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Little Gold Men Podcast Episode Notes
Podcast Overview Title: Little Gold Men Description: Vanity Fair’s Little Gold Men delves into the world of film and television, featuring highlights from Sundance to the Oscars. The podcast hosts discuss both the glamour and power of Hollywood, often with special guests from the industry. Link: [Little Gold Men Podcast](https://www.vanityfair.com/podcast/little-gold-men)
Episode Details Episode Title: Oscars Highlights and Surprises, Plus a Peek Inside the Vanity Fair Party Episode Description: After an extensive awards season, this year's Oscars brought about surprising winners from various deserving films. The hosts recap the ceremony, sharing highs and lows, and provide insights from Vanity Fair's Oscar party.
Hosts
- Rebecca Ford
- John Ross
- Chris Murphy
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Key Highlights
- Oscars Overview
- General Sentiments: This year's Oscars felt fair, with diverse winners across categories.
- Key Winners:
- *One Battle* took home six Oscars, including Best Picture.
- *Sinners* won four Oscars.
- Memorable Ceremony Moments
- Michael B. Jordan's Win:
- Significant applause and emotional reaction from attendees.
- His speech acknowledged past African American actors.
- Autumn Duralt-Archipal's Historic Win:
- First woman to win Best Cinematography, celebrated by peers.
- Emphasized support from fellow women in the industry.
- Kugler’s & PTA’s Speeches:
- Both highlighted personal connections, family, and gratitude.
- Spoke candidly about their experiences and the industry's challenges.
- Major Surprises
- Casting Category Win: Cassandra Kulakunas winning was unexpected and indicated the trajectory of the night towards *One Battle*’s dominance.
- Best Live Action Short Tie:
- Only the sixth occurrence in Oscar history, which energized the audience.
- Host Evaluation
- Conan O'Brien's Performance:
- Praised for his humor and ability to engage without being offensive.
- Maintained a balance between humor and respect for the films.
- Fashion Highlights
- Standout Looks:
- Tiana Taylor's unique gown with feathers.
- Wunmi Masaku's stunning teal gown.
- Rose Byrne’s elegant black dress.
- The Vanity Fair Party
- Atmosphere:
- Described as warm and intimate, allowing attendees to relax post-award show.
- Notable attendees included Jane Fonda and Shonda Rhimes, who watched the Oscars closely.
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Key Takeaways
- Diversity in Winners: Many felt satisfied with the spread of awards across various films, indicating a healthier Oscars.
- Historical Wins: Acknowledgment of firsts, like Duralt-Archipal's win, emphasized progress in the industry.
- Party Dynamics: The VF party provided a unique setting for stars to unwind, showcasing a more casual side of Hollywood.
- Engagement with Politics: The ceremony included poignant political moments, particularly regarding Palestine and government complicity.
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Conclusion The episode encapsulated a vibrant recap of the Oscars, blending expert analysis with personal anecdotes from the Vanity Fair party. The hosts reflected on both the ceremony's highlights and the broader implications of this year's awards season, setting the stage for future discussions as they transition into Emmy season.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOPost-Oscars Reflections
0:45 to 2:00
Hosts share their experiences from the Oscars and the Vanity Fair party.
“I was at the Dolby Theater and then I went to the Governor's Ball.”
Recapping the Oscars
2:00 to 3:00
Discussion about the main winners and notable moments from the Oscars.
“You know, one battle, of course, won Best Picture, Director, Screenplay.”
Best Picture and Surprises
3:00 to 5:00
Analysis of the Best Picture winner and the reaction to the awards.
“Yeah, it felt like everything was deserving.”
Michael B. Jordan's Emotional Win
5:00 to 7:00
Highlights from Michael B. Jordan's award speech and audience reaction.
“I felt like it was so beautiful what he said about the people who'd come before him.”
Key Speeches of the Night
7:00 to 9:30
Review of memorable speeches from various winners at the Oscars.
“How often do you actually get to see history be made?”
Unexpected Tie Moment
9:30 to 11:30
Discussion on the rare tie for Best Live Action Short at the Oscars.
“And obviously it was a very high profile award being the first time it was given out.”
Kumail Nanjiani's Presentation
11:40 to 13:30
Analysis of how Kumail managed the tie announcement and its impact.
“Like every year she has cast some incredible movie.”
Oscars Presentation Decisions
14:00 to 15:16
Discussion on the unique approach to announcing Oscar winners.
“bring up one group and then announce the second winner and bring up that group.”
Conan O'Brien's Hosting Performance
17:16 to 19:48
Analysis of Conan O'Brien's performance and humor as the Oscar host.
“That's MUBI.com slash LittleGoldMen for a whole month of great cinema for free.”
