch, they try to act like Eminem wasn't the greatest at where he came by. Image that nigga if you don't do that then you just let me ask you you don't hear them saying that? I hear stupidity. You don't know what M and M is. The 1800 are better at tequila. He's starting to speak with fluidity. This guy you know this guy is.
58:57Judgment Day a colossal global showdown between boxing's biggest disruptor International superstar and WBA 14th ranked cruiserweight Jake Elgaro. Elgaro del Dorado. P.R. Puneta. 12-1, 7 KOs, and two-time unified WBO, WBA, and IBF heavyweight world champion Olympic gold medalist and knockout machine Anthony A.J. Joshua. Joshua. He's 28-4 with 25 knockouts. Woo! The matchup unites Jake Paul, the sports most watched fighter, whose showmanship has redefined modern boxing and shattered records at every turn. And with Anthony Joshua, he is one of boxing's most accomplished, respected, and feared punchers.
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1:04:32Get yours now at topgolf.com slash fun pass. Summer hits different at Topgolf. Thank you. Oh, speaking of fluency, I was watching the Knicks game, and you can never take Clyde's job if you can't use words like you vicuus. Vicuus. He can use the word you vicuus. I was ready to call you and say, oh, hang it up, Trax. Stay clowning. He got vicuus. His grammar. What the fuck is going on? His grammar. Uvicuus. This guy, Clyde Frazier. You know, the Knicks, we doing good. You a Knicks fan. You know I'm cool, Sarah. Look, we're winning. It's never been a time where you could just look at the Knicks and just assume we're winning.
1:05:17I watched the game last night for no reason. We won by 20. You know they're going to win. You know, but what I'm saying is they keep coming up to me. White Jewish ladies, Asian ladies. Everybody saying, yo, Carl Anthony got to go. We need Giannis. So I'm just ladies. Giannis. Giannis. and fucking Art, what is it, Art Bazu, they coming up to me. Hey, Nick fan. I'm like, hey. He was like, Carl Anthony got to go. Damn. We need Giannis. I said, damn, we winning. I don't think so. We went to the final. Leave it. There you go. Leave it how it is. Leave it how it is, right? That's what I'm saying. But if we can get Giannis.
1:06:00Without giving him.
1:06:01Tony Yayo:They going to want you to give up the whole team. Damn near the whole team for Giannis. They trying to give up OG too, right? They talking about OG. No, he's giving up the whole team. He's going to be stuck with Brunson and Giannis. Then we're going to be back to Gramps. Then everybody's going to be mad. Yeah, he ain't lying. Leaving out of this. James, James. I see that. I see that shit. We got to rewind the tape to the Stephen A episode where he was up there. He, I, and Will. I take him. We all got to get rid of everybody. Stephen A said give him the dancers. No. I'll give him the Knicks. They didn't get rid of everybody for Giannis, man.
1:06:34I'll give up the dancers. The Knicks said he's there. I'll give you the dancers a couple of trades. and a couple people off the bench. If they're going to want Carl Anthony Towns, OG, Bridges. So let me ask you something, right? We're finished. Our beef in the past was more like, if we bump into them, it's on, it's going down. World War 73. But you allegedly had beef where they shooting at your house and shit like that. Is this true? No, no, I'm asking you. Yeah, yeah. So they were shooting at your, you're eating dinner and bullets are flying through the window.
1:07:05Tony Yayo:Every beef that we had. Thank God nobody got hurt off that. To me, it was inherent, right? Of course. So when you look at Chris Lighting, rest in peace to Chris Lighting, you know, that's all we knew was Chris Lighting. We go to the office, you know, any kind of artist is there. Everybody's getting managed by Chris Lighting, right? So down the block was Henchman. Henchman was down the block. From Chris Lighting's office. Yeah, he was right on the block. 4040 was on the corner. Henchman was right here. And Chris Lighting was right there. so that was more like an inheritance like the beef was inherited there be a lot of shit like niggas be like yo 58 nah there be a lot of shit behind the scenes niggas don't even know that I can tell you that's like niggas ain't no henchman and um mighty had a fight at daddy house them niggas got it on like niggas like henchman was pressing that nigga you know what I'm saying you know how it was golden era back then you remember when Chris had beef with fucking Mison and him back in the days.
1:08:06Tony Yayo:Like, it was a lot of shit going on. Mison, my son, my son, my son, a positive brother now. Mison, my son, a positive brother now. He got a job with me. Yeah, after Mison, his positivity. I think I squashed that beat. So, I'm not, look, I'm not going to say, look. Well, yes, sir. Bro, don't play with me, Jada. Yeah. Look, I'm not going to say henchmen. It wasn't. I had to meet. I had to meet. Look. At Parkchester. I had the meeting at Parkchester the very next day for Chris Lighty to squash that beef. Right, hold that right there. So with the henchmen, I'm not going to say it wasn't a serious beef.
1:08:42Tony Yayo:If you do something to somebody's son, I expect you, you know what I'm saying, supposedly to get busy, supposedly whatever happened to him, right? So look, this is how everything really started. And I'm not niggas in jail. Everybody never happened. I ain't telling. I ain't driving. Who kid started the whole thing? I'm going to tell you why DJ Who kid. Oh, shit. Y 'all not. Oh, honey. I need a green flag. All right, good. Good, good. So, Liz, look, I'm fresh out of jail. I don't know nothing. I don't know. I don't, like, all I know is 50 guys. 50 do always tell me this story, though. Oh, my God.
