In short
Britain’s summer sport season and how it’s marketed and covered—Cannes sports presence (and freebies), Royal Ascot’s strict dress-code branding, and Wimbledon’s renewed BBC media rights plus player prize-money protests. It also touches on World Cup group-stage momentum.
Guests
No named podcast guests appear in the transcript. The hosts are James Emmett (Leaders Editorial Director) and David Cushnan (Leaders Content Director). Interviewed/mentioned figures include Emily Praiser (Formula One chief commercial officer), Shad Khan (Fulham and Jacksonville Jaguars owner), Farah Leff (Clutch Sports Group COO), Debbie Jevons (All England Lawn Tennis Club chair), and Osama Al-Khassab (Wimbledon).
Key claims
Cannes is increasingly dominated by sport via B2B hospitality and athlete-as-media entrepreneurs; Royal Ascot’s formal dress code strengthens brand imagery and community buy-in (while raising classist/accessibility concerns); Wimbledon/BBC coverage will be refreshed and more analytical, and players are protesting prize-money access by limiting media time.
Notable examples
Formula One/CAA watch parties; Clutch’s multi-million-dollar Cannes beach activation; Wimbledon adding Laura Robson and Jamie Murray; phasing out Andrew Castle; Wimbledon players limiting media to 15 minutes post-match; Ascot top-hat rental “hack” (deposit, not rental); World Cup “bloated U-bend” group-stage stage.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VODiscussing the Heat Wave and Cannes Events
0:36 to 1:24
The hosts discuss the current heat wave in the UK and the atmosphere at Cannes.
“Never has the blue dressing of the Leaders Studio looked so appropriate and offset so wonderfully with a sort of peachy nectarine-y salmon pink.”
Experiencing Cannes: Freebies and Merch
1:24 to 3:00
James shares his experiences at Cannes, including opinions on freebies and merchandise.
“Yeah, and it's hot down there as well, down in Cannes.”
The Impact of Sports at Cannes
3:00 to 4:48
The hosts discuss the growing presence of sports at Cannes and its significance.
“What was your sort of overall sense of it?”
The Evolution of Sports Engagement at Cannes
4:48 to 6:34
Exploration of how the sports industry has evolved its engagement strategies at Cannes.
“But Formula One was in town doing this thing, this hospitality kind of thing with CAA.”
Athletes as Influencers and Entrepreneurs
6:34 to 8:04
Discussion on how athletes are leveraging their influence and becoming entrepreneurs.
“and attention for Sports Place at Cannes this year.”
Networking Opportunities at Cannes
8:04 to 9:50
Insights into the networking dynamics among celebrities and athletes at Cannes.
“You know, their audience, their selling audience is, or their buying audience is there.”
Engaging with Athletes: Personal Experiences
9:50 to 12:00
James shares personal interactions with notable athletes during the event.
“is simply a week for sport to sort of slap itself on the back.”
The Role of Sports Agencies at Cannes
12:00 to 14:00
Exploration of the significance of sports agencies and their ambitions at Cannes.
“And I've not, obviously we are fortunate enough to go to lots of different sporting events and perhaps less fortunate to have to go to lots of sports industry events.”
Insights from Clutch Sports Group
14:00 to 17:20
Learn about the pivotal role of Clutch Sports Group and its ambitions.
“And Adam Ola himself was there with Clutch Sports Group.”
The Influence of Music at Cannes
17:20 to 20:40
Explore how the music industry interacts with events like Cannes.
“simply because it's quite a good payday for music in Cannes.”
Show all 22 chapters
Recapping Cannes Experiences
20:40 to 24:00
Hear reflections on Cannes and notable figures present at the event.
“He did the, you know, the whole moaning about travel.”
Wimbledon and Media Rights Updates
24:00 to 28:00
Discover the renewed media rights deal between Wimbledon and the BBC.
“the VP of Non-Fiction Series and Sports at Netflix, the CEO of the International Cricket Council, Sanjog Gupta and NWSL's Commissioner Jessica Berman alongside many many more.”
Emma Hayes and Tactical Breakdowns
28:03 to 29:10
Discussion on the innovative use of hydration breaks during the World Cup and Emma Hayes' role as a pundit.
“I think she's an excellent pundit as well.”
Wimbledon Prize Money Protests
29:10 to 30:39
Examination of the ongoing protests regarding prize money at Wimbledon and its implications.
“It all gets underway on Monday, but noteworthy is the continuing unhappiness amongst the top players in particular at the proportion of prize money that they are receiving from Grand Slams.”
Wimbledon Coverage and Broadcast Challenges
30:39 to 33:14
Analysis of the BBC's situation and the potential impact of player access limitations on coverage.
“Yeah, I think the conversation between the BBC and the All England and Lawn Tennis Club, you know, obviously hinges on lots of different things as well.”
