PLUS Last Seen

9 Sep 2026 · 54 min · 27 chapters

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In short

Review of Apple TV+ thriller Last Scene (aka Last Seen in the podcast), plus discussion of bingeability, pacing, coincidences, and adaptation changes from Ryan David John’s novel The Dispatcher; includes a postbag segment about TV/webisodes, Sky recording behavior, multiverse theory, and other listener questions.

Guests

None. This is a podcast panel (Steph, Boyd, James) reviewing the series; Patrick Bramall is mentioned as the interviewee/actor, but he is not present in this transcript.

Guest backgrounds (mentioned)

Patrick Bramall is an Australian actor, classically trained (Victoria Academy of Arts; bachelor’s plus further training). He’s known domestically for ~20 years, later internationally via roles like Glitch and Evil.

Key claims

The show is propulsive, bingeable (6 episodes), morally complex (“nothing is quite as it seems”), and intentionally absurd enough to work as entertainment despite plot coincidences.

Notable examples

Ian Ridley’s missing-daughter premise; a phone-box coincidence in a tiny town; “don’t get out of the car” trope he repeatedly violates; sea-swimming visuals; the ending’s “borderline funny” intensity.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Discussion on Patrick Bramall and Early Impressions

0:45 to 3:06

The team shares their initial impressions of Patrick Bramall and his recent visit.

“and not because she showers them with gifts which frankly busts the podcast budget but it's because they like her more than us, really.”

Overview of Last Scene's Plot

3:06 to 5:00

The hosts provide a summary of the plot and themes of Last Scene.

“I started watching the show at 3 o 'clock on Friday and obviously we get the screeners so we have all the episodes I understand they're not all being released at the same time on Apple are they?”

Character Analysis and Themes

5:00 to 7:30

An in-depth analysis of character development and thematic elements in Last Scene.

“This is so weird that they have this over there because I just don't imagine...”

Viewer Reactions and Binge-Watching

7:30 to 10:00

The hosts discuss their binge-watching experiences and emotional reactions to the show.

“Funnily enough, Boyd didn't bring that up during the interview.”

Critique of Plot Devices and Coincidences

10:00 to 12:00

A critique of the storytelling, focusing on coincidences and character decisions.

“I mentioned these two, James, before we started recording.”

Final Thoughts and Recommendations

12:00 to 13:30

The hosts share their concluding thoughts and recommendations on Last Scene.

“His ex-wife is going out with a current cop.”

Absurdity in Entertainment

14:01 to 14:30

Discussion on the balance between absurdity and enjoyment in storytelling.

“which I still think is massive, is the fact that he keeps doing things that are so stupid.”

The Thrill of Absurdity

14:31 to 15:15

Exploration of how absurd elements in a show can enhance its thrill.

“But that's so entertaining, don't you think it's still?”

The Perfect Episode Count

15:16 to 17:20

Debate on the ideal number of episodes for a series and the effectiveness of a six-episode structure.

“And first of all, the pacing of it is so thrilling that you kind of almost skip over the things that don't make sense.”

Setting and Cinematic Quality

17:21 to 18:21

Appreciation of the picturesque settings and cinematography in the show.

“But I would say this is an example of a perfect amount of episodes.”
Show all 27 chapters

Swimming Doubles in Production

18:22 to 19:31

Discussion on the use of swim doubles in filming and the challenges of open water scenes.

“Because he does a lot of swimming in the show.”

Listener Stories and Humor

19:32 to 21:08

Sharing listener anecdotes and humorous interactions related to previous discussions.

“This has gone in an unexpected direction.”

Comments on Celebrity Culture

21:09 to 22:35

Discussion about the celebrity interactions and the humorous side of listener feedback.

“And it says, hello, long time listener, but need to say that Steph is the most hilarious presenter in any podcast going.”

Accidental Celebrity Obituaries

22:36 to 23:41

The comedic mishap of mistakenly declaring celebrities deceased.

“New greatest, it's radio presenter Zoe Ball.”

Debates Over Viewing Techniques

23:42 to 27:34

Arguments about viewing habits and the challenges of keeping up with shows.

“I went to see a big show she did a few years ago, so I don't know why.”

Sky's Automatic Downloads

27:35 to 28:00

Insight into Sky's automatic downloading feature and its implications for viewers.

“hello all thank you for the entertainment I wanted to get your opinion on Sky automatically automatically downloading shows to my TV without me requesting it.”

Unrequested Downloads and AI Recording

28:00 to 29:52

Explore the implications of AI recording shows automatically and its potential impact on viewership statistics.

“rather than watching it at the broadcast time.”

Nepo Babies in Hollywood

29:52 to 32:06

Discussion on next-generation stars who have outshone their famous parents, including various notable examples.

“Where they're thinking, oh, this person will probably want to watch this, therefore.”

Anna's Critique of Ted Lasso

32:06 to 34:08

Listener Anna expresses frustration with inaccuracies in a police station scene from Ted Lasso, sparking a conversation about realism in TV shows.

“I mean, there are times when I come close to murdering, Chris.”

Paul the Wine Guy's Multiverse Debate

34:08 to 35:51

Paul raises concerns about the multiverse concept, leading to a lively debate on its implications in storytelling.

“But that really isn't the fundamental flaw.”

The Appeal and Issues of Multiverses

35:51 to 38:41

The hosts discuss the appeal of multiverses in media and the challenges they pose to narrative focus and character investment.

“Well, the thing is, Paul is obviously correct, but the thing is, the nature of the multiversal model is that everything that can conceivably happen does happen.”

The Evolution of Webisodes in TV

38:41 to 40:26

Examining the decline of webisodes in television and how they have been replaced by other forms of content distribution.

“But most stories do that quite well, I think.”

Social Media's Role in Modern TV Promotion

40:26 to 42:00

Discussing how social media clips and moments are used to engage audiences and promote TV shows effectively.

“A normal episode, I think, is about eight minutes.”

Mining for Show Moments

42:00 to 45:29

Discussion on how clips from shows attract new audiences.

“And it totally makes sense that there are people mining these shows for specific moments that will bring in new audiences.”

Listener Feedback and Dog Park

45:30 to 48:30

Engaging with listener insights and discussing Dog Park's content.

“It has to be drained with a syringe, but that's a whole other thing.”

Reactions to The Pit and Future Predictions

48:31 to 51:48

Listeners share their thoughts on The Pit and predictions for future seasons.

“I happen to be visiting Pittsburgh for a concert this past 4th of July weekend, which is also the time period depicted in the second season of The Pit.”

Wrap-Up and Upcoming Topics

51:49 to 53:48

Closing thoughts and preview of the next episode's content.

“because he's absolutely right, the bike foreshadowing was quite heavy.”
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Transcript

Automatic transcript. May contain errors.

0:07Welcome to Pilot Plus, your extended guide to every show that matters. and we are going to jump straight into our review of Last Scene on Apple TV+. And that is appropriate because Patrick Bramall, the star of Last Scene, has literally just left the studio. Isn't that right, guys? Oh, he floated out. He did. He floated out on a high of meeting Steph Seeland. He did. And, you know, I think now, Boyd, I think for us, we need to stay some kind of intervention. We are. And really, the issue that we have is Steph's not allowed to do interviews anymore. and I'm sorry, this is the case and the reason is not because, you know, she's bad or anything and not because she showers them with gifts which frankly busts the podcast budget but it's because they like her more than us, really.

