In short
Andy Cohen discusses building the “Bravoverse” (Bravo’s reality universe), how he produces and brands it, and why he thinks reality TV—especially The Real Housewives—is more than voyeurism. He also addresses controversies (a 2024 hostile-workplace lawsuit; Bethenny Frankel’s unionization push), his long-running interactive show Watch What Happens Live, and how fatherhood changed his priorities. He ties his approach to storytelling influences like daytime soaps and Andy Warhol, and to his own “deadline-oriented” career.
Guests
No co-guests appear in the excerpt. Kara Swisher interviews Andy Cohen. Rosie O’Donnell appears only as the “expert question” voice (asked: how fatherhood changed his life/career).
Key claims
He’s a producer/broadcaster, not a “reality star,” because he controls his edit. Housewives is a “docu-soap opera” shaped by soap storytelling and gives women a platform (including sexuality and agency). Watch What Happens Live stays largely the same because it’s live, unscripted, and not pre-interviewed. He argues Bravo celebrates sobriety rather than encouraging excess.
Notable examples
BravoCon (30,000 attendees; “Bravo-Leberties” sell at booths). Early Housewives origins (Vicky in Orange County; men as secondary characters; neighborhood “Pine Valley” feel). Warhol influence via unretouched reunion photos. Below Deck as a “workplace drama” reality model. Lawsuit and unionization are acknowledged but not detailed. Fatherhood: he describes a “dad edit button” and prioritizing time with his kids over major trips.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOBravoCon and the Bravo-Leberties
0:00 to 0:34
Learn about the scale and excitement of BravoCon and its celebrity participants.
“You know, BravoCon, we do in Vegas, we've got 30 ,000 people going to absolutely idolize the almost 200 Bravo-Leberties that go and take part in it.”
Kara's Connection to Andy
1:39 to 2:15
Kara reflects on her first meeting with Andy and their shared experiences.
“Join Kai and Carter three times a week as they utilize all the reporting resources The Guardian has across news, international coverage, climate, culture, wellness, and more.”
The Evolution of Bravo
2:15 to 3:10
Discover how key shows like Queer Eye and The Real Housewives transformed Bravo.
“And The Guardian's not owned by a billionaire.”
The Birth of Reality TV
3:10 to 4:50
Andy discusses the impact of reality shows and their connections to viewer relationships.
“Create your first Monday agent today at Monday.com.”
Andy Cohen's Role in Bravo
4:50 to 6:50
Learn about Andy's perspective on being both a producer and a public figure.
“And then a little show called The Real Housewives.”
From News to Entertainment
6:50 to 9:30
Andy shares his transition from CBS News to Bravo and the lessons learned.
“from the stars you also created, because you're at the center of it.”
Crafting Stories in Reality TV
9:30 to 11:30
Explore how storytelling techniques from journalism influence reality TV production.
“Louis watching soap operas like All My Children.”
Influences from Soap Operas
11:30 to 13:50
Andy reflects on how his love for soap operas shaped his perspective on entertainment.
“I mean, these are photos that I've taken from behind the scenes of Bravo.”
Conceiving the Real Housewives
13:50 to 14:00
Discover how the Real Housewives franchise was conceptualized amidst pop culture trends.
“yet she had a grotto in her backyard, and her kids were beautiful.”
Inside the World of Housewives and Fame
14:00 to 22:17
Explore how the Real Housewives franchise reflects and shapes modern fame and culture.
“And the way that they talked to their kids was certainly different than we were talking to our kids on the East Coast.”
Show all 25 chapters
Inside the World of Housewives and Fame
23:15 to 23:27
Explore how the Real Housewives franchise reflects and shapes modern fame and culture.
“Ripple has been powering modern finance for a decade.”
Challenges and Criticisms of Reality TV
24:10 to 28:00
Discuss the controversies surrounding reality TV and its impact on participants.
“First, like reality Tuesday, it's not without its controversy.”
Andy Cohen Reflects on Bravo's Impact
28:00 to 32:00
Andy Cohen discusses his reflections on the criticisms he's faced and his pride in Bravo's shows.
“When you think of the criticisms leveled at you, what do you think is a fair one that's changed, that you've changed yourself?”
Exploring Gen Z's Political Landscape
32:00 to 34:25
A discussion on how Generation Z is shifting political dynamics and their voting behavior.
“So like any good millennial, I have a love-hate relationship with Gen Z.”
The AC2 Tour and Media Landscape
35:31 to 42:00
Andy Cohen shares insights on his tour with Anderson Cooper and the evolving media landscape.
“We talk, tell stories, show a lot of clips, and it's a really fun night.”
Navigating Media Relationships
42:00 to 43:24
Andy discusses his media strategy and the importance of promotion.
“But NBCU knew my relationship with Anderson and they gave it to me.”
Fatherhood Changes Perspectives
43:24 to 45:07
Andy shares how fatherhood has shifted his priorities and approach.
“So speaking of that, every episode we get a question from an outside expert.”
Parenting Style and Values
45:07 to 47:29
Andy describes his parenting style and lessons he's instilling in his children.
“I'm going to host the Attitude Awards in London.”
Visibility and Advocacy
47:29 to 49:44
Andy discusses the importance of visibility for LGBTQ+ individuals and activism.
“But also when they want to give something to a friend, trade something.”
Navigating Controversy
49:44 to 51:14
Andy talks about the challenges and responsibilities of being outspoken in media.
“And I like to, you know, troll, what's his name, Matt Schlapp and his wife Mercedes.”
Raising Kids in Modern Times
51:14 to 54:28
Andy reflects on the challenges of raising kids today, especially as a gay parent.
“But if I'm all hopped up, then I will come in and say I want to speak to, you know, I want to speak about X, Y, or Z.”
The States Project and Political Engagement
56:00 to 56:31
Learn about the States Project and its role in political races.
“And the States Project isolates the most key races.”
Future of Reality Television and Late Night
56:31 to 58:56
Discover Andy Cohen's insights on the future of late-night TV and reality shows.
“I'm going to finish up looking for the future of reality television.”
Career Aspirations and Personal Happiness
58:56 to 1:00:44
Andy Cohen discusses his career choices and what drives his happiness.
“That's not, you know, that's not nothing.”
Reflecting on Success and Relationships
1:00:44 to 1:02:21
A light-hearted discussion about self-worth and relationships in the industry.
“Is there anything you've done that you want to do?”
Transcript
Automatic transcript. May contain errors.0:00You know, BravoCon, we do in Vegas, we've got 30 ,000 people going to absolutely idolize the almost 200 Bravo-Leberties that go and take part in it. Yes, Bravo-Leberties, Kara. And they are able to sell things at booths. Like a giant Star Trek convention. Yes, I mean, they're, you know, yeah.
0:33Hi, everyone.
0:34Kara Swisher:From New York Magazine and the Vox Media Podcast Network, this is On With Kara Swisher, and I'm Kara Swisher. My guest today is Andy Cohen, the host and executive producer of Watch What Happens Live and executive producer of the Real Housewives franchise. He curates two serious XM channels, Radio Andy and Andy Cohen's Kiki Lounge, runs his own book imprint, and co-hosts CNN's New Year's Eve Live with Anderson Cooper. He's also the author of several bestselling memoirs, and his latest book is Andy's Bravo Scrapbook, which is out October 20th. I always want to talk to Andy. I met him a long time ago.
