Malice, Summerwater, and The Death Of Bunny Munro. With guests Vince Gilligan, Rhea Seehorn and Karolina Wydra

17 Nov 2025 · 1 h 44 min

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Pilot TV Podcast Episode Notes

Episode Details

  • Title: Malice, Summerwater, and The Death Of Bunny Munro. With guests Vince Gilligan, Rhea Seehorn and Karolina Wydra
  • Date: Episode 363
  • Hosts: James Dyer, Boyd Hilton, Kay Ribeiro
  • Guests: Vince Gilligan, Rhea Seehorn, Karolina Wydra

Episode Summary This episode discusses several new TV shows, focusing primarily on "Pluribus," "Malice," "Summerwater," and "The Death of Bunny Munro," featuring insights from the creators and actors involved in these series. The hosts engage in discussions about themes of parenting, societal issues, and character development in these shows.

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Key Discussions

  1. Pluribus
  2. Guests: Vince Gilligan, Rhea Seehorn, Karolina Wydra
  3. Overview: A new sci-fi series by Vince Gilligan, acclaimed for "Breaking Bad," featuring a hive-mind concept.
  4. Reception:
  5. Gilligan expresses pride in the show's execution and the performances, particularly from Seehorn and Wydra.
  6. The unpredictability of audience reception is highlighted.
  7. Creative Process:
  8. Gilligan discusses the ambition behind the concept and parallels with his previous works.
  9. The genre of sci-fi allows for exploration of human nature and philosophical themes.
  1. Malice
  2. Platform: Prime Video
  3. Overview: A thriller about a manny (male nanny) played by Jack Whitehall, who is involved in dark parental dynamics.
  4. Themes:
  5. Explores terrible parenting and moral ambiguity.
  6. Features shocking moments that provoke discussion around child safety and parental negligence.
  7. Opinions:
  8. The episode presents a mix of suspense and dark humor.
  9. Jack Whitehall’s performance is praised for a dramatic shift from comedy to a more sinister role.
  1. Summerwater
  2. Platform: Channel 4
  3. Overview: Based on Sarah Moss's novel, the show revolves around a group of vacationers at a Scottish holiday park, with each episode focusing on different characters.
  4. Themes:
  5. Mental health struggles, personal demons, and underlying tensions among characters.
  6. The narrative builds suspense around a mysterious incident that brings the characters together.
  7. Opinions:
  8. The storytelling style is praised for its atmospheric tension but criticized for a lack of clarity in the first episode.
  1. The Death Of Bunny Munro
  2. Platform: Sky
  3. Overview: Adaptation of Nick Cave's novel, featuring Matt Smith as a philandering father grappling with loss and guilt.
  4. Themes:
  5. Explores themes of masculinity, negligence, and the impact of grief on family dynamics.
  6. The presence of a serial killer adds a layer of dark intrigue.
  7. Opinions:
  8. Matt Smith’s performance stands out, showcasing a complex character that oscillates between charm and cruelty.
  9. The show is noted for its gritty aesthetic and troubling subject matter, resulting in a powerful viewing experience.

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Key Takeaways

  • Parental Themes: All three shows tackle issues surrounding parenting, particularly the consequences of neglect and emotional turmoil.
  • Diverse Storytelling: Each show offers a unique narrative structure—"Malice" and "Summerwater" through their character studies, and "The Death of Bunny Munro" with a blend of drama and dark humor.
  • Guest Insights: Vince Gilligan's insights into "Pluribus" and the importance of audience engagement reflect broader industry themes of risk-taking in storytelling.

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Final Thoughts This episode of Pilot TV provides an in-depth look at new shows that challenge conventional narratives about parenting and morality, with a strong emphasis on character-driven storytelling and the implications of personal choices. The discussions reflect a mix of entertainment and thought-provoking themes, making it a relevant listening experience for fans of contemporary television.

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Transcript

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0:07On Pilot TV this week we're mannying up with Jack Whitehall for childcare from hell thriller Malice on Prime continuing that dodgy parenting theme with weird holiday in the woods show Summer Water on Channel 4 and finally taking questionable role modelling to still greater heights with Matt Smith in The Death of Bunny Monroe on Sky. Plus, we have some special guests for you in the studio this week. I'm James Dyer and welcome to Pilot TV, your central guide to every show that matters and I am joined by a whole host of co-pilots as we launch into this week's show. Not only, not only am I joined by Mr Boyd Hilton but with us in the studio are Breaking Bad creator Vince Gilligan, Better Call Saul star Ray Sehorne, and her co-star in the new show Pluribus, which is currently airing on Apple TV, Carolina Widra.

0:55Hello, guys. Thank you for joining us here in the studio. A lot's been going on for you guys recently, let's be honest. But when you bring a show like this into the world, like, obviously the reviews have been absolutely glowing. We reviewed it on last week's podcast. We gave it five stars. Oh, yeah. We have loved it for so many reasons. But do you ever know, When you put a show out into the world, do you know it's great or can you never really tell how it's going to be received? Are you always just like, it could be anything? No idea. That's a great question. I mean, for me, I am happy if I'm happy.

1:28If I myself feel a sense of pride in the work we did, hopefully that's enough. But you never know what the world is going to, how the audience is going to react to it. But that is always just unknown territory until it actually reaches an audience. I didn't know how this one would be received. I'm very, very heartened at how people seem to be responding to Pluribus. I knew I was proud of it. I knew I was proud of the wonderful job these two lovely ladies did in it. But, yeah, the rest of it, you're just kind of crossing your fingers and waiting and hoping. And is that the same for you guys? Do you just cross your fingers?

2:07Yeah, I mean, I knew, I remember telling my partner, Graham, I said, this show would be for me. Like, I would watch this show. I'm so proud of the writing and then all of my co-stars work in it and all of the artistry in it, the music, all of it. But you still don't know how it's going to be received. And, of course, you're terrified. I mean, I'd be lying if I didn't say you're a little bit terrified of it being received poorly. I don't read all the reviews, but my publicist helped me to understand the general idea because I was terrified to walk into a bunch of interviews where everybody was like, Hi.

2:49I was like, I think I just want to be prepared a little bit. But yes, I hear they've been lovely and kind. Absolutely. Awesome. Yes. I think it's hard to tell. I mean, when I read the scripts, I was blown away by Vince's idea. and you know as we're shooting it you're like i i feel special i'm working with these incredible people and you know when i saw the first episode and i said in albuquerque it wasn't finished and it was incredible and so yeah you never know how it's going to be received but i thought it was special i loved it and look we can all get around you never know you just never know how to respond to it you know and so and also when something is so close to your heart it's really hard to judge it because you, you know.

3:32Yeah. But also, this show feels particularly ambitious and bold and huge, like the undertaking of turning your concept, central concept of this hive mind and the whole, it has global modifications. It seems to me like it's even more of a gamble, isn't it? To go for something so huge. It felt that way to me too. I was nervous leaving the safety, the cozy confines of Breaking Bad, Better Call Saul. That made me nervous. I don't think anyone's ever called them cozy, those shows. Is there a name for that? Is it the Walter White-verse? Is it meth side story? What do we call that universe? Oh, I like that.

4:12Meth side story. Oh, I like that. Meth side story. Yeah, what do we call it? Hopefully, listeners will come on. That's a really good start. I've never heard of that one. Let's go with that. That's official. Well done. Oh, great. It's done. That's it. It's done. Finished. But coming off that, for anyone bringing something new out into the world is going to be nerve-wracking. But when you have created what is broadly received as the best TV show ever made and then followed it up with another show that a lot of people say is even better than the first one, that's got to be just so stressful. This interview is fantastic.

4:46Isn't it? Isn't it? But seriously, it's like when someone's debut novel It's like a massive bestseller, and then they have to sit down in front of a word processor and follow that up. Like, I can't even imagine what that feels like. I just, it was daunting. It was daunting, again, to leave Breaking Bad and Better Call Saul behind a bit. But I just, I wanted to see if I, I don't want to be a one-trick pony. I know that Breaking Bad will be the first thing in my obituary when that day comes, no matter what, what happens from here on out. But I wanted to try something new, and it is scary. It is daunting, all those things.

5:30But I figured it's just worth a shot. We learn more from failure in life than we learn from success. And, I mean, the best version would be learning from success. I figured it was worth a gamble. But the bad thing about being scared of everything in life is that you're scared of everything in life. That's kind of describing myself. But the good thing about being scared of everything is that then you're just like, well, you just got to move forward. You got to try this new thing because it's either that or just lock yourself in your house all day. So it felt like it was a worthy risk. And there's nothing really like this that I've ever seen before on television.

6:10But genuinely, and that's very, very rare in this day and age. And part of that, I think, is because science fiction for me just gives you this limitless canvas to do absolutely anything. And obviously people are saying, oh, Vince Gilligan, Breaking Bad, he's gone into sci-fi. But of course, you're really just coming back to the mothership, aren't you? Because, you know, you did all those X-Files episodes, so you're used to thinking on that canvas. And all of you have dabbled in this kind of speculative fiction. I just wondered how you felt about that genre and the possibilities that it gives you.

6:38I love it. I love sci-fi. I love sci-fi because it brings up so many conversations about human nature and the possibility of what if and starts all these conversations. So I was a huge fan of Tarkovsky. So Stalker is like literally my favorite movie of all time. And it's existential crisis and all those things. And there's many sci-fi. So I love it. And so when I was reading that, again, it was one of those things I was super excited because I was like, wow, it's such a conversation start about what it means to be human, what it means to be happy and what it means to be content about individuality, losing our individuality.

7:19So it's just constantly having this like, what if, what if that happened? Who would we be? How would we show up? So I'm a huge fan of sci-fi. I just, yeah. Yeah, I agree. I love the ability, especially with this, and I'm not sure this is exactly a genre, but I'm going to make it up. And then you can say, like, now it's a thing. Okay. So psychological sci-fi is what I'm going to say. But maybe that's already a thing. But this idea of, like, reframing questions that you think you know the answers to already from a perspective that's forcing you to rethink them and recalibrate. Like, maybe my answer is not as black and white as I thought.

8:00observing human nature from a forced different perspective. For me, I used to love the old Twilight Zone episodes. I got to do one, the new reboot one with Jordan Peele. So cool. But also growing up, like reading, I remember being deeply affected and still to this day, two of my favorite books are Brave New World and Fahrenheit 451. And this idea of like, it's a world I recognize, but something has changed. And it's making us reflect on our own behavior and where we might end up if we're not careful and where we've been. And these kind of things. I love that. I also love Black Mirror, which I know you film a lot of here.

8:43That's a great show. Fantastic show. And I was a huge fan of X-Files. So I was very excited that, I mean, Vince writes in a way that feels limitless for the character storytelling anyway. But then you add this element. And I was like, oh, this is going to be bananas and fun. Yeah. Did you, your role in particular, like, you know, particularly to start with, you're carrying the whole story in a way. We're seeing the whole thing unfold through your eyes to some extent. And there's so many reaction shots you have to do in that first couple of episodes where you're discovering stuff, extraordinary stuff happening.

9:17What was it like to kind of film those and to kind of to be the center of it to such an extreme extent? Well, it is, to use the word Vince used a minute ago, that is also daunting. But if everything's scary, then you have to just jump. But I was well aware that the character that I am the audience's access point in, and as well as sort of helping to frame the tone of the show and the wild swings he's taking with tone, going from psychologically deeply interior moments, gut-wrenching and then swinging to dark comedy in the same scene. I go about it just trying to keep it grounded and understanding the stakes as any actor would.

10:09But then I would work with Vince and collaborate, especially in these first two episodes, to find that tone, which is a deceptively difficult thing. And so we would do takes where you'd force the comedy further or lighter and then force some of the drama to the darkest, bleakest places it could go so that we could see it and feel it. And then you start to, Vince is better at it than I am, but I can start to feel and hear what a scene can sustain going one way or the other, almost like listening to music and knowing something that's off key and you're not sure how to get it back, but you do. But yeah, it's fun, but it's challenging in the way any actor would love to be challenged.

