How Mike Posner built a music empire from his dorm room

25 Oct 2024 · 1 h 19 min

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

My First Million Podcast Summary

Episode Title

How Mike Posner Built a Music Empire from His Dorm Room

Description

In Episode 640 of My First Million, hosts Shaan Puri and Sam Parr sit down with musician Mike Posner. The conversation explores Posner’s journey through fame, personal loss, his work ethic, and his continuous reinvention as an artist.

---

Key Points and Highlights

Introduction

  • Hosts: Shaan Puri and Sam Parr
  • Guest: Mike Posner, musician, and songwriter

Major Themes

  1. Hustle and Growth:
  2. Posner reflects on his early days at Duke University, where he began to gain traction in music.
  3. Discusses the importance of growth hacks (like iTunes U) that helped him gain visibility.
  1. Artistic Integrity:
  2. Emphasizes that he focuses on what he finds cool and authentic rather than chasing hits.
  3. Shares his songwriting process, highlighting the importance of "one true sentence" as a starting point for writing.
  1. Fame and Its Discontents:
  2. Mike speaks about the duality of fame—how it can be fulfilling yet isolating.
  3. He discusses the superficiality of success and the importance of self-reflection.
  1. Personal Challenges and Lessons:
  2. Experiences like walking across America and climbing Mount Everest are framed as personal challenges that led to growth.
  3. Shares a story about a missed flight that turned into an opportunity for service, demonstrating how to turn suffering into growth.
  1. Creative Process:
  2. Talks about collaboration with other artists (like Benny Blanco) and how collaboration can enhance creativity.
  3. Discusses the significance of creating a supportive environment for artistic expression.
  1. Finding Balance:
  2. Emphasizes the necessity of maintaining balance in various life domains—work, personal relationships, health, and happiness.
  3. Illustrates that wealth is not purely financial; true wealth is defined as the ability to experience joy and contentment.

Specific Stories

  • iTunes U Growth Hack:
  • Early in his career, Posner managed to get his music onto iTunes U, which was a pivotal moment for gaining an audience.
  • The Walk Across America:
  • A personal challenge that led to profound self-discovery; after facing significant struggles, he found strength he never knew he had.
  • Overcoming a Health Scare:
  • Mike shares a harrowing story of being bitten by a rattlesnake during his walk, which served as a metaphor for resilience.

Memorable Quotes

  • "I just do what's cool to me and sometimes the whole world agrees."
  • "Your life is already a three-act story."
  • "True happiness comes from growth."

---

Key Takeaways

  • Authenticity in Art: Being true to oneself is essential for lasting success.
  • Turning Pain into Purpose: Personal struggles can lead to profound insights and growth.
  • The Power of Service: Engaging in acts of kindness can turn challenging situations into opportunities for joy.
  • Balance is Key: Achieving success in one area of life should not come at the expense of others.

---

Conclusion Mike Posner's conversation in this episode highlights the journey of self-discovery, the struggles of fame, and the importance of staying true to one’s artistic vision. The episode serves as a reminder that personal challenges can lead to growth and that happiness often lies in authenticity and connection to others.

---

Additional Links

  • [Mike Posner’s Official Website](https://mikeposner.com/)
  • Shaan Puri’s Projects:
  • [Shepherd](https://bit.ly/SupportShepherd)
  • Sam Parr’s Ventures:
  • [Hampton](https://www.joinhampton.com/)
  • [Ideation Bootcamp](https://www.ideationbootcamp.co/)

---

This summary encapsulates the essential elements of Mike Posner's journey as shared in the podcast, providing insights into his philosophy and creative process that aspiring artists and entrepreneurs may find valuable.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:28Your life is already a three-act story. asked you to walk me through that, but I already know that story. So I said, what am I actually curious about? And it's why you would climb Everest, why you would walk across America. What's the philosophy that drives somebody to do those things? I've never been asked that before. Okay, let me, let me try to tell the truth. I feel like I can rule the world. I know I could be what I want to. I put my all in it like my days off on a road. I want to ask you about some things back when we were at Duke. So for people who are listening who don't know this, me and Mike actually were at Duke at the same time, same year, freshman class.

1:03I remember hearing stories that there's a white boy rapper in the dorm next door. And we were like, who is he trying to make it? Whatever. Didn't really think too much of it. And then I suddenly started to see a couple of interesting things. The first interesting thing I saw was that at some point I opened up my laptop and I went to iTunes and I saw you at the top of iTunes, but it wasn't the top of iTunes. It was the top of iTunes U. And iTunes U was like this little part of iTunes that was like for lectures. In Silicon Valley, we call this a growth hack. Sometimes you got to be clever and you got to turn your disadvantage to an advantage.

1:39Can you teach me about this? Because I've always known half the story. I didn't know the full story. Yeah, absolutely. So I was a giant hip hop fan. So I started rapping when I was eight, got to Duke, you know, 12 years later. And I started to sing. But really, I was singing almost from a hip hop perspective. I'd use these complex rhyme schemes, polysyllabic rhyme schemes, even in my first hit song, Cooler Than Me, it's got a complex rhyme scheme. So you got designer shades just to hide your face. So it's not just the last syllable that rhymes shades and face, but also designer rhymes with hydra this is a rapper thing right and so i was combining hip-hop with melody in a way that i thought was dope i thought was cool and i hadn't heard anyone do it before really and so i started to share my music and i was getting a little bit of traction on these hip-hop blogs which were important in hip-hop at the time blogs like two dope boys not right even um kanye's blog which is a really big deal at the time and this is the era of piracy so everyone you probably remember when we were at duke we did not pay for music you know so you'd go on lime wire bit torrents that whole thing and so i knew no one was going to pay for my music because we weren't paying for Kanye's music.

3:08We weren't paying for Jay-Z. The artists we loved the most, we were stealing their music. So no one's going to pay for my music because no one knows who I am. So I understood that. And I understood it was important. I was on these hip hop blogs, but then I was going to have a shy kid and I was really into my music. So I'd always stay in and then my friends would come back. They'd stumble into my room drunk, interrupt my song and pushed him out and this whole thing and one day i go to this uh kid's room down the hall named xander he was a really cool kid you know and uh seemed to have a more robust social life than than i did and there's only cool xander's i've never met a lot of cool xander yeah exactly dude so and so he said to me um hey posner at the party last night um they played your song and all the sorority girls knew the words.

4:04I said, what, really? Mind you, I've been making music 12 years now. That's never happened. He goes, yeah. And dude, they played it twice. They played it twice in a row and everyone sang the words. So then I said, wow, okay. The next day, my mom calls and she says in passing, by the way, I really like that song you make, cooler than me i don't know how she heard it her you know friend sent her it was my myspace at the time so i said okay that's kind of peculiar it's on the hip-hop blogs the sorority girls like it and my mom likes it the next day my friend big sean calls who i came up with in detroit and he had gotten a record deal with kanye he's a rapper from detroit and a dear friend of mine He said, I love Cooler Than Me.

4:57He goes, I think that could be a hit song. I said, hold on. If Sean, mom, and the sorority girls all like the same song, something's going on here that never happened before. Because I've been making music 12 years, and nobody seemed to particularly give a fuck besides me, including my mom, right? Always supportive and loving. You know, pay for music less supportive, of but never told me she liked one of my songs i'm 20 years old so i realized the way these hip-hop blogs work was you'd go on the site there'd be a blog entry with your song and then you kind of had to do some some kind of uh right clicking and there was always these weird links that would throw you off into some sketchy websites and you had to click the right thing and then save you File as, and that's how you download the song.

