Barnes and Noble CEO "Books Will Outlive Social Media" - James Daunt

17 Feb 2026 · 32 min · 16 chapters

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Podcast Summary: Open Book with Anthony Scaramucci - Episode 200

Episode Title

Barnes and Noble CEO "Books Will Outlive Social Media" - James Daunt

This milestone 200th episode of *Open Book* features an insightful conversation between Anthony Scaramucci and James Daunt, the CEO of Barnes & Noble and other notable retailers. The discussion centers around the evolution of bookselling, the power of literature, and the enduring relevance of physical books in a digital age.

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Key Themes and Discussions

  1. The Resilience of Books
  2. Enduring Nature of Books: Daunt asserts that despite technological advancements, books have remained a durable and effective medium for over 500 years.
  3. Comparison with Other Media: Unlike newspapers and music, which have evolved with technology, books continue to be highly valued.
  1. Revitalization of Barnes & Noble
  2. Challenges Faced: Daunt reflects on the struggles that bookstores faced in the digital age, particularly with the rise of Amazon.
  3. Successful Strategies:
  4. Focus on creating inviting and aesthetically pleasing store environments.
  5. Empowering store teams to curate their selections based on local customer preferences.
  6. Emphasizing the role of knowledgeable and engaged booksellers.
  1. Community Engagement and Customer Experience
  2. Books as Safe Spaces: Daunt discusses how bookstores serve as welcoming environments for all ages, fostering a love for reading.
  3. Youth Engagement: The excitement of children coming into bookstores after school highlights the community aspect of bookselling.
  1. Publishing Dynamics
  2. Changing Relationships with Publishers: The discussion includes insights into how the relationship between bookstores and publishers has evolved, particularly regarding promotional practices and book placement.
  3. Curation Challenges: Daunt emphasizes the need to curate selections due to the overwhelming number of books published, especially in self-publishing.
  1. Reader Preferences and Trends
  2. Diversity in Reading: Daunt acknowledges the varying levels of enthusiasm for reading across different ages and how that impacts bookstore traffic.
  3. Personal Taste: He shares his own preferences in literature, highlighting titles that resonate with him personally.

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Books Mentioned in the Episode

  • *Savage War of Peace* by Alistair Horne
  • *Madame Bovary* by Gustave Flaubert
  • *Anna Karenina* by Leo Tolstoy
  • *Middlemarch* by George Eliot
  • *The Golden Boy* by Patricia Finn
  • *Lessons in Chemistry* by Bonnie Garmus
  • *1929* by Andrew Ross Sorkin
  • *Huckleberry Finn* by Mark Twain

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Conclusion This episode offers a rich perspective on the book industry, emphasizing that while technology changes rapidly, the fundamental joy and importance of books endure. Scaramucci and Daunt’s conversation highlights the unique role that bookstores play in fostering community and promoting a love for reading, countering the narrative that digital media will entirely replace traditional books.

Listeners are encouraged to engage with their local bookstores and appreciate the physical and communal aspects of reading, which remain vital in today's fast-paced, digital world.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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The Resilience of Books

1:28 to 1:54

James Daunt discusses the enduring nature of books amid digital change.

“The way we look at the TV, the book is a 500-year-old piece of technology.”

James Daunt's Early Relationship with Books

2:47 to 4:48

James shares his childhood experiences and early love for books.

“The iPad came in and it sort of decentralized media.”

Revitalizing the Book Selling Model

4:49 to 6:15

Daunt explains how he revitalized the bookselling model amid industry challenges.

“So I had been doing it for a very long time.”

Enhancements in Barnes & Noble Stores

6:16 to 8:45

Daunt discusses improvements made to enhance the customer bookstore experience.

“They started trying things that caused a decline in customer attention, frankly, and store traffic.”

Empowering Booksellers and Community

8:46 to 12:21

James talks about empowering bookstores through local engagement and bookstore teams.

“And we're doing very, very well in those because the booksellers are doing a better job.”

The Current State of Book Publishing

12:22 to 14:01

Daunt reflects on the evolving relationship between publishers and booksellers.

