In short
The episode breaks down the 2025 Emmy nominations announced in Los Angeles by Brenda Song and Harvey Guillen, focusing on drama and comedy surprises, snubs, and prediction accuracy.
Key claims
Severance “reigns” with 27 nominations and is treated as a front-runner; Squid Game’s second season got zero drama nominations despite major first-season success; White Lotus dominates acting categories via “title wave” crowding out other shows; The Last of Us earned 16 nominations but is seen as having a muted reception because it missed writing/directing; Andor’s acting was limited to Forrest Whitaker (guest) despite 14 total nominations, blamed on name recognition and density.
Notable examples
Handmaid’s Tale got no nominations for its final season; Sirens surprised with Megan Fahey (Best Actress) and Nicole Castle (Best Director). Comedy highlights: The Studio led with 23 nominations; Somebody Somewhere got two nominations (Jeff Hiller, plus Bridget Everett as co-writer on the finale).
Guests
none; hosts are David Canfield, Richard Lawson, and Rebecca Ford.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOInitial Reactions to Emmy Nominations
0:45 to 1:30
Hosts discuss their predictions and initial reactions to the nominations.
“Probably not the headline that Sirens got for nominations, but maybe it's our headline.”
Squid Game's Surprising Snub
1:30 to 4:30
The hosts analyze the surprising lack of nominations for Squid Game's second season.
“Yeah, considering what a phenomenon it was in its first season, though I will say that there was a big gap in time.”
The Dominance of Severance
4:30 to 6:00
Discussion on Severance's impressive performance with 27 nominations.
“like, are they actually still interested or was it just a passing trend?”
Acting Nominations and Snubs
6:00 to 8:40
Exploration of acting nominations, including surprises and snubs.
“I just, yeah, I felt so strongly that it is the front runner.”
The Last of Us Performance Review
8:40 to 10:40
Analysis of The Last of Us nominations and its performance compared to the first season.
“would know just how worthy some of those performances are.”
Surprise Nominations and Quality Control
10:40 to 14:00
Discussion on unexpected nominations and the quality of performances in various shows.
“I was delighted to see double nominee Julian Nicholson for both this and Hacks as a guest actress.”
Emmy Nominations and Notable Snubs
14:00 to 17:20
A discussion about significant Emmy nominations and surprising omissions, particularly focusing on performances from *The White Lotus* and *The Handmaid's Tale*.
“for TV, and I assume that gave Netflix a lot of confidence that she would be able to make it through here, also given that she's, you know, such an Emmy darling.”
Transition to Emmy Categories
17:20 to 17:40
The hosts prepare to dive deeper into the Emmy categories and upcoming discussions.
“And when we come back, we'll talk more Emmy categories and more snubs and surprises.”
Reality and Variety Competition Nominations
17:40 to 22:50
Analysis of the reality competition and variety talk series nominations, including surprises and the impact of changes to the categories.
“We are talking the Emmy nominations, which were just announced here in Los Angeles.”
Comedy Categories and Shifts in Nominations
22:50 to 27:00
Hosts discuss the comedy category nominations, focusing on the surprises and the decline in nominations for previous favorites like *Hacks* and *Only Murders in the Building*.
“I was surprised that Hacks seemed to lose momentum.”
Show all 25 chapters
The Studio's Dominance and Future Predictions
27:00 to 28:00
Discussion on *The Studio*'s impressive performance in nominations and predictions for upcoming seasons and competition in the comedy category.
“And again, like I've said, sort of speaks to how competitive comedy is this year.”
Comedy Series Nominations Overview
28:00 to 29:15
Discussion about the nominations for comedy series at the Emmys.
“Abbott Elementary was down to six nominations.”
The Four Seasons and Coleman Domingo's Nomination
29:15 to 30:28
Analysis of The Four Seasons' nominations and Coleman Domingo's recognition.
“It did, I think, probably better than they were expecting.”
Nathan Fielder and Emmy Nominations
30:28 to 31:38
Exploring Nathan Fielder's surprising Emmy nominations and show reception.
“Nathan Fielder getting a directing nomination for the rehearsal.”
Black Mirror's Unexpected Success
31:38 to 34:05
Discussion on Black Mirror's nominations and its reflection on societal issues.
“One thing that I was really surprised by on this whole list of nominations because it was just another example of like how I see the world is not how the Television Academy does.”
Introduction to Sirens' Nominations
34:05 to 34:42
Overview of the nominations for Sirens and its reception.
“I mean it's not good that real life is starting to seem actually like Black Mirror that's very bad in fact but at least the show got to benefit from it.”
Megan Fahey and Nicole Castle's Surprising Nominations
34:42 to 37:04
Discussion about Megan Fahey's and Nicole Castle's nominations for Sirens.
“So, Rebecca, I am now going to ask you about the Sirens Emmy nominations.”
Omissions in Limited Series Nominations
37:04 to 38:14
Conversation about notable omissions in the limited series categories.
“I was actually not the biggest fan of that show, but the filmmaking on it was pretty undeniable.”
Adolescents vs. The Penguin in Nominations
38:14 to 40:48
Comparing the nominations for Adolescents and The Penguin.
“were Adolescents, again, Black Mirror, Dying for Sex, Monsters, the Lyle and Eric Menendez story, and The Penguin.”
Controversies in TV Movie Nominations
40:48 to 42:00
Discussion about controversies surrounding TV movie nominations at the Emmys.
“Obviously, people like Sevin Yee, but I don't know.”
The State of Streaming Movie Nominations
42:00 to 43:20
Exploring the peculiarities of streaming movie nominations in the Emmys.
“at this point, plus Mountainhead, right?”
The Surprising Success of 'Monsters'
43:20 to 44:16
Discussing the unexpected acclaim and nominations for 'Monsters'.
“The performance of Monsters, Lyle and Eric Menendez story, that surprised me.”
