In short
A mid-season checkpoint for Alien: Earth, focusing heavily on episode 5, “In Space No One…”. Guests debate whether the show is “Alien enough,” praise episode 5’s horror/spacecraft structure, and discuss the series’ new monsters, corporate politics, and character arcs (especially Boy Cavalier and Morrow).
Guests (backgrounds)
Hello Nohara (co-host/reviewer), James Dyer (wrote a five-star Empire review of Alien: Earth), Sophie Petzl (generally likes Hawley’s Fargo but found Alien: Earth emotionally distant; prefers more “grounded” ITV-style engagement).
Key claims
Episode 5 is “the best alien content since Aliens,” bravely placed mid-season. The xenomorph is less central than other lifeforms (notably an eyeball/body-hijacker and leech/water-squirting creatures). Boy Cavalier is an “unmitigated prick” tied to the spaceship crash. Morrow is cold, single-minded, and emotionally driven by loss.
Notable examples
the eyeball taking over a body; creatures squirting tadpoles into water bottles; blood-vomiting visuals; synth-vs-alien targeting questions; needle drops (Jane’s Addiction, Metallica, Cherub Rock).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOInitial Reactions to Alien Earth
0:45 to 2:32
Hosts share their thoughts on the Alien Earth series and its characters.
“You can draw your own conclusions and connections from there.”
Sophie’s Disconnection from the Series
2:32 to 3:44
Sophie expresses her lack of emotional engagement with the series.
“And a lot of my friends, there's a breakthrough.”
Diverse Perspectives on Alien Franchise
3:44 to 6:32
Discussion on the varying opinions of the Alien franchise and its impact.
“I think that's the advantage here, because there's so little mythology that's canonized by this series, because most of it is incoherent bullshit.”
Episode Five Analysis
6:32 to 10:20
Deep dive into the themes and characters presented in episode five.
“So that's why I'm not going to come at this show and say there are things that are wrong or bad about it because I think it's really, really well made.”
The Evolution of Alien Storytelling
10:20 to 14:01
Exploration of how the show redefines what an 'Alien' story can be.
“And I think it's incredibly brave to put it in the middle of the series and not just have that be your episode one, because I think it's so much more interesting.”
Exploring Alien Dynamics in Episode 5
14:01 to 17:33
Discussing the new aliens and their intriguing behaviors in the latest episode.
“No one would ever have said, I want what he delivered.”
Character Dynamics and Themes
17:34 to 24:48
Analyzing character interactions and themes like manipulation and intelligence.
“Because they're really tiny and it was a big ship.”
Critique of the Show's Direction
24:49 to 28:00
Discussing the show's approach to horror and character development.
“and then just twist each one of them ever so slightly.”
Discussing the Show's Dark Tone
28:00 to 29:20
The hosts explore the unsettling elements of the show and their impact.
“But I think it's deeply fucked up in the way that a five-year-old telling you the same thing would be fucked up.”
Character Dynamics and Reactions
29:20 to 31:20
Discussion about character reactions and audience engagement with the plot.
“And I know some people have tapped out after two or three episodes and thought episode four was a dud, and Sophie's here.”
Show all 17 chapters
The Role of Synths and Their Significance
31:20 to 33:20
The hosts analyze the synth characters and their interactions in the story.
“You know, there's no sort of, you know, dead naming him or whatever here.”
Exploring the Alien Lore and Plot Connections
33:20 to 36:20
The conversation delves into the lore of the Alien franchise and its implications.
“I'm just going to say, because I'm intrigued by where you guys think this is going, because there are meant to be multiple seasons of this.”
Corporate Motives in the Narrative
36:20 to 40:00
A discussion on how corporate motives drive the plot and character actions.
“She knew it enough to make that the priority over everyone's lives on the ship.”
Thematic Elements in Episode Five
40:00 to 42:01
Analyzing the thematic work and emotional resonance of episode five.
“is that it was Cavalier who had orchestrated this crash.”
Thematic Analysis of Episode Five
42:01 to 42:42
Discussion on the thematic elements and corporate dynamics in episode five.
“I did appreciate and admire the thematic work going on in episode five where you've got the grunts, which I liked about the original movie with these are truckers.”
Character and Corporation References
42:42 to 43:21
Conversation about the characters and brands featured in the series.
“It's been kind of like a trend running through the good installments of this series.”
End of Segment Reflections
43:21 to 43:31
Hosts reflect on their experiences and interactions throughout the podcast.
“I've been podcasting for five hours straight.”
Transcript
Automatic transcript. May contain errors.0:24Chris Hewitt:This podcast is brought to you by Chris Hewitt.
0:30Chris Hewitt:surprise. This is something that was unplanned. This is a mid-season checkpoint for Alien Earth, in which we will be talking about the show to date, but I guess also specifically episode 5 of Alien Earth, which is entitled In Space No One... You can draw your own conclusions and connections from there. And joining me to talk about the show and that episode over the next 45 minutes or so are three colleagues of such lethal cunning, none of whom have drunk from each other's water bottles, at least. Oh my God. I hope not. I have a water bottle here on the desk. Me too. Do you? Yeah. All right. Oh God.
