Around the world with IMG: a region-by-region guide - episode 3: EMEA

3 Dec 2025 · 51 min

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Leaders Worth Knowing Podcast - Episode Summary

Episode Title

Around the world with IMG: a region-by-region guide - episode 3: EMEA

Episode Description In the final installment of the series, IMG's VP and Co-Head of Multisport Content, Sally Brown, discusses the EMEA region's established sports markets and emerging territories. Joined by Chris Guinness, EVP and Global Head of Commercial, and Roland Nikolaou, VP of Football in MENA, they tackle topics such as media consolidation, football fan culture in the Middle East, and strategies for sports organizations looking to expand in the MENA region.

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Key Themes and Discussions

Introductory Remarks

  • Hosts: David Cushnan, Sally Brown, Chris Guinness, and Roland Nikolaou.
  • Focus: EMEA region within the global sports industry, emphasizing its complexities and diversity.

Sally Brown's Role at IMG

  • Position: VP and Co-Head of Multisport Content.
  • Responsibilities:
  • Overseeing diverse sports productions, particularly focused on Euroleague Basketball.
  • Engaging in business development and supporting creative content initiatives across sports.

Trends in Sports Production

  • Innovation: Increased focus on multi-screen production approaches and AI integration for faster content delivery.
  • Fan Engagement: Efforts to enhance viewer experience by getting fans closer to the action through innovative camera angles and sound enhancements.

Future Expectations in Sports Media

  • Growing Streaming Influence: Anticipation that more sports will be featured on major streaming platforms (e.g., Apple, Amazon, YouTube).
  • Local Market Development: Acknowledgment of challenges in growing sports like basketball in the UK market.

Media Consolidation and Challenges

  • Chris Guinness's Insights:
  • Observations on media consolidation within EMEA, emphasizing competition from streaming platforms.
  • Recognition of varying growth rates across countries; Italy's tennis scene highlighted as a significant opportunity.

Football in the MENA Region

  • Roland Nikolaou's Focus:
  • Role in IMG's football business across the Middle East, particularly in Saudi Arabia and its evolving sports culture.
  • Discussion about the depth of football culture in the region, the increasing popularity of the Saudi Pro League, and upcoming international events like the World Cup.

Regional Opportunities and Challenges

  • Cultural Integration: Emphasis on cross-country collaboration in the MENA region rather than competition.
  • Youth Engagement: Highlighting the importance of involving young audiences and fostering local talent in sports.

Women's Sports Growth

  • Roland’s Perspective:
  • Development of women’s football in Saudi Arabia and the establishment of female teams backed by major clubs.
  • Promotion of the game and the importance of encouraging young girls to participate in sports.

Recommendations for Organizations

  • Top Tips for Success:
  • Sally Brown: Emphasizes the importance of local knowledge and humility when entering new markets.
  • Roland Nikolaou: Advocates for relationship-building and investment in local culture and community.
  • Chris Guinness: Encourages a fan-centric approach for both rights holders and media platforms, focusing on long-term audience engagement.

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Key Takeaways

  • EMEA as a Diverse Market: The region presents both established markets and those with rapid growth potential, requiring tailored strategies.
  • Media Landscape Evolution: The rise of streaming platforms is reshaping the sports broadcasting landscape, compelling organizations to adapt and innovate.
  • Cultural Nuances: Understanding the local culture, pride, and engagement strategies is crucial for success in the MENA markets.
  • Women’s Sports Progression: The ongoing growth and investment in women's sports represent a significant opportunity for cultural and commercial development.

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Conclusion This episode of the Leaders Worth Knowing Podcast provides a deep dive into the complexities of the EMEA sports market, showcasing IMG's strategies and insights for navigating opportunities and challenges in the region. The discussions highlight the importance of local expertise, innovative practices, and thoughtful engagement with fans and communities.

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Transcript

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0:03Welcome along to Around the World with IMG, a region by region guide and this is episode 3 EMEA. Do listen back on the feed for our Americas and Asia editions, but it's EMEA today. My name is David Cushnan and with me here in the Leaders Studio in London, absolutely delighted to have Sally Brown, the VP and co-head of multi-sport content at IMG. It's a slight mouthful of the job title, Sally, but you're going to tell us all about it shortly. But it's great to have you with us. Thank you for having me. And the first question, and I think we're going to flip-flop throughout this episode, EMEA or EMEA?

0:48What, for me? What would I say? For you, personal choice. I do both. I think I do both. And I'm not sure there's one standardized. No. I think from different companies I've worked for, people have said different things. So you sort of suddenly think, oh, what's right? What's wrong? But I think we can mix it up. It's good to hear there isn't a standardized ING version and there certainly isn't a standardized leaders version. So you will probably hear both, listener, but maybe we'll go with EMEA to start with. An interesting, a varied region, some very mature, established sports markets and some less mature markets that are growing, as we all know, extremely rapidly.