Recognition for 'Pachinko'
44:16 to 45:12
Celebrating 'Pachinko's' nomination in cinematography and its impact.
“I didn't mean to erase Idris Elba, who's also nominated in that category.”
Documentary Nominations and the Emmy Rules
45:12 to 47:16
Analyzing the Emmy nomination rules for documentaries and related nominations.
“So it got two more than a lot of shows that I thought were going to get something.”
Tucci's New Cinematography Nomination
47:16 to 48:16
Discussing Stanley Tucci's new show and its cinematography nomination.
“Also in that cinematography for nonfiction is a show that is, I think, also nominated in a new category this year, Outstanding.”
Transcript
Automatic transcript. May contain errors.0:04Hello and welcome to Little Gold Men, Vanity Fair's podcast for film, TV, and awards lovers. I'm David Canfield. I'm Richard Lawson. And I'm Rebecca Ford. Welcome back, Rebecca. You are here just in time for Emmy nominations. It is Tuesday morning here in Los Angeles. They were announced by Brenda Song and Harvey Guillen. Some surprises, some snubs, a lot of what we were expecting. and we are ready to get into all of it. In addition to just talking about how we did on our predictions, I think pretty well, right guys? Yeah, we did pretty well. I think just the most extreme of surprises got us. Yeah, we didn't see Megan Fahey coming.
0:41No, who could? There were plenty of categories where it was exactly what was predicted. Yes, I'm going to be asking Rebecca about the Sirens nominations for about 10 minutes. Probably not the headline that Sirens got for nominations, but maybe it's our headline. Technically speaking, the headline is probably that Severance got 27 nominations for its second season. And when we think about just how much of a question mark that show was before it returned after such a long break with so much reporting of behind-the-scenes drama, it's a pretty remarkable turnaround. And then meanwhile, a show that did seem much more solid at one point as an Emmy player, Squid Game, which won a bunch of Emmys for its first season, got zero nominations in the drama races.
1:25So let's start there. That's quite a discrepancy, but I was pretty shocked by just how badly Squid Game performed. Yeah, considering what a phenomenon it was in its first season, though I will say that there was a big gap in time. But also, that second season is really half of one season. Season three picks up exactly where season two ends. And I wonder if maybe voters are waiting, but maybe that's going to be a little too late. Yeah, I really, really was shocked that it didn't at least perform below the line. I mean, the production design on that show is some of the most incredible stuff we've seen on TV.
2:03So for it not to land in some of those below the line categories, is really, really surprising. And I can't honestly explain it other than I just feel like people were not talking about this second season. I mean, the first season was such a sort of discovery for everyone. And I think that was a big part of its success. But I mean, it won six Emmys last time. So to not even be nominated is quite surprising. Yeah, I think the second season fell into that category of Netflix show where you see how many millions, billions of minutes were watched and you're like, huh? Because while obviously the first season was a phenomenon and the second season, you know, I know some people who watched it, it really was not a talking point culturally.
2:50It did fall into the category of like the Night Agent or these shows that perform very well in the streamer but are not really campaigned or taken seriously in awards context. It did feel like it just made that shift into commercial hit and maybe because it was such an Emmys player previously, we didn't quite, you know, acknowledge that to the extent that we needed to accurately predict how badly it would do. I just, I guess I wasn't surprised it missed out in any particular category. I was just surprised that it missed out in all of them. I wonder if maybe there's a little, yeah, like you said, David, that it became this populist hit rather than a critical hit.
3:25There was a reality show, you know, they really did kind of flood the market with Squid Game stuff for a while there. So maybe, yeah, people just are viewing that show differently. Although, you know, the third season does, you know, tie up a lot of loose ends, not all, but it does feel like a conclusion and there is some really strong stuff in there. So maybe its story isn't quite over yet. I do think with the first season, we maybe sort of took for granted how much success they had because on paper, a Korean language television show with no actors that any American audience, most of the American audience didn't know, should not have done as well as it did.
4:02So, you know, obviously Netflix put a lot of money and a lot of effort behind that. So I think, you know, then they set such a high bar for themselves for this second season. So I do want to acknowledge that it's pretty amazing what they were able to do with the first season. But yeah, it's quite a fall. And not to like put this in sort of cynical or crass terms, but I also think the first season of Squid Game was just that much closer to the Parasite phenomenon. And I think the Emmys kind of wanted their version of that, you know. and once that's been satisfied, like, are they actually still interested or was it just a passing trend?
4:34It shouldn't be because Korean content is popular the world over and it's just as, you know, sort of beloved as anything coming out of the States. But I don't know, it maybe was sort of just like a flash in the pan moment for the Emmys. And then I guess, again, they got other shows that just distracted them away from something they'd seen before. In comedy series, the studio led all nominees with 23 nominations, and Hax was right behind with 14. The limited series races were led by the Penguin and Adolescents. We pretty much expected all of that. But let's stick with drama for a moment. The rest of the nominees for Best Drama Series, in addition to Severance, were Andor, The Diplomat, The Last of Us, Paradise, The Pit, Slow Horses, and The White Lotus.
5:21I believe this is exactly what Vanity Fair predicted, so good job, us. I think that the sheer dominance of severance here is something that I remember when the second season ended and we talked about it and I was just fully, you know, this is going to be the winner of this race. This is done. I was on that train and the pit complicated that picture quite a bit, but I kind of am back there right now. The Pitt got 13 nominations, certainly a respectable showing, but in a lot of places where it could have been nominated, Severance just sort of blew it out of the water. I never left the Severance house.
5:59Me and my innie have been sitting in the Severance. I just, yeah, I felt so strongly that it is the front runner. And I think, yeah, these numbers really speak to that. There were a few, I think, the Pitt actors that, you know, some people were hoping would get nominations and didn't. So it feels like there just weren't any snubs for Severance. You know, they just did so well. Yeah, and it's an example yet again of the Television Academy really not honoring the fact that I haven't watched the second season of Severance, and therefore it doesn't really matter. But they don't really seem to care about that.
