Brett Goldstein: No One Follows the Frog

9 Oct 2025 · 53 min

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Podcast Summary: Literally! With Rob Lowe - Episode with Brett Goldstein

Episode Overview

  • Title: Brett Goldstein: No One Follows the Frog
  • Guest: Brett Goldstein (known for “Ted Lasso” and “Shrinking”)
  • Hosts: Rob Lowe
  • Release Date: [To be filled based on context]
  • Description: In this episode, Rob Lowe and Brett Goldstein discuss a variety of topics, ranging from their mutual admiration for Kermit the Frog, the importance of dinner parties in UK culture, Goldstein's journey from writer to actor, and his new film, “All of You.”

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Key Topics Discussed

  1. Admiration for Kermit the Frog
  2. Goldstein expresses a deep emotional connection to Kermit, highlighting the effect of songs like "Rainbow Connection" on him.
  3. Quote: “If you want to make a grown man cry, Kermit singing Rainbow Connection is kind of it.”
  1. The Importance of Dinner Parties
  2. Discussion on how dinner parties hold more significance in British culture compared to American culture.
  3. Goldstein shares his personal fear of being trapped at a dinner party with boring people.
  1. Brett Goldstein's Career
  2. Transition from writer to actor on “Ted Lasso.”
  3. Current projects: “All of You,” “Ted Lasso,” and “Shrinking.”
  4. Goldstein discusses the pressures of balancing multiple projects and the fear of downtime.
  1. Therapy and Sobriety
  2. Both Rob and Brett discuss their experiences with therapy, addiction, and the importance of mental health.
  3. Goldstein shares insights on the complexities of therapy and the challenges of being sober for over 35 years.
  1. Creative Process and Filmmaking
  2. Goldstein reflects on shooting “All of You” in 23 days across 25 locations.
  3. The intensity of a short filming schedule brings focus and camaraderie among the crew.
  4. Creative discussions around the essence of filmmaking for love vs. for commercial success.
  1. Hollywood Experiences
  2. The conversation touches on the pressures of the entertainment industry, including awards and the emotional impact of recognition.
  3. Goldstein recounts his Emmy experience and the joy of unexpected success from “Ted Lasso.”
  1. On Acting and Character Development
  2. Goldstein offers insights into the audition process, discussing the courage it took to advocate for his role in “Ted Lasso.”
  3. The importance of connecting with co-stars, exemplified by his chemistry with Imogen Poots in “All of You.”

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Notable Quotes

  • “There are two things that literally keep me up at night: waiting in lines and boredom.” – Brett Goldstein
  • “In the end, that’s all we have: our instinct.” – Rob Lowe
  • “You can do it for the sex and it will be exciting... but you will fuck everything.” – A director’s advice on choosing projects.

Key Takeaways

  • Connection with Characters: Finding an emotional connection with roles is crucial for artists, leading to more authentic performances.
  • Cultural Differences: Understanding cultural nuances can impact interpersonal dynamics and social expectations (e.g., dinner parties).
  • Mental Health: Acknowledging the challenges of sobriety and the importance of therapy in navigating life’s pressures in the entertainment industry.
  • Work Ethic: The discussion highlights the importance of passion over profit in creative endeavors, emphasizing the joy found in filmmaking.

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Conclusion The episode features an engaging conversation between Rob Lowe and Brett Goldstein that emphasizes the importance of connection, both in personal relationships and in their professional lives. Their reflections on creativity, mental health, and the nuances of the entertainment industry provide listeners with both humor and insight.

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Transcript

Automatic transcript. May contain errors.

0:00I mean, if you want to make a grown man cry, Kermit Singing Rainbow Connection is kind of it. don't you think?

0:19Hey, everybody. Rob Lowe here. I'm super excited because my guest today is one of those people that I just sit back and marvel at their talent and their ability and the amount of great things that they have their hand in. Brett Goldstein is here today. He's here because his new movie, All of You, is streaming globally on Apple TV Plus right now. But, you know, Ted Lasso, shrinking, his stand-up, his podcast, movies to be buried with. This guy is crushing the game. My guess is he's going to be super smart and super funny, but he could disappoint me as well. I've had a life of disappointment sometimes.

1:07Let's see which he ends up being.

1:17Hey. Hey. Hi, Roblo. What's going on? How are you? I have no complaints. How about you? I'm pretty good. It's nice to meet you. Yeah. Whoa, my lights are falling over. I'm super excited. I'm a huge fan, my friend. Huge. Shut up. That can't be true. I'm a huge fan of yours. You know, like, Wayne's World was such a big fucking film for me. I've loved you since then. Wayne's World? You're a Wayne's World guy? Yeah. Come on. Of course. Wayne's World changed all our lives. Well, come on now. That I don't believe. Wayne's World changed all of our lives, and you were like the coolest bad guy. And I had, listen, I had a very good time.