Royal Ascot: A Spectacular Event
33:14 to 35:30
Reflection on the grandeur and experience of attending Royal Ascot as a major sporting event.
“And as usual, James, the place is getting decked out in purple and green.”
The Visual Spectacle of Royal Ascot
35:30 to 37:24
Discussion on the aesthetic aspects of Royal Ascot, including dress code and community spirit.
“It helped that I had a winner on the first race of the day.”
Dress Code Discussions at Ascot
37:24 to 41:50
Conversations about the implications of strict dress codes at Ascot and their social significance.
“the sporting field it's fantastic it's really great uh 280 private viewing boxes uh designed by populace um near enough 20 years ago bureau haphold built um a host of sort of public lounges and restaurants and bars.”
Accessibility and Class at Sporting Events
41:50 to 42:00
Exploration of the classist nature and accessibility issues surrounding formal dress codes at events.
Dress Codes at Sports Events
42:00 to 43:20
Explore the formalities and customs of dressing for sports events in Britain.
“discussion around strict, very formal dress codes at sports events.”
World Cup Group Stage Insights
43:20 to 44:31
Discuss the current state of the World Cup and its evolving interest levels.
“And just the, you know, if we're talking in England, it's a slow burn, I think, in terms of that sort of feverish interest in even England games.”
Donald Trump's Absence from the World Cup
44:31 to 45:52
Speculation on Donald Trump's lack of involvement in the World Cup festivities.
“It feels like we're in the, you know, the...”
Transcript
Automatic transcript. May contain errors.0:03James Emmett:Hello and welcome to the Leaders Worth Knowing podcast, the sports industry show from leaders where we talk about what's worth knowing in the business of sport this week. I'm Leaders Editorial Director James Emmett.
0:15David Cushnan:And I'm Content Director David Cushnan. On the show this week, hot takes from James's week in amongst the agencies, celebrities and brands in Cannes. dressing up for sport as Britain's summer season is in full swing. And two weeks in, who is winning the World Cup? This is Leaders Worth Knowing. It is.
0:37James Emmett:It really is, David. David, it looks like you are... Do you know what? Never has the blue dressing of the Leaders Studio looked so appropriate and offset so wonderfully with a sort of peachy nectarine-y salmon pink. number that you're wearing there. But the blue looks good. It looks cold. It looks cool. It looks air conditioned. Unprecedented times here in June in the United Kingdom. David, it's hot.
1:06David Cushnan:It is. This is one of the few bits of London where there is a little bit of air conditioning, actually, in my experience this week. Blimey, it's a hot one. Good luck if you've been experiencing the heat wave in the UK and indeed large parts of continental Europe, which, James, is where you and much of the sports industry has been holed up this week down on the French Riviera.
1:30James Emmett:Yeah, and it's hot down there as well, down in Cannes. We are speaking on Thursday. I spent Monday, Tuesday, Wednesday in Cannes. And it's interesting talking about the heat wave here in the UK. Similar temperatures out in Cannes, but it's sort of perhaps more normal for temperatures to be plus 30 degrees Celsius. out there on the French Riviera. But the talk of the town in Cannes, or some of the talk of the town, of course, about the freebies that you get at a big junket, a big boondoggle like this with all sorts of major companies looking to make an impact, looking to give something memorable away.
2:12James Emmett:What's in your bag? Well, I've got a new philosophy personally, which is I am vehemently anti-merch now, anti-freebies. I will not. Is that since you were told to declare it? No, it was, it's basically I now only travel with a backpack. So I don't actually have any room for anything. No, well, in such hot weather, the things that you really need to have, fans, what's useful? What's useful sports industry merch? What's useful industry merch? These things, any kind of fan motorized or, you know, analog. um sun cream um sun cream of course um hats um but also there was this i can't remember the brand but there was some kind of emulsion being pushed around and no one could quite um get their heads around precisely what it was for it wasn't sun cream it wasn't face cream and the rumor doing the rounds so there was something that's um sort of colloquially known as um cream for chub rub days uh which which is a particular type of chafing um that you might get in hot weather um around the legs uh but who knows i don't know where this cream came from so i didn't
3:33David Cushnan:didn't receive any um but yeah yes uh you have returned from can um without any goodies by the sound of it but i'm sure with um you know lots of great memories and uh perhaps a few business cards as well um it really seems more than ever and we have done some podcasts about it um over the last week or so with our friends at fuse that the entire sports industry i would say apart from me decamps to can this week and has done for the last couple of years as sport has become a more formal part of all the festivities at the Festival of Marketing. How was it this year? What was your sort of overall sense of it?
4:21David Cushnan:And to what extent did it really feel like sport is not just there, but there in force and perhaps even the dominant player there now, the dominant sector?
