Lanterns, Ludwig, and Sunny Nights, plus Animation Education

17 Aug 2026 · 1 h 26 min · 30 chapters

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In short

The episode of Pilot TV covers three HBO/TV reviews and a long “animation education” segment. Topic: Lanterns (HBO Max), Ludwig (BBC One), Sunny Nights (ITV), plus what the hosts watched (Lioness, Star Trek: Strange New Worlds, Ted Lasso, House of the Dragon, Interview with the Vampire, Furious, The Shards, Sterling Point) and a discussion about animation as a medium.

Guests

Aaron Pierre (Lanterns) and Kyle Chandler (Lanterns); David Mitchell (Ludwig). Will Forte and Darcy Carden (Sunny Nights). Animation guest: John McEwen White, award-winning writer/producer and founder of an animation production company.

Key claims

Strange New Worlds’ “Griffin incident” is a controversial, gory horror-style episode that intentionally lacks a scientific explanation. Ted Lasso’s Season 4 Episode 1 is divisive but later episodes regain the show’s tone; new women’s football threads are praised. Interview with the Vampire pivots to a glam-rock, high-camp Lestat framing; it’s stylish and well-performed but not what book fans expected. Furious improves after a tropey first episode; Emmy Rossum’s character backstory becomes gripping. Sterling Point is an indie-leaning Prime teen mystery with strong acting and a gay boyfriend subplot.

Notable examples

Ukraine drone warfare in Lioness; “Griffin” as pure horror; Ted Lasso’s “Kansas” setup; Lestat’s unreliable narration; Furious’ serial killer mystery; Sterling Point’s Canadian island inheritance.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Catching Up with Co-Hosts

0:28 to 2:30

The hosts share how they’ve managed their podcasting schedules and personal experiences.

“I'm James Dyer and welcome to Pilot TV, your essential guide to every show that matters.”

What We’ve Been Watching

2:30 to 4:25

James discusses his recent viewing of 'Lioness' and other series.

“it is time for what we have been watching.”

Star Trek Strange New Worlds Discussion

4:25 to 7:16

The hosts analyze the horror episode 'Griffin' from 'Star Trek Strange New Worlds'.

Ted Lasso Insights

7:16 to 9:30

The hosts debate their thoughts on the new season of 'Ted Lasso'.

“more than I'm enjoying some of the older stuff.”

Interview with the Vampire and the Changes

9:30 to 12:39

Discussion about 'Interview with the Vampire' and its new adaptations.

“Like if Ted Lasso had come out in a year other than 2020, would it have been the hit that it was?”

Furious Series Review

12:39 to 14:01

The hosts reflect on the 'Furious' series and its evolving appeal.

“the books, but as a show, it's actually really good.”

Reviewing 'Furious' Episode Two

14:01 to 15:10

Discussion of the second episode of 'Furious' and its improvements.

“All of these things kind of click into place about halfway through the second episode.”

Debate on 'The Shards' vs 'Furious'

15:11 to 16:41

Comparison of 'The Shards' and 'Furious', discussing their merits.

“A bit like the first episode of 10, the new season.”

Exploring 'Interview with the Vampire'

16:42 to 19:33

In-depth analysis of 'Interview with the Vampire' and character perspectives.

“And now I'm worried that in season two, it's all going to unravel and I'm going to find out actually he's a horrible person because it was...”

Critique of 'The Vampire Lestat'

19:34 to 24:31

Discussion on the narrative shifts and character developments in 'The Vampire Lestat'.

“Well, I don't think they're going to, it necessarily should ruin it, but it is a completely different type of show.”
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Overview of 'Sterling Point'

24:32 to 28:00

Review and discussion of the new teen drama 'Sterling Point' on Prime Video.

“Apart from episodes two and four of Van Bollet that I watched, purely by accident last night, because they were on BBC2 live last night quite late, at 11 o 'clock.”

Reviewing a Smart Thai Adventure

28:00 to 29:16

Discussion on a clever film featuring complex characters and themes.

“There's a brilliant scene where she's like, I'll come to Thailand with you.”

Game of Thrones Stage Play Experience

29:16 to 30:50

Insights into a four-hour theatrical adaptation of Game of Thrones.

“So it's kind of establishing what happened to, and why the characters we know.”

Animation Blind Spot and Intervention

30:50 to 33:54

Introduction to a new segment addressing the hosts' lack of animation knowledge.

“And now we're going to do something ever so slightly different.”

The Hosts' Animation History

33:54 to 36:24

Exploration of the hosts' past experiences and feelings about animation.

“Do you want to hear something else that's funny?”

Changing Perceptions of Adult Animation

36:24 to 42:01

Discussion on the evolution of adult animation and its target demographics.

“It's just like animation is just another thing.”

Ralph Bakshi and the Evolution of Adult Animation

42:01 to 43:27

Explore the impact of Ralph Bakshi on animation and the changing landscape of adult animation.

“Ralph, this is my history of animation for you.”

Personal Preferences in Animation

43:28 to 45:48

Discuss personal views on animation styles and emotional engagement with content.

“on netflix called apollo 11 or apollo 13 massively worth a watch and that goes to show like that's a fantastic live action animation.”

Diverse Animation Recommendations

45:49 to 48:20

Receive a range of animated series and films to explore, highlighting unique storytelling.

“There's not that many space battles that we know of.”

The Quality of Recent Animated Shows

48:21 to 52:56

Evaluate recent animated shows, including their artistic value and emotional depth.

“And John is going to fix us, aren't you, John?”

Tailored Animation Recommendations for Everyone

52:57 to 56:00

Receive personalized animated series recommendations based on different tastes.

“okay, what I'm going to do is I'm going to give everyone a tailored animation recommendation.”

Quirky Food Preferences

56:00 to 57:00

The hosts discuss unusual food preferences and tastes.

“I think you told me this before and that is so odd.”

Tom Hanks' Electric City

57:00 to 58:20

An exploration of Tom Hanks' animated show 'Electric City' and its unique storytelling.

“Tom Hanks has created and starred in his own animated TV show.”

Animation Recommendations

58:20 to 1:01:10

The hosts share their favorite animated shows for various audiences.

“But I'm going to give you a good recommendation.”

Adventure in Animation

1:01:10 to 1:06:10

Discussion of the importance and beauty of animation, focusing on specific shows.

“It does, though, because they do some very catchy songs.”

Review of Lanterns

1:06:10 to 1:07:40

A review of the DC series 'Lanterns' and its unique approach to storytelling.

“So what we're going to do is we are going to watch these things and then we will feed back on a special Pilot Plus episode which we will put out and you will find out what we thought of them.”

Reviewing Lanterns: A Marvelous Triumph

1:10:01 to 1:14:40

Discussing the merits of the Lanterns series and its impact on the Green Lantern character.

“But, God, this is like righting all the wrongs of Ryan Reynolds' Green Lantern horror show.”

Ludwig Series 2: A Cozy Crime Delight

1:14:41 to 1:18:34

Exploring the new season of Ludwig and its charming, cozy crime narrative.

“And it begins here with an episode which is a less conventional who didn't done it after a body turns up at the opera.”

Sunny Nights: A Comedy with Crime Twists

1:18:35 to 1:24:00

Analyzing the Australian comedy Sunny Nights and its tonal shifts between humor and serious crime.

“It has that really light, as you say, cosy tone to it, but it's well constructed.”

Discussion on Sunny Nights and Tonal Shifts

1:24:00 to 1:24:51

The hosts discuss the new show 'Sunny Nights' and its tonal inconsistencies.

“and we were scrambling around for a third show too.”
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Transcript

Automatic transcript. May contain errors.

0:07On Pilot TV this week, we're taking a turn as planetary protectors with Aaron Pierre and Kyle Chandler in Lanterns on HBO Max, unraveling more puzzles with David Mitchell in series two of Ludwig on BBC One, and getting a spray tan with Will Forte and Darcy Carden in Australian comedy Sunny Nights on ITV. I'm James Dyer and welcome to Pilot TV, your essential guide to every show that matters. And I'm delighted, nay overjoyed, to be reunited by my two co-pilots, Steph Seale and Boyd-Hilton. How are you? You didn't burn the place down while I was away, that's nice to see. No, we recovered from recording four podcasts in half a minute or whatever.

0:45You did? You did four podcasts in, was it two days, three days? Pretty much, yeah. In four days. I only did two of them. Heroic is the word. I mean, yeah, you've got a slight tan. A slight tan. So I'm ever so slightly less translucent than usual. Is it Will Forte? Because I've been calling him Will Forte. Forte. Yeah. It's another one of those. Pronunciations are not your Forte. No, they're not. Okay. Will Forte. That's a great name. But you did four podcasts back to back. Four back to back. I listened to them all while on holiday in Italy. I have prepared copious notes. It is one of those classic things where I'm listening to it and I'm just going...

1:21Because I feel the need to respond to your wrongness. Did you turn to the Reddit? Oh, did you? A couple of strongly worded threads on the Reddit. Yeah, absolutely. I can never, ever, obviously, ever go on the Reddit again. Of course not. And I just want to know, just give me ballpark, how many emails, vitriolic emails of hatred about Van Pellestat have you had to head off? Well, I'm going to say, let's get to that. But I think we can balance off the hate over Van Pellestat with the hate over Ali Kats, because the postcard is embolving with both of those. but we covered that a little bit on Pilot Plus but it was nice it's nice that you and Kay and Steph were able to carry the torch forward in defence of that show, alone as you were I'm still 100 % in defence of that show and it's tender moments and it's choice of music and the fact that the thing is, Ricky Gervais literally is the fat cat in that show and the fat cat of Netflix and that's all we do I mainly love it because it's animated to the night and my love for an emotion is renounced.

2:26Yes, yes, Boydie. And we will be getting on to that very, very shortly. But before we do that, it is time for what we have been watching. And I'm going to start this week to say that I made a promise to myself when I went on holiday to Italy, Lake Garda, very nice, do recommend it, that I wasn't going to watch any TV for the two weeks that I was off. Yeah. And that lasted for 48 hours. And let me tell you what I watched after that. So, where to even begin? First of all, Lioness. I have finished Lioness. I watched all of season two while I was away. I am now well into season three. I am, unfortunately, they haven't given me all the screenings.

3:01You were so wrong in your review of season three of Lioness. Like, season three is fucking brilliant. And it kicks off with the whole dual timeline thing. The thing that happens in the first episode and then picks up in the second one is mad. Although, I will say, I get that if you don't know who any of these characters are and if you're not invested in them, you're right. I can see why there would be no stakes in what was happening because the way Lioness kind of works is each season seems to begin with a massive Michael Bay-esque action set piece. And honestly, the quality of them, incredible.