1:07Chris Hewitt:I wouldn't touch it. And it looks rather similar to the one. Sales of water bottles have plummeted since episode five hit Disney Plus yesterday. Anyway, those three colleagues are, hello Nohara. Hello. James Dyer. Hello. And Sophie Petzl. Hello. Hello. Welcome, welcome, welcome. two of you were not on the first Alien Earth spoiler special Sophie and James James you wrote the five star Empire review of the show so I think I know where you stand Sophie where do you stand real quick before we get into this episode in particular I think I've realized that the Alien Cinematic Universe is not my oeuvre really okay and I think that actually has a fairly big impact we've not been sharing water bottles James was feeding us sweets out of his bum hang on that sounds weird to be clear my bum sweets are bum sweets in the same way that in Ferris Bueller they're like would you like a gummy bear they've been in my pocket so they're all soft he didn't produce a string of pearls I basically went to the post room no I didn't do that I grabbed a handful of pick and mix and shoved them in the back pocket of my jeans and that's where they've been the skittles are warm the post room here has pick and mix yeah don't ask me why I don't know why they do have pick and mix in the post room I don't know why so they start vomiting blood yes so they've been Every possibility.
2:23Chris Hewitt:Bum sweet. Okay. Why is it not your oeuvre? Oh, God. So there was a lot of hype around this. I was quite excited for it just because it's a sci-fi, horror-y kind of thing. And a lot of my friends, there's a breakthrough. A lot of my friends are talking about it. They all really, really like it. And I found myself just quite unmoved by it. I have no real problem with any of it. I can't really, you know, Noah Hawley is sort of an acquired taste. I love his Fargo. I didn't love Legion. I think sometimes this sci-fi stuff for me is kind of high concept-y and weirdy-woo. And I find it kind of difficult to emotionally engage with it.
2:58And I think I had that issue with a lot of this. But mostly I felt that there were moments where I felt, I think I'd be enjoying this a lot more if I gave a shit about the alien stuff. I really like Alien 1 and I like Alien 2. And other than that, I think the universe is quite shallow and superficial. And I'm sorry, I'm sorry, I'm sorry. I feel the way about the alien cinematic universe. I think a lot of adults feel about Marvel. They're just like, oh God, it's all just insipid and silly. And so, yeah, I feel like there'd be a lot of moments where I'm going, oh my God, it's the xenomorph, or it's the facehugger, and they use the music, and all the cameras doing the same thing, and look, it's a human being in the suit.
3:33But that doesn't do anything for me, and the synth stuff is not my... Yeah, so I just wasn't that keen.
3:40Chris Hewitt:I think that would be controversial if most of the Alien franchise wasn't shit. It is, yeah. That is where we are, I think. I think that's the advantage here, because there's so little mythology that's canonized by this series, because most of it is incoherent bullshit. But really, just the first two films are the only ones you really need to care about. And they're very light on what the wider kind of universe structure and the politics and the corporations are. And I think that's what's allowed Hawley to kind of go deep on all this. And almost, he's basically creating mythology from the ground up.
4:10The only thing he's keeping is the alien life cycle. Like, that's really the only thing. And the aesthetics, right? Yeah. And everything else, I feel like he's doing off his own back. this kind of five-corporation super-capitalist structure, all this stuff about Earth, the fact this new Siam thing where prodigies place. I love all that stuff because it feels new, but it also kind of seamlessly slots into alien and aliens, the only two that matter. So I really like it. So I'm not sure you, you know, you don't need to know anything really or love anything. Maybe I'd appreciate it more if I understood that that's what he was doing as well.
4:37I had to do a bit of Googling because I knew about Yutani and I know that some guys wear T-shirts that have Weyland Yutani on. So that corporation is the only one I'm really familiar with. Are you?
4:45Chris Hewitt:I'm genuinely wearing a Stronghold t-shirt right now. I was like, oh, I know this name because I see guys wearing that t-shirt. I'm like, cool. That's me. But that kind of Noah Hawley sci-fi weirdy woo stuff, again, just it's not. I feel like. I like the weirdy woo stuff. I need these sort of, I need some boring basic ITV stuff to like engage in. No, I do. And everyone is either some weird freak or hateful. And episode five, I sort of hated all of them. It's like, God, they're either all just, apart from Baboushi Say, who I've... Love him. Love him. This tells you everything about me that I feel like, oh, I've seen him in some plays, and I've also seen him as Richard Taylor in the Damalola Taylor drama on ITV.
5:29So not Wolf, not any of the other major things he's been in, but just the ITV stuff and the Royal Court Theatre. But other than that, everyone's just a weird freak. And I couldn't quite figure out what, is this a direction thing? Everyone's performing in a weird way. isn't like terribly freaky.
5:46Chris Hewitt:Who's Essie Davis? She's someone called Dame Sylvie. I think she's more... A mum figure. She's a therapist. She's a scientist. The one who lost all the specimens? No, no, no. Not in episode five. Like in back with the lost boys. Oh, yeah. But yeah, because the other guy is a weird freak with freaky hair. And then the boy, boy Cavalier, is a weird freak. Yeah, that's fine. He's 100 % a weird freak. I like the weird freakiness of it. But I think you're right. because even our lead character in this, we'll get on to episode five. A starry freak. Yeah, Sydney is a child in a woman's body who is slowly beginning to come to terms with that.
6:26Chris Hewitt:And so there's a lack of Ripley's to hang your head on. Yeah, and I think I miss that personally. So that's why I'm not going to come at this show and say there are things that are wrong or bad about it because I think it's really, really well made. I find anything that's over an hour and ten minutes that would have been really difficult. And also because Noah Hawley is not a sort of rip-roarer. He likes to slow burn. So there are a few things working against my tastes here. And I think James Lawther is the hermit, is the character I can latch on to. Because he's the most likable normal. Yeah, because he's my ITV guy.
7:01And then he's in hospital for one whole episode and he's not in episode five. Sorry, episode three? Or is it four? Yeah. He comes out at the end, but yeah.