1:09Kara Swisher:He probably doesn't remember. But he's always really interesting. And I think a lot like, oddly enough, Ryan Seacrest and others sort of undersung in how much business he does. And so I want to talk about business and, of course, his quirky personality, his relationships, and also his outspokenness against President Trump, which is, I think, unusual in the celebrity area. But of course, not the person we asked to do the expert question, Rosie O'Donnell, legendary comedian and talk show host. She's also an outspoken activist and recently wrapped up a stint as guest host of Jimmy Kimmel Live on ABC.
1:40Kara Swisher:So stick around.
1:51Kara Swisher:Support for this show comes from The Guardian and their new show, Stateside, where journalists Kai Wright and Carter Sherman use the entire independent reporting resources of The Guardian to slow down the news and wrestle with the questions we all have about what is actually happening in the world. Join Kai and Carter three times a week as they utilize all the reporting resources The Guardian has across news, international coverage, climate, culture, wellness, and more. And The Guardian's not owned by a billionaire. They fearlessly report the facts without interference. Go to theguardian.com slash stateside to learn more and listen wherever you get your podcasts or watch on YouTube.
2:28Kara Swisher:That's theguardian.com slash stateside.
2:35Kara Swisher:Support for this show comes from Odoo. Running a business shouldn't feel like surviving a software group project. One app for accounting, another for inventory, another for sales, and somehow none of them ever talk to each other. That's where Odoo comes in, an all-in-one business management software that brings every part of your business together, from sales and accounting to inventory and marketing, all in one powerful platform. No messy integrations, no bouncing between tabs, and best of all, no spreadsheets. Stop managing software and start managing your business with one unified system. Try it today for free at odoo.com slash cara.
3:11Kara Swisher:That's O-D-O-O dot com slash Kara.
3:41Even you. Try it. Create your first Monday agent today at Monday.com.
3:52Kara Swisher:Andy, thanks for coming on On. Thanks for having me. I kind of stalked you, didn't I, through Anderson Cooper? You know what? By the way, a flattering stalk, I would say. Do you know where we met? You don't know. You probably don't remember. That's okay. I'm scared. It's all right. We were at dinner at the Sunset Towers with Lauren Zelaznick, early days. Wow. Long time ago. Long time ago. And you were there and you were hysterical at the head of the table. Okay. Yeah, you were great. But was it just the three of us? No, it was one of those Lauren dinners. Yes, yes. You know what I mean? And I had just finished the Code Conference and I had interviewed all the tech.
4:28Kara Swisher:And you were actually, you had some questions about Mark Zuckerberg and everybody else. Yes. Okay. Wow, I didn't remember that. It was like, sledging days. Because Lauren deserves a lot of credit, all of you do, about what it was. But at the time, I think it was Queer Eye for the Straight Guy. There was a couple of... It was Project Runway, Queer Eye. Yeah, we started with... And then we added Top Chef to do what Project Runway was doing for fashion for food. And then a little show called The Real Housewives. Right, a little show, a little show. We're going to get into that. But it was really interesting because at the time, Queer Eye was unusual and strange.
5:03— Queer Eye was really the thing that turned Bravo around, and that was before my time. I got the pitch for Queer Eye. I was working for Barry Diller at a small arts channel, and you knew from that pitch that it was going to be amazing, but Bravo actually cast it with them, and it was amazing. And so, yes, but Lauren brought me over to Bravo in 2004, and now I've been there 22 years, which is wild.
5:31Kara Swisher:I know. It was early on. And one of the things was that you all were sort of the side, you know, people look for the fancy entertainment. And this was more people's entertainment in a lot of ways. And at the time, I thought it was going to be huge because it also kind of tracked what was happening online, which is a much more personal parasocial relationship people have with television that hadn't been separate. Watch What Happens Live, I think, was one of the first. We're now, we've been going 17 years, but, you know, the only live show in late night and also a show that was really driven by viewer comments.
6:05Right, fans. And live polls. And so they're kind of the fourth person in the clubhouse driving the conversation.
6:14Kara Swisher:And at the time, it was looked upon as shabby kind of thing. Same thing with the Kardashians. And I had just interviewed Kim Kardashian because I thought it was fascinating what she was doing online. at the time. Yeah, well, you figured that out. Well, early, and I had actually invited her to this conference, and she was like, why do you want me here? And I was like, what you're doing is parasocial. So 20 years into the Real Housewives franchise, which really did, that was the jet fuel of the whole thing, even though those other shows were the beginnings of what you saw. And you're the face of the Bravo TV network, obviously, and most people see you as a reality TV celebrity like the people on the franchise.
6:48Kara Swisher:Talk about what set yourself apart from the stars you also created, because you're at the center of it. Well, right. I am, you know, I'm not on the shows. So, well, it's funny that you say that. I just had this debate with a writer for Vulture who said, you're a reality star. And I said, I don't think I am. I said, I think I'm a broadcaster. I'm a ringleader of sorts, which my publicist hates that expression. But, you know, in some sense, it's there. But I mean, look, I'm a producer and a broadcaster is what I really am. Right. Why do you go away from that idea that you yourself are a character?
7:34You know what? I think because I have control of my own edit. So I take it as far as I want it to ago. I was dating someone for a year before anyone found out about it, and they found out about it against—it was not on my timing that they found out about it. They were going to, but I was going to be in charge of when I said it. So, you know, no one is in charge of my edit. You're the reality
7:57Kara Swisher:star god, really. Well, I don't know about that. Minor god? Duke? Yeah, Duke. You're the Duke. That's nice. A Vicon. But for people that understand, as you did notice, you're the producer, even though you're the face of it, you work behind the scenes in television. Let's talk about that. You know, Conan is someone that I've really bonded with about this because he was a writer and then he wound up hosting The Tonight Show. I've been a producer for my whole career. I was at CBS News from 1990 to 2000. And then I was working for Barry, launching this cable channel. And then I went and started working for Bravo in 2004.
8:38And so at some point during that run, and I was in charge of programming and we launched all these shows, including The Real Housewives, she knew that I had wanted to be on the air when I was at CBS years ago. I'd wanted to be on the air. My friend Jay Kernis, who's still a producer at Sunday Morning, said, well, you have this wonky eye, so I don't think you're going to get on the air, which I do. and so I kind of just focused on being behind the scenes which was amazing by the way and Lauren knew I still wanted to do this I was writing a blog I was one of the first TV executives to have a daily blog not only about the show but also it was kind of I was going out every night and right and what am I doing things and so I was kind of branding myself before that was a thing an annoying
9:29Kara Swisher:It's almost like a podcast kind of thing. Yes. Same thing. But you grew up in St. Louis watching soap operas like All My Children. Yes. Talk to me about those soaps that shaped your idea of entertainment. Well, I think The Real Housewives is the great American, well, now international, you know, docu-soap opera. And it's real, and these are real people. But I think if you look at the care that we have taken in producing that show and keeping it on the air and taking people out and bringing people in and bringing people back and using flashbacks. And it's really, it is influenced in part by certainly my love.
10:08And I think a lot of producers that we have working with us, a reverence for the daytime drama. Right.