6:33No, but now I'm like, okay, I really do actually have to watch that season. Because there are so many actors from Severance who were nominated, you know, like leads, supporting, guests. It's just like, it's really wild, like how deep that show goes. The one thing that surprised me with that show, in terms of its showing was Patricia Arquette got nominated again, but Deachan Lachman, who had, between her and Patricia Arquette, the more well-received spotlight episode, let's say, was not nominated. So I guess you could call that a snub, maybe. But unfortunately for Deachan Lachman, there were many White Lotus actresses she had to navigate and could not ultimately overtake.
7:14This year, four supporting actresses were nominated from the White Lotus. Natasha Rothwell, Parker Posey, Amy Lou Wood, and I think it's safe to say the frontrunner Carrie Coon. Three supporting actors were nominated, Sam Rockwell, Jason Isaacs, and Walton Goggins, who I think is the frontrunner there. So The White Lotus continues to be the absolute favorite of the actors branch, and that is not even close to changing. Yeah, and I think that unfortunately, as good as those White Lotus actors are, they just really crowded the room. And, you know, I wrote a little, like, credicore for VF.com about, like, where are all the Andor actors?
7:49Like Forrest Whitaker got in, but no one else did. And there are so many great supporting performances on that show. It's just there was no room for them. I'm not sure what it is about the drama field, but this happened very recently with Succession and the White Lotus. I think they had like entire acting categories to themselves. And there are other dramas that they like that have a lot of great actors on them. I mean, Andor performed very well. It got 14 total nominations. It was nominated in writing and directing and all over the technical categories, the only actor nominated was Forrest Whitaker for guest actor.
8:24And as a fan of Forrest Whitaker, that is absolutely bizarre to me. I think it's one of the parts of the season that didn't really work. And generally speaking, anyone who watched that show, and we know a lot of people in the Television Academy who watched that show, would know just how worthy some of those performances are. I just wonder if with White Lotus, it's like other actors are watching that show and they're just like, I would kill for that part. I would kill for that part. I would love to do that part. I wish it could be Carrie Coon. I wish it could be Amy Lou. The writing and just what those actors get to do, it's hard.
8:58I just think as an actor, it'd be so hard to not vote for them because you almost have a jealousy factor of some of the best opportunity on television, I think. If I vote for the White Lotus actor this year, karma will reward me with the White Lotus role next time. That's definitely how it works. Richard, given that Andor did perform as well as it did, what do you make of the actors not getting in? What do you think happened there? I think it's a couple factors. I think there is, you know, obviously there's not a Star Wars bias at the Academy. They dominated Mandalorian. Like, those shows have done pretty well with the Emmys.
9:33There might still be a little lingering of that. I think it's partly that, aside from Stellan Skarsgård and maybe one or two others, these are not really names that people are intimately familiar with, in the U.S., at least. Denise Goff, Kyle Soller, an American actor who largely works at the UK, Genevieve O 'Reilly, a British actress. I think maybe there just wasn't the name recognition. And when you have like Parker Posey on that same ballot, it's just kind of, I think, easier. I also think that Andor is pretty dense. And so if you didn't make enough people clearly have watched both seasons to recognize the good work, but maybe if you're more of a dilettante and you're like, I don't know, that show plot wise, it's a little impenetrable.
10:13The White Lotus is much more accessible because because each season's a new story. So, yeah, I think there are a lot of complicating factors, but I'm glad that the show was recognized where it was. I just think, you know, there are a lot of great performances that, in a perfect world, would also get their due. The acting branch clearly elevated Paradise, which was nominated for Best Drama. All of its other nominations were for performances. Sterling K. Brown got in most expectedly. I was delighted to see double nominee Julian Nicholson for both this and Hacks as a guest actress. And James Marsden also got in.
10:49So that's one case where I do wonder how that happens over a show like Andor. As good as James Marsden is on the show, it's not a performance that I think got talked about all that much. So it also just depends on where specific branches are focusing their attention. Although again, he does have the name recognition. Yeah, and I think like, look, Britt Lauer didn't get nominated for the first season of Severance did. it takes people a little bit of time. And like Andor had two seasons too, but I think still people are, when you watch Andor, you're watching those characters. You're just less familiar with the actor.
11:22Rebecca, what do you make of the showing for The Last of Us? It got 16 nominations, which in any other world would be considered a strong showing. But I think it's safe to say that where it showed up and where it didn't is perhaps reflective of a slightly muted reception to its second season. Yeah, I do agree. It felt like it did well on paper, but it's just because we're very aware of how this season didn't exactly perform. I mean, if someone like Bella Ramsey or Pedro Pascal had not been nominated, that would have been a huge snub and a huge shock. But I think it didn't sort of have the big performance we maybe would have expected as well as it did with the first season.
12:07So, you know, some of the, at least one of those nominations is more of a thank you and goodbye. But I know we're not spoiling anything about that show forever. But I think, you know, there were other actors that could have been nominated if the show had sort of had the breakout it did in the first season. Yeah, like Isabella Merced, had she been on the first season, she would have been nominated. Yeah, she's very good on it. But the show just didn't quite have as much love this time around. To me, the real tell in that tally for the show is it didn't get into writing or directing. And for both of those branches, which are kind of the tastemaking branches of the Academy in many ways, To Ignore the Show says that they had quite clearly moved on from it.