5:55But it was really convoluted and hidden behind advertisements. And I just realized that these sorority girls were never going to do that. They were never going to go to these hip-hop blogs. And if snowball chants in hell, they would. They wouldn't ever be able to download the song. So I realized iTunes was just starting to come out, and it was this safe place you could get music. And so I knew I needed to get my music there. But then I had this other rub that I alluded to earlier, which is no one's going to pay for it. So I need it to be free like it is on the blogs, but I need to be on iTunes.

6:35And then I saw iTunes U. So iTunes U was this section of iTunes that was set up for professors to post their lectures. And if you weren't there, you went to a different school, you could listen to this professor's lecture and it was supposed to be purely educational and the cost was free for everything on iTunes U. There was no charge. It was an educational arm of iTunes. So I said, I got to get my music there. Now, this is where Life, capital L comes in. I'm from Southfield, Michigan. It's a suburb of Detroit. I was born in Detroit. I moved to Southfield when I was two years old. I grew up there.

7:14Lived there until I'm 18. I go to Duke University. i do some searching and i find out who's in charge of itunes you for duke so if you're a duke professor and you want to post your lecture how do you get up there i find out it's a man named todd stably i cold email remember you could type in any name and the director could get the email so i get todd's email i cold email him and we do a phone call he gives me his number and his number is the same area code as mine. Hey, Mia, 248 area. He goes, yeah. He goes, I'm from Southfield, Michigan. Where are you from? I said, come on. And I was going to get the goosebumps still to this day.

7:57I said, look, this is what I'm trying to do. I'm a student artist and I'm going to share my album, you know, and I want to put on iTunes U. He goes, oh, yeah, man, you're from Southfield. You're a student. we can put on iTunes U no problem life set that up for me man so I got my music onto iTunes and you just search on iTunes like any other thing but when my album came up the price was free any other music out cost$1 $0.99 mine was free and so then I got busy on Facebook I created a Facebook event and there was a link to that album. And I activated all my communities. So I was from Michigan and a lot of my friends went to different colleges across the country, including Michigan, Michigan State.

8:53Gosh, friends at Northwestern, friends at Marquette, just wherever they went. And then my friend, I was in fraternity and there were these, we had pledges so these older guys would do mean things these pledges make them like do you know thousand push-ups whatever i said look you guys are gonna do something for me you're gonna send the push-ups you're gonna send the invitation to this facebook event to everyone in your facebook network every single person and there's a way i i had a protocol it's five steps and you could send it out and all of you are going to change your profile picture to my album cover and all my friends they all changed their profile picture my album cover and my friends did the same thing my fraternity brothers they all did the same thing so all their friends that were at different schools they sent it out and then here's that the last thing is the music was good right so if the music wasn't good none of this shit matters but and my music wasn't always good like i said i'm 20 i started when i was 8 so 12 years making songs a lot of songs to get to that one song where my mom likes it, right?

10:07And Sean likes it. So this iTunes U thing, yeah, was a thing that was pivotal for me, pivotal. And so from there, pretty much every college in the US was listening to Mike Posner that year. And it started off small, there'd be 50 people, and I'd get a show at Dayton, Ohio. I'd go to Dayton, Ohio, I'd be booked to play at some bar you know at colleges there's always a hustler guy that throws the parties and you know so those guys would book me they'd say posner come play friday night and and are you even getting paid to do these at the time or at the start 500 bucks so i'd go my boy pat klein became my manager later he booked me at dayton ohio and i go there and there's 25 to 50 people i do my set and they know every word to my song a month later he booked me to come back there'd be 300 people there every word to my song and so i just started to expand like that and um yeah the itunes you was a was a really great hack i've never heard that that story that's a that's amazing story so because because what you did then you kind of stacked these right so you did that then you started doing the shows, which normally, correct me if I'm wrong, normally you kind of, you did it backwards, right?

11:26It seems like normally you'd have a label, they would get you set up with tours. You were kind of underground. So you, if I remember correctly, because you already had tours and fans, then when record labels were interested, you're like, yo, I'm de-risked. Like I'm more de-risked than the average artist because look at this, like I've already, I'm already playing shows with real fans all around the country. and I remember being at Duke and we would hear like dude this dude flies out every weekend it just doesn't show at a different college and flies back and like takes his test like yeah that's what you were doing we're doing two or three man it got crazy yeah I'll do two or three and set up in that senior year I had set up so I had all my classes Tuesday Wednesday Thursday I leave Thursday night rip Thursday night Friday night Saturday night I get three checks come back have a bunch of cash go to the bank put in the bank come back in my house this dirty filthy house you know like go to class again it was just insane doing homework on the planes like it was insane insane it seems like one of the unique things about you is like you you may not be the best rapper or the best singer or the best kind of beats producer guy but because you're good enough to be dangerous on all three, you were able to be like a one-man machine that was able to get a bunch of practice reps in and keep trial and error where you weren't dependent on somebody else's time or somebody else's interests or tastes or whatever.

12:51Is that fair? No, I don't think so. How would you say it? I would say, yeah, I'm definitely not the best singer. I can't dance or anything or do any cool runs, but I'm a damn good writer. Writer. that's like your a plus skill you know people connect to me i think because of because of the writing you know yeah i can't if i did american idol i'd lose you know right you know i can sing but not one of the things that inspired me when i was doing the research was that at some point in the middle of your career so not like before he made it but like actually after you had the initial burst of success it seemed like i read something that you went back and almost like took music lessons and singing lessons and enrolled in a college and you said something like, you know, I'm in this class and I'm not the best singer in the class.

13:40I'm supposed to be this, you know, I'm supposed to be this guy who's the star, right? They all want to be artists. I actually even have the credentials, but I thought that was kind of an amazing, humbling move to just, of course, why wouldn't I dedicate myself to the craft? Can you talk a little about that? There was something in that that resonated with me because I think that's unusual. Yeah, well, there's two things in that. One, I think it speaks to a point I just made where there are these people. At that time in my career, I was in a cold spot. So I said, hey, let me use this time to get better at my skills.

14:12And if I'm being honest, yeah, I don't know how to play. I had a hit song, but I didn't know how to play guitar. I didn't know how to really sing. I was a rapper who had started singing. I didn't know how to play piano. So why don't I learn some of those things? And I remember I was at a campfire kind of situation, and that guy uh sigh was there you remember him yeah open gongo yeah and tory kelly was there and they were passing the guitar on the fire and tory kelly sang this song it was so beautiful and then i had just written a song that day i wanted to sing it and i was at i said could you play the guitar these chorus the thing and she's trying to do it for me because i couldn't play the guitar and i really wanted to sing my song but i couldn't do it and it didn't really work and i I remember leaving.

15:00I go, that's stupid that I can't do that. That's never going to happen again. I'm going to learn to play the guitar. I need to be able to sing a song at a campfire. So that's one part of it. It's this lesson to go, hey, being an artist is about, it's similar to being a human. It's about growing. It's about being a better artist than you were a year ago. And your relationship to the music deepens or the art. any art form deepens your whole life art is not like the nba you know it's not like you peak at 30 and you know you're you can't jump as high anymore so you know this is a lifelong thing you can oh you can always get deeper so that's part a but then part b was yeah i realized kind of to the point right before this point was i'm in a singing class i took berkeley school music online There's these great singers in there.

16:00And yeah, I was in the bottom quartile of that class. But I was a successful recording artist. And those people all wanted my job. And I realized I had something that most people don't, which is my writing. But I have a way of connecting. The music I make, whether it doesn't matter. Music is not about hitting the high. It's like life. It's not about hitting the perfect no or doing the run. It's about, does this part of my humanity speak to that part of your humanity? I'm raising my hand and I'm taking my clothes off out here and it's vulnerable. I'm going, this is what it's like for me to be a human.

16:42Anyone else? And if I do a good job, someone else hears it.