10:52That's really interesting because the humor in this is very subtle but very precisely calibrated. And I kind of wondered that whether you're, because when you do, if someone does stand up, they know if something's funny because you get the audience reaction. Like, is it like riding a wave? Can you just, as you say, sort of feel that that humor is landing when you're putting the scene together? Or does that come together more in the edit? Good question. It's funny. I am not a particularly confident person. by nature, but I just, I feel like, I feel like I know it when we see it. I feel like if, if my writers and, and, uh, I laugh at a, at a moment, uh, and I think, and just also, you know, we are so blessed working with these two ladies and then, uh, uh, working with the other, we have the other actors in the show.

11:39We have a real murderer's row of brilliant actors. And I think they, I think I know it's going to work when they keep it honest, when they keep their performances honest, which they always do. I think if an actor, and I say this coming at it from someone who's very much not an actor, not a performer, but I've watched a lot of great acting. I've been lucky to watch a lot of it up close for many years now. And if the actor keeps their performance honest, I think that's the difference between whether it works and whether it doesn't. And we just, you know, if it makes us laugh, and then you can always tweak it in the editing room.

12:22That's absolutely something, you know, and not every single thing we've ever attempted has worked. And so certain things wind up on the cutting room floor, as they say, not literally anymore, but metaphorically speaking. It talks to me that a lot of the comedy elements of it, which I love, are between the two of you, when the two of you are almost like a double act where particularly you're being horrible. I beg your pardon. I think I'm justifiable upset. And I'm just being loving and kind. Being a bit rude to Soshis. Soshis has to put up with being rude. But there's almost like a kind of Laurel and Hardy.

12:57I told her that. I was like, there's a straight man and funny man. That's a great reference. Very funny. Yeah. I like that reference. You know, we had that. And I love Laurel and Hardy. I've gotten to know them. I've gotten to watch many more Laurel and Hardy shorts since Breaking Bad. But the first time, I mean, I certainly knew who Laurel and Hardy were. But I hadn't put two and two together until Bryan Cranston said, you know what I love about it? He said to me, back to the Breaking Bad days, don't ever make Walt like or respect Jesse Pickman. Because it'll ruin everything. Because we got this Laurel and Hardy thing going.

13:35That is so good. And he was the first person to compare what they were doing to Laurel and Hardy. And the minute he said that, I thought, you know, he's right. And yeah, I'm kind of feeling that here as well. The pluribus between you two ladies. Well, it's such, and Carolina can speak to this more, and she had such a deceptively difficult challenge as an actor to play. And I'll let her speak to that, to play what she needs to play in this. But I inherently knew that these two energies, both the way they, everything from the way they comport themselves to their goals could not be more polar opposite and conflicting.

14:14That as long as we were, as Vince said, honest to what our character is trying to do in that moment, that it would look like these two energies are comedic when they butt up against each other. They can be dramatic, but they can be comedic without us trying to be funny. yeah and that's what I mean that's that's I have to say that's your brilliance Vince because I asked you that before I'm like how do you do it like there's this humor in what he does I'm like how do you make it happen because it's just so perfect and I remember you're like I don't know it just happens I'm like that's just so brilliant but it's in your writing and you see it and you push us to take it further and further so it happens you know and like on the day we had days where you know I just you know with Zosia not being not matching her emotional levels and not mirroring her emotions was challenging at times because I'm such an empathetic person and I would feel so much inside I want to feel so much for her for her for what she's experiencing and then holding that in because Zosia has a very strong belief system and they have a biological imperative and you know they're like what we believe that once she experiences what we have experienced she will know how good it is and And so keeping that alive inside of me, you know, also like, I mean, that created the comedy between us, the funny moments.

15:37But the challenge of just like, oh, God, I can't. And it was Vince who was also like, you know, just go further with that. Go further with that and not meet her emotionally. I was going to say there was the grenade scene for me. That's something. It's funny. It's horrific. It's got everything, isn't it? When you read that, you might say, oh, I can't wait. Fantastic scene. And there's such method actors, they demanded a real hand-breaking. Yeah, that's exactly what we did, yeah. That was actually the scene I auditioned with. That was the scene that I auditioned, I tested with when I met Ray for the first time.

16:10That was the scene that, yeah. And she pushed me down in the audition, which I thought was a strange choice. That's a little weird. I'm in the moment. I'm like, yeah. That was a really fun scene. That was, yeah, it was a fun. And the explosion and what everyone, what, you know, the crew brought that day was incredible. The little debris that were flying and doing the stunts for it. And, you know, it was so much fun. And I remember we did it and everyone was just like, whoa, it's incredible. You know, it just works so beautifully. And then you'd also have to do pieces of it throughout the season.

16:46There are pieces that have to be done twice because there is an interior set built and there is a cul-de-sac exterior. Right. So, which made me laugh that over the nine episodes, I must say, because the one that's the cul-de-sac where you're mostly shooting from inside out close to the windows to get this exterior or shooting us from outside walking in, but only to a shallow degree because the whole house isn't built the way it is on the stages. But more and more, they started building. Remember, they started building more and more close to the center. Interior and exterior. They started to match, and there were so many nights where I would walk out and be very surprised that I was either outside or that I was on a stage.

17:28It was like, what? That's like a science fiction adventure. It was very interesting. And that episode, I'm so glad you like episode number three there, written and directed by my former assistant, a gentleman named Gordon Smith. Fantastic. He's great. He's like, yeah. He's so great. Really, really talented guy. He's great. I'll ask you about the whole central concept, right? Were you thinking, I would like to come up with something like this that addresses huge issues and ideas? Or did it just come to you, the actual idea of having the hive mind, et cetera? Great question. I always wish I had a better answer for, you know, where did the idea come from?

18:08The best I can do is pin down more or less when these things hit me. But it was about 10 years ago. And it started very small. I like working from a little thought and then building outward from it. I don't tend to think thematically. I'd rather, in a perfect world, let the audience tell me what the show's about. But I had this idea when we were doing Better Call Saul. I had this idea about a guy, a male character, who really inexplicably one day, suddenly everybody loves this guy. And they are so kind to him. They think he hung the moon. He didn't really. He didn't deserve any of this approval and affection.

18:52But they would suddenly do anything. I mean, like anything for him. And I love that idea. I don't know where the heck it came from, but I started kicking the tires on that idea. And about the same time, we were really in earnest beginning to create Better Call Saul. and suddenly I'm working with this wonderful actor, Ray Sehorne, and I think, man, I want to, you know, someone's going to snatch her up the minute this show's over. So I just assumed it'd be me. So I thought to myself, why does it have to be a male protagonist? Because that's just where my brain typically goes because I'm a guy, I guess.

19:30But so that's, you know, like a little seed of an idea, and then hopefully you nurture it and it grows into a little sapling and then it grows into a, you know, whatever. But that's sort of how it works usually for me. You've said before that you get nervous sometimes writing female characters. Has that always been the case? Or is it something that, for example, did it come from the audience reaction to Skylar, which was obviously quite extreme when you did Breaking Bad? That was a tough one. That was a tough one to kind of figure out. I still haven't figured that one out yet. But you want to do justice to all your characters and you want authenticity.

20:08and a lot of that is certainly brought by the actors themselves and thank goodness for that. But you want to give them good material to start with. You want to give them a good script and you don't want to write something that feels false or feels inauthentic. And so, yeah, I am not a woman and I want to do justice to all these characters that I write. Certainly I've written 50 % of everything I've written going back to the X-Files and before. was female characters because that's 51 % of the world, 52%. But it does gather added weight, I suppose, when it is a female protagonist because everything hangs on that.

20:56That's what the story is about primarily, and the rest hangs upon that main character. So, yeah, I worry about getting everything right, though. But I'd also say, I want to say that something that I love, even Kim Wexler, a character I will love for the rest of my life. You and everyone else. Oh, thank you. I remember there was, I think it was Forbes did this piece saying it was the most feminist character on television. And Peter Gould, the co-showrunner, co-creator, was there and being asked, did you set out to write the most feminist character on television? And he said, no, I just wanted to write a really interesting character that was complex.

21:38And he said, but it was important to me that she had her own agency, like all of my favorite female characters. And he was naming like Barbara Stanwyck characters and saying, I wanted her to keep the company of the men she kept because she wanted to, not because she needed to. And not ask questions of this character that I would never ask of my male characters. and I loved that answer and then I loved that with Pluribus Vince as far as I gleaned from our conversations, you were trying to write a really fabulous interesting character that tells the story you wanted to tell and has a variety of reactions I mean I got to do everything as an actor which is a joy but weren't asking yourself like oh right but it's a female so what would a female do and I'm so happy that he's not doing that.

22:28It's just an awesome character that is a woman. Yeah, 100%. Now, we do need to let you go in one second, but I wanted to ask one thing before you left, and it was a question about pacing. And one thing that I find fascinating about the show... Where are you getting quiet? Is this going to be a weird question? It's not a weird question, I promise. It's not weird. Where are we going with this? It could be weird, who knows. But Breaking Bad, Medical Soul, now Pluribus, they have a very distinct meter to them, and it's almost like a mindful, meditative state where it's not, because so much of streaming now is like instant gratification, cold open, something blows up five years earlier, you know, please don't change the channel, please don't stop watching.

23:03And you take this opposite approach which is like, we're going to show someone getting on a plane, it's going to take 10 minutes, there's going to be no dialogue, you'll have no fucking clear what is going on, but you're going to watch it because you know it's great. And there's a confidence to that. And I just kind of wondered what the thought process was that when creating it. And from your guys' point of view, when you see scripts that are written like that, which are so, that have so much faith in their audience, like what that's like. By the way, I'm glad to know we can curse. I've been saying heck enough a lot of this.

23:33I should have started with that. Do some extra cursing. Chuck it all in the last question. I'll add some in the end. Fuck yeah.

23:42I am proud of that. I'm proud of the fact that we, you know what it is? I have a philosophy, and I've said it to the writers many times, and by the way, big shout out to the writers who make me look good on all three of these shows. And Peter Gould made me look, he was a wonderful partner on Better Call Saul. The theory I always try to put out there with the writers is let's move the story along as slowly as we possibly can while keeping it interesting. You don't want it to go any slower. You don't want to go so slow. You don't want to artificially slow it down. But if you can move it along at a relaxed pace or a meditative – I like the way you put it there.

24:30How did you put it? Mindfulness. Mindfulness. Yes. I like that very much. That is the way we proceed. And, yeah, you get – I'm lucky. Apple and Sony and AMC and Netflix on the previous shows, they were all four great companies to work for. And I never felt pressure from them to go – there's the phrase in Hollywood, turn over cards. We've got to keep turning over cards, like playing cards. I didn't really get that from them. Thank goodness. I, we do live in a world of diminishing attention span. Thank you. Oh my God, that's hilarious. That was great. Thank you, Boyd. Yes, and that's true. You can't get around that, but I don't think that's everybody.

25:28And I think people who want a slower-paced show, there's an audience for every kind of story. And I think there's a meter, as you said. I love that phrase, that word, for every kind of story. There's every kind of audience member still out there. And that's who we make our shows for, the people who like that more relaxed pace. Yeah. Fantastic. Well, it makes you sit and think and be really present, right? You have to put away your devices and be really present and go on the journey. And I think a lot of the time what you said today is just like a quick bang, bang, bang, bang, bang, and your mind is just like buzzing.

26:09And this makes you just be present and really listen and observe. And I personally love that kind of storytelling. I've always loved it. You know, and so, yeah, to me, I just. Stalker, Stalker. What a great movie. Yeah, it's such a great movie. And it's slow paced and it takes you on the journey. And that's what Breaking Bad was, Better Call Saul. You just have to be present. And, you know, I've seen it, you know, watching the first two episodes a couple of times. It only gets better and better each time I watch it, you know, because I have to be more and more present for all these little things that come up.

