PLUS Heated Rivalry, and Stranger Things finale spoiler discussion

8 Jan 2026 · 1 h 5 min · 24 chapters

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In short

Review and discussion of Crave/HBO Max Canadian sports romance Heated Rivalry, plus a spoiler chat about the Stranger Things finale.

Guest backgrounds

This episode is hosted by Pilot Plus regulars Kay, James, Boyd (and others appear briefly via emails). Boyd is a hockey fan; James and Kay discuss TV/film and pop culture commentary.

Key claims

Heated Rivalry is a major pop-culture phenomenon because of convincing chemistry between leads Hudson Williams and Connor Story, a “forbidden” romance shaped by Russian homophobia, and explicit, celebratory gay sex. The show’s hockey action and romance are described as authentic despite modest budget, with slick production (including possible LED volume/CGI backdrops). Success is credited to deliberate, character-led storytelling rather than chasing “surface similarities.” Stranger Things finale is described as controversial for not killing enough characters and for its ambiguous ending.

Notable examples

Episode 3 is highlighted for shifting focus to another gay hockey-player couple; Episode 5 is cited as IMDb’s highest-rated TV episode of 2025. Heated Rivalry is said to be a six-parter available on Sky from Jan 10.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Overview of Heated Rivalry

0:45 to 2:35

Discussion of the Canadian sports romance series 'Heated Rivalry' and its background.

“Boydie, do you want to talk to us about heated rivalry?”

Cultural Phenomenon and Themes

2:35 to 4:58

Exploration of the show's cultural impact and themes of gay romance.

“it's adapted from a series of books by Rachel Reid, and there's a whole sense that there's a burgeoning growth of women, straight women, to use these reductive words, becoming obsessed with gay men.”

Character Dynamics and Authenticity

4:58 to 7:34

Analysis of the characters' chemistry and the authenticity of the show's portrayal.

“And these are, you know, it's not set in, they can't call it the NHL in this show because you have to have the rights.”

Narrative Structure and Sex Positivity

7:34 to 10:08

Discussion on the show's narrative structure and its explicit portrayal of sexuality.

“I mean, some would say the perfect place to watch it.”

Comparisons to Other Media

10:08 to 12:34

Comparison of 'Heated Rivalry' to other shows and its unique approach to storytelling.

“But before we broke up, I remember talking to him about it and he was like, yeah, yeah, when's it going to arrive?”

Final Thoughts and Banter

12:34 to 14:01

Conclusion of the discussion with personal reflections and humor about the series.

“Anyway, so I just, yeah, the sort of frantic, frenetic energy of this, of their desire, right, really appealed to me.”

Heated Rivalry Discussion

14:01 to 16:27

Exploring the themes and emotional dynamics of 'Heated Rivalry'.

“Boydie, your New Year's resolution is not to ruin everyone's shows.”

Postbag Potluck Introduction

16:28 to 17:56

Introducing the segment where listener emails about 'Heated Rivalry' are read and discussed.

“the 10th 10th yes of January yes exciting okay fantastic well it's a brand new year Kay a brand new year a brand new post bag ladies and gentlemen it's Miss Kay versus the post bag and we're going to do postbag potluck.”

Listener Insights on Heated Rivalry

17:57 to 19:19

Reading and discussing listener emails that highlight their views and recommendations for 'Heated Rivalry'.

“has ended up as IMDb's highest-rated TV episode of 2025, and second being behind Breaking Bad's...”

Exploring Production Techniques

19:20 to 23:27

Discussing the use of LED volume technology in filming and its impact on production quality.

“And they always make the wrong decision.”
Show all 24 chapters

Compositing and Visual Effects Critique

23:28 to 24:52

Analyzing the effectiveness of visual effects and compositing in films and TV shows.

“I think most people watching are not going to get hung up on this, right?”

Final Thoughts and Listener Engagement

24:53 to 28:00

Wrapping up the discussion with more listener feedback and reflections on the topics covered.

“So many different variables pull you out of stuff.”

Debate on Contestant Traits

28:00 to 33:03

Discussion about traits of contestants in a hypothetical game scenario.

“I mean, it's a fair point that I do absolutely love train and plane set stuff.”

Reflections on 'The Beast In Me'

33:03 to 34:39

Participants discuss their thoughts on the series 'The Beast In Me'.

“But now going to Annika, who says, Happy New Year, Bunch.”

Top Films and Shows Discussion

34:40 to 36:28

In-depth exploration of personal favorite films and TV shows.

“The second part of Annika's email says, Can Boyd, for absolute clarity, I love this, list his ultimate top 20 films and TV shows of all time?”

Hotel Tales and Cinema Experiences

36:28 to 41:26

A light-hearted exchange about hotel stays and movie experiences.

“Anika, we've kind of answered your question.”

Stranger Things Finale Spoiler Chat

41:26 to 42:00

A spoiler-filled discussion about the finale of 'Stranger Things'.

“because the second and third tranches of Stranger Things dropped over Christmas.”

Discussion of the 'Stranger Things' Finale

42:00 to 43:50

The hosts share their initial thoughts on the finale of 'Stranger Things', covering its reception and personal viewing experiences.

“because I know you are not a strange thing yourself.”

Mixed Reactions and Review Bombing

43:50 to 47:20

The hosts explore the backlash against the finale, discussing review bombing and the representation of LGBTQ+ themes in the show.

“I don't know why I'm getting into that whole thing, but business context, you know.”

Critique of the Finale's Pacing and Structure

47:20 to 51:00

A deeper analysis of the pacing in the finale, comparing it to 'Return of the King' and discussing the effectiveness of its character arcs.

“defined by either their sexuality or race or whatever, or gender, those things that take those moments as being so important that we have to overanalyze every single element of it.”

Visual Effects and Action Sequences

51:00 to 55:50

The conversation shifts to the visual effects and action sequences in the finale, discussing their impact on character development.

“And they'd said before doing this season that they wanted a Return of the King type ending where they wrap up the plot.”

Ambiguity and Character Outcomes

55:50 to 56:00

The hosts conclude with thoughts on character outcomes and the ambiguity in Eleven's storyline, reflecting on its thematic importance.

Stranger Things Finale Discussion

56:00 to 59:39

In-depth analysis of the ambiguous ending of Stranger Things and its themes.

“which the main characters in this show do with wild abandon and nobody seems to mind.”

Character Reflections and Future of the Series

59:40 to 1:02:31

Discussion about character roles, humor, and the future of Stranger Things.

“What did you imagine was going to happen?”
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Transcript

Automatic transcript. May contain errors.

0:07Welcome to Pilot Plus, your extended guide to every show that matters, and it's 2026. Now, this will mean nothing to you listening to this because you were listening to us on Monday, except we recorded that, even though it went out in 2026, in 2025. So this is actually our first gathering of the new year. Obviously, we'll get into more of the new year-y type-y discussion-y Christmassy chat on the regular podcast, but you, you people are listening to us for the very first time in 2026. Box fresh. Isn't that exciting? Box fresh. Boxing day fresh, if you will. Mm, indeed. Very good. Right, okay, we're here to review a show.

0:40I believe that's what we convened to do on this podcast, though frankly I have kind of forgotten. It's been a while. But we're here to talk about Heated Rivalry, and this is a Canadian sports romance series created, written, and directed by Jacob Tierney for Crave, which is a streaming service in Canada I have never heard of, but it aired over there, and it is now coming here to the UK, and it stars Hudson Williams and Connor Story as two rival professional hockey players who's on ice, well, let's say, a friendly competitive rivalry, I think we can describe it, is a little more, shall we say, saucy, off the ice.

1:14Boydie, do you want to talk to us about heated rivalry? It's weird that it's called heated rivalry, because it takes place on ice, which is famously cold. Yeah, I think that's deliberate. Really? Yeah, I think so. See, they don't just throw this stuff together. No, they know what they're doing. this is a phenomenon this has become a proper pop culture phenomenon which is quite rightly we are reviewing it as you say it was made for this Canadian streaming service but then HBO Max picked it up in America so the word of mouth once it was airing in Canada word of mouth spread that this was something special and HBO Max as you say smartly picked it up and then became an absolute phenomenon as I say and it must be one of the most written about on social media and in think pieces from TV reviewers and from pop culture, outlets of all kinds, variety.