16:50I'm so glad you said it because that's how I've been feeling for years. and I didn't know how to articulate it. And now I don't feel as alone. That's what an artist does. And so I realized in that singing class, I already know how to do that. I can add colors and refinements and make things more sophisticated by adding to my skills. But at the end of the day, even if you got no skills and you can do that, you're a great artist. You're a great artist. artist well i love your music videos for this reason like now that you say it when i think about uh when i became a super fan of yours like you sorry by the way that's why you're a great artist we talk about the beginning you always say i'm a little lowercase artist no you're making the thing and it obviously connects with other people you're obviously following your own curiosity and going hey i'm making the thing that's a million podcasts in the freaking world dude right but you're doing something in a way that connects with other humans and you're not doing it because you're trying to you're doing it by trying to connect with yourself and connect your own creativity and curiosity to the the art you're making or the the you know the pieces that you're making whatever you call them and so yeah and by the way i i used to approach it very differently i used to approach it very analytically logically duke kid right like you know there's a certain set of skills that gets you into duke and those skills were i was trying to sort of map the market out and the opportunity.

18:21Where's the white space? And my coach, my trainer, who I've mentioned before, he's like, the white space is you, bro. He's like, the product is you pushed out. That's it. Take yourself, turn yourself inside out. Whoever resonates with what you are, that's your target customer. You don't need a market study, right? Who are the people? Who are my customers? The people that love what I do. And he just flipped it on its head. And I was like, dude, you're speaking a different language to me. Different. I've never seen this in a book. but I started to put some faith in that. And that's when I did the podcast.

18:53I was like, what's the podcast supposed to be? It started off as only interviews. And then we would just get on the podcast sometimes, just shoot the shit about, dude, did you see this app that did this? It was just me pushed out. That's what I'm actually interested in. So I just started talking about it. And then all of a sudden it was getting a different result because there was only one of those because there's only one of me, right? So that was a big lesson to learn. That sounds kind of obvious and almost like a fortune cookie, but you got to go do it. It takes courage. and you have to stumble upon it.

19:21Yeah. You had to do the other thing. So yeah, it has to be stumbled upon. I had this line on my song that said, I'm in the yoga class headband now. People say I'm off brand. How? I am the brand. Therefore, anything I do is on brand now. I'm on brand now. It's like, I look at my heroes and that's what I am now. People got attached to a version of me Because it hurts when they see a person who's free And I'm so grateful for all these lessons Twice as much money Half the possessions No drugs, now the vision's clear All my gold jewelry just disappeared That's the universe telling me to start switching gears The deeper the human, the deeper the songs I saw all of this three years ago It's almost like it was me reading my poem

20:17i like that um how'd you get on the radio because that's a black box like how'd you even figure out how to get on radio oh the thing i was gonna say to you before was you know the music industry has completely moved that way so these these days of a record label are hey kid you got talent we're gonna develop you for six years like that doesn't happen and now it's even more so you only get a record deal if you already have an audience so that that no longer is you know the responsibility of the label that's not the responsibility of the artist and there's so much data now right so labels can be really prudent i'm going hey that that or that or that right okay you asked about getting on the radio so i graduate and i sign a record deal and i'm making this new album starting to work with bigger producers.

21:10I'm working with Benny Blanco and making these songs and thinking, you know, when I do my first real album, not an iTunes U album, it's gonna be big and I'm starting to make all this new music. And the original Cooler Than Me used to have this line in it. It used to, at the end of the verse, it would say, You're so vain. You probably think that this song is about you, don't you? If I could write you a song to make I don't know if you remember that. I remember that, yeah. Is that still the song? No, it's not. Most people don't know it that way because we went to then go clear it because that's a Carly Simon song.

21:50You're so vain. So this was this two lines in the verse. We got to go clear it. We said, hey, you know, I use this part of your song in my song. I want to give you credit for it. Can we work out a deal? Yeah, she represents it. No problem. We'll just take 80%. Maybe it was 70 or something like, Dude, it's like two lines of the verse. So I had to change that, right? First thing I had to go, behind Jamaica, nobody knows who you really are. Who do you think you are? So we had changed that out. And then I'm thinking that I'm going to make this new hit song, Benny Blanco, it's a brand big thing because I have a record deal now.

22:35and when I play the new version of cooler than me without the Carly Simon my record label thinks they say it's not as good it's not as good anymore so I think we should use one of the new songs to be your first real single cooler than me's now been out for two years to us college kids I'm in New York City I'm about to go to some meeting or studio or something hang out with a friend and my my manager says we got to do a meeting with this radio promoter his name is enc we need to do a meeting with this guy his job is he gets songs on the radio without you and usually the label is supposed to do that but we need to pay him to do it ourselves i said i don't want to go to that meeting i want to go to the studio i'm an artist you go to the meeting he goes this is more important i go no it's not he says yes it is i said why well cool are the me your first single the label doesn't know it but i know it this is my manager daniel weissman i said cooler than me is old it's two years old it's been out two years and everybody has already heard it on the sidewalk new york city looks me in the eye he goes nobody has heard it

23:56i'll go to the meeting we go to the meeting we hire enc i think we paid him what was it five grand ten grand and he's gonna get the song on a few radio stations no guarantee how much they're gonna play it but i can get on a few stations so he gets on a few stations and this thing starts catching on people are calling in the station we like this song you know it was before shazam really but they have some way they test it it's the tests are going crazy and these few stations um patty moreno in sacramento and shorty they start playing this song 50 times a week that's a lot and then dj reflex in la power 106 he he plays a song it does well here so it starts catching on here now the label calls they go we told you cooler than me is your first single dude what a great idea right and that's what labels are great at and that's what great at starting fires but if you could start a fire they got a hell of a lot of gasoline so they they then they go in hyper mode do their thing start getting it on all the other stations and that was how i got on the radio and at that time the radio drove mattered yeah it still matters but it you win Spotify and get on the radio or you win YouTube and you get on the radio then it was the opposite

25:23I told you I get more out of the research for these than I do the interview sometimes and at first I got discouraged by that because I was like oh man it's kind of anticlimactic all the fun was in the foreplay not the real thing we're gonna change that we're gonna change that today but then I got excited I was like oh wait that means when I'm doing the research look for look for the gold because there's usually like one thing that i'm like wow that alone made this worth it this whole trip worth it and so for me that was this one which was um about i guess making art or making songs it was you know do you try to make a hit do you try to think about what the audience wants and the quote was i just do what's cool to me and sometimes the whole world agrees i like that can you talk about that a little bit like where that mindset comes from that's a good question because I could talk about that mindset really easily, but you asked me something different, which is where does that come from?

26:13And I've never been asked that before. So we're off to a good start. That's an answer I give other people. When artists are struggling, I tell them, your job is to make the thing that you think is beautiful, period. That's it. Don't do what I think is beautiful for you or your manager or your fans. That's it. So that's an answer I give to others. Now you're asking me a question about my answer. The root. So, okay, let me try to tell the truth or find what's true for me. In part, it comes from messing it up, undoubtedly. I experienced a lot of success in my early 20s and I got addicted to it. The fame, the adoration, the money, really the fame.

27:00Really the fame. The money and all that stuff was nice. It was the fame. One of those had a higher high than the rest. One of those had freaking fame, dude. It's like, ooh. And so I can remember trying to replicate the success I had from my first hit song, which is a song cooler than me. If I could write you a song to make you fall in love. That song. And I just wanted that feeling. I wanted to be that guy that everyone was looking at. And so I can remember going in the studio and going, I'm trying to make a - Make a hit. make a hit makes them everyone else likes and whenever i tried to create from that vantage point the only thing i succeeded in making was something i hated and and sometimes i think wow even if i don't like it maybe everyone else will it kind of checks all the boxes it's the right bpm it's got a catchy melody and a cool lyric it doesn't really meet my standards of, for my aesthetics, what I think is beautiful, but who cares what I think?