1:26And we're going to get into all of that with Sally, but also with a couple of other IMGers over the next few minutes. Chris Guinness, the EVP and Global Head of Commercial and Roland Nicolaou, VP of Football in the MENA region, will be joining us shortly. But Sally, first of all, let's establish your credentials and the facts behind that job title that I mentioned. Give us a sense of the roles and responsibilities that you have, particularly on the production side within IMG. So I work for studios. I work in content. There are four VPs in content. Sally Wood, who looks after the golf, of which there is a lot of it.

2:08Rich Bayliss looks after the football, of which there is a lot of it. And then there's Steve Rudger and myself, who have this same sort of title, which is head of multi-sport, which basically means you can throw us any sort of sport and we'll do whatever it is that is asked of us. Steve has been focusing a lot in the Middle East. I've supported him a bit on the Sports World Cup that was in the summer. But mostly for me, a big part of what I look after is the EuroLeague basketball. I think it's a privilege when you come. It's a funny role, the multi-sport role. And when that actually first became a role, I think it might have come from Sky Sports.

2:41I think it might have been Barney that sort of brought that in the first place. But it sort of covers everything else. I started my career at Sky Sports back in 1996 and I worked on the multi-sport team. So I worked across darts and snooker and world superbikes and speedway and pool and etc. So it's quite a good thing that you can bring all the expertise from working across lots of different sports, what you've learned from the different ways that sport is covered and bring it into the next sport that might pop up. So, yeah, I could be working across anything. I also dip into a little bit of business development.

3:11So I support that team when we're looking at new business. I support some of the other teams like football, for example. from a creative perspective, I bring a lot of my sort of creative ideas into some of the content football ideas as well. So yeah, a jack of all trades, a master of none. No, no, no, no, no. A jack of all trades and a master of many, I'm sure. A master of multi-sports. And it is an interesting sort of catch-all, isn't it, for multi-sports? What's the sort of, hesitate to use the word strangest, but what's the most left-field sport or project that you've been asked to tackle? Well, at IMG, I haven't had such a left field one yet, but no, not strange.

3:53I mean, you know, what's exciting about it is when you're given a sport that perhaps you haven't worked on before. At Sky, there were loads of different things. So I sort of immediately arrived and was like, oh, fantastic. This week it's darts, you know, next week it's elite league speedway. But I think, you know, at BT Sport, I landed in the beginning of the company starting up and I was given the UFC and I didn't know anything about it at all. But within years, I was the expert. So, you know, it's lovely when you can take something on and there's not too many restrictions on how you're going to do it, but just like help the client grow this sport.

4:32So that was fantastic. But no, not so much at IMG. I haven't been thrown a strange one yet, but I look forward to it. Bring it on, I say. That's it. That's it. We're going to speak to Roland and Chris, as I mentioned shortly, and I'm sure with Roland being based out in the Middle East, he will have some real knowledge to share about the market, the region and the markets within that region. So maybe just thinking about Europe and some more established markets. And again, with your production hat on, what are some of the big trends within sports production that you are seeing and particularly in those more established markets and amongst those perhaps more established rights holders?

5:18Well, I suppose with Europe, for me, it very much is all focused on EuroLeague at the moment. And so, you know, what we would be noticing is people wanting to look and think about multi-screens when it comes to production. Also very much thinking about AI and how that can enhance productions in any way. We use the AI for digital highlights. So we use WSC, which is really there to try and speed up the way that we get highlights out. There's still work to be done there. I think that the NBA are quite happy for it to be quite raw, but the EuroLeague very much like the integrity of the highlights to make sure it's in the right order, it's telling the story correctly.

5:58So we still have a bit of a human touch there as well. You know, we're looking at, there's AI commentary, because we're trying to, you know, see if we can help in all many different languages now as well. So yeah, I think they would be the main things that sort of we're focusing on at the moment. And also, like everything universally, you know, people just want to get people closer to the action. So it's all about innovation on court, in terms of perhaps a new camera, what we can do with the sound so people can be you know when i think about the euro league basketball and these these enormous superhuman uh athletes you know we're trying to always find for the federation how we can perhaps come up with something or a slight angle someone hasn't before where we can just show show them you know being superhumans really and again as you think about the the the EMEA market or EMEA market in general.

6:53And again, with your production hat on, what do you see as some of the, what are you expecting over the next five, 10 years? I mean, you talked about AI, you talked about localization, personalization. These are words we're hearing a lot across the industry at the moment. What are some of the expectations or sort of best guesses in terms of where the sports media, the sports broadcast game goes? Probably it's more that we're likely to be seeing sport more on the streamers, on the big streamers. So on Apple, Amazon, Prime, Netflix, YouTube, you know, it's anywhere that we can get more growth you think about you know in terms of basketball i always think about the uk as a as a market that we're desperate to sort of grow in but um it's difficult at the moment um with their uh it not being as popular a sport as say football rugby um etc um and and trying to find creative ways to be able to get this brilliant euroleague brand um out there in the uk um i know that they are showing it on YouTube channel, on TalkSports YouTube channel.