12:51You know, they gave the pit two directing nominations. Slow Horses even made it back into directing despite losing a lot of steam. That, to me, felt like a bit of a rejection. Yeah, well, there was no Barry Bartlett, Nick Offerman episode, you know. Yep, exactly. I was kind of shocked to see The Diplomat get into drama series. And I say that having predicted it only because it only got one other nomination for Keri Russell. Allison Janney didn't even make it into supporting actress. Again, that's mostly due to the White Lotus title wave. But when you think about, like, just how much bigger the Squid Game is as a show, Squid Game got just as much of a campaign, it's kind of amazing that it made it through in that mix.
13:38See, I would have been kind of, I mean, I love Allison Janney and I would have understood, but she is not in that season. It's like... You are totally right. And I think that was actually a bit of a quality control moment for these voters because she's in two episodes, but she got what's essentially a lead acting nomination at the SAG Awards because they don't differentiate lead and supporting for TV, and I assume that gave Netflix a lot of confidence that she would be able to make it through here, also given that she's, you know, such an Emmy darling. But the fact is that you have so many rich supporting performances jockeying for slots in that category, it did feel a little silly that she would get one of them, good as she is on the show.
14:17Yeah, voters did the right thing there, at least for me. They're just priming the pump for season three, you know, where she will be a main character, and that'll be that. So for all of those White Lotus acting nominations, I was bummed to see Patrick Schwarzenegger not among them. I thought he gave one of the best performances on the show. They have nominated the kind of hunky dude breakout in the past for the White Lotus, like a Jake Lacey or a Theo James. But clearly, he did not have what it takes to overtake Sam Rockwell. I know when we were writing our Snubs and Surprises piece, which is up on the site now, I wrote about Patrick and I just like couldn't get that little moment where he, you know, his character is looking at Amy Liu's character run up to Walton Goggins and he has that look of longing.
15:06And I'm like, that must be exactly what Patrick's face looked like this morning when the nominations were made. And I felt sad for him because it's such an incredible performance. I think we're just talking about a very crowded field here. and as we've mentioned, they really dominated in these supporting actor characters. Like, what are you going to do? Not pick Walton Goggins? You know, not pick Sam Rockwell? Like, Jason Isaacs? Like, unfortunately, these more established actors, I think, probably just got ahead of him on that front. But I think he's going to be okay. But yeah, he, I think, was very deserving.
15:43So that was the one snub for that group that I thought was a little sad. a tech savvy listener should you know splice in the Emmy statuette running up the beach to Walton Goggins somebody do it while Patrick watches yeah I think also it's a matter on White Lotus sometimes of arcs I think that Schwarzenegger's character's arc was a bit more subtle you know whereas Jason Isaacs had such big things to play Walton Goggins you know has obviously a huge arc it felt like while there was a lot of power in those quieter moments with Schwarzenegger at the end of the season. It maybe just didn't stick in people's heads in quite the same way.
16:20The last show I wanted to mention on the drama side that did not make it through was The Handmaid's Tale. Like Squid Game, it broke out as such a favorite with voters. It won Best Drama, Actress for Elizabeth Moss. It did not get any nominations for its final season, which was very popular. Nielsen had it in the top 10 originals of the year so far. Except for Cherry Jones, who did come back after a long break. She plays Elizabeth Moth's mother. She's very good on the show. In the way that Forrest Whitaker stands out as the only Andor nominee, I do think it stands out as the only Handmaid's Tale nominee.
16:58But it's got to be a disappointing result for that show. They did do a huge campaign for the final season. And again, it just kind of feels like a rejection. Yeah, I mean, nothing about that show is relevant anymore, so. Yeah. Clearly, the world is better now and it just feels like a faraway dystopia that we can forget about and not think about. And yeah, now it's over. We're going to take a quick break. And when we come back, we'll talk more Emmy categories and more snubs and surprises. Stay with us.
17:39Welcome back to Little Gold Men from Vanity Fair. We are talking the Emmy nominations, which were just announced here in Los Angeles. A couple of the categories were actually announced before any of us were awake, except maybe Richard, because Richard's in New York. For some reason, they announced the reality competition category and the variety talk series category on CBS This Morning, separate from the overall announcement. And then Brenda Song had to sort of gesture to a screen as the official announcement happened, just reminding people who they were. The variety talk series only had three nominees because there are not enough submissions.
18:18And so that edged out the likes of Seth Meyers. John Mulaney couldn't make it in. and over in reality competition for the first time in over a decade The Voice was not nominated it made room for Survivor to come back which made me happy so that category is now pretty stacked it's got RuPaul's Drag Race, The Traitors The Amazing Race, All Former Winners Top Chef Richard that feels like a good representation of the competition landscape right now Yeah it's hard for me to be excited about Survivor getting back in a show that I do love because I don't love why I think it got back in which is that they've really leaned on these big human interest angles rather than really nasty strategic gameplay.
19:05And there were a lot of big emotional moments on this season that was just nominated. And so, yay for them. Good momentum as they head into seasons 49 and the big 50 this season. But I don't like all the getting rewards for being sappy on that show. I know. I'm so biased because I watch Survivor and I don't watch a lot of these other shows that it's really hard for me to predict who might win. Like, will we see another Traders, you know, win, even though I feel like I don't hear people talking about that show as much as I did the first time around. But it's definitely a stacked group, but it feels, I don't know, it would feel weird if Survivor just came up and won again, but I do think it has a lot more heat behind it again.
19:51It does feel like a perfect appetizer to what I imagine will be another nomination for its 50th season, which is filled with beloved returning contestants, newly relevant returning contestants who were, say, on the traders and won the traders like Sari Fields. So it's a good time for the show to be back. And Jeff Probst, who'd also been nominated last year, is back in the host category. It does feel like if not this year, we'll start giving Traders and Drag Race a run for its money in the next little while. Let's move over to the comedy categories. In the same way that I knew Severance would do well, I just didn't know it would do that well, the studio did really, really, really well.