4:34James Emmett:Yeah, well, it's interesting you say that it feels like the whole sports industry has decamped to can i would say that there's something um there there's definitely a marmite element to can um and um you know people love it or hate it um and there are equally as many people who absolutely wouldn't go anywhere near it if you paid them um as are there um formula one we're doing a really interesting activation um with caa which was a real trend actually of can and sports um showing up in Cannes this year, the rights or rights organizations kind of partnering with agency organizations to put on some kind of B2B focal point hospitality type offering.
5:23James Emmett:But Formula One was in town doing this thing, this hospitality kind of thing with CAA. They had various woke up watch parties and sundowners and whatnot there. But I messaged Emily Praiser, the chief commercial officer at Formula One, to see if she was in town she came straight back to me within seconds uh two words god no um and and i thought no that's reasonable um there's definitely something that most most of the conversations i had there with sports folks um who have been to can before there's definitely a sense that you get sucked into it it's like a black hole that inexorably sort of sucks you in most people said they weren't intending on coming this year um but kind of made a last last minute decision to go and you're right the breadth of there is there is much more sport at can this year and it has just continued a trend that we've seen over the last few years so significant differences this year there is an official sports program can line themselves have started an official program.
6:32James Emmett:That is inevitably sort of ramping up marketing and attention for Sports Place at Cannes this year. There is, it's worth saying for anyone who hasn't been to Cannes, it is not just an official program. There are something like 20, 30 other essentially conferences going on at the same time at activation spaces around the town, most of which have sort of four days of programming, you know, people getting up on stage and talking about stuff. And sport has never played a bigger role in the programming and it's never played a bigger role in the participants, both the number of them and the breadth of them.
7:14James Emmett:Yes, agency folks who are sort of advertising, marketing adjacent, who always will have found Cannes to be a kind of happy hunting ground. yes rights holder organizations particularly sponsorship focused folks at sports properties yet definitely come along to a hot spot for kind of brand marketing conversation you are going to get something out of it but increasingly an extra layer of the sports ecosystem could be found there. What I would describe as sort of more like bread and butter sports industry service providers out in force who are attracted to the bigger fish that are there. You know, their audience, their selling audience is, or their buying audience is there.
8:10James Emmett:So yeah, all sorts of folks that you would see at mainstream sports industry conferences. around about the place sort of there often for the first time um and yeah a real range of people real range of kind of yeah um sort of execs talent there's a lot of athletes a lot of influencers a lot of um techie people ad tech folks a lot of major u.s firms lots of u.s money of course and a lot of big hitters there as well. I literally bumped into Shad Khan, the owner of Fulham and Jacksonville Jaguars, just sitting at the back of a talk that was going on at Omnicom on one of the days and had a nice little chat with him.
9:02James Emmett:Very accessible. Yeah, there's a lot of folks there.
9:08David Cushnan:Yeah. I suppose it'd be quite interesting to speak to people in, say, the music industry and, you know, the official part of Cannes, the Cannes Lions Awards. They have a music category. You know, is the music industry, you know, noticing really that sport has sort of dialed up its presence at this thing? Or indeed, is the music industry seeing itself as dialing up its own presence at Cannes? I think there's, as somebody who's not there, I've never been to Cannes, I suppose my sceptical side would suggest, well, would wonder whether this is simply a week for sport to sort of slap itself on the back.
10:02David Cushnan:you know give itself a big pat on the back at the very shiny elite celebrity end of the industry in front of the big brands and sort of somewhere near you know Spotify's beach etc
10:19James Emmett:um well remind me to come back to the music thing um but is this a place where sport just goes and slaps itself on the back I don't think so I think in general that's the vibe of Cannes It's lots of marketing type people going to slap themselves on the back. But maybe that's just what you get with anything that has an awards program at its heart. But the sports thing, I'm not sure it's necessarily so self-congratulatory. Sports has become a real focal point and an easy hook for more complicated hats to be hung on. And what I mean by that is if you want to talk about programmatic advertising or an AI program that's going to sift through millions and millions of thumbnail adverts to deliver sort of A-B testing for a particular market, that is going to be interesting to a very narrow market.
11:27James Emmett:market but if you manage to get yourself up onto stage with um to talk about that but with Draymond Green who's a you know an NBA player um who's come to talk about his involvement in Cannes as well and you know it just it puts bums on seats yeah and much more obvious storytelling opportunities
11:49David Cushnan:with sport and actually the athlete point is interesting because of course it's useful for the event to have a load of athletes turn up. It's obviously helpful and the brands and agencies in particular can help facilitate that. I suppose the rights holders as well, but actually maybe part of this growth in focus for sport at Cannes is actually jumping on this trend that we're seeing for athletes, seeing themselves as more than athletes and as media entities, as entrepreneurs, as investors and they, I assume at some level for some of them, the most forward thinking, they're coming to this and using it, yes, as a networking, you know, they're using it in the way you might use a B2B event, which is a networking exercise and a learning exercise.