8:07And we can see what's happening with the different influencers who are perhaps sort of streaming broadcast. So I know our strategy team at IMG are thinking and working closely with the EuroLeague to come up with some creative sort of ways to get the EuroLeague into the market. We obviously are really excited that the London Lions are now in the EuroCup, which is the league below. If we can get a team that can get into the EuroLeague, that's going to make a massive difference as well. And it's a really interesting lens through which to think about the region in general, I think Euroleague in the, as you say, the UK, you have a very big media market, a very big sports industry market where Euroleague and the sport of basketball hasn't necessarily reached its potential.

8:55You have other very established markets. Spain, I would probably point to France, where EuroLeague is much more of a mainstream product, I suppose. And you've got some probably really interesting smaller markets where basketball is also extremely popular and somewhere approaching a national sport. And I imagine that's quite a challenge from a production and a content standpoint to get the mix right to dial up in certain markets or dial up different elements in certain markets versus others? So it's our responsibility with the World Feed to standardise the product. So it shouldn't make any difference where we're broadcasting from.

9:38And you should be able to know that that is a high quality Euroleap product. So we work really closely with the different regions and there are different challenges in all the different regions. And we have to work with all different OB supplies. It's the sort of third party, you know, who's supplying the power, the connectivity. There's challenges in certain countries. We think about, you know, you perhaps think about the Premier League and you think about, oh, this team plays at that stadium, that's their stadium. It's very different in Europe. And it's quite different to standardise. We think about things like perhaps remote production across the board might be a question that we ask.

10:12But then actually you realise that a lot of these teams don't own their own stadium, they're sharing it with another sport. So it's quite complicated. You know, you think about virtual advertising and think, well, that's a big, big area that the league would like to look into and we look into. And then you realise it's quite complicated with the placement of where the basket, the nets are or, you know, what kind of gets in the way. So things are just a little bit more complicated. You know, how people travel around, obviously, with the political unrest and the situation with Israeli teams, it's been very, very challenging for them because they've had to play in different countries, different places.

10:47So there's so many different complexities when it comes to the EuroLeague and moving thousands of people around it and so much kit around Europe as well. And maybe building on that and talking slightly more broadly, looking at the Middle East from a production standpoint. There's obviously a lot of interest and appetite there in sport. We're going to talk to Roland about all of that shortly. But again, from a production and enhancing the production, and I suppose there's almost an element of upskilling a local workforce as well. Talk about some of the challenges and opportunities you see in terms of producing sport for the Middle East in the Middle East region.

11:35Well, I'm not that close to that. That would come more under my colleague, Steve Rudge. But I know that they have done a phenomenal job in bringing in a lot of local people over there and also very much trying to invest in women over there. So there's some really positive stories. I think, you know, to start off with bringing our expertise, we've been bringing in all the best directors, the best people in and are doing a really good job of educating the locals. So I think it's really good that they're working hand in hand and working together. And so, yeah, that's probably as far as I can go on that.

12:09But I know that they are doing amazing things over there. Well, let's get into a little bit more of the Middle East in general, but also this EMEA region and some of the intricacies and some of the examples, building on your EuroLeague example by bringing in Chris and Roland. joining us now on the show delighted to have with us a couple more imgers uh we have roland nicolau vp of football head of football in the mina region and chris guinness evp global head of commercial chris have i got that job title correct it's a long one but yes you have good start uh good start uh maybe maybe flesh out that job title a little bit for us chris um you've been with IMG for, I'm going to say, a number of years.

12:58I don't know if you want to put a specific number on it. Well, I first joined IMG in 1989 and then left IMG in 2001 and then came back in 2007 and have been at IMG ever since. It's a long stint and it makes you well-placed, I think, because you've operated and now have this global role, but operated in several different regions. With regards to EMEA, I wonder what you've seen in that market and how you've seen that market in particular evolve over quite a long period. Yeah, I mean, I think that similar to other parts of the world, you're seeing a lot of consolidation, um free-to-air broadcast is obviously being more and more challenged to be competitive in the sports rights landscape um and now obviously pay tv operators being squeezed and potentially threatened by the emergence of uh the streaming platforms all of whom have different strategies in terms of market focus timing as to when if they haven't already they'll they'll come to market.