20:33It got 23 nominations, pretty much blowing all the other comedies out of the water, including The Bear and Hacks, which are the previous two winners. Let me just read you the nominees in Outstanding Guest Actor in a Comedy Series for reference on how these voters felt about the studio. John Bernthal for the bear, and then Brian Cranston for the studio, Dave Franco for the studio, Ron Howard for the studio, Anthony Mackie for the studio, and Martin Scorsese for the studio, four of whom are just playing themselves. That's a lot. That is a lot. I mean, it's just very, very funny to be, half Ron Howard and Martin Scorsese nominated for acting Emmys in the year 2025.
21:19But also between this and guest actress, no SNL hosts for the first time in a long time as far as I can remember. That's a good point. Yeah, I think it's like we got an email that noted it's Ron Howard's first acting nomination, which is pretty wild to hear. But it's just like they had to find themselves in order to get the nominations. It took them decades, but they got there. Congratulations. Am I allowed to shake my fist in fury that Sarah Pauly, who by far gave the best performance of any director who played themselves on that show, was not nominated while, much as I love Martin Scorsese and Ron Howard were, it just feels a little unfair to me.
22:02I know. At least Zoe Kravitz had to do multiple episodes, so she earned it. But yeah, the Scorsese thing is so short. It's like, he got it. He got it. Congratulations. And you guys, I've always said that someday Dave Franco and Martin Scorsese will be nominated in the same acting category. And I'm glad that that finally bore out. The question is, how close were we to Matt Bellany getting nominated? Because he was on the ballot. And he campaigned a little bit. I know. He sure did. They could have owned that whole category. Just one more slot. Yeah, John Bernthal looking at that and being like, huh, okay.
22:39but maybe they all cancel each other out and John Bernthal wins I kind of feel like that is going to happen I mean he is nominated for I think his best performance on the show to date which is the episode that Liza Colonsai kind of won her Emmy for a year early which is her spotlight episode but he has this beautiful two-hander with her in the back half of that episode and feels as worthy to me as anybody else in that category and he does have a lane to himself Mm-hmm. I was surprised that Hacks seemed to lose momentum. It had won in this thrilling upset last year. It seemed like it was primed to just dominate again.
23:19But Paul W. Downs actually fell out of Best Supporting Actor. Megan Stalter did not get nominated for Supporting Actress, as some read me did think she would this year. And the guest actresses, like some of them got in. I was, again, thrilled to see Julian Nicholson in there. I was thrilled to see Robbie Hoffman get in there. But it did feel like maybe this was not as well-received a season as the one prior, at least among these voters. Yeah, that sort of bore out, I think, from general audience reaction too, right? Yeah, I think it ended on a bit of a whimper. And I think that was maybe the taste that was left in too many people's mouths, even as it had a broadly well-received season.
23:59Yeah, because the end of the previous season was so good. Yeah, and it does feel like, I don't know, a lot of it might just be that the competition is so stiff and you do have something like the studio in comedy that is giving audiences a lot of that sort of insider industry stuff that they were getting from Hacks. And it just feels a little more crowded, I think, in general in those races. The thing that made me the happiest in all of these nominations was that Somebody Somewhere got two Emmy nominations. I did not expect them to not be for Bridget Everett in Best Actress but Jeff Hiller who is so so wonderful on that show somehow got into Best Supporting Actor I don't know how that happened and Bridget Everett did get a nomination for the show as a co-writer on the series finale which was nominated I honestly am not fully it doesn't quite make sense to me how this came together but I'm just so glad that it did nonetheless.
24:59I know. How could that have worked? Like, was there, and the show is so incredible, but, you know, they don't, that I've seen do, it's not like they did a ton of campaigning all of a sudden or something. It just feels like it must have just been love from people who love that show. I don't know. It's like, what a pleasant surprise. I sort of feel like, I think I talked about this a little bit in our predictions episode. something about these HBO small gems really resonates with a certain corner of the Academy and it tends to happen very gradually and over time. Nominations for shows like Enlightened and Getting On didn't come until later in their run and this I guess fits squarely into that.
25:44In those shows cases it was for the lead actresses I think it was probably just too competitive for her to get in in addition to Bridget Everett missing out Best Actress, both Natasha Leone and Selena Gomez missed out. They were nominated for their shows most recent seasons. But it just made me so happy to see one of the absolute best shows on TV that had been so unsung throughout its run get a nice send-off. And, you know, it joins its HBO brethren. It now has the exact same number of Emmy nominations as The Wire. Jesus. There is a long tradition of great HBO shows not getting Emmy nominations.
26:22as many as great HBO shows do get Emmy nominations. Maybe the upcoming third season of The Comeback will, you know, they'll get some love too. I'm expecting 15 minimum for that show, but that's a conversation for maybe a year from now. David, you mentioned Selena Gomez, but I think, which I am sure her fans are very upset because I remember the year she was nominated, it was like such a huge deal. But also, you know, Steve Martin didn't get in. I didn't predict him to get in and I felt like a jerk for doing that and was really worried I would be wrong. But that ended up being what happened. But Only Murders in the Building overall just really shrunk in its number of nominations, which I think is notable.
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27:04And again, like I've said, sort of speaks to how competitive comedy is this year. But they got 21 nominations for their previous season. So they were down to eight this time. So it's a big shrink. And I think if you see that shrinking with Only Murders and Hacks to some extent, you kind of wonder like, okay, what are the newer comedies that could be coming up? I don't really know the answer to that. Yeah, I don't know. Do we just explain this by the studio's sort of big domination here? Yeah, I guess so. The studios came in and took everything, but it's interesting to see once sturdy empires kind of slightly begin to crumble.
27:44At least it's a comedy. At least the studio is actually a comedy. Yeah. Well, until season two. A wider view. I mean, this was a year where clearly voters felt ready to move on from some shows that they'd been high on in the past, whether that was in a smaller way, as we've been talking about, like with Hacks or The Last of Us. Abbott Elementary was down to six nominations. and it does stand out when you see a show like The Studio just completely explode in the way that it did. Netflix also got Nobody Wants This in the comedy category and both of its lead actors were nominated, Adam Brody and Kristen Bell.