“And the stores become better and our sales go up.”

The Evolving Publisher-Retailer Relationship

14:01 to 15:10

Explore how the relationship between publishers and booksellers has shifted over time.

“Tell us about how that relationship then now is with the publisher.”

Challenges of Book Curation

15:11 to 17:25

Understand the challenges faced by booksellers in curating their selections amidst an oversaturated market.

“there was a transition when everyone thought, oh Lord, maybe this won't work and we've thrown out the good and we haven't got anything back in return.”

Cultural Differences in Bookselling

17:26 to 18:59

Discuss the cultural differences and similarities between bookselling in the UK and the US.

“And we always have to curate and we always have to select.”

The Importance of Empowering Booksellers

19:00 to 21:00

Learn about the autonomy given to booksellers in curating their stores and the value of local knowledge.

“No, we give a very, very strict instruction.”
Show all 16 chapters

Personal Preferences in Reading

21:01 to 24:14

Insights into the personal reading preferences of James Daunt and the influence of taste on bookselling.

“of books and you're walking into a bookstore.”

Reflections on the Value of Books

24:15 to 28:01

Consider the lasting impact and enduring nature of books as a form of technology.

“called um whale harbor just fantastic so um but uh yeah the the classics are the other thing middlemarch i mean lord alive i read that again the other day oh my goodness that's a good book Yeah.”

The Timeless Nature of Books

28:01 to 28:31

Explore why books remain a durable and effective technology despite advancements.

The Aesthetics of Book Publishing

28:31 to 29:03

Understand the importance of physical attributes in book publishing.

“simply how extraordinarily durable it is and effective it is.”

Cover Design Trends and Challenges

29:03 to 30:37

Discuss the challenges of designing book covers and the impact of trends.

“Yeah, I think I upset my publisher a little bit.”

Closing Thoughts and Future Conversations

30:37 to 31:17

Conclude with reflections on the conversation and plans for future discussions.

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Transcript

Automatic transcript. May contain errors.

0:00James Daunt:When you want your spring break to feel like... And your kid's pool day to feel like... And your hotel bed to feel like... Ooh, and room service to feel like... Because at Hilton, hospitality feels like...

0:19Anthony Scaramucci:Your cabana's ready. Would you like fresh towels?

0:21James Daunt:It matters where you stay. Book now at Hilton.com. Hilton. For this day. This episode is brought to you by Nespresso. Introducing Virtuo Up, the latest in a long line of innovation from Nespresso. It's innovation you can touch, sense, and taste in every single cup. With a three-second start, easy open lever, and dedicated brew over ice button, it's even easier to enjoy your coffee your way. Sip for yourself. Shop Virtuo Up exclusively at Nespresso.com. I'm R.J. Decker, a private investigator uncovering the sunshine state's darkest secrets. Tuesdays, it's the premiere of ABC's hottest new crime show.

1:07James Daunt:R.J. freaking Decker as I live and breathe. He's a private eye. It's not a standard murder. It's someone bigger. And a public mess.

1:15Anthony Scaramucci:Trying to get sent back to prison today?

1:17James Daunt:You go to prison one time and suddenly it's all the jokes. R.J. Decker, series premiere, Tuesdays on ABC and stream on Hulu. It's a phenomenal piece of technology, James. Everything has changed. Our phones have changed, our computer. The way we look at the TV, the book is a 500-year-old piece of technology. You think in 500 years it'll be with us, James?

1:40Anthony Scaramucci:I think so, and I think it's astonishing simply how extraordinarily durable it is and effective it is. And as you say, newspapers, we don't read them anymore. It's on your iPad, it's on your phone. Music, the format changes all the time. Not with books. And I think when publishers also concentrate on the physical attributes of a book as well, they are lovely things and treasures forever.