26:42And it's just so good when you have that experience. And so, yeah, I love it. I think it's part of the huge fan base and loyal fan base that Vince has built is they feel the assumption of their intelligence. They feel that you trust them to follow this and go through an experience where you are uncomfortable because you're not sure what's happening, but I'm paying attention and I'm not being fed a song to tell me exactly what this moment is or that it's sad. or, you know, and he's assuming their intelligence. He's also assuming a great gift to us as actors is he assumes that we can perform something and not make us tell you what we're thinking and feeling all the time as well, which is just great because then you end up having this really awesome relationship with the audience because they are sometimes your greatest collaborator in a scene because you've built a story where they understand your interior thoughts that you are not sharing with someone else in the room.

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27:41Yeah. Well put. Very well put, in fact. Thank you very much for joining us. Thank you. It's been a pleasure. Mindful meter. I'm going to keep that one. Mindful meter, yeah, that's a good one. Don't forget meth side story, which I'm taking credit for. Meth side story, yes, for sure. James Boyd, thank you so much. Thank you. Thank you, guys. What a pleasure. Congratulations on our fabulous series. Thank you so much. Appreciate it. Vince, Ray and Carolina have left the studio but fret not fret not because in their stead we have parachuted in one Kay Ribeiro who may may have been hiding because she's not yet seen Cluribus it's hard to say is that true Kay is that a fair estimation?

28:21That is fair and I thought it was a bad look to come in and do an interview of a show I haven't seen You just sit down and go so Vince what is this show? Tell me what's it about? No I wouldn't even have gone there I would have asked for his favourite colour Yeah or yellow presumably from the branding for the show Indeed a bit like ours Yeah a bit like ours Do you know what? Oh my God. You're absolutely right. Pluribus uses Pilot Yellow for their logo. Yeah, as it's known on the Pantone scale, Pilot Yellow. Pilot Yellow. It's all connected. It's like the official Pilot TV show. Not a coincidence.

28:50Do you know what's also connected? You know how we talked about how Pluribus was quite Borg-coded from Star Trek? You remember? Yes, I definitely remember you saying that. Well, what have Apple made available to us? How many episodes? Seven of nine. Yeah? seven of nine episodes I don't understand this kind of chat it's all connected no one knows what the hell you're talking about right there'll be lots of listeners who do unfortunately they're not in this studio resistance is futile okay and someone said to me this morning is Pluribus is it like you know can someone watch it you know and appreciate it or is it like James type science fiction did someone say that oh my god I'm not going to name names someone said is it James type science fiction I was like no no you're fine to be fair that's how I approach all sci-fi and my answer was no no it's quite grounded You'll enjoy it.

29:35That feels like Steph said that. No, I'm not saying. Okay. Okay. Fine. All right, fine. Well, what have we been watching this week? Kate has not been watching Pluribus, but what else have you been watching? I will tell you. So, among the things I have been watching are... Now, I don't have dates or... Oh, here we go. Look at you laughing. I'll be pointing out ones you can't comment on and you'll resent the fact that I'm stopping you from expressing that opinion. No, I'm not going to do four reviews. I'm just going to mention them, but I just can't helpfully tell the listener when it's going to be on.

30:09I can tell channels. Okay, so first of all, Play for Today, big winners. I think I spoke about this last week. Play for Today, big winners. Yeah, so you know the Channel 5, we're not allowed to call them Channel 5, 5, whatever, you know they've resurrected Play for Today. What's Play for Today? We've only spoken about it about on three episodes of this podcast. Yeah, I mean, we did speak about it. We did a quiz. No. We spoke about it even as a news story when it was announced. that, you know, these... I think I have a very sophisticated filter, whereby the second I hear you talking about stuff that I think is not technically germane to this show, it just shuts down.

30:43It is germane to the show. Is it? These are scripted, these are one scripted drama. Oh, okay, because play for, but now, to be fair, play for today doesn't sound like a scripted show. Oh my God, sorry. Oh, sorry, no, Boyd, it's not, it doesn't sound literal enough for James. Also, I think his filter, actually what it is, is that as soon as his lips stop moving, his brain shuts down. His filter, aka doing his emails. I go into standby mode. It's just, you know, environmentally friendly. Well, he's not talking. He's no longer interested. This is Kay's pick. But let me just say, Play for Today, as a brand of one-off scripted dramas, goes back decades to the glory days of public service broadcasting and the BBC.

31:23And that is what it's been. So they were, you know, very... They were a huge part of culture, Play for Today. So it was one play as in... Play, right! Right. As in play, like soft play. It's not that kind of play. Now I understand. Gameplay is a play, as in a theatrical... I mean, it's slightly... They should have made that clearer. Oh, God. I'm saying there's a branding failure there. You're right. The fault lies with them. It does. One-off dramas. So drama for today. Okay, yeah, that's fine. Or film for today, whichever you like. Well, indeed. Cool. Anyway, so I watch Big Winners. I don't know which ones have gone out and which haven't.

31:57So this is, I think, due to go out. and it stars Sue Johnston and Paul Copley. And it's about a married couple, long-term married couple who win the lottery and some big developments that happen as a consequence. I really enjoyed this one. I mean, they've all been entertaining, but this one particularly I thought had standout performances from those two. Man of the Manosphere, BBC3. I know that. That's the channel, I tell you. Not quite sure when, but imminently. It's presented by James Blake and is a delve into the manosphere. So today, actually, Monday, the 17th of November, BC3, 10 o 'clock, it'll be on the iPlayer as we speak.

32:37Wonderful. And it's like, yeah, it's a look at the manosphere and the main key figures and the men that are being influenced by it. He actually meets three of them. So, like, you know, whether it be your Tate's or your Jordan Peterson's, people like that, and then... Yes, and then, yeah. Overly, overly, like, macho, masculine, proudly male types like James. What? That's where this is focusing, isn't it? Wow. The James' sphere. Unbelievable. But, I mean, is it good? Yeah, it's really good. Because also you meet these three. I mean, first of all, he's a very sympathetic presenter, James Blake. And he talks to these three different men, different ages, different backgrounds, who are all being like, buying into the teachings.

33:17And some of them are like, you know, self-development stuff, not too bad. But then it's just the rhetoric of these men who are like, Some of them are like, oh, you know, you've got to treat women like they're just like children. That kind of vibe. But also, for example, 27-year-old Builder Jack, he's currently, well, at the time of filming, was in a 100-day semen retention challenge, believing that it retains his masculine energy. So there's that, yeah. Okay, so there's some madness. Because it's like self-help slash self-improvement as a gateway to misogyny. That's how they package these things.

33:50Indeed. And so, like, also, there's another guy, Sam, who's 16. and it's like a lot of this is like um targeting people who are either lost or isolate vulnerable in some way so sam doesn't have any friends and all his friends are in this online community so it's you know it's really interesting it's so it's like i think it's easy to dismiss like oh my god they're all idiots or you know this is all like it is obviously horrendous but you can see you get to see why they are getting to this place where they feel they've got no positive role models or they don't have friends or community and they find these people engaging and they believe this is the way of improving their lives.

34:27Well, this is how populism takes root, isn't it? Like people feel disenfranchised by, you know, the status quo and then they look for alternative solutions. Yeah, like Pilot TV podcast. Indeed, like this podcast. Yeah, that's absolutely right. So I think they are the two main things I just wanted to note that I've, yeah, they're the two things, I think, that I'm going to flag and watch. Okay. Are there others that you're deciding not to just taunt us with the possibility? Yes, I like to tease you. You know what my TV tease. Yeah. I've been watching, I hosted an event for Apple earlier in the week for their new Prehistoric Planet series, which is...

35:01Attenborough? Attenborough narrated the first two series. Now it's Tom Hiddleston narrates the series. They've gone down that route. Hiddleston's going for Attenborough's crown. Yeah, I think in narration stakes, you know, like he's got a good voice, Hiddleston. He's a good... It accentuates the drama. I'm dissing Attenborough by no means. No, no, no. Anyway, the previous two series have been massive hits for Apple because they were like celebrations of dinosaurs back to hundreds of millions of years ago. And they had all the classic dinosaurs. It was kind of like Walking With Dinosaurs, which was the BBC's attempt, but like 100 times the budget and just beautifully made, incredibly.

35:46Acura and they'd have, you know, experts. They were made by the BBC Natural History Unit, which makes all of those classic David Attenborough shows, like, you know, Planet Earth, et cetera, Life on Earth, all of those things. So it's got that feel to it. It's like you're watching a natural history programme going out that happens to have woolly mammoths in it, and you completely believe they are woolly mammoths wandering the Earth in the ice ages. It's so brilliantly done. I think it's really at the cutting edge. of. Do you remember earlier this year they revived Walking With Dinosaurs? Did they?

36:17This year or last year. I remember they did it. And it was not great. It just did not. The CGI and the VFX. How long ago was it? It was quite recent. It's budget, isn't it? It's all budget. Well, clearly Apple have put a lot. They have the budget. They have the budget. And it really, I mean, it looks astonishing. It just absolutely looks. The first scene is this kind of ice storm, a snowstorm and you see this man that's and a baby mammoth trying to kind of, yeah, it's really like, yeah, it's really moving and kind of sweet and yet, you know, not too clawing at the same time. But it's just a huge, huge achievement.

36:53So I watched a lot of that in preparation for interviewing the creators of it and the producers of it, etc. Important question before you move on. Yes. What's your favourite dinosaur? I really like what they used to call Brontosaurus. Yeah, me too. It's got a different name now, isn't it? Yeah, it's no longer. Something else. Yeah, it's a huge big thing. Hang on. The Brontosaurus is no longer a Brontosaurus. I don't think it's called that now, no. Because there are lots of those kind of Nicky dinosaurs, like the Brachiosaurus, the Diplodocus. Yes. But I think they are, and the Gigantosaur, but they're all distinct dinosaurs.

37:23No, it's true. Gigantosaur. It's true, it's in Jurassic World. Bigosaurus, yeah. Oh, yeah, you probably rode on the... Indeed, yes. I'm mates with a number of Titanosaurs. But you... So to speak. Yeah, it's a Titanosaur. Is it? Titanosaur. There you go. But hang on, so what was it? So they've renamed the... I think so. I believe so. Yes, yes. My friend Darren Nature, I should have asked him. He's their... Is he a paleontologist? Yeah, and he's like, he knows absolutely everything about these things. Darren, please get in touch to confirm. Yeah, yeah. Maybe I'll try and ask him. Yeah. Yeah, but it's actually heavily embargoed for review purposes, but I will say that it is spectacular.

38:01Spoiler alert. The Jurassic program is there. I'm just describing it. I'm just describing it. Been embargoed for apparently 65 million years. Yeah, that's what I was going to say. Yeah, yeah. So that was that. And the other thing I watch is, I've watched the beginning of the first episode of Death by Lightning. This is a show that we did not get to do. And I'm sorry, I'm blaming Netflix. This is not our fault. The shock has been fired. It arrived without much fanfare. And it was embargoed. There was lots of other shows that week. It was like, which of these embargoed shows do we cover in Pilot Plus?

38:33We covered another one. But it came out. It's been on for a couple of weeks now. and it's got it stars Michael Shannon as the 20th president of the United States James Garfield Matthew McFallion as Charles J. Juteau who assassinated him spoiler alert and it's real from what I've seen it's really good like there but I mean Michael Shannon is really good in everything he's a fantastic figure I went to a Q &A in which he took part for Nuremberg which is a film coming out soon which he's in and he was so he's so charismatic in the Q &A I was like oh my god he's the proper he's the real deal was out last week I believe yes and Matthew McFadden of course from Succession he's just brilliant in this because this character is like a similar character in a way just kind of like oily kind of charismatic but completely no morality whatsoever kind of and he just captures that kind of person that kind of man I guess in many ways no self awareness kind of a con artist but also not intelligent to realise when his behaviour goes completely, undermines him he undermines himself with his terrible behaviour he visits like a kind of commune of women and no other women want to have sex with him and he doesn't really understand why because he's behaving like a complete twat basically so he's basically like twat extraordinaire playing Matthew McFady and he's really good in it, Betty Gilpin's in it Shea Wiggum's in it, Nick Offerman's in it Bradley Whitford's in it And one of the best casts of any show this year, it's a really interesting story, which I had no idea about, how and why this guy ended up getting close to the president and then doing what he did.