10:15Kara Swisher:My grandmother called them her stories. Yeah. Because I'm watching my story. Right. Exactly. And I loved all my children. And I, I, I, there was a moment in time where I wanted to be a writer for soaps. And I came up with a Bible of what I, where it was like a year of storylines of all my children. You did this. I did it. Yeah, when I was in college. Wow. But I also was super interested in broadcast journalism. So I went that way. But the great thing for me there was that I really learned about storytelling in the edit room. I was working for 48 hours and those were long form character driven stories where you could pick up little ticks about someone's life in 48 hours and craft a piece around that person.
11:01And I will say those working at CBS News and hitting deadlines, I mean, that was that was discipline. It gave me not only discipline, but it gave me the ability to make fast decisions in the field as they related to storytelling and writing. I was writing on deadlines. I have a new book out called Andy's Bravo Scrapbook, and it's 20 years behind the scenes of the Housewives and the Bravoverse. And these are all photos that I've taken.
11:31Kara Swisher:Right. It reminded me of the SNL book. Do you remember that? Yes. The first season of SNL. I mean, these are photos that I've taken from behind the scenes of Bravo. But the reason I say it is I've written five other books. And I am a very deadline-oriented person. And I got that from CBS News. You started as an intern. I was an intern in 1989. Yeah. I was an intern at the Washington Post. Great. I mean, you can't beat it. No, you can't. You can't beat it. You can't. And then I graduated college in 90 and I moved to New York and I was like, I want to work at CBS News. And a desk assistant left soon after and I got a job there.
12:06Kara Swisher:And the thing you did for Barry was Trio, right? Trio, yes. Where did that go? It was Brilliant but Cancelled. Brilliant but Cancelled. Yes. So what was – you didn't want to stay in news. Pop culture and entertainment were always your thing. You know what? I had a very great job and standing at CBS News. but Barry had become a friend of mine and he knew me and he believed in me and he offered me a job as head of programming at this cable channel he was starting and he said, look, and the idea for this pop culture and arts channel was that it would be kind of a more accessible version of PBS and it would be high and low and my whole career has been high and low.
12:51Kara Swisher:Sort of like Tina Brown at Vanity Fair. I think so. I think high and low is the way to be. The way to go, yeah. And you were attracted to the pop culture and its impact on society. And I thought, when am I ever going to get the chance to learn about programming television from Barry Diller? So it was a decision made for me. One of the things that people thought initially about this stuff was tapping into people's voyeuristic tendencies. Yes. Which has been around forever. And of course, there was MTV's Real World, Mark Burnett shows like Survivor and The Apprentice. How are you thinking, conceiving of Housewives with that backdrop?
13:27Kara Swisher:Because those had been on previously. A man named Scott Dunlop brought us a tape of these women in Orange County. And they were, the show was not decided on what it would be. But we thought these women were aspirational in a way we hadn't seen. this insurance agent named Vicky talked about getting her breasts enlarged, yet she was a mom, yet she had a grotto in her backyard, and her kids were beautiful. And the way that they talked to their kids was certainly different than we were talking to our kids on the East Coast. And it was just a window inside a world, and there was something sexy about it.
14:14And at that time, Desperate Housewives was a big hit on ABC. And we just said, let's follow these women and tell their stories. And for me, it was localized in the way that they all lived in the same neighborhood. This is where it was pinging for me. I was like, this is like Pine Valley. This is a reality. They all had opinions about the other women. They were all friends. We made the men secondary characters and the women were in front. It was always going to be told from their point of view. And that's kind of how it started.
14:45Kara Swisher:So obviously Andy Warhol is known for the quote, in the future, everyone will be famous for five minutes. You've talked a lot about how Warhol is a major inspiration for you. He said if he was alive today, part of you thinks he would be painting the Real Housewives and they would be part of the factory. Right. Talk about the way he approached fame and why that has impacted. Well, I mean, I think that he saw people as superstars. I mean, I think if you look at his superstars, you know, they were unique people from all over who landed in New York, who were this group of misfits who he wanted to kind of make into stars, but they were already stars to him.
15:21So it's wild to me now, 20 years into the Housewives, that they are all international stars. and I think that Warhol also, look, he predicted reality television. What would he do today? What would he do today besides painting Housewives? Well, I don't know because it's an explosion of everything that he, you know, but, you know, it's interesting because I, from the beginning of The Housewives, have taken a picture. This is me in the middle and these are reunion show settings And I've taken a picture of the women from my vantage point every season of the show. Wow. And they're very, these photos are unretouched.
16:03Right. And they're very kind of warts and all. Yeah. And you can see a lot in the photos. And they are so pop art to me. They're a little freakish. They're a little, they're a little. Tan. Bird's eye. Yeah. No, there's a lot of makeup. There's a lot of extensions. There's a lot happening. But they say so much to me, and I think these photos in this book are very pop art. I really think so. And I think this is a very Warholian look at Bravo, I think.
16:38Kara Swisher:Right, in the book itself. Yes. Or Bravo is Warholian. Right. Warholian. Now, one of the things, you know, when I, as I said, interviewed Kim Kardashian, everyone was like, why are you interviewing her? I'm like, she's very important to culture. And what kind of feedback did you get on this interview, Kara? Yes. Well, actually good. Oh, OK, good. Because people thought that she herself didn't think she was worthy of it, which I was like, why wouldn't you be? Of course, there are always the comments about her not being a feminist. And I was like, I think it's a little more complex than that. That's what I thought.
17:10Kara Swisher:And so you said in the past that Real Housewives is a feminist show. And you like to check in with feminists you admire, like Lena Dunham and Roxane Gay. Correct. Two tough critics to make sure they're still watching. And you even had Gloria Steinem on Watch What Happens Live in 2015. Didn't go my way. She's done up there. Yeah. And seemed really bothered when she called the series a minstrel show for women, right? Talk to me about why you think it is. I don't agree with her. I think it's much more interesting than that. Well, it is—look, I think it's very easy to look at clips of the housewives and make a generalization that's not great in a whole lot of directions.
17:50But I think when you watch, first of all, it is the story about being a woman in America over the last 20 years. And the women have talked about being sexually assaulted. They've talked about divorcing husbands. They've talked about the difficulty of playing the role in a marriage that their husband wants them to be. through it all, by the way, an interesting thing has happened to so many of the women that have come on the show is that they found their voice on the show and it's given them a platform. Some have definitely changed them. Some of them have realized I was not happy in this marriage, but I didn't see a way out.
18:33And I didn't see how I was until I watched myself. But one of the reasons that I think that it's a feminist show is that it has I look at certain women on the shows who own their sexuality and they own who they are in their opinions and their thoughts. And by the way, some of them are very conservative women who own the way that they feel about, you know, their roles in a marriage or their roles in politics or business. That may not be what I agree with, but they're very themselves.
19:10Kara Swisher:That's kind of what feminine is supposed to be. Exactly. Right. I mean, in a lot of ways. And also the way they own their sexuality. They're women over 50. I feel like the amount of women over 50 that we've given a platform to to say you are sexy and you're beautiful and you can do whatever you want and there's you don't have to confine by any rules that a man makes. You should make your own rules and you do your own thing and don't let a man define you. That plays out season after season. It's interesting because I have a lot of friends, lesbian friends who I would think wouldn't have liked it.