2:05Yeah. I did. You're very, very good in it. It's a real, it's a real like fine line. You're walking in that film and you walk it beautifully. It's a great movie. You're excellent in it. Oh, well, this is great. Cause I mean, I'm such a fan of yours and it's. Shut up. No, I mean, you have your finger in every pie. You, I mean, really, I was going over, wait, how can he do all of this stuff? I mean, you're in Ted Lasso is at writer's room. Is that happening now? Ted Lasso is filming right now. We're in production. Okay, that makes sense. You're filming, but you are in it. You've got... How many fucking shows do you have?

2:49Let's just start there. How many shows? How many fucking shows? Well, there's Ted Lasso and they're shrinking currently. That's it. Just two. all of you you got that coming out and now I have this film all of you just that and my stand up and your podcast that's it just that just the podcast the movie and the TV shows that's it that's all you're doing that's nothing you know ah dude I don't know that's I mean you seem like someone who doesn't idle well i don't i don't yeah do you suffer from the same affliction clearly this is why yeah i can't i can't bear the uh the quiet i'm i'm terrified of the downtime you know i had one when we made this film uh that we did we had it was such an intense shoot it was like 23 days and we had one day off in the middle of it and that one day off i had a complete nervous breakdown i remember us calling each other like what is it what did we meant to do today what's what did people do like it was awful i is it that we just we just don't want to get to know ourselves it might be that right well why did i spend all this money on therapy then it's gotten me nothing other than busier what is the point of therapy i guess it's uh to why is the point i don't know i mean i do it a lot same and yeah do you ever do group therapy No, I've never done group therapy.

4:28So, I mean, you wrote shrinking. So that's... Yes. Is he... Well, kind of... He's not Jungian. He's not Freudian, right? It's kind of... No, it's behavioral... Behavioral... What's it called? CBT. Right. And talk therapy, yeah. Right. But he uses a bit of... You know, the Harrison Ford character uses a bit of everything because he's, you know, very wise. He's... But how long have you been doing therapy? Uh, I've been doing therapy since I got sober. So that I got sober 35 years ago. So I've, I've cured, you're cured. You've probably completed therapy by then. You would think, I mean, it's like, I get why, why you're, I totally get why as an alcoholic or addict, you're never, you're never cured.

5:18They say, you know, for every day that you're in recovery, your disease is in the hallway doing pushups. do you still do you still honestly 35 years sober do you feel that do you feel the addiction in the corridor um I've like anything it's like the note behind the note like that's the studio note which is not true it's not useful yeah but the note behind the note is true which is if I were to go and have a drink which I have no compunction. It's not breathing down my name, nothing. I know that within a very short period of time, I would be at it harder than I ever was. Yeah. Is that partly because you'd be like, well, I've ruined it now, so I may as well ruin everything, burn the whole thing down.

6:15Yeah. That's also part of it. Yeah. Yeah. 100%. I mean, but then when you go to the therapy, piece. Yeah. And you go, why? I feel because my, I had a stepfather who was a Jungian analyst. Okay. That's all dreams, right? That's a lot of dreams. Dreams in the shadow and the unconscious and all that. Yeah. Yeah. Okay. Which is even more sort of impractical. Impractical. It's even more impractical, I noticed. Even more. And I'm saying this as an advocate of therapy. In fact, we have sponsors on the show where you can go online and get some help. And now you have AI. Yes. I mean, I'm not sure about it.

7:09I'm not sure either. It's like, here's where I'm torn. There are people in parts of the world who have no access, zero, to anything remotely close to therapy. and for them it could be it should be a game changer on the other side of it it's like who's running the ship yes who's in charge that's my favorite line from Apocalypse who's in charge here and it goes ain't you I feel that scene so much what um do you do you think having become sober, part of your, did you replace addiction with work, with exercise, with fitness? Yeah, it rotates. Some days it's ice cream. Okay. Some days it's ice cream.

8:06Some days it's the Peloton. Right. It's fitness. Some days it's cigars. Some days it's, uh, like super like crazy fasting health, water, hydration. I get in my mind, I'm going to fucking, you know, get a, be like a ripped triathlete. Um, it's, it's, it's active. It's a lot of activities like, like 18 holes of golf, uh, a set of tennis, uh, a sauna session, cigars by the fire pit. Is it that sort of peace is boring? Is it that you need the... Boring is the... Can I tell you something? Yeah. There are two things that literally keep me up at night and feel like the... And look, I'm being facetious.

9:08I don't want the universe to give me something worse than these things. I know, obviously, they're out there. that's my disclaimer I'm not tempting fate that said the two things that drive like give me the are waiting in lines and boredom yeah boredom is the word I will do anything to avoid both those things yeah this is why a dinner party is my biggest fear because but you're listen you live in the dinner party capital you're you're a a Brit You guys crush the dinner party. I mean, I wouldn't know. You're scared of dinner parties in your country? You should come over here. Because we've never put a premium.