28:05This is about me being famous. And of course, if you don't like it, nobody's going to like it. You went from a guaranteed audience of one to zero to start. Yeah, man. And so, and I think life or God, I believe in God. Sometimes I just call it life. So I'll use those interchangeably in this interview as life with a capital L. So I thank God that it never gave me success with one of those because it wanted me to learn that very lesson that I could teach to others. But gosh, could you imagine if one of those things I didn't really like got really popular? That would have been even worse. Right. You'd have been trapped on that path.

28:43I'd still be doing interviews about that song now, still be singing that song at my shows now. Right. The original plan for this episode was your life is already a three-act story. So from a podcaster point of view, oh, this is easy. You have the come up. You have the rise to meteoric fame. Everything that everybody wants. You're a pop star. You're on stage. Shirts off. Everybody's crazy about you. You're the man. Then you have the crash. And then you have the rebirth, right? So your story's already like that. And so what I'm supposed to do is ask you to walk me through that. But then I have to do what's honest for me too, which is I already know that story and I like that story.

29:21I don't really want to talk. I'll ask you some questions about it, but I kind of already know that. So it wouldn't be honest for me to ask that because I wouldn't be curious. Cool. I already know it. Great, man. So I said, what am I actually curious about? And I was like, I wanted to know that. Like, hey, you said something that resonated with me, which is my job is not to make a hit. It's to make something that's cool to me. And sometimes the world agrees. So that was the first place I want to start. The second one is, you know, I'm not a musician, but I'd like to, I'm maybe like a lowercase a artist.

29:51I write I have a podcast I do things like that you're an artist Capital capital. Thank you. Some exist now out of that used to just be an idea in your head You're an artist. All right, you heard it here first. My closer thinks i'm an artist. Here we go. Absolutely The thing that's been most helpful for me when I write is exactly that So if somebody asked me how do you write something great? How do you write something that goes viral and the best thing I ever read was sit down and write one true sentence One true sentence and that just became like a calling card for me He was like, oh, I know where to start now.

30:21Let me sit down and try to write one honest sentence. And that's surprisingly hard because the honest sentence is usually something vulnerable. And if I look at your hit songs, so if you look at, you know, I took a pill in Ibiza, the one true sentence right at the beginning is, you know, I took a pill in Ibiza to show Avicii I was cool. Or in your new song, it's something like, There's a part of me underneath the part that I let people see. that part is the good part exactly and I love that underneath the part that I let other people see that is the good part and I was like man he's really good at the one true sentence is that a technique you use at all like honesty to write the song or to to bake the the core of the song yeah you know there's all adage and studios gets thrown around and more so in Nashville and LA they say don't try to write a good song write a true song and then it'll be good automatically my music listen when I was 13 I was a rapper I started rapping when I was 8 but I was around 13 I started to consider creating a stage name and I'd go six months I remember I had this rapper name Acrimony and then I had this other name six months later I threw it out my name here on out is MCMP right the world will know MCMP I was about 13 and a half Yeah, like aim screen name status.

31:50Yeah, exactly. Exactly. And I had this thought to myself. I said, my music isn't an act. The stuff I write even then was just what was happening in my life. It was real to me. So I shouldn't have a stage name. I should have my name. And I said, I'm going to go by Mike Posner. That's my name. and that's who I am and who I am in life is who I am in my music. This came back one other time. It was almost 20 years later. It was right when I wrote I Took a Pill in Ibiza because my career had plummeted. I had a hit and my career plummeted. And I was known, as you know, for doing kind of frat songs and party songs.

32:39I had this upbeat dance success song, Cooler Than Me. and then I wrote it to Capella and Ibiza and it's this sad singer-songwriter song on the guitar. Which most people don't know. Yeah, the original was this and I thought, dude, like whatever is left of my career will be destroyed by, and it's funny now, but at the time it was horrific, it was scary. It will be destroyed by me making such a drastic change in my music. Like, none of my fans that liked what I did before would like this. It's so different. And I started contemplating again, maybe I should change my name for this project. And I remember thinking, oh, maybe I'll change my name to The Truth.

33:26And it's like, no, the truth is your name is Mike Kosner. And so I quickly got my head out of my ass on that one again and went, hey, you know, like, this is my story. And the 3X story you talk about, You know, I've owned it for better, for worse, or tried to. Do you look for that moment where you're like, I'm almost so scared to put this out. I got to change my act name. It's so, this goes to a certain place where it's not safe. Have you now learned to look at that signal and be like, maybe there's something here if I'm feeling that? Yeah, absolutely. And yeah, a huge, huge barometer of something I should be writing is that, oh, I really don't want to write this.

34:12This moment was so painful. Like, I don't want to talk about it. I don't want to think about it. So yeah, that, that it's, it's not the only, you know, it's not to say the converse is not true, which is the only thing that should be written is something that causes you great pain. That's not true. But often that is a, that is an entry point that, that is worth examining. Absolutely. We had Tim Ferriss on the podcast and I asked him a question. I said, Tim, my one honest question, I was like, I'm supposed to ask you about four hour work week, but I read it already. I said, the thing I really want to know is how do you decide what's next?

Read the full transcript

34:46Because I knew he was kind of thinking about what's next. And I know that whenever Tim Ferriss is trying to do something, he's methodical. He doesn't just do it. He's got like a way he's going to do it. That's right. And I was like, I kind of just hop to the next thing. Like, how do you do, figure out the next thing? And he goes, well, I create a menu. options. And he's like, and on that menu, I make sure I have, I leave room for the weirdest option. I go, the weirdest option? Why are you going to do it? He's like, I'm not necessarily going to do it. He goes, but he goes, I treat like the weirdest idea of what I could do next.

35:18This is not what I normally do. This is not what I'm known for. So if you're still around, you must have, I actually need to overweight you as a, as an option for me, for you, when you try to figure out what's next, like whether it's the next song or the next project, like writing a book, how do you decide where to apply your talents? Well, it's hard now is choosing what not to do. That's the hardest part is killing things. And on paper, I may be doing too many things right now. I'm writing my book intensively every day. A lot of time alone, my computer. I'm putting an album out we're expanding our business in a lot of different ways so on paper if I was making the menu I go cross two of them out but your question was how do you decide the same internal compass that I use in the micro when I'm creating I'm writing a sentence in my book and I go that word is not quite right no not that and then boom that one it's an internal knowing it's a feeling so that that's it mark twain said the difference between the almost right word and the right word is there is between lightning bug and the lightning bolt right and is that the truth right has it happened in your songs oh yeah is there a song today that we all know that almost was took a pill in sacramento Didn't have the same ring to it.

36:54He just kept trying to make it work. It doesn't hit. No,

37:01but just on the song, same way. A lot of times in the production, gosh, that's not the right snare drum sample. We'll work for an hour, go through every... The alto sounds, and that's the one. You just know. There's a quote that Rick Rubin has that I love. He says, the best way to serve your audience is to ignore them. meaning to not try to reverse engineer what they might want or what they might like, or what they might just make what you want or what you like. That is the best way to serve them. You know, when you hear something, you're like, oh, that's probably the truth. I think I just heard the truth.

37:36Okay, now the rest of my life is coming to grips with that truth. I don't need to search for the answer. I got the answer. It's just a question of how long I'm going to deny myself, you know, how many roundabout ways I'm going to avoid facing the answer. Now I know the answer. uh has that been it been easy for you kind of back to that first question about like making what you want if music is pretty easy now and honestly um taking care of my finances has been a big part of that what do you mean by that i'm financially secure i don't need to make another dollar from my music again so logically i was able to just talk to at some point in the past talk to that part of that voice in my head and go hey dude like you never need to make a song that you don't want to make ever again you never need to be in the studio with a person you're not a fan of ever again ever and that made me a much better artist and i live in silicon valley there's people with more money than than god out there and they don't feel like they have enough i know a lot of people who have enough, who have made the last dollar they will ever spend many times over, but they still do things to chase more.