12:37James Emmett:Yes, definitely. And I've not, obviously we are fortunate enough to go to lots of different sporting events and perhaps less fortunate to have to go to lots of sports industry events. But I don't think I've ever been in an environment where there are plenty of celebrities, I suppose. There are plenty of well-known athletes and well-known artists from other fields who are so open to engage with whoever. um they certainly the people that are there are not just there for a payday although clearly a lot of them are getting a big payday and it's funny how the money sort of changes hands and can um you know it's one agency paying another agency for an appearance from some talent and then sort of being paid back as that person then goes and yeah there's all that sort of thing um but yeah the athletes are really happy to engage and they are not just shiny diversions i would say um that are being sort of shown off or you know used as fodder to invite people to a kind of round table where you can sell your services um they the ones in my experience anyway tend to show up and know that they have to engage to get something out of it out of it i would point to a few examples just the people that I came across this week um who were great um Daniel Sturridge former footballer turned pundit uh had a really nice chat with him uh very interesting very smart guy Adam Ola-Lukman uh likewise current Atletico Madrid player um very sensitive and open-minded, softly spoken guy.
14:31James Emmett:And Adam Ola himself was there with Clutch Sports Group. And I had a chat with Farah Leff, who's the chief operating officer at Clutch. And they were saying that it's so pivotal for them, Can, in their year and in their ambition to go global and go into different aspects of the sports industry. Clutch is a relatively new sports agency founded in 2012, I think, by a little group of NBA players, including LeBron James and his business partner, Rich Paul. It's grown out of the seeds of that as a different style of representation agency. Now it's doing much more traditional sports agency things. It's doing brand consulting, sponsorship, property sales.
15:20James Emmett:It's currently selling Aston Villa's front of shirt space, for example, or attempting to. And Farah was explaining that the investment in Cannes, you know, they take a space. They take one of the beaches, I suppose, and it costs somewhere between three and four million dollars for the week just for that space. And then bringing all your people along, bringing talent along, you're probably, you know, another three million dollars probably. That is a huge investment over the course of the week. But she says it's so useful for them as they expand and make an impact in wider media and marketing industries.
16:01James Emmett:They are, as they see it, showing up with sport and demonstrating that sport can operate in a different way than it has in the past. This sort of athletes as X, Y, and Z conversation, which is one that we've been talking about for a little bit in the sports industry, but it's not one that necessarily your average sort of marketing leader is going to necessarily be au fait with. The idea that this athlete is very useful and versatile and much more open to working in a multimodal kind of media landscape than simply pushing the, you know, being a mouthpiece for a brand.
16:49David Cushnan:You mentioned to remind you about music and the point I was getting to was I would be intrigued to understand how the music industry, how industries other than sport see can and whether they feel like their own industry is dialing up, dialing down its presence and actually what they think about sports creep into can, if you like. And I guess a lot of what you said just there probably holds for artists as well.
17:19James Emmett:Yeah, definitely. And I reckon there's probably more music artists in Cannes than there are sports athletes, simply because it's quite a good payday for music in Cannes. Most of these beach activations have gigs, sort of concerts attached to them. most nights of the week spotify is there and has had a large presence there for many years and they go really big and they have massive name artists come along every day uh to perform but you also see artists show up and perform in all sorts of different spaces across the week self-esteem was there for example this year prof green is always there um will i am shows up absolutely everywhere um yeah he does yeah there's also there's all sorts of and obviously all of their representation people will be there with them as well um i i don't know about the wider music industry i wouldn't know to bump into them and they're on the on the closet so i wouldn't know uh if there are you know if it's teaming with uh label executives or or you know the wider ecosystem but I assume so.
18:30David Cushnan:Yes, yeah. Well, I'm looking forward to all the lukewarm takes about Cam on LinkedIn and elsewhere over the next few days as people summarize their trip and tell us all exactly
18:45James Emmett:what they learned. Did you see? So the perennial kind of stars of Cam, the big marketing thought leaders um who always do a bit of everything they're very busy during can your galloways your ritsons your galloways your ritsons your sutherlands um even your evan shapiro's right there are plenty of folks who like do the rounds ritson uh was everywhere and he did a he did i think on the monday he did a talk in the palais on the official program um with another bloke in marketing and they basically it was set up as a debate um and they ran through a lot of different disciplines in marketing and gave their view on them um but that's this great it's so just generate that sort of stuff just generates so much extra content there's a guy there's a marketing professor somewhere who wrote his lukewarm take on linkedin about that thing saying that he was quite underwhelmed overall because x y and z but he'd stated earlier on that he didn't get to see this talk but he's seen plenty of summaries already on linkedin and he has to say he's underwhelmed and just oh no he's summarizing the summaries yes and he's underwhelmed yeah so i mean ritson's not shy of going in on people like that um and so he has did linkedin do linkedin do a big activation yeah they do yeah do they yeah yeah yeah i've got some questions for linkedin but you know
20:17David Cushnan:So maybe we'll get them on one day. Well done, James. You survived another can. Give us some color on your travel flights. All okay? All fine, man. Yeah.