9:58And I'm not one of those people that, as you would say, slags off. Thank you. Yes. America. But we don't do, it's not in the culture. Like, it's really valued over there. I mean, when I've come to live there, I've done a bunch of work there and I've spent years living in the UK in different places. Like, it's a valued thing. Like, to sit next to someone at a dinner party and be a good guest, a good – that's not the right word. There's an actual word for it. Companion, isn't it, either? But, like, that's a thing there. We don't have that here. I didn't know that. But well, either way, I avoid it like the plague in either place.

10:43So you're not you. The fear of being trapped at a table with I mean, it might be great. But if you're with the wrong people and you're with boring people and it's like, how many, how many? How long is this? And you have sat. You can't move. I don't mind like a cocktail party. It's like we can move. There's always I need to know where the exit is. Dinner party. I'm like, fuck, we're in this for the long haul. Yeah. I mean, do you ever go in and rearrange the place settings? I've done that at a wedding once. I saw the table and I was like, absolutely not. Like, this is not on my watch. Yeah. It's like, why are you punishing me?

11:23What did I do to you? I thought we were friends. Tell me why your media profiles say you're a swimmer. Are you a swimmer? Well, I mean, it's half a joke with my podcast intro. I will list a different job every day at the end of all the other jobs. But I do also swim. I'm also a swimmer. Sure, why not? Okay, okay. I knew there must have been some kind of, there was more to it than that. And you're obviously a huge Muppet fan, Sesame Street guy. Yes. You done Sesame Street? How about this? I remember, you know, you have childhood memories that you go, I wonder how, I think my, one of my earliest childhood memories is we used to get a pamphlet that the teacher would read in class.

12:12And I remember her reading in class about a new show that was coming out next week called Sesame Street. Oh, wow. You were there at the beginning. I remember it. And, and, and of course I watched it from the very, very, very beginning. Wow. And, And then years later, I visited the set of the Muppet movie. The OG, you know, Rainbow Connection. The Magic Store. Oh, my God. Because I was friendly with a guy who was one of the Muppets. His name was Richard Hunt, and he did Scooter. And he did, I think, Beaker, I want to say. Yeah. But I got to see Frank Oz. work and gym. And then I went to the Tonight Show when Kermit hosted.

13:12Wow. Kermit hosted the Tonight Show. He did a monologue. How did he do? He killed it. That frog killed it. Yeah. He's good. Kermit's good. At the end of the day, he's good. At the end of the day, I mean, if you want to make a grown man cry, I think Rainbow... And I do. So Kermit singing Rainbow Connection is kind of it, don't you think? I think it's going to kill you every time, yeah.

13:54I was represented for years by a very, very well-known larger-than-life manager who managed Jim Henson. among, and Lorne Michaels and all the SNL people and named Bernie Brillstein also produced The Sopranos. He was a legend. And when he passed away, there was a big, Lorne Michaels, who is arguably the greatest television producer, maybe producer of all time, produced the service. And it was a big fight about who was going to eulogize who and who was going to talk and what level. and the people that were eulogizing were Gary Shandling, I think Jennifer Aniston, Lorne,

14:41and Kermit the Frog singing Rainbow Connection. I have to interrupt. And John Lovitz. And John was like, I want to go last. And Lorne said the greatest line, John, no one follows the frog. so true have you ever have you ever watched the jim henson memorial service oh it's fucking unbelievable big bird sings and then when they all sing if just one person believes in you jesus forget it forget it forget it forget it um have we started by the way this is what it is this is okay and we started it no i mean this is why i started doing this the the podcast because i I wanted a non-traditional, like if people were, if we were at a dinner party, which we would both be hating, but be happy that you and I were sitting next to each other.

15:37Yeah, I'd be delighted. And then somebody happens to be eavesdropping. That's what this is. Okay. At this point, I'd go like, I think they're listening to it. I know. I think there are a lot of people who have downloaded this conversation. We should go. I'd get a bit self-conscious like we should really watch this dinner party we deliberately moved our table so that we could sit near each other now tell me about so the Ted Lasso yes see now you've got me freaked out and I'm going back to interview mode oh no I'm so sorry I was trying to keep it light and now I'm back to tell me about your character I will never I promise you, you'll never hear me.

16:26How about that? I was just talking to somebody else about how... The fucking... When you're doing press... So you play a real wing dinger in that. Tell me about your character. I'm like, fucking what? That's... You have me. I'm here. Yeah. And that's what you want me to talk to you about? The wing dinger? Yeah. Like, what the fuck? it's very thrilling I'm doing the press right now for our film and it is genuinely thrilling when someone asks you something interesting or like where you go oh wow that's a real you've already thought about this wow that's cool rather than tell us what it's about tell us what it's about and you go yeah I just don't understand it and it's only gotten worse and worse and worse that people do it I mean not that I'm not interested in your character I am I mean I mean particularly on the Ted Lasso there's the notion that you self-taped, apparently, yourself.