0:52That's the problem. He didn't like me. No, he did. He felt bad for me because of the head injury, I think. And then, you know, we had... This happened with Elizabeth Moss. It happened with Anya Taylor-Joy. It happens every time we do an interview, they love you and me and Boydie, chop liver. Who's coming in? Have we got someone else coming in soon? Oh, they probably just want to see Steph. No, no, they don't. They don't. I think they do. But he was an absolute dreamboat and the loveliest man. He was. And you know when everybody wants him to be basically Gordy, right? They want him to be Gordon Crap, right?

1:27They want him to be as lovely as him. From Colin. From Colin from Accounts, right? And he is an even better. He's like the most wonderful man. He's Gordon Plus. Oh, that's such a great way to put it. Yeah, he's Gordon Plus. Such a good job we like this show. Spoiler. Because if we didn't, this would be super awkward. How do you know? Well, that's a good point. Maybe you lied to him. Hold on. I'm just saying I got the vibe from you. Oh, God, this is interesting. This is, oh, we'd kick things up a notch. All right, well, let's get into this. Did we like last scene? Or, you know, we'll be just lying to him when he came in.

2:00No. We'll be giving the impression of, well, let's find out. Anyway, this is last scene. It is on Apple TV+. it is an adaptation a very loose adaptation to be fair on the novel The Dispatcher by Ryan David John I don't know have you read the novel? I've read the synopsis of the novel and it is quite different it is quite different to the show and as we discussed in the interview I think the changes they made were very very smart but we will maybe get into that we'll see but anyway this airs on Aperture very very soon it's written by Chris Merkza and yeah and it doesn't start very very soon it's on already it's on already Yes.

2:33It's on already. Yes. Really, as we go out, that's right, it aired today. Today? The start of today? Yesterday. Yesterday. Yes. Oh, wow. We couldn't review it previously because of embargoes. Yes, it was embargoed. Yes. So, last seen yesterday, is what you're saying. Exactly. Exactly. Okay, well, let's start with Steph, because I don't know where Boyd stands, and I want to prolong the anticipation. The tension. There is a lot of tension, Boyd. Okay, so I think what I have to say first is that I started watching this show, as I told Patrick Bramall your close personal friend my close personal friend Patrick Bramall I started watching the show at 3 o 'clock on Friday and obviously we get the screeners so we have all the episodes I understand they're not all being released at the same time on Apple are they?

3:16No they never are No they never are on Apple as is their model Now I watched 3pm just to confirm 3pm 3pm I started watching it and by 10 o 'clock I'd finished all 6 episodes because I couldn't stop watching it. And not just because we were interviewing him, because it's so propulsive and so unbelievably brilliant. And he is, as we also mentioned, a classically trained actor and he is showing off his wares. You use that phrase a lot in the interview. What does that mean? Exactly. I was going to say, what does that mean? Well, I'll tell you what it means, guys. It means that he went to, I think it's the Victoria Academy of Arts and he's got a bachelor's degree and then he did another year and a half long acting thing and he's trained.

4:06When you say classically trained, does that mean he can do The Odyssey? Yeah, because basically everyone keeps calling him a comedic actor and he's not just a comedic actor. He's not, to be fair, he's not just done comedy. I think because he's been a fairly household name in Australia for about 20 years. He does the moody stuff, a moody Christmas. Yeah, but I think he's really only broken out in the last few years to become kind of internationally recognisable. He did that super, that glitch thing. He did glitch, yes. He did evil, you know, that procedural. By the way, my favourite moment of the interview, I've just remembered, is when you said to him, a lot of people don't know about Colin from accounts.

4:41Yeah. And he was like, okay. No, no. And in this country, that is true. You ask most people, they won't know what you're talking about. And I think like, because again, and we talked about this, I think it's partly because of the title. Anyway. Anyway, right. So yes, it's, oh God, I was so invested in this. So, basically, Ian Ridley's daughter went missing 11 years ago. Ian Ridley is now working. He's a former police officer. He's now working in... This is so weird that they have this over there because I just don't imagine... I imagine all kind of sort of 999 and 911 call centres to just be like big rooms because that's how I see them in all...

5:23Whereas it's a bit like a little office, isn't it? Yeah, it's a little office. So he's like an emergency dispatcher and he has like three screens in front of him. And he's got various things. I don't want to give, we're not going to spoil anything. He's got various things going on in his life. He's a former alcoholic. So he's, you know, he's kind of going through treatment for that. He's got an ex-wife, but really... Shagging a colleague. Yeah, shagging a colleague, which is how it opens. So again, not a spoiler. But really, this is about like the kind of his depth of misery that he's in because his daughter has gone missing.

5:57He's also got an older son. And you find out soon his ex-wife is pregnant with another child. And the body was never found. It's never been resolved. And then he gets this call. And that doesn't happen in the first episode. That happens, I think, in episode two. But this is the premise, it's not a spoiler. He gets a call from someone he believes to be his missing daughter, Max. And that's kind of the whole setup of it. But it's so much more than that. because as you keep going with it, it's about, I don't know, it's a twisted family drama. There's layers to this shit. It's unbelievable. And I think you made this point, James, when we interviewed him, that where you think, oh, actually, probably you, Boyd, want to give credit where credit's due.

6:42Where one of the mysteries is resolved, and they could have left it to the end, they sort of resolve it midway through and then it becomes about something more. it's a more explorative journey and that is really exciting but I just could not in that week I'd watched Devil Wears Prada I'd watched Colin from Accounts I'd watched two episodes of Bluey I had had a Patrick Brammer week you might have over prepped that interview I don't know why you needed to watch Devil Wears Prada 2 I was on the plane I was like oh I'm going to watch I'll tell you why do you know why I watched it because you were giving him shit.

7:22Boyd thought he was miscast. Yeah, you thought he was miscast. And I don't think he is. I think he's really good in it. Oh, no, I'm not saying he's not really good. He's really good at everything. But I'm just saying miscast is different. Funnily enough, Boyd didn't bring that up during the interview. No, it would have been rude. To remind him that. Anyway, the tragedy of this is that I think it's super, super bingeable and you're not going to be able to binge it unless you wait till the last one's released and then binge it all in one go. Because I would have found it incredibly frustrating not to keep going with it because the cliffhangers are really good.

7:54So that's my only thing that I feel sad about this because I think you should just wait till it's all released and then binge the whole thing. And I also want to say that I'm not the only person who binged this. Am I, James? I can neither confirm, I can confirm I did in fact binge the whole thing in a day. Yes, I did watch the whole thing. Because the thing with this show is I had concerns about watching it because I thought it was going to upset me. It's not your bag. It's not my bag at all. It's a really dark, upsetting thriller about a missing child. And I thought, this is going to be a lot.