2:03James Daunt:Welcome to Open Book. And joining me today is James Daunt. He's the chief executive officer at Barnes & Noble, which is an iconic American bookseller. He's also CEO of a stationary retailer, Paper Source, and of course, Waterstones. So the largest retail bookseller in the United Kingdom. And I have to tell you, the one on Piccadilly is probably my favorite, but I've been to several, James. And you are also the founder of the much-loved independent chain, Gaunt Books. So great to have you on. By the way, sir, this is our 200th episode. So you are coming on, James, right at our bicentennial, I guess you could call it.

2:46James Daunt:But you've had this unbelievable journey. So I want to start there. Take us back. what is your earliest relationship with books for me in the first grade i won the book contest for the there were probably 150 kids in my first grade class and i i read the most books in a three-month period of times i got me bugged up what about you probably about the same age um

3:10Anthony Scaramucci:but but also i'm a lot older than you and i come from a world in which there weren't actually many bookstores and certainly went in london and uh middle class people of which i was definitely one or born into a family of one and we went to the library we went down to the public library and we went once a week and we collected a little stack of books and steadily that stack got a bit taller and bigger and lugged them home and read them and took them back the following week and

3:36James Daunt:swapped them out i love it your uh your your life in books though it was at a turning point for books if you don't mind me saying so, because I feel like 2010 was a big moment. The iPad came in and it sort of decentralized media. It made it less interesting, frankly, to take a book like this, put it in your hand and read it. We were sort of fixated on social media and things like that. And so the bookstores were doing this, sir. Okay. And you saw something. And first of all, I want to thank you for revitalizing Barnes & Noble because I have one down the block from me here in Manhasset, which I'm in every single week.

4:22James Daunt:And I thought that that place was going to be touch and go a few years ago. Borders Bookstore, we both remember that, James, went out of business. And so you saw something in the book selling model, the hard book selling model at a brick and mortar shop. What was that? What did you see that you were able to cause this great revitalization in the UK and the United States?

4:47Anthony Scaramucci:Well, certainly my own experience of bookselling and I was, you know, I had my set up my own bookstore way back in 1990. So I had been doing it for a very long time. Amazon had come along and I didn't notice. I mean, I was obviously aware of them. I saw quite a lot of change in my customers' behavior, but most of that was wholly positive for me. I no longer had to order in the technical books and the manuals and I could change my stock to make it actually much more interesting because Amazon was fulfilling all of those orders. But my sales kept on going up. So that's why I said I didn't really notice it.

5:24Anthony Scaramucci:I only noticed it as a positive thing. But I also could see the chains who were overextended to a degree and then they started doing completely counter endless initiatives which were making their businesses ever less effective and their bookstores ever less enjoyable, largely because they were cutting costs. They lost trust in what they were meant to be doing, which was presenting really good and enjoyable bookstores. And that cycle of cost cutting and reduction in expertise and reduction in enjoyment of their stores was leading them to, you know, one after another to failure. And then ultimately, you know, the only person left in the United Kingdom was Waterstones and they were getting bankrupt.

6:15James Daunt:So, so James, I think what I'm hearing from you is they got scared. They started trying things that caused a decline in customer attention, frankly, and store traffic. And your idea was get back to your brass tacks, get back to your roots and do the things that got you to the dance in the first place. But that took guts, weirdly, didn't it? I mean, most people were going in a different direction. So what were you thinking at the time? Give us some of the strategy. you?

6:48Anthony Scaramucci:Well, Waterston's, which was the Barnes & Noble equivalents in the United Kingdom, was in big trouble. They were literally going bankrupt. They were about to be closed. And that suddenly seemed a real shame. They had these great big stores everywhere in the nation. And, you know, obviously if they went, I as an independent bookseller was going to have an easier time of it. I could open up a few more stores, but I certainly wasn't going to open up 300 stores. And lots and lots of places that had had nice, good bookshops would lose them. And that seemed regrettable, particularly as I thought it was totally unnecessary that they were doing the things that they had done to make their shops so unattractive and unappealing.

7:28Anthony Scaramucci:And we just needed to reverse that and set out to do it and very quickly found that our customers were enjoying us again and coming back into our stores.