17:25You advocated for yourself, which I love. I did. And in hindsight, when I look back at it, I had never done that before. It wasn't like something I always did. It wasn't like, yeah, I always... It was a strangely, like, I guess, brave thing to do, or slightly risky. The risk was, because I was one of the writers, the risk was, this tape is so bad that they don't ask me to come back for season two because none of them could look me in the eye again. That was the risk. I could have lost my job, you know. Right. But I did feel, it really did feel like a calling, that part. It hasn't happened before where I was like, I think I'm meant to do this one.

18:10Did you have a hand in writing that part? Yeah, I mean, I was part of it. There was the pilot script and then we had the writer's room and I was part of the team of writers. But yeah, I mean, I had a part of it as much as I had a part in all of the characters. It's just as it was going on, I just felt, I think I really get this guy. And then you end up winning the Emmy for it. How was that? How was your Emmy experience? Well, the first one was so... Like, we had been in lockdown making Ted Lasso and no one, we didn't, we really had the experience of overnight our lives changed because we were all underground.

18:54None of us were recognizable. And then we came out from underground and suddenly everyone recognized us. And particularly when you're out with Hannah Waddingham, me and Hannah Waddingham look like cartoon characters in the street. We look like Sesame Street characters. Yeah, right, right. She's a giant. I got this face. We look, we're easy to spot. And suddenly it was like, all these people are like, fuck what what happened when we were underground and that first emmys in particular was so when i look back and i go god we were so pure because we weren't at all jaded we had no idea how any of this worked we didn't know yeah there's nothing cynical about us at that at those emmys we were purely like you know look there's that person there's that person we were so excited and and genuinely genuinely i think i speak for hannah here i don't think either of us thought we'd win like I genuinely didn't think I'd win so it was just oh my god I'm here with all these people in Hollywood and uh and then when they said my name I didn't hear it and everyone stood up around me and I and then I saw it like on the wall and it was it was really I mean I'd love to tell you that it doesn't matter and it's all silly but it was really nice yeah the truth was it was really nice and it felt very uncynical in that moment in a way that i think now i have a more of a understanding of the business and i and i feel very grateful for being able to do stuff but i see the things that have you know the machinations of things much more than i used to yes yes yes but that first Emmys was pure like we were really just sweet children in this place and it was very very it was very cool it was really really fun I remember watching that and being so happy that you guys were being rewarded that show I mean it's that thing of I think with all good movies or TVs that things that break out on the level with which that Ted Lasso did, it requires the right timing.

21:12And yeah, completely. You know, I mean, I, I just, I think it's true even on the West wing. It was, there was a moment where we'd just gone through the Clinton impeachment scandal, but it, It was over. And if West Wing had come out during that, I think it would have been confusing on some emotional level. So you just have to, half of it is timing, and you guys hit it. You crushed it. Yeah, but you can't, I always think the kind of lesson from Ted Lasso and its success, which I don't think anyone can take, execs can't take it, and studios can't understand it, is that Ted Lasso was genuinely a word of mouth hit.

21:58It wasn't, it was Apple TV had just started. It wasn't, my parents didn't even know how to get it. You know what I mean? So I was like, I don't think anyone's going to watch this show. We're not sure how, if people are. And when it came out, I think it had a small following and the reviews were good, but it was like small. And then it genuinely grew word of mouth and became this thing that people championed and people loved. and you can't replicate that and it and it was timing and it was magical and it was what people needed at that moment i guess and you know we made it with love we did the best we could but like i've made other stuff with love that didn't hit you know i mean like it is sure it is um it is you can't what's the word um just game it you can't go okay so then we need to make another show about a coach no that won't work this this worked because there wasn't that it always needs to be something new and then they always try and replicate the same thing yeah oh my god i mean sitting talking about the jaded cynicism the mac and the magnetizations and this backfill smoke-filled rooms of it all everybody was like it well it's sort of ted lasso in that or every pitch it's like ted lasso right yeah it's like it's like ted it's like fucking unbelievable but it it's funny to remember the times when we were just bright-eyed know nothing first first time me when did you you've been a you you've done a lot did you in the beginning were you like, oh yes, oh my God, yes.