8:29And I was right. It 100 % was. But it got to the point where at the end of the first episode, there's a little season on, this type of thing, there's a little reel. And after that, I kind of thought, I'll just watch the second one as well because we're always doing an interview. I'll watch the second one. I'll watch the second one. And then I was just like, I am going through absolute trauma watching this show. I was devastated but I had to find out how it resolved because you don't want to suspend the trauma for another week I needed closure I literally needed closure I couldn't agree more so I burned through the entire thing in a day and at the end of it and this is no exaggeration I was a sobbing crying mass on the sofa I was nearly destroyed by it so much so that I literally had to bounce straight out of this and immediately watched the finale to Colin from Accounts because hilariously both of these shows drop in the same week here in the UK just to level myself off emotionally before I could go to bed How are you now?

9:19I'm still recovering from it. It is, I mean, it is a lot. It is a lot. But it's really good in that it does do different things. I think I love what it does with your sense of moral outrage and what it does with your sensibilities. Because, and I'm going to have to dance around this, because from a plot point of view, we really don't want to spoil anything. But nothing is quite as it seems. And it's not a classic bad person does bad thing to good person story. It's much more morally complex than that. I mean, it's not perfect. There are a couple of things where there are some astonishing coincidences that happen in this.

9:56To the point where you're just like, really? Boyd's raised an eyebrow. I mentioned these two, James, before we started recording. Yeah, I mean, there's one bit where a phone call is made from a public phone box. Remember that scene, Steph? Yeah, it's a small town. It is a small Australian town. A really small town. Yeah. It's tiny. Where there's basically two people. And two phone boxes. And they both come together at that point purely by coincidence. And she stumbles out of a really busy party, someone does, and goes to this phone box and someone finds the right person. It's just ridiculous. I didn't find that that unbelievable.

10:37No. I was fully in it then, though. I'll tell you I'll tell you what is the crux of the matter for me is I think it's I don't think there were just a couple of instances of of coincidence I think the whole thing is built around an extraordinary array of coincidences when you think about but it's really hard to talk about it because yes there'd be spoilers but let's just say there are family relationships involved that are so that stretch credulity so much connections between characters they're like so you know know what if that person hadn't done that and that person it's so it's almost like in the dna of the whole concept is that it's lots of people did massively surprising things without telling each other and it turned out there were coincidences all along and it's just but but i'll get to the point eventually in my mind it doesn't matter because it's so compelling and gripping and binge-worthy in all of those things i too ended up watching it at two in the morning oh my god I'd watched the first two ages ago ages ago and then I watched the rest it's so compelling and gripping that it really doesn't matter how ridiculous a lot of this plotting is and I'll be interested about he mentioned we talked about the book and Patrick Merrill said something about she's in the basement she's locked in the basement so the book it's like she has been she's been quote unquote dead for four months so it's really different timescale whereas this has been 11 years and yes she has been kidnapped she's being kept in a basement somewhere it's a very different it's a completely different story really well all I'd say is for me like a lot of the plot points that develop that are I did not buy at all as they're playing out in front of my house I was like she wouldn't do that he wouldn't do that he keeps telling people Patrick Bramwell's character Ian Ridley keeps somehow ending up as part of the investigation right which is a classic trope of all of these to be fair he did used to be the police chief I know even that He used to be the police chief.

12:39His ex-wife is going out with a current cop. And there are the other cops that are brought in to investigate the case. And somehow, he ends up riding along with everyone. They go, yeah, it's fine. You ride along with me. But don't get out of the car. How many times do people tell him, don't get out of the car? And he gets out of the car. He immediately goes out of the car. There's one bit that's so funny. There's slightly doofus as you cop. He goes, all right, you can come along with me. But just don't get out of the car, mate. Don't get out of the car, mate. And he gets out of the car within seconds.

13:04And he goes, mate, mate. And it was funny. That's the strength of his determination. It was as funny as anything, Colin, from accounts. The thing is, though, I do think you're missing the Australianosity of it. I think there is a thread of just... Yeah, I think that sort of thing... It's a small town, they kind of all know each other. They're a bit matey. I think it's just quite, oh, mate, come on, mate. It's very... And I think I bought into that. So did I. I didn't think it was unbelievable at all. Totally, I wouldn't buy it if it was a London copper at the Met. But I thought small town Australia, I kind of got it.

13:37And the fact that everyone's connected, I also got that because by the end of the series, you understand why the connective tissue is there. And actually, the coincidences aren't really coincidences, they're the reasons why things happen. And so you start to kind of make... But you're right, there are still a couple of moments, like the drive-by, you're like, really, would you be there at that exact time? I don't think you would. But small town Australia. Okay, even beyond the coincidence factor, which I still think is massive, is the fact that he keeps doing things that are so stupid. He does, yes.

14:11And he has to keep doing stupid things to enable the plot to end up where it does. But again, I have to emphasize, I absolutely loved it. I loved every, as you say, I completely agree with you. I loved every minute of it. But as I'm loving every minute of it, I'm also thinking, this is insane. He's doing this thing, and then he's doing this thing. But that's so entertaining, don't you think it's still? No, completely. Yeah, that's what I'm saying. It's a massive payoff. I remember the conversation, I probably brought this up tedious a number of times, with Jed McCurie about Line of Duty and I would say to him, because there are moments in Line of Duty that everyone would point out, you know, saying that is ridiculous and they said that to him and I said to him, I think I read him a quote once when I interviewed him from some critics saying, there were so many plot holes and it's absolutely absurd and he got, Jed McCurie was kind of like, the thing is, when you really want to test the boundaries and make it really, really gripping and absolutely massively compelling, you have to get to the point where some people will think you've gone too far.

15:12Yeah. And it's really absurd. And that's what this show does. It reminded me of a Jed Mercurio show in that sense. And first of all, the pacing of it is so thrilling that you kind of almost skip over the things that don't make sense. But then when you sit down and think about it for a minute, you're like, oh my God, it doesn't make any sense. People would never behave like that. And I go that right to the end. I didn't really buy what happens in the end, even, to the kidnapped girl. But it didn't matter because I really loved it. So that's my position. The absurd is what elevates it from actual real life to entertainment.

15:47The fact that it's prepared to go to the absurd and that a lot of viewers will go, no, no, no, this is ridiculous. But, you know, the fact that dares to go there is really in its favour for me. but I think not all viewers will think the same well I tell you what I found really interesting about it from that point of view where I thought people will think the ending is absurd and some of the things happen but I at some point when people have finished this and maybe we do a spoiler special on this I will talk let's get Patrick back let's get Patrick back I will talk about real life crime cases where these things have happened and it seems like they're coincidence I did buy the end by the way yeah it's happened that ending has happened No spoilers, no spoilers.

16:30But I'm just saying, there's about three things that happen in there that I thought, oh, have they drawn on these particular cases, which I won't say what they are, because that happens. I don't simply mean the main thing that I know we're all alluding to. This is so tedious if you haven't seen it, obviously. But I also mean, actually, that whole fight finale. I'm talking about all the different characters and stuff, not just her. I don't think in a true crime documentary you've seen the goings-on that happened in that scene. That's fair. That scene is full of moments. There's a lot happening.