19:42Kara Swisher:And I'm always surprised. They love it. They're like not bothered by it. It depends on who you are. Absolutely. To me, I don't know why you get bothered by someone who wants to do that. Yes. Or not. And I do see the idea of if this is the only vision of a woman. Yes, exactly. Right? And there can't be. They can't speak for all women. And excessive body changing. But it's still happening. That is also a reflection of where we are as a culture. Right. Exactly. Do you think it presaged how everyone became so performative online? Because now, I mean, the housewives don't even seem extreme anymore.
20:14I know. What do they have to do? I think there are various factors to that. You're going to have to have some executions on there. I think the president hasn't helped matters in the online thing.
20:24Kara Swisher:Right. But— I was headed that way anyway. Yeah. Yes. Yeah. So, but being on camera, your show, Watch What Happens Live, started as a digital series to start with. Started as a digital series. It was sort of raw and chaotic in 2009. I went back and looked at one. Talk about the show's evolved as a cultural phenomenon and why it marries with it. It started as an after show online in like 2007 or something or six. And it was on after Top Chef and Project Runway. And now it and then in 2009, I started doing it once a week and then twice a week. And then we got and then we got taken to five days a week.
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21:03Like, the interesting thing is my show has not changed very much in 17 years. I mean, it's very, it's interactive. It's live. Graham Norton was a big influence. It's unscripted. It is. We don't pre-interview our guests. I had Rob Lowe on last night for a half hour. And he was like, God, that was so fun. And I remind people. I hate the pre-interview.
21:27Kara Swisher:Yes. I decline them all. I hate the pre-interview. Yeah. It sucks. No. One time Steve Jobs was like, are you going to give me the question? I'm like, I'm not. Right. Enjoy yourself. Right. Let's have a conversation. I mean, it's so much more interesting. Yeah, especially celebrities. Yes, exactly. And they come in and there are many celebrities who are scared to do my show because it's too dangerous for them because they know I'm going to go there. But I want people to leave happy is the thing. Yeah, it does have a lot of Graham Norton feel to it in a lot of ways. Who I think is brilliant. Me too.
21:59Kara Swisher:I think it's brilliant. Me too. I'm also stalking him.
22:04Kara Swisher:We'll be back in a minute.
22:18Kara Swisher:Support for this show comes from The Guardian. Trying to locate news sources that reliably separate fact from fiction can seem like looking for a needle in a haystack these days. Social media feeds, cable news, and subscription-based news outlets might be able to give you one version of the news, but not in the way that you need. You want news fast, but slow enough to actually absorb the information. Stateside with Kai Wright and Carter Sherman is here to do just that. The podcast tries to slow down the news and wrestle with the questions regarding the world at large at your own pace. Three times a week, hosts Kai Wright and Carter Sherman bring their expertise together to showcase different and engaging perspectives regarding the world today.
22:57Kara Swisher:They will use their collective knowledge to discuss the news, international affairs, climate, culture, sports, lifestyle, fashion, and wellness. Plus, The Guardian wants to emphasize they're not billionaire-owned, meaning they're free to report the whole picture without interference. Go to theguardian.com slash stateside to learn more and listen wherever you get your podcasts or watch on YouTube starting May 13th. Ripple has been powering modern finance for a decade. We're leading the charge to bridge the gap between existing financial systems and the future of finance. You can have it all. Legacy, stability, and digital innovation.
23:34Kara Swisher:Systems that work with your other systems. Because with the right partner, the question isn't crypto or traditional finance. The question is simply, why choose? A new standard of modern finance. It's happening with Ripple. For informational purposes only, availability of products can vary and may be provided by different Ripple entities. You know that feeling when too many things fall through the cracks? Monday.com was built for that gap. The AI work platform where people and agents work side by side to deliver more together. Create your first Monday agent today at Monday.com. I want to talk a little bit about the difficulties of the show.
24:11Kara Swisher:First, like reality Tuesday, it's not without its controversy. In 2024, a former Real Housewife filed a lawsuit against you in broad alleging the show create a hostile work environment where drug use and drinking were encouraged. The lawsuit is headed to trial, though you and the network refiled the motion to dismiss. There's a whole range of things around behaviors on the show. And then, of course, the unionization effort by Bethany Frankel, of all people, to unionize the housewives. And you've differentiated reality stars from actors saying, quote, you don't go to school to become a reality star.
24:39Kara Swisher:Reality stars typically have other jobs. So talk about these things. I mean, obviously, you run a business, too. I don't think people realize it. Well, I mean, what specifically do you want me to talk about? Well, the lawsuit first. The lawsuit. Well, I can't really speak to that. I will say there are, I'm so proud of the stories that we've told of the women who have either come into the show sober or gotten sober on the show. And there are so many examples of really incredible stories of sobriety on all of our shows. And I would argue that we really celebrate that. and if you see someone who's had too much to drink, I don't think it's an aspirational occurrence.
25:25Kara Swisher:On the show. Yeah. Where does this lawsuit go to? I don't know. You got to ask. Yeah. You don't know and you can't come in. What about the unionization? Do you think these people deserve to be unionized? There's a lot of them now. How many housewives do you have at this point? We have a lot of housewives. they are compensated really well. And I think that there are a whole list of reasons why I could tell you that I'm against that and why it all fell apart. I mean, most people who are on reality shows are on for one season. Most reality shows are competition shows where someone are coming on trying to cook or sing on American Idol.
26:10So most of them are compensated as such, and you're going on to win a contest. So that's a huge percentage of the shows. The shows where you're on for a long period of time, the longer you're on a show, the more money you make on the show. and the money that's being made on these shows is really good and also you're giving a platform to sell any variety of thing i mean you can actually if you work it correctly you can wind up with
26:44Kara Swisher:an incredible platform right yeah skinny girl right that she creates that's separate from you all is that yes that's separate from you you're saying you're giving the platform this is a contest and they're not actors, essentially. That's three things. Right, right. Does it take away from your show or in weird ways? Does what take away? All these, sort of the attack, those two? No, I mean, look, I think that in the hundreds of people that we've put on television and have had positive experiences with the shows, I think these are two examples of people saying, I didn't. And everyone has a story and an experience.
27:25But I would say overwhelmingly, we've got, you know, BravoCon, we do in Vegas, we've got 30 ,000 people going to absolutely idolize the almost 200 Bravo Leberties that go and take part in it. Yes, Bravo Leberties, Kara. And they are able to sell things at booths. They are able to. Like a giant Star Trek convention. Yes, I mean, they're, you know, yeah. I mean, and they're all compensated to be there. Right, right. So I would say it's an actually an incredible universe that we've created that makes a lot of people happy, including the people that are on the shows.
28:03Kara Swisher:When you think of the criticisms leveled at you, what do you think is a fair one that's changed, that you've changed yourself? Like a fair one? That's a good question. Well, I mean, I've had criticisms about sometimes the way I interview people or things like that. I mean, criticisms about me on the radio interrupting too much or, you know, things like that, which I think are always constructive and great. I feel I'm really proud of the way that we have worked with the people on Bravo. I'll stand 10 toes down on our entire, on the 20 plus years that I've been with this company and the shows we've produced and the relationships that we've had and the experiences that people have had on them.