20:30James Emmett:Don't worry about it. Travel's boring. All right. I did see that Danny Rogers, who is the, I think he's the editor-in-chief of PR Week. Yes. He did the, you know, the whole moaning about travel. from the position of immense relative privilege. Yes. Sort of been done to death on various social platforms. But Danny Rogers did one, a rare example of the complete opposite, where he posted something about how great it was to see the pilot come out of the cockpit, grab a microphone and explain to the plane, looking them in the eye, that they would be delayed because of various weather situations. Great example of PR, and he just wanted to shine a light on it.
21:16David Cushnan:Yeah, well, why not? Actually, genuine question. Everybody flies into Nice. Does Nice Airport get dressed for Cannes?
21:23James Emmett:No. Not everyone flies into Nice. Most people fly into Nice. But there are plenty of people who go into Marseille also. Got it.
21:33David Cushnan:But the airport is not taking advantage of that influx.
21:40James Emmett:Yeah, there's some, well, there's advertising. um you know i noticed a big tiktok a very funny tiktok ad dev um at nice airport which said something like uh if we can do out of home you can do tiktok um you know and we were all chuckling
22:00David Cushnan:at that yes no no well it could be in line for an award next year um james shall we move on from can and yes can i fill you in actually on a couple of other bits that have been happening in the industry as you've been, you know, treading the boards or whatever it is people don't. Well, do you know what?
22:16James Emmett:It's been happening once I've been there. We're going to talk about it. But Osama Al-Khassab from Wimbledon was there yesterday and I was able to talk to him about what we're about to say, David.
22:29David Cushnan:Which is that Wimbledon, which begins on Monday, has renewed its UK media rights deal with the BBC until 2033. The BBC has promised a a refreshed approach to coverage and next year will mark 100 years since the BBC first broadcast Wimbledon. So a significant moment. MSP Sports Capital has acquired a majority stake in the Blackfoils New Zealand Sale GP team, valuing it at a reported$60 million. That's the final Sale GP team to move into private hands in the end of a long process. And Kilmer Sports Ventures and Illich companies have joined the Professional Women's Hockey League as strategic partners.
23:12David Cushnan:They are the first outside investors since the league launched in 2023.
23:17James Emmett:The UK Professional Golfers Association has hired Nick Oakley as its new CEO. Another Nick, Nick Coward, has been named chair of the National League, the body that runs English non-league football. And former Leicester City CEO Susan Whelan has a new role as chair of Prime Arena Holdings, the company behind a new indoor arena being developed in Dublin.
23:44David Cushnan:Back to the conversation in just a moment, but first some exciting news about Leaders Week London. The first batch of speakers are confirmed and this October you'll be hearing from a formidable line-up of leaders across the sports and entertainment industries, including Brandon Riege, the VP of Non-Fiction Series and Sports at Netflix, the CEO of the International Cricket Council, Sanjog Gupta and NWSL's Commissioner Jessica Berman alongside many many more. To find out more about who else is speaking, the key themes due to be covered, why it all matters to you, head to leadersinsport.com forward slash leadersweek.
24:23David Cushnan:That's leadersinsport.com forward slash leaders week.
Read the full transcript
24:31Indeed, it was quite funny to see the BBC's annual press release
24:39David Cushnan:announcing its Wimbledon coverage plans go out last week, going very heavy on new talent and a refreshed approach to its coverage, which was clearly a press release written for one organisation in particular, which was the All England Lawn Tennis Club. Subsequently, we have just had the news that Wimbledon and the BBC have indeed renewed their deal until 2033. This after some reasonably well-reported pressure being applied on the BBC by Wimbledon to enhance and maybe rethink elements of its coverage to continue to modernize in the way that it broadcasts Wimbledon to the UK. But the deal is done and it sounded like, James, you might have got the inside line on it.
25:36James Emmett:Well, has the detail of the refreshed coverage been released? Do we know what's changing?
25:42David Cushnan:Certainly the coverage for this year. So they're phasing out certain commentators. This will be Andrew Cassels last year as lead commentator. They're bringing in talent like Laura Robson, who is very prominent on all sorts of tennis coverage elsewhere on Sky Sports and TNT, coverage of other Grand Slams. There's a definite focus on more analysis. Jamie Murray is being drafted in what reads like a sort of, I don't know if people will remember the Andy Townsend tactics truck from yesteryear, but in a bunker somewhere deep within the grounds of the All England Club, you know, getting all the data as it comes in and making sense of it.