17:01That scene is full of moments that, again, were borderline funny for me. Again, I don't care. I totally went along with it. But I actually say, oh, my God. They're actually all doing these things. And it's really quite funny. So, yeah, those are my issues. Six episodes, we should say. So it's actually a really tight scene. Yeah, yeah, yeah. It's like six hours. You can do it in one sitting. You shouldn't, but you can. Do you know what? We've had this conversation before. But I would say this is an example of a perfect amount of episodes. you know how we had that conversation about eight episodes is a bit too long trim the fat make it six really good episodes this does exactly that I'll tell you what even the penultimate episode which is a kind of explanatory one really well constructed really well done and that could have gone on for like two episodes in a normal eight parter as you say but then no it's really really lean the storytelling and it's also beautiful by the way like there are some shots of I mean it's set in this incredibly picturesque isn't it kind of various shots Town Victoria, I think.

17:57Yeah, where he goes swimming with his mate. It's like beautiful. And even the weird house where half of it's set is in an incredible locale. You know, they do a lot of sea swimming. Were you like, I was a little bit... Sharks. Yes. Thank you, James. Literally the first thing. I was like, what are you doing? I know. I meant to ask him about that. Yeah, during the interview. You know, it was... Maybe it's like, you know, because he's Australian, they're like, whatever. They're taking the stride. I forgot to... I really wanted to know whether he did his own swimming. Because he does a lot of swimming in the show.

18:24What do you mean to do your own swimming? You can see him in the water swimming. Did you do your own swimming? Steph, these days they can do things with CTI. You have a swim double. No, there's no way. He can absolutely have a swim double. Really? Of course he could. A swim double? I don't... You see his face and actually him swimming in the water. Don't claim I'm being an idiot when you absolutely guarantee they can have a swim double. In this day and age, they can do anything. And he has to swim quite a long way. He does a lot of... Oh, I see what you mean. so like when they're kind of the drawn back shots and a swim okay no that isn't silly apologies you know what he probably does have a swim double because it's a very good swim wow that is the most extraordinary 180 I have ever seen you've gone from incredulous to absolute agreement now I know what you mean thank you like you know when he's doing the front crawl that's like quite a hard oh yeah front crawl really difficult I can't imagine he'd be able to do a front crawl in open water yeah listen there's someone nearly drowned when I jumped off the boat in Barcelona a couple of years ago No, it's fine.

19:22I didn't really have a good exaggeration. But it's quite, it takes it out of you. Yeah, it does take out of you. The actual sea. Yes, swim doubles. It's the actual sea that I'm talking about. If you are a swim double, get in touch. Swim double. This has gone in an unexpected direction. Last scene, not last sea, but last scene, and that is on Apple TV Plus now, because it started yesterday. Exactly. Well, I had one finder question, which again, I meant to ask you, which is, I think if this does really well, it's bound to. I think they'll want a sequel as well. I think they'll want an answer. Find out what he's up to, Ian Ridley.

19:53Yeah. Yeah. We shall see. Anyway, let us move on to this week's postbag.

20:05Triage. It's the postbag. Now, as we begin this postbag, I should say, I did solicit questions about the pit, and there are a few of those, so we will address those at the very end. The Pit Pit or My Immersive Experience The Pit? I mean, either. Okay. Both? Are you referring to it as My Immersive Experience The Pit now? Yeah. Steph's like, Steph did like Secret Cinema Pit, but you know, and hasn't been able to prove it. When I told Patrick Brownell that whole story, he was like, yeah, it is. It's like The Immersive Experience. You told him the whole story. He asked me. I wonder what was happening in the gap between.

20:41Do you know what? He came straight in. He came straight in and he basically put his hand on my thing and he went, what happened there, mate? He touched your forehead. He went, what happened there, mate? And I was like, well, I wasn't going to mention it. And I was like, well. I mean, you have got literally a plaster. And then he said, and then I showed him the pictures. And he was like, and then he was like, I love a scar. That's what he said. It was great. Wow. It's a great topic of discussion. Yeah, it is. Anyway, postbag. Postbag, yes, postbag. Let's begin with one for Steph. And it says, hello, long time listener, but need to say that Steph is the most hilarious presenter in any podcast going.

21:20Her American story was gold, but ultimately, it's just pure hits. Love James and Boyd as well, but kudos to her. From Alan. Oh my God, we're going to get even more of these. I know. Here's the Patrick Bramall. We'll get one from Patrick. Oh, Paddy, Paddy as we know him now. I'm sure we'll be writing in to talk about Steph all the time. Oh, thanks, Alan. I'm just, what I'm getting is, I'm just very Marmite. People either like me or they absolutely despise me and want me dead. You are famously hateable, Steph. Yes. Another Steph-related one. This comes from Mike. My 20-year-old daughter did a Steph a couple of months ago, but fortunately chose this country to do it in.

21:58She fainted in the toilets of Charing Cross Station while on lunch break during her first day of work experience at a TV production company as part of her university course. She belted her mouth on the porcelain, knocking out one tooth and breaking another. £4 ,000 later, she finally has a full set of teeth again. Unfortunately, the TV production company told her not to bother going back in again, which hurt her more than the toilet mishap. That is outrageous. They told her not to come back in again. Name and shame. Go on, write in and name and shame the production company. That is really mean after she'd had that injury.

22:30That is horrible. That is really nasty. Can I just say, Apera of nothing, Zoe Ball just waved at me from the other side of the clock. You and your celebrity fans. Wow. New greatest, it's radio presenter Zoe Ball. Yeah, there are Zoe Ball balloons around the office. Yes. Is she new? Is this a new thing? She started yesterday. there was a free food I thought you would have been there actually I would have come all the way in oh look and Simon Mayo is now waving at Boyddy from the other window what is going on here just saying hello to all my radio friends Jesus anyway back to this poor guy what's her name he did not share her name oh that's really sad I'm sorry that happened and I'm sorry you had to spend £4 ,000 and I hope you've got at least it wasn't £33 ,000 yeah that's true but still well okay did a Steph it's now in the national lexicon you did a Steph okay Okay, Stuart says, just to say, Shirley Bassey would be rolling in her grave at Boyd describing her as the late great if she was dead, of course, which she very much is not.

23:29Boyd, you did not describe her as the late great. I killed off Shirley Bassey. You killed Shirley Bassey. Why would you do that? And do you know what the stupid thing is? Is that, first of all, apologies to anyone listening who's related to Shirley, the great dame Shirley Bassey who's very much still with us. I went to see a big show she did a few years ago, so I don't know why. and even as I was saying it I was like it's just I wasn't really saying it as a thing I was just kind of using that phrase because because Lulu took part in that James Bond concert I was talking about and actually when I was looking at the details I was thinking I wonder if Shirley Bassey could have done it knowing she was still alive and yeah I said great on this show she's the second person I've killed us I was just about to say this is becoming a bit of a trend we went to Shirley Bassey together do you remember?

24:10you took me yeah it was really really good that was like a long time ago I think that must have been about 10 years ago actually but you're either killing people off or yeah what's going on I feel bad you should feel bad I do feel bad diamonds are forever and so is our show yeah she absolutely is yeah so apologies thank you I've got a few I had a few messages I can imagine informing you a few DMs shall we say from people saying yeah she's very much still with us Shirley herself telling you she was still alive not as far as I'm aware but you know okay Please, God, have she done this as a podcast.