2:06Everyone's fucking obsessed with this show, which kind of arrived at the end of last year. And quite rightly, Sky then acquired the UK rights to it and they're putting the whole thing online. And so from Saturday, you'll be able to see the whole thing on Sky. I've watched the whole thing. It's a six-parter, so it's easily digestible. And I think, you know, to start with, people are kind of wondering, why is it such a phenomenon? And one of the things that people pointed out, it's adapted from a series of books by Rachel Reid, and there's a whole sense that there's a burgeoning growth of women, straight women, to use these reductive words, becoming obsessed with gay men.

2:51Really? Yeah, it's a whole thing. Check it out. I've seen two or three articles about how and remember Alice Oseman wrote Heart Stopper and there's a similar kind of thing there that that's kind of YA there's a big YA phenomenon of gay, queer whatever you want to put it stories and shows and films and apparently straight women are among the big market for this stuff that's kind of a side issue but it is interesting that the original source material was written by a woman about two gay guys this romance between two gay guys but then you actually watch it and it all becomes clear because i think the point of the show is it's it's really really good like the um the the stars hudson williams and connor story have an incredible chemistry that is absolutely completely convincing right from the from from the off right you totally so and there's this whole sense of kind of forbidden illicit romance because he's Russian for a start, which is key.

3:54So his family background, the Russian homophobia, which is still clearly rampant right now, and he has to do with all that with his family. And, you know, it would be an even bigger scandal. It would be a bigger shot of shock, surprise thing to deal with from his origin point of view. And then you've got the fact that they're both professional hockey players and professional sport in general, mainstream professional sport. you know, this has ripples and effects in our own world of football, Premier League football, where there are no out gay footballers. Oh, there are no, I did not know that. Absolutely not, no.

4:32Really? Is it that they've come out after they've retired? Even then, it's like literally like a handful of, barely even a handful of people after they've retired from the game. Or maybe there's a couple of lower league players who are open to the game. Because that's statistically unlikely. Well, statistically impossible. Yeah, but that's the point. And, you know, again, I've read lots of think pieces about, you know, professional sports, big professional sports, the lack of gay people in those worlds. So it's completely, rings completely true that this is a big issue for athletes, big professional.

5:04And these are, you know, it's not set in, they can't call it the NHL in this show because you have to have the rights. So it's like a kind of fictional version of the National Hockey League, which is a huge sport, particularly in Canada. It's like Canada's, you know, national sport. And it's a pretty huge deal in North America generally. so with that backdrop you've got that backdrop which I think is considering this isn't like a huge budget show but the ice hockey action is very very well done you completely buy into the romance as it develops it's also a really clever show in that it kind of moves around in time so it kind of flashes forward and flashes back there's a whole episode I think episode 3 maybe where there's another romance between a gay hockey player and this guy he meets in a cafe in like a Starbucks or whatever and that whole episode is just about a completely different couple which you barely even see the main couple from the show kind of commenting on there's lots of different kind of versions of you know what could happen between two guys in this world and the kind of that episode kind of shows you well an alternative version where they haven't really got anything to worry about because the guy that i'm trying actually i won't spoil it but all i'll say is it's it's very very clever all the way through, I think what the guy who created it and adapted it and Jacob Tierney's done is, he's just made it incredibly believable and authentic, the backdrop.

6:24And at the same time, there are lashings of really, really explicit gay sex. And you can't detract from the first... As could I just say, as the many people on the Northern Line with me yesterday can attest... This is... James, one of my main notes of this is, you should not watch some public transport because if you do, like James Dyer, you're going to get stessed. Now, I'm going to say, and no shade against the elderly gentleman who was sitting to my right on the Northern Line yesterday, but there was some huffing and some tutting because it's quite fellatio heavy, I would say, this first episode of this.

7:00And he seemed a little bit like, well, I wouldn't even say he was disapproving. I think it was more just like, why are you watching porn on the train? I don't think it was a homophobic thing. I think he was just like, what is this? Oh, yeah, he's obviously like time and place to do it. Yeah, exactly. Get your jollies off at home. don't do it on the Northern Line. Luckily, I had my, it was in my pod on my Virgin Atlantic flight and so I didn't have that. You see what he did there, Kate? You see what he did there? That was so unbelievable, Bellendory. Yeah, I flew, I had this on my flight to and from New York.

7:33In Virgin Upper Class? Yes. Yes. In your special little bed pod. Absolutely. I mean, some would say the perfect place to watch it. Well, that's true. If you're going to have some porn, then that's the place to do it. I literally sat there thinking, I don't have to worry about people. I'm now calling this Modesty Porn. The only people I had to worry about were the stewards and stewardesses. And I'm sure they've watched porn. Watching you watch porn. Yeah. Yeah. Completely. No, I was literally, I paused. They're like, okay, thanks, because I want to have my lavish free course. Here's your champagne, sir.

8:00Carry on. No raw dogging for boys. That's true. But what I want to say is, right from the, absolutely no raw dogging at all. Never. But absolutely, what makes it so special, I think, is the completely unvarnished free and almost celebratory tone of it in terms of the sex scenes. When's it set? That's a good question. I'm going to ask a question and tell you it's a good question. But the main narrative because I obviously judge all chronology by the technology behind people's phone handsets. So this had an early noughties like time frame vibe to me because they don't have smartphones. They're like Nokias.

8:38Yeah, they were a bit 8210 territory. Yeah, I think it is around then it also flashes forward anyway so it kind of elements of it are in the present day pretty much anyway but what I would say is it's completely celebratory of its sex scenes and it's the opposite of coy and I think I know it's bad to compare shows about gay romance because it's reductive and it's a bit simplistic but I really love Heartstop I think Heartstopper does which is much more skewed younger so Heartstopper is aimed at and is about teenagers that's PG this is not right and that has to be PG in a way I mean it does it's definitely that show is very you know it's very upfront but this is like completely unfettered it's much more explicit full of unbridled yeah unbridled etc I heard one podcast talking about it and they were saying it's not hardcore porn and everything it isn't it's not like you know you don't see like no but equally it's full on in its approach and that is really refreshing there's something very refreshing about it and it's totally up front literally there's a kind of celebration of the naughtiness of the fact that they're kind of enjoying the two guys, the illicit nature and the fact that they have to keep it a secret and it makes it even sexier so it has that element to it I just think it's brilliantly done it's really well written really well acted and that's why I think it's really become a phenomenon as well as the fact that these sex scenes are just totally up front and celebratory and fun in and of themselves so I think it's just it's all of that but it is absolutely phenomenal I think it will definitely go down I think you know Russell T Davies was talking I was talking to him about were you talking to him in your pod on the plane or was this after you landed he was in New York by the way Right, okay.

10:38But before we broke up, I remember talking to him about it and he was like, yeah, yeah, when's it going to arrive? When's it going to arrive? He's aware of it. And I think, you know, it's the kind of show probably that wouldn't have happened without Queer as Folk back in 1999. So it definitely has that influence there, I think. But, yeah. Well, thank you, Russell, frankly. But it's definitely going to go down as a really crucial moment in pop culture. You're full of it today. Go down. Well done, Boyd. Don't start acting quite now. That's it. Don't start acting quite now. Roll out the doublon tons.

11:07I am obsessed with this, obviously. I mean, I didn't realise... It's because you're a massive hockey fan, isn't it? I love the hockey. Hello, Mighty Ducks. So, yeah, I'm clearly one of those women, which I didn't realise was a thing. And prior to this, I haven't, you know... You're part of the phenomenon. Yeah. But I, honestly, I really, really enjoyed this for many reasons. Now, to get very basic and reductive, they are fine physical specimens, right? So I am going to focus on that because, particularly, I have to say, Connor Story is right up my street. he's got Jeremy Allen White vibes, I think.

11:38Really? Well, with the curly hair, just the curly hair and the muscles. I don't see that. I just see a bit of it. He's blonde though, isn't he? You know, whatever. But it's more that I've been looking at his Instagram. I bet you are. I see. So you're cyber-stalking him at this point. That's good to know. No, it's just he's done a lot of shoots around the promo trail for this. And some of them are very Jeremy Allen White-esque, I'd say. Anyway, whatever, that's by the by. They are visually attractive. Replacing the night manager in your affections? Not the night manager. You're thinking of the other one.

12:10Oh, you're the other one. The night agent, that's it. Who I didn't fancy as much as you think I do. We all fancy the night agent. That's absolutely fine. Yeah, exactly. Not agent. Night manager. I can't get it right. What is wrong with me? He's got cobwebs in his brain. I do. Hoist by your own petard there. Hoist by my own pickard because I was watching Starfleet Academy last night. Oh, yeah. So was I. Oh, gosh. And I have to as well. By the way, 75 minutes. Anyway, Karen. No. The first episode is 75 minutes. We're getting off to a very bad start in 2026. We'll be dealing with that in full. You're a monster.