1:09:16Tony Yayo:I can't talk. Yeah, yo. So, let go, man. I'm fresh out of jail. I don't know nothing. All I know is, fifth guy niggas on. Nigga, I was with this nigga from 1998 when he was doing Ryder Ryder and fucking on Columbia Records. I was fucking with him back then. You like Kobe. You like Kobe Bryant to me. I hated him while he was alive. And when he died, I cried 12 hours. This nigga here, I hated him because he rode with 50. But I love disloyalty. I was like, man, we need a motherfucker like this. Niggas got to understand. I was fucking with 50 since 1998. That was the homie. Like, we was going to Columbia Records.
1:09:50Tony Yayo:This is before he got shot. Records with Destiny's Child in the studio. Niggas getting kicked out the studio. Yo, I was there for all that. You know what I'm saying? So that's just a homie. That's the first nigga. I'm a hood nigga. That first thing we went to Mexico, I think it was the deep cover soundtrack he was on, Rowdy Rowdy, back then. And we went to Ken Coon. I'm like, damn, I'm off the block. With DJ Who Kid, I'm fresh out of jail. Niggas give me a Bentley. I got jewelry. I got the Jacob watch. The fur. I'm fur on. I'm fucking running through Brooklyn. You doing this yet? You doing this yet?
1:10:26Tony Yayo:Look, I'm taking chances that I could have got smoke any day. I'm like in Fort Greene. I'm in the plouses. I'm fucking seeing Maine on Brooklyn. I'm in Harlem running the niggas. Like, I'm in the Bentley. I'm everywhere, anywhere. I just didn't care. I came out of jail, was reckless, young nigga. Didn't know nothing, right? So, Uki's like, yo, what's my man that passed away? Let's go to the mixtape awards. Was it DJ Justo? Rest in peace, DJ Justo. Mixtape awards. I'm hyped because we was on all the mixtape. I didn't know that Apollo was going to be Rikers Island, nigga, when I got there. Before, it was that fifth set murder.
1:10:59Tony Yayo:Nigga said it never went to no fucking mixtable wars. Yo, look. Versus. This shit was like Rikers Island women. That's what I'm saying. So look, we get to the mixtable wars. I had no idea. I'm just out of jail. I'm like, I didn't know she was going to be Rikers Island. Apollo was Rikers. Attica, Green. That shit was walking the yard. Blood niggas in there. I got a story. Crazy, son. Wasn't no chick. No, no, it was crazy. Look, it was no chick. I know those environments. Nothing but gangsters, so I'm looking around. I know. You walk in the wrong motherfucking environment. You're like, yo, what is this?
1:11:28C-76?
1:11:29Tony Yayo:Who do you think it was hosted by? Who? Jimmy Henchman. Oh. Who was we beefing with at that time? Jimmy Henchman. The game. Yes. Right? Yes. Think about it. That's why, you know, I always say, I don't know how a game is fucking with Henchman, because Henchman is always mentioning a plot. Niggas just hate when you keep it real, because I'm always logical. So back to the story. So it was Henchman. So we there. Now, you know how a henchman is. This nigga's a gangster. You know how that shit go. Niggas trying to put the fake press on me. Come over there. It's like Haitian Jack. You know, you got a Haitian Jack and Tutton.
1:12:02Tony Yayo:All these wild niggas was running around. Back in the days, he's brimy like that. Yo, sockpaw said. So I'm looking at him. And he got his hand out. I'm like, yo, I don't want to go back and report that I'm giving this nigga that. That's a fact. I can't do that. I'm just a real nigga like that. If I don't fuck with you, I don't fuck with you. Like, yo, get the fuck out of here. He go, what? Yo, rapper. You know, you're a street nigga. So he's like, you're a rapper. And then it just dissimulated from there. But it was really because of all the game shit. Because I didn't understand because I was on Game First album.
1:12:34Tony Yayo:So I'm an appreciative nigga. I'm a nigga like, yo, I've been in the studio with Dr. Trey right now. I'm one of them niggas. If I'm in the studio with y 'all niggas, I'm an appreciative nigga like, yo, I can't believe him in it with Dr. Trey. He's opening a cabinet full of anything. He fucking got the Guido bud. I'm like, yo, this shit is crazy. I don't even care if I made it. He made it. I'm just happy to be here. I'm in a studio with Eminem. Oh, shit. I'm at parties with fucking Serena and Venus. And fucking... I'm not stepping in and saying... I'm just like, oh, shit. I can't believe I'm in a party.
1:13:08Tony Yayo:Jim Carrey. Fuck out of here. Man, see this nigga on TV. One time we was at a party, seen Wesley Snipes. I started tweaking. Started thinking about New Jack City and all that shit. I'm tweaking like, oh, shit. Let's call this nigga Nino Brown, nigga. So for me, it's the experiences. But back to the henchman shit, that's what it started over. And then my Bentley got shot up at back of the pilot. I'm not going to say that. On that night? Yeah, that same night when I was like, get the fuck out of here. It was mad funny shit going on. Maserati Fox there. Another dumbout. Rest in peace to Mazzy nigga.
1:13:40Tony Yayo:Crazy nigga from Queens. He there. So we in that shit. It's like Rikers Island. So now when I say get the fuck out of here, he had his mans there. Some niggas from like, you know, I think they from Staten Out. Nigga named Teflon. He was part of his case and all that shit, right? Words was being said. So my man Kev, he just fresh up north from like, doing like 14 years. So one of the henchmen's had like a bottle behind him. So my man turned around and said, what the fuck you gonna do with that? I was kind of surprised. I'm like, man, you know how a nigga did 14 years? Nigga don't care about a nigga with a bottle behind him.