24:47Message here from Mike. And Mike says, I was preparing to go full the stat on James after his Reacher review. You go for Jack Reacher, you go for me. But after watching episode six, I've come to the conclusion that this series is utter pants. They've made Reacher on the spectrum and the acting is awful. Have they made all the background actors small so that Reacher sticks out more? In the last episode, Jacob had a nasty cut on his neck and was covered in blood. Five minutes later, it was gone. I've read every Reacher even the recent ones I know I'm not reading Shakespeare but it is an easy to read style the latest season has dumbed it all down further so apologies to James for ever doubting him on another note I'm surprised you didn't review The Airport Chaplin on Netflix with Hugo Weaving and Shabana Aziz from The Pit a totally unexpected pleasure Mike brackets not Steve yeah I only found out about that I've actually been off an interview with him that is true both of them together both of them together well we should watch it then it was a victim watch it that was a victim of I'm not oh god don't if you say it don't don't get the haters involved I'm not going to be a killer go on what was it a victim of no no no we have to decide very early what we're doing for reasons is this code for I didn't put it on the calendar no it's code for I always ask oh it's your fault I always ask yes it is because my okay okay let's go we're having a out okay right we're just talking about how we haven't had an argument.

26:16So, basically, Boyd, because my main job is not like TV extraordinaire, like Boyd Hilton, who has to watch TV constantly and is able to sit at his desk and watch television. As the creators intended. Right. And you can do that as well. That isn't my main job. My main jobs are on heat and crime. Solving crimes. Right. So I can't do that. So I need to do that in my own time a little bit earlier. So I always ask Boyd, in the week a time he does not like what shows we can do and he gets very cross because he's I don't get very cross it's just I just blame you I just blame you I just blame you it is your fault as they say well I'm going to say now no no no I'm joking but for example there are two shows this week one show starts on a Sunday particularly so I only found out yesterday there were two big shows that start on the Sunday of the week we're doing which we probably embargoed anyway but I could have at least but yeah I'm going to give you one late pass okay so one pass out of the three if we can have one late pass and then you can tell me on it has to be like Monday late night or Tuesday enough to get screeners and then we can do that okay so let's not fight anymore I love you that's a good solution okay okay moving on a message here from Martin Martin says hello all thank you for the entertainment I wanted to get your opinion on Sky automatically automatically downloading shows to my TV without me requesting it.

27:45This happens infrequently, but it has happened a few times, the latest being with the first two episodes of The Terror. I can only think this is a way of Sky pushing a show that they feel might need some help and are hoping the viewer who sees the show in their recorded list might be more inclined to watch it in their own time rather than watching it at the broadcast time. My question is, do you think this is a legitimate promotional technique for shows? And also, do you think my unrequested download will feed into their official figures for the show. This is fascinating because I have never heard of this before.

28:15Oh, my God. This is fascinating because now I know I'm not insane. Does it do that automatically? So it would say. Do you know how many times I've looked on my records and gone, I don't remember recording that. I don't remember recording that. Because I didn't. No, it wasn't. No. Yeah, no, it does happen. I think if you watch a certain type of show often enough, so I get they record Premier League football matches for me oh that's actually just handy they don't do that for me I have to un-series link it all the time because I haven't seriously linked it and those take up those go on for hours as well they take up quite a lot of dis space in my Sky Q you are the real victim here I am the real victim here but it is the thing it does yeah it does I think it learns I think it's you have to watch a certain amount of a certain show and then it will start recording it of its own will that is fascinating and also naughty it is naughty I don't think it affects bar because Barb isn't measured that way.

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29:10Justice for Barb. Yeah, justice for Barb. The people who do the compiled viewing figures, you have to have a Barb box. It's quite an elaborate... You have to be part of their panel anyway. So it won't affect the ratings, the official ratings. But it is a weird thing that happens. Is this like when Apple put the U2 album on everyone's iPhones? And everyone got really cross. I mean, that is the legendary example of unwanted content. They had to release a special piece of software to remove it because everyone was so furious about the free U2 album. A bit like that, but I think Sky would probably say, we're not, you know, you can just delete it instantly.

29:43So the question, of course, here is like, is it that, for example, that they've done what Martin suggests, that they think, oh, the terror and people might not watch it, let's push the terror to people? Or is it almost like an AI algorithmic thing, as you said? I think it's an AI algorithmic. Where they're thinking, oh, this person will probably want to watch this, therefore. I guarantee you that that listener who raised this issue would have watched a lot of stuff like that before. It's an algorithm. And they reckon that it'll be something he likes. Also, the terror is excellent, so you will like it.

30:12Well, there you go. Steph thinks they were right. Yeah. Have you finished it? No, I haven't finished it. So he'll like it, but just not that much. He'll like it. He'll like the first three episodes. I can confirm that. Yeah, yeah. Okay. But that is a fascinating thing that happens, yes. You looked really cross then when you thought I'd finished the terror. You finished it. Oh, no, I'm not surprised. We did a question recently, you'll remember, about Nepo babies who outshone their parents. Yes. Well, Mark has some thoughts on this. And Mark says, on the subject of next-gen stars outshining their progenitors, may I add some more noteworthy examples?

30:46Could you say progenitors? Such, God, that was a really, really good email. A lot of good long words there. There's more. There's more. Jason Robards, junior. Star of All the President's Men, among many other classic films, is the son of Jason Robards, senior. primarily a bit player in movies and on TV. James Earl Jones, father of Luke Skywalker, spoiler for the Empire Strikes Back, is the son of Robert Earl Jones, supporting actor in The Sting and Trading Places. That's a great one. Kurt Russell, obviously, Snake Plissken himself, is the son of Bing Russell, supporting actor on Bonanza and other TV shows, and also father of Wyatt Russell.

31:24Ron Howard, TV star and heralded film director, is the son of Rance and Gene Howard, both supporting actors in film and TV and of course the father of Bryce Dallas Howard yeah not to forget John Huston son of Walter Larry Hagman son of Mary Martin and many many more thanks for surpassing that Bangly Bang film podcast as my all time favourite aww thanks Mark what the what the Bangly Bang he means the Empire Podcast you never listen to the Empire Podcast what's Bangly Bang god Steph it's like we don't even know each other I don't listen I don't I don't listen to me it's like you don't religiously listen to me on the Empire Podcast like Boyd does to help you go to sleep.

32:02I'm sorry, I'm listening to murder. I'm sorry. Yes, you only listen to murders. You have to go to sleep. I mean, you could combine the two. Empire podcast goes murder. Yeah, that would be great. That would be good, yeah. I mean, there are times when I come close to murdering, Chris. That could genuinely happen. Right, okay. Let's have a question here from Anna. Hello, long-time subscriber here who has not been wound up enough to write in before. Oh, no, it's definitely one for me. Almost certainly. However, the scene in the police station in the most recent episode of Ted Lasso irritated me so much, I had to vent you all about it.

32:36We have not had paid bail in this country for well over a century, nor do we have holding cells, shared cells in the middle of a police station, or indeed, cells made of bars. I generally try to maintain my hold on my suspension of disbelief, understanding that occasional reality-adjacent plot beats can be necessary for the narrative. but this was just so far from the English system that it took me straight out of the episode and into a rant-filled rage at my TV. I couldn't tell if it was just narrative expediency, writer laziness, or the belief that the American way of doing things must be universal because America's just so fucking awesome.