12:38Anyway, so I just, yeah, the sort of frantic, frenetic energy of this, of their desire, right, really appealed to me. And as you say, like a lot of, like a lot of it is them getting off on the illicit, dangerous nature of this because they are rivals and obviously they're not opening it out. But also there was a tenderness, I thought, and a playfulness to it as well. So I was just completely obsessed by the romance of it all. like whether they were gay or hetero like it was just it's that exciting nature illicit element of it that is so appealing and addictive frankly and the fact that it's quite tantalising because they're only seeing each other when the matches happen as well so you're forced you know I mean we're not forced to wait as viewers but you get that sense that they are being forced to like you know kept apart and obviously there's a bit of a power dynamic as well in that Ilya is out no he's not out he's experienced yeah he's more experienced and more dominant you know like and he kind of plays he plays on that a lot So, yeah, I just, I was, you know, will things develop between them?

13:35Will their feelings develop? I don't know. I've only seen, I'm basing my review on the first episode. Will it go further or will they remain, you know, puck buddies? Wait, wait, wait, you're saying will they just stuck? Puck buddies is excellent. I don't know if you coined that, but if you did, you should pack yourself on the bat right now. Yeah, I'm self-packing. I mean, I'm sure someone on the internet has thought of it before. But, yeah, I don't know, like, if how, like, it would be interesting to see if this develops emotionally. That's what I'm saying. because I'm only on the first episode and it's very physical at this stage.

14:04Oh, okay. I mean, it would be... Yeah, spoiler alert. Yes. No spoilers. No spoilers. No emotions. Boydie, your New Year's resolution is not to ruin everyone's shows. If you ruin heated rivalry for me, I mean, we're going to have a heated rivalry. It could be the first romantic drama in history that doesn't have any... He says it's a will-they-won't-they. No, they won't. It would be a surprise. Of course, no, but how far it will develop emotionally. because the thing is it's very physical it's very transient transactional right yes let me also say that season 2 has already been committed but will it be the same players we don't know it will be the same players oh god alright Boyd they don't believe more spoiler alert they don't all die at the end okay I was trying to be teasing he's just getting straight to it Boyd get straight to it this is a terrifying insight into both your personal lives as always yeah it's really good it is really good I cannot emphasise enough how much my PSA stands please do not watch this on public transportation.

15:01I mean, James, honestly. Unless you're in a pod. Unless you are in a first-class private pod, do not watch it on public transport. You're both displaying your bellendry here. His pod boasting and your ridiculous PSA, I'm all for a PSA, but frankly, anyone who thinks about watching Heated Rivalry on public transport, or their family members, is a maniac. It was out of necessity. So I had to, because I had to come into town yesterday and watch a film. So I had to watch it on the train. Well, you couldn't watch it at home at all. I know we should have lived bullshit. You don't want to watch this week.

15:30You don't want to watch. Why didn't you watch that stupid Star Trek thing? I think you, like the guys in the show, you live on the danger. I'm an exhibitionist. Yes. Yeah, he is. I mean, they're doing something slightly more ambitious, but you are in your own small way. He's getting off on the throne of watching on published books. I like to be seen watching smart on the Northern Line. That's my kink. We've now got an insight to James Dyer's life that we frankly didn't want. What is that kind of like third-party, vicarious exhibitionism? I don't know. There's probably a name for it. Yeah, voyeurism.

15:55Some kind of voyeurism for the commuter to watch it next year. I don't know quite what it is. You should ask that chap that I sat next year. I think there's definitely a fetish. Oh, there's bound to be. There is bound to be a fetish where people just like watching porn in public. His porny public transport fetishism. Yeah. Yeah. Wow. God, that was almost more enjoyable chatting about it than watching it. But frankly, everyone should watch it. This has taken quite a turn. But yes, Heated Rivalries, which is on Sky Atlantic. Yes. Yes. I do believe it is Atlantic. Okay. A Sky. And now. And now. All available from Saturday.

16:27should be watched now the 10th 10th yes of January yes exciting okay fantastic well it's a brand new year Kay a brand new year a brand new post bag ladies and gentlemen it's Miss Kay versus the post bag and we're going to do postbag potluck. Oh, God. So this is the non-pre-screened postbag. Well, I have... Do you know what? I did have a glance through. So I will start with we've had a flurry, a snow flurry of emails about heated rivalry. So I thought we'd jump in there. Okay, good. Right. Coincidentally, all from women. So we start with Gemma Watts, who says, subject heading, will the industry puck this up?

17:21She's stealing a joke. The heated rivalry effect. But yes. Okay. She says, Hi, Kay. I wanted to put in a strong recommendation for heated rivalry. See, Gemma, we listened, we reviewed, which belatedly arrives in the UK on the 10th of January. Oh, look, I wonder if Gemma works for the channel. She's actually listed the details that we should have had readily to hand, which is as a box set on Sky Slash Now. It has some really interesting context, the books, the production, and even the world of ice hockey. And I hope you discuss the show in the pod. It's had a remarkable run in Canada and the US, growing steadily in something that feels culturally significant.

17:56Episode 5, which is called I'll Believe in Anything, has ended up as IMDb's highest-rated TV episode of 2025, and second being behind Breaking Bad's... Oh, no, how are you saying this? Ozymandias. Ozymandias. Yes, thank you. As the highest-rated TV episode of all time. The first two episodes are deliberately bold, high-boyd, and fast-moving, but there's a clear shift in Episode 3 as it embraces more romantic or even rom-com storytelling. Episodes 4 and 5 have some extraordinary scenes and performances. one of the things that fascinates me was how it was made it was astonishingly cheap by prestige tv standards but very smartly executed lots of filming on led volume rather than locations very few crowd scenes that's it i'm out but it has a polish it probably shouldn't have at that budget do you see what i mean it feels like someone in the industry has written this um here's my question due to the show's success do you think we're going to see a heated rivalry effect and what might that be?

18:53Will the industry respond by chasing surface similarities, queer sports romances, or could this stand as a reminder that its success came from being deliberate, story and character led and unafraid to be different? I'm really pleased that showrunner Jacob Tierney and Crave are retaining creative control going forward into series two rather than potentially turning it into something safer or blander by having a larger studio co-produce. if you end up doing a spoiler recap and you're too short on time to dive into this fandom I'd be happy to help with any queries about the characters and where the story goes on the books that will be adapted for series 2 and 3 or whether that hit on the ice involving spoiler in episode 5 was legal ooh, that's Gemma I mean, there's a very good question there, isn't there about the takeaways that people take from it because whether it be film or TV the takeaway people often have is oh, people want to see more of insert subject matter that's been very successful here instead of people want to see more original, bold, character-led storytelling.

19:52And they always make the wrong decision. Yes, let's emulate that instead of, no, let's greenlight new and exciting stories. Well, they chase the money, the easy win, right? Of course they do, yeah. It's the low-hanging fruit, so to speak. I don't hear about your plums, James. Keep your plums out of this. What do you think, Boydo? I agree with everything she said. I made the point, I didn't mention the use of the volume because James doesn't like volumes. I don't. He can spot a volume. he can spot an overused... I didn't spot a volume here. No, I was going to say, I didn't either. So, I'm sure there's...

20:23I feel, frankly, ill, but I've missed it. Unless it wasn't the episode that I saw, maybe it comes later. Oh, maybe. But my finely honed volume detector was not functioning. Do you know what? I'm going to say something, right? 2026 being the year of just honesty and whatever. I never quite understand what you're getting at when you're talking about, like... So, you can hear the difference between when it's filmed... Oh, no. Okay, no. So, it's nothing to do with sound. Right. This is the misleadingly named... It's a name thing. So the volume, it's kind of, it's just a large soundstage. So it's like a big empty room where they film a lot of things.

20:54Now, sometimes, I guess you could have like old green screen stuff where Cameron does Avatar stuff is also a volume, but that's a different type of them. For the sake of an LED volume, instead of having like a green screen, blue screen, they have a giant wall of LEDs on the back. So when they do the Mandalorian, they'll be like, right, cue up planet this, and then the planet will appear on the screen behind them. It's like a massive TV behind them. And so when they're outside in the desert, it's not. there's just a desert on a great big fuck-off television screen. And the benefit of that over like a green screen where they add the effect in afterwards is that the lighting is the same.