1:14:12Tony Yayo:I would have been like, nigga out of a bottle? He just, what the fuck you gonna do with that? So it was like mad shit going on. Niggas pulling out handlers. You know what I'm saying? Shit was crazy. It was lit. So I got the Bentley and the BP. I jumped in the BP. Nigga came, walked by, lit the Bentley up. In Harlem. That's why I always say, watch some Harlem streets, nigga. What about, what about, did they set your BP on fire and you was in it? You had time to call the fire? My man's had the BP and niggas shot up the crib and hit up the BP. Monster shit. They shot up his windows and Monster was bugging because he was beefing with niggas and he moved to Staten Island but still was in the hood and it was crazy because the nigga that was Hinchpin' man was Staten Island.
1:15:02Tony Yayo:So he'll drive my Bentley and had a Bentley there so niggas knew. Know what I'm saying? Where he was at. Yeah, niggas knew. So niggas shot up his window you know and like set the garbage on fire. That shit was crazy. It was a whole bunch of shit. I ain't gonna lie. That Hinchpin' shit was like... That shit was like movie. You guys had some serious beefs out there. Ours was the lightest one. You know what I'm saying? Y 'all niggas was out here. I'm like, yo, these guys got a lot of problems out here. My best friend that ever lived, the only tattoo I got is Tone Montana. Tone Montana, fly. He was similar to 50 Cent.
1:15:39Like Fat Joe, believe it or not. He's a tough guy, but I'm a guy you could talk to and get it. You could squash it with me. I'm a diplomatic guy. This guy had beef with everybody we ever knew, love, whatever. And I got, I understand. I got to stand there and be like, yo, Tone, this. So I'm going to be like, yo, man, fuck that, my nigga. You know, this, this, that. And I'm standing there in the hallway with him. I'm like, this niggas, we know and all that. And it got to, it got to happen. There's only one time I folded on him. My man, rest in peace, Black Dave. I mean, we was in kindergarten together.
1:16:15Tone started arguing with him. I mean, we brothers. Like, I mean, like, I wanted Black Dave. Yeah, Tone Montana, my best friend in the world. But Black Dave, I wanted him to marry my sister, rest of the reason. This is my brother. Right? And then Tone started arguing with him. But Tone do allegedly that. He don't do this. Black Dave cocked these. We used to call him Slam Master. So I said, yo, Tone. So Dave don't care. He's not scared. He don't think you're going to hit him. We from the same hood. He's like, yo, he give yo Tone, I'll fuck you up. and I'm in the middle. I'm like, yo, let's leave it alone, this, this, that.
1:16:49So Dave grabs him, slams Tone and Tone looking at me like, yo, you ain't gonna give it to Black Dave. I was like, yo, Tone, I can't give it to Black Dave. Or like, I didn't want you to give it to everybody. And we asked special languages where the nigga could smile at you and he lining you up. Yo, it's got that beam. Yo. We asked shit that you didn't even know this shit was coming. And I'd be like, no, scale that boom. He'd be like, scale that boom. No, scale that boom.
1:17:19Tony Yayo:You got to think how grimy it was back in the day. It's crazy out here, baby. Even like with the Josh shit, like Sony Studios back in the days. Look, I was there for that. Like, that was a crazy experience because you had both studios. You had a studio on this side, studio on that side. Y 'all remember that? That block? What was it? 28th Street? Yeah, yeah. That was it. That shit. I didn't even 28th. That was 54. You never know. They had the studio in the factory. factory. Well, you needed money to be in. I'm studio. So that shit was great. Like I used to see fucking Wyclef. He'd be with Jack Scooter, Tut, Henchman.
1:17:52Tony Yayo:You see, oh shit, these niggas look like three niggas you don't want to see at night. I'm going to tell you the craziest thing, right? Those guys, I swear to God, I don't know why. I'm not really I know everybody think I cap and all that, but I be standing there with two million dollars a jury telling jokes to Haitian Jack, the nigga Crybaby, all them niggas, them crazy niggas. Right? They be like, Joe, one second. Go across the street, rob a nigga for some shit this thin. Come back, Joe, tell his story. Like, yeah, you know these niggas, this pussy nigga, this, oh, fuck Joe, you crazy, this, this, this.
1:18:27They never tried me. Like, I used to be in front of them loaded with jewelry. Them niggas, I used to be like, what? They be like, you see the rapper? I'm going to rob him right now. I'm like, what? Niggas, we know they come back with the niggas change. Yo, finish the story, Fat Joe. Yo, this is the crazy niggas. Yeah. Always love me. Don't know why. Me too.
1:18:48Tony Yayo:I feel like that too. You feel like that, right? I was a nigga that like how you say he was always outside. Like I was outside when there was Carl Michaels, the fucking restaurant in the gas station at Baisley. You know, a nigga seeing Prima and my man in the hoopty. Yo, don't scratch his car. That's Prima. The whole project's gonna kill us. I was the nigga on the block. Black just come to the block with Nas. I was one of them niggas outside. Like, I've seen all the real niggas outside. E-Money bags come through, looking for niggas, beefing with niggas. You know what I'm saying? I was one of them niggas always, always outside.