26:28David Cushnan:So a definite focus of the press release was very much not more of the same, a bit of the same, but some enhancements clearly designed to appease Wimbledon. And clearly this new deal was already in the in the works. But this is what Wimbledon has been pushing for in its home market to ensure, I think, that coverage keeps up with what we are seeing elsewhere.
26:55James Emmett:That's right. And without going into any detail, I think some of what Wimbledon and the All England Lawn Tennis Club had been unhappy about with the way that Wimbledon coverage and the BBC was going was in the makeup of some of the talent choices that the BBC had gone with. And I think there was a feeling that the sport was not necessarily being respected on the broadcaster as much as it should have been. and that generalist broadcasters, commentators, etc. were being used where specialists had always been a feature and a much-loved feature on BBC coverage. So let's see. Hopefully, well, these sorts of things always wear their heads around rights renewal times.
27:48James Emmett:Good to see a mention for the tactics truck. At least it won't be or it shouldn't be a blackboard in a kind of faux kitchen, which has obviously been making headlines elsewhere over the last week or so. Yeah, for global listeners,
28:06David Cushnan:this is part of ITV's coverage of the World Cup and the way that they are spending the three-minute hydration breaks very often, which is to get Emma Hayes, the US Women's National Team Manager,
28:22David Cushnan:and getting her to do sort of live tactical breakdowns, but using a small blackboard.
28:30James Emmett:I think it's great. I like it. I think she's an excellent pundit as well. Yeah, I think the misstep there is the kitchen vibes rather than a blackboard.
28:39David Cushnan:I think it's very bold, actually, to have that in-game breakdown. I think you have to be a very confident and bold pundit to be able to pull that off. I mean, it's worth saying just on...
28:53James Emmett:Emma Hayes has a new agent, by the way, David, in case you didn't know, to be announced in the next week or so.
29:01David Cushnan:Oh, okay. Stay tuned for that. Just to go back to Wimbledon and the BBC, it is worth noting we're in the build-up week to Wimbledon. It all gets underway on Monday, but noteworthy is the continuing unhappiness amongst the top players in particular at the proportion of prize money that they are receiving from Grand Slams. And as a follow up to what they did in the build up to the French Open, they've announced that group of players that they're going to be protesting over prize money by limiting media appearances to just 15 minutes after each match during the first week of the tournament, which is designed, and I think the way it was framed at the French Open, to sort of hit these grand slams by making them engage in some uncomfortable conversations with their rights holding broadcasters about the lack of access to players, sort of hitting them where it hurts.
30:04David Cushnan:And obviously the BBC would get pretty preferential access as the home broadcaster at Wimbledon to players. And if their time slots with those players are being limited as a result of this continuing protest, which goes, of course, way beyond Wimbledon and across all the Grand Slam tournaments. I think it's one to watch over the next couple of weeks to see if there is any sort of pushback or feedback or public comment from the BBC as its coverage potentially gets a little bit weakened by this.
30:38James Emmett:Well, yeah. Yeah, I think the conversation between the BBC and the All England and Lawn Tennis Club, you know, obviously hinges on lots of different things as well. But yes, that's one to watch. I would say the more straightforwardly commercial broadcasters are probably ones to watch. the likes of the Inn across large portions of the world. And ESPN, yeah. Exactly. Yeah, so it was an interesting and delicate time and definitely, you know, interesting. And we know the folks who will be scratching their heads and trying to, well, push some heads together on this to make it work. Also interesting, the response of Wimbledon, who came out not unlike the other Grand Slams where this has happened.
31:24James Emmett:over the course of this year, Debbie Jevons, the chair of the All England Lawn Tennis Club, coming out to express disappointment that the players have taken this decision to do this. And actually, I thought it was an interesting angle to kind of justify. So Wimbledon have gone up 20%. They've done a 20 % raise in their prize money this year, which is a higher percentage than has happened at other Grand Slams. but it still does not take the amount of prize money the players are receiving to the 16 % of total revenue figure that the players have alighted upon as what they deem to be reasonable. It's some way under that.
32:09James Emmett:I think it's about 9 % the way the Wimbledon figure is now. But that's off the top of my head. So, you know, don't fact check me on that. But Debbie, or Deborah Jevons, as she's being referred to in some of the news, around this, sort of explaining that a percentage of revenue is not a fair way to pinpoint a specific ambition because a percentage of revenue wouldn't take into account all the varying costs, type of costs and level of costs that a particular um grand slam organizer would have to face um and of course she is right in that regard um so yeah let's see let's see how this one plays out yes it will be a storyline to watch
33:01David Cushnan:um over the next couple of weeks must say james you haven't been in wimbledon this week but for those that don't know the leaders office slash studio um located uh right in the heart to the action in Wimbledon. And as usual, James, the place is getting decked out in purple and green. There are giant tennis balls appearing everywhere on shop fronts. There's mass advertising. Everybody's getting in the mood for what is one of, certainly the quintessentially British events of the sporting summer.