3:34There's a rescue at the beginning of season two, which is like, I mean, it's 100 % big screen worthy. This Ukraine one wasn't quite as impressive, but I thought it was really interesting in choosing that as a theatre of war just because the whole drone thing that's going on in Ukraine is like nothing people have ever seen before. And I thought they did a really good job of portraying that. But yeah, equally. They did use the same shot of thousands of drones about five times. But then I suppose like thousands of drones look like thousands of drones, right? They basically just fly down and blow up.

4:04They weren't doing tricks or anything. But I thought season three is everything I wanted it to be. It's wonderful. So very exciting. I hate to say this, Steph. Lioness is my favourite tale of Sheridan show. Well, he's in this season. He is. He plays Cody, the old soldier. and he's not in it much but he's a lot of fun when he's in it so yeah I'm really really loving Lioness I like the fact that he casts himself as a heroic soldier he's also a bit of a dick in it though so yeah okay wow but yeah really really like Lioness so I do highly recommend that Star Trek Strange New Worlds which we did not review on this podcast we didn't and we should have done you know what I've got some of my Trekkie friends are watching that and are absolutely loving it how many Trekkie friends have you got?

4:45oh I've got like like four solid Trekkie friends who like I have like they're very Trek-y Doctor Who-y friends and we have like little chats about it and I've got one of them onto Sugar which they're very happy about but yeah and they're loving it what I wanted to talk about was the Griffin incident which is the second episode of this season which is like nothing Star Trek has ever done before because it is a pure horror episode it's like full event horizon but it's proved really controversial and it's quite unpleasant it's quite gory like it's a lot for Star Trek but I think the thing that's upset people is and I think this was the right decision they have leaned into a I don't even want to say supernatural but let's just say there isn't a scientific explanation for what's going on and obviously that kind of rubs a little bit against what Star Trek is because it's all about the science and the exploration and it is really really creepy and I thought it was great and actually I think if they had gone down the more tangible scientific route you would have robbed it of all its power.

5:40I think one of the reasons it's scary is you don't really understand it but it's a really mad episode of Strange New Worlds and I think Strange New Worlds and I've talked about the kind of elasticity of the tone of that show but it's there's been nothing like that they've dabbled in horror before with all the Gorn stuff but this one in particular was really good had you finished Starfleet Academy because one of my friends I did finish Starfleet Academy I'm absolutely bereft that it's been cancelled now I know well we're getting a second season but that will be the last but yeah I liked Starfleet Academy I thought it was loads of fun the other thing I've been watching is Ted Lasso I've watched all the episodes they have given us which is five out of the I want to say seven episodes of this fourth season and I agree with Boydie that the first episode is fucking abysmal.

6:23Like, absolutely awful. God, I totally disagree with you. Did you listen to the podcast? I did, yes. Boyd and Kate didn't like it. It's dreadful. It's not dreadful. It's dreadful. It made me not want to persevere but I'm glad I did because it is an island in and of itself. It has no relation to the rest of the show and once you get into episode two, it's the Ted Lasso that you're looking for. It's a set-up. It's a set-up. Yeah, but it was wrong-headed because I think all of that, and I think Boyd even said this in the review, you could have covered that off in a three-minute conversation and we'd have all been happier for it.

6:52We didn't need to go to Kansas. We didn't need to see all that stuff. It was incredibly predictable. It was, oh yeah, it annoyed me. I think, as I said at the time, I think there were a lot of good things that came out of that episode and a lot of, you know, nice things that happened in that episode. Some good messaging. I'm glad you enjoyed it. I did not. But I have enjoyed the series as a whole. I really like the new team. I think it's really fun. Weirdly, I'm enjoying the time with the new team more than I'm enjoying some of the older stuff. Like, Roy, I think, is great. I'm kind of a bit over the Roy Keighley thing, so I'm a bit like, I don't care so much about that.

7:26I think they are stretching that. Yeah, so I'd maybe like to spend less time on that and more exploring these new characters because I think Tanya Reynolds is fucking great in this. Jude Mack as the goalie boots is great. Faye Marseille is really good in this and I like the twins as well, which I think is Ashton Sharkey and Rex Hayes. Really, really fun. So I'm actually having a lot of fun with this. I do have one bugbear though I hate Tracy Oldman's character hate her so I'm really struggling with that because it's so over the top and I'm like every time she comes on screen I'm like oh god if you saw her in her character in Curb your enthusiasm right you'll know she goes full on she does go full on I could do without that character it has to be said she's a bit pantomime-y a little bit yeah so I'm not enjoying that I love Tracy Oldman I'm all for her I have nothing against her personally I'm not enjoying her in the show it's good to know yeah But, you know, it's cheese balls, all the shows are sentimental, and it still kind of straddles that, is it a comedy, is it a drama line, I guess, because it's mainly because of the length, I guess.

8:22But I'm having fun with it. I mean, I like it. It's getting slated. It seems to be getting slated. I don't know why. Sorry, the criticisms are stupid. I've seen two or three articles now taking the line that, what's the point of bringing it back? What's the point of bringing anything back? But particularly, it's a sitcom. I know we've debated long and hard about, is it a drama line? But it is essentially a sitcom. And sitcoms come back and they just recur. And you catch up with it. It's fine. I do understand what people mean by that. And I think I said to one of my Instagram pilot friends that when I'd finished the season, I was like, oh, does this need to be resuscitated?

8:59So I can understand some of that. There's no need. I know. If you do it well, like this, if you do it well and it's still supremely enjoyable, it's fine. If you do it badly, like the terrible Frasier return, which is belated, then it's terrible. But there's nothing intrinsically wrong with bringing back a show. No, and I totally agree. Especially this reason. I can understand why some people have gone. But that has been the tenor. I've been surprised by the tenor of the criticism being what is the point? And you're like, well, the point is to entertain us. Yes, yes. Which I would argue it does, because it does what it's always done.

9:24It has that kind of really positive feel-good vibe. I think one of these things, and I think we've talked about this before, right? Like if Ted Lasso had come out in a year other than 2020, would it have been the hit that it was? I don't know that it would have. It's a good show, but I think it has an inherent optimism and buoyancy to it that we were all so desperate for during lockdown, during the pandemic, that we just embraced it wholeheartedly. And then when it went on its slightly melancholy trip, we were like, okay, what's going on here? It's now a massive downer. That's true. And it's not now, which is good.

9:53So I think it does what it needs to do. And I actually enjoy the women's football aspect of it. I think it's interesting, you know. We found a football that you love. Yeah, but it's a different tale. Like repeating the same thing with the men's team. We've kind of done that. Where it's actually the kind of the difficulties that the women's team is facing and actually getting recognition, because the men's team have it, things like the changing room, stuff like that. That's actually another interesting thread to this. So, yeah, I'm enjoying Ted Lasso. Color me shocked. I have been watching House of the Dragon, which is now finished.

10:23There's been the finale for House of the Dragon. We have an interview with Ryan Condor, which I need to put up on Pilot Plus. I enjoyed that a lot, but we'll talk about that more on Pilot Plus in detail. What else have I watched? I have been watching the vampire stat, Steph. Now, we talked about this a little bit on Pilot Plus, but Steph has been inundated with hate mail from everyone on the internet after her reaction to the vampire list. I don't know how to look straight into the camera, but please, okay, I get it. You're really cross with me. And immediately on the YouTube, I said when someone was really cross with me, I was like, okay, I'm going to watch this because everyone keeps going.

10:58And I also did mention this before, but several really lovely, lovely pilot Instagram friends of mine messaged me and explained in detail why they thought I was missing a trick and it was really, really nice and it was wonderful and all the brilliant things about it. And I listened and I know we'll get into it, but I have now boxed off season one. You have, you've watched season one. And well, we'll get into that and what you've been watching. Yes, you go. But what I'm going to say with the Vampala stat is, and I think I've got two episodes left to watch. Okay. I think it's really good. I am enjoying it.

11:32I think what they've done with it is actually quite impressive. this kind of pivot to this, you know, glam rock, high camp version of the show. While I appreciate it, it's not what I wanted. Because what I wanted was what the novel is, which is the historical retreading of the story of Lestat, chronologically repeating all the interview stuff from his point of view, the stuff before that, the stuff after that, the stuff that leads into Queen of the Damned. All of that was what I wanted. This has given me something different. It's thought-provoking and it's really stylish and it's really well executed.

12:02and it plays into the fact that Sam Reid is just wonderful in that role and you know we talked about the singing a little bit the singing certainly early on I think is deliberately mixed someone's mentioned that he's supposed to be bad because I think it's also about honesty like this series it's all about him as an unreliable narrator and him as kind of being slightly self-deluding and I think when he starts to be more honest with himself and when his songs become more personal they really you know they're banging like he's actually good. So I think it actually becomes an interesting part of the show.

12:35It's kind of this sort of spine of this story. Like I say, it's not what I wanted from these books, being a fan of the books, but as a show, it's actually really good. So it is a pivot, Steph, but we'll get to what you thought of Interview of the Vampire, but if you do revisit it, I'd be interested to see what you make of it off the back of the others. But on that particular episode of the podcast, where you let rip on the Vampire Lestat, that was not the only show that we gave a kicking to. The other show we gave a kicking to was serial killer thriller on Disney +, Furious. And let me tell you, the response to our review among our listeners was equally furious.

13:09Because a lot of people were saying, what are you talking about? This show is great. You should give it a chance. And we were like, well, I wouldn't like, because none of us really liked it. We thought it was very meh. Well, we do like Emmy Rossum. Right. So off the back of many people saying, you should give this another chance. It's actually really good. I have watched now, I think about six episodes of it. It's really good. You literally didn't go on holiday. You watched more TV than anything else. It's true. So I'm really into Furious at the moment. And actually, I stand by the fact I don't think the first episode is the best.

13:42And we didn't have time to watch the second episode of this one. But I think all the criticisms I had of the first one, it was a little bit tropey. I thought that the female serial killer in this was very mannered and over the top. And I felt like her boss in the kind of sex crimes unit. I was like, what is going on with this performance? All of these things kind of click into place about halfway through the second episode. And I think Emmy Rossum's character, her kind of domestic violence past and how that plays out with the person that she was with is incredibly gripping. But the serial killer storyline is also a lot more interesting than you are initially led to believe.

14:20The motivations behind the serial killer, her MO, like the background. And as the mystery unfolds, it's like it really does get its claws into you. and I've even forgiven her boss for that early episode now. Oh, I'm going to go back to that. I am now on board with Furious. I knew this was going to happen. What? Yeah, because we definitely stood alone in our criticism of the show. And in other, should we say, in other TV review podcasts, like I mentioned, I won't name them, they loved it. People loved it. And it got like four or five stars in The Guardian. And now we have to talk about other people's reviews and Rotten Tomatoes and Metacritic and all that bullshit, which I religiously refuse to accept means we have to toe their line.