1:19:20Tony Yayo:That was just me. So for me, I never thought I was going to leave the hood. So when I got in the game, I was just excited. Every beef was inherited. Like I said, back to Chris Lighty and Hinchman. That was never my beef. Chris Lighty saved my life, so that's me. You mentioned him too much for me not to explain. Yes, I love Chris Lighty. Chris Lighty, I watched him put in work, allegedly in the Bronx, with my own eyes. You know how we say we outside? Yeah. You say in black justice. The tunnel and all that. No, in the Bronx. Chris Lighty was putting in, by the way, if you don't know. His team, what was his team called back in the day?
1:19:53The Violators. The Violators, yeah. I'm telling you, with my own eyes, I seen Chris Lighty put in work, just innocent bystander at the end of the party, club air out. I seen it myself. So I'm just telling you this, right? so I knew he was so we getting money I got the promo out Red Alert's playing the promo thank you Red Alert man you saved my life and Chris Lighty come to my block where I'm getting money we got Benzes Beam is out there all that he says yo man you know who I am and I said yeah I know who you is you baby Chris he was baby Chris right I said you baby Chris he said yo I think you could be a rapper like you the one with the promo Fat Joe I said yeah he said I want to sign you I got this new label it was Violator was Chi Ali, the Beat Nuts, then me.
1:20:41He came to my block and I signed in the middle of the block. No lawyer. Wow. That's why I tell you when a nigga want to sign, he gonna sign. All that chasing the nigga or this, nah. When they want to sign, they sign. I signed in the middle of the block. Why? I guess he gave me like 50 ,000. I showed everybody a legit you know, I had paper at the time, but I'm showing everybody, yo, legit check nigga. I'm legit. Look. That's crazy. I'm legit showing the whole hood of legit. Yo, I'm legit. This is that. And then I changed my whole life from there. I took a big pay cut to be a rapper. At that time, I tell them all the time, Flojo was number one.
1:21:17I was getting$500 a show. Running that bitch up three a week. Mount Vernon, White Plains, and the Bronx. The next day, Virginia, Washington, D.C., Philly. I'm just, you know, I got the chitlin' circuit. You know what I'm saying? But Chris Lighty saved my life. Saved mine too, man. One thing he always wanted to do was bring peace between us.
1:21:38Tony Yayo:Yeah, on fifth. He'd sit down with me all the time, be like, yo, Joe, and this and that. And I used to tell him, y 'all don't trust this guy. For sure. Chris Lighty came to the hood to have a meeting with Styles. The SP stabbed the nigga and got a hit. Look at that. At the meeting? Hold on. That's when he was on the island for stabbing the nigga in the buttocks? Yeah, he stabbed the nigga in the head. Yeah, I was on an island the same time he was on an island. That's crazy. No way. He was locked up. I was locked up the same time Styles was. Because they was talking about our islands. Say they stabbed a nigga.
1:22:11Tony Yayo:You didn't have the nigga. You didn't have to stab him. It was like a nigga. We give him money to go get a 40. His name was locked. Yo, Uncle Murda, they shot you in the head? You know, but that story, I didn't really get shot in the head, right? So that, it wasn't a good question. Yo, my nigga. I asked him that one day. He's a one-shot deal, nigga. He's like, yeah, you're a murder on the hot seat. I didn't say it was a good question, but is this all? You know, you know what's crazy? When I met Uncle Murda, when I met Uncle Murda, everybody was like, that's the nigga got shot in the head. That's how I met him.
1:22:44Murda was down with Rough Rod at first. Exactly. Let him fucking know. Definitely. I was down with Rough Rod. He ain't like, you know what's crazy? I was like, he's shooting at you again? He's shooting at you. Now, that's a flag.
1:23:00Tony Yayo:You can shoot at my man. He was down with the deal, man. That nigga's two B at the day. That was double line. Anybody, what's the Mandela's from the Bronx? Sylvester Stallone. You didn't even know it. You from Southside, New Bank, and Haiti. He from the Bronx, too. Yeah. I got no winds up here. I'm Haitian. Murder was down with, look, he's Haitian. I was down with Rough Riders first. That was my first home. First shit. You know what's crazy? I was on the run for a shoot-in. Allegedly, I shot somebody. Allegedly. Right? Real talk. D loved it, that shit. He loved it. I'm on the run for a shoot, and I go to Hot 97, because I hear these guys on the radio.
1:23:38I hear the locks. I'm like, damn, if anybody can relate to my story right now while I'm on the run, it got to be these dudes. All the shit they talking, we out of the streets, it got to be them. So I tell my uncle, yo, we got to hurry up and go to Hot 97. The locks up there right now. This is the opportunity. This is my only opportunity. I'm on the run. I got to see them right now. He's like, so you have to go to work the next morning, too. Like, all right, fuck it. Let's go. My Uncle Pete. We go up there, never forget. I don't know if your leg was fucked up or something, but I know you was already in the van at the time.
1:24:05Yeah, shit. He got them Kenny Smith shits on. Nah, I'm not Kenny Smith. Nah. Kenny Smith. Shut up, the Vint. Real talk. I hear them. So I go, I catch them up there. By the time they come out the station, it's D, Styles ready. They're like, yo, kissing the van. But I spit some shit. Styles is grabbing the nigga. Yo, D, this nigga is the truth. Bring him with us. Where he bring me in the van to see kiss. I spit some shit, kissing it. Kiss like, yo, take my number. The first time I called Kiss, I didn't even know what the size of the score. I'm like, yo, it's me, Murder. They're like, yo, what's up?