23:42How long until you were jaded? Oh my God. I, I, I think, I think I pretty, I mean, they're always, I'm always shocked at my level of naivete and how long it held, right? But, but I, but I think by the time I was, certainly by the time I was in my early 20s, certainly. Right. Easily. Okay. I mean, I was like, oh, I see how this works. And it's fine. It's all good, but definitely the freshness of it is like, what? So your partner, Mr. Jason Segel, who I adore. Yes. Love him. We did a movie. Talk about timing and things. we did a movie called sex tape and with yes with uh and that did it just didn't no nobody thought through the fact that people didn't like like the just the phrase sex tape was going to be a barrier to entry to the very to the very people it was it was slightly too ahead of its time that film or slightly behind its time i know what you mean yeah it's a it's a really fun movie but yeah that was it ahead of its time?

25:04I think it was ahead of its time. Or was it late? Yeah. I don't know, but you're right. It could be, there's a world where that came out and the people were like, woo, like the titillation of it all would have worked for it. Yeah. And of course the irony was, it was the most sort of boring suburban couple. It had nothing to do with a sex tape, really. Yeah. It was the MacGuffin. Yeah. But I loved working with him. He's so wonderful. I have zero... I've worked with him now three years, four years. I don't have a single... I haven't had a single unpleasant interaction ever. He's so smart. And you share the obsession with Muppets.

25:53Yeah. That's how we... When Bill Lawrence and I met with Jason Segel for shrinking on a Zoom, I had his Muppet movie posted behind me and I forgot because that was just there in my office and it looked, and at some point I had to go, Jason, I haven't put this up just now. This was always here. This wasn't a move. This was legit. I love this story he told me. I'm sure you'd know it where, I forget, oh, it was coming after How I Met Your Mother and everybody was eager to figure out what he wanted to do. And he was like, what would you like to do? He's like, I'd like to do something with the Muppets.

26:27I just love that. I mean, that kind of tells you everything you need to know. I think so. And he sort of very seriously takes Kermit as like a performance mentor. Like as in, he looks at Kermit and goes, what Kermit is doing is very hard to do. It's similar to what Tom Hanks does. It's that he's essentially a likable, decent guy. who is holding the center. And I think he got that from Kermit. That's what he does. And of course, you have the legend, the man with the... The legend. I have a guy that works with me on all my projects who is in the costume department. And he worked on the last Indiana Jones.

27:18Oh, wow. I love that film. And he texted me one day and he said, Today I handed Harrison the whip. That's cool. That's cool. You can't be jaded when stuff like that happens. I wouldn't. See, that's the thing about being jaded. I would not be jaded with that at all. I mean, I'm not jaded. I mean, you work with him all the time, but like whenever I've had any interaction with him, I'm like, dude, that's Harrison Ford. Yeah, it doesn't go away. It doesn't go away. It doesn't go away. again four years in with him he's a he's such a good actor and he's so funny in the show and he's so vulnerable and i really think at first i was always amazed that he wanted to do it but the longer we've gone i'm like yeah we he gets to be funny in a way he hasn't he's very funny and he hasn't got to show that off enough and he also gets to be vulnerable in a way we haven't seen and what is lovely about him is he will always pretty much every scene once it's complete he will come over to the monitors to the writers and say thank you for the writing is so brilliant you know he's so generous in that way and despite all of that and despite him being funny and casual with me i am the entire time going fucking hell you must have some moments that you remember where you go, you're reminded?

28:49Honestly, every moment. I never, I'm never fully like, hey, it's just a guy. We're just two guys. We're just two guys at work. I'm always like, it's me and Harrison Ford, you know, from Harrison Ford. It's Harrison Ford from Harrison Ford. Yeah.

29:23Do you still love doing your podcast? That's a good question. I do. I don't like the admin of it and the relentlessness of it because I'm busy. You're a busy man. Busy man. I've got all these dinner parties to get to. How about have you run out of movies to be buried with? though i mean like is there's that well it's not mine it's always the guests the things that i love about it and i'm sure you feel the same and why i because i was tempted if there was a time where i was going to stop doing it but i was like there is no other sadly there's no other way in in our current life that you can have a conversation with someone for an hour face to face and you can get deep and you can be this is what i'm saying like it's it's a it is actually a privilege to do the thing.

30:13That's what I'm saying. And like I said, I love when guests on Literally go, have we started yet? When are we going to do it? Because there's no, I mean, I guess when I was a kid, there was like Dick Cavett and I'm sure there were more long form. I've seen clips. Right? Or even in print, there was always like the Playboy interview was really long. And I actually did read the interviews in Playboy sometimes. I actually. Me too. Um, but the notion of talking particularly about movies, it also opens up and says so much about people, what they like and what they, you know, one to be buried with, literally.

30:54Yeah. Well, that's an impossible task. I mean, Robert Redford passed away yesterday. Mm-hmm. And I was— Did you know him? I met him only once. We had many missed opportunities. And finally, we were both at the Golden Globes. This is about being jaded. It was the Golden Globes. And, you know, if you get lucky enough, you end up there a bunch of times over your life. And you start going, I just am thinking about what kind of hamburger I'm going to get on the way home. Right? Yeah. Particularly after you lose, which I do. I'm very good at losing Golden Globes. Right. That's nice. And Emmys. That's cool.