15:01But I too watched the second episode. Okay. Yes. Mainly I have interest. Once it started getting these really, really good reviews, I was like, oh, what did we miss? I still, I know, I still feel justified. A bit like the first episode of 10, the new season. I still think the way they set the scene in the first episode of Furious is full of cliched moments. There's some terrible dialogue in it. I think it is deeply flawed, but episode two is much better. It definitely finds its speed. So I'm probably going to have to find time to watch. I think my issue... Right. Going back to that first episode, and as we said, we'd all had problems with it, because I'm watching The Shards at the moment, and I am just loving it so much.

15:40I don't know whether I... Oh, I probably should go back to Furious. I don't know. We'll finish The Shards first. Yeah, of course. Okay, fine. Just in terms of bodies being displayed and all that kind of stuff. The Shards seems to be doing that really well. Sure. it's very different though have you watched any of the Shards? no I have not you would hate that you shouldn't watch that you wouldn't like it he might do you never know I don't think so he does have obviously the whiff of Ryan Murphy about it it's got all the things he wouldn't like well we'll see but anyway so I am on board with Furious and that is where I shall leave it so I've watched the odd one or two things while I've been away Jesus Christ you've watched loads well done you thank you okay god we're doing a lot of reverse ferrets lately aren't we we are but look we've touched on it Tell us about your journey through vampiridum.

16:24Okay, so I spoke a little bit about this before when I'd watched the first episode. So yeah, I have received, yeah, like I said, I'm in the midst of a vampiric backlash. Like, I have never, ever known before. I can't believe, like, how many people are so angry about this show. And whilst, like I said, you know, the many expletives I try not to take notice of, but what I do take note of is when there are impassioned pleas about something, and actually this is really good and this is why and I took note of those and I was like right I'm I don't want to miss out on a show that I would potentially think is incredible and so when I watched the first episode and I said it when we recorded before I really thought it was exquisite I thought it was absolutely brilliant um everything about it the way it was shot the story the timeline of the story loved it you know the whole Jim Crow era it was very it spoke to me on lots of levels what I would say now I've boxed off season one is the whole way through Lestat is is a toxic horrendous character right he is and he's supposed to be of course but because I'm so in love with Louis right I'm so desperately in love with Jacob Antonin I want all good things for him because he's so amazing but since you told me that he is an unreliable narrator and you're only seeing it through his eyes from this it's made me maybe part of me knows too much so the whole way through I'm Like, oh God, I love Louis.

17:49I just want good things for him. Everything that's brought him to this point, you know, when he had to become a vampire and it was just because he was trying to do the right thing and when he had to kill that, you know, that racist guy, you know, his motivation always is for goodness. And now I'm worried that in season two, it's all going to unravel and I'm going to find out actually he's a horrible person because it was... No, you're not. Okay, good. So yeah, Bailey Bass is unbelievable as Claudia. Well, don't get attached to her. Claudia gets recast in season two. No. Yeah, everyone knows that.

18:22Yeah. Okay, well, no, because I don't know. This is my big thing about this. And I, honestly, if it was possible to blame something on you a thousand percent, obviously that's not mathematically possible, but I would blame you because you absolutely cannot judge Lestat, I don't think, without having, and what lots of people say, you can't without having watched these first two. And I really do feel that now. But it's a very different show, though, as we've established. Right, so here comes my point. point is you you here comes to my big point about this right and all the massive criticism right having now watched this first season which is brilliant and had we reviewed this i would have gone god this is a great show and this is really right on my street and it's compelling and it's gripping and everything about it is immersive and you you you really care about the characters and you really hate the stuff well i do i hate the stuff now i'm really even more i feel disappointed that I'm going to watch season two and get to the point where, you know, now I know what happens in season three, which is renamed, it feels like they've ruined it.

19:24It feels like, for me, what I'm watching at the moment compared is night and day to what I watched, and it feels like they're going to ruin something that I am really enjoying at the moment. Well, I don't think they're going to, it necessarily should ruin it, but it is a completely different type of show. And I have watched a couple more episodes of The Vampire Lestat, and I have to say, and I've also had a lot of DMs from people saying by the way essentially you're right saying that you're right Steph no yeah and saying that seasons one and two are brilliant but season three goes off the rails it was definitely going to be divisive though because it's such a hard left turn a lot of people think it's gone off the rails for the third season I watched the third episode is an overwrought mess I'm sorry it is I thought it was terrible I thought it was like Ryan Murphy at his worst actually really there's a Murphy-esque quality to this.

20:13You know there is. And it's got another terrible song. It's got... My complaint about the music is, I know he's supposed to be... He's just acquiring his talent or whatever in the episodes, the first few episodes. But they show us loads of... They show us entire songs, terrible songs. We get the idea. We don't need to see the whole fucking song to underline the fact that he's now becoming a pop star and he's not that good. Then eventually he'll get a good fine. Anyway, that's in mind. The third episode of the music really annoyed me. It's so overrawed. It's like Ken Russell is worse. It's like, and Ryan Murphy.

20:45And there's so much going on and people are shouting. It's one of the shouting. The shouting. You know I've got a thing about shouting. This is one of the shoutiest single episodes of a TV show I've ever seen. They're all screaming at each other. And I know they're all bloodletting and they're all, you know, but honestly, wait, if you watch episode three, that's my comment. Can I ask you a question about this? What I don't understand is because from everything I've seen in this season, this is a beautifully crafted show right Interview with a Vampire is beautiful okay the performances are incredible Sam Reid is oh it looks incredible the money's there on the screen it looks like it's a huge budget show I mean even more now with the news so what's happened I don't understand it and I know obviously some people are really loving it why would they do this pivot what is that all about well it's presumably in the original books because of the books no but he is a rock star he is and the framing device is he's a rock star so yes that is not pulled out of nowhere but the books are not wildly dissimilar in terms of it's a chronology it's a history book, it's Lestat recounting his history and you go from him as a boy to him being made a vampire by Magnus and all the various stuff that goes on and then it leads into Queen of the Damned which is kind of the continuation of that story and it goes into the present day but it is another really expansive immersive history and I can only assume one of the reasons they didn't want to do that is because they'd already done it and they didn't want to repeat He is telling the story, they've still got that device on video, isn't it?

22:11That's what we've shown. I don't know. It's just Jacob Anderson is just so alluring. He is the shining light of this 30s for me. Because he's still in it and he's more on the edge of the action. But like in episode three, you see he goes to this diner and meets this thing. Yeah, his stuff is still great and he is brilliant. I agree. The only thing is, I was like, why didn't they burn the body? Like when they, you know, in season one, I mean, that's just silly. But then I was like, oh, he couldn't because he's deeply in love with him really in this toxic love story. Yeah, it's a whole coercive, controlling relationship, isn't it?

22:43Like, it's mad. But I think it's also, it'd be an interesting pivot to go from that. Would that have even worked? Because, like, the way Lestat, because when Anne Rice wrote Interview with the Vampire, she was Louis. Like, he was her perspective character. You know, she was embodied in him. And then she became more enamored with Lestat, and she ended up doing, you know, like, the whole vampire Lestat. And Lestat then became her avatar from then on. Like, she fell in love with Lestat while writing the Vampire Lestat. He's an abomination. It's horrible. Well, and this is why the Vampire Lestat kind of almost retcons that character.

23:14Like, it's a big redemption for him. And you also see characters that are worse than him, that make him look... Yeah, you do. Much worse. There's a horrendous scene involved. Like, Louis is, you know, Louis is slightly mopey and dramatic, but, you know, he is a sympathetic character, although I would argue he's a very different character in the books. Like, he's a plantation owner. He keeps slaves. Like, he's a very... It's not set during the same period as the TV show. Whereas Lestat is the brat prince. Yes, he is a narcissist. He's self-absorbed. He's a pain in the arse. But there's something very charismatic and appealing about him.

23:44And I think that comes out in The Vampire Lestat. And I think it comes out a little bit in the show as well. He is deluded. And he is the most unreliable of narrators. And he is childish and puerile and petty and all of these things. But Sam Reid is so fucking good in that role. Oh, he's unbelievable. That you're obsessed with him. You're captivated by him. He's really good. Look, right. Yes, let's go over it again. Yes, I just watched that first episode. But he is great in season one. So just give me, Bullpock, how many emails do you think we've had where people are trying to kill me? About 50?

24:21It's more than that, isn't it? It shows how many people are listening. That's good. Do you know what? What a silver lining. Yeah, yeah, totally. How many would you say, James, emails that we've had? I don't know. A dozen or two. we've had a few but to be fair some of them have actually been very measured and balanced the large consensus was we think you're wrong, give it another go or we're quite cross that you're wrong give it another go, that's the broad well I've righted that wrong if it is a terrible wrong and I would like to not receive any more messages about Van Polistat and how much people hate me thank you so much did you watch anything else?

25:02no, that's what I've watched Yeah. Apart from episodes two and four of Van Bollet that I watched, purely by accident last night, because they were on BBC2 live last night quite late, at 11 o 'clock. I was like, oh, okay, I'll watch these then. And three is a piece of work. You know what I'm talking about with episode three. I'm trying to remember because I watched them all kind of back to back. There's an act of kind of sexual violence in it. Oh, yes. Yes, I do know what you're referring to. Yes. Anyway, I have been watching Sterling Point Oh do you know what Which we neglected to review Because it was a week Where there were like Four shows possible to do And only three slots And we watched Hit Point instead We did Hit Point Another show With the word Point in the title Which I like I like Hit Point But Sterling Point I think we'd all like much more Oh Than we would expect Sterling Point is the latest In what is an extraordinary long line Of Prime Video's teen dramas Is it an off-campus?

26:01It's joining the list of off-campus. Prime Video is now like old bloke crime. Dadcore. Dadcore, Reacher, etc., which we dissected in the last episode of Plus, by the way, and teen stuff. And this is, it's kind of like, it's not like off-campus, it's much more, this is like an indie teen drama. It's eight episodes and everything. That seems to be the set length now for Prime Video, by the way. You can't make anything that's six or ten, it has to be eight episodes. Anyway, it often does not produce a decent enough story. This is a very kind of deliberately quirky, but not in an annoying way, indie-flavoured attempt to do a teen drama.

26:45And it's really clever and smart. And it's all about this young woman, these two adopted twins. Yeah, so I watched like eight minutes of it. They're like 17 going on 18. and their dad, played by J. Duplass, who is one of the darlings, of course, of American indie cinema, it turns out that they've been left in the will of their grandfather an entire Canadian island, a small Canadian island. And she finds out about this kind of by stealth because he doesn't want them to know for some reason the father, the dad. And not only that, she finds out, this is all in the first 10, 15 minutes, she finds out that he's been keeping communications from this grandfather to the kids away from them.