33:12Have any recent shows incited you to similar reactions? Adore the podcast and hope you have another live episode soon. Oh my goodness. Anna. I have to say, Anna, I haven't seen that episode but I think that would have annoyed me. Is it annoying? I didn't bump on any of that stuff because it didn't occur to me that said I've watched enough episodes of Line of Duty and The Bill to know that when you are banged up they stick you in like a closed room with like a little shelf to lie on and it's just a door like there are no bars it's just a room isn't it well if you watch you know Luton's reality show 24 Hours in Police Custody you'll know that well there we go is all of 24 Hours in Police Custody in Luton?

33:46it's the Bedfordshire so most of it is in the surrounding area but most of it is people who live down my road I think that scene that scene it is like it was the Americans wrote it and made it because you always get that in American shows they really are put literally behind bars in a communal cell and in a communal cell exactly and someone has to pay money the holding pen that's such a little American narrative device that yeah it's a shame that it was transplanted to a British show but was it funny though did it give the comedy that scene I mean it's fine but yes it doesn't I guess that had they all been locked in individual rooms with closed walls it would have been difficult to make a scene out of that right okay I wonder if Anna works for the police service it sounds like it yeah it does sound like it either that or frankly she's been on the wrong side of the law a lot yeah when I was arrested on the many many times I have become known to the police okay another one and this is from Paul the Wine Guy it's been a while since we've heard from Paul the Wine Guy and Paul the Wine Guy says prompted by the plus episode released on the 27th of August, and by my long-term absence from the postbag, that was passive-aggressive, I had to return to your inbox on the subject of what is wrong with the multiverse model.

35:04Boyd's question is fine. You get quotes around the fine, Boydy. But that really isn't the fundamental flaw. The main point is that if it is possible, indeed probable, that events in each universe vary, then in no time each universe will be totally different. As someone dies, marries, has children in one, unless it happens in all the others simultaneously, they immediately start to diverge. So either events have to replicate in each universe or in a couple of generations there will be an entirely different. E.g. Doctor Strange dies in one, he's not around to play his part in Endgame in that one, the future ends up very differently.

35:35So yes, who cares is a fair question, but the lesser one. All the best, Paul the wine guy. I feel like that was more of a telling off than a question. I feel like it was under void. Yeah. That is, Paul, I mean... I had to close my eyes while you did that question because I was trying to take it all in. Well, the thing is, Paul is obviously correct, but the thing is, the nature of the multiversal model is that everything that can conceivably happen does happen. Because the universe, it's not like there are 10 other universes, there are infinite universes. So, for example, in one universe, it's exactly the same as this one, but I said a different word here, and then the rest of the podcast was the same.

36:13Yeah. And then, do you know what I mean? That would make for a good drama. Yeah, exactly. So you could have... Isn't that dark matter? Isn't that the premise of dark matter? Yes, pretty much. But what I'm saying is you could have hundreds of billions of universes. Which there definitely are. And the only differences between their universe and ours is the order in which we did things on this episode of the podcast. Yeah, it's like three seconds behind. Right, exactly. So because there are infinite possibilities, everything that could conceivably happen is played out. But for the point of narrative cohesion, you obviously stick to universes that are fairly similar.

36:40Otherwise, what's the fucking point? Because there's probably a universe in which we're all made of Marmite. And that would make absolutely no sense in any film or TV show. But with respect to Paul the Wine Guy, for me who cares is the main problem just to say don't beef with Paul he's doubling down I mean yeah that's the problem what was your whole point about who cares because it's just entertainment or just who cares about multiverses no the multiverse factor makes it loses my interest oh you don't give a shit about multiverses no I'm saying the problem with the multiverse thing is that it's constantly I want to believe in a reality which is happening in front of my eyes right now.

37:18And if you start bringing in multiverses, then why should I care about the million, infinity different versions of a character and what happens to them? Because you want to invest in one of them. What's your multiverse? Which is the one that you want? And I think Marvel, and it all stems from Marvel, suddenly got into multiverse in a major way. And I think, not just me, I think for a lot of people, that's where it lost people. I mean, I'm here for the multiverses because then it makes me feel better about if something didn't happen in one of the multiverse, one of the verses that I'm in, then I'm like, it's okay, because in that multiverse it was all fine.

37:48Yeah. It's more fun. Like, you know, I get it. You know, it's how you can explain lots of different fun bringing together four versions of Spider-Man in the same film or, you know, it was like when Doctor Who had the five doctors and it was brilliant. It was brilliant fun. But if you think about any of those episodes for more than 10 seconds, they're all ridiculous. And, you know, to kind of have to go down that route, it reduces the amount of interest I have in those stories. Anyway. He's not your man for multiverses. I disagree that the multiverse is where the MCU went off the boil because obviously Endgame is multiversal and that is the pinnacle of the MCU.

38:20So this is why you're wrong. So many reasons. But yes, but normally I would say if you're doing a multiversal story, what you need is either an anchor person, an anchor being, to use MCU parlance, or an anchor universe whereby you are invested in the outcome in one reality or one person who spans reality. But you do definitely have to have something that you anchor your sympathies to. Otherwise, you're absolutely right. Who gives a share? But most stories do that quite well, I think. Up the multiverse. I'm with you on the multiverse, but I'm not against you, Boyd, because I love you. So, yeah.

38:51All right, we've got a message here from Graham and Yoda. Graham and Yoda? Remember Yoda? Yoda the dog? No? I wasn't here for Yoda the dog. Yes, you were. Were I? Yes, you were. Oh, I was, because I said, what a brilliant name for the dog, I remember. Sorry, head injury. There we go. It's all coming together. Yeah. Anyway, Graham and Yoda, presumably, say, hello, team. Hope you've all enjoyed your various end of summer breaks and Steph hasn't been attacked on her holiday by any vamp lovers. Do you know what? Attacked by porcelain, which is not the same thing. Someone did write on the YouTube, poor Steph, but I hope she...

39:17Is she sure she wasn't attacked by a Lestat person? You were definitely taken out, yeah. And because I blacked out, I'm not sure. Yeah, you don't know. I'm not sure. Wow. I think that's what happened. Graham and Yoda say, I've been thinking about webisodes. Classic series such as Battlestar Galactica use this medium very well, but it seems to have fallen out of fashion. Overuse? A change in content programming? Or am I mistaken? Do you have some TV shows that you feel still use the webisode format to enhance the series experience. It is interesting because you don't get those an awful lot. The closest thing that I can think of is For All Mankind, which used not webisodes, but they had like a mini special between seasons, like a bridging device.

40:01Obviously, it's on the streaming service. It's not actually a webisode. But you can watch these little, it's like a 10-minute newsreel, which tells you what's happened between seasons, which is kind of cool. So that was, I guess, that would back in the day have been a webisode but I think Lost used them didn't it? I can't even think of Heroes definitely did Heroes Heroes Doctor Who's done quite a few webisodes Battlestar I think used them very well because it used them a number of times and again they bridge little stories between seasons they're actually really good not to just Patrick Bramall out on this whole thing but Bluey does a really they do minisodes and they're kind of bridging they're like moments in time in the Bluey household and they're really good they're just like a couple of minutes long How long is a normal episode of Bluey?