7:12Chris Hewitt:Yeah. To be threatened by Ade Edmondson. Because even when they, again, it's the child in an Alex body, I'm not connecting to her. I'm not really feeling, even Babu Sissé, who I again feel, I can't remember his name either. He's Moro. He's Moro. Why am I here? People who listen to this, where the fuck is she? Does she have a job? I do. It's not remembering names. Your job is not to remember names. It's to make up names. but Moro they give him some kind of grounding with the flashbacks of the daughter that broke my heart actually that bit where he sees that he's been sent by notified by a really dispassionate inhuman facts space facts that your that your daughter has died at 18 in a house fire and that that gives such depth to a character who is weirdly I think straddling that line between protagonist and antagonist hero and villain and in this one it's again I don't know how to categorize him he's the best thing in it I think he is followed closely by Ade Edmondson who I'm convinced is doing a version of Claude from The Apprentice which I'm convinced that's who he's doing take your word for it but yeah Helen I love this show I absolutely adore this show I think this is the best and I hate this phrase I hate even as I said I'm going to hate myself for it the best piece of alien content since Aliens.
8:45Chris Hewitt:Did you say alien thing? I think it is. And I think that episode five, I know Sophie wasn't that wild about it, but I think episode five is the best alien movie since Aliens. I think it's incredible. I think it is. I think it's a weird one for people to have glommed onto in this show, though. Like, people are going, this is what the show should have been all along. And I'm like, it's literally called Alien Earth. Why is the spaceship episode the one that you love? And I feel like that is maybe be suggesting that this has more of an uphill battle than like we were in three of us were pretty much in from for minute one james and i had a big debate about is it four or five but we didn't have six but we didn't have a debate about is this good or not but i think you know for a lot of people it was just not alien enough there wasn't enough of that iconography for people to maybe attach to i'm saying there are people out there i don't get it last week episode four when it aired on Disney Plus, I saw a whole bunch of really negative reviews of it on things like places like IGN and Forbes and whatnot.
9:46Chris Hewitt:I just could not believe, I couldn't reconcile what they were seeing and what I had seen. Yeah, that's kind of my thing as well. I feel like it's very alien-y. I think a lot of the grammar of it and sometimes the pacing, definitely some of the characters are very alien-y. Even if it's doing this weird, you know, Lost Boys thing and it has its own different feel. I think a lot of that feels very grounded in alien-iness to me. And so I just, I don't, fundamentally I'm on a different wavelength, I think, to a lot of those people who are saying it's not alien enough. And only episode five is the only bit they'll accept.
10:18Episode five is great. I loved it. I thought it was incredible. And I think it's incredibly brave to put it in the middle of the series and not just have that be your episode one, because I think it's so much more interesting. We're not invested in what's happening on Earth, and this just gives context to some of that. it's not a way of you know kind of cheaply fixing our attention and going oh this is going to be so alien you guys well there's a hint of that because it obviously it begins with it as well it does begin with it but that's like very much set up at the beginning of episode one and it's like what five minutes ten minutes you know to put this in episode five when we're now invested with the Lost Boys and everything happening on earth is a better move because I think it would have been a fundamentally dishonest one to make this episode one and I like that they didn't but it now gives us a bit of context and background for that.
11:07Chris Hewitt:Country text. I think I can't help myself even if it's an alien show I can't help myself. But I think that by delaying it to episode 5 we get a chance to see what those freaky dinky animals the other aliens are capable of in the previous episodes so that when they get loose on the Maginot we're like oh fuck the octopus thing is out. You're fucked. And we also know now that Boy Cavalier the twist of Boy Cavalier being directly responsible for the spaceship crashing in his city that's a nice little wrinkle as well we've got to know what an unprecedented unmitigated prick he is over the last four episodes or so Jimbo where do you stand?
11:47The Musk the Musk analogy that he is it's funny I didn't feel the same way that you felt about it I get when people say it's not alien enough and I think it starts on the match specifically so it sort of almost lures you in with that. Hey, look, it's Alien. It's exactly as you remember it. It looks exactly the same. We've got almost the same archetypes of our characters. You remember this. And he uses really Scott's slow dissolves when it sort of transitions from scenes as well. And then as soon as we get back to Earth, it becomes much more Noah Hawley. And I don't think it's sort of like Weirdy Woo, like not Legion level, which genuinely is weirdy woo.
12:23But I actually found it quite grounded. It definitely has a weirdness to it. And I think it's amplified by the kind of crazy things he does, like the needle drops that he does, sticks in Jane's Addiction and Metallica and stuff like that, which is wild. But also, the fact that Ice Age 4 is canon in this universe now, which is insane to me. But I love that it uses the alien as a kind of bit part player in this show. It's not a big part of this series. It's kind of part of the narrative spine that runs through it, but it's not essential to it. To a certain extent, I think the other aliens, the other creatures, the other sort of flora and fauna that they've picked up, are more interesting than the xenomorph, especially the eyeball that we've mentioned and that features in this particular episode.
13:04Partly, and Hawley said this himself, because we don't understand what is their life cycle, what do they do? You know, the fact that it squirts tadpoles into the water bottle and then they eat him from the inside out, it's horrific, the fact that the eyeball gets into their skull and takes over their body. Like, it's just upsetting and it gives you levels of body horror that, frankly, none of us have been shocked by since the original Alien. And I think all that stuff is wonderful. So, I like that this has a kind of an aesthetic feel and a tone that feels somewhere between Alien and Aliens. And I think it's more successful than Fede Alvarez's attempt to do the same thing, which is very much an aesthetic and it's slightly clunky, it's less subtle.