14:17And so it's an evolving marketplace. And EMEA specifically is a market that has certain countries and territories that are extremely challenged and other markets which are seeing significant growth in demand for sports depending on the strength of domestic athletes. Italy obviously being a case in point with regard to tennis with the huge emergence of tennis players, most notably Sinner at the top of the ranking. So it can't be ever described as a region which has overt similarities across the board, but it's definitely a market of change. And as a result, we as an organization are having to evolve as to how we address this change.

15:09And just give us a sense, mentioned your job title there, EVP and Global Head of Commercial, as the name suggests, a global role. Give us a sense of your roles and responsibilities and particularly how that relates to this EMEA region. My role is that I oversee the global rights distribution business. And obviously, having spent 17 years in Asia, I used to run the Asian part of business and in terms of a region of the world that's overtly culturally diverse. It's both a fascinating region, but also very complex. And every market is to a certain extent different. The Americas, we have a very strong team based in North America, led by colleague Hilary Mandel.

16:07Latin America is emerging, but we have a unique capability in Latin America because we represent one of the leading rights holders, Comnebol, and we're in the middle of a media rights process there. And last but not least, EMEA, which in some respects is the most mature. But as I was saying earlier, has certainly overt opportunities in different parts of the region and has diversity and differences, if not quite the same as Asia, certainly along that scale. And Chris, what would you say if we had to pin you down to it, appreciating what you said about individual markets within the region, what do you see as the most significant sports industry story in the emir region at the moment the two things that uh are of interest to me um one is the most recent news about um sky um in talks to take over itv's tv and streaming business and similar in the dark region germany austria in Switzerland, the RTL acquisition of Sky, which is still subject to regulator approval, which we're expecting in early 2026, both of which I think are examples of media entities combining together to challenge the onset and the potential threat of the streaming platforms.

17:41A big story, which we may well delve a little bit deeper into in a few moments time. Let's head to the Middle East, where there is obviously lots of activity going on. Roland, good to have you with us. And give us a sense of, first of all, where specifically you're located as IMG's football man in the Middle East, and a little bit about your remit in that region. Yeah, thank you. Today, I'm in Dubai. Yesterday, until midnight this morning, I was in Saudi Arabia. So I spent my time pretty much between Dubai, where my family is, but in Saudi Arabia, where a lot of activity is happening. So currently, I lead IMG's football business across the Middle East and North Africa, focusing on strategy, rights delivery, commercial growth across our core partnerships, including projects like the Saudi Pro League, the Gulf Cup, and also another range of strategic collaborations with other leagues, federations, and government entities in the wider GCC.

18:46basically our work spans the full spectrum from consulting to media writing broadcast production sponsorship sales event delivery and long-term capability building so essentially we're really here to help our partners define a commercial and strategic future across this region which is evolving quite fast and like anywhere in the world right and my role sits across commercial growth I think cultural transformation, as I like to call it. Very good. And obviously, lots going on, in particular in Saudi Arabia. I suspect I might know what you will say here, but same questions I asked, Chris. In your part of the world, what is the most significant story at the moment?

19:31Well, it's a tremendous moment for the region, especially over the past few years. Like we just did the Six Kings Stampiners event happening. We did that on Netflix. We produced it. Marked a landmark moment, not just in sport, but for entertainment in terms of global storytelling. And if you look at the continued evolution of the regional football from the Gulf Cup to new club competitions have elevated the region's sporting footprint. If you look at the eSports World Cup that just happened in Saudi Arabia, setting massive benchmarks for digital engagement and live production. Whether it's across Dubai, Abu Dhabi and Doha, there is a big integration of culture and music, sports that's currently shaping the future of life and experience.

20:20So what makes it quite exciting is the region is moving in a coordinated approach rather than competing between the countries. Obviously, Saudi brings scale and ambition. Dubai brings innovation, global connectivity. Qatar contributes to the infrastructure and experience in terms of hosting big events. You've got Kuwait and Oman focusing on youth development and regional collaborations. So at the heart of it, it's basically a vision that is using sport not only as a competition, but also as a driver of tourism, culture, and global identity. Now, football is your sport. Football is your business.

20:58And it's very, I think, easy when we talk about football in the Middle East to concentrate solely on Saudi Arabia and the Saudi Pro League. And I know you're doing a lot of work there. A World Cup coming to Saudi Arabia, another World Cup in the MENA region coming up in 2034. Maybe start a bit more broadly than that. What is your assessment across the region of the health, the popularity, the cultural impact of football as it stands right now? I mean, look, we've discussed this not long ago last week at our get-together at IMG. And football, for a lot of people that don't know, has quite a deep culture in this part of the world.

21:49If you look at it from 1920s, that's when it started in this part of the world, football was pretty much the sole form of entertainment. There are some rich clubs that have managed to win some accolades on continental levels and have drawn a lot of players from foreign leagues. I mean, it started with UAE and then Qatar followed suit and now obviously the Saudi pro league. so if you look at today's audiences especially the young engaged audiences they are very avid football fans very well engaged very knowledgeable about the players where they play what their records are and they want to make sure that they're following them it's a digitally native audience that lives on basically consumes social media like no other and we see that majority of these players have become content producers and media platforms by themselves.