40:40A normal episode, I think, is about eight minutes. Can I just say I've never watched an episode of Bluey? Sorry. Are you fucking joking? I have also never watched a single episode of Bluey. Oh, you two are so shit. Like, we were interviewing Rad, Uncle Rad, and you didn't watch a single episode of Bluey? No. God, I just... I think you watched enough for all of us, though. Yeah, exactly. And even he ended up saying, I've only been to a couple of episodes. Yeah, he's like, Steph, what are you doing? Yes, but then we had a very, very good talk about how important the episodes he was in were. Anyway, they do mini-sodes.

41:11I like it when things do mini-sodes. And yeah, I'm just trying to think if there's any webisodes of anything that I've Breaking Bad, I think The Office did some. I can't remember if it was the UK or the US one, but there were definitely Office webisodes. The Walking Dead did them in the US, I think as well. But yeah, quite a few shows have done that format. And it's quite a fun thing, but it does feel a little bit old hat at the moment. It doesn't seem like a thing that people bother with now. But then I suppose TV shows now, it's not really, like webisodes. Do you need it? It feels like something you do as a vertical.

41:42Do you know what I mean? Like you do a little thing for TikTok or something and that would go out. Yeah, I agree. Because at the moment, like weaponizing, maybe that's not the right word, but I'm going to use it, weaponizing parts of shows on TikTok is a brilliant way of building audience. Like Patrick Brown was saying this, like there's a very specific scene in the new series of Colin from Accounts, which their social people got massive traction with on like TikTok, Instagram, whatnot. And it totally makes sense that there are people mining these shows for specific moments that will bring in new audiences.

42:06Have you seen? My Instagram is absolutely full of people mining for Widow's Bay clips. And it's all like, if you haven't watched it, this won't make sense. These bits won't make sense to you. And they're all really incredible bits of the show. I won't spoil it for anyone. But yeah, I do think that is really clever. Because if you haven't watched it, and it says if you haven't watched it, you won't understand this, this, this, and this. And you're like, oh, I should have watched it. Well, if you're like me, you're like, oh, I should have watched it. But you're not like me, because obviously I watched it and championed it from the beginning.

42:35if you're like you two who hated it. And did you see how many Emmys it won, by the way? Only so far. Yeah, that is so... Do you know what? This is really getting my goat, this Emmys thing this year. Is it all... I don't... I can't remember it being like this. Yeah, it's always been like this, yeah. What is it? Has it? Why have I never noticed that before? Yeah, there are literally dozens of categories and they have to get rid of half of them at first and then they do the rest of the primetime Emmys. And then they're going to do the proper primetime Emmys. I don't know why I've not noticed that before.

43:01It feels like they had some big categories in the... If they did all the categories, the ceremony would go on for eight hours. I mean, it already feels like it does. Yeah. But they had big categories. They had, like, Linda Cardellini won for DTF, and so did David Harbour, and I feel like they deserved to be in the main show. Have you finished DTF St. Louis? I have not, no. Jesus Christ. I've been watching the last scene and calling from accounts, I don't know what to tell you. Okay, fine. Fair enough. Next question, please. Next question, this comes from Jennifer, and Jennifer says, I adore all of you, but listening to you talk about the opening of Dog Park has me yelling at the podcast.

43:33I had to Google to confirm what you were calling hush puppies were indeed Basset Hounds. I have attached a photo of my Basset Hound ladies, Bella and Freckles. There you go. Oh, my God, let's see. Bella and Freckles there. It's a very small picture. Very small picture. Do you know what? Basset Hounds are cute. My pilot Instagram friends always send me pictures of their dogs and I absolutely love it. Well, they're in their 4th of July bandanas here. You will be interested because Steph likes dog photos. That's why she sent it in. At least you didn't refer to their breed as beagles or wiener dogs, brackets, Dachshunds.

44:02Is it Dachshunds or Dachshunds? I call them Dachshunds, which is probably not correct. That's halfway between the two, isn't it? Yeah. Because it's a German word, right? It is, but mostly I call them sausage dogs. Yeah, that makes absolutely sense. And those are apparently the usual incorrect guesses. Even if the dogs in Dog Park are not Basset Hounds, I have to watch it just to see the opening. Mind you, I've got no clue where it's airing or streaming stateside. It's on you, James' favourite. Not in America, it's not. Oh, not in America. Finally, thanks to all of you, I gave Off Campus and Widows Bay a chance and I really appreciated both.

44:35Yes, obviously, Hushpuppies, you would have thought that she would know because Hushpuppies is an American shoemaker, isn't it? Yes. That's American. And famously, their mascot, their logo, their thing is the basset hound. But I always forget that a basset hound is a basset hound and I just call it a Hushpuppie. In Manhattan, Diane Keaton tells Widow that her dog is a sausage dog and she says it's a penis substitute. And he says, I would have thought in your case a Great Dane. Oh. Always comes back to Woody Allen. Always. See, somebody else watching Dog Park. Yes. There you go. Yeah. You had got a lot of good dog content, I'm just going to say.

45:11Yeah. A lot. Okay. We should have asked Patrick Bramwell a lot of things, but if he's seen Dog Park, the other Australian dog-based comic. We should have asked him about Dog Park. Right, I'm going to call time on the postbag there and we'll do a couple of pit postbags, spoiler special questions. If you haven't seen the pit, then do know that that was the postbag and if you want to send things in it is postbag at pilottvpod.com but now a couple of pit questions that we had in off the back of our spoiler special this one comes from Ian and Ian says thank you for the belated pit spoiler special thoroughly enjoyed it if I'd had to predict going in what the special would be like I'd have said James would have enjoyed the thoughtful examination of mental health and the toll that this job takes on people who do it that Kay wouldn't have finished it and that Boyd would be utterly obsessed by the erect penis thank you Ian charming Well, it turns out that was accurate.

46:02Carly says, really enjoyed the belated pit spoiler special and could have listened to another hour as it felt like you barely had time to touch on some of the great storylines like homeless guy Digby, Louis and his fireworks, the nun with gonorrhea in her eye. Oh, yeah. Is there a fully erect penis? Yes, there is. Oh, yes. Now you're going to watch it. It has to be drained with a syringe, but that's a whole other thing. I think I'm going to get back onto the pit. Steph's now very excited about it. will be doing a rewatch before season 3 in January but I'm disappointed that despite discussing Catherine Lanasa neither of you did an impression of her saying baby Jane Doe as it was my favourite thing oh yeah do you want to try that in her accent I'm not going anywhere near that I can't go there no but she is fantastic P.S.

46:42any chance of a silo season 3 spoiler special yes I would have thought so there's a big chance in fact I'm recording it on Thursday I knew it I knew it just you and yourself it is me and myself no it's me and John and Ben are going to be doing it John Nugent, Ben Travis of the Empire Parish. I thought we meant John from Edinburgh. No, not John from Edinburgh. An animation John. Though he's more likely to finish it before you do. He is. Where are you in Silo? I have to say, I haven't watched any more since we reviewed it. What is wrong with you? It's such a good season. Yes, I know, but as you know, it's not a summer show, James.