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27:27He hasn't let them see them over like decades. And this is a big mystery. But is he their real? Is he their real grandpa? He's their real... I think he's... No, I think he's their... He's the adoptive grandfather. He's the father of the son. He's the adoptive grandfather, yeah. So there's this whole... So that's the set-up. So she goes off without telling her dad, lying to her dad about... She's got a brilliant gay boyfriend who hasn't yet... Oh yeah, I saw that bit. That is funny. Which is handled hilariously, by the way. And... Because he's... Because she says, I'm gonna... when he comes out to himself, then I'm going to break up with him.

27:55But until then, we'll just keep going with it. And she lies and tells her dad that she's going off with him to his trip to Thailand. He wants to go to Thailand without her. That's a brilliant scene. There's a brilliant scene where she's like, I'll come to Thailand with you. And he's like, will you? And they're like, he doesn't want her to, because he wants to live out his gay life in Thailand. Anyway, it's really smart. The script is brilliant. The acting, she is phenomenal. The main woman, who is Ella Rubin playing Annie Jacobson. And all of the kind of milieu if I can use that word she meets this the guy who kind of takes her on a private plane to the island from the mainland is immediately this hot young guy sensitive he's very off campus you will love him you'll fall in love with him after 10 seconds oh my god definitely going to watch this but then there's another rich family who are there who she has connections to and she goes to this big party but to cut a long story short it's really really good it's like you know it's kind of not as in a way off campus is quite a mainstream kind of thing but with all the raunch it's not as raunchy as that certainly not in the first couple of episodes that I've watched but it's still dealing with very much present day sexuality, gender issues and all of that, but the intrinsic story is really interesting as well, the mystery of why did the dad not want his kids to know about their kind of grandfather figure, so it's really good and then the final thing that I have to say I saw because I know this will make James extremely jealous, is I went to the production of Game of Thrones The Mad King at Stratford upon Avon at the weekend this is the stage drama didn't invite me I wasn't given a plus one no no I wasn't given a plus one I was reviewing it for Radio 4 so they couldn't afford to give me a plus one it's extraordinary so this is this four hour including a 20 minute interval but four hour play set kind of about 15 to 20 years before the events of Game of Thrones for the first season of Game of Thrones where is it in Knight of the Seven Kingdoms though post all that post all that post House of the Dragon yeah those are like hundreds of years ago aren't they 100 years ago prequels.

29:50This is a 10 to 15 year prequel. Okay. So it's kind of establishing what happened to, and why the characters we know. It's Aerys the Mad King, isn't it? Yeah. He's the Mad King. The Mad King is fantastic. It's just really beautifully done. It's kind of epic as it can be on stage. I was worried, how are they going to transfer the Game of Thrones epicness to a stage? But there's this cross, the stage is set like a cross. They've reconfigured the whole seating arrangement. it is the way they do puppeteering of the horses and the dragon a dragon it's brilliantly done it's just if you like Game of Thrones it is fucking incredible oh we should go yeah it would have been nice if Poirot brought us I did not get plus one let alone plus two but yeah and it's all sold out anyway maybe me and Steph will go and see it yeah we should go and see it it will it's only at Stratford-Bonavon even now it's only running for about another like eight weeks I think but it will definitely come to the West End it will go to Broadway they'll make a film of it it'll be a phenomenon oh amazing hooray hooray so that is what I've been watching which is actually a live play.

30:48Okay. Okay, right. That is it for what we have been watching. And now we're going to do something ever so slightly different. Now, those of you who listen to this podcast and have been for a long time will know that we have a certain blind spot when it comes to animation. And anyone who subscribes to Pilot TV +, and if you don't, why don't you? You will know that we have been taking steps to remedy this issue. So we've had this animation intervention thing going on where people have been sending us things that they want us to watch. But the thing is, we're just not qualified to judge because we are animation Luddites.

31:21We don't really know what we're talking about. We don't really know what we're doing. So I have called in a ringer, a ringer to solve this conundrum for us. So essentially, here in the very studio with us here is John McEwen White. Hello, John. How are you? Hi. Now, we should say you are a Pilot Plus subscriber. Yeah. Which is the reason you're here, of course, is what your subscription pays for. You get to come on the podcast. But crucially, you are also an award-winning writer and producer and crucially founder of an animation production company. Yeah, that is true. So you are a, quote-unquote, professional.

31:55Wow, you're like the best person in here. Yes. It's not difficult, but yeah. And also, could we just say props to John for coming back? Because John's last time in the studio was to do the spoiler special for Foundation Season 3, I want to say. and it was entirely derailed by the arrival of one Taylor Swift. And so the sports special... Only 700 times. So the sports special was mainly John sitting alone in the studio with Helen while I stalked Taylor Swift around the building. For an hour? For an hour. We can only apologise. An hour? That is so unprofessional. And I regret nothing. I came all the way from Scotland.

32:29He did. And he, for an hour, he came in every 10 minutes and was like, right, let's get started with the podcast. And he was like, you know what, I'm just going to go outside. I'm just going to go outside and I'm just going to wait. And he'd come back and be like, right, let's go. I can't believe that Helen was on board with this. Also, I returned to Scotland, right? Here's an interesting fact about Taylor Swift, by the way. My wife loves Taylor Swift. She has the same birthday as Taylor Swift on December 13th. I have the same birthday as Travis. What's his name? Kelsey. Kelsey, 5th of October.

32:57Is that not a bit weird? It is weird. That's why James has got you on the podcast. That is probably it. But yeah, I returned and my wife was like, why on earth didn't you go out and see Taylor Swift? Yeah, especially as he was out. And me and Helen were too cool. They were too cool. They bonded over foundation while I went and saw the house. So James was so desperate to find someone to talk about foundation that he kind of kidnapped you from your life. I mean, I offered my services. That is where you went wrong. Yeah. So you have history with the podcast, obviously. Yes. Obviously, not a positive experience, as we have just explained.

33:33Locked in a room with Helen O 'Hara is not the worst experience of the world. No, that is actually not. But it's Boyd's idea of heaven. I would just say, James, that I am building quite the dossier of monstrous behavior for you, okay? This is going in, all right? Again, unrepentant. And I have two children, and they were crying when I came home. Did you send them the video of Taylor Swift waving at me to make them feel better? Do you want to hear something else that's funny? Yes. My wife's best friend, right? Yeah. She's a fantastic doctor, and she sent my wife the video that you took. Excellent.

34:08Because it went viral. Yeah. Wow. And I got in trouble for it, but that's neither here nor there. Let's not mention that again. Anyway, we have derailed the podcast, as is our want, but John is here to educate us in the animated arts. Now, so we have fed a lot of your listener contributions of things we should watch to John, and John, with his expert eye, has looked through them. And so, John, how are you going to do this? Because, you know, we do have a problem here. I think we can all admit we have an issue with animation. I just really, really resent you constantly. You're like, you two, okay, like pulling me into your gang of animator haters.

34:45Okay, look, and I know I'm a TV snob, right? But when you say I'm into animation, I don't think Danger Mouse counts. Okay, does Thundercat count? Thundercats count? Thundercats? Thundercats. I love animation. I've never stopped loving animation since I was younger. You seem to be nodding here, John. So are you validating this type of animation? I'm validating Steph. Steph is always very polite about animation. And, right, I wrote, I'll get into what we're doing. I want to report on, or I want to respond to something that happened in the 400th episode. Oh, good. I wasn't here. This is Annie Katz.

35:19Which is like a legend. Like, that's a piece of history. That'll be recorded and I'd be on the moon and stuff like that. To quote, right, on the 400th episode, Boyd, you knew that this was coming and you now work with me technically so you'd think you'd be nicer about this At one point, this being about Ali Katz Kay says, I'm not really into animation Boyd says, who is? And what do I say? And I think you probably said something lovely like animation's great Steph went then told Shush I was saying that ironically to comment with an arched eyebrow on my history of not overdoing an animation fan.

36:03It was an illusion. Do you know what's even worse about that? It's because I listened back to the episode and you said, and I was the one who was saying, the animation's so beautiful, it makes me feel at home, I absolutely love it. And then later on you say, you were going, and as you say, Kay, the animation is beautiful. And I was like, wow. You are interchangeable, to be fair. Yeah, that's true. You are. Yeah, because Kay is not entirely an animation fan either. No. You're the one who flies the flag. I mean, I would say Kay's neutral. she is right she is positive I think she is I think if she saw some really good animation she'd be like like you know she would be able to enjoy it but she's not like me she's not going to watch you know American Dad or Family Guy she doesn't like that no no no but that's I think that's fair because I think like animation but as we said animation is not a genre it's a medium right this is a thing which is what you're about I'm taking the words out of your mouth go on John hit us with it well like yeah I guess so like animation isn't a genre a medium or whatever.

37:01It's just like animation is just another thing. Like there's so many ways you can explain what animation is. You could call it like another camera when you're making things. There's lots of documentaries that have animation in them as well. Like it's, I think it's easier to animate now with kind of, not necessarily the AI side of things, but with technology that is kind of much more advanced. I'd look at Flow, which is a film that won an Oscar. When they tried to call me out and they were like, you don't love animation. tell us the last thing you thought was amazing I was like Flo and they went oh okay yeah and Flo is and there's so much nice stuff I think you just kind of have to just you just have to get over it it's like saying yeah you two get over it yeah it's like saying I don't watch Scottish shows and there's to be fair I think we can all agree we don't watch pretty much any example you're about to say there could be applied to James yeah including Scottish shows generally well there's loads of things that are shot in Scotland like you know the Spider-Man movie was shot in Scotland by the way was it yeah the Odyssey was shot in Scotland yeah yeah yeah FYI Scotland the place to be just to confirm John is Scottish yeah oh sorry yeah I'm also Scottish this is actually my notes yeah yeah we're working together on the Edinburgh Edinburgh TV Festival event which is by the way two weeks today it is horrifyingly horrifyingly but we'll be fine are you going Boydie yes I am hosting I was going to say we were offered some interviews up there He's one of them with Boyd.

38:29Yes, actually, yes. Would you like to speak to you, Boyd Hilton of the PolyTV podcast? Yes. Animation interviews? Perhaps. Who knows? An animated interview might be the way to go. But anyway, so, yeah, Scottish. Scotland is good. It's okay if you don't know if something is Inverness. Oh, are you going to... It's not really, is it? Are these going to be exclusively Scottish animations? No, no, no, no. Do you want me to talk through my plan? Well, first of all, I would like us to individually sort of explain ourselves. So, Boidy, why are you an animation twat? Go on, explain. Animation twat, okay.

39:03Yes. I think I would describe it as, there's loads of great animation I love. So, Into the Spider-Verse, those films. Okay, film. Beautiful. Two of them. Okay. Two films. The Simpsons, at its height, you know, I was, of course, watched it fairly religiously. I grew up watching The Flintstones and you know Flintstones really it's animated oh my god so I'm not intrinsic what I'm saying is I'm not loads of great animated films yeah I think I'm not a big fan of you know the the should we say modern day rude you know the cheeky rude adult animation get that and I can speak about that Family Guy it's a show Ren and Stimpy you know that's definitely like 20 I am an old man.