7:36James Daunt:Okay, so I'm an avid customer, so I'm going to say some things to you and I want you to react to it. I feel like you changed the lighting in the stores. You changed the presentation. You opened a store in Bridgehampton for Barnes & Noble in a very fashionable shopping area out there. And when I walk into that Barnes & Noble, it draws you in. The older stores almost had fluorescent lighting in them. You also changed the wood on the bookshelves even.

8:10Anthony Scaramucci:Our job is to make physically appealing places. So they need to have nice, you know, they need to be clean and they have clean floors. And of course, it's much, much better if you like them properly and you generally make them attractive. Again, extremely important is then if you present everything that you're selling attractively, that's important. But most of all, it's that we have happy teams of booksellers in the stores engaging with their customers and applying proper and curated intelligence to how they're presenting their stores. And it's that last bit that I think we've really cracked.

8:45Anthony Scaramucci:It's helpful that we've made a lot of them look a lot nicer, but we've also not changed in many stores. And we're doing very, very well in those because the booksellers are doing a better job.

8:54James Daunt:It's an interesting thing in our time, if you don't mind me saying so, because our time is about algorithms. Our time is about instant gratification of touching something in a one click, if you will. But I feel people go to your stores. We'll talk about the Dawn bookstores in a second, where somebody gave me a gift certificate to your store. uh i was in london giving a speech and the woman said i hear you like books here's a gift certificate i went to one of your stores and you know we just loved it i mean it's just magnificent presentation in your store but but it's against the uh the grain is that is it the pen is the pendulum swinging back james i guess that's my real question is that uh even with my kids you know they're off social media now i feel like their personalities are coming back.

9:45James Daunt:Deirdre and I were like, that's it. Give me the iPad. I feel like I've gotten them from the zombie zone. And I'm just wondering if Waterstones and Daunt books and Barnes and Noble is a return to reality.

10:00Anthony Scaramucci:Yeah, I take a much more positive view. And I think that, yes, of course, people fall into their iPad and fall into their social media and fall into the rest. But we've always been doing some version of that. When I was a kid, I was accused of having square eyes because I watch TV for half an hour a day. We've always had these anxieties about our kids, but actually the reality is that people read with different levels of enthusiasm at different ages, and they come and it goes. But generally speaking, people are reading all the time and reading more. Whether they read in a bookstore depends entirely on the friendliness and availability of that bookstore.

10:37Anthony Scaramucci:And we've found dramatic increases in reading in the United States, even at the same time as everybody says it's all going to part. It isn't.

10:47James Daunt:Well, let me tell you something. I was super worried about it. I was telling you, how am I going to find? My thing is, I don't like the algorithm. I want to go into Waterstones, Daunt, Hatchers, and I want to walk the store because there's going to be a book in the store that I wouldn't have anticipated. And by the way, my algorithm wouldn't have anticipated that I necessarily want to buy, you know? And so you've captured that. How'd you do that?

11:16Anthony Scaramucci:Well, the big insight that we had was to leave it to the store teams. And most retailers don't do that for obvious reasons. They want conformity. And if you walk into Zara, you want to find the same clothes. If you walk to H &M, you want this. And if you walk in, it's all around. It'd be very upsetting to walk into CVS and find they didn't sell toothpaste or shampoo. But with us, books are very, very different and we can leave it to the individual store teams. And in so doing, make the job of being a bookseller dramatically more exciting and invigorating than it had been when they were given strict instructions as to what was on this table and the best-selling book was going to be this, even though nobody wanted to buy it.