40:17Do you know what my theory is, though, is what's happened to it? You're going to bring it back to Trump, aren't you? No, I'm not going to bring it back to Trump. It's that it's only a four-parter. And someone said to me the other day, a TV producer, I was talking to a TV producer the other day, about how the number of episodes per series often is really interesting. And, you know, you're like, some things have five. Like a lot of Russell T Davies' recent shows have had five parts. Remember, It's a Sin was a five-parter. We were talking about things these days, have to have at least five parts for most TV channels to want to produce them.

40:49And four is not enough. And I was like, well, I wonder whether... I mean, I have no idea if this is what happened, but it feels like Netflix has gone four parts. No, no, no, we don't care about that. We're not going to pay any attention to it, hardly. And it's just gone by the wayside. where it's in these five parts, they might apparently, which apparently is the starting point for anyone commissioned to get excited about it. Everyone's time, Paul, bring back the four passes. It's weird that it's gone by the way so much. Four passes seems like heaven some of the time. Great, get this done. I tell you, this is a very fast-moving, pacey show and it's got a real inventiveness to it.

41:22It's a historical drama where they're, we've reviewed a few historical dramas recently where they've overdone the attempt to be quirky and different. In this, I think they do it really well because they just find really compelling ways of telling these people's stories, the parallel story of the president and the assassin, if you like. But, yeah, it's mad that it hasn't had more attention. Well, it's getting in now from Mr Boyd Hill. It's four parts because four parts clearly are what works for telling this story. Good for them, good for the writers and producers of it for making it four parts.

41:50Boyd, good for you for watching. Thanks, mate. Well done, Boyd. Thank you. Death by Lightning, it's called anyway. It's on the Netflix, in case you hadn't realised. James, what have you been watching? Well, I took your advice, Kay. On your instruction, I watched the final episode of The Walking Dead, Dead City, which you, I seem to recall, You're so annoying. insisted that I do. You know you lured me and I thought it was shrinking. It is true. You're such a bastard. You're a big bastard. But you were insistent that I should watch to the end of the season. Yeah, more Zobsies. I did watch to the end of the season.

42:22I think I might be done. I just, I feel like I'm... You said that a couple of weeks ago. But I feel like I am tapping out now. I got to the end of it. I actually thought it was going to go in a really interesting direction. But then I kind of, in my head, knew it wouldn't because I knew it had already been renewed for another season. But I feel like if this had been the final season, there was a very specific moment involving a bat, which I thought would have given it a really interesting... Bat shit crazy? Indeed. You thought they'd all die? Well, kind of. But I really thought they were going to go that route.

42:50I was like, oh, this is exciting. This is interesting. And then it went in a different direction. And I'm a bit like, yeah, I may be walking down. you say that cut to a year's time well we'll see knee deep in it again we'll see well I've kind of I've kind of walked away from Walking Dead Daryl Dixon as well I've kind of I've not I've not continued that are you walking away from the Walking Dead I'm walking away from the Walking Dead in the wrong direction well Craig David Star that's right it's the right direction I'm shambling away from the Walking Dead the long walk the long walk away from the Walking Dead of James' long walk whereby people will be shot if they if they don't keep walking and watching the Walking Dead yes you're mentioning films again I know it's illegal so the other thing I watched is all the episodes made available to me of Hijack.

43:32Oh, I knew you were going to say that. Oh, God. So, that's, I want to say they've given me, is it six of eight? I think they've given me six of eight. You can't give too many details, you'll be taken up by Sniper. I can't give any details. I won't give any details because it's embargoed. But this new trend of apples whereby they withhold, they've done it with Pluribus as well, where they withhold the last couple of episodes, or even just the last episode, just to spite me. They know about your insatiable app. It's personal. Yeah. I feel quite aggrieved. They've been doing it for ages, though, to be fair.

43:59It's not such a recent development. I presumed Innocent is the first one I remember being quite, oh, why can't I have the last one? And then they did it with Foundation. They have started doing it a lot more. And I know this is the most entitled first world problem ever. I mean, just add it to the list of all the twass-ish things we say. That's fair. Like, I didn't get a hamper for this show. 100%, yeah. That's me. And aggrieved as I was by that, I sought refuge in the arms of, let's be honest, a very unlikely subject. What? Because this week I watched the entire season of The Terminalist, Dark Wolf.

44:37Oh my God, James, what's happening? Oh my God. I think we need to stay to intervention. Yeah, we need to stay to intervention. Which we reviewed some time ago and you were both like, absolutely not. I can't remember what that was. This was a Taylor Kitsch spin-off from the Chris Pratt Terminalist. Oh yes. You know what that's like? That's like the butterfly of our time. You know the famous butterfly incident in the live show when we, Rusty Davis staged, shall we say, an intervention. And that show... Intervention derailed you. It was amazing to watch. Prime video, routine, rote, espionage... It's dadcore.

45:11Dadcore content. Dadcore content, yeah. Oh, God, yeah. This is pure dadcore. It's like military. It's basically like Call of Duty, the series. It's the CIA's in it. There's a big twist. there's all this stuff going on I must admit I was all the way through I enjoyed it enormously except I can't really say it's good but I really really liked it I don't know there's something about you know the special ops stuff and all the spycraft I don't know it scratched a kind of Bourne itch I don't want to know about your itch no I don't want to hear about your scratch I really enjoyed it and I was like all I feel I was having a really good time so I had a lot of fun watching Dark Wolf so yeah finished that congrats we should say are you going to the thing tonight that we by the time this comes out on Monday we'll have been able to say we've seen the thing that I'm talking about tonight that you probably okay you're going to have to be let's just say it you are being quite a bleak here Stranger Things premiere tonight oh it is tonight so no I'm not going to see Stranger Things tonight and the reason I'm not going to see Stranger Things tonight is tonight was going to be our office Dungeons and Dragons so it's absolutely true so we were having our office D &D session except Nick unfortunately is not in the office today and has pulled out, therefore we have had to reschedule.

46:22So at the last minute, it's a pull-out from Nick. It's not happening. And I'm very disgruntled. So come to the... I'm inviting you to the... Oh, just come along now. So you did an RSVP. No, I said I couldn't come. I said, I can't come. It's like Sir John DeLuther, which is the name of my level two human paladin, is needed. Please repeat that. Sir John DeLuther. Oh my God, Sir John DeLuther. You see what I did there? I actually did know this was happening because I listened to the Empire podcast why did you not tell me this I could have had so many days of ribbing him about this I just wanted to let it go by the way so I couldn't no never let go of these gems no I know I know it is extraordinary they were banging on about it see this is all connected to the Pilot TV podcast are you discussing it on the Reddit thing as well no but this is all connected to the Pilot TV podcast because when I interviewed Neil Cross about Luther and there's Luther news coming up in the news section when I interviewed him we were talking about Luther as a character and I said to him, to use D &D parlance, I'd say he's chaotic good.

47:24That's his alignment. And he went, oh my God, you're absolutely right. I've never thought of it this way before. John Luther is a chaotic good paladin. And that was the inspiration for my D &D character, Sir John DeLuther. Although it's spelled differently. Okay. Well, anyway, unusually, in a way, often these big premiere screens of TV shows, by the time they roll around, we've seen the shows on screeners because we get sent screenings but they have not sent any screenings in advance so they're luring you out the only way to see it this front in advance is to go to the premiere tonight as I am going to watch the opening episode which I believe is 90 minutes long so it's effectively so you're saying to review it on this show I need to go this evening no I'm not saying that too I'm saying you just have to rely on me to review the show I'm happy to do that just so you know I mean it'll be embargoed till the day it airs anyway oh yeah of course it is embargoed so it's almost like redundant now it's just like because it's not going it's decided it's redundant It's not going to be, because what will happen is, in what you're watching section next week, Boyd will talk about it.

48:21He'll fly roughshod over the embargoes. Ride roughshod. Fly roughshod. Fly roughshod. Flying now. You're flying. Yeah. And to hell with it, the embargoes. He'll just say what he says and, yeah, he'll be fine. Steady. I'll be working within the rules. Don't you worry about that. Yes. Yes. No, I'm genuinely very, very excited about it, because advance word. They've had a couple of these screenings already in the States, and the advance word is that people were absolutely bowled over. Oh, really? And the cast was in yesterday. The cast was in. They were. We had extraordinary, if you were anywhere near the, in quotes, green room, which is basically just some sofas in the radio area of this building that we work in, listeners, there were, not only did we have our group of bunch of guys and ladies.

49:03Team Pluribus. Team Pluribus. With all of their associated hair and makeup. 15 people there were all together from that gang. What, Pluribus? Yeah. God, I think there was about 20 or 30. No, no, no. That's just Pluribus. then for Stranger Things there was probably like double that and it was so crowded in the breakout wherever you call it in the green room area it was madness I thought it was a party because I was walking in late and I was like have I missed an invite to something? The funny thing was is there was some shall we say timing issues when we had Team Pluribus in the studio and I was like oh I don't know who's booked it next and so I was messaging reception saying can you just ask them to push it back for like 20 minutes because we really want to continue and they went the Stranger Things gang are waiting to come into the studio so I'm like oh great so the interview is going to get crashed by Team Stranger Things and there's going to be like a whole Anchorman type standoff but that didn't happen what a collision that would have been yeah it's like sorry guys sorry Vince we've got to wrap up Vecna's banging on the door look you can see him there yeah it was extraordinary scenes but yeah it was worth it because obviously we got the Pluribus gang and you got to explain to them all the brilliant things about their show oh my gosh okay I've just got to say I obviously wasn't part of the record because I hadn't quite seen it yet and I walked in afterwards and to say James was giddy he was like so both of them I was like oh wow this has obviously gone really well and he was yeah he was beside himself they were a delight yeah they were they had a good time right yeah yeah as did James I mean let's face it they probably had the best time they've had on this press tour I imagine they didn't say explicitly it was implied you could sit in the eyes yeah can I just say before we forget I never know which section to do these shout outs in another person who listens to the podcast who I met the other day at a screening.

50:49And this guy, who is called Robert Frost. Oh, good man. Yeah. He's the famous poet, obviously. Yes. Not that one. He edits stuff. He's an editor. Could he edit this podcast? No offense, Darren. Oh, my God. Show me. Dare you. Justice for Darren. No, no, it's a replacement for Darren. I'm just saying that he and Darren are basically peers, essentially. A co-op. Yeah, they're colleagues. he's not just any editor he's a BAFTA award winning editor of Slow Horses oh wow and not only just Slow Horses Hijack as well wow two of our very favourite shows Robert Robert mate mate if you could send me the last two episodes I'd consider it a personal favourite I knew that was the reason why I alluded to it to use that word do you know what Robert might have considered it if he hadn't called over a million called him mate yeah one mate too far so Robert and Frost that's what you should have said yeah So it was, yeah, it was after screening.

51:44And he collared me and he said hello and he was a lovely, lovely guy. And then he said, sorry for collaring. I'm like, oh, please, God, he does an absolute proper job of editing two of the best shows on TV. I was absolutely delighted. So, yeah, he's a great man. Robert Frost, hello. Great. Yeah, can proceed now. Fine. Okay, brilliant. James is freaking confused. I am very confused. I don't even know where I'm at at this point. It's listener question time. Right, so we have a message from Jane who says, greetings from Michigan. I'm a Brit living over here and love the reviews of British shows that are heading my way.