38:52And they don't like to say they're doing it, but if you watch people's actions, people's actions will sort of speak where they're devoting their talents to. What was useful to you to coming to peace with having enough? Was it as simple as I wrote down how much I needed and how much I had and the logic part of my brain solve that or was it a different part of you that that got peace with with the money side of of your life both twofold so i had you know the analysis to where they do a monte carlo or whatever it's like you spend this much or this many more years you'll be okay so that was like a money manager did that for you or yes that was part of it right just knowing hey i'm okay you got to shift at some point right because when you're coming up you you say yes to everything You know, opportunity is going to work.

39:39And then when you get successful, you have too many opportunities. You got to learn to say no.

39:46There's paradigm shifts along the journey. And so that was one of them. That's the logical part. And then the illogical part or the spiritual part is realizing what true wealth or abundance or success is. to me it's my definition true success or wealth is health it's the ability to have joy in a present moment that's if you can do that you're a wealthy person and if you're grateful if you're grateful what you have you're wealthy there's a perception in the business world which is that the chip on on your shoulder serves you i know investors that will invest specifically and people they know are kind of like sort of damaged, semi-screwed up, but they know that that gives them this sort of psychopathic drive.

40:38And when somebody's really happy, I know people who don't want to invest in somebody who's super at peace because the returns might not be there. I don't know if I believe that. Do you think that the best art comes from people who are in a happy place or the people who have that pain? Do you think that the best success comes from the people who have that big chip on their shoulder or not? What's your take on that? I can't answer in terms of where to invest your money. I don't really know that much about that stuff. But what I can speak to is architecting a more beautiful life. I don't have a perfect life, but it's a hell of a lot more perfect than it was five years ago.

41:18So what I can say is I don't want a life that is hyper successful in the vertical of work and finance. and a desert wasteland in the areas of passionate intimacy, faith, spiritual growth, friendships, fun, physical health, giving back. So I believe the way I look at my life, and I do measure this, is work and mission is but one vertical. And the thing I screwed up in my 20s is I thought if I crushed it so hard in this vertical, meaning I got all the fame, all the money that I thought the points would carry over. I thought, yeah, I can not show up to Thanksgiving and not return my mother's phone call because she knows I'm busy.

42:12I'm pop star Mike Posner, right? I cannot see my friends or ghost them for months on end. They understand. I'm pop star Mike Posner, Grammy nominated Mike Posner, international superstar. I can never go on dates and just have one night stands after my shows for years on end and never develop emotional intimacy or the capacity to communicate on an intimate level or vulnerable level with another human being because I'm international superstar. Grammy nominated Mike Posner. I can never give back with my time or not so much with my money either because I'm international. And what you get is just a life that isn't that good.

42:53Winning the game of life is played on all these different verticals. and some of them require different skill sets that you won't find in the work vertical. It's not going to help you be a good husband. It's not going to help you be a good father. I have a mission, right? So it's not saying abandon this for the other thing. It's how do you do it all in balance? How do you have everything? That's what I'm interested in. That's what I'm building in my life. I'm doing the best job I've ever done. Am I perfect? No. But boy, am I proud of myself.

43:29Well, guys, when it comes to banking, the only time I feel truly happy is when I'm using Mercury. And that's today's sponsor for the show. That is the banking product I use for not one, not two, but actually eight of my businesses. I have eight Mercury accounts. I just went and counted. I use it for every one of my companies. It's an absolute no-brainer. Over 200 ,000 other fast-growing, ambitious companies use Mercury. It's one place you can go where not only you can, of course, have your money there, but you can send invoices. You can pay bills. You can create reimbursements for your team. Pretty much all of your financial needs can be housed under Mercury.

44:01And the product is beautiful to use. And the reason why is because it's a product that was not made by finance people. It was made by a founder, Ahmad. He's been on this podcast before. And he used tons of products as a startup founder. And this is the one that he wished he had. And I actually reached out to them to become a sponsor for this show because I'm such a big fan of it. So if you need a banking product for your startup, use Mercury. You will not regret it. It's amazing. For more information, check out Mercury.com. Mercury is a financial technology company, not a bank. Check show notes for details.

44:32There's a great clip on YouTube of Jim Carrey when he gets some award and he goes up on stage and he gave almost the same speech you gave. He's like, you know, I'm he's like, I this is my second Emmy. You know, I used to be. Oh, yeah. The Golden Globes. Golden Globes. Yeah. One time. Subtly plagiarizing that. It reminds me of it. It's great. I was one-time Golden Globe winner Jim Carrey, and tonight I'm two-time. And he's like, and when I go to bed at night, I will dream about being three-time. And he has that great quote, which is, I wish the whole world could be rich and famous so they would know that that's not the answer, right?

45:11You know, you got to taste that. And you found out yourself that's not the answer for you and doesn't seem like it's the answer for most. I have this goofy analogy that I want to ask you about. So do you ever watch the show Survivor? when I was a kid, I watched it. I guess I'm one of the doofuses that are still watching it in season 47. What's going on with you, man? Okay, so we all have a thing. I got my thing. Some people got weird things. This is mine. I want to go on Survivor someday. That's part of my angle here. But there's this thing that they do on Survivor, which is, I think, a good analogy for life.

45:43So in Survivor, the best thing every player wants is the immunity idol. It's this one thing that if you had it, you're safe. You can finally relax. You've got the one thing that everybody wants. and that's been the case for many years. Recently, they made a twist. They call it the beware idol, which is basically you pick it up and it says, beware, this comes with some disadvantages. And the player has opportunity. They can just put it down. They don't have to take any of the disadvantages. So far, 100 % of players, not a single player has ever put it down. Even though it says on the label, beware, this thing has disadvantages that come with it that will hurt you in this game and every player can't resist.

46:21They take it. and I was thinking about, I was watching Survivor, I was prepping for this podcast and I was like, I think fame is the beware advantage of life. It's the thing that - Yeah, well said. We all think we want the money, the fame, the love of others and it could say it on the label, beware. People who become pop stars when they're young, those aren't the happiest people but we would all take it over again, right? And so there's something to that and I actually was curious like, for you, if you could go back, if there was the next Mike Poser, He's 21 years old. You get 15 minutes in a room with him just like this, and you could tell him anything.

46:57I'm curious, what would you tell him? And do you think he would listen? Yeah. My smiles don't result from good things. They result in good things. You have sovereignty over your own emotions and the way you respond to and interpret every event of your life. And life, like Naval Ravikant says, life is a one-player game, right? And you need to exercise and practice that sovereignty. You need to develop rituals that give you the best chance of enjoying your life to the fullest and being the joy in life, not waiting for something good to happen so you can feel happy, being happy so something good will happen, not waiting for someone to do something nice for you so you can feel good, doing something nice for someone else to make them feel good, and then you feel good by default.

47:47So I didn't have a handle on any of that stuff when I was 21. I saw a great example of that from you, which was, I think either you missed a flight or you were delayed on a flight or something like that. And I love this example because it's so relatable. Everybody's been in this moment where it's travel stressful and then travel often feels out of your control, whether it's a flight delay or you miss your connection or whatever it is. And there's the common cliche reaction to that. And we actually all kind of have that reaction, but it's not always the response. Can you tell that story? Because I think that example stood out to me.