22:47So there's always that rivalry between the top clubs in these countries. Chris, if we bring you back in, maybe with your global hat on, clearly a lot of international interest in all sorts of ways in the Middle East as a market, as an event host, as an investor in sport but also increasing international appetite for leagues like the Saudi Pro League and the teams and the players brands that sit within them how do you with it from a global standpoint think about the Middle East as a market specifically and what is the optimum approach for international organizations? I mean, as Roland's been saying, the impact of Saudi Arabia has been felt in so many different ways in terms of them, you know, hosting and wanting to host and aspiring to host major events in the region, but also getting behind certain sports.

23:55Obviously, as an example, their support of Live Golf. But for us, I think what is extraordinary to me is what we've done with EuroLeague basketball and having extended that relationship for another 10 years. We firmly put EuroLeague basketball on the map in the Middle East, not only with the incredibly successful Final Four event that took place in Abu Dhabi this year. We now have a Dubai team in EuroLeague. We have a title sponsor in Etihad. We had a host broadcaster in Dubai TV. So we've effectively, with all of the infrastructure and the collaborative expertise that we have, we have effectively given EuroLeague a very firm foothold in a critically important market.

24:54The second thing I would say, and, you know, obviously Roland is very, very knowledgeable about the region, but about football, but what we've done in the Gulf Cup is also extraordinary. The last event took place, well, ended in January this year. The next one will be in Saudi next year. But in terms of the number of countries in which that event was broadcast, putting aside the sort of record revenue that we generated on behalf of the competition, that was broadcast in 168 countries compared to the previous edition, which was 77. So, I think we're doing so much in the region and there is so much opportunity.

25:37And I think the most important thing is to attack a region of that importance on an integrated basis. And I I think the EuroLeague example demonstrates how collaboratively we've worked across all the areas of expertise within IMG to bring that success to bear. And let's maybe, Sally, dive into that EuroLeague example in a touch more detail. Bring it to life for us in terms of the production side of things and the way that relationship has evolved over time. partnership joint venture launched in in 2016 as chris mentions a recent early very long-term extension which uh i would suggest is a good sign uh that everybody's happy and uh uh more than comfortable with the the progress that's being made yeah we've got a fabulous relationship in terms of production with um the euro league client um and we're just looking forward to the next 10 years now where we can keep helping them build and grow um yeah with it's it's a growth story for EuroLeague you know now with 20 teams um as Chris says you know we've now got Dubai basketball um involved which is has brought us new challenges because we're now um having to work sort of with Dubai TV in a new uh region but that's that's brilliant because they've brought so much excitement they're bringing loads more cameras than is necessary they want to really land with a bang.

27:02But we're there to help support because EuroLeague is quite a complex sport to broadcast actually and requires sort of quite a lot of expertise in terms of the camera people who are working on it, that they understand who all the players are, you know, the replay operators, all the different, you know, the data, everything. It's not quite about let's throw tons of cameras and then it'll all be brilliant and better than everybody else's. But that's where we're working with them and they're really receptive and it's exciting. So this is a really lovely, lovely area for us to build. And Abu Dhabi was amazing too.

27:35There are cultural differences. We've sort of learnt, we're learning all the time when we go into these places, but we had a very successful broadcast. And obviously, the better the broadcast that we can do, the better it is for the sales guys to be able to sell it. But yeah, it's a real positive growth story. And we're really proud to be part of it. And Roland, maybe paint a picture, as Chris teed up for you of the Gulf Cup and the story there. A story and a tournament that may be a little bit less familiar to some listeners who are maybe in the UK or the US, but in its own right, as Chris hinted at, an enormously successful regional but also international product now.

28:21And the Gulf Cup is over 70 years old. So it's an event that takes place every couple of years. Six GCC nations lost to others in Yemen. Iraq has been basically the World Cup for the region. Every attention turns to it. And if you go to... But every league stops for it, even though it's not a sanctioned event by CIFAR. It's not on the calendar, but every league stops for it. every manager wants to win it every every child father and granddad and grandmother everyone sits around it and and consumes it because it's full of passion it's basically their local derby and that's generated um interest over generations as i said i've been personally involved with come to maybe now five or six of these events and previous roles and now with img we've managed to elevate the production.

29:20We've managed to expand with the help of the commercial team to new avenues and new territories, bringing the stories of this part of the world to unknown areas and where they weren't before. It's a testament to the work that we do with the help of our commercial team and the production team and everyone else at IMG. Another thing that Sally mentioned with regards to basketball and Dubai Basketball Club, but I think is really interesting and would love to get your take on, Roland, is the increasing emergence of team brands in basketball, but in football as well in the region. And obviously some of these teams have incredible histories and traditions, but I think the sense from the outside maybe is that we are seeing more of an international spotlight on some of them.