28:56Kara Swisher:When you think about what you find the most successful of the ones on Bravo, like looking through this scrapbook, besides the house I chose, which is sort of the fulcrum, presumably. Right. Is there something that you're particularly proud of? Well, I mean, I'm proud of Below Deck, which is, I think, the perfect reality show. I mean, it's a workplace drama. People are actually paying to be charter guests on these boats. And there are real deadlines. Always a drunken lady. There's barely any HR on the boat. So there are, you know, the crew's hooking up. The guests are trying to hook up. Yeah, it's like Love Boat.
29:30There's a lot happening, yes. Love Boat, it is like Love Boat. Or it's like Downton Abbey, you know, on a boat. So it's really, it's a really fun show and it's a huge show. There are several spinoffs of that going. And Top Chef remains, you know, the leader in food television. I'm really proud of that. And Vanderpump Rules had an amazing 10-year run. I mean, Summer House is peaking right now. So there are some great unscripted shows.
30:00Kara Swisher:Is there one thing that didn't work that you were like? Oh, there's so many things that didn't work. That you like. Well, you know what? There was a show called NYC Prep that I was a, that it was a prep school kids in New York City. You're doing all the shows Gossip Girl. It was Real Life Gossip Girl. And we did it for one season. Right. And we couldn't do it again. All of the schools were like, wait, what? And the parents were like, wait, what? I mean, we did it for one season. It's a great show. It's very beloved in the canon. In the canon. Is there anything that, like, really upset you? That one upset you.
30:34Kara Swisher:It didn't work. It just, they couldn't do it again. Why don't you let the cat out of the prep school bag? We, the first show I produced for Bravo was, it was my conceit that all the big stars on TV were reality stars. So we brought back Battle of the Network stars. Oh, I love that show. From the 70s. No, you did that. We shot it in Pepperdine and we did it. We had the networks against each other. Pepperdine University, live from Los Angeles. Yes. Pepperdine University. And we put people from Project Runway against American idols and survivors and all these people. And it was just a bomb. And I was so sure it was going to be a big hit.
31:07Kara Swisher:Well, that was a thing of the 70s because you wear those short shorts. I know, yeah. You can't really do that today. It wasn't as good at the time. No, it wasn't. The things they subjected those TV stars to. If it had aired on E!, I think it would have been successful. Oh, you do? Successful, yes. Yeah. Is there any that you never made that you wanted to make? You know, Drag Race I wish we would have made. It seemed like Project Runway to us at the time. It was proposed to you? I think it may have been. Right. Yeah, I think it may have been. It just does work. Who's the sticker on your computer?
31:40Who is this?
31:40Kara Swisher:Oh, that's Betty White saying fuck you. Oh, that's Betty White. Saying you're staring at me. It looks like Agnes Nixon who created All My Children actually. Well, okay. All right. Now it's Betty White. Yes. You know, because she's the patron saint of all women these days. She'd be good on a celebrity show. Yes. If you did today. Yes.
31:59Kara Swisher:We'll be back in a minute.
32:12So like any good millennial, I have a love-hate relationship with Gen Z. It's the phenomenon rattling millennials. They just look at you. They want something bigger themselves. Lifestyle is a priority. Motivation is being inspired. But regardless of how you feel about Gen Z, it's undeniable that they're changing national politics.
32:33Kara Swisher:Generation Z is increasingly showing less loyalty to traditional political parties, many now more likely to identify as independent. So what is going on with the kids? I think the biggest misconception about Gen Z's politics right now is that all of a sudden they're all socialists. That is just not the case. They are embracing candidates who are offering new, bold ideas in the absence of those ideas from establishment Democrats. This week on America Actually, Gen Z researcher Rachel Jambaza joins us to separate Gen Z fact versus fiction. It's not rocket science. And this is, you know, I keep saying like young voters aren't that complicated after all.
33:10It's pretty simple. Catch us every Saturday on YouTube or wherever you get your podcasts.
33:40Kara Swisher:musical world, tracing the tales behind unforgettable songs and the artists and creative minds who've reshaped culture along the way. Will brings real lived-in expertise to the table as a former front man of the alt-pop band Parachute. He's earned platinum and gold records and played to sell-out crowds worldwide. That background, combined with his natural curiosity about music's history, turns every episode into an eye-opening journey. So whether you're a music history buff, love, geeking out over songwriters simply want a new way to enjoy the songs you already love, Monday Music Club is where the journey starts.
34:14Kara Swisher:New episodes release every Monday. Watch on YouTube or listen wherever you get your podcasts.
34:25AI panic is everywhere. We do not want a data center in this county.
34:32Kara Swisher:AI models are becoming superhuman in their ability to break in and out of computer systems F*** the clock, damn Roseboro. I hate those things. But where is that panic really coming from? According to a poll from the New York Times and Siena, less than 1 % of voters listed artificial intelligence or data centers as their top priority in this year's midterms. I'm an old school person. I don't care about AI. He's saying that doesn't register for you. And sometimes I wonder, do they care about AI in so-called real America? What people in my district are saying is we think the risks outweigh the benefits.
35:07This week on America Actually, I'm talking to Michigan congressional candidate Will Lawrence on why he shaped his entire campaign around confronting the AI revolution. Really, it's about control, I think, above all. Who decides? Because people feel like they just are not really given any say so in the whole matter. Catch us every Saturday on YouTube or wherever you get your podcasts.
35:31Kara Swisher:so let's talk about the broader landscape because you're doing a lot of other things besides doing this you're i'm a busy person but you're incredibly busy obviously you have your matchup with anderson cooper you've been friends for decades by the way anderson and i are in dc october 10th and philly november 14th and we do uh we were on tour for four years we were in about 60 cities over four years. We talk, tell stories, show a lot of clips, and it's a really fun night. It's like New Year's Eve live on stage, basically. And it's a really great, fun night out. It's called AC2. And we've been doing it for years.
36:14I've known Anderson since the early 90s. And of course, this year is going to be our 10th year doing New Year's Eve.
36:20Kara Swisher:Yeah, you replaced Kathy Griffin in 2017. He became the most iconic odd couple. Talk a little bit about that. It seemed unlikely. I guess he's a straight man, so to speak. You know, we've been friends, as I said, for a very long time. And one of the dynamics of our friendship is that I just, you know, give him a lot of crap and make him giggle. And I not only know how to push his buttons in that regard, but also I feel like with him, I know how to put quarters in him to get the best out of him. And I love him so much. He's a dear friend of mine, but I also find him incredibly, you know, smart.
36:59He's the rare person in a lost breed of people. And he's got a lot of class. He's got a lot of loyalty. He's got a lot of great stories. He's got a lot of curiosity. He knows everybody. He is one of the most respected journalists still on television in a moment where everyone's so divisive and divided. He's a very kind man. He's managed to keep, and he's a very kind man.
37:23Kara Swisher:He really is. He is. You do bring out something in him. It's really interesting. These live ones you've done since what year? Our tour. Yeah, our tour. We were doing it, I think, since like 2016 or 17. For a long time. Then we stopped because we had kids. And then I begged him like a year ago. I was like, dude, we're leaving money on the table. Also, we had so much fun. We could go somewhere together. And see your fans. and see your fans. Yeah. So one of the things that's interesting about both of you, now Anderson's part of Warner, Warner Discovery, which is merging with Paramount now. You work for the other big media company, NBC Universal, has its own big shift with the spinoff of Versant, Comcast doesn't plan to spin off NBC yet again into a publicly traded company.