21:23So like Mandalorian, he's got silver armour, so you get the reflection of the dune and the sand and all the stuff on his armour because there's a great big fuck-off screen behind him. And also from an actor point of view, they can see it, I guess it probably helps acting. But oftentimes, so when you see the edging of it, like the compositing, as we often say with green screen, where you can tell, it's maybe less obvious with an LED volume because it's not been digitally composited, they're just in front of a screen. So you prefer the LED as opposed to green screen? No, I think they can both be bad, but I can spot a volume.

21:52I can spot when they're being a volume. Well, can you? Well, normally, yes. Volume being the LED one. Yeah, well, yeah. Volume is a newer technology. Right, yeah. An alternative technology as a way of, and it often is cheaper. So instead of going to a lavish location itself and filming there, or creating a massive studio set for something, they create using CGI or whatever a digital setting and instead of doing the CGI as post-production they almost do it as pre-production and then put it on the screen and it means the actors can actually see yeah which is better surely exactly than just a green skin where you're literally just seeing green so it kind of makes it easier for actors and it's quite popular and it is cheaper and I think I think probably the use of the volume here is there are scenes set because they're mostly being in hotel rooms pretty lavish hotel rooms because they're very successful that's not on a that's not on an LED screen.

22:43Well, what I'm saying is probably the backdrop probably is. Yeah, it probably is. Yeah, that's what I'm saying. Rather than having to build sets for each hotel room they're staying in, my guess is that kind of thing. And then maybe the hockey rink is, I don't know. But the hockey rink stuff seems very, very believable if they're somehow using volume for that. But to the point of the... What is the... What's her name again? No, no, no, sorry, it's not Hayley. It is... Gemma. Gemma. But to Gemma's point, absolutely 100%. I think the key to the success of it is that it looks great, it's really slickly handled it's in its own kind of modest way cinematic and all of that as well as being an incredibly sexy hot romance at the heart of it you need to look at the feet to detect an LED volume you need to look at people's feet because Obi-Wan Kenobi was egregious in this regard because what would happen is you'd have the big LED background and then to cover up the fact that obviously it's a screen, the screen at some point ends and meets the floor and you will see that division they'll have like random bits of shrubbery and potted plants like at the bottom so you can't see the divide.

23:44I think most people watching are not going to get hung up on this, right? Oh, I did. A hundred percent. He is special. Because that is a little detail where you're staring at people's feet. I mean, come on. James' ability to spot, in quotes, bad use of volume and CGI in general and VFX is just him. So, last question on this. Most normal people would never notice any of this stuff, by the way. Last question on this before we actually, yeah. But, so when you're talking about it, So you've just got an issue with any kind of compositing or background LED stuff slash green screen. You just don't like it at all?

24:13No, no, not at all. I think if it's organic and it's done well, because so many films and TV shows use it, and it's often invisible, and that is when it's done perfectly. If you cannot tell, then by all means use it. It saves money. I'm all in favour of it. I think the problem I have with it is when it's done badly. So Obi-Wan Kenobi, maybe it was the framing of it that you shouldn't have been able to see, the random potted plants, kind of like, that's a bad thing. I think bad compositing, it's often a lighting differential, where someone has obviously been shot inside on a soundstage and then they're supposed to be on a glacier.

24:39And it's like, well, the lighting just looks wrong. And you can probably see a little bit of the compositing around the edges as well. So you're coming for the lighting supervisors in that instance? Yeah, a little bit, a little bit. But basically anything that pulls me out of it and makes me see through the illusion, that's what puts me off. So many different variables pull you out of stuff. You're often pulled out of stuff. You talk about that. You're conflicted about stuff. I mean, that's fair. At least I understand it more. So yeah, LED volume, even though it's called a volume, it isn't sound related.

25:05Got it. Okay. Right, moving on away from that, but still on to heated rivalries, a message from Hayley who says, Happy New Year, pilot team. If you haven't got into heated rivalry over Christmas through a VPN or something, then boy, oh boy, I hope you'll be watching when it hits the UK. There's a reason it's huge. I never repeat watch things, but I've already watched all six episodes about five times or more. Wow. On public transport or in the comfort of your own home? No, she's not a moron. This is another woman, a female. Yeah, they're all female. See? That's what I'm saying. At the beginning of this, all three messages are from women.

25:39I just know Kay will love it. I reckon Void will too. He will probably call it Mature Heartstopper. Oh my God. I mean, you're describing. This is absolutely genuinely scary. James, who knows? It wouldn't surprise me if he became a full loon and a magic Halinov stan, or he will hate it and take no interest in the characters and therefore completely miss the point. He's weird like that, but that's why we love him, I guess. I love this pre-analysis of what we might be saying. It's like Minority Report, yeah yeah yeah have a fantastic 2026 can't wait to keep listening to Pilot Plus and all the shenanigans cheers Hayley South Australia hi Hayley hi Hayley you know us so well and the third message about Heated Rivalry comes from Jennifer Hicks who says I'm listening to this episode and cracking up because James has just said 2026 will be the year of porn and in truth Heated Rivalry was the number one show of the year but you won't get it until 2026 fair this show involves a lot of amazing sex scenes but it's so much more than that everything in it is perfect.

26:36So this is my pitch to please do a spoiler special on the show. I've re-watched it three times already and it's only just ended. Wow. Love you all. Happy New Year. We have a lot of horny listeners. That's my takeaway from this. Women. Women, yeah. And look, it's brilliant for everyone so get on it. Yeah, get on it. So to speak. In the comfort of your own home or if you can afford it, a pod on an airline of your choice. Right, now for a message from Lee Jordan. who says, oh, this is about Red Eye. And he says, hi, Piloteers. I just wanted to say that Red Eye is the worst thing I've seen on TV for years.

27:11Wow. Which season? The plot is... She must be the new one. The plot is ridiculous, the acting is terrible, and the whole thing looks incredibly cheap. Let's hope there isn't a Series 3. Lee, a bit of a grumpasaurus. Lee's coming for ITV there. I liked Red Eye. I must have... Look, I, if you'll pardon the terminology, come for ITV quite a lot. but I enjoyed this season of Red Eye. I thought it was a good one. Yeah, we don't stand with Lee on that one. How exciting, an email has just come in. Oh, has it? Literally, so this is live postback. Hot off the press. It's from, oh my God, fantastically named listener Alvin.

Read the full transcript

27:50Very good. Hi team, just wanted to say that it's interesting that Boyd enjoyed Red Eye. Oh my God, what are the chances? Scary. For what is an airplane if not a corridor levitating? I mean that's a fair point it's a corridor in the sky a corridor in the sky I don't think that's fair anyway Alvin continues you haven't got any say in the matter have you if you're on board an aeroplane you have to you're stuck in the corridor you can be running around corridors walking around corridors incessantly with your gun that's a different thing he continues and says look forward to the review of the next season for also what is a train if not a series of corridors locomoting?

28:34Trains and planes. That's true. I mean, it's a fair point that I do absolutely love train and plane set stuff. But I do have issues with corridors. Oh, and then he says, static corridors. If you could answer the question below too, that'd be great, which is kind of a passive way of saying that I hadn't, I missed his message from the 24th of November. Right, okay. And he said, contestants based on current, past and semi-regular hosting duties and the original title for this was Pilot TV Tracers. He lists James, Boyd, Kay, Beth, Terry, Steph and Sophie. Who would you pick to be the traitor that would win the contest?

29:10Not James as everyone would suspect him straight away and kick him out for the first round. It's Steph. It's Steph would win. No one would suspect Steph was a traitor. She's so guileless, like generally. Well, do you know what the thing is, right? You're right. No one would suspect her. however she would talk too she would if she was the traitor she'd give it away she would give it away by talking too much because she would try and overcompensate I think she would I think she would make mistakes like some of the classic traitor mistakes she would talk herself in knots she would yeah I don't think she'd win at all I think she'd be I kind of think Terry really?

29:45yeah Terry potentially she would be my first suspect as we said oh yeah oh yeah but it's so obvious that you'd think it would be I think it would be a double bluff yeah oh a double bluff yeah oh yeah you might be right you might be right I would be terrible because I can't lie I would laugh and smile through it because I just we would just look at you without speaking yeah and you know do that thing and anyone listening to the blooper reel will probably have heard this the bit where you'll be talking and I'm looking you're just bursting in hysterical laughter because I'm staring at you do you know what I smile and laugh anyway all the time but if I because I don't lie because I can't I'm so shit at it and I don't want to either but like I then smile even more like that's how my mum's always been able to catch me out it's a really innocuous thing she's like you know she feeds us all the time she's like have you eaten this and I'll be like yes and then I'll just smile you're the opposite of poker face yeah I mean it's like just Boyd is another one my mum can detect it also Boyd from working with him for decades like have you ever asked me and I rarely light him but if I'm just like concealing something or something he always goes he just pulls this kind of like he arches an eyebrow and then I just unravel so yeah I'd be terrible yeah I think Beth would be good I think Beth would win yes do you know what she's dark horse's old Beth Webb I think so I imagine she's got a good poker face.