39:50You know, I'm an aged. Very young boy. Thank you. So that stuff, so the kind of, there was The Simpsons, which I think, which is, you know, one of the greatest shows of all time. And then all the other things that came afterwards that I wasn't particularly into. But essentially it comes down to, I have to watch everything. I watch all new shows in most genres. Partly for this podcast, but partly for my day job, writing for Eats and Empire, etc. And I just, my honest explanation is, not explanation, their honest taste is for live action stuff. So I'll always gravitate, I just gravitate more to live action than I do animation in general.

40:28So it's an apologia for me, really, that I know that is inane and stupid of me. But I just, for some reason, you know, even The Simpsons, I was like, wouldn't this be better if it was actually live action? You know, it's insane. But it's my, so my honest response is, for some reason, I'm much more attracted towards live action than I am animation. And that, and I apologise for that but it is the case if you gave me 20 shows to review and 10 of them were animated and 10 of them were live action there's no way I'm going to go to the animated side of that divide it's like that really I was hoping you'd be a little bit more of a dickhead there so I could fight you but that's like very fair points and very fair reasons but still small minded on me I think what is happening right now that I'm seeing from within the industry is there is a massive change in animation and when you talk about adult animation so that's like rejects.

41:19When I mention, if I'm working on an adult animation project, and I mention that to my granny, she thinks I'm working on porn. Yeah, yeah, yeah. Yeah, to try and explain that to her. She thinks she'll work, your granny thinks she'll work on adult animated porn. If you say I'm working on an adult animation, then she'll be like, what? And then I'll have to be like, whoa, whoa. I won't let her think that. Okay, good. Okay, fine. And there is some adult animation that is borderline porn. Felix the Cat, if we go back, I think. The advert. No, this is going back decades. There was a period where they made kind of like very adult animation films.

41:54What is happening? Sorry. Yeah, you look at, Google it, have a look. I mean, that's getting a number. Ralph Bakshi, do you know Ralph Bakshi? Have you heard of Ralph Bakshi? Yeah. Ralph, this is my history of animation for you. So, Ralph Bakshi was a very famous animated film director back in the day. I'm talking like 70s, 80s, and he did this thing, and Kofi Skelter was very rude. cheap saucy and I think it was X-rated he also did the version of Lord of the Rings James you must know about this and I went to see that in the cinema with Leonard Nimoy singing the song to it or something like that I think so and it was awful and I think that might have scarred me in my history because it's a terrible terrible version of Lord of the Rings but what I say just quickly on that because I know you're saying something maybe just as nice which is very lovely but what I'd say is adult animation within the industry they're massively changing when they say adult animation really what they're actually aiming for is 16 to 24 males like that's actually what the demographic is even though they're saying yeah so they're really working hard to go beyond that because there's this massive wealth of people that could get into it but they need to move on from like i love rick and morty but my wife will never watch it because rick has a little bit of sick on his mouth and and rick and morty is a tie is a project that was made i believe at a time when we were a little bit more comfortable with the world or the world wasn't as scary so it could be nihilistically endlessly nihilistic and i think what we're seeing right now is there's a lot more shows that actually like mean stuff and matter and aren't just like classic animation and i think more creators are getting involved like richard link later did a um apollo a really interesting project on netflix called apollo 11 or apollo 13 massively worth a watch and that goes to show like that's a fantastic live action animation.

43:40Guillermo del Toro's Pinocchio. These are all movies. But what I'm saying is... We discuss movies. We love talking about movies. We love talking about movies. Yeah. The more creatives... I'm seeing a lot more creatives see animation as an opportunity to basically spread their canvas. And it's nice to see that. Right, Steph, we've established that you are just a fan of animation across the board. Well, no, I would just say the thing is, is that I don't like to exclude anything from... I just think, you know, I'm very much on just entertainment is entertainment whatever form it comes in so that's where I sit with anything like that and Ali Cats is a great example of that Is it?

44:18James, look we've spent two weeks apart and I just I want us to come back together and be the best friends that we are Of course, carry on So I just feel like It's an open minded person Well no, I just think if it's entertaining in whatever form it's entertaining and you can enjoy it Yeah If, you know if the script is good it'll be enjoyable it doesn't matter if it's a fucking animated cat or you know it doesn't I don't know that's how that's just but maybe that's a very simplistic no I would argue that's probably the way most people should approach entertainment where you shouldn't be alienated by the form you should appreciate it for what it is I wish I could be more like that I struggle with that a little bit because let's discount the Seth Macfarlane oeuvre because I think there's a as you say I think the kind of quote unquote adult animation thing there is a smugness to it and they're slightly irritating and I think that transcends the animated medium and they have a vibe that just doesn't work for me.

45:14One that was good, so I just remembered one that I did, Bojack Horseman was good. Yeah, and Bojack Horseman I had stopped watching because it was too sad. Yeah, it's really, yeah. And it's meant to be like a silly comedy. Yeah, that went quite dark. There's a beautiful episode of Bojack Horseman about his mum dealing with Alzheimer's. Right. And they use animation to squiggle out people's faces. That is a way of using animation to increase your storytelling abilities as opposed to just saying this is going to be animation. And also you can get into budget and it's much easier to shoot a space battle with animation than it is to actually shoot a space battle.

45:49There's not that many space battles that we know of. That we know of. But you didn't even like Bojo Horseman, did you? I didn't, no. No, no. Okay, so explain yourself. What's your problem? I think there are a number of aspects to it. I think part of it comes down to the way I kind of watch things, which is like I need to be immersed in it. I need to be completely consumed by it. Like I live it. Like I project into things. So it's pure escapism for me. I'm never kind of sitting on a sofa watching it. And if I am, then something's gone wrong because I should be in the story when I'm watching it.

46:18And I find the animated medium sometimes a barrier to that. In the same way, I find comedy that breaks its own rules also pulls me out of the story a little bit. And I think there are two reasons for it. I think sometimes it's just, I was going to say bad animation, but actually I think that's a slightly ignorant way of looking at it. I think it's simplistic. So you take Invincible, right? So it uses a very simplistic style of art, right? The animation itself is not the issue, it's the art style. And because it's very simplistic, and that's a stylistic choice, I find that hard to get into because I just see, you know...

46:51So this is an access issue for you? A little bit. But also, I don't like, and I've talked about this before, animation voices, where... We love an animation voice. Talk about X-Men 97, right? People don't talk like that. That's just not how people speak. Because it's these incredibly overblown, over-egged, animated voice that they put on. And again, it takes me out of the story because there's no verite to it. Like, it doesn't feel real to me. You know what you would love? Alleycaps. I was going to say, absolutely, yeah. Because they are very naturalistic conversations. Yeah, I'm hoping he's watched.

47:23I asked him to watch one, I'm hoping he has. I really want Ricky Gervais to be my friend. Okay, fair enough. No, I watch it. It's fine. It's good. It's like, it is like a podcast with his friends that he animated. Yes, which is how he describes it. I think maybe, I feel like people are being a bit too mean about it. Right, so do I. I think like there's probably things out there that are much worse than that. Oh, gotcha. And I think as well, what I get annoyed is that people are like, he just decided to do animation. He doesn't know anything about animation. he's actually has done animation more than most people have in fact he did the Ricky Gervais show which was animated conversations with Carl Pilkington and Stephen Murchin back in the day honestly that was I loved that I thought that was very inspiring the animation was really cool there and it was it seems so obvious now like animator podcast but that was that was yeah I think that was good so that's what I have to say about Ali Kats okay very definitely handled anyway Anyway, the point of this is we all, for our various wrong-headed reasons, Steph not included, fail to access this medium for one reason or another.

48:34And John is going to fix us, aren't you, John? Yeah, yeah, yeah, yeah. Tell us how you're going to do that. Okay, so I'm going to quickly, really quickly run through the list that you got because everyone deserves a voice. I'm not going to speak, I'm just going to mention the shows. Okay, so there was loads of amazing suggestions, brilliant suggestions by very talented people. There was too much to go into. There was too much, yes. Also, what was the majority of them were quite well-known ones that you guys probably know of or have seen or tried to watch or something like that. So there's a few like, yes, Samurai Jack's fantastic.

49:06Bob's Burgers is great. The Batman animated series is fantastic. There's a new Batman animated series on Amazon, which is actually very, very good. And it's worth the watch. So Arkane, you've watched already. We've spoken about BoJack. Fantastic. And Blue-Eye Samurai is amazing. Yes. Like, really. Blue-Eye Samurai and Arkane, to be fair, I didn't finish Blue-Eye Samurai, but I did finish Arkane both seasons. and loved it to bits. Yeah, Blue Eyes Samurai, you definitely need to finish Blue Eyes Samurai. What are you doing? I know, I got distracted, but I was really enjoying it while I was watching it.

49:33So I also thought I'd throw in, someone mentioned Wolf King. Yes, I mentioned Wolf King because I love that style at the moment. Wolf King is a beautiful style. Yeah. Beautiful story. It really is. Here's an interesting fact. Made by the people that make Olly Oaks. Shut up. Yeah. That's why Steph likes it. Yeah. Is that a sense to be a kid's show? Yeah, like YA. It is, it is. But it's more than that. But it is more than that. It is very good. And actually, you can really immerse yourself in Wolf King. Yeah. That was maybe going to be the recommendation for you, but I think you'd be like, it's a kid's show, blah, blah, blah.

50:09It's not, though. It's not. But I feel John may be not a million miles away from that. That may be my reaction. Okay, I'm just saying it's really good. And then, so this is just worth throwing in. Disney Plus did a really, really cool show called Iwahu, which is made by an African animation studio and it was based off this African animation studio was interviewed by BBC and they said we want to kick Disney in the ass and Disney said let's have a conversation and it was Disney's Disney animation Walt Disney animation their only ever TV show they've ever made and it's really really good it didn't do huge numbers but it's good again possibly thinking about James but he'd be like it's a kids show I don't want to watch it what is wrong with you?

50:49what is wrong with you James? I mean he didn't say any of this I know, but we probably will. But you're inherently right. I probably would. And then finally, Marvel's What If. Have you watched that? I watched the whole of season one, yes. Marvel's What If is like the MCU you want more of and it just gives you more of. It's amazing. It's so good. Unfortunately, and this probably speaks to my whole problem, my main takeaway from that is, why isn't this live action? Because they couldn't afford to have an actual thing. Of course, and I know that's the answer. And they couldn't get all the actors.

51:17And it doesn't really matter if you're just using people doing their voices. But, yeah. And seeing Shang-Chi, who hasn't been in the Marvel for ages, Shang-Chi's a huge part of the Marvel What If universe. It's really worth it. You could also say something along the lines of, Avatar is an animated movie, right? Exactly. And I love Avatar. Yeah, yeah, yeah. But then you get to the point which I think, oh, yeah, but you're just wrong. I almost spent£30 on an Avatar tin that my friend, popcorn tin. Avatar tin. Oh, the popcorn bucket. Okay. Yeah, it lit up. My friend didn't let me go. But again, it's about visuals.