31:34I'm very, I know how to lose with dignity and grace. That's a fucking skill. It is, man. It's not nothing. And anyway, he was there and I, he was on the middle of a press line. And I just put my, I waited until he was done. I put my hand on his shoulder and I introduced myself. I'm not quite sure he even knew who I was necessarily. and I just was and I did it because I knew that yesterday would come there'd be a day where he would not be here anymore and I was able to really just say how much, I said I just want to tell you how much you mean to me and how much you've meant to me and I just am so glad that I was able to tell him that's nice and that was it we walked away and it was great but I had that But my point is, I can't even name one Robert Redford movie that I would be buried with because there are like four of them, at least.

32:36I love Robert Redford as a director. And there is a film that he directed that I think is top 10 all time films that is not talked about. It's Quiz Show. Yes. Have you ever seen Quiz Show? I auditioned for it. Did you? For which part? It would have been the part that... Um, I, I, I, what I, and I don't, obviously I don't remember it well, but what I do remember it was, it was one of the first times that you had to go on tape. It was that, it was at that time in the industry where it was, it was like, I remember as a whole thing, people did not do it. We didn't have cell phones. We didn't have that.

33:11You had to have a big video camera and do like, it was a real thing. Like, and, and, and, and Redford really only wanted to see, didn't want to meet people. But that's a great show. That's a great... Paul Atanasio wrote it, if I'm not mistaken. Is that right? It's an amazing film. And it's really... I don't know why it isn't talked about more because it's about everything we're dealing with now as well. Like, it's such a kind of profound film because it's about this quiz show that was rigged and it had fooled America and it was, like, devastating and it ruined this family it ruined everyone's life.

33:50And then at the end, one of the TV guys is like, who cares? It's just TV. Like, why does any of this matter? And it's so like, yeah, I guess. I don't know. It's so like, because we care. That's why it matters. Because we buy into a thing. Otherwise, what are we doing? It's so Redford. If we don't believe. It's so Redford. I mean, when you think about that theme, it's the last line of the candidate. Now what? Do you know what I mean? Like, you want to talk about cynicism and being jaded. all condor yeah so many of them deal all the president's men yeah like cynicism is just a huge theme in almost all his work you know and then of course he has his other lane which is just supernova movie star Like, The Sting, for example, which I saw again recently, is maybe the best script ever written.

34:57I mean, the plotting is insane. The charisma is insane. You're hanging on it. I mean, Robert Shaw's Dyer Lanigan, like, and Newman's, but they're amazing. You just don't make a movie like that. The thing about The Sting that's funny to watch, if you watch it again, is it looks horrible. oh my god does it look bad it's funny literally looks like a it looks like how i met your mother it's flat bright yeah it's obvious a studio audience there's there everything is obviously a set right and everything's obviously the back lot like obviously the back lot okay so if i i highly recommend everybody watch the sting again in honor of redford because it's still one of the great movies of all time but boy it is bad the way it looks tell me this what when you did was west wing the longest tv show you did yes how many years did you do on that four four seasons oh okay but like 22 episodes right 22 oh yeah that's in the days when you did 20 you know the other i I always like to remind people that in the first year of the West Wing, Aaron Sorkin was writing 22 episodes of Sports Night and 22 episodes of the West Wing in the same season.

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36:23Think of it. That isn't more talked about, known. Yeah. Can you imagine? No, it's so hard to write 10 episodes. It's so hard. So I don't know how you do that. And I'll tell you, because of that workload, that first season of West Wing, every script is a first draft. Wow. Every script. First draft. Wrote it. There was no revisions. I can remember. I can't remember getting the asterisks. You know, the asterisks. Pink pages. They're sliding the pink pages under your door tonight. Nope. Didn't happen. Not nuts. That is nuts. Did you like in the four years of doing that? Did you, I mean, it's an amazing show.

37:18You're brilliant in it. You had a brilliant part. Did you, uh, I don't know. Is it, is it, did you, did you, were there moments where you were like, oh, I'm bored of this? Did you want to leave? Were you, were you, was it the best time of your life? Where were you in it? It was, the work of it was the best time of my life. Wow. The fulfillment. And that was hard. I mean, you'll appreciate this just on a sheer production level. So we have the White House set. It's on a soundstage. 80 % of our show takes place on the set of the White House on a soundstage at Warner Brothers. we would start every Monday as everybody does at what 6.30 in the morning right by the time Friday rolled around we're not doing company moves we're not doing night shoots we're on the set our call times were routinely 3 o 'clock in the afternoon by the time Friday rolled around that first year on the West Wing when I would come to work on Friday, I always saw the sun rise on Saturday morning, every single time.