Mixed Reactions to Award Presentations
19:48 to 21:39
Hosts debate the pacing and effectiveness of presenter segments during the Oscars.
“I could have watched them for longer than they even were up there.”
Show all 17 chapters
Discussing Sean Penn's Absence
21:39 to 23:29
Conversation about Sean Penn not attending the Oscars and implications.
“Like, why go to the Globes and not the Oscars?”
Oscar Performances and Their Impact
23:29 to 25:51
Analysis of musical performances from the awards and their reception.
“But now I realize that was a rare thing.”
Emotional In Memoriam Segment
25:51 to 28:02
Reflection on the emotional impact of the In Memoriam section at the Oscars.
“But it was a nice way to break up the night.”
Political Moments at the Oscars
28:02 to 30:20
Explore how political statements were present at the Oscars.
“If it had just been the traditional video montage, it wouldn't have been enough to say goodbye to these, especially this trio we're talking about.”
Fashion Highlights from the Oscars
31:28 to 34:40
Discuss the standout fashion moments and looks from the Oscars.
“A couple of weeks ago on the show, we had Jose Crealison Zueta join us to break down award show fashion.”
Insights from the Vanity Fair Party
34:40 to 37:31
Get a glimpse of the atmosphere and notable guests at the Vanity Fair party.
“You know, it is always the best way to end the night.”
Rewatchable Films and Memorable Performances
37:31 to 42:04
Engage in a discussion about films with high rewatch potential and standout performances.
“And I will say the new space at LACMA was gorgeous.”
Transcript
Automatic transcript. May contain errors.0:05Hello and welcome to Little Gold Men, Vanity Fair's podcast for film, TV and awards lovers. I'm Rebecca Ford. And I'm John Ross. And joining us this extremely early post-Oscars morning is our, well, everything correspondent at this point, Chris Murphy. Hi, Chris. Hello. Wow. It is early. Early, early, early is all I can say right now. So it's early and we were up so late because of the fabulous party, which we will get to. What a night. I had so much fun and we've got a lot to get into. So today we're going to be recapping Hollywood's biggest night, the highs, the lows, the historic, the unprecedented.
0:45Let's get into it. We were in different places last night. I was at the Dolby Theater and then I went to the Governor's Ball. Can you guys tell us a little bit about where you each were? I was at Vanity Fair's cocktail hour and dinner, an Oscar watch party, which was also at LACMA with a bunch of celebs and, you know, stars and also tech people and media people who all convened to watch the Oscars before our party. So there's a party before our party. So it ends up being like a 13 hour day, which was really fun. It was really great, though. I, too, was at the dinner and then the party. The viewing dinner was really, really special.
1:29There's a heat wave starting today in Los Angeles, but yesterday was the most glorious weather. It really was. Yeah, everyone was outside. It was like under the new buildings at LACMA. It was really beautiful. It was like such a beautiful night. Like everyone was so happy to be outside. We're going to get into all of it. We've got so much to talk about. Yeah, let's dive into the actual Oscars and what happened. You know, we talked about how this was a one battle versus sinners sort of battle right up to the end there. And I think it worked out pretty well. You know, one battle, of course, won Best Picture, Director, Screenplay.
2:13In the end, it ended up winning six Oscars. Sinners won four. Or, of course, Michael B. Jordan. I think that was one of the big moments of the night. But to me, that felt right. Like, I feel like they both were winners in their own way, you know, even if Best Picture could only go to one of them. Yeah, I mean, it's surprising and kind of lovely that, like, it felt, even though there were no big surprises, Michael B. Jordan, I guess, being maybe the exception, even though he was trending up, it did feel like, oh, every winner was really great. Like there's no winner this year that I was like, ah, what happened?
2:48So even though one battle after another won six, the wealth was spread a fair amount to Sinners specifically. I think it was a good Oscars because people genuinely liked the winners, it felt. Yeah, it felt like everything was deserving. I mean, I know that there's been some conversation around Frankenstein winning three Oscars. You know, they're all below the line. But I feel like it's what, yeah, it's what you were saying. I think, you know, at the parties, a lot of people are like, well, there weren't enough surprises. And I'm like, well, there couldn't be because there were so many races that we didn't have a front runner.
3:21Like, arguably supporting actress, none of those are surprised because none of them were, like, any of them could have won. So, you know, so I'm like, technically, it was just so open that it's almost like any winner is a surprise. Well, the problem was that the acting races mirrored the actors awards. So if you're following it at all loosely, it was the exact same. So I think that's where the feeling of lack of surprise came from. The night of it mirrored an awards show that had aired only two weeks prior. That's not exactly true. Sinners won at the Actor Awards for Best Ensemble, but one battle after another took the top price for casting last night.