52:16Quick question. I heard the interview with Jack Whitehall last week and I thought it was fantastic. I've added that bit in. I'm so excited there. And wondered, no, it was implied. Very much implied. And wondered, what is your favourite programme featuring a comic actor in a serious role? I loved Eddie Izzard in The Riches, a series which nobody saw, well, nobody I've ever met. Keep up the chit-chat, Jane. Jane with a Y. I saw The Riches, yeah. he was good in that to be fair do you remember Kumail Nanjiani and he did the that Chippendales show because I remember talking to him about that because I always find it fascinating when when comedians because on the one hand like people shouldn't be pigeonholed like they're actors they have range they have breadth but you know when you speak to comedians about this and obviously I listened in detail to your interview with Jack so clearly I would know if you discussed this with him but but but but there's an instant you know there's a gratification like like they often say like when you do comedy you know when something's funny or not.

53:13And because when you're doing comedy, there's a goal to it. I think Stephen Merchant talked about this as well when I interviewed him for Walking Dead before I stopped watching it. But it wasn't his fault, incidentally. But like that idea that you know if something's funny, there's a goal, you're trying to make people laugh, that is the goal, you succeed if you've achieved that goal. Whereas if you're doing a dramatic role, it's slightly more nebulous. You're just like, well, am I being realistic? Am I being convincing? You know, it's like, but you're not trying to achieve a goal in the same way.

53:37I'm smiling because I'm loving you explaining comedy. Being a connoisseur of comedy. well I mean as an expert in this field I feel uniquely qualified wait you mean the goal is to make someone laugh apparently doesn't work with me like this podcast Stephen Merchant is a brilliant example funnily enough even though you weren't actually making this point oh well he played The Serial Killer yeah and he was in Logan right he was those were proper transformative roles he transformed himself for those roles whereas he's played a few he's actually in the film I saw the other night Kate Winslet's directorial debut he's in and he's very funny in that so yes Goodbye June it's called and so I think he's a really good example Merchant, the merch to a certain extent Bryan Cranston in Breaking Bad is an example of this right because he's famous for sitcoms he's famous for Malcolm in the Middle and he's a comedic actor or was a comedian not a stand up comic so maybe that's what they're more implying but that was a in fact it was on it turned up in my Instagram feed recently you know that Malcolm in the Middle skit that he did where he wakes up in bed in Malcolm in the Middle and Breaking Bad has been the nightmare that he's been having that made me laugh yeah that's brilliant I misread the question I interpreted it as comedian in a serious role so my answer's not really like so what was the question?

54:47what was the question? no it was comic actor oh so not necessarily a stand-up yeah I read it as stand-up just someone who's known for comedy so I was going to say Ricky Gervais in Afterlife yeah because I thought that was a great thought although Afterlife is also funny yeah but it's also about a man you know yeah a grief stricken man yeah it's more than that but it is very deadpan funny isn't it like it's not yeah I still think it was a yeah I think it's a good example in this instance I do you know yeah she tried to claw back that is a valid answer yeah who else anyone else I mean Bob Odenkirk if we're staying in the if we're staying in the meth side story oeuvre oh my god he said that too because Bob Odenkirk was again a comedy actor yes although he's also very funny in Better Call Saul he is very funny in Better Call Saul another one that I always thought was Katie Sagal who was obviously very famous for Married with Children, and then played the kind of sort of den mother in Sons of Anarchy, which was an extraordinarily violent show, and in no way funny on any level.

55:50And that threw me a little bit, because obviously Married with Children, she was very iconic in that. So, there you go. That's my answer. I'm sticking with that. Good answer.

56:28There we are, Jane. On then to the next thing, which I'm assuming will be this week's news. See what's happened in the world of news. Now, we mentioned Luther a little bit earlier. Luther is returning, isn't he, Boyd? Not Sir John de Luther, because obviously D &D has been postponed, but actual, actual Luther. Yes, they're making this. So this is difficult. Is this a film story? Is it a TV story? It is a film story, but I'm allowing it, because it's thematically connected. Our leader. You say leader, I say dictator. That's fine. Our dictator. Yes, Boyd. I'm willing to own that. Did you know there's a TV show coming out called Belen?

57:04No. Absolutely true. Really? Yeah, they missed the D off. It's silent, but true. Anyway, I think in a way the most significant news of this story is that not only will it see the return of Idris Elba, obviously, as Luther and Dermot Crowley as his boss, but also Ruth Wilson as Alice Morgan. That's the big one. And she crucially wasn't in the previous film, which is Fallen's Son? Yes. Yes, Fallen's Son. and I remember opinions differed as to the quality I love Luther Fallen Sun was not my favourite Luther in Storm and it has to be said but I'm always up for more because I think it's a fantastic character and Ruth Wilson Ruth Wilson is the best not the best no let me rephrase that she's not the best thing in Luther but Luther is at its best when she's in it of course she's like the Hannibal Lecter figure to Jodie Foster and their dynamic is fantastic yeah the dynamic so and the storyline is this is the storyline right and I'm about to read it but bearing in mind this could be any episode of Luther ever when a wave of brutal seemingly random murders hits London Luther is secretly caught back into service how can he save London when everyone on all sides seems to want him dead I mean literally literally could be any of the seasons yeah but it is exciting because I'm a huge fan of the show and I really liked the film it is the film is insane yeah it is because the thing about Luther is it's always been over the top operatic it's a dark fantasy more than anything.

58:29it's completely bonkers nuts crazy Neil Cross just kind of doing whatever the hell he wants to do without any attempt to be realistic or anything like that and the film was like the ultimate thing but maybe a little too much it was absolute banana crackers yeah with Andy Serkis as Ruby yeah and the killings the murders were of an elaborate nature as well that you felt like oh right now now I don't have to kind of work within BBC guidelines presumably I'm just going to fucking run right in. Off the leash. Totally off the leash, exactly. So I'm excited about it, yeah. So yeah, the other exciting news is that Alien Earth has finally got its Season 2 renewal, which took a long time, but that's exciting, and they're going to be shooting in London in 2026.

59:13I imagine the reason it took such a long time is because FX or whatever probably said to the creators of it, you can't have the Xenomorph alien in sunlight again. Just promise us. You can't have him running around in like a Thai jungle. Here we go. And it ended like, you know, some blokes running around trying to catch him. It was fine. No. It was fine. Honestly, you can't please him with corridors. You can't please him without corridors. Some things have to be in corridors. Oh, Mr. Fussy Fusspot over there. Aliens have to be in dark corridors. And humans running from zombie-like things have to be...

59:44Call them by the proper name. Zombies. Zombies. Actually, they're infected. But carry on. They're infected, yeah. Yeah, no, it's fair. Alien Earth was, by and large, really good. It was excellent. That's the quote for the poster. Do you know what? It's funny. We were discussing in the Empire Office what our TV shows of the year list will be. And they were like, oh, you know, what's the pilot TV show of the year? And I was like, I don't even know where to start with it. Cue an epic puncher. Because we literally didn't have a half year, a proper half year list. Because I was like, our lists are going to be so far apart.

1:00:15There will be no meeting in the middle. There will be no compromising. So if we're going to come up with a list for this year, we're going to need to come up with some kind of system. You know, yeah, we are, yeah. What we should probably do is make sure we have regular other contributors to the podcast. Like Steph should have a vote. Yes. And maybe Beth should have a vote. I'm trying to work out ways basically where his vote is. Get Terry on board. Maybe get Terry on board. And then Nick and then Chris. Oh, no. And then Helen. Oh, no. Yeah, but I see. Got him on Helen. Oh, God. Yeah, see? I see what you tried to do there.

1:00:47You tried to put your thumb on the scale. If they contributed regularly to this podcast, then fine. But they don't, I'm afraid. Oh, Helen's been on this podcast. She's been on. Yeah. Yeah. Well, you're beloved Helen actually. We'll flush it out. You must be compromised.

1:01:02Well, anyway. Okay, listen, I've got some disappointing news. Okay. Which is that Malpractice, which I loved, is ending after two series. So, if you remember, that's the one written by Grace of Oriata, World Productions. Yeah. It's not coming back for a third series and I'm really gutted about that. That is a shame and yet, I don't blame them because in a way it had such a specific structure to it, in a way, both of the series so far. They would have had to have, it's one of those things where it's got its own formula, right? It's investigating, internal investigations within the medical sphere, and people accused of doing stuff, of murder, basically, within that context.

1:01:43I think to kind of find another story in that might have stretched it a little bit. I don't know. So I'm not devastated. There's plenty of opportunity. Anyway, it's a done deal, so yeah. I have some DC news. Go on. Well, we've had a couple of DC things. The first is that there is going to be an HBO show of V for Vendetta, which is the Alan Moore graphic novel, the seminal Alan Moore graphic novel, which was made into a film in 2005 with Natalie Portman by the Wachowskis. And if you've seen the little anonymous Guy Fawkes mask, those are essentially from that. But yeah, there's going to be a TV version of that.

1:02:15It's a good story. It's a good graphic novel. I like the film as well. Did you like the film? I didn't like the film. You didn't like the film? I thought it was juvenile. Really? Yeah. You're juvenile. once again I mean Broadway James I actually approve that thank you but that's not the only thing because also while DC Studios are announcing TV shows there's going to be a spin-off series a Jimmy Olsen spin-off series from the recent Superman film you remember Jimmy Olsen he was the in one of the most irritating subplots of that film I did hate that film but I hated the Jimmy Olsen subplot more than almost any other part of the film so Jimmy Olsen is played by Skylar Gisondo.

1:02:53And remember he was texting Lex Luthor's girlfriend in that whole subplot, which was so irritating. And so there's going to be a spin-off TV series. I question whether we need this. I will totally take FIFA Vendetta. I do not need a Jimmy Olsen TV show. I'm more into the Jimmy Olsen TV show. Oh my God, you're the worst. You are the actual worst. We can both agree on, I'm supposed you didn't start with this story, by the way, which is that June Prophecy has announced new casting details. I didn't even know June Prophecy was coming back. Did you not? They released a little video and they were all like, hey, we're making the season two of June Prophecy.

1:03:29I was like, woohoo! I don't remember you mentioning that on the podcast or was I doing my emails at the time? No, you're very switched on. Anyway, genuinely exciting casting news. This will be exciting casting news, Kay, I'm looking at you. Even if it wasn't about a hard sci-fi fantasy thing that James loves, that among the new cast for Dune Prophecy Season 2 are Indira Varma. Yes. Yes. Most recently seen in Coldwater alongside Andrew... Lincoln. Ashley Walters. Oh, yeah. Yes. Of Top Boy, etc. fame. Adolescence. Who I interviewed recently for Empire about his director of the film which will be coming out next year.

1:04:09And Tom Hollander. Oh, wow. Of the White Lotus fame. These are great. I mean, these are great cast members. They're joining existing cast members, Emily Watson, Livy Williams, who are in the first one, Travis Fimmel, in the first one but that is a really really good cast it was a really really good show do you know what I actually agree with you it was a really good show maybe a nice juvenile after all what a wonderful moment of you two agreeing with each other isn't it a brief moment of harmony we should probably touch on as well on the Shogun news they put out do you see that what news Shogun news came this morning that they've set new and returning cast writers and directors for season 2 but for me the most kind of interesting and important element of the whole story so there's a whole list of cast members joining Cosmo Jarvis of course my favourite James Cosmo yeah that will never not be funny yeah indeed there you go among season 2 directors are Anthony Byrne Kate Herron who's an Empire favourite of course and she was in one of the live shows wasn't she she was in one of the live shows we've had her on the Empire podcast I met her listen this is all very well and good but do we have a date for Shogun this is the thing this is what I was going to say I want dates for Shogun and Black Doves.