38:09Kara Swisher:I want to talk about that because I'm an entrepreneurial news person. You are an entrepreneurial entertainment slash news person. Talk about that, what's happening now. How do you look at it as someone who is a producer and who revered, like CBS, the way I revered the Washington Post, the New York Times, but I'm not there anymore. Right. Well, I mean, I think that it creates less individuality and less competition. And, you know, I'm down about it. What does it do for someone like you who's a producer? Well, I mean, for me, I happen to work for the best brand in television and one of the few brands that actually mean something to anyone anymore.
38:53So I am so thrilled to have my ship anchored at Bravo. I mean, and NBC Universal. So, you know, look for a channel like Bravo. NBCU has tripled down on Bravo. Every time they split the company, they keep Bravo with us. I think that this Peacock YouTube deal is going to be incredible, not only for Peacock, but then for Bravo, which is a huge driver for Peacock. And Peacock is launching this Bravo-verse, which I am hosting, that is absolutely going to be an incredible universe for Bravo fans to get lost in.
39:36Kara Swisher:What I mean to say, how do you – like in addition to your work at Bravo and CNN, you curate and host shows, the Sirius XM channel, Radio Andy. You recently took over Howard Stern's channel 101. Yeah. A lot of programming. You've been running it for over 10 years. Yeah. You're putting a lot of – Eggs in different baskets. Many – talk about that because I think about that a lot. Well, I'm a person who – if I am given the opportunity to add to the portfolio of things that I'm doing and it's something that's interesting to me, I say absolutely yes. And so Anderson and I, this tour, it started at a time when I didn't have kids and we could go on the road 11 weekends of the year.
40:17With the radio, I was offered a talk channel 11 years ago. And I thought, wow, at that point I had left being in charge of programming at Bravo. So I was like, wow, I can not only program this radio channel, but it can be the It was almost like the anti-Bravo for me. Dan Rather, Sandra Bernhardt has a show on it, Bevy Smith, John Alter. So it became kind of this, I could do long form interviews with authors. And today I interviewed Stallone about his new book for an hour. And so it just, for me, it makes my endorphins go in a whole other area than producing the Housewives or hosting Watch
41:01Kara Swisher:what happens again back to the business thing people don't think of you that way but it's very clear you're an entrepreneur in that regard yes when you decide what to do if you had to give advice because not everyone can do it like when i everyone who leaves major places comes to me like i should run right i should run a yes yes and the only thing i two things i tell them some people aren't going to make it they just aren't like don lemon when he got fired i was like here's what you do like that kind of stuff or whoever it happens to be it worked because i knew it because It was like that. But in a lot of ways, a lot of people aren't equipped for that.
41:33Kara Swisher:You are attached to a big organization but are doing entrepreneurial. Well, look, I've been lucky because usually when you're attached to an organization, you're only attached to that organization. It was amazing to me that I was able with Sirius, that's all audio. So that's not video. So I am working in an audio medium. I now have a music channel also there. with the CNN thing. That was a bit of an anomaly. But NBCU knew my relationship with Anderson and they gave it to me. And I made an argument to them that I think was very correct that this would be great promotion for me and thus for them.
42:16Well, people don't see that.
42:17Kara Swisher:I say that to a lot of people. Like, what do you care if I'm more famous over here? Yes. Like, well, some people... I think you need to be promiscuous in the media. I agree. You and I both like being. I agree. Yes, I love it. I agree. And thankfully, I had a boss that understood that. And, you know, I feel like if you can make a good argument for something. And also, by the way, I've gone to them with many things and said, hey, how do you feel about this? And they're like, yeah, maybe not. And I say, fine. I mean, so I also trust that they're looking out for me. And I have enough other stuff going on that I'm very happy.
42:59Kara Swisher:Yeah, you're very multi-hyphenate in a lot of ways. And it's hard to do. And I think you have to be to be a successful in media today. Absolutely. But also, you have to know you can take it on and it's not going to kill you. And I now have two kids. And I understand what my time commitment to everything is. and I'm a highly productive person and I meet my deadlines and I know what has to be done. Right. So speaking of that, every episode we get a question from an outside expert. Here is yours. Hey, Andy Cohen. It's your pal Rosie O'Donnell. How are you? I miss you. I got a question for you for the Kara Swisher show.
43:37Kara Swisher:The question is, how has being a father changed your life and career? expand, will ya? I hope to see you soon, Andy. Take care. Bye. Thank you, Rosie. I mean, it's changed everything. It's certainly changed... I mean, I have a little bit of an edit button where I say, okay, don't say that, you're a dad. Right. But, I mean... How big is that button? I was gonna say. I mean, the other day they put these, like, electric panties on me and I gave the guest on Watch What Happens Live the controller every time they didn't want to answer a question they could buzz or something like that. So, I mean, you know, I still push the envelope.
44:21But I mean, look, it's made, I think that viewers have noticed on reunion shows that my dad self comes out a lot as I speak to sometimes either the housewives or to people, you know, some of the younger people that are on some of these shows like Summer House or Next Gen NYC. But I would say, I mean, look, it's just made my priorities totally different. And sometimes my agent will call me saying like, I really want you to get this thing or whatever. And I say, I'm good. Like, I'm good. I just, I view everything as if I have to leave the city to do something. It's going to be time away from my kids.
45:06In the year leading up to having Ben, I said yes to everything. I'm going to host the Attitude Awards in London. I'm going to be the international ambassador for world pride in Jerusalem. Like, yes, yes, I'll do it. I'll do it. Because I was like, you are about to be tethered into a different life. And so go do this now. So I do feel like I'm so glad that I got to, you know, just be famous for 10 years before I had kids so that now I can just be famous at home and not have to go to every party and all that stuff.
45:41Kara Swisher:What kind of dad are you, would you say? I think I'm a – I give myself a really good grade. I'm glad you said that. Thank you. I say that about my parenting all the time and people are like, you shouldn't say that. I'm like, why? Exactly. What, I'm a bad dad? I mean, no. I'm very rule-oriented. I'm very schedule oriented. I communicate with my children super clearly. My mom is reactionary, like everything. And I would just push her envelopes to get her to have a big reaction. So I am prone to a big reaction. But I also, I love deep talks with my kids. They're seven and four. I have already told Ben, I already made a deal with the guy at the bagel store that he's going to work there when he's like 15 or 16.
46:23We have the deal. I got him John Mayer tickets because I want him to know like I'm serious about this because it's hard, by the way. When I was young, I had so many jobs growing up. I mean, I want my kids to work. They, you know, my son is really interested in how money works and how does it play in and whatever. And I'm really being very regimented about the tooth fairy and things like that, because I'm seeing crazy things happening around him in New York City. Meaning what? Meaning kids that get$20 from the tooth fairy or$10. What is your tooth fairy number? $2. $2, that's low. $2 bill. Minus$5.
47:05Okay. All right. $2 bill is a special thing.
47:07Kara Swisher:You're right. It's very rare. That's a good idea. Yeah, an envelope. Inflation, though. It's interesting. You know, it is interesting because, like, kids do need that kind of structure, although you have a big life, too. Yes. I think about it a lot. Yes. My kid has a monster truck ring with a bunch of kids at the playground right now. They trade monster trucks. I mean, I love that. But that's great. Yeah. That's great. Yeah. My wife's like, he can't give it away. I'm like, no, this is good. Yes, exactly. No, it's nice. But also when they want to give something to a friend, trade something. We were at a birthday party yesterday.