4:08So it wasn't exactly the same. Yes, of course. Sorry. Yes. Yeah. Yeah. But I do think it's like, we cover this so much and this season was two weeks longer than normal. So everybody got a little crazy at the end. And you really want, you want something exciting to happen because it's hard to talk about the same thing over and over and over and over again. But I mean, that being said, Michael B. Jordan winning was genuinely, I will say in the room at the Oscar viewing party and dinner party. It was a completely electric, insane moment. Everyone screamed, people jumped to their feet. standing ovation, Jane Fonda is standing cheering for, you know, Michael B.
4:45Jordan. It was amazing. And it was a little bit, if not unexpected, it was like, ooh, some people hoped, like, is this going to happen? And for it to happen, it was really, it was really cool. It was so, in the theater, it was like, incredible. I feel like I've only felt that kind of energy a couple times, having been to the show a few times. And his speech lived up to it. Like he got emotional. I felt like it was so beautiful what he said about the people who'd come before him. Who came before me? Sidney Poitier, Denzel Washington, Halle Berry, Jamie Foxx, Forrest Whitaker, Will Smith. And to be amongst those giants, amongst those greats, amongst my ancestors, amongst my guys.
5:24Thank you, everybody in this room and everybody at home for supporting me over my career. I feel it. I know you guys want me to do well. That's the kind of Oscar moment you want to see happen. And I thought it was, yeah, really, really special and beautiful. And what a great win, I think, in the end. What were some of your favorite speeches? I gotta say, Autumn Duralt-Archipal, when we're talking about Sinners, that's really, I mean, the first woman to ever win Best Simitography at the Oscars, an insane statistic. But, like, the fact that she won was so fantastic. That was another really sort of huge moment in the room.
6:02And I really want all the women in the room to stand up, because I feel like I don't get here without you guys. Sarah Paulson was like banging on the silverware, starting a chant for her at the dinner, which was really exciting. And I thought the speech was great. And the moment, again, it's like when you see someone meet the moment and real history being made, it's kind of, that's what the Oscars are about. That was the best speech of the night for me. It was like, she's captivating this room. And it was so beautiful. And Ryan Coogler like ran her son up so he could be closer. I saw her on the carpet and she introduced me to her husband and her son who were both there.
6:42And like, he had the cutest little tux on with like penguin buttons. And it was just like so sweet. And I don't, she's, she's been so like graceful in, in such a high pressure situation for her this whole time that I thought it was just like incredible to see it happen for her. I agree. I think that was my favorite moment of the night. And I yelped when she won. How often do you actually get to see history be made? It's pretty special. To me, it was the highlight of the night, actually followed by Kugler's speech for best screenplay. His speech was so good. The way he talks about his wife is so beautiful.
7:22Everyone in the room was like, oh. Zinzi Kugler, you guys are the best producers in the world. Zinzi, you're the best wife and mom in the world. Every day I get to spend with you is better than the one that came before it. And to my babies that are at home watching, I apologize for all the time away. Dad loves you. Memories are all we have. I hope I've given you some great ones. So we're saying Sinner's good at speeches. Yeah, really. Everyone nailed their Sinner's speeches. And PTA did his best at a different type of speech. It was more personal than any of his previous speeches before. I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world we're handing off to them, but also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.
8:14My Pearl, Lucy, Jack, and Ida. I love you. Thank you very much. Thank you very much. So linking the movie to something more personal, I thought was nice. And I will say he's got sort of the toughest job in that he's been giving speeches this whole time. He's been winning and winning and winning. Well, so is Jesse Buckley. Yeah. Notice we haven't really mentioned her. She gave a nice speech, but it wasn't necessarily a stand-up for me. But I will say with Paul Thomas Anderson, it was so lovely. You could tell how much this genuinely means to him. And he even references, like, you know, like, I've made a lot of movies.
8:48And I've, like, worked really hard to get here. and to see someone who is so deserving and thinking about, you know, I know we talk about, like, legacy awards sometimes and people getting them because it's their time or whatnot, but it is really lovely to see someone who has, you know, worked tirelessly in their industry and done really great work get their moment in the sun. So I was happy to see PTA's speeches and thought it was lovely. So real quick, I wanted to talk about the moment we realized that One Battle was going to win Picture, which was really early in the night. At least John and I were texting about it.
9:29It was like when the casting category came up, because I do think that was one of the surprises of the night. And obviously it was a very high profile award being the first time it was given out. But everyone sort of thought Francine Meisler was going to win for Sinners. So when it went to Cassandra Kulakunas for One Battle, John, I think you texted me immediately like, okay, it's done. It's done. And then when One Battle, One Editing, which as we know often ties with Best Picture, that was like, all right, this is done. And you know what? I was like, yeah, that feels right. That feels like what is supposed to happen.