48:24Not everybody's going to relate to being a pop star or making great music, but this was something everybody can relate to. So I'd love if you could share this one. I've been told in recording studios so many times, the lyric that I'm trying to write isn't relatable. Hey, Mike, you can't put that in a song because no one will relate to it. Yeah. Nobody else took a pill in Ibiza to show Avicii they were cool. That was just me. But everybody's done something that wasn't true to themselves to try to gain the attention of someone else. And so while the lyric on the surface is unrelatable, the emotion underneath the lyric is universal.

49:06And the same thing with all these stories. My life is my life. i'm probably i'm the only guy i know that got nominated for the grammy walked across a continent and climbed everest and i did that by design right because i wanted i want to be the only guy i wanted to have a life that was cool to me and unique to me and and yeah and part of it was ego that like hey i want to be unique and but also i wanted my life to be inspiring to me but every element every one of the stories we share today whether it's a story from you or a story from me or survivor or what have you, has human emotions underneath that are universal.

49:47So the story you're talking about is, yeah, I did a post. I never talked about this. This is a podcast world premiere.

50:01I had this horrible travel day, man. The day before wasn't good and I didn't sleep. and I woke up early and we had to drive three hours to the airport. We were in Colorado and there was an accident on I-70 and we just got in this traffic jam and we were in the car seven hours, missed the flight. And it was just, you know, I was feeling sorry for myself. It was just a bad, stuff was bothering me in other parts of my life. It was a bad day, man. I didn't feel good physically, emotionally. Everything was off. And I remembered that I was on a Zoom call in a Tony Robbins conference about time and scheduling efficiency.

50:51And in one of the breakout sessions, one of the other participants said, when you're having a bad day, ask yourself, what could I do to make this a great day? and it just it flashed back in my head while i was in that car i said well this is okay this is bad day check we got the first part right i said what can i do to make this a great day and i said okay if i could use the fact that i'm having a bad day to do something nice for others that would be a really cool thing that would make me proud of myself and so i called my assistant I said yeah this is all messed up and I was missing family time I get only so many days in my family every year my mom, my sister and I was missing one of them I was just bummed out so we get to spend the night in Denver can you find me a place where I can just go volunteer not with money, actually show up go serve and Stacy, she's amazing she found me I forgot the name of the establishment but it was set up for people that were getting off of drugs and they could live there and they could have a house, you know, a roof over their head and some meals while they find a job and they get some training.

52:18And I just show up to, you know, like serve food. And when I showed up there, I was still tired. I physically had a headache, still all the same things, But I was just proud. I said, hey, I used my suffering, my having a bad day as an excuse not to go to bed, not to complain, not to take it out on somebody else. But I used that as an excuse to do something good for someone else. So I did alchemy today. I turned my suffering into service. I turned my suffering into connection. And that pride I felt in myself because I would usually not do that. I would usually have a pity party in the hotel and look at my phone.

53:06It just gave me all this pride. And I say this when I speak a lot. True happiness comes from growth. True happiness comes from growth. It doesn't come from getting everyone to like you. It doesn't come from getting the most followers. It doesn't come from a million dollars. It doesn't come from things going the right way for you, the right way for you. it comes from playing a part in the evolution of your own soul so it's saying hey i usually do things this way what if i did something this way and that day i can truly say was one of the best days of my year without a doubt i went to bed proud and by the way so much energy yeah there's certain things that uh take energy that that seem like they take energy but actually give it's like going to the gym anybody's you're tired you don't really want to go to the gym but you go to the gym suddenly you have energy it's like wait how'd that math work it was supposed to take energy to go work out but i have more than i had when i started it doesn't make any sense but it does it to anybody who's ever done it makes perfect sense it makes sense because if i would have stayed in the hotel room played on my phone i would have got more and more tired because i was engaging in an activity that I knew I don't care about.

54:23But when I engage in an activity that I know is going to do something to make my soul grow, there's unlimited energy. So sometimes doing more is easier than doing less. Sometimes a hard goal is easier than an easy goal. Right. My trainer, he told me this story once that I love. It's very similar to your story just now uh he came to the to our workout in the morning and he's beaming and he's always a happy guy but i could tell a little extra pep in the step what's up hey man what's going on dude i thought i was looking like more fit or something i didn't know what the reason was i was hoping secretly hoping it was me but then he was like he goes well for the last nine months i've been driving around with like an expired license and he's like um i didn't want to go to the dmv so I avoided that pain.

55:13But then every time I drove, I was paranoid all the time that I was going to get pulled over. And if I got pulled over, it was going to become this mess. And so he's like, it's always a little anxiety. It was eating at me. So today I woke up, I just decided I'm doing it differently. So his thing is always just do it differently. So do it differently than you used to do it in the past. That simple thing. So instead of trying to do things perfectly, just do it differently. And you do that often enough, you end up getting pretty damn close to perfect. And so he goes I did it differently what'd you do differently and so he he's like all right where's the local DMV he googles it and you know Google it shows you the star ratings and like imagine a DMV's star ratings right like there's no DMV on earth with a five-star review right so it's like one experience was stellar yeah exactly so it's like a one and a half star experience he's like oh man he's like the reason I haven't been going I've been dreading the DMV and I love this because like everybody dreads a DMV.

56:06So I love this. He looks at that one and a half star and he goes, okay, but I'm a sovereign being. I don't have to have a one and a half star experience. That's the average experience. I'm going to have a five-star experience. How do you have a five-star experience? It's not by going in there and them giving you five stars, just by you walking in a five-star customer. So he gets in his car, he drives to the DMV, no appointment, walks in proud, happy, excited, opens the door for some lady, you know, it helps this, it helps these people. Hey, why don't you guys go ahead of me? Instead of everybody in the DMV rushing into line, you guys go ahead.

56:40Yeah, have fun. And then he's the lady he was joking around with while he was walking from the parking lot in turns out she works at the DMV. She sees him on the inside. She's like, what are we here for? Anyways? He's like, I've been driving out this expired license. I've been so stressed out about it. But I said, today's the day. She goes, you're right. Today's today. Come over here. Cuts the whole line, gives him the thing. He doesn't have to take the test, gives him the license. He walks out of there like, you know, under 30 minutes with a five-star DMV experience. And so he took that and he was like, yo, I just like, this is like watching somebody part the seas.

57:13It's like, you have seen an act. If you didn't believe in manifestation before, if you didn't believe that you control your experience before, like, well, look what I just did with the DMV. I love that story. So I always held that one as like, yeah, you get to choose. You get to choose your experience. And like, I also like that message of like, don't expect the world to be giving you this five-star hospitality. Five-star, like you'll be a five-star customer and watch how the universe sort of responds to you. I love that. So I thought you would like that one. Yeah, thanks for that story, dude.

57:42I want to remember that one. That's good. I want to ask you about some things. You mentioned Benny Blanco. I got to ask you, because I'm really fascinated by these people who are the influencers of the influencers. They're the people who unlock creatives in some way or they just have this really high hit rate. What's going on? What are they doing differently? And we don't know the answer. He was telling me, he's like, oh, I read some shit. He tries to create a safe space. He kicks people out of the room. He lights candles. I was like, okay, I got to ask Mike about this. What's Benny Blanco's superpower?

58:12What does he do well that has enabled him to work with guys like you and get kind of great results? From my perspective, it's what you did, but it's the intangibles. It's not the type of candle. it's he really has a gift for making artists who are a fickle bunch right can easily get scared kind of like exotic birds you know get scared are like you know we're sensitive in a good way we pick up on things that other people don't and then we can write about and help other people to see that you know we see divine in the mundanity but as a result you know we can we can feel someone's energy a lot of artists could go yo if that dude is weird like it's hard for us to write a song if there's a weird dude in the room or, you know?