38:32Wow. So it was, that's just people sitting around talking. That's how arduous. But the material, it's like Harrison coming over to you and saying thank you for the material. I was so grateful for the material. It must be nice. You know it's fucking good. it's nice to do stuff you know it's fucking good it really is, it's great and you just and it's just such a it's a gift and it's so much so that I find it very hard to ever re-watch or if clips come up on social media or whatever it's very hard for me to watch it because the longing for that type of an experience which you knew as you were doing it was was a rarity right and you know it's yeah it's it's super interesting i get um do you get it i call it uh pre-nostalgia i get that when like with the the film that i just made we it was so nice making it it was so like magical and it was short it was 23 days and in the middle of it i was already depressed that it was going to I went, you know what I mean?

39:51I still had, we still had 13 days ago, but I was sad. I was like, oh, you know what I mean? I was missing it as it was happening. And that's all of you. Yeah, yeah. Do you have that feeling? I do have it on, particularly on movies because you know it's finite. You know it's, you know it's going to end. It's really hard if, I've also had the other side of it where you've been on a long running show and you, cause I, I came back for the last West Wing episode. I did, I did four seasons, but I think the show ran seven and I, and I came back to the last day and that was really hard when they're wrapping out.

40:33And that's a series wrap on Richard Schiff. And you're like, holy fuck. Yeah. That's, and you know, some people you're never going to see again and you're never going to see that character again. yeah and that's sad and then there are characters like i'm glad i don't have to play that anymore yeah this wing dinger yeah that's a way your character's a real wing dinger it's a real stem winder tell me about tell me about how did you come up with it do you ever feel guilty if somebody says tell me about your character and you feel like you need to tell them a story about how you went and studied with Buddhist monks for three months before you did it or that you had to lose 700 pounds?

41:22Did you ever feel guilty that you're not really an actor because you don't have that? Because you just said your lines, yeah. You just turned up and said the lines. I like when, particularly in the early parts of my career, when you're just so grateful for any job you have, that when you do like a premiere, they ask you like, what made you, what drew you to this part? And you go, like, sorry, what do you mean? Oh, like I was choosing between 300. They offered me a job is what happened. And I desperately, greatly said yes. What drew me to the part was the offer, please, yes, whatever. You were very brave.

42:05It was a very brave choice. Yeah. Yep. Yes, it was. Yeah, yeah. Because I could have done Batman, but no, I thought I'll do this. Tell me about all of you's 23-day schedule. How was that for you to just... By the way, I got to tell you, I think that very... There's a huge genre of picture. I love calling it picture. It makes me sound like I've been in the business forever. Yeah, I really like that. Don't you like that? Yeah, we've got to bring back picture. Talk to me about this picture. Talk to me about... And then there's certain rules, there's certain things we need to get out of the lexicon too.

42:40Rules. Content. We don't want to say, yeah, I'm not sure if I matched that shot. Go ask Scripty. Scripty's got to go. It's got to go. Absolutely not. You know what else has to go? Hey, they have hot pizza over it, crafty. The E's. You don't like the E's. I get it. You don't want to infantilize. I don't want to infantilize people with real jobs. Hardworking people. No, I'm actually dead serious about it. How about this one? How about this one? You go up to Canada and they hit you with this. You've got about, you're going to have about 20 minutes if you want to go back to the circus. The circus?

43:22Do I look like a fucking clown? No, that's the base camp. Okay. God forbid you call it base camp. The circus. God forbid we respect these people. You okay in scripty? You okay, scripty? Why don't we go to crafty and then we'll all go to the circus? Let's have a film crafty. And then we'll go watch some acts at the circus. Ugh, come on. Gross. I literally vomit in my own mouth. But picture. Picture. So your new picture is all of you, and you shot it in 23 days. I think there are a lot of pictures that benefit from that kind of adrenaline, I think. Completely. And this film is mostly just the two of us.

44:06It's me and Imogen Poots. It was 23 days, 25 locations. What? Okay, hang on. I'm throwing the flag on that. That's bananas. It was bananas. I didn't, it was bananas. And it is, but it does make everything heightened in a good way because you're like, we have to get all it. There's no option. We don't have, there's going to be no extra days. There's going to be no reshoots. It's like, we have to get it. And, and on this day, we have to be in a different location in three hours time. So get it. like it does focus you and it also focuses the crew everyone i think when you're making something like this because people people are there because they love it and that is different from when you're doing a big project when some people are there because they love it some people are there because they just want to get paid and they're just doing their job and they can't wait to clock off but when it's something like this there's something very special about everyone leaning in together you know i mean i think that comes out in the in the thing in the in the picture in the picture and yeah and I yeah and I think you know we can't always do stuff we we love I was just talking to a director who directed this movie called The Painted Bird it's the feel good movie of the it's fucking so bleak but great yes but he's and I'm gonna do just a generic Eastern European accent right now so forgive me and I'm not gonna judge you for it don't judge me but he's like I tell my film students directors there will come a day where you will have no choice there will be the fork in the road and you will choose you will either choose sex or love and you can do it for the sex and it will be exciting and many things and you'll do the comedy here and a big budget maybe you even do the new detective show on the network but you will fuck everything or you can do it for love I have made three movies and it's one of the great I like this guy is that the greatest?