13:42I love the way he did this. I really do. But when people say, oh, it's not Alien, what did they want? Did they want it to be eight hours of just running around a spaceship being chased by? Because I'd say that'd be really fucking boring. And I think, you used the Andor thing and I mentioned it in the review as well, I think nobody, when Tony Giorgis was making Andor, if they said, what do you want from that? No one would ever have said, I want what he delivered. But fuck me, did we want that? And I feel this is the same thing. No one was asking for this, but I'm very glad that we have it.
14:12Chris Hewitt:Yes, I would agree with that. A couple of things about the aliens, before we talk about the episode in more general terms, the new aliens, and of course, the title of the show, Alien Earth, I think we're now moving past the idea of equating Alien with the Cenomorph although I still think the Cenomorph is a major major part to play in this show moving forward the Alien now refers to every other freaky deaky weirdy woo shit that they found or whatever weird fucked up planets they were going to the octopus eye monster thing is for me almost becoming the big bad of the show and there was something really interesting in episode 5 I don't know if you guys concur or not he's directing the other creatures.
14:55Chris Hewitt:That's really... He taps into your brain to then fuck up other shit happening. I immediately ascribed the very toxic masculinity attributes to it. I immediately called it a he. He started directing the other creatures because the little creatures that get out of the cage. I fucking know. I can't think of words. The cockroach-y. The cockroach-y things. Thank you. Archibald leech they get out and they squirt themselves into the water that's another technical term they do so in my reading because the eyeball monster is directing him to do so what the fuck is going on there I'm not sure I did pick up on that first time but I definitely did second time I don't think that I read that it was directing I definitely think it was communicator so if not directing at least suggesting like pointing out pay attention do you know what I mean because it feels like it has an intelligence way beyond its appearance Yeah, even when it's a sheep.
15:53Yeah, and it's cunning. That sheep is terrifying. Yeah. For some reason, I thought the little octopus eyeball was trying to warn her that the leech was behind, the woman, the leech was behind her in that moment. Oh, really? For some reason. Because then when it attacked the xenomorph, or it seemed to attack the xenomorph, I thought, oh, maybe this little octopus is on people's side. Oh, that's interesting. I thought it was calling the xenomorph at one point. Because then it fights it. Yeah.
16:18Chris Hewitt:I think it was at one point, because it does attract the attention of the scenomorph when it's possessed Michael Smiley, who, by the way, had a really, his character is Shmuel, which is not a Northern Irish name that I'm aware of. But hey-ho, I'll let it go. Sci-fi Northern Ireland. It's weirdy-woo. Weirdy-woo Northern Irish. So I think it does call it initially to use as a weapon. And then when that doesn't work out, then it's like Godzilla versus Kong. let them fight. I think it's one of those situations. So I don't know what the fuck's going on with this. I still have what he's saying. I've seen the next episode.
16:57Chris Hewitt:I'm not going to allude to anything I've seen in the next episode. I haven't seen anything else beyond that. I haven't seen the last two. But I think that that little tentacly bastard is really interesting. I do have a slight question about the life cycle-y stuff, which is, are we sure they're all on the island right now? because they were very small on the ship and a lot of them got it out. Are we definitely sure they've got them all? Like, I guess we are from a storytelling point of view because we can't have these things running around on Earth for the next several hundred years if the cannon has any meaning at all.
17:33But are we sure? And how are they sure? Because they're really tiny and it was a big ship. Well, I know what you mean because we know how many different specimens there are but we don't actually know how many of each thing. And as you say, if it was populating into a water bottle, where else are there eggs like the water bottle could still have some stuff in it and also like the ones that then like turned into little maggoty things in his stomach like they weren't on the manifest they were not on the manifest yeah they don't know if they have them all I'm just saying well that got his island uh Alex Lothar also vomited blood didn't he oh no well they they operated him and taken his lung out he did oh yeah but he was stabbed yeah but it was the same visual image it was the same language oh no They shot him vomiting blood in the same way that they shot the kid vomiting blood.
18:20Chris Hewitt:I think if there was something inside him, they would have detected it. Or it would have been dealt with by now. So maybe it was just a bit of visual poetry. But I thought when I saw the engineer kid puke blood, I thought, oh, that's the same thing that happened to her hermit. I've got no loyalty to the alien cinematic universe, so I'm not sitting there going, I wish there was more alien stuff. weirdly I thought I did really I enjoy the bits that are kind of action packed and have a bit more kind of stakes and energy to them but I found even though I can admire it and I think it clearly is very in-depth world building from Hawley I find the synth versus cyber evil corpo stuff a bit Prometheus all that stuff I I never really, I never took away from the movie Alien.
19:17Do you know what I want to see? I want to see like a kind of corporate cyberpunk dystopia Blade Runner thing about like robots. Who doesn't want to see that? And so all the business around robots and the ethics of robots. And at one point he quotes Asimov and I just sort of visibly twitched. I think he means Clark as well. Yeah, misquotes. Right, because I was like, do not quote the greater gods. Like this is, this all comes from a really fun, like elevated B movie where people run around running from creatures and it's an incredible piece of filmmaking and what fun to watch and I sometimes feel when they try to go deeper it stretches it for me.
19:50Chris Hewitt:I want to see them fucking each other with a goddamn percentage. That's what I want to see. I like that show. I'm quite enjoying all the cyborg versus synth versus, what are we calling them? The hybrids? I love the conversation between Oliphant and Cissé when it's basically who's the better model of artificial being. I thought it was so funny. I'm very, very much, I mean this will not surprise you You know, I'm very much enjoying Kirsch still. I just think he's so over everyone around him. He is so like, Jesus Christ, will you people calm the fuck down? I am trying to work here. I have interesting things to look at.