11:58Anthony Scaramucci:So we've trusted the intelligence and enthusiasm of our booksellers and most of our stores have got better. Not all of them, some of them have got worse, but we're patient about that. And then we address the people who've got worse, not centrally from New York and somebody turning up and shouting at them, but saying, the nearest store that gets it right, go and help them, sort them out. And having a patience to encourage that sort of diffusion of skills. And the stores become better and our sales go up. Doesn't surprise me. And bookstores are lovely things. Bookstores are places that of every age people like to come into small babies like being in a bookstore the oldest citizen does everybody in between and we don't we're safe spaces we're places where all the kids can tumble into after school it's a get out of jail card we give them because when they go home and they want to come into our stores because they want to lock around with them that they're friends but when they go home they say i was in the bookstore parents are not going to be crossed you know i watched your

12:57James Daunt:interview on squawk box a few weeks yeah it was about a month or so ago and andrew sorkin who's a friend of mine who has done this program for 1929, his bestselling book, which your stores have frankly sold a lot of. I didn't realize this, you've crossed the 700 store threshold. And did you think that was going to happen? When you signed on for Barnes & Noble to take this over, did you think you'd be where you are right now a couple of years later?

13:27Anthony Scaramucci:I was hopeful. The reason I want to open up bookstores is partly that vocational desire to put stores back into communities. Mainly, it's to give my booksellers career opportunities. And if you've got a declining store base, then there isn't much prospect of getting advancement. When you've got an expanding one, particularly a rapidly expanding one, that's great. You're a young bookseller, you can see your career opportunities. that's why it's very important that it makes the business go well um pleases my owners but but i'm

13:57James Daunt:doing it for different reasons i think i think you've done something too where you know when i see the label barnes and noble exclusive or waterstones exclusive you've uh you know there's a gravitron to that i feel like people are like yeah i could buy it from amazon but i want to keep this community store open or you know even the independents i think are are taking some elements of that. Tell us about how that relationship then now is with the publisher. So where's the balance of power now in the book selling community?

14:30Anthony Scaramucci:I think publishers are now highly appreciative of what we do. In the old days, they used to pay for placement. So they would give us lots amounts of dollars and we would pile up their books in a way that they instructed. And that was very helpful to them, obviously, for the predictability. We don't take a dime now, but we do sell far more books, and slightly unpredictably, and we don't send any books back or have any failures or less failures. So once they've figured that out, for publishers, good publishing gets rewarded much better, and ultimately that is better for them. The transition was a bit tricky.

15:13Anthony Scaramucci:there was a transition when everyone thought, oh Lord, maybe this won't work and we've thrown out the good and we haven't got anything back in return. But now they really do have it in return. So we work well with them. And of course, central to our mission is to develop careers of authors and do well by authors. And ultimately that benefits publishers, but we're really focused on the author more than we are on the publisher.

15:41James Daunt:You know, I've heard you say this as I've obviously listened to several of your interviews that there may be too many books being published right at this moment. Do you believe that? And tell us why.

15:52Anthony Scaramucci:Far, far too many books and it's getting ever, ever worse. And this is speaking as a bookseller who crafts a physical space. So I only have so much space and there's more and more and lots of self-publishing. Nothing wrong with, writing a book and wanting to see it out in the world. But for myself, I have to curate all the time. And the bit that I regret is that people get upset with me for not carrying their book. Well, I just can't. I don't have the space for it. And that's really what I mean. The fact that they sell on Kindle or they sell on Nook or online is fine by me. I want people reading.

16:32Anthony Scaramucci:But I myself have to curate. And the reality is that I can't take the vast majority of books that are published. Right. Interesting.

16:39James Daunt:And you also said something I thought was also interesting, which would change the industry, is that some books should just go straight to the trade paperback. What sorts of books would you recommend to a publisher? If you were running a publishing house, what sort of books would go straight to trade paperback?

16:54Anthony Scaramucci:Well, I think around the hard cover and the hardcover market, there is a certain gravitas to it. There's also obviously fame or or celebrity attached to it as well. But for a long time, it was felt that you had to put something in hardcover. And if there wasn't a market there, it would be much better to put it in softcover. Typically in the fiction genres, that's particularly applicable. It makes our life easier also to concentrate on the hardcovers that we want to sell. When there's too much, it becomes too crowded. It's difficult for us. And we always have to curate and we always have to select.

17:32Anthony Scaramucci:But again, I don't mind if they publish them. I'm just telling them, I'm not going to take it in my stores because you're crowding out the books that I do want to sell.