30:55Very much so. Unlike me. She's got a good poker face. She is very open and honest, a person, but I think that kind of thing can work because you don't necessarily think, oh, you're going to be the traitor. Oh, she'll cut you. She will. I wouldn't suspect her either. That's what I mean, yeah. It's more that. It's that you'd think, oh, no, you wouldn't suspect, yeah, because of her manner. Do you think you'd be good, Boyd? I think I'd be okay. I think I'd find it very stressful. I think I'd find it stressful. like Jonathan Ross did I think Jonathan had it you know Jonathan famously found it incredibly stressful just couldn't get used to the nightmare situation of the whole format I think I'd be the same I'd find it too difficult I think your positive points would be because you're inscrutable I think people would find you hard to read I mean I obviously you're like an open book to me but I think to other people they would find it very hard and I base it on the fact that for most of my career I've spent fielding questions people going what does Boyd think about this I don't know does he really think this and I'm like You're the boy whisperer.

31:53Yeah, supposedly, I mean. Yeah, maybe, maybe. Yeah, I think I'd do it. I'd do it. I'd do it okay, yeah. So you'd find it stressful, but I think ultimately you would win. No, I don't think I'd win. I don't think I'd win, no. I think it's more, as I said, I think Beth would win. I think James, oh my God, James is a tracer. James, you would fall to pieces and you'd have a nervo every five seconds and you'd probably talk to me. Like you'd choose me maybe as a co-collaborant, like someone to reveal yourself to you and you'd just be like, oh my God. I'm revealing myself to you. What is this event? Yeah, it's not heated rivalry.

32:27It's like, I think, well, you'd need someone to offload to. Oh, yeah, 100%. There's no way I could not talk about it. I feel out of the three of us, you would choose me as a soft touch. Yeah, I would 100 % need to talk to someone about it. Yeah, and then you'd be like, oh, God, I'm finding this really stressful. I've got anxiety, I can't do this. And I'd have to talk you off the ledge of the turret, frankly, I think. No, I don't do lying. Yeah, he could not, James could not keep it together. No, he'd have a breakdown. Yeah, he'd have a breakdown. I don't have it in me to do that. Live television breakdown.

32:56Yeah. Which, I mean, would be entertaining. It could. It'd make for good TV, I think. Yeah. So anyway, that was the new message from Alvin. But now going to Annika, who says, Happy New Year, Bunch. A couple of questions from me. Not sure if I missed it, but I can't recall you mentioning The Beast in Me in your epic review of the year. Did any of you finish this series? I didn't finish it. A lot of people have talked about it. In fact, I seem to recall that it was one of Alistair Campbell's TV shows that he was talking about at the end of the year that he was watching. How do you kept abreast of that?

33:27I listened to his politics podcast. Oh, the rest. The rest is politics. Yeah, that's it. He does with Roy Stewart. And yes, I believe that came up as well. Showed it Blue Lights, by the way. That was one of his shows last year. Which you were obsessed with. Which I was obsessed with. I was like, yes, Alistair, come on. But yeah, beast of me. I didn't. But people have talked about it being very good. I liked it but I didn't it didn't jump to the top of my sofa list I finished it and I really liked it it definitely it's a bit of a stretch it's slightly a bit longer than it used to be 8 I think oh it feels like a 6 yeah it could have been a 6 that's I think would be my issue with it it gets slightly repetitive in the middle but it's still really fun really good fun and Claire Dana's ability to basically cry unrelentingly throughout Wow, is extraordinary.

34:18There is. Why don't you have crying headaches? Because I would. Have you seen the TikTok video of that person? Oh, yes. Yeah, who's on a phone call doing it as Claire Dade. That's brilliant. Genuinely spot on perfect. It's so funny. Yeah, she's a great on-screen crier. Matthew Rhys is the real, I mean, he's literally the star of the show, the two of them, but he's fantastic. Seeing him going for it in such a kind of ridiculous way is the best thing about that series. But I enjoyed it a lot. Yeah. The second part of Annika's email says, Can Boyd, for absolute clarity, I love this, list his ultimate top 20 films and TV shows of all time?

34:53Because I feel like nearly every film slash TV show he mentions is on this list. But if you do it, Boydy, it's then canonical and you can never deviate from it. I don't think we should pin him down in a way because I do enjoy him saying that every show is like, you know, the greatest film of all time. For the record and for the pilot TV audience, what is your number one favourite individual film? Only one. Film and TV show. It's another at just number one. Yeah, that's a good one, James. Hold on. Do you know what? It's probably Annie Hall, Woody Allen's Annie Hall. Okay. Yeah. And what about TV show?

35:26TV show, probably... Mrs. Brown Boys. Seinfeld. It's probably Seinfeld, yeah. Okay. Maybe Curb. No? No, you had one choice, Boydie. One choice. I watched a lot of Seinfeld in my hotel room in New York, actually. Oh, out of interest. Yeah. Where were you staying? I'm not going to say... What? I mean, come back, boys. You're not there now. We can't stalk you. Oh, my God. That is like literally one of the silliest things you've ever said.

35:53Surely it was the Hilton. I was taking the standard hotel East Village, in the East Village. Oh, nice. I've seen it many times before. They've got good stationery there, I think. Good stationery? Yeah. Did you steal any of the stationery, Boydie? I did not. Or any of the toiletries? No. He's not a gentleman who needs to. No, I didn't steal. James and I, on the other hand, were looting it. There'd be like four robes in my suitcase. Anything that's not nailed down. A hundred percent. Oh, if you take a robe, they're just going to charge you for it. It's fine. That is true. Never go for the robes, James.

36:19Really? Is that Rukiara? Just go for toiletries and stations. 100 % Rukiara, yeah. Yeah, no, it was very nice. What was I talking about that for? Oh, yeah, I watched Seinfeld there. Yeah. Okay. Seinfeld, I think, would be number one. Anika, we've kind of answered your question. Okay, what's your favorite TV show of all time? Oh, my God. I can't do that on the spot. So you don't have like a nailed-on number one that is always your go-to number one? no because my go to number ones like can vary on my mood do you know what I mean yeah well I was going to say that that my if I to answer Anika's question if I did list come up with a list of my top 10 or 20 TV films of all time it would change constantly that would be today but your number one rarely should change I'm a firm believer that lists are always in flux but your number one what's your number one TV show West Wing without a shadow of a doubt yeah there are many that I love but that is first and foremost yeah fair enough okay I'll come back to you right message from Stuart it's about the night manager and he says just listening to your review I'm wondering if either you or James who have watched the first series recently will pick Boyd up on erasing the actual first episode of series one all set in Cairo the Zermatt stuff isn't until episode two from his brain it looks like the answer is no so apparently you got that wrong Boyd that's a good point consider your knuckles it is all Cairo yeah that's a really good point I don't remember you saying no I don't remember genuinely I completely forgotten that in fact Russell Tovey's in it isn't he he is as the dodgy dodgy diplomat I completely forgotten that yeah it's funny because the big spectacular thing that happens in episode 2 I haven't gone back and watched it recently is yeah is later would you like to issue a formal apology I would like to issue a formal apology I do apologise formally yes good at any point did you have a conversation with the night manager of The Standard.

38:15Yes. Yes, I do. Really? Well, the person behind the desk, yeah, you know, like two in the morning, you know. Did you see, oh my God, boys keeping late hours. I was on holiday, it was New Year. Did you go to, did you see anything on Broadway? I didn't see anything on Broadway, no. What was the highlight of your trip? I went to the cinema, I went to see the house, what's it called? The... House Sitter? House Sitter? Is that the name? Sydney Sweeney, is that one? Is it The Housemaid? The Housemaid. The Housemaid. Not a house sitter. My niece. House sitter is Goldie Hawn. Yes, what am I talking about?

38:49My niece clearly was obsessed with it over Christmas. The Housemaid, yes. I went to see The Housemaid with Sydney Sweeney. And I'll tell you why. I wouldn't normally go to a cinema when I'm on holiday. I was only, you know, four or five days or whatever. Yeah, God, like, have a break, Boyd. No, no, no. But everyone was telling me, people were saying that there are articles online saying that watching The Housemaid is a brilliant communal experience in the cinema. because it's have you seen it? No. Oh it's so whack it is absolutely ridiculous it's like the cinematic equivalent of these many many shows we've had on TV recently that have been bonkers like interrelationships like the mad So the twist that makes everyone gasp collectively Yeah, the mad twist and it's absolutely I saw in a packed cinema and people were gasping and you know it was so compelling and funny and entertaining that it was a real communal experience and thankfully not just people on their fucking mobile phones chatting to each other There's a house made too coming, I believe.