30:12And some of that is related to particular players coming into those teams, more attention, more media coverage. How are you seeing the growth of team brands within the Middle East? And what opportunities does that open up, do you think, for football in the region? I mean, look, it's another level of unlocking value and trying to build a connection with a fan. ultimately bringing team football or a new team into the mix helps you unlock some different values that potentially weren't when being unlocked before it kind of fits to the entire narrative and the evolution of what's happening in this part of the world and all the various initiatives that have been driven.

30:59Ultimately it's all about creating the right storytelling, the right narrative and the right commercial landscape to make sure that all of them are running sustainably for the future. I mean, the region has been known to innovate in a sense. If you look at what's happening with the AI technology that's been fueled and that's been driven in this part of the world, there's a narrative in terms of needing to have some IP coming out from this part of the world and then new properties coming out from this part of the world. And in terms of operating in the region and doing so effectively and successfully and smartly, who are the key people, Roland?

31:45Who do you need to know? Who are the organizations? Who are the key people that you in your role need to have a great relationship with to be able to move things forward, to be able to do better business? So obviously it's a very complex region and a lot of people confuse it as it's one region. Every country is different. If you look at Saudi, for example, whether it's the Ministry of Sports, the GEA, the Public Investment Fund, Saudi Football Federation, the Saudi Pro League, all of them interconnect one way or another. and you have to really be understanding of how the relationship between them works to be able to get things done.

32:26The same goes for Dubai and Abu Dhabi, whether it's Dubai Sports Council or Abu Dhabi Tourism and Culture Department. They are the major stakeholders, but not to forget also the private sector, whether it's partnerships with the brands or the media entities as well. So it's an ecosystem somewhere you really need to spend time to forge relationships and build connections. Business here is done. Pretty much like this experience in Asia, it's very human focused. It's very relationship based and it's something that a lot of people maybe forget about or are not aware of it. And Chris, again, maybe with a slightly expanded view of things and maybe thinking about some of the more established markets that you're operating in in Europe, and maybe thinking about your first answer around the big media entities who are, to some extent, in this period of consolidation.

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33:30From a media standpoint, have the people that you need to know to be able to do what you do changed? I mean, is it more crucial for you to have those relationships at the very top of these media organizations in a way that perhaps wasn't necessarily the case in the past? I think it's always been really important to have relationships at senior levels. But as I kind of said earlier, we're now in an environment where we obviously need to know the emerging players, competitors, platform streamers. and at the same time I think our role in the ecosystem within the EMEA region similar to any other region is to present ourselves not simply as a transactional agency but more as a partner more as an architect someone who can add value to a rights holder and in equal measure a media platform that is looking to navigate its way in the complex rights environment that sport presents, but the opportunity presents.

34:46And as a case in point, we're currently working with a streaming platform and advising them on their strategy in and around the Champions League tender that's going on. And that's, for us, I think, a major breakthrough to be able to persuade a new platform that we add value in helping them navigate in the sort of increasingly complex sports rights ecosystem, I think, is where I see huge opportunity going forward. The other thing I would say is that, you know, there used to be a time, you know, not long ago where we as an organization would never really give YouTube the time of day on the basis that outside of the US, they don't pay rights fees.

35:38And secondly, that they were regarded as an aggregator of content that a certain demographic could access most overtly sort of free of charge and that therefore they were a threat to our business. Now they're commanding such an enormous audience for sport, and at the same time, making it very clear that they are interested in long form content. We have to embrace YouTube because they are going to be increasingly important in establishing a strategy for a rights holder, and potentially for a media platform. They obviously want to present themselves as not being cannibalistic, time will tell, well, that will be the case.

36:18But we can't any longer ignore the size of the sports audience that they're starting to aggregate. And is there a market, Chris, I suppose thinking more about Europe than the Middle East? And you touched on Italy earlier, which might be an interesting one. But is there a specific market that you think is particularly noteworthy or worth as the industry keeping its eye on at the moment in terms of how it's the dynamics within it, in terms of the media landscape? Italy has challenges, but it is particularly of interest to us right now because of this explosion in interest in tennis. But I think of all the markets at the moment, other than the UK, which I mentioned earlier, I think the Germany, Austrian, Switzerland market is very interesting in the context of the RTL acquisition of Sky.

37:27It's basically the first fully integrated free-to-air pay TV and streaming ecosystem across those markets. There's a concentration of premium rights that both organizations bring to the fore. They have the ability to scale locally and compete overtly with global streamers because they'll have around combined 10 million paying subscribers projected after the integration. There's obviously a huge strategic rationale. Sky contributes the rights and subscriber infrastructure while RTL adds mass reach, strong channels, production capabilities and advertising power. And together they sort of cover the full chain, value chain from rights acquisition to distribution and monetization.