1:05:19This is what I'm telling you. This is the most salient point of the story. It's just starting filming in January. So we're going to have to wait. I'm saying minimum 18 months to two years. Shut up. They're going to start making it. It's going to be another 10-episode epic. It's basically going to take, I would say, six to nine months to make it, let alone arrive on TV. We're not going to see it until 2027. What's the point? so that was the most like I'm really glad but I genuinely thought they must have started filming ages ago I remember when they announced their second season I thought oh yeah they'll be done I think we can all learn a lesson from slow horses which is that we demand that you start working on three seasons of the show at a time do you know what I actually do agree no Christmas no breaks no rest crunch time give us our shows put your fingers out we're very grateful the other thing I did mention I'm not sure had been announced is that season 2 is set 10 years after the events of season 1 and will probably take that long to make so that's fine well almost certainly I'm tempted to do a re-watch of series one it was fantastic so yeah that's the oh you know what we should probably mention go on I'm just saying is we don't want to go on about it because James will get scared it's going to get too political but I mean the BBC has had riled week haven't they they have so they have and in fact we had an email someone suggesting that you should become the DG me or Boyd Boyd yeah yeah listen his name's in the hat and as his agent I'm willing to take this I just don't see Boyd going for that kind of pay cut I really don't yeah yes Joe yeah that's quite funny by your standards yeah that's very good and very true yeah yeah I mean it's been one hell of a week yeah but basically I mean everyone's aware we don't need to cover it but the director general is leaving and head of news head of news is leaving Deborah Turness and Tim Davies is the, I did an event with him earlier this year.

1:07:19Coincidence? Boyd's touch of death. Yeah. And he's very charming, kind of quite a funny, charming guy, is all my verdict on him. Well, all they say is you're a funny, charming guy, so maybe like, like for like match. Oh, steady. But yeah, there's lots of, it's been a completely calamitous situation. Basically, as everyone knows, they resigned because they edited a Donald Trump speech. They snipped it. So something that he said at the beginning of the speech, they then edited it as if to say he was carrying on saying something at the end of the speech, 50 minutes later, in which he allegedly was inciting his supporters to go and riot in the...

1:07:57Yeah, weirdly, it's almost exactly out of an episode of The Newsroom. Yeah, that's right. Hamish Linklater does the same thing. Spoiler for The Newsroom. When did that come out? A while ago, I think we're fine. Ten years ago? so yeah it's been there was basically a dossier of complaints accusing Mitt being biased in lots of different areas Israel, Palestine etc I mean the Trump edit thing is pretty egregious the Trump edit was the thing yeah and now he's threatening for a billion dollars okay and lord knows he needs the money yeah alright that is it for this week's news so let's move on to the reviews this week and first up we have Malice on Prime which you heard Jack Whitehall talk about last week and this is a mani okay a tutor, called Adam, played by Whitehall, and he inveigles his way into the orbit of a wealthy businessman named Jamie Tanner, played by David Duchovny, and his wife Nat, played by Carice Van Houten.

1:08:49Suffice it to say, he has more on his mind than helping his young ward pass her GCSEs. Now, Boydie, you are, if not in the pocket of Big Whitehall, at least hopelessly compromised by association, so we turn to voice of reason, Kay with that. That's never been said about me, so thank you. But you are full of malice, so it kind of makes sense. Wow Thin eyes Fredding So I really really enjoyed this because I thought Jack Whitehall was fantastic in this role because we're so used to seeing him in like either doing stand-up or comedy roles I mean he did Decline and Fall which was a period drama which I went on set of alongside Eva Longoria Your favourite Yep but he's really good in this and he really throws himself into this sort of nefarious character who is he's a tutor but something's going on beneath the surface he's obviously got an agenda and he's sort of as you said availed his way into this family holiday so the tanners are very very wealthy they own this beautiful um villa and they've got some family friends staying with him uh with them and he comes along with them and there's just something about like he's constantly um he's very charming he's well educated he gets on very well with the ladies within the group but there is something else going on and it's very intriguing and honestly did I have Jack Whitehall smashing the shit out of an octopus on my list of things I needed to see this year I didn't but it's so it adds to the whole sinister element so I thought it was great I think David Duchovny is fantastic also playing this absolutely gigantic bellend the dad what's his name?

1:10:31Jamie Tanner. And he is incredibly wealthy and boy does he like everyone to know it. And it's awful. He's always flaunting his wealth and making people feel bad about it, etc. And yeah, there's a lot going on with him as well. So it's, yeah, I found it to be very engaging and I thought it was a real good show from Jack Whitehall. Yeah, he's very good. What I was not expecting was suddenly in the middle of episode two, I think it is, He visits a sex club somewhere in the mainland. Episode 1 as well. Is it in episode 1? Which he talks about in the interview. Yes, he does talk about the interview.

1:11:09I forgot it was in episode 1, yeah, so I watched the first few. And what ensues is quite startling, yes. And he talks about in the interview about how there's an edited version. Yeah, the lengthier version is even more shocking and sudden and, oh my God, right, okay. But it's an interesting, it kind of underlines his amorality of the character and his psychopathy, if I can use that word, I have. And the thrashing of the octopuses, octopi? Octopodes. Really? Yeah, carry on. Yeah, I think he's right, yeah. There you go. The thrashing of the octopodes is a great foreshadowing of the intensity of his psychopathic tendencies.

1:11:51Also, I love how they're just hanging off the washing line, just drying in the sun. Yeah, exactly. just as you do occasionally just spotting their tentacles thinking oh my god not long for the world but James Wood who also wrote to Kleiner Fool by the way so that's where they go back relationship goes back he's really clever at finding ways I think innovative ways of showing Jack's character Adam's madness and his determination to be manipulative well you think I'm spoiling it no not at all it's just that you're talking about the washing line bit there is shall we say an incredibly unsubtle line of dialogue that accompanies that particular thing and I just went, what?

1:12:26Like, what is happening? What was the line? I'm not going to say because I feel like it's a spoiler. But let's just say he says something. By the way, when I said not long for this world, I wasn't obviously talking about the octopus because they are very much dead. But it's just, yeah, as you say, foreshadowing. It's great foreshadowing. And then James comes up with interesting ways of showing just the lengths that he will go to to be manipulative. And yet the mystery of it really is why? What is his big issue with his fucking family? And there's various kind of hints and little glimpses and flashbacks as to stuff that's gone on before, but you don't know.

1:13:03And they keep that very well in reserve. My favourite bit and the maddest bit of the whole thing, even beating the Sex Dungeon Club bit, which is extraordinary. The brilliant thing about the Sex Club bit is it just completely arrives out of nowhere. And he's just walking along. You think, I'm going to go and visit someone on the mainland of Greece. And then just literally goes down the stairs and there's full-on nakedness happening in front of his own. and she sits there kind of going, oh, yeah, this is fun. I'm getting confused. I think it must be in episode two. There's a strip club in the first one.

1:13:31Oh, yeah, no, no, no, this is different. Oh, an actual sex club? Oh, yeah, absolutely. Oh, yeah, this is very different. Yeah, Pete, you'll see it. You'll know when you see it. It's a moment. Adam's having a good time. It's a fucking moment, I'll tell you. And it is the suddenness of it that is genius. But the even madder moment, and I think one of the maddest moments in Jack's acting career is when he does this fucking Greek dance in episode two. he does honestly he does which you also talk about in the interview we also talk about the interview oh you have listened to it I have that's why you're saying it proudly yeah it is absolutely wild oh I can't wait for it and it's just a really ingenious way of just showing how his self-confidence and his his absolute determination to do whatever the fuck he wants to do to impress people basically and all these people standing around watching him doing this thing it's quite something to watch so yeah I think he's done a really good job I love David DeCoff me and everything i mean david dukovny going back to the x files he was like the x files and he he was a key part of um the larry saunders show which was the um brilliant piss take of american chat shows and david dukovny was like a recurring figure playing himself playing a like extreme mad version of himself in that and part of the whole um joke of it was that he was in love with larry and he was kind of obsessed and there's lots of lots of references to him having sex and being and taking his clothes off and stuff and then sure enough in the very first scene uh he gets his bum out and it goes full on in for a rampant scene of intimacy with Carice Van Houten, who is also great.

1:14:59They're all really good, aren't they? Carice Van Houten's great as well. So yeah, I'm in favour of the whole thing, I have to say. James, just say that line that you're talking about has just popped into my head and it's really weird because it's another show we're going to review, something similar happens and it's just so out of the blue. Yeah, I didn't love that line because I was like, you wouldn't, you just wouldn't say that because he has an objective and an agenda and it's self-defeating and it just didn't sit right with me. Some people need to control sometimes, right? Yeah, I think he also likes playing games with himself in a way.

1:15:27Like, it's a whole kind of elaborate game. Yeah, there's an element of that to it, certainly. I think he enjoys pushing it as far as he can. There's a guacamole incident in the first episode that was a thing. Yeah. And the other thing, the thing that mainly stuck with me about this, there is an unexpected Thorpe Park reference from David Duchovny. Oh, yeah. And I was just like, what? I love that reference. I thought, oh, brilliant. Yeah, I really enjoyed that, actually. I thought that was great. taken as a whole I mean they must have had a whale of a time shooting this because it's stunning yes where they're basically all on holiday it's not a hard gig no it's not I I didn't love it I didn't hate it I didn't dislike it at all but you want to watch more right no oh I think that's it it didn't it didn't seize me but then I I'm not sure I love that cuckoo in the nest format like often that's one I don't know I think I find them quite stressful those kind of things hand the rocks to cradle type things those you know single white female that very specifically that there's a sociopath there and we know they're a sociopath and it's obvious they're a sociopath but the people around them are utterly oblivious to it.

1:16:28I find that quite a frustrating and quite stressful dynamic. It is. That's a very you reason for not. It is a stressful watch but I'm here for a single white man. Yes. I mean, single white female and how long should I love those films? I mean, they are undeniably good but yes, I... James Wood in the interviews building up to this talked about how they were absolute influences on him as well. Of course, of course. He's acknowledged that those shows, those like 90s, 80s, 90s, psychological thrillers with the person from hell, the manny from hell, the nanny from hell, the neighbour from hell, etc.

1:16:59Do you know what actually all three shows we're reviewing this week are stressful watches? Yes, they are. And they're all stressful parenting watches as well. Like it's quite, it's very thematic this week. So yeah, so like I don't have huge complaints about it and I thought, I do, like we were saying in that question earlier, I do enjoy it when traditionally comic actors play against type in dramatic roles and he is particularly chilling in this because I think partly because you just don't expect that from him. But it does also fail the bell-end test, I have to be said. Everyone in this pretty much is a bell-end.

1:17:28And I found it quite stressful. But so is the world, James. That is true. That is true. So it's accurate, really, is what we're saying. Yeah, it's like a documentary. Yeah. Thought it was beautifully shot. Yeah, it looks great. You are right. I think the whole Whitehall family joined him for a sec. Oh, yeah. Yeah, why wouldn't you? Hello. I'm furious we didn't get invited along. Oh, I'm furious I didn't get to. I should have. I remember when it was announced the whole thing I was like I really should get in Vagel my way into this set visit thing a boydo in that nest well you went on holiday with big Tom Davis I know exactly so in fact surely it's the turn of James or me yeah that's it it's our turn okay that is Malice then which debuts on the Prime Prime Video it's on now because it arrived on Friday it's not on now boy it's on Prime it arrived very good it arrived on Prime on Friday okay thought park and go go right next up we have summer water on channel 4 this is based on the novel by Sarah Moss and adapted here by John Donnelly it takes place in and around the eponymous getaway which is a kind of rural Scottish holiday park around a lake and that plays host to an assortment of people with let's be honest quite pronounced psychological issues it stars among other people do Grace Scott and Shirley Henderson now we have had this year cold water people in hot water and now summer water so Boydie is this the best of the water shows um no I don't go that far I mean I know you just asked that for for uh for comedic effects but I'm now thinking about seriously is he better is he better no I don't think so anyway um what have even more in common than than than um Coldwater because remember in Coldwater Angelica's character went running all the time yes there's a lot of running in this in the first episode of this which focuses on Justine played by Valene Cain and her husband Steve Tindall played by Daniel Rigby she goes running everywhere all the time just like him it's a great stress relief void and harder than walking, remember?