10:09It feels like in any other year, we'd be like, yes, One Battle. I felt like that's amazing. It's a great movie that's timely. Great film, yeah. It's a great film that speaks to right now with an incredible cast, huge movie star that made a lot of money. I think Sinners is just such a phenomenon and people love Ryan Coogler and Michael B. Jordan and the whole cast and whatnot that... I don't want to say it was disappointing that one battle after another won because that is the wrong word. There should be a German word for like when you know something is going to happen and you're ultimately okay with it, but there could be something else that's slightly more exciting that could happen, but it didn't happen.
10:44I think that's... It probably is. There's gotta be a German word for that. And it's probably very long. Yeah, when Cassandra won, I thought it was, like, shored up. But actually, I thought that presentation was really well done. And having Chase do the segment on Cassandra, it did sort of make you feel like, okay, well, I mean, she really did find, like, a star. and also actually Tiana too, who had been in films prior, but they were much smaller. She had that Sundance film that was very good, 1001, but this was her breakout role. So I guess getting two breakouts in one film, I can see how you give it to that casting director.
11:36I think what I reminded myself is like, Fancy Mazur's gonna win this award. Like every year she has cast some incredible movie. Like if you look at her history, it's just like incredible ensemble after incredible ensemble. So I think it will go to her now that, you know, this is going to be an award that exists forever. So I'm happy about that. Let's talk about the other shock of the night. I think I love this so much that there was a tie for Best Live Action Short, which has only happened six other times in history. and I remember the last time it happened because I was working in the press room at the Oscars at the time and people were just like going nuts because it is so rare.
12:18And so when Kumail Nanjiani went up there to present, he had to literally say, it's a tie, I'm not kidding because people thought he was just doing a bit. And the Oscar goes to, it's a tie. I'm not joking. It's actually a tie. So everyone calm down. We're going to get through this. Let's focus up. Calm down. Remain calm. I'm going to name one winner. They'll come up, accept their award, and then I'll come back and name another winner. What did you guys think about that? Was it exciting, too, from where you guys were? Not since the days of Barbra Streisand and Katherine Hepburn. It's really, I mean, it's happened since then, but it just, it was really wild.
12:55It really caught the attention of the room that I was in, just because, you know, you're mixing, you're mingling, you're chatting amongst yourselves, but then the tie everyone sort of locked in was like, whoa, we've not really seen this happen. And it's like, again, it sort of shows why spreading the wealth is great because both groups were so genuinely excited. And it was such an unexpected moment that added a big burst of energy to a part of the show that like, I don't, you know, a lot of people I don't think have watched all the documentary shorts or the live action shorts, if you will. So it like added bonus to a part of the show that can sometimes be a little bit like, all right, like, when are we ready to wrap this up?
13:35So I was totally here for it. But also Kumiel handled it so well. Yeah, he did. And you spoke to him, Rebecca, about what happened. Yeah. So what was on that card, and how did he know how to organize it so perfectly? Because he did a really good job of making it seamless on the stage. Yeah, because I thought the card must have said, bring up one group and then announce the second winner and bring up that group. because he was immediately like, this is how we're going to do it, you know? Yeah. But I asked him later in the night, and he said it just said the names of the winners, and he made that game time decision to announce one, bring them up, announce the other, bring it up.
14:19And, like, they're so lucky he was the presenter because I don't think someone who, you know, he's very agile, I think, in his comedy and the way he presents, and I think that allowed him to do it. And he was so funny because he asked the Academy if he could keep the card because he realized it's such a historic moment. And the Academy said no. No, that's so sad. And so he didn't get to keep it. That sounds like the Academy. Apparently they had two cards with the names made up for the winners to keep. But they kept the one that had both names on them or whatever. And he was like so excited. He took photo booth pictures with the winners.
14:56It was, like, really cool to see he also was, like, so excited that he got to do this. But I think there were a few people that probably could have done that as well as he did. Because I don't think they prepare you as a presenter to be like, maybe there'll be a tie. It's only happened six times in 98 years. But it could happen.
15:16More of our reactions to Oscar Knight after a quick break.
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17:27Welcome back to Little Gold Men. Let's talk about the ceremony itself. What did you guys think about Conan? He's great at the gig. I will say, you know, I missed in the moment some of the bits and whatnot, but everything that I saw him do was really, he's really funny. He's a pro. There's a reason that he's Conan O 'Brien. Like, he knows what he's doing. And I think we're in a kind of a good place with some of these award shows with Nikki Glazer hosting the Golden Globes and Conan now two years in a row. He's funny without feeling like he's punching down, but he does take actual, you know, shots and he's not afraid to like target a celebrity, get a Leo joke in there and whatnot.