39:43Oh, I'm sure, yeah. But apparently the book is a phenomenon. Yeah, the book is an absolute massive phenomenon itself. I had it, I haven't read it. And the film is incredibly entertaining, but particularly in that communal experience. Oh, that makes sense, because she was really trying to convince us all as a family to go into it. Yeah, yeah, yeah. I would do so if you can, because I had a great time. I might make my annual pilgrimage to the cinema. To see the Ballad of... Can I bring that up? That's 2025's drama. Time for one more? Yes. It's a part two from Stuart, who says, also will you be reviewing Drops of God series 2 on Apple this month I love the first season so really looking forward to the new one even if it will make me want to drink irresponsible amounts of wine now Stuart I can't say what I thought but I've actually watched the first episode but I too really enjoyed Drops of God did you watch all of season 1?

40:29yes did you? yes because we talked we reviewed it and then I went back because I really liked it I do recall this actually yes and I would say all I'm saying it's not a review but if you liked the first series is more of the same. Obviously, if I knew more about wine, I'd say something about a taste that develops into a special something bouquet. I don't know. It's to be savoured. Sure. And it goes allegedly, it's allowed to breathe. Ah, right. Okay, good. Yeah, there we go. That's it. Okay, that is this week's postbag. If you'd like to send in your messages, do send them in to pilottv at empiremagazine.com.

41:05The postbag is probably, I don't know how full it is, to be honest, because I haven't looked, because Kay's in charge of it. But let's assume that we used up a lot of last year. So if you haven't written in for a while, send us some 2026 missives. Yes. Actually, do you know what is pretty... I mean, we did a massive clear out at the end of last year. So, yeah, get in touch. Yeah, get in touch with the postbag. Right, we are going to have some spoiler chat now because the second and third tranches of Stranger Things dropped over Christmas. Specifically on Christmas Day and New Year's Day, Boydie.

41:35Just to make absolutely sure that people know. Thank you. Thank God you know what you're talking about. Thank you, yes. Obviously, he's referring to an egregious mistake he made. I don't know what you're talking about. James' mistake. Yes, so we have now seen those. So I'm going to sound the spoiler klaxon. If you are the only person alive, apparently, at this point, who has not seen the Stranger Things finale, you might want to turn this off, but we're going to get into this a little bit now. Now, Kay, I'm going to exclude you from this because I know you are not a strange thing yourself. Am I getting dismissed?

42:02No, you can stay here because you have to listen to me and Boyd talk about it. I was like, okay, I thought it was permission to leave. Kay's eyeing the door. No, you can't leave. Trapped in this studio. You can never leave. Literally, yeah. Now, we should say, you know, that we have the chunk and then we have the final episode, which is two hours and eight minutes long, as I recall, which dropped on New Year's Day. It's been a mixed response, I think it's fairly safe to say. There was a backlash to it. Lots of people furious that not enough people died. People didn't like the ambiguity of the ending.

42:30There was, I mean, the Duffers, fair play to them. They've gone out and they've done quite a few interviews on this and they have fielded a lot of this stuff and talked about it a fair old bit. I think they're a bit tired about it all. But, Boydie, what did you think of the finale? Well, first of all, I watched it in my hotel room in New York as well. Oh, God. When will you stop talking about it? So you're saying it was standard? Very good. I was tempted, and I very nearly did, because they were showing it in cinemas in America. Oh, okay. Yeah, that would have been cool. You could have gone twice to the cinema in a three-day break.

43:04That would have been a lot, right? Well, exactly. and also to be honest I saw the people like were queuing I did out of interest check out the screening so basically it was it was dropped at 8pm I think in East Coast New York when I was there so I did have a wander around near the hotel where there's quite a few cinemas in that area and there were big queues of people waiting to get in and it was definitely a phenomenon and they were sold out massively I think the whole the whole kind of cinematic release of the finale has been a massive hit for Netflix so Netflix may want to reflect on, you know, how watching things in cinemas is still a thing.

43:39But as a side issue, it was so cold when I was there, even colder than it is here right now in the UK. That's impossible. It's freezing. I can't watch it in the cinema, walk to the cinema. I was watching it in my hotel room. Anyway. What were you wearing? No, I'm joking. I don't know why I'm getting into that whole thing, but business context, you know. But what I was going to say was I watched it on my smaller laptop screen, right? Normally, because we've got, you get your, particularly, you know, everything on Netflix I watch on my giant screen at home, but I didn't have access to that. And I also couldn't stream it in my hotel room.

44:11So I had to watch it on my small laptop. Why can't you stream it in your hotel room? What kind of hotel is this? They didn't have a stream. Yeah, they didn't. Unbelievable. I know, I know. So you've got your fancy hotel. Should have gone to the four seasons. Yeah, exactly. Anyway, so the context is I was watching it on a small laptop screen, which is not ideal for one of the most visually spectacular shows, or at least a show that's attempting to be incredibly visually spectacular. And I was reading and it cost hundreds of millions. I think it was 50 to 60 million an episode towards the end. It was getting wild.

44:36And I think it was like 400, 500 million as a thing. I mean, that is wild is the word. So, do you know what? It made me real. I enjoyed it. Broadly, I enjoyed it. I thought it was pretty decent. I thought the criticism of the previous tranche, which included the big coming out scene. Yeah, so The Bridge is the penultimate episode. That got review bombed and is now the worst rated episode of the show because the anti-woke crowd had a go at it. And I think the review bombing phenomenon is really unfair. And I think this crystallized for me how unfair it is because I thought, I didn't mind it. So I thought it was a perfectly decent, you know, emotional scene.

45:14And I thought that actually that, I thought the acting was really good. A lot of people slugging off the performances, saying why did he have to do this, have this moment with the whole cast? It was unrealistic. But they explained why he felt he wanted to do it to everyone at the same time. and they made that quite clear in the writing and in his dialogue and I just thought it was the definition of review everyone suddenly decided this was the worst thing that had ever been shown on TV this scene and I just don't think I thought it was pretty good I think the conversation around that scene is interesting and it's partly because it goes on for like it's quite an extended scene right like it goes on for a while and you know it's clearly very personal to Noah Schnapp who is himself gay and but I was speaking to a younger relative of mine on Christmas about it and they were like we don't understand why it went on for so long it was so weird and i was just like of course you don't understand because you're so young you don't remember the 1980s and so i actually literally had to explain to him i was like like no no no it was a massive deal back then it's not like it is now yeah and this is why i thought it was quite interesting we're talking about heated rivalry the phone thing for me was key because positioning it in the mid-noughties again like if you think it's really hard to kind of quantify how far things have moved on between say 2006 and 2026 but things have moved on a lot.

46:27Like, the amount of casual homophobia in the early noughties was extraordinary. And while, of course, it still exists, it is far less now. And it feels, and yes, we are in a very elitist London media bubble, but it feels like, you know, coming out now, it's not, it may not be no big deal, but it's certainly, it's much more commonplace. It's much more everyday. It's much more, oh, yeah, it's fine, you know. Whereas, I thought that scene was very powerful because it made you remember kind of the era of, okay, not in the US, section 28, but when it wasn't okay to be seen to be gay. Like, this was, this was like I almost felt like a life ending event and I thought actually giving it that kind of way anchored it in the time period for me so I was very happy with it 100 % agree and if they had I was really surprised by the some of the reaction and there were loads of like really snarky online reviews of it really hating that scene I just thought I'm not really a fan of that kind of criticism that sees every moment that you know a character that has to a certain extent defined by either their sexuality or race or whatever, or gender, those things that take those moments as being so important that we have to overanalyze every single element of it.

47:31I'm like, no, no, no, no. It was just a very perfectly decent, quite moving, quite emotional scene in which, as you say, was grounded in the timing in the late 80s. I think a lot of people saw it as a salvo in the culture war. I think they saw it as pushing some kind of liberal agenda, whereas actually that's not what that scene was intended to do. I think that's just how it was interpreted. Absolutely. and as you made the point this is very personal for Noah Schnapp because he's been through this albeit obviously in decades later as I'm acting and as he himself has pointed out a completely different situation but if he wasn't happy I'm sure him and the Duffer brothers would have in fact I've read a lot about it they did together decide how to deal with that moment and I thought it was a perfectly valid way of dealing with that moment so that was interesting but watching the finale with its the spectacular spider thing yeah the mind flare who I was wondering if they'd forgotten about the Mind Blight, because we've not seen it for two seasons.