38:19And I think their impact on the market in terms of having stronger pricing power at the top end means that obviously they're going to be a force to be reckoned with. That will in turn put pressure on smaller players. But I see them as now being able to offer real competition to the emerging streaming platforms. Very good. We will keep our eye on Dak. Roland, from a media standpoint, just paint a picture, if you would, of the dynamics that you're seeing at play in your part of the world in the Middle East. Because again, you've got global streamers starting to have an influence. You've got a number of significant local players.

39:06And you've got this interesting world that we see in all sorts of places now of the streamers, the creators, who are starting to think about rights and rights acquisition. Yeah, obviously, the rights landscape in this part of the world is no longer a simple buyer versus seller environment. it has really truly become an ecosystem of co-creation. So rights holders are moving away beyond transactional models instead of focusing on short-term revenue. Instead of focusing on the short-term revenue, there's a emphasis on long-term growth of their audience, particularly among the younger digital fans.

39:46So in terms of packages and right packages, there are new approaches that's being taken. hybrid media deal, digital extension, influencer integration, multi-platform storytelling that basically is across media and entertainment. So the Gulf itself is becoming a ground for that next generation in terms of rights, models, blending. Obviously, the premium rights are still sitting and commanding a certain fee. But you see that to actually benefit, to extract the right from the region in terms of monetary value, you really have to build that fan base and engage with it in the right way. We see a lot of domestic players starting and emerging.

40:34I think, obviously, it's a very connected young audience that has a high consumption of content, especially on digital platforms, most often than not multiple devices. and they know exactly what they want. They know how they want to consume it. So all the broadcasters, the streamers, everyone's trying to grab that attention and everyone's still trying and testing and in some cases, more favoring audiences and long-term audience building versus a premium dollar at this time. And so that's interesting to see and watch and being part of it. And Sally, from, I guess, what that does, that increased competition, that dynamism in the market plays through into enhanced production and increased appetite for great production, which opens up an opportunity.

41:29Esports World Cup is something, you know, another area of real focus in particularly Saudi Arabia is clearly esports and the Esports World Cup establishing itself as a really major event. And I know IMG had a very big role in not only the the live coverage, but also a wealth of programming around that. Just tell us a little bit about how that came together and how that worked over the summer. Well, I didn't lead on that. That was my colleague, Steve Rudge, who had a lot of dealings with Roland to help him region. But yes, it was really interesting. We didn't actually do, just to clarify, the live gaming, but we created this spotlight show, which was this challenge given to us to try and bring in the casual gamers rather than the hardcore sort of gamers and to bring them into the ecosystem and to get them engaged.

42:21So it was to create an entertainment and sport and gaming crossover show that we would do three times a week and to try and bring in new audiences. And it was phenomenal, actually, what we achieved, I think, in a very short space of time. We had real creative ambition. We created this incredible, incredible studio. I mean, literally it blew my mind when I went out there in Riyadh in Boulevard City when the sun went down the lights of this very sort of simple structure came on and with the the screens behind it was proper wow and we'd use some sort of drones coming in along Boulevard City to sort of set the scene and bring bring it into into the space so it was a proper wow and I think that the EWCF were just so thrilled with the quality of the production and then we were bringing in brilliant guests and experts and entertainment.

43:14So yeah, that was a brilliant thing to be part of. And I think sort of going forward with more time, which will be for sort of the next year, it's amazing what we're going to be able to do because we did that in such a small amount of time. And then there's the Nations Cup that's coming as well as a new tournament as well. So this Spotlight brand has got an opportunity to sort of really land. And I think digitally, you know, there's been great success there too. But yeah, that's been a really exciting thing for IMG to be part of. I'm going to ask you all to round off shortly for your, well, either a piece of advice or a tip or even a prediction for sort of best practice, somebody who's looking at doing business in this region.

43:56So stand by for that. I'll come to you shortly. But Roland, I did want to touch before we conclude on what is a global story again, the continued development of women's sport as a commercial entity, as something with a fan base and a business model that's sustainable and viable supporting it. I wonder if you could tell us a little bit about the growth of women's sport, though, in the Middle East, across the Middle East specifically, and what you're seeing, maybe a couple of examples of great projects that you would point to, because there's clearly a lot of stuff happening there. I look at the Levant area.