20:26They're weird and they might kill people around me, but they're really interesting. Get the fuck out of here. I just love him. He's amazing.
20:33Chris Hewitt:Yeah, I think his agenda has yet to be revealed. Totally unclear. He may be very evil. You know, I love that. Both him and Morrow, neither of whom are what you would call heroes, I'm super invested in. Yeah, I said in the first show, I was like, I'm just obsessed, what the fuck is Kersh's deal? I don't know what that dude's deal is. And was it episode three or episode four where we see that he actually is aware that Morrow has burrowed somehow into Slightly's brain and is aware of that and doesn't raise the alarm bells. Well, because he's getting valuable intelligence, isn't he? What is going on there?
21:12Chris Hewitt:What is going on with Morrow? He even looks like that guy from Blade Runner. Is it Batty? He does look like Batty. Batty. So, yeah, maybe it's all that. Maybe it's a crossover. There's your ITV BBC link. This is a sequel to Last of the Summer Wine. Oh, my God. Yeah, I'm very much taken with this show. The Isaac Asimov misquote, that boy cavalier misattributed to Isaac Asimov, that caused a bit of a shitstorm in last week's Twitter and social media platforms where people were going, this is outrageously sloppy from Noah Hawley. How dare he misattribute this quote to Isaac Asimov. We all know it was Arthur C.
22:01Chris Hewitt:Clark who said it. And it's like, did not enter your head for a second that that might be deliberate. But it seems very on brand. Oh, yes. He has a whole thing about the boy genius is not, in fact, a boy genius. Yeah, we've not seen him be clever once. That was one thing I noticed. We've not seen him do anything really... We've not seen him say a lot of sci-fi techie words. We've not seen him with his hands in wires. We've not really seen him be a genius. And sometimes I kind of found that challenging. Other times I was like, well, clearly that is the point. I mean, I didn't know that was a misquote at the time.
22:33but usually if you want people to know it as a misquote, you might sort of raise it in the text somehow. Like somebody raised an eyebrow, but nobody does, so I wouldn't know. But I don't know, maybe I'm basic.
22:43Chris Hewitt:That's why people are thinking that maybe it was a mistake, but I wouldn't be surprised if they come back to it at some point. Yeah, I think if it's not a mistake, they probably will. Who else was there at the time? It wasn't Akir, who might have corrected him, right? Or Adrian Edmondson. I'm not even sure Adrian Edmondson would have corrected him you know like Claude in The Apprentice he's the ultimate yes man yes Alan great idea Alan wonderful Alan yes lovely you've never seen The Apprentice no I've seen The Apprentice but not enough to know who Claude is Claude is was Lord Sugar's bald right hand man oh I remember Nick and the other one yeah when Nick left Claude came in and then Claude had a biking accident and left yeah but he's in his 70s he's fine now He's okay now.
23:32Chris Hewitt:Yeah. They can rebuild him. We have the technology. We certainly do. But yeah, I was just, I was really, really taken by episode five. And yes, I know that it could be really reductive going, oh, yes, I'm the alien fan is wearing this Dromo t-shirt. This feels like a Mromo episode. Yeah, it's great. But it's the new elements of the show that are really, really impressing me. And as I said last time around, when the alien does show up, it's scary again. And that's a hell of an achievement because for a long time it wasn't. But it is the new stuff. And the new characters as well. I'm quite sad that we're not going to get more of Michael Smiley unless it's another flashback episode.
24:11Well, at least we did get more of him because I thought we'd only seen him for the beginning of the pilot. And I was like, oh, that was a brief little cameo. So nice that we got to him. But I think that fifth episode is amazing for so many reasons. But to do this show at all is an incredible swing. You know, talk about taking a risk. To actually do a show based on Alien. when so much could go wrong and so little is likely to go right. You know, that's a hell of a thing to do. And then to do this episode where you are essentially aping one of the greatest horror movies ever made and trying to make it scary again.
Read the full transcript
24:42Like, the balls on this guy to actually... And then to fucking pull it off is quite extraordinary. And to take those alien archetypes and then just twist each one of them ever so slightly. Because it is, broadly speaking, especially when you see them in the first episode, you've got, like, the grousing engineers, they're smoking over breakfast. because it's basically Alien. And he takes each character, and he tweaks the archetype ever so slightly. You've got the creepy kind of Me Too guy. So creepy. So creepy, who they get killed by the alien, who's staring at the girl, watches it hypersleep. But also, who has that useful piece of information, which is that not everyone who's theoretically in cryosleep is necessarily in cryosleep at all the times you think they are.
25:19I mean, that's a key, key thing that he only knows, because he is being just the worst.
25:24Chris Hewitt:Well, see, the fact that he is just the worst, and the fact that he is someone who observes them and when everyone's in cryosleep, he's around to observe them. I thought he was a synth. I think that's deliberate. He's got big Ash energy. Yeah. Though, I think Hawley said he likes the people speculating, but to him, he was always just a creepy guy. But the fact that the alien takes him out would mean that he's not a synth, right? Because the aliens, by and large, they can tell the difference and they know not to... I'm wearing this wrong with T-shirts. Tell that to Bishop. That's true, but Bishop was...
25:54Chris Hewitt:was the Indian Queen was justifiably mad yeah it was just very cross she actually I think oh yeah Indian Queen girl boss yes Queen you've yesified the Nostroma anything else you want to talk about it doesn't have to be from episode 5 it can be from episode 3 4 2 1 I enjoyed the Morrow manipulate enjoyed is the wrong word I thought it was effective when Morrow was manipulating Pearl Slightly. Yes. And I thought the bickering between Slightly and Smee was so childish. People have bumped on this. They've said it's ridiculous. It is so brilliantly kind of lower-end teenage kind of tween antics. And I really bought into it.