48:26Exactly, and it turns out they were keeping it in cold storage for to have the biggest thing, monster thing, like the gigantic spider with eight million legs and loads of different mouths. It was immense, and it did feel like they'd been holding back so they could give you the biggest monster battle. But it was like a traditional monster movie at that point. Literally just a bunch of people trying to kill this huge gigantic CGI beast. Although, it's funny, I know the people I work with very well. I had my main issue with that scene was exactly the issue I think Nick had with it when I came back into the office.

49:01I was like, Nancy was like, right, we're going to go into that canyon. I'm going to lure it in. You attack it from the top. I'm like, this is a fucking free solo. How are you getting up the cliff? And apparently they got up there in the same amount of time it took her to run across the ground. But like I say, minor thing, but it just bugged me. There were so many scenes set in that world that didn't make sense to... I was confused by all the... You know, all the different bits of the Upside Down that were being explored by different groups of people. That stuff, right? That kind of liquidy... Everything was melting, right?

49:33Yes. That melty, liquidy stuff. Did they ever really... Well, it seems to me that was the dark matter, wasn't it? They disrupted the dark matter and it caused some kind of localized distortion. All I'd say is there's one moment where this white viscous fluid splurted all over one of the characters. And it was like that scene in Scary Movie. Or indeed, the boys. Or the boys, exactly. And I was like, this is not what you're intending it to look like. I'm like, someone should have stepped in and gone, you know what this looks like? It looks like it wouldn't have been out of place in the heated rivalry.

50:06It was like, that was unintentionally. Yeah, I think that was probably unintentional. It didn't need to be that long. So then you have the farcical situation. I'm sounding very critical now, but bear in mind I did enjoy it broadly and it was entertaining and spectacular and would have been even more spectacular on a pig screen at home but I think the finale God let it go No I'm making that point I shouldn't necessarily be judging it but I thought the finale was so funny how it ended after about an hour or so the big giant spider monster thing had been defeated and they're all like they'd all you know whatever happened Eleven had gone just gone away and we didn't know whether she was alive or dead or whatever but she'd gone And then I looked at the time, it's like, there's another fucking hour to go.

50:49Yes. It was like, what happens now? I know. And I thought there was going to, I thought, just a bit, say quickly, I don't mind having, like, what's the Lord of the Rings film where there's eight different endings? Return of the King. It was the Return of the King. Literally. But to be fair, that was deliberate. And they'd said before doing this season that they wanted a Return of the King type ending where they wrap up the plot. Right. And then they have an expended period of time wrapping up the character arcs. So that was a deliberate thing. but time-wise, I believe it's like 30 minutes or 30-something minutes, the Return of the King ending.

51:19This is a 40 minute. It's actually longer than Return of the King. And it just didn't need to be that long. They could have done it in like a couple of minutes. And I liked, you know, I'm sure you would have lapped up the whole Dungeons and Dragons fest that it became. I thought that was sweet. But I came away with it in the end thinking, what do I think about this phenomenon? I came away thinking the show is at its strongest when it's intimate, when it's just about the characters. And there's some brilliant, beautiful scenes in the final tranche of episodes and in the finale about friendship, about the various romances that are going on, and love.

51:58And, you know, in a way, love will rule. It's kind of like the message in the end. Because, you know, it will... Or not. I actually thought the breakup scene between Nancy and Jonathan was actually quite sweet. That very much like they kind of just grown apart and need some space to find themselves. Yeah, that was good. You're right, yeah. But I think all of the, a lot of the machinations and the, you know, dividing it into different groups and the different cunning plans, it became very repetitive. That they'd all, someone would, to the point where I think it was taking the piss out of itself, wasn't it?

52:28Because there's a moment early on where they were sitting around going, who's got a fucking plan? And they have a kind of fun kind of competition, whose plan is the matter? But it did get very, I think in the last season, I thought there was a lot of repetition, a lot of stuff that could have been cut out if they really wanted to, and it felt a little bit like they wanted to serve up to the fans as much Stranger Things stuff as possible, but really, in the end, it was too much, I think. I think, as I say, the strong effects were the intimate scenes, and they were great. I could have done without long, long CGI-based battling.

53:01It just felt like those endings of Marvel films that annoy me sometimes, where everything just turns into the universe is exploding and dying, and we've got to beat monsters and all of that, which I find a bit refreshing. Well, the thing is, this was my big criticism, I think, of the DC action sequences, is that I think spectacle without character is pointless. Like, it doesn't do anything. So, unless your action scenes are pushing forward the plot or developing the characters further, then they're not really doing anything. I watched Mission Impossible 2 for whatever reason over Christmas, and let me tell you, that does none of these things.

53:31So, which, can I just say, it was on last night, on PC3. Was it? After a thing with Tom Cruise, with Ali Plum. I did not know that. And I literally just carried on watching it. Oh my God! Yeah, and I literally, but I ended up watching about half the film and it actually starts really well. Anyway, carry on. Yeah, I literally sat down and watched the entire film. That's mad. I don't know why because I'm doing an Invisible Possible rewatch. I watched the Brian De Palma one as well. That looks a thousand years old these days, but we are getting, we're getting sidetracked. But, you know, that action sequence at the end, I actually thought there was quite a lot of character in it, but also, it had the kind of smack of contractualism to it, like, where we have to show you doing this, then this character, and we can't have that character if we're not going to use this character and everyone has to have equal waiting and screen time.

54:09Which I thought, and that occasionally made it feel a little inorganic because everyone had to be contributing. I like that Will got to kind of like stop Vecna in his tracks and do something because Will, who let's be honest has been a fucking liability up until this point. I like that he now has something to do. And then Joyce coming in and hacking Vecna's head off with the axe and then you see like the things Vecna's done to everyone during all of it. You know, I thought, again, a nice bit of catharsis. I thought that worked well as well. So I was broadly pretty happy with it. Yes, lots of people have said there were no Demogorgons in the Abyss.

54:40Why were there no Demogorgons in the Abyss? This makes no sense. Yeah, that's a legitimate point. He's apparently got an army of them, but only when they're useful. Weirdly, I found the Abyss as this kind of weird, you know, it looks like an Arizona desert type place. I found that less interesting a place than the Upside Down, which isn't even really a place now. It's just like the inside of a wormhole. It's a dark reflection. So I maybe, you know, wasn't as wrapped up in that. I thought the fact that they worked a very interesting line where they lent on the mythology of the stage play quite heavily but without making it mandatory for you to see it which I thought was really cleverly done there were lots of bits of the stage play in there from the finding of the suitcase to the bits where you see young Joyce putting together the production when she's at high school and she's walking through Henry's memories and no point does Winona Ryder and Hopper make the connection oh Vecna we went to school with you that doesn't come up at any point but I suppose that's a lot to explain to people if they've not seen First Shadow.

55:36But Broadus Spring, I really liked it and I actually quite enjoyed the elongated end sequence as well. The thing that did stick in my mind though is that we don't see what happens to the army. Obviously, we have the time jumps. We don't see the army pull out of Hawkins. We don't see Linda Hamilton who had a thankless role in this show. We don't see them disappear. I will say, there's surprisingly little in the way of consequences for murdering a shit ton of people in this, which the main characters in this show do with wild abandon and nobody seems to mind. That's your soldiers. They kill a ton of soldiers and no one apparently cares and they just graduate as normal.

56:11No, it's okay. Don't worry about that huge body count when Nancy's like spraying bullets into men from the top of the Humvee or truck or whatever it is. And also no consequences for, by the way, the army and Linda Hamilton. Yeah, also true. They were killing a bunch of people as well. Yeah, what the fuck, you know? I mean... It was madness. Wow. I mean, maybe it's a commentary on the modern state of American politics, but let's move on from that. Yeah. And then there's the 11 aspect of it. Which I actually thought, you know, and a lot of people really didn't like the ambiguity of that. I thought it was actually very well handled from the, because when you see her through the portal, it doesn't feel right.