28:21Didn't get any other nominations but I think that's pretty much all we were expecting. Yeah, I think, I don't know, I was listening to some other podcasts who were really underestimating Nobody Wants This which was a mistake because that show was so, Oh really? Yeah, that show was so popular that I thought there was no way it wouldn't perform here. But I think, yeah, it did exactly what we sort of expected it would do and Shrinking did what it needed to do. So, and, you know, what we do in the shadows, I felt like also people are like, I don't know. Every year that show, people are like, I don't know.
28:51And then it almost does. It happens every year. It's so silly. It's such an underdog, even though it continues to get nominated. So I think all those shows did sort of what we at Vanity Fair had expected them to do. Yeah, the one show that I'd heard getting brought up a lot as a potential spoiler, because again, this was basically the comedy series lineup we were expecting, was The Four Seasons on Netflix. Again, big commercial hit. It did, I think, probably better than they were expecting. Tina Fey talked about how it's the most popular thing she's ever done. But it wasn't very well received, ultimately.
29:25And I think for a show like that, which was a little bit milder in its humor, it wasn't cutting, it doesn't have industry satire, which obviously is something that elevates the studio in Hacks. It never made much sense to me as a comedy series contender in the big race. Although it was nice to see Coleman Domingo get a lone acting nomination for that show. I know, I'd forgotten he won for guests for Euphoria. Voters love Coleman. Oscar, Emmy. Suddenly. It doesn't matter. After being ignored for 20 plus years, suddenly he gets nominated for everything. It's raining awards for him all of a sudden, which is great for him.
30:03But yeah, I mean, I am one of the people who liked Four Seasons. I thought maybe it would show up somewhere like writing. You know, it is Tina Fey, but on paper, you know, in the end, it's not a surprise that it didn't perform. And I just want to put it out there. As always, Sad Running Point was not a contender at all and didn't get any nominations. Because again, I think there should have been space for it in comedy, but there was not. Yeah, proper comedy again. I was very proud of predicting Nathan Fielder getting a directing nomination for the rehearsal. I didn't think he would also get a writing nomination for that show.
30:37The Emmys have kind of notoriously hated Nathan Fielder. The Curse got zero nominations. The first scene of the rehearsal, he didn't get any recognition. I don't know what changed. I don't know why I saw that changing, but I guess because he was on CNN and making news in a different kind of way, maybe that turned the tide. Yeah. Yeah, I mean, I mean, although, and also the second season of the rehearsal is way different, right? Like, it's a little more personal. I don't know. I cannot bring myself to watch that show. So what I've dimly read about it, I'm like, okay, maybe there was just something to lock into, whereas the first season seemed a bit too aloof or arch or something.
31:17Yeah, I did not like the first season, but I liked the second because I think it had more of a point, I guess. in a real world sort of application that I thought. Yeah, and you just heard more people talking about that second season. So I agree that wasn't too surprising it showed up. There was less question as to whether there was an unethical treatment of children in the second season of rehearsal. So that helped. That does help, yeah. One thing that I was really surprised by on this whole list of nominations because it was just another example of like how I see the world is not how the Television Academy does.
31:52I, for one, am very sick of not only ripoffs of Black Mirror, but Black Mirror itself, because I just feel like everything now is just like a kind of sci-fi, creepy, techie, what if kind of thing. But Black Mirror did so well this year. You know, you could argue that Rashida Jones was one of the two people who bumped, you know, someone else out of lead actress in a limited series. It is the most nominations ever for a season of Black Mirror, which is pretty crazy when you think about how popular the show has been, how acclaimed the show has been, like the actors and performances that have been talked about in the past.
32:31I thought this was a perfectly fine season of Black Mirror. It certainly wasn't the best. But I just think it speaks to maybe a rare case in this year's case for the Emmys of familiarity really helping it, of a show that they knew, that they watch even passively, that they could just vote for, because that is obviously harder to do in limited or anthology series, because by definition, it's constantly changing. I was very surprised by that. And I don't quite know how that Rashida Jones Best Actress nomination happened at the expense, among others, of Renee Zellweger and Richard Jones' Mad About the Boy.
33:11I mean, I do think that Rashida Jones episode, you know, usually Black Mirror has at least one per season that's like the emotional episode, San Junipero, things like that. And Rashida Jones is the co-lead of that episode this season. And I don't want to spoil anything about what it's about, but it's not exactly about AI. It's sort of something else, but it is very much about how seemingly innocuous tech that's meant to better our lives can actually really warp our lives. And that's been, you know, Black Bear is one of their arguments, you know, since the beginning. but I just think I wonder now especially with older voters if they're just ready to sort of think about that finally and sort of live in it because it's become more and more of a pertinent issue outside of the realm of science fiction it's become a big topic in real life in Hollywood so I don't know maybe it was just kind of the moment finally met that show that's a really interesting point I mean it's not good that real life is starting to seem actually like Black Mirror that's very bad in fact but at least the show got to benefit from it.
34:15Indeed. Well, you mentioned Rashida Jones's surprising nomination. The other surprising Best Actress nomination was Megan Fahey for Sirens. So when we come back, we will talk a little bit more about that and the limited categories overall. Stay with us.
34:41Welcome back to Little Gold Men from Vanity Fair. So, Rebecca, I am now going to ask you about the Sirens Emmy nominations. It was nominated for Best Actress for Megan Fahey, Best Director, Nicole Castle, a couple other tech nominations. The show was, you know, did fine on Netflix. It was not a critical hit. I will say that not everyone on this podcast is a fan of the show necessarily or thinks it was particularly worthy. I did think Megan Fahey was very good on the show. But how did this happen? Well, it's confusing. I think, you know, I got to see the show early and I thought it was a fine watch, but I was basically like, I don't think this is an Emmy contender.