18:04He is like quirky and kind of weird, but like ultimately like he seems like a good person and he actually cares about movies unlike other hosts in the past. And that I think matters most of all. Yeah. So I'm a big Conan fan. Yeah, I think he does a great job. I felt like everyone I talked to agreed that Conan's opener was great. Like he really, exactly what you're saying, people love watching him. I think some of the other stuff maybe went on a little long. I mean, we can get into specifics, but I think overall, Conan really works as a host, and I thought it was just as strong as last year. And he did a lot of hosting.
18:41He was always on there. Yeah, like sometimes hosts disappear for like an entire hour, but he always seemed to pop in and out, so that's true. I thought actually all of Conan's stuff worked. The stuff I didn't think that worked and where we got into some trouble with the length of the show was the presenters and the presenter bits. I thought those were too long. I'm sorry, guys. I thought the bridesmaid thing was way too long. Disagree. Yeah, I enjoyed it. I found it to be delightful. But I also wasn't watching the show like super closely, start to finish. So I wasn't like at a point where I felt that we needed to move on to the next thing.
19:25And all those women are really funny. I ran into Rose Byrne on the way into our party. It's such a weird night when I have to say things like that. But she, you know, Kristen Wiig wrote their bit for them. And I think she's just like so perfect at writing language for the person who's presenting. Like, I just thought the writing was so strong in that bit that I really loved it. I could have watched them for longer than they even were up there. So I think this may be the one thing we disagree on, John. Sorry. It's not that I didn't think that the idea of it worked, but I think it was like a five-minute intro.
20:04I think especially with adding new categories and the stunts category being added in two years for the 100th Oscars, I mean, we always say the show is too long. And then at the same time, we want to have all the special moments. And I didn't like that they cut off the K-pop demon hunters, songwriters, because if you're going to have song be at the very, very end, then you want it to be a special moment. So what did you think was going to happen? But the way to just save that time is to figure out some of the other categories in the show. And I guess part of back to the bridesmaids thing, it was just a very long intro for an award that I was like, oh, like, like, let's keep it.
20:47Two awards. We'll say that. Oh, that's true. Yeah. Yeah. It's, you know, I feel like in other years they've done re or maybe that's just what the Emmys do where they do reunions and then they're not even presenting anything. They're just like a reunion. So I liked that it was like functional and a reunion at the same time. You know, same with the Moulin Rouge thing at the end, which I thought was sweet because I love that movie. But yeah, I mean, I know what you mean. And I think, I don't know what it was like watching from home, but they were cutting off speeches like from the get-go. Like the first couple people got sort of played off and then people were booing in the audience and then they didn't get played off.
21:26So I agree. Like everyone says, you know, even producers of the show say people are tuning in to hear the speeches. Well, I'm like, well, then you can't cut the speeches. So what is the solution here? Exactly. it's like the one thing that doesn't work is cutting off the speeches unless things go really off the rails but nobody was going off the rails and actually they had saved a whole speech by Sean Penn not being there yeah they did it they really did they really yeah so they actually added time which I mean should we talk about Sean Penn not being there yeah yeah that was What a bummer, dude.
22:05Where is he? Where is he? What humanitarian crisis is he solving? He won't even tell us. It is weird. Like, why go to the Globes and not the Oscars? And that's the one he lost, too. It's like he didn't even win that one. So we never saw him accept an award this entire season, right? Right. But we haven't seen him at all. I mean, is this going to be like a Dateline episode? Does anyone know? Finding Sean Kent. It seemed like everyone, it didn't feel a little like in the audience that like even people close to him were like, you know, I just don't know where he is. I mean, yeah. Who else does it like that other than Daniel Day-Lewis?
22:43And Frances McDormand did more than this. Like there's very. But Daniel Day-Lewis showed up. Two awards. You're right. You're right. There's no one that does this little. He's pushing the boundaries of, like, Francis and McDormand and Daniel are the no campaigners, but he's now taken it to another level in which he's simply not there. I will say we got one of, I think, only two interviews he did for release for the movie. And so I did get to sit down with him, like very old Hollywood style on a patio, you know, at a Hollywood hotel. And like he was smoking cigarettes the whole time. And I was like, this is great.
23:25And I thought maybe he was going to do a lot more after that. But now I realize that was a rare thing. So if you are craving a Sean Penn interview, we do have one. We got it. Thank you, Rebecca. Thanks, Rebecca. Now I know how special that was. So what did you guys think of the performances? In the room, they played really well. I thought they had a crazy good energy to them. The Golden performance, they gave us a little light-up glowing wristbands to wave around. And it felt big in the room, but I was curious how it played on TV. I mean, I think Golden, it's like everybody knows that. Some people were mouthing along to it at the dinner and drinks, which was kind of fun.