46:23he's absolutely right I do in all sincereness and forgive me for not being jaded enough but I do believe because it's hard work it's like what you're saying about West Wing because your time, you've given your time to this thing. You're doing West Wing, you're there till three in the morning, five in the morning. That is your time on this earth. So you better spend it making something that you fucking love. Otherwise, what are we doing? Agreed. I really, yeah. And you want it to be magic. Because it's hard. So it may as well be magic. Am I right? 100%. And also just you find different things to love about different projects.

47:05That's the thing. Because not everything can be Ted Lasso or Shrinking, right? Or West Wing. They just can't. They aren't. And so you find I love the character or I love the process. And I always love the process. So that's so freeing because I love what I do. I love it. Great. So it's just a function. Tell me about Imogen. She's got to be great, right? I mean, that's... She's amazing. The whole film is just... I knew that casting the actor to play that part, that the whole film is what it is between us. And that's such a ephemeral thing to find because there are great actors, but you might not have the thing.

47:59How did you know? I mean, I read somewhere that you guys had a Zoom and you felt an instant connection, but like, so that presupposes that you had other Zooms where you did not necessarily feel that. And I'm not in any way asking you to name names, but you do. You must know, it's always like a gut thing. Like I've met actors and people I really respect and admire and think they're brilliant, but we don't have a vibe. we don't have a there's something where you go okay this isn't the right fit and it isn't any shade on their talent or their acting ability or any of it but with with Imogen I think it was partly the surprise of she previous to this had done so many heavy heavy films she's such a good actor but it's all fucking heavy heavy heavy stuff she's always in a being drowned in a river or being assaulted like and someone had just stuff to fall in love with basically is what you're talking about she was just she was doing it for love she was doing it for love yeah and uh my agent was like you should meet with him and i was like really and she came on the zoom and within five minutes we were crying laughing and i was like oh she's so funny i did it i had no idea she'd be funny and I really did feel like I'd known her before.

49:21She felt very familiar. And that is what these characters are. These characters are best friends since university. So it was like, well, if we cast her, then we don't have to do any fucking work. It's already there. Great. Let's do that then. It's just as simple as that. That's awesome. I do think these things, I've had enough experiences of like, you tell me, but the right thing is the right thing and you do know it when it happens and what is meant for the project is the right. You know what I mean? Yes. Am I being too woo-woo? No, you're not being woo-woo at all. And, you know, it's that old thing that we don't trust.

50:02When we don't trust our gut, we get in trouble. Yeah. You know, and it's... Yeah. And it whispers. Sometimes it yells, but other times it whispers. That's the thing. It's like the quiet... like it's the little it's the little ones that are hard they're hard to to admit to sometimes to hear but yeah it's it's all instinct that in the end that's all we have yeah and i've had the experience of reading of of very very very occasionally i've been lucky enough to be like offered a part in something and it's a great project and the people are great and all of that and i read the character and i go i don't feel anything for this even though it's good and even though business-wise this would be a great thing for me to do and my agent gets really angry with me and goes like this is huge this is a thing and I go like but I don't think I'd do this well I don't think this is meant for me I think whoever there's someone this is will do this much better than me because I don't get it I don't feel it you know I mean yeah oh 100 % yeah it's it's a long way from well I did it because they asked me to do it.

51:09Yeah, it is. I'm very, very lucky and I'm not jaded. I'm very, very, very lucky. No, you're too busy. You're too busy. I mean, it's too... I am so glad that we got to... you came on and we got to meet. I've been watching you from afar and wondering... I've been watching you from afar for years and years and years and years. I'm a big fan. I'm very grateful to meet you. Thank you.

51:38Okay, he didn't disappoint me. Smart as a whip. But was so... What a great dude. We need more of his ilk in the world and in business and show business. That's all we got. I can't do any more for you today. I gave you my best and I hope it was enough because you're enough. And God damn it, I love you. People out there listening. See you next week right here on Literally for more fun and games. I'm Robbie Lowe, signing out.

52:37Special thanks to Hidden City Studios. Thanks for listening. We'll see you next time on Literally.

From the publisher

Brett and Rob are running from boredom! Brett Goldstein (Ted Lasso, Shrinking) joins Rob Lowe to discuss their shared admiration for Kermit the Frog, why dinner parties are more important in the UK, how he went from writer to actor on "Ted Lasso," Brett’s new film, “All of You,” and much more.

Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show!


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