58:56So he's a master at, yeah, creating the physical space, but him, he knows how to get the best out of the best people in the world. You have people like that in your life, I'm sure, whether it's family or friends that, gosh, you just feel comfortable around them. So he has a gift for that. And he also has great taste and his superpower, One of his superpowers is that. And he's also really fun to be around. I'm really driven, type A. When I first worked with Benny, he was the first person I did a real studio session with where I was in an actual recording studio. I'd written songs with Big Sean in my basement, but I'd never gone to a studio.

59:40I was always, man, we got to work hard. And at that time, I'm paying by the hour for the studio. We got to make the song. Let's go. and he was the first guy goes dude it doesn't matter if we make a song today let's just be and the song will come out and if it doesn't it'll come next time you know so he taught me how to collaborate he he taught me a lot about and hopefully i do that for other artists now too you know other people when i collaborate but yeah he has a gift for that i'm obsessed with these videos that are like you know some guys love the roman empire or whatever of mine is like watching the making of these songs because there's so many of these on youtube you've got a bunch of them on youtube uh it's like you know this grainy footage and you hear you can hear them play the lick for the first time and they're like oh yeah i like that it's like that's the song and you almost want to reach the screen like that's it that's the song that we're all gonna love you just don't realize you just did it there's one of benny and ed sheeran i think in a tour bus where he's like writing uh love yourself or something like that and they're just messing around it was the same sort of vibe where he's like sitting there cross-legged barefoot he's like it didn't seem like there's a lot of stress around like what is the answer it was more just like that would be fun I like that you know and he was just playful with it which allowed them to play and be like you should go and fuck yourself although yeah that's great that's a great line and it's like wasn't the appropriate line but it was the like fun line and because it got there the song got there I'm pretty fascinated by those one of the things that I heard that Ed Sheeran said I thought was pretty interesting yeah there's some documentary about him on Apple TV Plus, but he goes, it's almost like a superstition.

1:01:17He said, I believe that rooms have songs. Rooms and instruments have songs because to write his album, he wouldn't just like go to a studio. He would rent a farmhouse or some like cool, inspiring space. And he would build a mobile studio there, which was 85 % as good as the best studio. But the house would get like double the inspiration for him or the comfort for him and the band. I thought that was very interesting. the trade-off between efficiency or picture-perfect audio versus creative inspiration. What do you do with your environment to get the most creative version of you? Very similar.

1:01:56First of all, I love to work in immersions like that. I have a studio in here, and I mostly record myself when I'm home. So my whole career, same as when I was in the dorm room. The mic's a little better now, but I have a laptop, nice mic, plugged in a nice pre, and I hit record on the laptop. I sing until I mess up. I hit stop. I engineer the thing myself. That way I can record whenever I want. I don't need another person. I have to wait for someone else to come over. But I love to work in immersion similar to what you just described with Ed, which is that's when the most stuff happens. Hey, we're going to take a bunch of talented people.

1:02:39We're going to go to a nice place that's divorced from our normal duties. And we're just going to live and breathe this art for a week or two weeks. Then we're going to basically work till we die. And then we take a couple of weeks off and we come back and do it again. I like to work like that. Is that where some of your songs have come out of? Like a setup like that? My songs have come from all over, you know, so that's my personal favorite way to do it. but it's not about what I like. It's, you know, the songs coming through. So I've written songs on airplanes. I've written songs here. I've written songs in the morning.

1:03:17I've written songs at night. Written songs starting with piano licks. Written songs starting with lyrics. Written songs starting with melody. So pretty much every different way. Hey, by the way, we having fun? I'm having fun. Where are we measuring up to your research, dude? It's higher because you gave me that iTunes Zoom. I'm better in real life. That iTunes story was amazing. That's like, you know, everybody's got their favorite dish. That's my favorite dish. It's a combination of like the serendipity of things working out for somebody 10 years in the making. Like, I love that. Everybody who's trying to do shit, you want to hear stories that, yeah, after 10 years, then it starts to work out.

1:03:57There's something we all need to hear those stories. But then also, you did engineer it in a way too. Like, you weren't a passive observer to some lucky circumstance. Like you took this, you took steps to like, hmm, observation. Let me double down on that. And you did things that there's no textbook to say, make your pledges, change their profile pictures and invite people. But it makes sense at the same time. So I love that story. Thank you. I want to ask you about the walk, but also the walk or Everest or the silent meditations. But I bucket them all under one philosophy, which is do hard things.

1:04:30Is that the right description of your philosophy? why you would climb Everest, why you would walk across America. What's the philosophy that drives somebody to do those things? Yeah, they were large examples of the airport day gone wrong, going to volunteer, saying, my life is maybe too easy right now, and that's why it doesn't feel right. So I'm going to make a harder goal. I'm going to make my life harder, but then paradoxically my life feels easier when I'm doing the harder thing. So they've hit on a lot of themes that we touched on today. And I think that's true probably of walking across the U.S., climbing Everest, and doing some longer meditation retreats.

1:05:17Can you take me back to one of them? Where you were, life is easy but doesn't feel quite right. I don't have the same level of joy I should be having on paper. And then what the voice said that made you go do one of those, Can you walk me through that? Yeah, with the walk across America, I was at a friend's jewelry shop, and someone across the room said, my friend just walked across America. It was like a tractor beam. I went, I said, what did you just say? My friend walked. I go, you can do that? I guess. He did it. No one else cared about it. Like, what's up with you, man? And I said out loud in that jewelry shop, I'm going to do that one day.

1:06:07I actually don't think I said, I said, I want to do that one day. And the sentence lingered in the jewelry shop like a fart no one wanted to claim. And everyone just sort of went back to whatever they were talking about before I said it. And fast forward four years later, four or five years later, my father dies from brain cancer. And I think about six months after that, my assistant at the time, Nick, comes to pick me up, take me to a studio session that day. And he said, hey man, Avicii's dead. Avicii is a friend of mine that I worked with in the music studio. I worked with him a few weeks before.

1:06:53He said, Avicii's dead. I go, don't fuck with me, man. He said, I'm not fucking with you. Avicii's dead. I said, I can't believe this. And I get in his car. He drives in his studio. And I keep saying, I can't believe this. And while I'm saying I can't believe this out loud, there's one thought going through my head that I can't make stop. It's I have to walk across America. I have to walk across America. I have to walk across America. I have to walk across America. and it was this proximity of death saying, hey dude, you see that man that gave you your life? The one that you look just like? He's dead.

1:07:36That's what's going to happen to you. You see that other man who does the same job as you? You guys do the same. You do concerts. You're in the studio with him last week. He's dead. That's what's going to happen to you. Maybe not in the same way, but this is a return trip. Another couple weeks pass. I'm in this shitty little guest house that I'm renting in West Hollywood bouncing around studios trying to make my next hit. And my friend Willie calls me and he goes, hey Mike, I got bad news. One of our best friends that we grew up with his name is Ronnie. He goes, Ronnie's dead. Shit. and I just realized dude I'm gonna die before I die I want to live the life that I actually wanted to live and I wasn't doing it I was living the life that I thought my manager thought I should live truly I was living the life that I I was 30 years old living the life that 20 year old me had set up and it was it was pain i walked across america because i was in pain and i i wanted to figure out a different way when you were doing it did you like a lot of times the reason i do something isn't the thing i get out in a great way yeah right i go in for one reason and i come out with it's like going to chuck e cheese to play the games you get all these prizes at the end you didn't even realize that's that's how the tickets work um what were the prizes you got at the end of that found a part of myself that was that was so much stronger than i ever knew was even there not only found a part of myself unleashed a part of myself that i previously didn't know was there dude i got bit by a poisonous rattlesnake i spent three nights in the icu i got airlifted i got told by dispatch i might not live i got told by doctors it might take me eight months to heal i got you know told by other doctors i might lose my foot it's just like and i did a crazy thing dude i went back i kept going everyone expected me to quit because probably because the old me was such a bitch you know i was like my whole life was about me and everything me being comfortable and so like i'm gonna do the opposite i'm gonna be a five-star walker right but you're different i'm gonna do it different i'm not gonna use i'm not gonna use this injury as an excuse to do less i'm gonna use as excuse to do more and yeah i get to do podcasts and talk about it and this thing is on my Wikipedia page and the check, the real trophies that you ask is I became someone new.