1:19:18Well, we know that's not true. Marathon walking is harder than marathon running. We all know that. Don't even start. Right, anyway. James is looking confused. James, just very quickly, Boyd's got a theory, right? So I did, I'm going to sound like a better, I did a couple of marathons, right? And each time I did one, Boyd would say, yeah, but the thing is, I've done the moonwalk and that walking is harder. So you've done the moonwalk. 26 miles. Like Michael Jackson, you moonwalked around a marathon. With a white glove on. No, just backwards. No, no, it's called the moonwalk because it happens at night.

1:19:46under the moon. Okay. And what's the distance? 26 miles. Same as a marathon. Right. Yeah. And you believe it's harder than running? Yeah, I did three of them. Okay. With various celebrities. A deranged claim. Okay. Yeah. I didn't do it with any celebrities, but I ran all the way. I will say that, like, Who side are you coming down? Some walks can be harder than runs. When you do, like, says Amar, who used to work here, he did, like, it was a walk from London to Brighton type thing, which is, I believe, a lot longer than a marathon. That's a long way. So that would be harder. 100 % harder. But if you're doing the same distance, but you're just doing it low effort, low cardio, I'm not sure how that's harder.

1:20:22No, we went quite fast. We went quite fast. That's the point. That is a definitive answer. Really, a full four miles an hour. I walked up with Gabby Logan. Gabby Logan, who is an athlete. Listen, you can name drop as much as you want. James has answered the question. Did Gabby Logan say to you, well, of course, boy, this is much harder than America? Pretty much. We all agreed. Did you? I mean, we all agreed. Did you? Yeah, Charlie Condu, the actor, who's in the new Russell 2-Day. I saw Charlie the other day, and we actually talked about this. Did you need a foil wrap afterwards? No, you did not.

1:20:48Well, I think we were given one anyway. I think they were given wraps along the way, but not foil ones. Anyway. Popped into a patisserie. Some more water. For God's sake, I can't believe you're just diverting your attention away from the show we're reviewing. There's a lot of fucking running. Anyway. There is. And so the structure of this show seems to be, it's a six-parter. It's basically lots of different people on their holidays in this beautiful part of Scotland. and they all gather in this kind of, with these arrays of like huts, I guess they are, little cabins. Cabins, huts, whatever. Cabins, thank you.

1:21:25And the structure of this series is that you know something bad, it's the classic, you know, you know something bad has happened or going to happen to some or all of these people. It's going to affect them all in some way, show or form. But it follows a specific family each episode, right? Each episode takes the point of view, focuses on the point of view of a character or their family. And in this opening one, it is Justine the running woman we're talking about who the focus is on her and we get to see glimpses of her past flashbacks to her doing dodgy stuff keying the car of a work nemesis nemesis, crucially not the ride at Thought Park exactly, no Thought Park reference as far as I'm aware in this series and having various kind of issues with her family I'm trying not to spoil it so I won't go on about it but lots of kind of mysterious things she's got up to.

1:22:18Also, the logline, I don't know if we said this, the logline is five cabins, 24 hours, one fire. Can I ask a question? Go on. I had no earthly idea what was going on in this show. Like, am I the only one? I'm getting to that. Okay. Because the show that I was going to compare it to was The Gathering. I don't know if we reviewed The Gathering. Brings a bell. The Gathering was another Channel 4 drama all about a bad thing that happened to a teenager on the beach. That was the swim meet one, wasn't it? Yes, the swim meet. The gymnast. She was the gymnast. Oh, it wasn't swimming. It was a gymnast.

1:22:50Yes, you're right. It was a gymnast. Same, same. Yeah. And that had a similar kind of thing whereby there was a bad thing happened. In this case, it happened to a teenager on a beach at a beach party, the gathering of the title. And the episodes showed from the point of view, mostly of the different characters and suspects, if you like, in this bad thing that happened. But what I thought, for me, the structure of the gathering worked slightly better than this structure which in the gathering it was each episode was mostly from the point of view of a specific character but it kept you up to date with all the other characters at the same time quite cleverly so it wove in you got to know all the characters for whom this incident had affected but while foregrounding one of them so it's quite good clever balance i thought in this interest it's an interesting creative decision you see glimpses of the other characters in their different cabins where there was this fire as you say but you don't get to know anything about them at all until their episode arrives.

1:23:50So the whole of the first episode is about this one woman and her issues and it is confusing as to what the hell is going on in her life. Deliberately so. Not just the narrative structure though, isn't it? The way it's stylistically done. There's a lot of... The discordant music. Ominous discordant string music. Weird sort of ululating voices and you're like, what the fuck? It's like flash, weird chronological flashes where you're in the hut. You're not in the hut. She's at home. It's before the hut. Is that person real? Is it imagined? And they don't signpost the shift. She doesn't have a different haircut or anything like that.

1:24:19So we don't know whether this is happening now or this has happened before. So it's deliberately discombobulating. Then she's in the forest and she's doing something there. And then there's like a weird almost kaleidoscopic camera thing to show that her sort of fractured mental state. And I was like, never mind hers. My mental state is completely fractured. What's going on? But I really... And that's before watching the show. Really struggled to follow her. It seems to be the case that there's a lot of people with fractured mental states, by the way, because we do see a glimpse of Shirley Henderson's character with Dugrace Scott, and she's got fractured mental states from the mere few seconds we see of her.

1:24:49And brackets what I know of the rest of the series because I've read the press information. So, yeah, it is a bit bewildering, and not that much happens, is the other thing I was going to say. So there's a lot of kind of watching her doing weird stuff, and sometimes just on our own, just standing there, pondering the matter. It does escalate. It does escalate. It takes a fair while. I would, and for me, I don't generally like reviews where you tell the creative people behind the show, oh, you should have done it this way. But for me, I might have preferred having more ongoing interaction with the other characters as well as your main character focusing on the episode rather than this, which it was a weird 50 minutes of TV where not a huge amount happened and then, and you're kind of implying and you're suggesting that there's something going on with the mental health of this character.

1:25:40But it is a bit vague and weird. I thought it was just about compelling enough for me to want to carry on. Oh, wow. Okay. Yeah, I think it's interesting. I've drunk the summer water, I should say. Yeah, you hosted the thing. I host the TuneA, so I've watched three or four episodes. So I'm biased, right? I take your point. I think it would have been maybe good to draw more of the other characters in each episode. that I say. But I don't think, I think quite a bit happens in the first episode, in each of the episodes because they focus on all the different cabins. Basically, as we've said, there was this fire, there's one cabin that's really noisy, everyone's getting really frustrated.

1:26:16The party cabin. The party cabin, party gate as I'm calling it. And this is all about who is the body taken out of the burning embers? How are these people involved? Each cabin has got a group of people who are like, It's like Summerwater has drawn together all these tortured souls, right? And it's like, it's a really claustrophobic feeling place. Like, it's really discombobulating, as you've said, and disconcerting. It's like a weird energy of this place and how each of them are going through their own personal turmoil, which is exacerbated by being in this. And when I was doing the Q &A, actually, we were talking about the fact that actually it is reflective of, we all go on these holidays, right?

1:26:57These family holidays. You're trying to get away from it all. you think when you change the location everything's gonna be fine but actually sometimes that can then be a pressure cooker situation holiday from hell yeah it's like if we went on holiday this is exactly what's happening right exactly so um yeah i mean like i said i'm obviously in the pocket but i i really enjoyed it but usually that kind of thing would irritate me the uh not irritate me but like you know when it's discombobulated i'm not sure what's happening i might be a bit like oh god i just want it to be a bit clearer but actually weirdly i got i just went along with it and the more it goes on and you start piecing it together and you're like, oh, okay.

1:27:29And I, yeah, so I was, I found it intriguing rather than, yeah. It is intriguing. It is intriguing. I was absolutely baffled for a lot of it but pieces sort of fall together certainly towards the end where you're like, oh, okay, I kind of understand now. So if I re-watch the episode now, I think it would be much clearer to me because I understand now where her head is at. But also, even for me, so I, you know, obviously watched it in advance to do this Q &A. It's like, there's this moment with D. Gray Scott's character, right, and his flashbacks to his younger self. By the way, the younger version of him is played by his son, which I think is a brilliant fact.

1:28:02Because I was watching it, I was like, God, that guy really resembles D. Gray Scott. And I was like, oh no, they're genetically linked. But, you know, I'll skip forward three episodes and you've seen it, or second episode, you've seen these flashbacks. And suddenly, only after I watched the third episode, I was like, oh, that connects to the first episode. So it's one of those things I think slowly reveals itself. Are they essentially telling the same story in each episode? rush them on as it's always referred to yeah exactly it's the same 24 hours from a different perspective and it's all connected so it should have been called cabins in the woods yeah or cabin fever yeah so it's because it's been also compared to the white lotus I mean if I checked into the white lotus and looked like that I'd want a fucking refund oh well it's beautiful I don't know whether do Grace got to say this in your Q &A but he talks about yeah let's compare it to the white lotus obviously like white lotus is one of the biggest hits on TV anyone would welcome the comparison but Because it is people gathering in the same vacation location.

1:28:58Much more different. It's lacking the luxury, I have to say, of The White Lotus. But because I guess it's kind of half the happening, I was referring to The Gathering, sorry, not The Happening, the gathering, half The White Lotus in the sense that there's lots of different characters, groups of characters in the same vacation area. But the difference with this one is it's retelling the same story. Yes, exactly. So that's different. I think also what's interesting is that I believe the book was written on the back of Brexit and that's very clear throughout, right? So some of the people's opinions about this noisy family who are, I think, one of the women's Polish and the husband's Latvian or something like that and it's very much, for certain characters, it's an issue.

1:29:38Talking of the parenting thing that you alluded to, James, I'm going to use the word allude to, so much more often now that people wrote in and complained about it. I know, and I'm the one who deals with the postbag. Yeah, sorry. Is that the bad parenting, oh my God, I mean this one she just lets the two kids wander off for fucking hours and just goes to sleep they're just out in the dark goes to sleep because they come back and meanwhile the other character we haven't even met properly yet her kids run off somewhere she doesn't know where she is I know there's missing kids all over the fucking place yeah we have a bad parenting triple bill this week it's quite extraordinary it really is yeah because in the first episode of the Jack Whitehall show Malice all I'm going to say is the scene on the rock with the kids yeah oh my god that was hard that's some of the worst parenting I've ever seen It's pretty bad.

1:30:25Okay, right, Summer Water. It's on Channel 4. It started yesterday Sunday and carries on tonight, Monday, and I think it's all going to be on the channel4.co.uk, or whatever it is, their website. Dot com? Dot com, yeah. All four as I like to call it. All four, yeah, indeed. Four OD, right. How many episodes is it? Six, I think? Yes. Yeah, crucially more than four. Right, finally we have The Death of Bunny Monroe on Sky, and this is a six-part adaptation of Nick Cave's 2009 novel. And this stars Matt Smith as this sort of philandering misogynist whose long-suffering wife takes her own life, at which point he essentially runs off on a road trip with his young son, Bunny Junior.

1:31:05And for that name alone, terrible parenting. Oh, there's also a serial killer dressed up as Satan, because of course there is. Who among us wants to put this bunny back in the box? Kay. Okay. It's your turn, because we start with you, then we just mean it back to you. Let's always be fair. Right. Okay, so as James said, I mean, this is, I didn't realise it was written by Nick. When I found that out last night, I was like delighted. And it's sort of... Are you a huge Nick K fan? Yeah. She is a bad seed. Bad seed. Oh, James! First from Alison, now bad seed. I really enjoyed it. I mean, I think it's a tough watch.