56:44Something feels wrong. Something feels off. And you can't quite put your finger on it. And then you do realize, just as Mike belatedly does during Dustin's speech, you know, when there's feedback in the speakers and he looks at the speakers and he's like, and you realize he's, at least he is like mind working. And he realizes, well, it makes him think of those, those broadcasters, they call them kryptonite, don't they? That kind of frequency broadcast. it's like well Elle would not have been able to move let alone get through the portal and she definitely wouldn't have been able to use her powers to pull him into the void to talk to him with those things directed at her so he's like so none of that can have been real so then he tells that little story but then they also make it very clear that Mike knows knows nothing he is guessing this is his he's making up this story to make sense of facts to him that don't fit together and it's a nice way to end and I like the idea that they all say oh you know I choose to believe in it I choose to believe in it but it also isn't you know and Sadie Sinker says she doesn't believe it's true.

57:35The Duffers say there is a canonical answer, and only Millie Bobby Brown knows it, but they won't tell any of the other cast. But ultimately, I'm not sure it really matters. I don't think it matters, no. Yeah, I like the ambiguity. Yeah, same. And I think it works quite nicely. Yeah, I think it's more moving this way, because he's having to invent, you know, well, one way, he's possibly having to invent a fictional way of dealing with the loss. It's like a coping mechanism. Yeah, exactly. that's what I was long-windedly trying to get to. Yeah, it's a coping mechanism. And I think that's more moving.

58:07Finding your coping mechanism that may or may not be true than just dealing with her death. This is more moving in a lot of ways, yeah. So no, I thought it was, I think it's good. And it's good to have ambiguity at the end of something like this rather than everything absolutely explained. That's what I found tiring about the whole epilogue in a way. Certain bits are like, all right, yeah, we get the idea. Move on and show us what happens to fucking 11. But yeah, I think they dealt with that pretty well. Yeah, I don't know what kind of what people want. On the one hand, people want everything tied up with a bow.

58:38But sometimes I think those finales feel, they don't ring true because that's not what life is like. I think having a little bit of ambiguity there is quite nice. And it gets you talking about it, which is good as well. But I also really like the end of the campaign, the D &D campaign, and they're all putting their little binders on the shelf. And then the younger kids, like the passing of the torch. Because it is a coming of age story, right? It's the end of childhood. They've grown up, they walk out of the basement, and then the younger kids run in to kind of start playing D &D as well. And, you know, the Duffers have talked about E.T.

59:05kind of casting a long shadow over this series. And that was the original ending of E.T., was that they were playing D &D in the end like they were at the beginning. But instead, obviously, it was cut to, you know, it's just E.T. It's Elliot's face, isn't it? It's the last shot of E.T. when his ship takes off. And they felt that that was more ambiguous than the ending they'd originally imagined for it. But yeah, I thought it was really well done. I think they've taken a lot of shit for it. but I also think there was nothing they could have done that would not have meant they took shit for it. Same with Game of Thrones, same with all these things.

59:33Because when it becomes a phenomenon, you can't make everyone happy. You just can't do it. And loads of people are saying, oh, they should have had the guts to kill more people. It's like, this isn't The Sopranos. It's a fucking family show. What did you imagine was going to happen? Although it became less of a family show. It did. By the end, it was pretty... But audience-wise, it's got a very broad audience. It's not what I would call an adult-aimed show. It casts its net quite wide. And I didn't think they were ever... It was never going to be like, all the kids are going to get torn apart by the mind flayer.

1:00:01Yeah, that's true. But there was quite a lot of tearing apart still. I mean, there was some bunger. I'll tell you who was good, who was a very valuable element of the cast, was Brett Gelman. I thought his... Really? Yeah. I thought he brought a lot of good, light-hearted jokiness to it. I don't mind him. Our reviewer, the Empire reviewer, I should say, called him out for his shtick and implied that he must have something on the production team because he's still allowed to do this. which I thought was particularly harsh. He is the light relief. I think he's good light relief. Yeah. I like him.

1:00:32I like him generally. I actually don't mind him. I think sometimes it gets a little bit wearing but broadly speaking, I think he brings a levity to it which I think is needed. I think so. Because Hopper's very intense and I think sometimes you do need and the kids have been through the ringer a little bit so it's nice that you have at least someone who's constantly like cavorting. Yeah. Which he was. Absolutely. Yeah. Any other thoughts? No. No. No more thoughts about Stranger Things. There's more Stranger Things to come, of course. There is an animated series coming, and there is a live-action spin-off, which we don't know anything about, but we do know that the bit where the rock, which he gets out of that briefcase, sinks into Henry's hand, and kind of puts him in sync with the Mind Flayer.

1:01:16That is the kind of the link between this show and the spin-off series. So we don't know exactly what it is, but that moment is going to be relevant to the live-action spin-off, which the Duffer brothers are working on at the moment. So we'll see what happens coming out. And they've got one other Stranger Things-related thing in development as well, but they haven't revealed what that is. I don't know if it's a show, a film, whatnot, but yeah. So Stranger Things has ended, but Stranger Things also has not ended because it's very lucrative and people like to make money. So there will be more. There'll be more stories from Hawkins.

1:01:45Oh, speaking of Hawkins, I like the reference to Montauk, which is where, obviously, Winona Ryder, and I keep forgetting the character. Joyce. Joyce and Hopper are going to Montauk. Montauk, of course, being the place where conspiracy theorists believe there were, you know, American government time travel experiments happened there. And that was the working title of this show. This show was going to be based in Montauk, and it was going to be about the Montauk experiments. But apparently, for cost reasons, they weren't able to do that. So I like that they had a little reference to that at the end.

1:02:13Wonderful. Stranger Things, then. That's us wrapped up. Kate, you can come back into the room now. And she's awake. And she's awake. Unlike last time, where you literally didn't realize we'd finished the podcast. Oh, don't bring that up again. I had your mute, which I wish there was a button for that in real life. It's completely understandable. Only remote recording, so unfortunately. I get it. Right, that's it for this week's Pilot Plus. We'll be back in your ears on Monday for the regular show when we will be speaking to Comrade K and Mickey Down for Industry, the fourth season of which lands on Sky, which is very exciting.

1:02:44And we will have... BBC? Yeah, yeah. Not on Sky at all. Boy, what are you talking about? It's on the BBC. It's Christmas, guys. Boy, it's Christmas Day and New Year's Day. Yes. Honestly. yeah we've got to get these things right yeah so industry as I said on the BBC and we will have Mark Heap and the legend that is Dawn French national treasure Dawn French on this podcast as well talking to our national treasure talking to our national treasure Boyd Hilton yeah thanks very exciting and we'll be reviewing the new series of Hijack the new series of Industry and indeed as we've already alluded to Kay very excited the 75 minute pilot episode of Star Trek Starfleet Academy listen listen listen while we're just together I'd be interested to know what listeners think right do you not think in this instance it's better for you like it's unnecessary for me to watch it bearing in mind I have no knowledge of Star Trek and you are going to inform the listeners much better than I will because I would just be saying oh this stuff happens and I don't know what's going on let me say you don't need to have the knowledge of Star Trek it's fine who's side are you on why are you forcing me to watch it he's right you don't it's aimed at non-Star Trek people really yeah it's a YA show so why are we okay this is interesting and we're changing rules.

1:03:53Anyway, okay, fine. Right, right, right. I'll watch it. Oh, I mean, but, you know, see what happens. You might love it. Yeah, you might enjoy it. You might love it. You might be a convert. You might be a tricky. Boyd, I'm going to remember this. Yeah, this betrayal. Well, I happen to have watched it, so spoiler alert, I'm not going to spoil what I think of it, but you might enjoy it more than you think, as well. Okay, all right. Well, that's my afternoon. I mean, you may not, equally. She seems fairly committed to not enjoying it. No, no, no, no. No, no, no, no. it's not that it's not in quotes hard sci-fi like foundational I'm not I'm not committed to not liking it it's just I thought I had to have a knowledge of Star Trek and I was like what's the point having said that you are right to resent the fact that it's 75 minutes I mean that to be fair I did not know that until I sat down to watch it so I was like oh interesting that's because you're like a pig and poop with it you don't care it could go on for three hours and you'd be happy but okay if I don't need knowledge of it then fine anyway you'll get to hear more about that on Monday's show we will speak to you then Pilot Out.

From the publisher

Kay successfully coins the phrase “puck buddies” as we take a look at Canadian phenomenon Heated Rivalry on Sky, whcih tells the tale of two ice hockey players who have a fierce rivalry on the ice and a passionate affair in the sheets. Plus not only do we unpick the likely culprits in a Pilot TV-themed Traitors during the post bag but Boyd and James chew over the Stranger Things finale while Kay catches up on her emails.

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PLUS Heated Rivalry, and Stranger Things finale spoiler discussionPilot TV+ · 1 h 5 min
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