33:37James Emmett:Yeah, absolutely. I did know there was some going up actually before I left. It does start sort of early, the tennisification of Wimbledon. Also, it is, you know, we get a close-up view of how a town or an area around a major global sporting event is pretty uniform in how it sort of comes in line with that event. and the amount of ambush marketing around, whether it's deliberate or not. But it's sort of low grade. It's sort of low grade ambush marketing. It's low grade. It's just colours. It's just a sort of replication of colours and let's get some tennis balls around the place. Yeah, we're not seeing any kind of FIFA style logo draping going on around Wimbledon just yet.
34:32David Cushnan:No, we'll keep an eye out. James, you and I were at another big event of the British sporting season last week, separately, but we were both at Royal Ascot, weren't we? That's right.
34:45James Emmett:And I have to say, David, £120 to rent a top hat is absolutely extortionate, almost as extortionate as Jamie Oliver's, Jamie's Deli brand or Jamie's Pizza, charging an absolutely absurd 30 euros for a grated cheese and ham sandwich, plus orangina in the circle. It's, oh, we are living in a rip-off world at the moment.
35:12David Cushnan:It was my first visit to Royal Ascot. Yeah, let's bring us back on track. Second visit to Ascot. I think my only previous visit to Ascot was actually your stag do, James. So we'll probably keep that offline. But Royal Ascot, can I just say what an event. I, you know, the weather was great. It helped that I had a winner on the first race of the day. But what a tremendously organized sports event that is. And I hadn't quite appreciated the scale, the quality of the huge grandstand facility. Actually, grandstand undersells what that thing is. That is, and I've done some research on it subsequently, is not only enormous, but might just be the most underrated bit of sports infrastructure in Britain.
36:09James Emmett:I remember you and I writing about this building quite a lot because I think it opened in the mid to late 2000s when we were sort of writing in sports.
36:24David Cushnan:occasionally it actually opened in 2000 late 2006 apparently but i think was just coming on stream
36:31James Emmett:fully probably 2008 2009 yeah and we would write sort of various um um sort of listicle style things on um most impressive sports venues most impressive sort of sports uh infrastructure that kind of thing and the um grandstander ascot would always feature in in these lists it is still a gleaming megalith isn't it is absolutely it's incredible and when it is decked out in its full finery as it is for royal ascot um i don't think there is another sort of sports building out there where um and and you know we'll get your your views on the on the dress code but there is something very very visual um about the whole thing um everybody dressed in their you know ridiculous finery um the union jacks everywhere the sort of building towering majestically over
37:29David Cushnan:the sporting field it's fantastic it's really great uh 280 private viewing boxes uh designed by populace um near enough 20 years ago bureau haphold built um a host of sort of public lounges and restaurants and bars. And there's these sort of very sort of carefully curated four areas at Royal Ascot, the Royal Enclosure, the Queen Anne Enclosure, Windsor, and then the village in different parts of the race course, which offer different price points, different offerings, different propositions, and slightly different dress codes. And I think it's fair to say, James, we were in a nice bit with full dress code requirements, full top hat tails.
38:18David Cushnan:And you're right, it's a bit silly, it's a bit ridiculous, but it is a prime example, I think, of where by being really strict on the dress code, you are ensuring that your crowd is absolutely part of the imagery, part of the fabric, part of the brand that is seen around the world, that sustains the event year to year. And actually there is something in everybody there buying in. I mean, literally it costs a lot to attend. It costs a lot if you have to rent or buy, you know, new clothes for it. But the idea of everybody dressing up and, you know, know, in some cases looking a bit silly potentially, does actually create a bit of a really, I think, quite powerful community spirit.
39:17David Cushnan:There's an element of everybody's in this together. Everybody, yeah, sort of is a bit knowing and knows it's a little bit silly on some level to be doing this. Others don't. Others, of course, you know, it's absolutely the done thing and right that it is. But everybody does it. And I think it's so effective in that, in the storytelling, the brand narrative, I suppose, of Royal Ascot.
39:50James Emmett:Yeah, there is an uncomfortable classist thing about it as well, I think.
39:56David Cushnan:Yeah, definitely.