47:37My son is so funny. And on the way home, they've got gift bags. Five or seven. This is my son's seven. She's four. and he said to her, he was trying to trade this really good like Lego egg thing and she was like talking, I go, Lucy, do not trade that egg. He goes, you know, if you have two of these Koosh balls, I mean, that's something, that's pretty rare. And I was like, oh my God. And he got her to do the trade and I was like, you know what, Ben? Good job.
48:08Kara Swisher:Good for you. He negotiated the deal. I couldn't believe it. Yeah, there's a lot of negotiations. Yes, my boyfriend goes, you know what? You either got it or you don't. That's right. Sales. Sales. Yes. He's got sales. When you think about raising them in New York, you've got an incredibly high profile. You're also very outspoken, even when your opinions are controversial. Celebrities are very careful. It's unusual for people to speak out. And you intentionally bait people like President Trump. It comes down to, as you say in your memoir, which you wrote, the fact that you simply cannot shut the fuck up.
48:41Yeah, I guess so. But I also, my mom always taught me to stand up for what I believe in. And I, on the radio, I mean, I let it rip on the radio. I really let it rip. You let it rip online. And on Watch What Happens Live, I mean, I gave Fauci the mazel of the day, the day that he was being dragged in front of Congress and he pled the fifth all those times. And man, did it piss people off. And it pissed off a lot of my viewers. and I speak on Watch What Happens Live when it, look, I'm the only gay host in late night television. But I, you know, I really want to speak up for this community when I need to, or when I, you know, when I feel like I need to, and I've spoken up about antisemitism and, yeah, it's, I just, to me, it's a matter of principle.
49:36And I'm off my assistant tweets for me because I found Twitter to be just absolutely just soul crushing. But Threads is pretty fun.
49:47Kara Swisher:Yeah, you do very well. And I like to, you know, troll, what's his name, Matt Schlapp and his wife Mercedes. Do you think about it? Because I'm telling you a lot of stuff. No, I should. I know. No, you should not. You absolutely should not. Yeah, no, I mean, yeah. I mean, Pete Hegseth titles everything with the title of things that have been used as gay porn titles. I mean, like, I'm like, dude, you're you Falcon Entertainment should sue you. They're they're like a leading gay porn producer. Yeah. Yeah. You're. And I have to say Oprah. So I'm like, this is dialogue straight out of Striker Force starring Jeff Stryker.
50:22Kara Swisher:It is a real gay porn administration. It is. It is. In many ways. I have to say, sometimes I'm like, I am, too. I'm like, what's happening here? What is going on here? But do you feel like when you think about it, you just do it because you naturally think you can't shut the fuck up? I don't think that's— Well, I think that I—look, let me say this. I'm very respectful of the airtime and the opportunity that I have on Watch What Happens Live to do the show. The industry has changed so much. I'm so grateful that I get to make this show every day. And I have people who have been with me for 17 years who work on Watch What Happens Live.
51:02And I want all of us to stay employed for as long as we can. So, yes, I have very strong beliefs. I know what my show is and I know what it isn't. And it's not a show about politics. But if I'm all hopped up, then I will come in and say I want to speak to, you know, I want to speak about X, Y, or Z. And I do it. So I just don't think that I overdo it.
51:25Kara Swisher:Do you think it's important that people like you do that? I think it is more than you think. I do. Yeah, I do. I mean, look, I feel like— A lot of celebrities say, oh, why do people don't listen to me? I'm like, why not? You're a citizen, too. Yeah, I mean, look, I'm of two— Every so often something will backfire and I'll think, you know what? I'm just going to keep my head down and whatever. What backfired? I don't know. I don't know. Just it may be something that I just get overwhelmingly negative response to, but that's the only response I'm looking at. You know, who knows? But then I may just get in my head about something.
51:59But no, I think, look, when I do these book tours and I meet a kid who says I grew up in rural wherever and you were the only gay person on television or moms come up to me and say, I used to look at you. And then when you had your kid, I turned to my son and said, you can do it too. So, you know, that means I think visibility always means something and is important. And I feel strongly about it.
52:26Kara Swisher:So on that, and then I want to finish talking about the future of reality TV. When you think about being a parent, a lot of people say gay parents. I'm like, what in the world is a gay parent? Except more fun. Yeah, I was going to say. More fun. Absolutely. Fucking more. Better parents. I think the lesbians should raise everybody, but that's different. The gay men are doing a good job. Lesbians? should run the world. I mean, let's be real. I mean, y 'all keep it together. You have it organized. It is, I mean, my assistant is one of the great lesbians in America, Darren Karp. And I mean, she just gets shit done.
53:03I mean, it's like, and, you know, there's not much drama. Talking about just keep your head down. Make it happen. So to speak. Like, get out the hammer and the nail. I mean, you know.
53:18Kara Swisher:There's a great online guy who talks about his lesbian neighbors. I don't know if you've ever seen him. He's very funny. They do everything. Yes. He's like, we have a potluck and it has everything. Yes. No. I mean, I agree. But when you think about it in a more serious thing, I think it's really important to model parents who are gay. I don't say gay parenting because I don't think it's different than other parenting. Right. But one of the things I worry about are my kids. Now I have older kids. They're now at the time. Did you worry about your kids growing up in this environment? Well, you know, it was interesting because my older kids, they passed the proposition in California, Proposition 8, that tried to end gay marriage when my kids were little.
53:55Kara Swisher:And it was the year Obama won. And my son at the time was 8 or 9. He's 25 now. And he said, can we stay a family? I'll never forget it. It was devastating. Are we still a family? Which is weird. Now, fast forward, since I'm a straight white man now, I have a second set of kids. Same thing is happening with gay and lesbian stuff, which is – Yes, it is. I worry again about the same thing. And what's interesting thing – what is interesting is so far, they're seven and four. They don't know that gay people are discriminated against. That hasn't gotten to them. They grew up with Anderson's kids. Right, yeah.
54:34We had gay parents down the hall from us. There are gay parents in their school. So they don't think it's unusual to have two dads. And they live in New York. Right. And so – but I'm so grateful for it. And I've said to my kids, by the way, do you – does it make you sad that you don't have a mom because they see moms on – you know. And Ben has said, well, if we had a mom, we wouldn't have you, daddy. Right, right. And you're the best. So, I mean, there – he's so high on my supply that – I mean, that's not literal. But he's into me. They're both very into me. So they see it in that way.
55:14Kara Swisher:Do you worry about the moment now? More and more. Yeah, of course I do. Of course I do. Or are we at the end of this? I don't know where the fuck we are, but I do worry about it. But what I think you can, the only thing you can do in moments like this, you really just have to focus on your family and your children and looking within and making sure they're great and that you're all there with each other. I mean, because that's something that you can control. And you donate to the States Project, which I'm very—do you know about the States Project? The States Project is an amazing organization for people.
55:53There's so much hopelessness in politics and in activism right now. As much as the president has and will and continues to grift and cheat and mess things up, everything happens in the state houses. And the States Project isolates the most key races. And when you give to them, you target a certain state or race. So the States Project is just an amazing organization that you can get involved with and not lose your cool.