24:06How can you not? How can you not? It's so catchy. But I thought the Sinners performance was really great. And I will say, I know some people are upset that we don't have, you know, every nominated song doesn't get to perform. Well, not these people. Yeah, I know. Not these three people. Not these three. And I don't know who was, other than Diane Warren, I think you'd find it hard to find other people that were. Yeah, because they got to invest more in the performances they did have. And they really, you know, the production level, the quality, like, it was more than just somebody standing on stage singing, which can be great.
24:41We love that. Love to hear Barbra Streisand sing whenever she sings. But it was nice, I think, because they didn't have the pressure of having to cram them all in. They could let the two that they did really breathe and, like, be spectacles. Yeah, I mean, the best part about Golden was seeing Leo play with that little wand thing. because, I mean, he just looked like he was like, I don't know what's going on. But it is true, Chris, what you said. I mean, we have now seen them perform this song a lot of times. This probably was the best version of the performance, but they didn't totally blow it out of the water for television.
25:26I don't know what they could have done to do that, like unless it was like some, I don't know, like fireworks on stage. I really don't know. But I mean, what is nice is that they can now actually sing. So they sing and harmonize the song live on stage really well. Yeah, it was great. It felt like a, yes, professionals in concert. Yeah, professionals in concert. So that was cool. But it didn't reach I'm just Ken level. No, it did not. You know, just pure entertainment. But it was a nice way to break up the night. And then the highlight to me in terms of show production was the In Memoriam. Yeah, it was great.
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26:17Billy Crystal talking about Rob Reiner. I thought he did a great job. And then in the end, when they had all of the different actors actors who had worked with him. Yeah, that was nice. Was very, very impressive. Rachel McAdams' speech about Diane Keaton I thought was really heartfelt. And then the big showstopper was they got Babs to sing, which got Diane Furstenberg up on her feet at the dinner. She was locked in, and she was not gonna leave before Barbara was done. Yeah, she was. And also, like, she kind of was like, I think she's gonna sing. Like, she was one of us. She was like, I think she's going to sing, right?
26:58Like, and we were like, yeah, I hope so. And then she did, and she was like, yes, we got it. So that was super fun, like, for me. I was like, oh, wow, she's watching it just like us. There was, like, a moment where, you know, Barbara had done the speech part, and then she stopped, and I was like, no, she's not going to sing. And then the guy, like, brought her out a different mic, and I was like, she's going to do it. So it's the laughter, the laughter we'll remember, whenever we remember, the way we were. What a cool... I was just like, I can't believe I'm sitting in this theater watching her do this.
27:54Yeah, I thought the In Memoriam was beautiful, but also devastating, because it really captured how many legends we lost. I know. It was the right way to do it. If it had just been the traditional video montage, it wouldn't have been enough to say goodbye to these, especially this trio we're talking about. I think we should talk a little bit about how politics showed up at the Oscars? Was it something we'd been wondering? I'd written a little bit about the possibility of that being present at the show. How much do you guys feel like it showed up in the end? It definitely wasn't there a ton, but when it was there, it was really present.
28:30I think, Javier Bardem, that was the political moment of the show for me. And it was really kind of incredible to see him sort of say with his chest, free Palestine. And he also had a no war pin on and was very clear and full-throated about his political beliefs in a way that you don't often see at the Oscars. So I really loved that, and I thought that was really great. The other major political moment was when Mr. Nobody Against Putin won for Best Documentary. David Borenstein, who's the filmmaker, got up there and gave a pretty strong speech. Mr. Nobody Against Putin is about how you lose your country.
29:09And what we saw when working with this footage, it's that you lose it through countless small little acts of complicity. When we act complicit, when a government murders people on the streets of our major cities. When we don't say anything, when oligarchs take over the media and control how we can produce it and consume it. We all face a moral choice, but luckily, even a nobody is more powerful than you think. I mean, obviously, we're in our own bubble in Los Angeles, but I thought because of that subject matter, it would have been strange if he didn't get up and say something about the moral choice of being a bystander when there are these abuses of power happening in the government.
29:59So I thought that was a pretty powerful moment. And I met him two days before at the Sundance brunch and was like, are you preparing a speech? And he was like, I don't know. And I was like, just do it. Just prepare it. Oh, my God. Yeah. I'm glad he did. I'm glad he did. Because he had something to say. And I thought that was what we're looking for. Yeah.
30:20We're going to take another break. We'll be back in a minute with more reactions to last night's Academy Awards. Don't go away.
30:35Hi, I'm Nicole Phelps, Global Director of Vogue Runway and Vogue Business and host of the Run-Through Podcast. Every Tuesday, join me for the latest fashion news like the shakeups of Balenciaga and Dior and what's trending in Paris and Milan. You'll also hear interviews with top designers from Marc Jacobs and Rick Owens to Daniel Roseberry, Sarah Burton, and many more. On Thursdays, Chloe Maul, editor of Vogue.com, and Choma Nadi, head of editorial content at British Vogue, take you behind the scenes at Vogue and share their thoughts on fashion through the lens of culture. You'll hear interviews with some of your favorite stars like Julianne Moore, Pharrell Williams, and celebrity stylist La Roche.