1:24:36I'm like, I ain't shit. I'm about to go to the studio. All right. I'm like, all right. I really didn't even know what to say because I was still trying to catch up on shit. Real talk. But the nigga D had me in the studio just around the shit, just watching. They was doing the compilation first at the time, just watching everybody. I was actually supposed to be on the shit, but my man, he ain't here. He'd be like, yo, man, we got to get back to the block, man. You street shit. Like, let's go to the block, nigga. These niggas take it mad long, so we went back to the block.
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1:29:03Get yours now at topgolf.com slash fun pass. Summer hits different at Topgolf. At the time I got raised in the head it was a better story to me at the time to say I got shot cause I'm doing the whole rap show I'm just down with Jay-Z and everything and I'm telling Green Lan like yo we need something crazy and I'm telling Chris and at the time I'm telling Jay and them too cause I'm signed with Jay-Z at the time I'm like yo we need something crazy to happen at this time right so when niggas did when niggas did shoot the car that I'm at a piece of a piece of a piece of a piece of a piece of Listen, yo, Joe, look.
1:29:41They introduced me to him, yo, this old murder niggas got shot, nigga. He's stupid. Yo, nigga. I said, all right, bro. He hit us. Nigga shot the car if I was there. But I guess the gun wasn't his life. Thank God. Of course. Of course. Thank God. But the bullet, I guess, hit the glass, and the glass cut me a little bit. So then you had glass from the car, too, all over my face. So a little blood. So as I'm in there. That's where you did your photo shoot at, Uncle Larry? I'm like, you know what? I'm like, you know what? As I'm in the ambulance, the guy said, yo, did you get shot? I'm like, no, I didn't get shot, but there's a bunch of blood on my face.
1:30:14Even hip-hop police, the curly head detective. He came, curly head shot. He came to the hospital. He said, so what the fuck happened to you? I said, yo, man, police shot me, man. He said, you play too fucking much, right? I said, yo, fucking police shot me, man. This is all, it's written up in the article. I'm like, yo, police shot me, man. He said, you didn't get shot, though. I said, yeah, but that's a better story. I said, yo, I said, police shot me. He said, there's nothing going on with you. because it was just glass and shit like on my head. But I feel like at the time saying I got shot in the head was like, like you said, you know, 50 got shit going on.
1:30:45I'm like, this is a Superman story. But what nigga says they get shot in the head? I remember Andy Martinez and you. That was on the radio. You were mocking yourself like that? And she was talking about that. She said, hey, you heard about Uncle Bernard getting shot in you. You said, yeah, that guy's like the fucking Terminator. I'm like, yo, this is perfect. This is shit I'm looking for. You know what I'm saying? This nigga beefing with me. I'm like, nigga, I'm beefing. I get shot in the head. I got shot in front of my mom. I got like everybody out there. So that's the story I was running. We're like, this is a good story right here.
1:31:10If the niggas think I got shot in the head and survived, they got to go crazy. How many times niggas beat with you? I just think he was slightly capping. Yeah, I was capping.
1:31:18Tony Yayo:So he was capping, y 'all. So he was capping at the end of the day. Yo, where's the flag? He was capping. He was capping, man. A nigga needed some promotion back there. It definitely caught fire. I remember I told Ms. Info. How many times can I tell Ms. Info? I said, yo, when the bullet fall out of my head, I'm going to give it to you. You can ask Ms. Info, throw that hat a bullet for her. I said, probably about six months later. She checked. She checked. Y 'all going to let him pass with that? Ms. Info. Y 'all letting him pass with that cap. He telling you what it is. I'm telling you. That's like a dad hat.
1:31:54It ain't like a cap. There you go. He had a little bit of fragments. There you go. A little bit of glass. He said it was glass.
1:32:00Tony Yayo:Glass did cut me. Some niggas got nothing. Yo, when this episode, I want you to play back the record of him rapping when he said he got shot in his head. Oh, for sure. Put that on the playback so people know. I met this nigga somewhere, and he said, hey, I'm Uncle Murder. The guy who got shot in the head. Get the fuck out of here, Joe. I said, nigga, fuck out. Yo, Joe, Cap and Redemption. Now he Cap and Redemption. Now he Cap and Redemption. Hey, yo, what's out of here? Introduce me to him. Uncle Murdy, the guy got shot in the head. What's up with your man? Who that? Tell him Blanco sent you. I'll say that to my guy, White.
1:32:37Tell him Blanco sent you. That's my guy, White. I see White other day at the Havin' Ray show. You know, he actually hit me to come out to that. So he told me I was going to be out there, dude. Yo, that shit was legendary. That shit was legendary. African Raekwon. African Raekwon pulled at a legendary concert the other night. MOP, locks, meth, ghosts. Shit was bad. The vibe definitely hit me and tried to pull out to that, man.
1:32:58Tony Yayo:Don't you love that the super, it's like, when you look at all these artists, when we started and y 'all started, it's like an artist was like a superhero. Like, y 'all could still go overseas. Like a vengeance. Like, I see J. Rue the Damager overseas, bro. Still eating. I see KRS-One overseas, bro. Everybody eats. Yeah, it's just crazy, but... Smokey Robinson still performing at 85. Your fans... We got to stop aging out. We got to stop making hip-hop. You feel like the new music is microwave music or no? You know what it is. You feel like it's microwave music? Yeah, I am mute. Yeah. So right now, you know what it is.