1:31:41I mean, like we said, there is a theme this week of bad parenting, trauma, etc. And this really is distilled in this show, where Matt Smith is, as you say, this negligent dad who's a sex addict. And, I mean, we can say this because it happens right at the beginning, but basically he's very neglectful of his wife, played by the excellent Sarah Green from Bad Sisters. And she's depressed and he's off-landering and she ends up taking her life. I'm saying that because it happens within the first five minutes. and you kind of just see how it affects him or doesn't affect him. I mean, he processes it in his own way, but it all sort of comes to a head at the funeral where his behaviour towards his father-in-law is despicable.

1:32:31The whole thing is so awful to watch because when you're watching the whole thing, for me, I was just like, but what about the kid, Bunny Jr., who is so adorable and he wears all of his... worries on his face right not least because he's got red and dyes because something's going on an allergy that hasn't been treated that his mum would look after but his dad you know obviously he's just here there everywhere um just wanting to get his leg over and um yeah you just that's the thing it's so troubling about this it's one thing that bunny munro uh senior has this sex addiction he just like he's this charismatic salesperson who is just doing whatever he wants basically but at the bottom of this there's this young vulnerable young boy whose mother's just died, his dad is more interested in, you know, how can I say it?

1:33:19Getting intimate. Having a jostle. Yeah, I mean, very much so. I think we know where we are with the show, when in the middle of the funeral, he leaves the funeral to go and have a jostle. I mean, that was an extraordinary scene. There were a lot of extraordinary scenes in this, and I just think Matt Smith is on excellent form. I mean, do you know what this reminded me of a little bit? Not, I don't know why, but Patrick Melrose. You know, that kind of character. yeah oh that's absolutely you know the addiction and etc although obviously this character is less privileged than Patrick Maloney's was and like we get to learn more about him you know the fact that senior Buddy Monroe senior idolised his dad and taught him how to be a man and that says everything because this guy has got issues and the fact that he's left looking after this kid is a concerning proposition so it's stressful but I enjoyed it but I think makes you wish you had the psychotic money, doesn't it?

1:34:11I know, that's the thing. I don't know, I mean, I feel bad saying this because it's really good. Everyone should watch it. I just don't know personally how much more I can watch because I found it really stressful. Do you know, you're actually right, but it's also, because it's set in 2003, so it's Brighton 2003, which is roughly the time when the pier burned down. It's absolutely when the pier burned down. Well, it's literally because it burns down in the first episode. Yeah, right. So it's literally exactly the time the pier burned down in 2003. James, what made you think that? I don't know.

1:34:35I just got a vibe. Was it the plumes of smoke?

1:34:40inferno. I don't know. It's just a vibe. But it feels almost like it has a slightly almost like period-y grubbiness to it. And the way it's shot, it feels decades earlier. Period grubbiness, he's grubby. There is a real grubbiness to it where you just feel like you want to shower afterwards. He's horrible to be around. And that is, as you know, for me, that is a challenge with television. So you've got terrible parenting. You feel awful for this boy. He's horrible to be around. It's like 100 % like if someone had said who do you think wrote this I might have said Nick Cave like because it feels like it has a very Nick Cave vibe to it and I think if you can dial into that it's actually really good and it's really well put together but it was a bit of an endurance test for me actually we should give a shout out to Raphael Maté who plays young Bunny Munro because he is Bunny Junior yeah yes he's absolutely brilliant his facial expressions are a sight to behold they're actually phenomenal you just want to scoop him up yeah he's so sweet and protect him yeah he's brilliant I often do now I've sat there watching, oh my God, what's James going to think of this one?

1:35:42Because it's, even by the standards of the previous two shows in there, parenting issues, it's the hardest to watch of the three. He goes to town, yeah, because there's something quite cruel about the way he says stuff in front of his son. And doesn't give a shit. Doesn't give a shit. Like he tries to palm him off to his mother-in-law. Oh no, I was only joking. It's like, well, your boy was standing right there. Casual cruelty. Casual cruelty, yeah. and at first I slightly worried that this was one of those shows I haven't read the book and do you know what funny enough I'm not even that massive of a Nick Cave fan I should be That surprises me Yeah as an ageing old guy you know dad rock kind of guy I think it was our colleague Kev McCreeth who used to like him Oh yeah Kevin Kevin absolutely I mean everyone I know loves Nick Cave and in fact Nick Cave is one of the because he lives in Brighton famously lives in Brighton and I used to live in Brighton when I went to college in Brighton and he's like a great if you live in Brighton basically the two people the celebrities famous for living there are Steve Coogan and Nick Cave and we wander around and bump into one or both at any given time but I never really particularly got into Nick Cave as such so I haven't read the book but I do think this is a really interesting show it's not like anything else on TV which I immediately give it kudos for and I think the way I half expected it to be particularly as you say with the weird style kind of 50s, 60s his car and the kind of, he's doing this house to house selling of beauty products, which feels like something from the 50s.

1:37:10He's basically like the Avon man. Yeah, he's Avon man, exactly. And so it's very weird. And then you've got this serial killer element, which feels, I was worried that, it was like, oh, he's not trusting enough for us to be interested in this parenting storyline, which is the crux of the whole thing. To me, the relation, how is this useless sex-obsessed dad, who can't stop wanking, by the way. How is he? Big old wanker. Yeah. How is he going to look after this poor kid after the death of the mother? And that's enough for me of a story. And then there's these allusions to, I think they are allusions, to there's a serial killer on the loose who's about to arrive on the scene.

1:37:49And do we really need that? But I have to say, I think the way it's shot, beautifully shot and directed and acted, won me over in the end. And I thought, and he is brilliant. This is a brilliant role for Matt Smith. I mean, Matt Smith, remember, but he did American Psycho on stage. He played Patrick Bateman. He's very, very good at playing these kind of extreme men sometimes. He did it in a film as well. He's taken on a few roles, kind of similarly bell-end-y men who are complete kind of monsters in a way. I think he is a bit of a monster in this show. And I think it's all about will, it's almost like a buddy comedy in a way.

1:38:24Will he be able, he obviously in the end, I think he will be able to resolve his issues with this game. He will learn to become my own. I'm interested in the redemption arc. I think there will be a redemption arc. It just feels that way. And I want to carry on watching it to find out how that's going to play out. And I just think the dialogue's clever and funny and smart. I think I actually believed in Sarah Green's, what you see of her. There's some really sweet scenes between flashbacks, really moving moments between her and the kids particularly. I think it's very affecting and potentially really good.

1:38:57James, one final question before we wrap up on this. If, like, Gun to the Head, and, yeah, literal Gun, my Gun to the Head, your head. Oh, God. What would you rather watch? The Death of Bunny Monroe or Breeders? Oh. Breeders. Interesting. Wow. Yeah. Okay. Well, because... It puts the parenting of Breeders into perspective. Yeah. It's different because, like, because Breeders, I think, and weirdly, we actually got to this point where Boyd and I reached an accord on this. As it goes on, that show is very, very aware that they're terrible people. And while people do, it is a problem and he gets help for it and whatnot.

1:39:35And I think as that show goes on, it's easier for me to watch. I think certainly very early on, I struggled a lot with breeders. But this kind of compounds it because it's casual cruelty, bad parenting, and it has an overall grubby vibe to it as well. So there are layers to it, which I maybe find harder. Okay, thanks for answering the question. You're welcome. but yes old Matt Smith's developed quite the range of bellends on his CV since he did Doctor Who Prince Daemon Targaryen oh god I forgot we've come a long way from the targets he's in Morbius as well a similar sort of thing yes exactly by the way kudos to him I meant to say this he this is a full on like he's naked half the time pretty much when he's not jostling as well he's having sex with having sex with various other women and filmed you know carefully filmed shall we say the intimacy coordinator was kept busy by this show that's all I'm going to say but he absolutely does whatever the hell he needs to do he's a full on he gets into it as he always does but this is this is a spectacular role for him The Death of Bunny Monroe though which is on Sky Atlantic and now and now from Thursday the 20th November 2025 super what else is out this week that we have missed Boydie well there's a series of daddy issues do you remember did you watch that that was the show with David Morrissey and Amy LeWood.

1:41:01And A Man on the Inside is back on Netflix on Thursday. Daddy Issues is Friday. Yeah, Daddy Issues is Friday. Mighty Nein, that critical role animated show is on Prime. I don't even know what that is. That's on Wednesday. Cooper and Fry on 5 on Tuesday. What is that? I've watched that. Now, this is your man from Downton Abbey. Rob James Collier, is that? Yeah. Yeah, and he plays a detective who is mixed mismatched detectives so Mandip Gill and Rob and yeah it's set in the Peak District yeah it's a procedural right yeah yeah yeah it's enjoyable because it's like it's all about their dynamic and them solving crimes in very different ways adapted for the novels by Stephen Booth if it had been a week where we needed to do another show there weren't so many decent shows to talk about we might end up doing Cooper and Fry I bet it would do well for Channel 5 yeah good names is my bold prediction Then on Sunday, there's a drama called Prisoner 951, which is a true-life drama based on the terrifying story of Nathanieh Zaghari-Rackliffe and her husband, Richard, played by Joseph Fiennes, and Narjez Rashidi plays her.

1:42:08And she was the woman who was imprisoned in Iran under spying charges, and they ended up going on hunger strike, etc. It's a terrifying true story. And this is a six-part drama showing Sunday and Monday nights dealing with that whole situation, which was embargo, which is why we couldn't review it. So what is our pick of the week? I'm torn between Bunny Monroe and Malice. Right, okay. So it's a really tough week because I think they're all good and I'd recommend everyone watch them. But I'm going to go for Malice because I thought it was really great to see Jack in a different way. Yeah, I think Malice I enjoyed the most, I have to say.

1:42:44That's most entertaining. Yeah, in this special Bad Parenting week, I'm going to go for that version of Bad Parenting over the other two. Can I abstain? No, you can't. You can't. You love all of them. I will not be watching any of them. Which one did you enjoy the most then? Which did I enjoy the most? So while watching, probably Malice, but once I'd finished it, possibly Summer Water, because I felt when I got to the end, I understood what was happening, where I'd been utterly baffled for the preceding 50 minutes. Okay, pick the answer. Yeah, that's my answer. That's how we do it. Next time we do an in-depth analysis of each show.

1:43:20It doesn't matter because you both voted for Malice, So Malice is the pick. He did the maths. Yeah, I don't need to do any of my democratic rankings. It's a democracy. Yeah, exactly. Sometimes. Sometimes, when it suits me. That's it for this show. Please do leave us a five-star rating. We really very much appreciate it. Whether or not you are the editor of Slow Horses, feel free to leave one either way. Oh, yeah. Please review us, Robert Frost. Yeah, absolutely. In poetry, if you can. On next week's show, God, what are we going to be doing next week? Let's have a look. The Beatles Anthology series is on Disney+.

1:43:51Netflix obviously will be holding a certain little show called Stranger Things I don't know if you heard of that one but that will be embargoed I can guarantee you that what else is happening Bay of Fires is on ITV we'll see ITVX ITVX sorry sorry I forgot the X and I don't know what we're doing on Pilot Plus either but I'm sure we will come up with something stuff yeah stuff things and stuff okay fine that is it then for this week's show we're off to book the Pilot TV holiday to summer water woohoo Pilot L Bye very soon.

From the publisher

Pluribus showrunner Vince Gilligan along with stars Rhea Seehorn and Karolina Wydra all piled into the Pilot TV studio this week to talk all about Apple’s excellent new sci-fi series (0:00-30:12). Then, James, Kay and Boyd embarked on a trio of shows about terrible parenting in Prime’s manny from hell thriller Malice (1:08:31), Channel 4’s vacation nightmare Summerwater (1:18:20), and Sky’s lothario-at-large series The Death Of Bunny Munro (1:30:30).

(Episode 363)

Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

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Malice, Summerwater, and The Death Of Bunny Munro. With guests Vince Gilligan, Rhea Seehorn and Karolina WydraPilot TV · 1 h 44 min
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