47:13Oh, that's right. So you're waiting for autumn. Yes. Right, I understand. Okay, this one comes from Mark. Glad we finally got the pit pod, but have to correct something James stated. Oh, shit. Oh, no. He said that season two didn't cover the absence of Dr. Collins and that it wasn't touched upon. I'm guessing this is a result of not having seen it for some time. Accurate. But it was mentioned twice. First, her absence, and then they said that she'd moved back to her hometown of Portland and is adopting a baby, so wanted to be close to her family. It's done via Louis asking after her. There we go.

47:42On the subject of Steve's on TV, an obvious one is Steve in Coupling, named for and by Stephen Moffat as the show starts from his own relationship with Sue Virtue. Susan in the show. There we go. Fine. Interesting stuff. Yes, apologies for that. I did not remember the Dr. Collins line, but even so, I don't think that's a lot of explanation. I think we should have had more of that. Okay, well, you've still got it wrong, James. I forgot they explained it as well, but they have explained it. Really? You can't complain about, you know, clunky... James, you got it wrong. Okay, fine. Exactly. I was wrong.

48:16I was wrong. Are you happy now? I can't complain about clunky exposition, as we often do. If they do actually explain something quite unclunkily. I want more of an explanation. Damn you all. Okay, this one comes from Isaac. Hello, pilot team. I happen to be visiting Pittsburgh for a concert this past 4th of July weekend, which is also the time period depicted in the second season of The Pit. As a visitor and fan of the show, I'd like to share some insights. There was a heat wave and many people spent time on boats along the river or at public swimming pools. The sunburned bikini patient felt very realistic.

48:49Oh, the sunburned patient was so good. that was so well, you know, like raw. Yeah. Brutal. Always wear your factor 50. A patient being a furry with heat stroke felt very authentic. If anything, there should have been a few more. Anthrocon took place that same weekend and the whole downtown had groups of people walking around with their outfits. As a fan of the show, we did visit the real Allegheny General Hospital. The front section with the arches more visible in the first and last episodes of the first season had fences blocking access. There were some unhoused individuals in the park and surrounding neighbourhood near the hospital, the scenes in which Dr.

49:23Landon goes outside for community outreach felt credible. In my opinion, the least realistic element was the costumed re-enactor from the Fort Pitt Museum arriving at the hospital. While the museum might employ re-enactors, it was closed over the holiday weekend and the surrounding area was cordoned off for 4th of July celebrations. What a detail. That's classic. Predictions for future seasons. A farmer's market sometimes sets up in the park in front of the real hospital. Perhaps it might be featured at some point. Local tourist attraction the Duquesne incline, I think. It's a 19th century funicular that looked worse for wear.

49:57A fictional disaster there sends patients to the ER would be quite plausible. Hope that's useful. Thank you for the podcast, Isaac. That's brilliant. Oh, Isaac, that is brilliant. That's very, very detailed. Very well researched. Yeah. Do you think there are people that go to Pittsburgh and get a slight injury just to see if they can go to that hospital? I don't know, Steph, tell us. Did you, in fact, do that? just so that you could go to Mount Sinai, New York? I was in New York. I was not in, but I bet there are people who do that. Definitely, yeah. I didn't even realise that the exterior of the...

50:28It was real. That's exciting, actually. Yes, I did actually know that. But you did not think to share it. I did not think to share it with you, no. Sorry. And I think that is it. Oh, we should say, HK Phil wrote this in a while ago and I filed it away. And Phil says, Far be it from me to overrule the work of professional TV writers, but I have an alternative ending to season two that would have been far more dramatically satisfying. Hmm. I think season two slightly overcorrected in trying not to become bigger and crazier after season one. The Robbie no-helmet thread felt very deliberate foreshadowing with exhaustion, emotional deterioration and increasingly reckless behaviour, comments about bike crashes, repeated visual emphasis on the bike, etc.

51:07Honestly, I think a crash with Langdon having to save him would have been dramatically satisfying and fully earned by the setup already in the season. It would have tied together Robbie's burnout Anne Langdon's redemption arc in a very natural way. That would not have felt soap opera to me. It would have simply been pay off for groundwork the show itself had laid. Sometimes, I think maybe Prestige TV overcorrects away from dramatically satisfying catharsis because it is afraid of seeming conventional. HK Phil, that is very well written. He must be a writer. That's excellent. Well done. Oh, he's always.

51:38Yeah, he's very, very good. Thank you, Phil. Eloquent. Eloquent. Very eloquent. But also, interesting, I like that it, does things you don't expect. That's maybe what you might have, because he's absolutely right, the bike foreshadowing was quite heavy. And that maybe is kind of where it wanted you to think it was going. I quite like that it maybe didn't. Also, I think that Langdon's redemption arc is not there yet. I suspect that's going to, certainly you get the impression from the trailer for season three that there's still a lot of friction between Robbie and Langdon, not least of all, because Robbie's been away, so it hasn't progressed.

52:11Did we mention, but Langdon does do that incredible thing, doesn't he? He does. where he did we mention that in our spoilers I think so I think we did because that is a brilliant scene where this doctor the spinal thing pulls off this spinal manoeuvre literally a physical manoeuvre to sort out someone's body that could paralyze them permanently that could paralyze them and no one ever dares do it and they set it up as being this big daring thing that only the greatest doctor in the world would even attempt to do and he does it and he pulls it off and it's like so that was an incredible scene yeah that was so good yeah that was so good I mean I'm nodding I haven't even got to the erect penis so you know oh my god Steph Have you got that thing where you feel a bit jealous because I haven't watched it all and I'm going to experience it and you've...

52:49They're more incredulous that you haven't been bothered to watch it. That's how I feel about you and Bluey. Really? Fewer erect penises in Bluey, I suspect. I could be wrong. I could be wrong. I've not seen it. There is an episode called Stickbird. That's what I would say. Wow. Frankly inappropriate. Is it? Well, let's move away from Bluey and penises. Bluey after dark. It's like Baywatch Nights, but Bluey-tastic. Anyway, let's move on from that. That was our brief pit discussion. That is it for this week's Pilot Plus. We hope you've enjoyed it. We'll be back on Monday with, yes, Patrick Bramall.

53:22And you can hear he's loving with Steph. We'll also have Sanjeev Bhaskar, friend of the pod, Sanjeev Bhaskar, will be on the podcast as well to talk about the split up. And we'll be reviewing American Hostage, Crew Girl, and the latest season of Slow Horses. Have we got American Hostage screeners, by the way? Yes, I have. I don't know about you. I have. I haven't got Slow Horses, though. Very Slow Horses for you. Yeah, very slow. We're just getting into admin now, so we should probably end the podcast. Yeah. Okay, good. Pilot out.

From the publisher

With Patrick Brammall having just left the studio (he’ll be on Monday’s show), the team tackle his new kidnapping drama, Last Seen, on Apple TV+. And if you were expecting more canine-based lols like Colin From Accounts, you’re going to be in for a shock with this one. Then we delve into the postbag to find out what’s been on our listeners’ minds this week and Boyd makes a formal apology for killing Shirley Bassey.

Want your messages read out as part of The Postbag? Email us at postbag@pilottvpod.com

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