1:33:30We look crazy listening to that shit. We do. If you pulled up to me in the fucking truck, and I'm playing some iggity, viggity, viggity, you going to be like, yo, this shit. He be bumping that gun to shit. And I see all the dudes bumping that shit. I said, they're going to stay young.
1:33:43Tony Yayo:He be bumping that gun to shit. Don't let him fool you. I'm music. Listen, I listen to all kinds of music. You know I was listening on the way here? What? Niggas didn't start or something, right? Niggas didn't start. Because I always. Hey, now you talking. Now you talking. Hold on. Let me talk. Because I always wanted to ask Jada, right? When you hear that or ask y 'all, who the fuck? That's like, Sheik went crazy on that. He went crazy. Mace, Styles, everybody. DMX, rest in peace. She killed them a lot. So my whole thing is like, who the fuck? That's the most controversial question. Who the fuck had the best verse on there?
1:34:15Tony Yayo:And I felt like you and Mace was getting at each other on that record, too. I don't know. At that time. What? At that time. Let me give you the - I'm just keeping it real. I feel like Sheik want the Benjewits. When we was making them. No, but niggas done started something. Come on, bro. That was that shit right there. He said that. He said he did. No, he did, because he got the film. I felt like Sheik. He did. Sheik took Benjamins, bro. I'm talking about niggas done. So the publisher saw it. Listen. Niggas done started something. Stay on that record. We was making those records. We was all together at the same time.
1:34:51So everybody was going. We made that record. Got recorded. everybody's verse right there. Not one of them Tamar, sitting at the Kansas, sitting at the Harlem.
1:35:00Tony Yayo:You was in the studio with him. Everybody was... Hanging with us every day in Y.O., X, Mace, Lox. We was all in the studio every day for months when we made that. And that was one of them shits. You trying to kill whoever go first. So you was trying to kill Mace on that record? Because y 'all sound like y 'all... I was just saying, it sounded like y 'all was going on. Oh, okay. No, it wasn't... I was trying to kill... What you going to do if they put you on the court with Jordan, Ron, Kobe, Shaq, Tim? It's going to go for the kid. You don't want to be fucking. Niggas done started something. That's one of them ones.
1:35:34Tony Yayo:That's definitely a bit of the right. It's the fact we was all there. You know what I mean? With the new way of music, it takes something out of it. If I got to send you in Malibu and I'm in Southside Jamaica. If we there together, I don't care what's happening. It's going to suck. get a thing read. And that eating that shit. Even though something's throwing us on. That's the only way. Maybe something might be going on. But if there's a chance you could be in the studio together, it's always going to sound bad. I was in the studio with Big, though. For real. I just always wanted to ask you. He was snicking.
1:36:08He had bar. He wanted. He never wrote. Big needed his studio. He wrote sometimes. I got it. He wrote on paper? I have a half of. I have like a quarter of. Oh. Smoking line, Optimus. That verse. I got the other one. Can I buy that? Wow. Hell no. Yo, I can't lie to you. I never said that. I'm just serious. Yo, no. Yo, I never said that. Look at that. Yo, I never said that. You got some of puns? Don't tell me you got some of puns. He said it first. I got it. I was with Biggie when he did hypnotize. Look at that. He was written on paper. You was in the studio? Yo, Bigger writes some of his shit on the thing.
1:36:42In the studio with Biggie Smalls when he did hypnotize. Nobody got a whole three verses of him written, because even the shit I got is only a little barge than the rest. Gotcha. I seen him. By the way. Last days. Let me take off. You don't want me to get it off. Jay the crap.
1:36:58Tony Yayo:That was my shit right there, too. Yeah, it's the last day. You got the other story. That 1800s, especially liquor, guys. When we did last days, Jay, yo, we still in the hood. So we in the hood selling crap. They call us. Yo, I got to come to Daddy's house to get on Big Al. We still got joints on us. We go to, we used to be in daddy's house with packs on. They can't be seasoned. Them got Fendi sweaters and all that great style. We got army suits with packs on. Oh, shit. Like, we won't be like them niggas. But anyway, we there. This day, we on the block. So we bring, like, three, four of our niggas with us.
1:37:37We get there. Big, whole mafia is there. Big got Branson. And he got the liquid hay sometimes.
1:37:43Tony Yayo:Oh, the weed Branson. Branson, shout out to Branson. Coming back up. Couple mayonnaise jars of Branson. and he used to sometime was a rare occasion he'd get this liquid hash that you gotta put it on your fingers smear it on the blunt first oh he was fucking with the hot sheets that thing big it's liquid he's in the lake now we're he's writing them bars we're doing the verses we find out that beat is from Havoc niggas is hype we're writing this shit everybody lay their verse niggas is high niggas is knock everybody in the whole studio is fucking cloud 77 half beat Soon as niggas is in a deep slumber, be out.
1:38:20Yo, let me go away and do my verse. Nigga went in, he was on a stool, but his leg was still hurt. Dropped that shit and woke everybody up like they gave him smelling salt.
1:38:34Tony Yayo:Rack superhero shit right there, bro. If you notice on Life After Death, there's not that much features. Yeah, it wasn't. Young locks, they be featured on there. That was a nice accomplishment. Man, Diddy should have that nigga Bulletproof, man. I don't know. I still say that. Biggie, my favorite rapper all the time. I be fighting over Big. That's my favorite. That nigga shouldn't have been in Cali. So niggas always look at it like that. No disrespect to no one. See, he shouldn't have been in Cali. No, no, no. Save it for your show. What? Save it for what? No, no. This shit, he going to 12 episodes.