51:49and one of the reasons I loved Arkane is because it's so stunning to look at that it elevates it for me. And just to flag about Arkane, right, that is a very much a rarity in that usually you go to a company and you say, here's my idea for a show and they say, here's some money or here's all the money, go and make the show. Arkane went to Netflix pretty much and they were the gaming company that's in charge, I can't remember of who's in Legal Legends. Right, Games Legal Legends, yeah. We're like, we're going to make a thing and here it is. It's the most expensive of animated show ever made I'm pretty sure it still is it looks like it you could not make that it's an advert for a game that's the only way you get it so Arcane is brilliant and fantastic but you've got to stop saying that that's your reference point because it's almost impossible to make stuff up I like it when he's told off sorry you've got to stop saying that's your reference point move on well it's Arcane I've peaked I've started with the best what can I say yeah it is the best and it shows you have taste so that's one good thing wow right so the three modern essentials, I would say Blue Eye Samurai, Bluey and Arcane.

52:52I've just said don't reference Arcane, but those are the three ones that are great. But, okay, what I'm going to do is I'm going to give everyone a tailored animation recommendation. Wow. Oh my god, this is so exciting. Maximum 30 minutes of watching. Okay, and if you don't want to go past 30 minutes, you're done. And I've got, yeah, so I'll start with K. Yes, K. and some of these I think we can have open discussions and we can pitch in and we can maybe change because there's some, basically I'm just I think I can convert Boyd you're converted, if James were trying to take down why are you always the problem?

53:31I'm so sorry you're the problem, it's you it's me that's Taylor Swift okay I would recommend for her Pixar has made two TV series One is an Inside Out spinoff, which is really, really good and very, very moving and brilliant. But that was clearly like Disney where like make a spinoff to something you know. If Pixar were to make a TV show, they'd make their own thing and it's called Win or Loose. Oh my God, I love Win or Loose. It is so good. Did you review it? We did review it. Was K on? We did review it, yeah. I can't remember whether K was on when we did it. I love Win or Loose so much that I've re-watched it twice.

54:16it's so good it's so good it's so good and it's like got the quality of Pixar and it's emotional it's so emotional oh god it's so good did it make me cry I mean Steph's already converted yes of course it made me cry it was so beautiful when he's like just the whole love story the love story that's the one I was going to speak about the love story it's so good and you see inside his head and he's so smart I know it's so sad and you just want for him so much I'm like I'm dying what is it about what is it I've forgotten it it's like a softball league right Like, softball, which is a thing in America.

54:48I think it's like rounders. Yeah. Softball League and every episode follows a different member of the team. Yeah, I remember. But, like, that's, like, the basic concept. But what's really good is it's looking at basically, like, feelings and anxieties. Human connection. Human connections. It's just so special. And even though some are kids, some are adults, but it's, like, a genuinely very moving idea of we all live in this world and we all feel so alone even though we're surrounded by people. And it looks at the different ways that that can happen but also uses different styles of animation to show those things.

55:24And it's really good. So for Kay, I was going to recommend the love episode. Yeah, definitely. She'll like that. Yeah, I can't remember which episode that was. I'll dig it out. Yeah, yeah, yeah. And see. And oh, also, also, Rhea Seahorn. Ray Seahorn. Ray Seahorn. Friend of the pod? Friend pod. She voices one of the characters. Oh, okay. So, what more do you need? We're on board. Okay, okay, boy. Yes. Right. I feel like I'm Santa. This is very cool. You know in Narnia when he gives people like... Turkish delight? Yeah. No, I wish that wasn't. No, who eats Turkish delight? Sick Turkish delight. I think you told me this before and that is so odd.

56:07Do you like licorice as well? Yeah. Oh, do you like aniseed balls? Aniseed balls, Turkish delight. The only alcohol I genuinely like to taste off is Sambuca. Genuinely true. That's nuts. Horrendous monster, that's what he did. Yeah, you are. Again, going in the dossier. Okay, Boyd. Yes. This is more risky. Okay. But it's very interesting. Is it that weird cat porn thing? Yeah. Yeah. Felix the cat. Yeah. No. So you're a very classy guy. Thanks, man. He is classy. He is. He's so lovely. He's prestige. He is. He's such a real... the thing about Boyd is Boyd is such a gentleman. He is actually a gentleman.

56:44He really is. Yeah. He's a true gentleman. Very lovely guy. Anyway. But also, you love Doctor Who. You have that secret little sci-fi side of you. No, it's not so secret. It's not so secret. So it's out there. It's fully out there. So combine the sci-fi, combine the classy, and combine the uniqueness of you, Boyd. Okay? Tom Hanks has created and starred in his own animated TV show. But it came out like 15 years ago. Right? And it's called Electric City. Right? Now, the annoying thing is, Electric City, you basically can't watch it anywhere unless you're in Spain or the US. But... Spain? So you're going to Spain, boy.

57:24Just come back from Spain. Yeah, it's on Amazon Prime in Spain for some reason. But you can, I don't know if this is allowed, right? But you can, all the episodes are on YouTube. Oh, okay. Okay? And each episode is like two to three minutes. Wow. Right? but Tom Hanks voices characters there's other famous people in it it's about kind of it's kind of like it's a bit of a mystery it slowly unravels I think the animation because it's done in 2D it kind of ages well so it kind of never looks old and it's about kind of a dystopian society that you can't really understand why they have electricity but they don't use it a lot and there's a lot of kind of mystery and you find out about one of the characters kind of backstories and you learn about the history of the world but like Tom Hanks is very good and very talented and this is something that I don't think yeah yeah yeah he's a good guy if you're listening Tom thank you he's a regular listener yeah what's it called again?

58:22Electric City oh man that sounds interesting I've never heard of it I've never heard of it watch that but you have to watch 30 minutes of it sure okay and it's really really cool and really different Steph doesn't like post-apocalyptic dystopias by the way yes but I love animation and I love Tom Hanks so I'm going to watch it. Okay, wow. See, that's good. I'm going to have it working already. Okay, Steph, right? You already like animation. I do. So you're fine, right? Okay. But I'm going to give you a good recommendation. Oh, no, I'm getting an animation. But you're fine. Did you watch Maul, by the way?

58:51I've only watched the first one, Maul Shadow and Roger. I've only watched the first one and I thought it was fantastic. It's really good. It's different animation to Clone Wars, by the way. Is it? Yeah. It's not the same. It's like more painterly. I did say that, didn't I? I did say it was painted on. Do you know, is it maybe because you're a woman? I don't, I think it probably is. It's just like, yeah. I said that. It was internalized misogyny. That's the reason. Yeah, it was. Anyway, Moll's probably a feminist. He probably is. Judy, listen, I'm having my recommendation moment, okay? I'm going to say, if you're going to pick anyone from the Star Wars universe, but sure, carry on.

59:21So, Steph, you like animation already. So I felt there was anything I would suggest you kind of already know about. So there's a show on BBC iPlayer called Hushabye Lullaby, right? It is for babies. That's okay. That's fine. But you're a mum. I'm a mum. But also you get caught up in this busy world and you just need a moment to breathe, you know? And Hushabye Lullaby is one of the most beautiful animations. Like the texture of it, the way that it's made is so fantastically wonderful. Is it like Patchwork Pals? What, Pet Shop Pals? Patchwork Pals, where they're all on a quilt. It's animated. Have you not ever seen that?

1:00:04No, I haven't. You've got kids, little kids. Oh, you should watch that. I should. So it's basically, it's a patchwork, and it's got all little animals, and every little episode is like four minutes. Steph's fired back with her own. I know. Now you've got homework as well. It's like four minutes, and the patchwork animals talk to each other. See, that's cool. And it's all set on like a quilt type thing. It's on the quilt, and they have little adventures. It's really beautiful. I need to watch that. What's it on? Okay, that's BBC as well. Patchwork Pals. BBC are good at investing in this stuff. Okay, I will do that.

1:00:31So it's called Hush by Lullaby. It's three minutes. It's made by a fantastic Scottish company. They're like tiny. They're called Curious Dreamers. And they really tie in both music and sound engineer, but also animation. It's fantastic. But it's all about like a lullaby for kids. But it's really coming. It's only three minutes, but it's just like the most soothing thing. and it just shows everything that animation for kids represents. And it's just a little hug for children, but without it being like crap, like Cocomelon or something like that. Cocomelon? Cocomelon. No, listen, I mean, Cocomelon has its place.

1:01:10Cocomelon does have its place. It does, though, because they do some very catchy songs. They do some catchy songs. And that's why all the kids know the days of the week. Yeah, that's fair. Yeah. Yeah, I mean, JJ, he's cute. He's cute. I feel like we're getting psyched. Sorry, go on, go on. Here's the big challenge, the big one. Okay, James. Okay. I'm slightly scared. You should be. So, I feel like I'm already shooting myself on the foot here. But you don't like 2D, so I'm like, you need to find something that's good in 2D. Because nothing is going to match Arcane. Because it's so, like, beautiful.

1:01:47You look like you're actually in pain, James. Yeah, I'm slightly apprehensive. so you need to watch two things by the way oh Jesus Christ yes but the first thing is only 15 minutes long I can work with that okay the first thing you're going to watch the pinnacle of 2D animation the pinnacle the first thing you're going to watch you're going to treat because you like film and you love speaking about film on this podcast you're going to watch it was one of the recommendations actually it's called Primal this rings a bell oh yeah I can't think why so the guy that made Dexter's Laboratory powerpuff girls all that kind of stuff he then like wants to make stuff for adults and he made this show called primal which is about a caveman and a dinosaur that team up in prehistoric world okay right but the first raise the eyebrow the first episode shows like the absolute beauty of what 2d animation is which is when you watch it you i know you're like i don't want to so i want to get immersed you can immerse yourself in the fact that the intelligence of how to get the most for your money with like how people move like it's there's a beauty in how this 2d animation moves and how these pictures are painted and how you can be immersed in this world that's being created and how it's telling you something that you couldn't do in live action but it means so much if you had a man and a cg dinosaur you'd be like that cg dinosaur isn't real but when you have a 2D man and a 2D dinosaur, you're like, yeah, they're real.

1:03:18Go places you don't expect. It's brutal. But also, like, it's very beautiful as well. Okay. These all seem good things. And I think you need, and it's only 15 minutes. Okay. So you need to give that a chance. Crucially, that is an important part. Can I ask you a question? Have you watched The Good Dinosaur? Oh, Steph. I know. I'm so sorry. Back on track. I mean, that is an animated film, which is about, it's so beautiful. So, so sad. We should do. We should have our own podcast where I ask you questions about animated things. Yeah. Okay, fine. And then I'll ask you because you know stuff about animation as well.