26:42I really did. I think Jonathan Ajayi as Smee is fantastic. I really did. They perform it really well. Yeah, like a lot of the performances of adults playing children, and that sort of Blue Remembered Hills thing is really, really good. I think the side effect for me personally is I can't really connect. It's kind of like watching Stranger Things. It's, well, better. But like, they're kids and I'm like, oh, cool. So I'm always just sort of my radar is ping-ponging, looking for the normal person, the Ripley, that I can sort of latch on to. I will say what I like about them is they're not that, what's the trope called, sexy born yesterday.
27:22day oh see i think there is a lot of the sexiest people in the world are here yeah yeah no but not i don't think they're playing that with with wendy particularly or the lost boys i'm seeing it obviously i'm seeing it with kirsch it's timothy elephant but like not not generally i don't think the kids are particularly sexualized no i agree in a way that i do you know what i mean and i i was worried about that because like sydney chandler is is beautiful and there is the you know you could have had some really awkward shit go down with that. And instead, when one of them announces she's pregnant, they're all like, okay, something's going wrong with you.
27:57This is weird. That's creepy as hell. Deeply fucked up. But I think it's deeply fucked up in the way that a five-year-old telling you the same thing would be fucked up. It's fucked up because that's impossible and inappropriate and because none of them are...
28:10Chris Hewitt:But the five-year-old can't jump 20 feet and get up on your grill. Yeah, exactly. I love that. I love the menace behind them. I don't know where it's going I mean this is one of the great things about it I've got two episodes left to see someone in this room may have seen all eight but it's not going to reveal anything I was saying nothing this is why I'm being very careful when you said do you want to talk about anything else I'm like did it happen before episode five Nick today was like have you seen because Nick's seen all eight as well and he was like oh have you got to the bit where I'm going to shut up shut up but I don't know where a lot of this is going I don't know what the end game is with the kids You know the lung?
28:48Like, what's his face? Hermit's lung. Yeah. What's happened with that thus far? It's been infected. It's been infected. Alien has burst out of it. Okay. So the whole language thing has come up. Yes. The principle of her potentially communicating with them has been established in episode four. Yeah, because that whole aspect on paper is so fucking stupid. And it's like, oh my God, shark jumping territory. And yet it is executed so well that they've taken something deeply stupid and made it work brilliantly.
29:15Chris Hewitt:Applying something new to the old and familiar. And taking risk, not pulling it off. Yeah, it's goofy as hell. And I know some people have tapped out after two or three episodes and thought episode four was a dud, and Sophie's here. Representing those people, in a way. I feel bad because it's not one where I can sit here and laugh and go, it's so bad. It really feels like a taste issue for me. It's so clearly well made. I mean it's yeah there's nothing beautifully shot wrong with it I got bored in three and four if I wasn't here I probably wouldn't have kept watching I enjoyed five a lot more but I'll probably finish it now because I'm doing you're at this length come on you might as well do you know what I love I love the recaps the recaps in inverted commas the way they're just kind of like very short little mood pieces where they're just eerie sound effects and just flashes little flashes of things that happened are great the guy like who's constantly steaming something in the corridor?
30:17You know, at the Prodigy's base. You know, the guy in the corridor in the suit.
30:23Chris Hewitt:Yeah, okay. Oh, yes, yes, yes, yes. And that's like before the alien even gets there. So I guess it's just like, you know, I don't know, mold or plant life or something. No, I think they talked about that because it's New Siam, it's Thailand, it's a very humid environment and I think you talked about the idea that there's just mold growing on things. They're constantly having to kind of like... Okay, that's good because I thought it was something like that but it's a symptom that like I mean just visually like it's obvious all is not well in this place already even before the alien comes but I'm sure nothing will ever go wrong in this island and everyone's going to be fine and if I were Adrian Edmondson I wouldn't be worried at all well interestingly with Adrian Edmondson he appears to be a synth is he?
31:05no it's not so how why do you think he's a synth the bald one
31:09Chris Hewitt:episode 4 and I hadn't picked up on this I saw episode 4 again there's a moment where Boy Cavalier and I can't even remember the name of Adrian Edmondson's character I'll just call him Claude he's not called Claude he's called Adam Adam Ainz even that indicates that Cavalier's given him his name anyway there's a moment where Boy Cavalier the most hateful character in all of TV and film is standing outside he's such a fucking idiot he's standing outside the lab and he's standing with Claude from The Apprentice and he throws the ball the same way that he did in episode one or two he throws a ball at Sydney and she catches it super fast and he bounces a ball off the wall and Claude from The Apprentice just catches it without even looking and that's to me that's a tell that he is a synth also the fact that he's super cold and super logical I think there's hidden depths to that guy I thought he was just a dickhead I think he's a dickhead but he's also a synthy dickhead that's also why I struggle with it because a lot of the time with these characters I'm like are they a robot or are they just a twat or are they dancer I just don't know but if he's a synth and he's a dickhead then maybe just for it to mix it up and keep things interesting Kirsch will turn out to be a synth and not a dickhead I like Kirsch I do too yeah I wonder if Kirsch might be not the saviour but yeah he might turn out to be one of the good guys I'm probably massively wrong he's got he's being like you know Isaac tells him he wants to change his name to Isaac and he immediately accepts his new name.
32:45You know, there's no sort of, you know, dead naming him or whatever here. So I think that's a good sign.