35:25and I do think a lot of it might be because Megan Fahey is like the it girl. Like she, you know, broke out on White Lotus and I feel like anything she does, people are paying attention. She's a very good actor. She was, I think, the best performance on the show. So it's an interesting role for her and I think people enjoyed watching it. I don't know if they were just like were confused and thought it was the other season of White Lotus when they were voting, But it is definitely the biggest surprise of, I felt like, that list. And for her to take a spot from someone else is a little surprising.
36:00But I feel like we were maybe close to seeing Julianne Moore also get a nomination for that show if it did as well as it did. So, yeah, one of the weirder mysteries of the nominations, I'd say. To take nothing away from Fahey's acting, she's a wonderful actor. Maybe for some Emmy voters, they were like, if Megan gets nominated, she'll bring Leo Woodall to the ceremony and then they get to spend the night with Leo Woodall. So, you know, somebody be set for that, right? Well, it's their fault for not nominating him for The White Lotus. Or for One Day. That's right. Which she was marvelous. Really good, yeah.
36:36Really good. Nicole Castle was nominated, as I mentioned, for directing Sirens. And she is, in my opinion, one of the great, like, regular working TV directors. She's worked on Watchmen, The Leftovers, Better Call Saul, The Americans, you name it. That said, it is to me a little objectively insane that she got in here over Alfonso Cuaron, who directed the entirety of Disclaimer and put a whole lot into that show. I was actually not the biggest fan of that show, but the filmmaking on it was pretty undeniable. and it's got a sting that he missed out on really a bunch of episodes of TV. You know, Nicole's not the only one.
37:19It's just a real discrepancy, I think. Yeah, also Zero Day being in that category. Yep. That's not a good show. And I liked The Koran Show a lot more than other people, but yeah, that is a weird omission. The Zero Day nomination is at least partly explained, I think, by the fact that Leslie Linka-Gladder directed that whole show. She is the president of the DGA, one of the most beloved figures in the industry and certainly of that branch. And a very good director. And I think that show's problems do not lie in the direction. No. I still cannot believe we're going to be talking about Zero Day as a primetime Emmy nominee.
38:00So the directing branch made its choices. The pro-Biden show that really just overshot the runway. that we were all clamoring for. Well, the rest of the Emmy nominees for Best Limited or Anthology Series were Adolescents, again, Black Mirror, Dying for Sex, Monsters, the Lyle and Eric Menendez story, and The Penguin. Not a terribly surprising list. I was bummed to see Say Nothing not in here. Its only nomination was for writing, which of course it was because the writing branch has taste. Adolescents got 13 nominations, which while it appears to be dwarfed by the Penguins 24. You know, these are just two different shows with two different, you know, levels of production and areas of recognition.
38:44So I don't think it says anything about adolescence being dethroned or anything like that. Although it's weird because, you know, to play that kid in adolescence, Colin Farrell sat through so much makeup and they had to shrink him down. The technology's come a long way. It's pretty amazing. It's really an achievement. Yeah, I don't think that adolescence being dwarfed by Penguins nominations means at all that Adolescence is not the absolute steamroller frontrunner in that category. It's kind of boring to always have a... I feel like the last few years, there's always been a limited series that's just like running away with everything.
39:18I mean, I do not... I can't remember when we hit the last time we had a year where it felt like a real competition, but I agree, Adolescence is just going to walk away with it. I do wonder, though, if Colin Farrell can still beat out Stephen Graham in Best Actor. Clearly, the Television Academy likes The Penguin. They like the performances in The Penguin. And it's a different kind of performance. Stephen Graham is doing something a lot more internal. He doesn't have makeup on. He is a veteran working actor in his own right, but it kind of feels like that Colin Farrell train is just going to run right through to that stage.
39:58And there's just way less of Stephen Graham on Adolescence. There are fewer episodes. he's you know like that show doesn't really have leads i mean i guess they kind of are but like whereas obviously colin farrell is front and very much center of of the penguin and i think a lot of people in the academy are like he was in that chair for how long every day you know there's an appreciation for that i was happy to see dying for sex do as well as it did it checked off everything it needed to writing directing michelle williams jenny slate i just hope it wins something I don't even care where it is.
40:30I mean, I would love, love, love if Jenny Slade won Best Supporting Actress. Do we think it has a chance anywhere, or is it just going to be Adolescence and The Penguin taking everything away? Well, Aaron Doherty and Christine Tremarco for Adolescence could split the vote. Deirdre O 'Connell's wonderful in The Penguin and in Eddington, the movie that's coming out this week. Obviously, people like Sevin Yee, but I don't know. I think Slade actually does have a path for sure. Going back for a moment to Renee Zellweger's snub in Best Actress, it's been seven years since this category featured a TV movie performance, nominated a TV movie performance, which is kind of crazy since this used to be the home of like Claire Danes and Temple Grandin, Julianne Moore in Game Change, big HBO TV movies with big movie stars in them.
41:19I guess that era is gone, although I would bet that similar to how we were talking about Alice and Janney, voters sniffed out that this isn't really a TV movie and this is probably not the place to honor a great performance and a very good movie because it made over$100 million worldwide. The one I was kind of surprised about was that none of the Mountainhead guys were nominated. You know, I thought maybe Carell, even though I don't think he's that good at the movie, I thought like between that and Four Seasons, like he's been around a lot this year. I thought maybe he would sneak in, but yeah, they're just on a different wavelength when it comes to movies these days.
41:53But it's like they won't nominate her there, but we're still stuck with this insane television movie category that is just streaming movies. at this point, plus Mountainhead, right? I mean, because Bridget Jones did get nominated in TV movie, along with Nona's and Rebel Ridge, these Netflix, they're just Netflix movies. I don't, they gotta fix this. How many years are we gonna go through this? It's just, I mean, at least there's no Dolly Parton something movie there before, but this category is just bonkers. It's a consolation prize. I mean, that's what it is. It's especially in the case of a streamer like Netflix.