39:56James Emmett:And I did notice, because I've never been in a Royal Encosia at Ascot before. I've been a few more times, I think, than you to Ascot in general as a venue, but I've never been to Royal Ascot before and I've been in the Royal Enclosure before. And something that did strike me was you go in and in all this ridiculous, you know, it's 30 degree heat and you're in, you know, three layers of wool and a top hat just to make sure that your head stays warm. And you go in and as soon as you go in, they offer to take your hat and stow it for you. So you don't actually have to wear your hat inside. you only have an obligation to wear the hat when you're out and about with the other people who might not be in the royal enclosure so the only thing it is is a signifier of you take it off when you are in the company of other people who are in the same enclosure as you it's a signifier of something speak for yourself
40:51David Cushnan:I just popped my cash under the hat
40:55James Emmett:um did you notice that the uh when you go in they've got a few people there who are called something like um dress code advisor assistant or something like dress code advisor manager or
41:07David Cushnan:something well i did see a i did see a tent or an office that was marked i can't remember exactly what it was called but it was something like dress code it's almost like dress code check um yeah i suppose if you're if you're in doubt if you're in doubt about what you're wearing
41:21James Emmett:well indeed and um they i did say because i i felt clearly aggrieved by the the price of renting a hat for a day uh i did ask them what would have happened had i not turned up with a hat and they would have said oh no problem at all it happens all the time you go over here and we've got a hat um rental place and in fact you don't rent them you it's a 70 quid deposit and you get it back when you return it. So there you go. Top tip. That's a hack. Don't rent. Just get, you know, borrow it. Yeah.
41:53David Cushnan:And of course, as you, as you were sort of saying, there is a sort of classist, there is a, there's an accessibility discussion around strict, very formal dress codes at sports events. And there are very few sports events that can pull it off. And indeed, I was sort of trying to think of what those might be. And there is, I could think of the, something like the Goodwood Revival Festival, which is slightly different in that it's not a professional sports event. But there, and there is an element, frankly, a fancy dress in that, in everybody turning up in old. Yeah, I mean, that's kind of,
42:34James Emmett:that's kind of like Rugby Sevens as well. It's like, you know, it's not a dress code necessarily. It's a custom.
42:42David Cushnan:Yes, and there is something about, of course, styles changing and, you know, socially how we dress as a population changing over time. But I would say that something like the final of the World Snooker Championship could be maybe, you know, from a look and feel point of view, potentially be enhanced by forcing a little more formality. That was certainly the case back in the day. But you have to be a brave you'd have to be a brave rights holder to go down that route i think yeah i think you're
43:19James Emmett:right and again david what do we know about the customs and intricacies of clothes um well well
43:28David Cushnan:exactly go to can to find out about that probably um before we go quick uh the world cup continues um i think we've made it to the final round of group games in this elongated sort of big fat tournament we're in the the bit of the tournament where some teams have played their three group games are hanging about to wait and see whether they're one of the third place teams that will qualify for the the round of 32 stage it's been a slow burn this group stage i suppose this was to be expected with a a uh an expanded uh tournament um and certainly i think there's as people look back on this tournament, there will be some questions, I think, about that.
44:16David Cushnan:And just the, you know, if we're talking in England, it's a slow burn, I think, in terms of that sort of feverish interest in even England games.
44:30James Emmett:Hmm. Yes. It feels like we're in the, you know, the... Wow. That's the right word for it. Like a sort of soggy bottom, like a floppy middle. We're in the bloated bit. Yeah. Yeah. We're in the bottom of the U-bend right now. And I'm sure it will pick up.
44:57David Cushnan:Indeed. Indeed. And a question. Donald Trump and the World Cup, where is he? He's not been involved at all. He's barely uttered a word about it. I'm not sure whether he's lost interest or he's just got bigger fish to fry. and he probably should have bigger fish to fry.
45:12James Emmett:Didn't he do the G17 or whatever number it is? You know, because he did the Freedom 250, the UFC smash about on the lawn. Yeah. Because that was going to be on his birthday and on the, you know, particularly a useful day, whatever, it was on a day convenient to hear me. They actually moved the day to the G7. Yeah. Yeah, yeah. But anyway, but presumably he's been doing some follow-ups there, you know. Yeah, you'd imagine.
45:44David Cushnan:You'd imagine. And we should leave you, James, to do your follow-ups from Cannes, because I imagine that's what you'll be spending the rest of your week on.
45:51James Emmett:No, David, what I've got to do right now, actually, is the schools have just closed. It's so hot, the schools have just closed. So I actually need to attend to my children. Well, you go and do that. I'll do that.
46:04David Cushnan:And let's reconvene next week.
46:07James Emmett:See you next week. Goodbye. Thank you.
From the publisher
Fresh from a trip to Cannes, to take in the brands, celebrities and agencies this week at the Cannes Lions Festival of Creativity, James Emmett provides David Cushnan with a postcard of who was there and why.
Elsewhere, what does Royal Ascot’s formal dresscode say about the event? And is Ascot’s grandstand facility one of the most underrated in all of sport?
Plus as the area around the Leaders studio in Wimbledon gets decked out in its tennis finery, ahead of this year’s Championships, there’s the latest on the player protests around the Grand Slams, and snap reaction to the renewal of the BBC’s contract to broadcast the tournament in the UK until at least 2033.