31:14Join us to get your fashion and culture news twice a week. Listen to The Run-Through with Vogue every Tuesday and Thursday, wherever you get your podcasts.
31:28Welcome back to Little Gold Men. Should we talk about fashion? Let's do it. A couple of weeks ago on the show, we had Jose Crealison Zueta join us to break down award show fashion. And of course, the Oscars is the high point of the season. So what were some of your favorite looks? Well, Jose the Expert has a list of the 14 best looks from the show that everyone should read because he is the expert here. but I'm going to pick the obvious one and pick Tiana Taylor. I saw her on the carpet in that incredible gown. It's exactly what we wanted from her. Show-stopping, unique. She was just leaving feathers, just drifting along the red carpet from the train part of her dress.
32:14She can wear a dress, you know what I mean? It was just so incredible to see that. and what a nice finish to an incredible run of looks all season from her. Yeah, I mean, I agree. I'm going to say another Best Supporting Actress nominee, and I'm going to say Wunmi Masaku. I thought she looked beautiful in this, like, green, like, little teal-ish, like, sparkly, you know, beautiful gown, and she's, you know, like, very pregnant, and then she was posing on the carpet, like, holding her belly, and really just, like, sort of giving the ultimate mother. She was serving mother down, and it was really, really, really nice dress.
32:50And just glowing, right? Like just, yeah, it was incredible. And at the party too, I just felt like there was like a halo of light around her and she was sitting down because I can't even imagine how dark she was. I can't imagine. And it was just like light was radiating from her. I totally agree, Chris. I loved what she was wearing and I loved Rose Byrne in the Dior by Jonathan Anderson. And I thought that dress was beautiful and a different way to do a black dress. And she just looked stunning. Yeah, Jessie Buckley also changed for our party into like a black shimmery dress, which really popped with her Oscar that she was holding.
33:37So people, yeah, people put on, you got to look at our gallery because people, they changed their outfits for our party. So you got to check it out. What Kate Hudson wore to our party, I liked more than what she wore to the Oscars. I mean, both were great. She looked amazing in both, but I really loved the black dress she wore to the party. I always wonder what makes the decision, because I feel like I've seen that before, where I like their dress for our party more than what they wore to the Oscars. But, you know, you gotta—it's nice that we get both. I do think that for the party dresses, sometimes they actually get to be, they go a little bit more daring.
34:20Yeah. And then the other way, sometimes they get to go a little bit more like, not casual, but ability to like move around. And that results in sometimes a little bit more of like, I think, a chiquer look. I guess we can go from there and jump a little bit into our party. You know, it is always the best way to end the night. And it really lived up to that last night. I mean, I didn't get there till 10, 30-ish. And I think we all stayed well into the night. Oh, yeah. But I just think the environment that it has created is so, it's just such a warm and wonderful way to end the night. John, as the man on the ground, how did it feel for you?
35:06I don't know how I feel. You know, I've become too close to it. I thought the dinner was spectacular. I thought the mix of people in the room was really interesting. It reminded me of going to an Oscar watch party where, you know how like half the people sometimes at an Oscar watch party are like, I'm watching every minute. And I mean, I was one of those half of the people always. And then, you know, there's sometimes the other half that are like hanging out in the kitchen and like chatting. And like you said, Chris, Jane Fonda, I mean, I think she watched the whole thing. She did not miss a single second.
35:49She did not miss a single second and yet still was such a... Chatting, saying hi. Yes, it's, I mean, unbelievable. Yeah, she has amazing posture too. She was literally sitting upright, like not back on chair, just like perfectly poised. It was wild. Shonda Rhimes was the same. She watched every moment of the Oscars. She was totally enwrapped in it. And Jocko Houston, too. Yeah, it just was cool to see the mix and where people got excited. And then the dinner ends when the Oscars end. And mentally, in your brain, because the Oscars have ended, you're like, Like, ah, we're done. And then in the back of your head, you're like, Oh, no, the party hasn't even begun.
36:38It's only 7.30. I start to get texts being like, so-and-so's arrived. So-and-so's arrived. And then this year we had a no social media inside. And then we only allowed our house photographers inside. And it definitely changed the vibe. It was nice. It was like, yeah, it felt genuinely. I mean, intimate and like in the way that like you could see people like letting their hair down and like not worried about being recorded or documented or whatnot in a way that I feel like doesn't happen that often. And like it's, you know, the crowning party after like a very long award season where people genuinely just want to sort of like, I think, have fun and celebrate because they're, you know, as much like because the movies are great, but also because they're done.