44:39I mean, women's football has been, they've been playing football for a while. Unlike in Saudi Arabia, it's only been around for the past, I would say, six or seven years. Obviously, building on the work the SPL has done, some of the clubs basically started having female teams. Initially, it started with, I think, 12 or 14 teams. And now there are eight teams, but eight teams that are backed by one of the biggest clubs, with Al-Nasr, Al-Ali, Al-Qatsia, Al-Hilal, Al-Atihad, and the club Al-Nayom. So that's been undertaken by the Saudi Football Federation, promoting the game in the country, opening up to young girls to start playing football, bringing a lot of talent, whether it's managers or players coming in, And a lot of MOUs have been forged with big federations and other leagues to learn and build best in practice.

45:38I was invited to the Women's Super Cup last month by the Saudi Football Federation and meeting the young women at the Saudi Football Federation and working with them to see the passion they have for the game and what they're trying to build was quite invigorating. Something's quite touching for me. I've got two girls that are playing sports. So it's something that I'm trying to encourage and make sure that we are there to support them when they need. It's exciting. It's very interesting. It's got some road to go ahead, of course. But I think the foundation has been put there, especially led by the Vision 2030.

46:21Who wants to go first with the top tip? Sally, I'm going to come to you for a top tip for working in the, well, in the EMEA region or in the Middle East specifically? So I'd say really to listen, it would be a top tip to go into these regions, you know, for the Esports World Cup, we had some knowledge from working in the Saudi Pro League and various bits and bobs, but actually to just make sure we really lean into the local knowledge and to listen, not to go in as arrogant, we know what we're doing, we're experts in production because there's such nuances you know I think about there was there's a one guy out there who helped us out called Whale and he was just an absolute diamond he was wonderful he was a production manager but he was a fixer he was an everythinger and we learned on him for so much and he cared so much about the quality of the production and I remember one day you know we'd gone out there it was 45 to 50 degrees out there thinking we'd have this spectacular outdoor studio that was just going to be amazing with everything I explained before.

47:21And then one day he sort of said, oh, just to let you know, there's been an announcement that there's rain in the air. And then one of the cameramen said to me, oh, I just landed because I was covering sea for two weeks. And somebody said, oh, what is our contingency for rain? And I went, I'll just go and find out. I'm sure we've got everything planned. No problem. Bear with me. Went to our production management office and people sort of said, well, we just figured it wouldn't rain. We hadn't really thought about this. Anyway, as we managed to do so well, we'd quickly got whale involved. This lady, Terry, who's an absolute legend from the EWCF, she had, and within about an hour, we had a solution that we could go to if it did rain.

48:04So it was brilliant. Anyway, no rain came obviously, but a couple of days later, a sandstorm blew in and it blew in in such a fast way that we had no idea that this might affect us um you know when we're out there this outdoor very exposed studio um but uh it was just one of those things that blew in and was almost gone before you know had come but it did damage the studio a bit um we managed to luckily be able to fix it in time um and then it was gone but actually the realizing that sand just like you've had a building work done in your house sand settles for days so of course then the crew's a little bit affected because they're working outdoors, the sand's sort of getting in their eyes.

48:43So that local knowledge, you can't go into a region and be arrogant and presume you know everything. So leaning on the local expertise and listening is hugely important. Roland, you're out there. Do you own an umbrella? And what is your top tip? You don't want it to rain here. If you saw the news when Dubai flooded. And top tip, I'd like to build on what was said earlier in terms of, listen, be humble. You're not here to sell. You're here to provide solution. You want to build a relationship before the business will follow. Make sure you are invested in the country and its people, their young population eager to learn, to participate, and to be part of.

49:31It's a very proud culture, which also is my culture because I grew up in Beirut. We are very proud and want to show everything at its best. So we take things quite to heart. It's something that we need to be very mindful about. And Chris, take us over the finish line with a piece of advice, maybe for international organizations who are looking into the region. Yeah, I would say this very simply. and it's a message to both rights holders and media platforms. For rights holders, it's about targeting, developing, identifying, growing your fan base. And that fan base, with regard to media platforms, are the consumers.

50:17And it's the consumers that need to be absolutely at the heart of any strategy that a media platform is trying to build. So the message to both rights holders and media platforms is think of your fans and think of your fans as consumers. Chris Guinness, Roland Nicolau, thank you very much for joining us. And Sally Brown, thank you very much for being with me in the studio. Thank you. Thank you.

From the publisher

IMG's VP and Co-Head of Multisport Content Sally Brown is in the Leaders studio, alongside David Cushnan, for the final part of the series that examines how to do business around the global sports industry.

With a focus on EMEA - a region of established sports markets and fast-growing emerging territories - Brown explains how IMG’s suite of production offerings are helping grow sports across the region, including Euroleague Basketball and the Esports World Cup.

Chris Guinness, EVP and Global Head of Commercial, and Roland Nikolaou, VP of Football in MENA bring two more IMG perspectives, to discuss media consolidation and its impact on rights and production across European markets; football fan culture in Saudi Arabia and across the Middle East; and advice for sports organisations looking to be more active in the MENA region.

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