1:03:50Okay, right. And then the other one I'd recommend. The other one. Now, this is a... You play the video games, right? Because I do like the video games. Right? So there's another show that's on Netflix that went completely on the radar. It's called... And don't like scrunch your nose up or anything. He's already like... The eyebrow is so high. Scrunch it already. It's called Captain Laserhawk, a Blood Dragon remix. Whoa. That sounds like a title you totally like. Is this a Far Cry spin-off? No. It's not. Well, it might be. I don't know. I don't know Far Cry. I don't know what Far Cry. It might be.

1:04:23But I'll explain. Okay. Okay. So Ubisoft is a big gaming company. Who make Far Cry. Yes. Okay. They have loads of different games. Assassin's Creed, Rayman, Far Cry. Yeah. Need I go on? As I recall, there was a kind of weird, futuristic punk DLC for one of the Far Cry games, which was Blood Dragon. I'm assuming this is that. Yeah, that's exactly it. But what they've done, it's actually really, really cool. They've taken quite a talented writer and they have taken all these different games and put them in the same world. It's Avengers for video games. Oh, we love an assembled story. And like Rayman is a main character in this.

1:05:01Not a fan of Rayman. Okay, that's fine. But he has like a really dark like story that unravels. The main character is an badass action hero. Who's Gay, which is always good, because it's just original, it's different, it's really fun, it's crazy that this exists and no one knows that it exists, and it's got a massive epic world that you can get into and watch. Okay. And that's that. You can't hate it already. You've got that eyes of show you hate it already. I'm not hating on it yet. I'm prepared to potentially hate it, but I might like it. Captain Laserhawk and the Blood Dragon remix, and that's on Netflix.

1:05:39That's on Netflix. That definitely wins the best title. It does. So, K, win or lose on Disney+. Boyd, Electric City on YouTube. Electric City, yes. Steph, Hushabai Lullaby on BBC iPlayer. James, Captain Laserhawk, a Blood Dragon remix on Netflix. And Primal, which I think is on HBO Max. Okay. I love that you've got two things. That's fine. I will do two things. I am prepared to try both of these things because then it doubles the chance of me liking one. Yes, it does. It's got a very adult way. Thank you. That's very responsible and mature of you. So what we're going to do is we are going to watch these things and then we will feed back on a special Pilot Plus episode which we will put out and you will find out what we thought of them.

1:06:20I'm going to give props to you. John's going to mark us all out of 10 or something for our... I hope so. I won't be here. I can do a Zoom. Well, we're going to do it over our remote Riverside platform. Remote Riverside platform. We're going to do a remote record and we'll parachute you in from Bonnie, Scotland. Bonnie, Scotland. And you will... Yeah. Tell us why we got it wrong. Yeah, I'm going to give you props for, like, you know, getting into animation and, like, trying to re-educate. You should be really proud of yourself. You should be. You should be. John and I are both really pleased that you've come into our world.

1:06:48Well, I'm trying. I'm trying. I'm doing my best. But I can promise nothing. Okay, that's fine. Just try. I think that's genuine. You know, like, we can't save you. I have to save myself. Yeah, exactly. Exactly. Well, John, thank you very much for coming in and giving us homework, which is an odd thing to say. But yes, no, we appreciate it. We think it's good. and for all of you who listen to this podcast who are constantly wringing your hands and despairing and are unwillingness to engage with the animated arts I hope you know this shows a willingness if not necessarily you know and don't worry podcasters every week I'll be here giving an hour recommendation no I wouldn't but yeah well we'll see let's see how we get on with this one well John thank you very much thank you to be continued alright that was our animation interlude which went on a little bit longer than I thought it would so we're actually going to be controversial and skip news this week because honestly we will not have time to do reviews if we do uh so we're going to go straight into this week's reviews and first up this week we have lanterns on hbo max which is a dc comic series about not one but two green lanterns car chandler's howl jordan and aaron pierre's john stewart however this is not your average superhero show because it was specifically pitched by dc supremo james gunn as true detective with two Green Lanterns.

1:08:05And they see sort of outgoing Lantern Hal Jordan, and he's training up a potential replacement in Jon Stewart. And they visit the scene of a murder in Rushville, Nebraska. One that might have, shall we say, an extraterrestrial component. Boydie, you watched a number of episodes of this. I know this because you mentioned this recently, that you've been watching lots of episodes of Lanterns. Did I? Yes. You mentioned it on the podcast, you know, what you've been watching segment. So, given that you've watched multiple episodes, I'm assuming you liked it. I think this is one of the best examples of a superhero adaptation from a comic book into a television show.

1:08:43And in fact, the fact that it's co-created by Damon Lindelof, who of course did Watchmen, the TV show. Another truly brilliant comic adaptation. But I think he's hit the nail on the head. Because I think I am not particularly aware of the significance of the Green Lantern. I mean, I've seen the previous films and I'm vaguely aware of what it is. but this really crystallizes the whole idea of there being different Green Lanterns, hence the title, Lanterns, and of one older lantern training the new lantern. And it is literally that true detective meets, what was the other thing that it meets? He just said it's true detective with two Green Lanterns.

1:09:18I mean, that's exactly what it is. But tonally, to use our favorite words, I thought it was really clever and smart and kind of had a kind of, I don't know, had a more sophisticated tone to it than perhaps some previous shows based on DC comic book characters or any comic book characters. I really enjoyed it. I think the central culture is fantastic. There's the grumpy old twat who's reluctantly training Aaron Pierre as Jon Stewart. I know that Steph is a huge fan of Aaron Pierre. She's very excited about the fact that I think we're interviewing him soon, hopefully. You're interviewing him, aren't you?

1:09:50On Tuesday. Yeah. If you could take her along, she'll be your technical support. But they're both fantastic together. They've got real chemistry. It's really funny. It looks amazing. like the first episode begins with a spectacular kind of action sequence that's brilliantly handled and all the way through he's kind of constantly going it's aliens, it's aliens, it's aliens and no one believes it and then when Spider Alert when it turns out how it turns out that's really well done as well so all the way through it's making it feel kind of authentic and believable even though it's telling a wild story really so I absolutely loved it yeah I thought it was brilliant Steph oh it's sensational it's so brilliant I mean I'm just holding my hands up I'm a Marvel girl I'm very much a Marvel girl I mean I'm also a Marvel girl And I don't stray too far from Marvel.

1:10:34I'm not really into the DC universe. But, God, this is like righting all the wrongs of Ryan Reynolds' Green Lantern horror show. The chemistry is there. Aaron Pierre is just brilliant as the straight man. I love the whole idea of the literal passing of the torch. It's really funny. Everything you've said is sophisticated, the way it shows. It is like True Detective with superheroes. I mean I love Kelly MacDonald she's so good in it sometimes very Scottish we forgive her I totally forgive her she's got a strange accent but I think that adds to the humour and I love her sheriff character so this is an absolute triumph so Chris Mundy who's a writer showrunner on it this is an absolute triumph this is going to make people because I think Green Lantern's one of those superheroes who I think I don't know.

1:11:29He's not in. Is he anyone's favourite? I think he's nobody's favourite. But after this, this is going to breathe new life into this superhero. I just, I have no bad notes about it. And also in the first episode, just even the music, the music they use, like they use Leon Bridges' I'm Coming Home, which is one of my favourite songs of all time. Everything about it is, it's like, oh, Aaron Pierre is such a, I've got room in my life for a deeply sensual superhero. I'm sure you have ruined your life, Aaron. I love it. You will lap it up. It's great, James. I mean, it is. It is all of those things.

1:12:06It is by degrees the best thing to come out of James Gunn's DC Universe. Admittedly, from my perspective, that bar is exceptionally low because, as you know, I hated Superman with the fire of a thousand yellow suns. But this is, it's extraordinary. I mean, it's what happens when you take all of the aspects of this character and ground it so thoroughly in a way that feels organic and feels real. And even the more, should we say, because there are elements, there are aspects, and this happens in all superhero stories, there are aspects of these things which has an absurdity to them. Like, you know, like the Green Lantern Oath, perhaps, you know, in Darkest Day and Blackest Night, all of that.

1:12:42The fact that he's charging his ring from a lantern, you know, all of those things. They manage to make all of those things either funny, or there's a human, even like they make fun of the oath in this. Like a character literally makes fun of it, And it's like, they're very self-aware, it's very knowing, but it's also very respective of the source material. So it's not in any way denigrating it for people who are fans of it. You know, it may not be the intergalactic story some people were looking for, because this is a detective story, right? Like, that's what it is, a mystery story. They're trying to solve a puzzle.

1:13:12But the joy of those two characters together, I mean, they're wonderful. And Aaron Pierre's character, Jon Stewart, not that one, like, his backstory is fascinating. There's a whole episode dedicated to that. It's heartbreaking. It's a little awful. And I mean that in terms of, you know, what happens to him and stuff, not the episode. The episode's wonderful. But I watched, I think, five episodes of this last night, back to back, and then had to go to bed. But it's completely brilliant. And it's, you know, I think deservedly going to be on a Shows of the Year list somewhere. It's going to be on mine.

1:13:46It's really, really good. This is kind of one of those must-see shows this year, I think. Yeah, and it's really like, I do think if you are like me and you're a bit of a marvellous, like I'm very marvellous, I think you will be turned. I think if you don't like comic book stuff you will still like it. Oh definitely. That's my main idea. Don't be put off because you've got absolutely nothing about what the Green Lantern is. It doesn't matter. Don't think of this as a galactic peacekeeping you know organisation drama. Think of it as True Detective with superheroes. Well that's the whole point where someone says early on why don't you wear the suit anymore?

1:14:17He says ah we're on special occasion. He just walks around in a leather jacket like he doesn't care. Can I just say I love that bit and there's a court scene in the first episode where they say I mean we're gonna you know they get bail because they're like I mean he's a flight risk because he can actually fly it's like those little moments they're just brilliant yeah it's really really good I like really really enjoyed it thought it was loads of fun watch it is all I'm gonna say yes Lanterns then which is on HBO Max when? Boydminster? I think from today Monday from today Monday okay next up we have Ludwig series 2 which is as much fun to say as it is to watch and this is David Mitchell's prodigious puzzle solver taking on more mysteries, now not pretending to be his twin brother, but actually as himself.

1:14:59And it begins here with an episode which is a less conventional who didn't done it after a body turns up at the opera. Steph, is this a puzzle worth solving for you? Well, you know what? I think I've made it known that I'm not really into a kind of cosy crime. You've made it perfectly clear. I'm very, you know, kind of true crime. I love my true crime or like real like high end kind of crimey drama. Nasty, vicious, disgusting. But, and I didn't, yes, yes, thank you, Boyd. Sure. Yes, and I didn't watch season one, but I did do a catch-up on season one, so I knew exactly what happened. And they do a nice reel at the beginning of this anyway.