37:26And, you know, they're done campaigning. It's over. Everybody can rest. So, yeah, it was really fun. And I will say the new space at LACMA was gorgeous. And the sunset was so beautiful. It's like indoor-outdoor. So I do think it was kind of a surreal, you know, beautiful night. So to end the show, should we do a little flash round of our thoughts on some of the films of this year and highlights of the show? I'm going to start and ask you guys what is your film with the most rewatch potential? I'll start. I'll go. The one that I've rewatched the most and that I think I'll end up revisiting the most is Sinners.
38:08It's just, it's fun. It goes down kind of easy and smooth and it's exciting and it's scary but not too scary. You know, great performances, great music. I, yeah, I don't think I'm going to be rewatching Begonia that much Although I loved it, you know, but Sinners, I think I'll revisit. Yeah, I think Sinners is so rich, right? Like you notice things on the next viewing that you maybe didn't notice in the first. I'm going to, I'll pick something different. I've seen Sentimental Value several times now, and I really appreciate different things about it each time I see it, whether it's a different performance or just the way the houses are designed or the dialogue.
38:49And I really feel like that's a movie I like to watch with people who haven't seen it yet. So I don't know. For me, that one, I've always enjoyed a rewatch. John? Well, I guess the only film I've seen twice was Marty Supreme. I saw it once at a screening and then once at Christmas with my family. So I don't know if I'll see it again. But there was something about that movie that the energy, I just really, it got to me. I liked it. I had too much fun. It's a great movie. Okay, performance, you'll always remember, was Oscar nominated. Well, you know, I'll go again. I'm going to go Rose Byrne for If I Had Legs, I'd Kick You.
39:32Oh, it's a good one. You know, she was absolutely fantastic, and I know she didn't really have a shot at winning, but that's like, wow. Okay, the Academy can make hard choices and do hard things and sit with a hard movie in a way that gives me more faith in the voting body. And I'm like, we need more of that energy. And I just thought that was an excellent performance. That and Ethan Hawken-Blumman. Those were my two. My two of the year. I think I'm going to pick Delray Lindo because that was a surprise that he made it in. And then I felt like after he got that nomination, there was just so much love for him and for his career.
40:05And he just was so present. And like every time Michael won, he would give him these beautiful hugs. And you could feel that it meant so much to him to see Michael win. And, you know, even though Delray didn't win, even though sometimes we thought maybe, maybe it could happen. I felt like for him to get the nomination and that appreciation was really special. John? Well, kind of Leo in one battle. I did really love that performance, guys. He's so effing funny. And the whole thing about not remembering your password, if you know me, it's so deeply personal for me. I mean, I have been locked out of bank accounts for years because they've been tied to an AOL account that I don't have the password and I can't retrieve because it's tied to a phone number I'm no longer in touch with.
40:58And I just, when they showed that clip and he's just a hot mess and he's like, people are the revolution at the end. I just, he's just so great. I'm just a Leo head. I can't help it. You and many others. I mean, so is everyone. We're not alone in that. Big surprise. Which just goes to show what a great season. What a great season. We all had a really fun season. It was a good season. This season was fun. It was long, but it was fun, I will say. It was too long, and they will fix that. But what a wild ride we've been on. And it was just nice to see a season that was a little more unpredictable.
41:39Yeah, I think that's what made it so much fun is it was exciting at every turn, whether there was like a scandal or drama or just the way things were shifting so much that you didn't ever know who was the front runner. Like, it's so rare to have a season like this. And for the films to all be incredible. Like, everyone I ran into was just like, there's so many great films. It's not always like that. And I feel like we're so lucky not to be cheesy, but it's been so fun doing this with you guys. I'm going to miss it. I know. Well, guess what? It starts again in a couple. weeks. Yes, we'll have Emmy season to fill this giant hole in our hearts for a few months and I'm excited for it.
42:16But Chris, thank you for joining us. Let's all get some rest. I hope you get some rest. I'm going to go back to bed. I'm calling for a late checkout. Thanks for tuning in to Little Gold Men. Michelle O 'Brien is our senior producer and we had production help this week from Emily Elias with editing by Rhiannon Corby and mixing by Mike Kutchman. Our executive producer is Steven Valentino. We're going to take a couple of long naps, but we'll be back next Thursday once all the chatter has settled to look at who ran the best campaigns of the season and how this Oscar season stacked up. We'll see you then.
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44:10from PRX
From the publisher
After a long awards season, this year’s Oscars results were… kinda great! The winners came from a host of different deserving films, and no one movie or person felt robbed. Rebecca, John, and Chris woke up bright and early to dish about the ceremony’s highs and lows — and share some highlights from inside VF’s dinner and afterparty at LACMA.
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