17:40James Daunt:Makes sense. I started this podcast because I'm a book lover. This was a labor of love for me. I've interviewed people like Daniel Silva and Brad Thor and Ken Follett and Chris Miller. And it gives me the opportunity because I actually read the book. So I show up having read the book and it gives me an opportunity. I feel like authors to me have a special place in our culture because if they've spent six months or a year researching, working on something, character development. you know when you and i were kids you i used to say you know for ten dollars and ten hours you can get ten years of somebody's life experience in a book you know what what could be more enjoyment it's probably 25 pounds an hour 30 dollars but it's still for me uh uh price per square inch is such a great buy and it's such a great intellectual advantage for people um but is it different on the other side of the Atlantic?

18:39James Daunt:How would you compare the UK bookselling to the US bookselling? Is it different culturally or did you figure out that Waterstones and Barnes & Noble are similar enough?

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18:51Anthony Scaramucci:Extremely similar. I think there's far more differences within each country than there is between each country. And it's a big mistake to think that everywhere is the same within the united kingdom it's not london and grimsby are very very different places new york city is a different world apart from you know sunwheresville alabama yeah but yeah yeah when i walk into a

19:13James Daunt:because one of my things when i'm traveling i either go into the waterstones in dublin or if i'm up in uh manchester i'm trying to find the waterstones there but when i'm traveling and i go into the barnes and nobles um they do look similar but they are curated differently there's no question. There's different things in the front of the stores, but do you give a mandate at the corporate level or do you just say to the bookseller in that specific area, have at it, put whatever you want in the front of the store?

19:44Anthony Scaramucci:No, we give a very, very strict instruction. Use your common sense and be nice to your customers.

19:53James Daunt:That's it.

19:54Anthony Scaramucci:If you do both of those things is probably going to be much better than any more detailed instruction from us.

20:00James Daunt:See, that's why it's working. So this is a gentleman that I'm very close to, and you're going to be selling a lot of his books, I predict. This is my old boss, Lloyd Blankfein. Oh, yep. And he said something in here, and I work for him, and I look up to him. He's sort of a mentor of mine. And I don't know if you know him, but you think like him, because his attitude is the person on the front line knows way more than me, you know, behind enemy lines. Let him, let him figure it out or her, let he or her figure it out. And I think it's such a good thing for younger people to hear too, because, uh, there, you know, you may be somebody's boss, but at the end of the day, you may be listening to them more than they need to listen to you.

20:44James Daunt:You know, there's a service leadership component to what you're saying. Yeah.

20:48Anthony Scaramucci:Plus we're selling books, which means you, you make mistakes, how much can go wrong with that? Maybe a little bit more at stake if you're a trader at Goldman Sachs.

20:58James Daunt:Tell me about your taste. Let's go into the James Daunt consumer of books and you're walking into a bookstore. And so what are you looking for? Are you looking for nonfiction, fiction? Are you looking for coffee table books? What's your taste?

21:15Anthony Scaramucci:Well, I think that's why I'm very good at letting stores get on with it themselves, because I have a very singular taste myself. And I also know that it is far from universal. You know, my idea of a really snappy night out is to go to the opera. So, you know, I should not be the one determining the taste of bookstores. I like literary fiction and I read a lot of, you know, quite elevated nonfiction and trying still to educate myself to that degree. So I read serious things myself for pleasure. Some of those are just fantastic and I think they should be universally bestsellers. I've just read a first novel, The Golden Boy by Patricia Finn.

21:57Anthony Scaramucci:First novel, very funny, absolutely really, really good novel and I think that should be a bestseller. But most of what I read is probably rather esoteric. I'm reading a book on the Normans in Sicily in the 12th century at the moment.

22:13James Daunt:That's why a lot of my ancestors have blue eyes, James.

22:16Anthony Scaramucci:Ah, there we go.