56:27Kara Swisher:Not lose your cool. Yeah. Because it feels you never know what's going to happen. You don't. You don't. All right. I'm going to finish up looking for the future of reality television. Okay. Two questions. You said that Watch What Happens Live is a short attention span theater. It is. It's made to be a viral show without making it be a viral show. Right. It's doing well as late show on CBS ends and late night viewership is in decline. Talk about that and where do you see it going? Well, I'm amazed. I'm not amazed. where I see it going is that hopefully whoever is president after Trump and that include I mean I'm loving my man in Georgia right now but Atlanta what'd you say I call him hotlanta hotlanta yes but uh but that includes you know listen I have to keep hopeful I'm a I'm an optimistic person So I'm going to say even J.D.
57:24Vance or Marco Rubio, if they were to be president. I'm going to hope that they're not going to weaponize the FCC against everything and everyone, which is what's happening now. And I'm going to hope that the streamers will start developing some live late night shows that can do things without offending, you know, this man, whoever or woman, whoever it is. And that late night show right now, I just think there's the viewership of network television has changed. Absolutely. The way that daily talk shows are streamed has changed because it doesn't really, there is no habit for going on Hulu and watching an episode of Jimmy Kimmel from last night.
58:20Whereas when you watched NBC after the news, you knew that you wanted to watch The Tonight Show. So hopefully the streamers, which have not been able to develop and produce a hit talk show, which is kind of incredible. So I am hopeful that there will be once this insanity stops. I mean, it is. Wouldn't you think that Netflix would be saying? One would. One might think that they would say, look, Colbert had three million viewers a night. That's not, you know, that's not nothing. Like, let's. Would you want to do something like that? I'm really happy doing what I'm doing. I mean, I have a huge platform.
59:07You're a bit like appointment television, which doesn't exist anymore. Well, Bravo is, and I'm a part of that. And so I'm really happy where I am. I want to keep doing Watch What Happens Live for as long as they have me. And then the way I'm exercising my brain on SiriusXM is really fun. So I'm great.
59:27Kara Swisher:Yeah. And you're putting out books too, like the scrapbook. I love, look, I have an imprint at Crown. I published Mariah Carey's book, which was the number one bestseller. I published a book that's an oral history of The Real Housewives. It was the number one New York Times bestseller. And this Andy's Bravo scrapbook, it's a coffee table book. It is a great Christmas present. It comes out October 20th. And so I'm hoping this will be my sixth bestseller. For a friend of mine who watches all your housewives. I love that. Thank you. Which they love it. So, but yeah, I mean, look, I believe in doing as much as you can because anything can go away.
1:00:03And so only do what you can control of.
1:00:06Kara Swisher:Is that what drives you? Anything to go away? Not really. What drives me is being happy in what I'm doing. Me too. And I wouldn't say yes to something unless it was going to make me happy. So people offer me things all the time and I say, that's not going to add. That's not additive to my life. It's not like I just finished R. Emanuel's book. It's about loss. Everything drives him is loss and desperation. What drives me is kind of, is it organic? Does it fit with me? Will it fit with my life? Will it make me happy? You know, I mean, the most important thing is my kid. Can I do, you know, can I still take my kids to school every day?
1:00:43Kara Swisher:You know. Right. In New York. Is there anything you've done that you want to do? Would you like to run for office or? No. I mean, no, I'm good. Nothing? Nothing you'd like to make that you see and you're like, hmm. Not really. Not really. Not really. Is that bad? No, it's not bad. Yeah. Why is it bad? I want to keep writing books and, you know, maybe someday I'll, like, teach a course in media. A professor. Yeah, that would be fun. Why not? Is that funny, Kara Swisher? Yes, it's funny. Why is that funny? It's not funny. Scott Galloway's a professor. Yeah, exactly. The bar is very low. Well, all right.
1:01:20Well, I think that I would be high on that bar. Yes. Harvard. I would be a great professor. Are you kidding me?
1:01:27Kara Swisher:Yes. What? School of hard knocks. Yes. Harvard. What's the best communication school in TISH? NYU TISH. Yes. All right. They would be lucky to have me, Kara. Lucky to have you. Yes, they would. I would agree with you. You're not. You're goading me. No, I'm not. No, because my motto is you're lucky to have me wherever I go. Yes. Well, are you kidding me? Years ago when I was working, someone said they were lucky to be here. And I said, you're lucky to have me. That's funny. See, I mean, not many people can get away with saying that. And I— I bet you could. It's not the best look for a man to say that.
1:02:03I feel like a woman saying that is like, you go, girl. And a man saying that is, wow, you are a douchebag.
1:02:10Kara Swisher:No, you are not a douchebag whatsoever. Anyway— That's why I'm not going to say that. All right, fine. You just did a second ago. Anyway, I appreciate it. My presence is my present. You be you. Can I say that? Yes. Oh, I like that. Your presence is my present. Nice. I'm going to steal that one. It's the same. It's kind of the same thing. Andy, thank you. He's got this Bravo scrapbook out. I really, I think what you make is wonderful. Thank you. And I'm so glad I stalked you. Thank you. I'm so glad I. Anytime. Yes. You know, listen, when Anderson texts and says, I was like. I got Anderson to do it.
1:02:40Oh my God. Wow. Yes.
1:02:41Kara Swisher:Thank you so much. Thank you.
1:02:50Kara Swisher:Today's show was produced by Vicky Veragolina, Michelle Eloy, Catherine Millsop, Olivia Briley, Megan Burney, and Madeline LaPlante-Duby. Nishat Kerwa is Vox Media's executive producer of podcasts. Special thanks to Lissa Soap, Rosemary Ho, Jim Mackle, and Manolo Moreno. Our engineers are Fernando Arruda and Rick Juan, and our theme music is by Trackademics. If you're already following the show, you're welcome in the Bravo Clubhouse. If not, I might have to flip a dinner table at you. Go wherever you listen to podcasts, search for On with Kara Swisher, and hit follow. Thanks for listening to On with Kara Swisher from Podium Media, New York Magazine, the Vox Media Podcast Network, and us.
1:03:29Kara Swisher:We'll be back on Monday with more. Focus Features invites you to sense and sensibility. Miss Dashwood, perhaps we ought to dance. It's a ball after all. The new motion picture is the social event of the season that has critics and audiences swooning. Does it not move you? Excite your senses? Stir your soul? It's wildly entertaining. A joyous celebration of sisterhood. I require so much. And everything you've been yearning for. Sense and Sensibility. Rated PG. Parental guidance suggested. Only in theaters October 16th.
From the publisher
Kara sits down with Bravo network icon Andy Cohen, the host and executive producer of Watch What Happens Live and executive producer of the Real Housewives franchise. He takes Kara on a tour of the business behind the reality TV juggernaut and why he sees himself as less of a “Bravolebrity” and more of a producer and a broadcaster. They also get into Andy’s longtime friendship with Anderson Cooper, how fatherhood has changed him and why he remains outspoken even when his opinions are controversial.
Plus: Kara and Andy talk about his soon to be released book Andy’s Bravo Scrapbook, a coffee table collection of his own behind-the-scenes photos from 20 years of Bravo reunions.
Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok, Threads, and Bluesky @onwithkaraswisher.
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