1:39:06No, no. It's a good thing to talk about. What's the fight? That was our first time ever in LA. Hmm. I was with him. You was with him? He was silent. and he was happy to be there. It's not one of them, I'm seeing all these shits on the ground, seeing shits, Puff made him go there. He wanted to be there. He was happy. He was happier than I ever seen him at Daddy's house over there. Little C told us the same thing. He didn't party. Listen, I know you get mad. I feel you, shit. I ain't got to keep it right. You got to let him talk. You said your Hitsman story. Let me say my P-I story. I got you. I got you.
1:39:40Down to the party that you see, the last picture with the cane, the thing, him, Stevie J, Puff. We in there. We was mad. I don't know what's on happened with Puff. We was over there, Ice Grill. We went over to him in that picture you see with the Shades of the King. Him. Shake that shit off, he told us. It was my single release. Whatever's going on with Diddy, we handled it when we get back home. Here goes some Chris style or Don P, whatever was the thing. Gave us like two ounces. Say, go over there. Shake that shit off. we got my single and that was the last shit he ever said to me everybody left went to the party
1:40:18Tony Yayo:then yeah that's when that shit happened next time what i could say to you is well park passed already why would you have him in la that's all i'm park was dead already you know the beef is listen think about this is a hard thing to say because i seen him he was happy like this he was he wasn't the still they come they want to kill that nigga was like he was chilling yeah i understand But I just, in my mind, when I look at hip-hop... Because we get to look at it from the third time. Now we get to look at it being a little older. Now we older. He should have been nowhere near that shit. So y 'all don't agree, but Pac just does.
1:40:54No, when we look at it now, yeah, you're right. He shouldn't have been over there, but what they're trying to say... What him and Lil C said on here was he wanted to be there. It ain't like we thinking, but force the nigga to go. They said he wanted to be there. It was negligent. I be each his own bottle of 1 ,800. If I didn't speak to him, I spoke to him. I seen him. He told us what did, you know what I mean? He told me. I see it. If I didn't even, yeah, I'd be with yeah, yo, because I love that, Nick. It crushed me. My first time in L.A., B.I. shot. I still had a beeper. My mind's just beeping me.
1:41:32That shit is bad. That's crazy. I didn't even know you was this. It's all the way down full of nads, but it's my mind's cold. Because he know you with big. Of course. Of course. That shit, when I go down that block, when I go to that light to this day, I fucking shake. But I seen, I spoke, I was next to him. He was fucking... He didn't seem like he was forced to be there. He was one of the happiest I actually ever seen him in life over there.
1:41:56Tony Yayo:See, the reason why I'm so passionate about it, because I look at it like... But they took one of our fucking hands. Rappers are not superheroes no more. Now street niggas are, or shooters are, or skimmers are. Rappers are not superheroes. So when we came up, niggas were superheroes. Big Ellie Bonics. Fat Joe, Jealous One's in here. Y 'all dropping. And no disrespect to Diddy, but no more shiny suits. Remember when y 'all niggas went from that era to that era? It was crazy. Summer Jam. Jay with Nas. Know what I'm saying? Ether. We love the beef. So when you look at Tupac and Big, that was like one of the most biggest beefs we knew.
1:42:30Tony Yayo:I remember being by the radio and waiting for, I think Flex played it first. When Big played, who shot you? And me and motherfuckers be like, yo, that's not a diss record. I'd be like, what? In my mind, when I was a nobody, I'm coming from Jamaica Avenue, down Guy Brewer, and I'm like, oh, I'm waiting near the radio to hear who shot you. And I'm like, oh, this shit is hot. Who shot you? I remember when that shit dropped, records was exclusive. One DJ will have it. Y 'all niggas will drop, maybe one DJ or two DJs will have it. You know what I'm saying? So let's not act like in the rap game we don't like beat.
1:43:03Tony Yayo:Because just now. Oh, it's been since the beginning of the time. We love it. KRS won the F's and shit. who will be busy be. Biggest start dying. It's always been beef. That's when it gets fucked up. That's when it gets fucked up. The difference is, let me tell you the difference is. So you said hip-hop police, right? Mm-hmm. So hip-hop police, yeah, they want to put 50 in jail. But the bulletin board don't got 50. They got you, your best friends. Of course. They got the niggas that be with y 'all, the this, this, that, and they waiting for them to make the mistake to run that recode. Of course.
1:43:35Right? So you got to understand that it's the entourage. You understand? They feel like they're impressing you. Y 'all, I'm going to go pop this. You know how many times I had to talk people off the cliff, like guys crying for me, like, please, he's at the club right now, Cherry Lounge. Let me let him go. I'm like, yo, bro, the whole world knows we have beef with this guy. The planet Earth, if you lay him out, then that's for life. We would have been here 20 years later like, you know he did it. Like, you know, something you got to live with. The M game, the murder game is something for life. There is no jurisdiction.
1:44:20There is no this. So you can't, you know, and they be the guys with you. They create, so you over here, yo, this is Stato 124. He did 30 years. He's a mass murderer. This guy's Jeffrey Dahmer 106. This, this, this. What do you think he thinks his job is. When he sees the guy who got beef with Ye-Yo, his job is to come back and say, yo, I got him. This is what I do. That's his job.