1:10:40And that part of me is, it is so different having an inkling you're strong versus knowing you're strong because you, because you were strong and I was strong in a way I hadn't been before. That's amazing. I think that the there's this concept of Misogi have you heard of this uh-uh we've talked about on the pod before this guy Jesse Itzler came on I love Jesse Itzler he's a good friend man yeah so Jesse I'd do anything for Jesse Itzler I like that for real he's one of my like I don't ever use the word like mentors or heroes or anything but like I call them blueprints so I look for people who live interesting lives that I'm like ooh that could be i like the way that house is laid out maybe i could steal some of that blue he's that for me too and by the way a friend spent time with him off the off the record yeah he's that guy yeah that's actually something i always wonder because on the podcast you always see people's you know hopefully that guy 24 i've been with him i watch him with his kids he's that guy so he's got he has this idea of uh kevin's rule and he's got the misogi which is like misogi is like the one one grand challenge a year, one ambitious, hard thing you're going to do, whether it's super physical or it might be some other thing.

1:11:59Like I have mine, which is, can I go 24 hours straight without a complaint in my head? That's my misogynist. It's harder for me than an Ironman or anything like that. That's dope, dude. I want to try that too. But that's a superpower. Not in your mouth, in your head, dude. Yeah, yeah. Anybody can not say it, but I'm saying it to myself. It's the conversation I'm having in my head is the big one all day. So good, man. And so I'm really working on that. And it's so funny. you see it, you're like, and actually you're a Tony Robbins guy. I'm a Tony Robbins guy too. He said a phrase which made me realize how important this was.

1:12:30He says he goes on some trip and he meets some guy in India or whatever. And the guy goes, asked him something about suffering. And he's like, yeah, I'm Tony Robbins. Like, I don't know if you know this, but suffering isn't what usually people describe me as like, you know, thriving, a powerful, successful, all these things. He's like, didn't say that to him, but that was the internal feeling was like, what do you mean suffering? And he's like, well, I just saw you kind of yelling at your guy over there. He's like, well, no, he wasn't doing his job. And so I had to immediately demand the performance.

1:13:03And the guy brought to his awareness, like, man, there are so many of these little moments every day where you're losing your state, this beautiful state that you're in. And then it goes away. And he said it like, he said, how cheap is your happiness? Like how little does it, how much, how little of inconvenience does it take? If I spill this water on this desk right now, do you lose that beautiful state or you stay in it? Because if you lose it, then that was cheap, man. That was so easy to knock you out of that. And I heard that. And that was like, ooh, that's a, it's a thing I want. And when I look at your story about like the things you wanted in your 20s, the success, the fame, the money, the love of everybody, like those are the things all of us want, at least in our 20s, is often their whole lives.

1:13:45And a big part of life seems to be just figuring out what are you supposed to actually want like you know i wanted this i achieved this oh shit worst case scenario i realized i didn't even want the right thing in the first place i played a game that was rigged for me to lose so you know some of your story reminds me of that philosophy that has served me well it's so well said and and i believe the person that tony was talking to was krishnaji yeah and and so krishnaji and his wife pritnaji are these amazing And they teach that there's only two kinds of states, beautiful states and suffering states.

1:14:22And there's all different types of suffering states and types of beautiful states, joy, laughter, calm, serenity, or pain, depression, self-pity, you name it, right? But there's really only two states. And so I think what all of us really want is to have more beautiful states, less suffering states. And so we're talking about tools to get there. What do you want? That's what you want, I think. Right. The problem is we convince ourselves that we want the middleman. We think the promotion gives us the beautiful state. Well, yeah. The achievement gives us the beautiful state. Anything you want, you want because you think it's going to give you a better state.

1:15:00Right. And maybe it will momentarily, but the trick of the game is, hey, you don't have to wait for the thing. Right. Feel it now. Feel it right now. And if you can win that game, you've won life. Right. Right? And so nobody's perfect. I don't know anybody. You know a lot of these guys too. We just met, so now you know. Right, right.

1:15:24But like you, we get to spend time with a lot of these teachers and gurus. So I haven't met one yet that's 100 % in a beautiful state. But we can work more towards there. And we need external goals. So that's a lot of my message. hey, set a goal that actually inspires you. That's Viktor Frankl, Man's Search for Meaning. You need something in the future you're looking forward to. It's important. At the same time, you need to be winning this internal game of, hey, that's my goal, but how do I want to feel as I'm going after it? That's a different kind of goal that interweaves with your external goal.

1:16:05And most people forget to set that one. And they lose. They lose life. they might win on the vertical axis they might win on the horizontal axis but they lose in the depth the vertical axis so that's it man thank you for bringing that story that's a great reminder that's it, that's all we're trying to do any of these tips or tools or stories it's all to to win that game I appreciate you inviting me out to your house and appreciate you doing this it has been great Peace. I feel like I can rule the world. I know I could be what I want to. I put my all in it like no days off. On the road, let's travel, never looking back.

1:16:57Hey, let's take a quick break because there's a quote that I love I want to read you. It's that we shape our tools and thereafter, they shape us. And as an entrepreneur, if you're using a bank that was built in the 90s, You're operating like you're in the 90s. And trust me, I've been there. Clunky portals, random holds on your money,$50 wire fees, and then being told, please visit your local branch. Well, that's why I switched to a different type of banking solution, Mercury. It turns your financial chores into a smooth workflow. You can do wires, invoices, cards, reimbursements, two clicks, and I'm done.

1:17:27If you're already using Mercury, respect. If you're still using one of the old big banks, I got questions for you. So go visit mercury.com and give it a test drive. Mercury is a financial technology company, not a bank. Banking services are provided through Choice Financial Group, Column N.A., and Evolve Bank & Trust members, FDIC.

From the publisher

Episode 640: Shaan Puri ( https://x.com/ShaanVP )sits down with Mike Posner ( https://x.com/MikePosner ) about his insane hustle, fame, loss and reinvention.
—
Show Notes: 
(0:00) iTunesU Story
(14:41) Going back to school, famous
(21:40) Getting on the radio
(26:40) “I just do what's cool to me and sometimes the whole world agrees”
(30:06) One true sentence / Writing Process
(39:50) Money, fame and Survivor
(46:52) Advice to my younger self
(48:10) Missed flight story
(58:00) The making of a hit song
(1:04:31) Walking Across America
(1:11:09) "How cheap is your happiness?"
(1:14:17) Beautiful States v Suffering States

—
Links:
• Mike Posner - https://mikeposner.com/

—
Check Out Shaan's Stuff:
Need to hire? You should use the same service Shaan uses to hire developers, designers, & Virtual Assistants → it’s called Shepherd (tell ‘em Shaan sent you): https://bit.ly/SupportShepherd

—
Check Out Sam's Stuff:
• Hampton - https://www.joinhampton.com/
• Ideation Bootcamp - https://www.ideationbootcamp.co/
• Copy That - https://copythat.com
• Hampton Wealth Survey - https://joinhampton.com/wealth
• Sam’s List - http://samslist.co/

My First Million is a HubSpot Original Podcast // Brought to you by The HubSpot Podcast Network // Production by Arie Desormeaux // Editing by Ezra Bakker Trupiano

More from My First Million

All 431 episodes
How Mike Posner built a music empire from his dorm roomMy First Million · 1 h 19 min
Listen in VO