32:51Chris Hewitt:But he's very coded, isn't he? He's very coded as a sinister mustache twirly bad guy. And I wonder if that might be too obvious. That's not what Hawley tends to do. But he also tends to kill a lot of... One time when Timothy Oliphant has played a bad guy. Come on. But Hawley also tends to kill a lot of major characters just brutally and without any sentiment. I'm not looking at James at this point. I'm deliberately looking down at my computer so as not to give away anything. Can I ask a question? I'm just going to say, because I'm intrigued by where you guys think this is going, because there are meant to be multiple seasons of this.
33:25Chris Hewitt:And as far as I can see, he's setting up a lot of characters to not be on the board should there be a season two. Where do you think it's going real quick and then? Why do I think it's going? I don't know. my feeling is like the plot is not moving at a rapid pace so i think if you're hoping for huge plot developments you might be disappointed at the end of this season i think i think there'll be a lot of people dead i've got no idea i've said this before i don't really think about tv in those terms i never try to work out what's going on probably because i'm too stupid but i just go along for the ride yeah i've got no idea i think i think presumably the brother sister thing has to has to play into it more that has to mean more like they've set that up and then alex author's been out of the picture for two episodes so i expect more from yes i expect that to drive the conclusion, but I've got no idea.
34:08I 100 % agree on that. I think that's probably where the maybe end might focus. I think it might be interesting. I mean, if they do kill off Boy Cavalier, not only will we all cheer, but also you set up some interesting questions about what does that mean for Wendy and the boys and girls, because they are secret inventions and they are not necessarily known about. And what does that mean? What does that leave them doing? So you've got an interesting kind of set, you're setting up something interesting there if he's off the board. And I think if you're going to deliver on alien earth, you have to keep the aliens alive and around a bit longer, but they've got quite a store of things to scare us with, it feels like, so they can do that, I guess.
35:00So yeah, I don't know where it's going. I am intrigued to find out and not let James tell me.
35:06Chris Hewitt:I will say nothing. Say no more. Sophie, what were you going to say? You had a question. My question was, it seems established, am I getting this wrong in this so far, up until episode five, that the synths are not openly targeted by the aliens. The aliens can smell humans. Was that established in any other movie? Has that been a thing? It hasn't, it hasn't. I mean, I don't think that they actively come after them. One of the things I'm going off is that so far in this, the flora and fauna doesn't seem to be reacting to Kirsch. The alien eggs with the facehuggers do not open in the presence of synths.
35:41Chris Hewitt:Or hybrids. So why are humans constantly going on these stupid fucking missions? Why not just send synths? It just feels like such a... It is real Jurassic Park syndrome and we've done it again, guys! But in this case, that comes down to the fact that the companies actively want the humans infected because they want to keep the population of aliens up. Oh, yes, of course, because they're all trying to make the biological web and they've never... Have they made it yet? I feel like there's been about 28 films. But also, this is a prequel, so none of the stuff we're talking about they know. But what's weird is that, like, Yutani Senior, the grandmother who sent Moro and the crew originally, did know something was out there.
36:20She knew it enough to make that the priority over everyone's lives on the ship. So at the very least, somebody's gone to a planet and just been decimated by aliens already. At the very least, there has been another crew wiped out completely and comprehensively, right? Seems like so, yeah. 60 years before, or something. But I think we probably, I think we know a lot more than they do about the ins and outs of it. Also, bear in mind, there's a dearth of synths. It's not like Kirsch is the only one that we pretty much know about, right, on the Prodigy base. I think Prodigy wanted these things, arranged to get these things, and I think he's very much portrayed as a heavily sort of neurodiverse, sort of slightly flighty, impulsive individual.
37:05And he wants them here, but he hasn't really thought it through. Yeah, I get it. Because these five, these kids, they're kind of an original. They're new. Yeah, they're brand new things. So you're not going to just fling. And right. And they're hybrids. They're a slightly different thing, but you're right. They're synthetic bodies who, in theory, because the alien eye, I always think it's driven specifically by function. like it doesn't kill synthetics largely because it doesn't see them as a threat it can't eat them it can't impregnate them so they're kind of irrelevant to it it'll kill them if they get in its way but broadly speaking it's very it's very goal oriented yeah it's there for the game yeah and same for the other creatures as well like it offers them nothing because it's synthetic although there's an interesting wrinkle on that at some point I did think oh none of them ever mention any of the other kind of figures or characters from other alien films so I had wondered at one point is this a prequel but I'd never recur to It's set two years before the 1979 film.
37:55So two years before the first film.
37:56Chris Hewitt:But that means that they've been, the Nostromo's been on a mission for a long time. Yes. Already. I have questions about that as well, because they talk about the 65-year mission that they're on, the Imagino. Yeah. Ripley goes on her mission, and she has a daughter, and then obviously there's a 57-year gap, but that's because Nostromo blows up, and she's floating in space, and then she's picked up 57 years later. How long was the Nostromo mission? I don't know how long it was out, but bear in mind, this is two years before the Nostromo gets to the distress call. The distress call reaches the Nostromo two years after this series.
38:31Yeah.
38:32Chris Hewitt:Okay. Maybe all will be revealed. Maybe Noah Hawley doesn't give a shit. I don't know. It might be like a Deidre being in an orphanage at 22 years old or something. Maybe, I don't know, maybe Alien vs. Predator is canon. And maybe Yutani knows about that because Charles Weyland got ripped to shreds by an alien and a predator probably. So, I mean, honestly, the funniest and most chaotic thing no Holly could possibly do is make Alien vs. Predator canon but not Prometheus or Covenant. Yeah, I don't think he's going there at the moment. There's no black goo. No black goo. We haven't seen any of that stuff.