22:17James Daunt:Because of those Normans, you know what I mean? You know, when I go to Sicily, you can really see that cultural kaleidoscope in Sicily. My family's from the southern part of the boot of Italy, but my grandmother used to always say that, you know, that's really where the melting pot, the real true Mediterranean melting pot is what you're talking about, you know? Absolutely for sure. off. I mean, my friend Dominic Sandbrook, who is, uh, who's one of the co-hosts of the rest is history. Uh, he's, uh, he's, he's got a book club podcast coming out. I don't know if you're aware of it, but he's, his whole genre is going to be the older books and, uh, Madame Bovary and withering Heights and the impact of Huckleberry Finn on American culture.

23:02James Daunt:You know, I've sort of taken the lane of contemporary authors, but, uh, you know, he's a little jealous of me right now. I told him I was going to have you on. He was jealous of me. The, uh, your favorite book, if you had to pick one fiction and nonfiction book, cause you're, you know, you're the king quintessential bookseller. What do you say to people?

23:22Anthony Scaramucci:Well, it changes. It depends what's going on in the world. Um, recently the book, um, I actually reread and I just second time around, it was again, was stunning. Uh, nonfiction was Savage War of Peace, uh, which is Alistair horn on the French in Algeria and the unraveling there, and it had a particular sort of resonance there. Fiction-wise, I almost always pick something from the great canon, and my go-to is Madame Bovary or it's Anna Karenina or it's one of those. The book that surprised me most recently um i've just i mean literally the book that i've just put down was a mary beth keen uh novel um which was again one of these novelists we hadn't heard from for 10 years or something called um whale harbor just fantastic so um but uh yeah the the classics are the other thing middlemarch i mean lord alive i read that again the other day oh my goodness that's a good book Yeah.

24:29James Daunt:I mean, I brought up Mabin Bovary because I heard you talk about it before. And obviously, it's one of my favorites. Did you read Lessons in Chemistry? I did. Yeah. I love that book. And I think you guys had the book of the year for Barnes & Noble a few years back. And she was another one of my successful cold calls, James. I figured out her email and I sent her a note. She's living, of course, in London. And we had a great interview. you. I thought her book was brilliant on so many different levels of American culture at that time. And also the impact of that culture, that Mad Men-esque culture is still pervasive today.

25:08James Daunt:You know, and I thought, I thought she really captured it. I really enjoyed it. Um, okay. So we're at the part of the program. I'm going to, I have five words that my producer and I, uh, came up with and just sort of a little bit of a Rothschild test. I'm going to say the word and then you give me a one or two sentence reaction okay you ready if i if i say daunt books you think

25:29Anthony Scaramucci:what friendly people nice people people are going to help you okay all right well maybe these will be similar but let me let me let me try these i say waterstones oh bigger it's more inclusive at Piccadilly with the flagship, you know, really a dramatically big and all-encompassing bookstore.

25:53James Daunt:I love that story. You know, one of the things about that store is when you go up the steps, you can see the indentations and the marble of all. I just think of all the people, James, that have gone up and down those steps looking for their particular excitement in the bookshelves, you know. And every time I'm in London, I make a stop at Hatchers and then I walk down the block to go to Waterstones just to see what you guys are doing over there. Okay. What about Barnes and Noble? I say the two words, Barnes and Noble.

26:25Anthony Scaramucci:I think Barnes and Noble moment of triumph is when the school day is over and it fills up with kids. It's just has a vibrancy and an excitement to it. And we are bringing books and the enjoyment of books to a new generation every day.

26:44James Daunt:You know, essentially, because I've written down that when I hear Barnes & Noble, I think growth and excitement, and you use the word excitement, because I do feel the buzz. If you go to this Barnes & Noble down by my home here in Manhasset, which is 20 miles outside of New York City, you can feel the buzz at 3.30, you know? Okay, if I say the word reading, you say what?

27:08Anthony Scaramucci:yeah i sort of think of a kid in a corner um i think it's it's a refuge in many ways and yes of course for the personalities it's it's all different things and excitement but but for many people it's a refuge and and a comfort yeah well it certainly certainly is for me i mean i get

27:26James Daunt:i get i mean i think most people see me as an extrovert but i'm actually more introverted than people would think because i when i'm home that's really what i want to do you know when i hear the word reading, I think imagination and curiosity. You have an insatiable curiosity. Okay. So the last word, I'm going to give you the last word, James, books. Say the word books.