1:15:36Yeah, I thought this, I mean, it's dynamite casting, isn't it? Because Anna Maxwell Martin is just, I mean, I'd watch anything with her in, really. And David Mitchell. What I love about David Mitchell is it really is just David Mitchell playing David Mitchell in this. And he's wondrous, so why wouldn't you like it? What I especially loved about this, because it's not particularly my bag, is I enjoy the fact that there's this ongoing mystery of where is his brother. The other thing I really enjoyed, which is harking back to my Murder, She Wrote love, is that I enjoy the fact that this whole mystery of the murder in isolation gets wrapped up in one episode.

1:16:11So you can just watch one episode and it's all wrapped up and you know who did it, done it, didn't do it, whatever. And that to me was very appealing. It's not setting my world alight, but I really thoroughly enjoyed watching this and I like to be in the company of David Mitchell and Anna Maxwell Martin. There's a weird wave of kind of cosy crime with grumpy old guys in the sense of it. So you remember you had Timothy Spall in Death Valley, the BBC show. You've got Mark Gatiss in Bookish, which is back to soon. Which is back very soon. Very soon. And you've got this with David Mitchell being brilliantly grumpy.

1:16:46And this is, for me, the Rolls Royce of the genre. I think this is the real choice of the whole cosy crime. And it's not even that cosy. It's not that cosy. What cosy crime has come to mean is murder mystery where we don't have your naked woman with a throat cut. Not salacious. Yeah, it's very, the tone is quasi-comedic. In fact, quite a lot comedic. Comedy, drama, which happens to have murder involved somehow. And it's kind of how they write around the murder and make the murder seem cosy-ish is one of the smartest things about these shows. But I think this is the smartest one. And I know James particularly doesn't like procedures where the mystery is solved.

1:17:26I do not enjoy an episodic TV show. Oh, I do. Yes, same. But I think it's a really difficult trick to pull off because, you know, to solve the whole thing in an hour, and this has also got an arc going on of the mystery of his twin brother. And that's the ongoing thing that's pushing him and Anna Maxwell Martin, his sister-in-law, and her teenage son. They've got that pushing it. And that's always kind of percolating in the background while he solves the murder of the week. And I think the murder of the week in the opening episode is really clever. It's really well handled. You've got two women in it who go back to the Alan Partridge days.

1:17:57It's a joy to see the two of them back together. And it's just supremely enjoyable. And it's funny because it's kind of very slickly produced. It's nicely directed. It's as visually interesting as it needs to be. It's definitely not a basic, you know. It was the show we reviewed recently where you were surprised by how low the production values were. Reacher. Reacher, that's right. It's not, in that sense, this BBC One mainstream Thursday night nine o 'clock drama is kind of better produced than Reacher in some ways because it actually looks great, as great as it needs to look. So I love it. I think it's great.

1:18:29Yeah. I mean, yeah, like I said, I think it's great. Did you hate it? No, I don't hate it at all. I think he's really, really charming in the role. It's fun. It has that really light, as you say, cosy tone to it, but it's well constructed. It's got people like Ralph Ineson in it. Like, it's great cast. Anna Maxwell Martin, great cast of characters but I'm not going to watch anymore because I just don't love episodic crime procedurals yeah I know what you mean but I think it's like if you were like having a bit of cake and a cup of tea like that's a nice thing to watch but it's good and it feels it feels quality like it's not like it's a bad show or it's you know I'm not being snobbish about it's just not a genre that I don't like the different shows but it's a really well well done the only clunky bit is in the beginning they explain that the two detectives that you work with in the first years have gone and that's because Geron Howell left to join the pit.

1:19:15He's Dennis in the pit who's brilliant, one of the best characters. And Azuka Hoyle left to do Prisoner on Sky. And those two have gone from the scene. So they have a device there where they're like, oh yeah, this is why they're not around. Exactly. But yeah, Ludwig. Yes. BBC One. Thursday, Thursday, I believe, nine o 'clock. Yes. Thursday, the 20th of August, 2026. Finally this week, we have Sunny Nights, which is an Australian comedy which sees Will Forte and Darcy Carden as siblings who move to Sydney to set up a spray tan business, which is kind of flawed from the get-go. But anyway, they also get entangled in organised crime.

1:19:52So who among you wishes to combine your knowledge of tanning salons and mafioso? Oh, I think. I mean, Steph had to lend me her laptop so I could watch this because it hadn't landed in my thing. So I've only seen half of the first episode. Okay, right. So Darcy Carden is currently... I mean, sorry, I'm also watching Five Star Weekend, which Darcy Carden's in, and she's absolutely brilliant in that. um okay so the brother and sister of uh martin and vicky who have gone over to australia to make a business out of yeah out of their their spray tanning um right what the first thing is okay it's a bit too long i think this this first because it's it's got that thing of it's it's a genre blend where you're trying to blend the comedy and and serious crime and the crime is very serious in it um why is it very it's it's it's supposed to be really serious he's also got he's also martin's also trying to win back his ex-wife who's in sydney so there's that thread to it i want i want this to be funnier than it actually is okay i wanted i wanted this to be really funny and i i don't i hate to say this but i think if it wasn't for darcy carden this whole thing would fall apart because she because she's so brilliant and her character is so she's like you know she's kind of a real boss but she's really funny and every but it's sort of inauthentic in the way that such bad things happen but she deals with them all in a very kind of like you know just sort of jokey way which it just seems very unrealistic i don't really know how i feel about this because there were parts of it i really enjoyed and i thought were funny and but there I just thought, I don't know what this is.

1:21:34I don't know. It's a bit of a caper with this brother and sister trying to get... And when in those kinds of things, the main characters make decisions and you just think, of course you're not going to pay that ransom. Don't be a dick. Like, I don't know. There was bits in it that I just didn't really love or believe. And I wasn't quite sure what I was watching or what I was supposed to be caring about because I didn't care about him getting back with his wife. But essentially, I do really care about the character of Vicky and I thought she was really kind of well fleshed out. What about the opening with the, is it an alligator or a crocodile?

1:22:05Yeah, I mean, it's an incredible opening and it comes around, you know, to what actually happens in that. I'm not sure. I'm really not sure how I feel about it. And I think it's because I need to watch a couple more of them. And I was only given one, which is the only reason I didn't watch any more of them. But James, I feel like you hated it. No, I wanted to hate it. Don't get me wrong, I didn't love it. It's very much not my kind of thing. But it kind of... And when I looked at the runtime, I thought, oh, God. It's a bit long, isn't it? This is a little bit long, because the first episode is nearly an hour.

1:22:39And I was like, okay, this is going to outstakes welcome a little bit. And early on, I thought this is a little too wacky and a little too silly for me. But weirdly, you know, when it got into it, I actually... There's a dryness to some of the Australian wit here that I really appreciated. So Darcy Carden, obviously, character's American and quite over-the-top and comedic. She's funny. Will Forte kind of fades into the background a little bit in this show, I have to be honest. He's really good in four seasons, so it's like... You know, he's there and he's doing stuff, but he's not... He's not a funny character.

1:23:08He's the straight man. He's the straight man, and I think, therefore, he doesn't really stand out. Whereas, I think it's the Australian criminal element. I found them quite entertaining. They are entertaining. Do you know what I mean, though, when I say I'm not sure? This sounds like a really strange thing. You know what it's weirdly like? Do you remember Big Mistakes, which is Dan Levy's last show? I didn't watch that. Which is about a brother and sister at getting involved with criminal people. And it's such a similar concept. And I think this is better than that. So I think that was really all over the place and didn't work for me.

1:23:37It was really disappointing because I love Dan Levy and I love Schitt's Creek, etc. I think this is more coherent from what I've seen. I've only seen half of the first episode. It's good. It's really good. But it is too long. You're right. It needs to be a half hour, 45 minutes. Yes. I wouldn't call it really good. I think it's fine. It's decent. It's okay. It's decent. There's nothing wrong with it. Maybe it gets better as it goes along. I mean, I won't find out. I'm not going to lie to you. But... Put it this way. It's not a strong week and we were scrambling around for a third show too. Yeah, I think that's fair.

1:24:03It was either this or Kabul. Which had been out for like two weeks. I think... Only one week. I think... I will just say though, I do think Darcy Carden's good in this. Oh no. But I just... She is. She's great. I don't know. Do you know what I mean? Oh, I know exactly what you mean. Well, because the thing is, it's like, it's a hard line to walk when you do these kind of like, is it a drama, is it a comedy? It sounds like, oh it doesn't matter well the only reason it matters when you apply comedy plot devices and character decisions to a show that feels slightly dramatic then they don't ring true and I think that's where that's exactly what it is but anyway Sunny Nights it's just started on ITV1 on Sunday night last night and carries on weekly I think about 11 o 'clock at night it's a weird bit of schedule just to make one last point I think the other thing is the tonal shifts are too quick in it going from comedy to crime yeah it does whiplash you around the place Don't talk to him about tonal shifts.

1:24:49We are all day. Sorry. Anyway, we are out of time, so we're going to get thrown out of the studio. That is it for this week's podcast. We hope you've enjoyed it and our little animated interlude. Do subscribe to Pilot Plus, not least of all, because you want to hear what we thought of those animated shows, and you'll only be able to find out on Pilot Plus. But please do. It's not very expensive, and you get lots of good things for it. We'll be back next week. And what will we be doing? Who knows? What is next week? As you said, Bookish is coming back, Fightlands and Sky Atlantic, Dark Matter comes to Apple.

1:25:18That would probably be embargoed, but I've seen it all anyway. But that's very, very exciting. And we will have one or both of Karl Chandler and or Aaron Pierre. And then, it's in a state of flux at the moment, but there will be at least one, possibly two Green Lanterns on this podcast next week. I mean, if it's not Aaron Pierre, you'll have Steph to answer to. I think it really should be Aaron Pierre. Yeah, well, there's a very real possibility that we have a custody situation where I might end up doing both of them and then one of them goes to the Empire podcast. But we're going to figure it out.

1:25:44Don't worry. Okay, well, can you get Aaron Pierre? and ask him about his star turn in a morning show. I'll see what we can do. Priority pilot. Anyway, pilot's out.

From the publisher

We’re back to a full house this week as James returns from his holidays, and an even fuller house than that, in fact, as we have a surprise ringer parachuted into this week’s line-up. In a bid to address to the team’s ongoing reluctance to become au fait with animation, we’ve invited animation filmmaker John McEwan-Whyte to join us on the show and provide a crash course in all things cell-shaded (31:08). Plus we catch up on the heroic amount of things that we’ve watched over the past few weeks (including at least one awkward mea culpa) and we jump into this week’s shows. To whit: DC superhero-powered crime thriller Lanterns on HBO Max (1:07:49), series 2 of cosy crime procedural Ludwig on BBC1 (1:14:51), and spray-tan crime caper Sunny Nights on ITV (1:19:44).

Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

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