42:33and Rebel Ridge was, you know, one of their most successful movies, a very well-received movie, but it is still like, if we're not going to give you an Oscar campaign, well, I guess we will, you know, try to submit you here. It just feels that way inevitably and it's felt that way for a long time. And the voters seem to know that because they don't really ever recognize these movies in any other category. Even when they do have really worthy performances or actors that they love, they always stop at this point and go for the limited series. Well, it's a shame because the TV movie was a long traditional path to getting an EGOT for a movie star.
43:13And I guess maybe now movie stars just do a TV show, but I miss the days of the game change stuff. The performance of Monsters, Lyle and Eric Menendez story, that surprised me. I was not fully aware of how much staying power that show had. I know Dahmer did very well, but the show got a lot of acting nominations. It's in the double digits overall. This is the Ryan Murphy franchise of the moment for the Emmys, it seems. The real question is, will Phoebe Waller-Bridge defeat Barack Obama, Tom Hanks, and Sir David Attenborough in Outstanding Narrator? Sorry, that was a bit of a tangent. That was just a bunch of names you pulled out of a hat and threw into a blender.
44:03Well, what is Phoebe Waller-Ridge narrating? The tour of Amazon Studios to fulfill the contract? Well, you are quite correct that it is an Amazon MGM Studios Prime Video production. It is Octopus! Part 1. Oh. Oh, yeah, sure. I'm waiting for part 2. I just can't really assess it. I didn't mean to erase Idris Elba, who's also nominated in that category. But that category as ever is completely bizarre. So star-studded, though. Are they going to come? Is Brock going to come to the Creative Arts Emmys? He goes every year. I mean, he narrates a surprising amount. I'm pretty sure he's been nominated in this category before.
44:46I wonder how someone who's dedicated to voting the right way in this category gauges who is most worthy. Maybe that's an experiment for us to watch all of these and make our pick. Well, Rebecca, your beloved Pachinko got a nomination in cinematography. I know. I felt like that was a nice result for a show I've been talking about weekly, it feels like, on here, is that it actually appeared somewhere. I think it deserves many more. It also got production design. So it got two more than a lot of shows that I thought were going to get something. So that was nice. Way to go to those voters. Yeah, and in the cinematography, in case you were wondering, if the Academy was aware of the show, Etual, canceled before their awards campaign even started, did get nominated for cinematography.
45:34So good for them. So even if your show's canceled, you can hold out hope that maybe you'll get at least one Emmy nomination. Exactly. That category also had the Day of the Jackals. So I guess the cinematography branch just decided to rescue certain shows from otherwise being completely blanked. Nothing for Black Doves, though. our beloved Keira Knightley I know that's a real shutout and you know last fall we spent a lot of time talking about Will Will and Harper get an Oscar nomination it did not but it got a cinematography nomination for a non-fiction program so again those weird blurred lines it actually has five nominations what cinematography directing picture editing can you tell I'm going down the list original music and lyrics yes Kristen Wiig has been nominated for the original song that was not shortlisted.
46:30Thank God. And also, Outstanding Documentary. So, yet again, we have an example of a bunch of documentaries that submitted for Oscar consideration, were not nominated, and then are deemed eligible for the Emmys. This is a real rule where you can only be nominated for an Emmy for Best Documentary if you are not nominated for the Oscar, if you so choose. Right. because it's also there with Martha, the Martha Stewart documentary by R.J. Cutler. It's just another example of, the Emmys don't need to be this terrible to themselves. And I'm really happy that Will and Harper has got a bunch of Emmy nominations, but it's undeniably weird that after a failed Oscar campaign, the Emmys are just like, sure, we like this movie, so we'll nominate it instead.
47:16Yeah. Also in that cinematography for nonfiction is a show that is, I think, also nominated in a new category this year, Outstanding. My partner comes home, sees me watching it, and says, I thought they canceled this. And I say, well, no, it's a new show, but it's now on Disney+. Tucci in Italy. Because he had the show on CNN where he'd gone to Italy, and now they canceled that, and now he's on Nat Geo slash Disney +, doing it. And the Tuscany episode has been nominated for cinematography, and it does indeed look very good. He may have missed out on a Conclave Oscar nomination because he spent many months filming that show.
47:51So at least there's some justice there. In the Rome episode, or the Lazio episode, the region where Rome is, he says in the opening, he's like, I was recently here spending some time filming a major motion picture. He does not say the name conclave, but that's what it was. Well, thanks as always for tuning in to Little Gold Men. We will be back next week on Thursday to discuss the Venice Film Festival lineup as well as some new releases. Our next Little Gold Men book club episode is less than a month away, so join us on August 14th for an episode on Maggie O 'Farrell's Hamnet and the upcoming film adaptation directed by Chloe Zhao.
48:27You can send your questions about that or anything else to littlegoldmen at vf.com. Little Gold Men is produced by Hiba El-Urbani with mixing by Bumi Hidaka. Kandai Nast's head of Global Audio is Chris Bannon. And this week's award for the number one reason we're glad Rebecca is back from vacation goes to Rebecca Ford. Anything she does, people are paying attention.
From the publisher
David, Richard, and Rebecca discuss the biggest surprises and snubs of the Emmy nominations, from Squid Games' complete shut out to big wins for The Rehearsal and Sirens. They also chat about why Black Mirror did so well and which White Lotus star sadly didn't make the cut.
Our next Little Gold Men book club read is Hamnet by Maggie O'Farrell. We'll be discussing the novel and its upcoming film adaptation on our August 14 episode. Read along with us and send your questions to littlegoldmen@vf.com.
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