27:45Anthony Scaramucci:I just think of myself. I just think of my life is on the bookshelf. Every stage of my life I can see in the books that are there. And it brings back wonderful memories of friends and moments

28:01James Daunt:and stages when i think of the word book it's a it's a phenomenal piece of technology james you know it's the it's the oldest technology i mean you know everything has changed our phones have changed our computer or the way we look at the tv you know i guess the airlines are still going at five or six hundred miles an hour but i mean the the book is a 500 year old piece of technology that you think in 500 years it'll be with us, James? I think so.

28:30Anthony Scaramucci:And I think it's astonishing simply how extraordinarily durable it is and effective it is. And as you say, newspapers, well, we don't. We don't read them anymore. It's on your iPad. It's on your phone. Music, it changes. The format changes all the time. Not with books. And I think when publishers also, and they keep on going through a sort of pendulum cycle, but when publishers concentrate on the physical attributes of a book as well, they are lovely things and treasures forever.

29:03James Daunt:Yeah, I think I upset my publisher a little bit. I'm publishing a book in September with Penguin Random House in the UK and Holt in the US, and I was very picky about the cover. I could sense they were getting a little frustrated with me, but that's okay, right? I mean, you know, yeah.

29:20Anthony Scaramucci:That is 100 % okay. you should be picky about the quality of the paper as well and the font and the stitching

29:27James Daunt:and everything everything everything i'm gonna tell my new friend james don't said it was okay i have some license to push them around a little bit and i thought that the font selection was great i thought also the way they uh they did the bolding throughout the book was great i wasn't in love with the cover um because i i wanted something uh you know i feel like these covers if you don't mind me saying so i would love to get your reaction before i let you go i feel like we go through genres of cover and we get these different colors you go into the fiction area every book is a little bit the same they get a they're going to be mad at me for saying this but i feel like you know i'm gonna call it lazy but it's repetitive you know i want i wanted something a little bolder a little fresher so yeah and there's a little bit of luck in it as well because

30:11Anthony Scaramucci:it goes again in trends but they're of course they're determining their cover sort of six nine months before the book comes out and then they think well i'm gonna have pink because everything's blue and then everybody does it and then everything's pink right so there is a little bit of that but great book designers are highly distinctive and a great book design should always be a spot to because lots and lots of people choose a book and judge it by its cover i was

30:37James Daunt:just going to say that despite the cliche don't judge a book by its cover guess what we all do James we judge the book by its cover if it's a fresh looking cover we're like oh okay I'll open that I'll pick that up so it really does matter well you've been delightful today I really appreciate you joining me on the show and uh uh maybe if you if you don't mind maybe we'll get you back you know I've come back a pleasure we can we can celebrate your book we'll have you come back once a year you know you'll give us a rendition of what you're reading and thinking about but I really really do appreciate you coming on

31:15Thank you.

From the publisher

This 200th episode of Open Book marks an incredible milestone in our journey, and it feels especially fitting to celebrate it with a conversation about books, leadership, and the enduring power of ideas with James Daunt, CEO of Barnes & Noble. Thank you to every listener, reader, and supporter who has made this community what it is — your curiosity and commitment to learning are the reason we’re here.

James Daunt is Chief Executive Officer of Barnes & Noble, the world’s largest retail bookseller, of stationery and gift retailer Paper Source, and of Waterstones, the largest retail bookseller in the United Kingdom.

📖 Books mentioned in this episode:

Savage War of Peace by Alistair Horne

Madame Bovary by Gustave Flaubert

Anna Karenina by Leo Tolstoy

Middlemarch by George Eliot

The Golden Boy by Patricia Finn

Lessons in Chemistry by Bonnie Garmus

1929 by Andrew Ross Sorkin

Huckleberry Finn by Mark Twain

Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. He is the host of the podcast Open Book with Anthony Scaramucci. A graduate of Tufts University and Harvard Law School, he lives in Manhasset, Long Island.
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