39:09Chris Hewitt:There's some squirty stuff in someone's water but that's about it. Going to wrap this up in two seconds. Anything else you want to say about episode five in particular? Anything that stood out to you? anything you loved. Very quickly, I will say that if there is one slight criticism I have of this show, this episode, is that it makes the hunt for the saboteur not that interesting. It's a guy, it's Enzo Salenti, who we're introduced to briefly in episode one and not really at all until he reveals himself in this episode. Would it have worked more dramatically if it had been someone we were fully invested in?
39:45If he's meant to be asleep or, you know, if that's the understanding of everyone around him. You're discounting those people. Yeah, it's hard to see. Does it matter? I don't know that it matters because we're not that invested in any of the crew because we don't spend enough time with them in this. And we know they're dead. And we know they're dead, exactly that. I don't think it matters. The thing that matters is that it was Cavalier who had orchestrated this crash. And also what it sets up is that Morrow is so single-minded and cold-blooded. And there's a hint of that in the first episode, but it's really hardcore here.
40:14Even though he's not the highest-ranking Wehrling Yutani person on this ship, he seems to be the only one who's very on mission. Like, all he cares about are these specimens. They almost other him a little bit. They make him more android-like. Even though he's not, he's human, he's a cyborg, but he's a robot arm, right? But they almost make him Ash-like. He's almost following his programming, even though he's not synthetic.
40:39Chris Hewitt:But I think he's governed by great emotion. I think he's churning oceans in that man. And I think the fact that he has lost his daughter makes his interactions with slightly slightly more interesting because he knows how to talk to a kid and that's really interesting the idea that he goes to Yutani and says I'm going to kill boy Cavalier and then she says give him whatever he wants I think things are going to get very very interesting even if they are corporate shenanigans and fucking each other over for a goddamn percentage this is why I watch The Apprentice this is all coming together in the perfect Venn diagram of me I'm going to say real quick I love and I know there's some controversy about this I love the sort of hard rock metal endings to the show Do people not like that?
41:27Chris Hewitt:Some people really don't like it I love it That's not what Brady Scott did I don't care about the alien cinematic universe you see I don't mind it I love the idea that people are still listening to Metallica in the future and watching Ice Age 4 that feels like I don't know whether Noah Hawley has kids but it feels like somebody traumatized Is it the best Ice Age? I don't know. Children. This week ended with Cherub Rock by Smashing Pumpkins. Banger. Absolute banger. I was going, fucking get in. I've got a brief compliment, if you've got time for a brief compliment on this episode. It didn't land with me emotionally, but when I was sort of analysing afterwards, I did appreciate and admire the thematic work going on in episode five where you've got the grunts, which I liked about the original movie with these are truckers.
42:13I liked that you basically have a group of grunts in this episode deciding which of these enormous companies is going to get the upper hand because it basically becomes a fight about which company is going to get the specimens and there's a lot to which I just don't emotionally give a shit about that stuff which is a problem for me in this show but I thought it's really cool and clever and quite alien-y that this enormous corporate capitalist future is being decided by a bunch of grunts and aliens on this ship in this moment in time. I thought that was that's a cool idea. Yeah. It's been kind of like a trend running through the good installments of this series.
42:47Yeah. This sort of blue-collar adventure. I'm loving it. All right. They should do that at the end of an episode. They should. I'm loving it.
42:59Well, because they're on the menu, so it's kind of thematic and it's a big corporation. Like, it all fits. We don't know the names of all the corporations yet, do we? I don't know the names of all the characters. Well, I think it's an early episode where they list them. They did list them. Okay, fine. Yeah, they did. Pepsi, Coke. KFC. And Apple. But that's the thing. Yeah, they should have.
43:19Chris Hewitt:So fucking hungry. I haven't actually had lunch. I've been podcasting for five hours straight. I haven't had lunch. And I'm about to interview Malcolm McDowell. This should go well. All right. Well, on that note, I'm going to bring this to an end. It's been a lot of fun. I'm going to say goodbye to my three colleagues of such lethal cunning. Goodbye, Sophie Petzl. Goodbye. Thank you for having me. No, no. Pleasure. Maybe come back for the finale. Sure. Yeah. Why? But then Sophie has to watch the remaining episodes. But usually he's the one who pisses on people's chips, so it's good to think you've kept coming in.
43:49Chris Hewitt:I was like, I've got to be so magnanimous and not make this, like, it's bad, it's bad, it's not bad, it's clearly very good, I'm bad. Like Michael Jackson. Anyway, that's goodbye from James Tyre. What? That's goodbye from James Tyre, who's making a face. What are you doing? It's a thriller. It's a thriller. I understood what you were. Definitely, completely, yeah, anyway. Okay. Goodbye, James. goodbye Chris goodbye goodbye Helen O 'Hara toodaloo alright okay and it's goodbye for me Alien Earth Deconstructed The Search for Boy Cavaliers new business partner continues it's an apprentice reference oh was it yeah okay I'm wasted in this show thanks for listening see you next time bye
44:42Thank you.
From the publisher
Now that Noah Hawley's Alien: Earth has gone past the halfway mark of its first season by reaching its fifth episode, the glorious twist on Ridley Scott's Alien that is In Space, No One..., it's time for a little surprise as Team Empire crams into the podbooth and discusses both that episode, and the show to date. Join Chris Hewitt, James Dyer, Helen O'Hara, and special guest star, Sophie Petzal, as they do a deep dive into the show so far, and talk about what might be to come. Oh, and someone douses chips in you-know-what, and for once it isn't Jimbo. Enjoy!