1:44:47Tony Yayo:So you were sitting at me back in the days? Because I heard you was going to get me first. You was going to kidnap me? Well, Ye-Yo, let me explain something to you. This is going to tie you up, son. This is a family show. Who cares? Because rest of the piece, the fun. I heard puns. Joe, was you going to tie that nigga up, man? I heard puns through you kid in the back of the van. Who cares? So was you going to tie me up? Yo, Neo. Who can say it? Who can say it? Who can say pun? Threw him in the back of the bin. I got the okay for the side. It really is. It happened. This ain't that. That ain't this.
1:45:23It's cracking kiss, motherfucker. The real report. The real report. Get ready. January. Let's go. The real report dropping in January. You heard? Yo. And we got the new weed dispensary as well. We into the weed business. Powered by Indoor. That's right. Powered by Indoor. And the brand is now. Dynasty. Oh, you got something jumping on? I'm coming. We going to Dynasty. We not only podcast brothers. We weed brothers as well. We weed dispensary brothers as well. Hold on. I got a dispensary coming out there. Y 'all, we all in the same thing. Look at that. Send out to my brother Moe, powered by Endor.
1:46:05Tony Yayo:Eyes on the brand. Dynasty Commodity. Dynasty Commodity. Kiss Cafe. Dynasty Commodity doing shit. Yo, we got to. Yo, what the fuck going on over here? Yo, y 'all got to. Y 'all got to ask you a question. Yo, yeah, yo. Do you rewind the time? Instead of other. Do you rewind the time? Of course. You rewind the time? Yeah, yo. CVS. I tried to get 50 from Jump. He said, nah. He said, I said, yo, I need you on the box, man. Rewind the time. You know, why look 54 when you can beat 43? I beat 43 when you can beat 32, nigga. Why fight the time when you can rewind the time? Rewind the time, baby. My boy up with something to that joke.
1:46:48Yeah, yo, up with something. Yo, Jaden, right now that hat, you looking like brother Arkball.
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1:47:37You know, it deserves more attention. The assists. Everybody talks about the goal, a big moment that gets replayed on the highlight reels, but too often we overlook all the contributions and collabs that happen along the way. That's true in soccer. And honestly, true in life. Haleon is shining a light on the assists, an official partner of us soccer. They got a whole lineup of brands ready to deliver for you. So here they are. Sensodyne, dentist-recommended defense of your sensitive teeth. Centrum, fueling your day with science-backed nutrients. Advil, of course, powerful inflammation-fighting pain relief.
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1:48:47This podcast is sponsored by Total Wireless, the official wireless partner of UFC. Power doesn't wait in the octagon or outside of it. You either make the move or you miss the moment. That's why you need a network that's just as powerful as you are. With Total Wireless, you get unlimited 5G data keeping you in the action. From the walkouts to the knockouts. Now that's a total power move. Make your total power move today. Visit TotalWireless.com or stop by your neighborhood Total Wireless store. Additional terms apply. See TotalWireless.com for details. Hey everyone, it's Cal Penn. I'm inviting you to join the best sounding book club you've ever heard with my podcast, Earsay, the Audible and iHeart Audiobook Club.
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From the publisher
Fat Joe and Jadakiss are joined by some of the most entertaining men in hip hop, Tony Yayo and Uncle Murda. Joe and Jada toast Yayo and Murda on their new podcast, The Real Report, which will join Joe and Jada on The Volume in January 2026. Yayo and Murda give listeners a taste of what they'll hear on The Real Report with wildly entertaining stories from their time with 50 Cent and G-Unit, including the New York group's legendary rap beefs with Joe's Terror Squad, Jada and The LOX, Ja Rule, and even a lesser-known beef with Ghostface Killah and Wu-Tang Clan. They also chop it up about the Ice Cube vs. The Notorious B.I.G. debate Yayo got into with N.O.R.E. and crew on Drink Champs; who had the best verse on “N****z Done Started Something" between DMX, Ma$e, Jada, Styles P, and Sheek Louch; whether it's still valid to listen to R Kelly, Gunna, or Tekashi 6ix9ine; how much money Yayo and Murda are generating with their VladTV interviews; the younger generation hating on Eminem; and whether or not Sean "Diddy" Combs is at fault for Biggie Smalls being in Los Angeles on the night of his death.
Watch Jake Paul versus Anthony Joshua - Friday December 19th at 8 PM Eastern, 5 PM Pacific standard time. Live on Netflix. https://www.netflix.com/title/82122635
6:30 - Will Joe and Jada make Murda's "Rap-Up"?
9:00 - Viral VladTV interviews
16:30 - Old movies > new movies + 'Snowfall' talk
20:30 - How Yayo got under Joe's skin during their beef
23:00 - Joe got in a fight with Young Buck?!
33:30 - Jada's beef with 50 & G-Unit
39:15 - Yayo & Murda have been traveling the globe
43:00 - Can you still listen to R Kelly, Gunna or Tekashi 6ix9ine?
45:00 - Toast to NEW PODCAST The Real Report
51:00 - How Murda got signed to G-Unit
55:30 - Ice Cube vs. Biggie Smalls
1:03:30 - Knicks talk
1:05:30 - Yayo got his house shot up?!
1:16:30 - 50-Ja Rule beef
1:21:00 - Uncle Murda was capping about getting shot in the head
1:32:30 - Best verse on "N****s Done Started Something"
1:35:00 - Jada tells AMAZING stories about Biggie
1:40:30 - Rappers aren't superheroes anymore
[Timestamps may vary due to advertisements.]
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