PLUS Matthew Perry: A Hollywood Tragedy

12 Aug 2025 · 59 min · 21 chapters

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In short

The hosts review the documentary Matthew Perry: A Hollywood Tragedy (Peacock; acquired by ITV1/ITVX), focusing on how Matthew Perry’s apparent overdose unraveled into allegations of illegal drug supply and medical wrongdoing. They also discuss how the film balances Perry’s addiction story with pending criminal cases.

Guests

No external guests appear in the episode. The “guests” are the hosts Kay Ribeiro and Steph Seelen (plus off-mic mentions of James, Boyd, and Russell T. Davis).

Guest/subject backgrounds (documentary contributors mentioned): Martin Estrada (Central District of California US Attorney’s Office; district attorney) provides case context; Hank Azaria (Perry friend) contributes via tribute material; Morgan Fairchild appears with an interview; Perry’s own audiobook/interviews are used for narration.

Key claims

Multiple defendants are accused of supplying ketamine and enabling Perry’s addiction; some pled guilty, others face trial. The documentary alleges a “ketamine queen” and a doctor are still pending, and highlights claims like deleting messages after Perry’s death.

Notable examples

Perry’s statements about spending half his life in treatment and paying $12 million; final-days ketamine use (27 shots over three days); the live-in assistant allegedly injecting him; the documentary’s criticized “Hollywood sign”/B-roll filler and use of showbiz journalists.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Recap of the Live 349th Episode

0:46 to 2:24

The hosts share their experiences and thoughts on the recent live episode, including highlights and reflections.

“And, yeah, this is our first chance, Kay, to catch up since the, I'm saying outstanding triumph that was the pilot TV podcast live 349th episode on Friday.”

Discussion of Matthew Perry Documentary

2:25 to 4:06

The hosts introduce the documentary on Matthew Perry and discuss its significance and content.

“Two hours, 20 minutes, I'll do it today.”

Examining Matthew Perry's Life and Struggles

4:07 to 10:22

A deep dive into Matthew Perry's life, addiction struggles, and the documentary's portrayal of his challenges.

“He literally couldn't give a fuck, right?”

Critical Review of the Documentary

10:23 to 14:00

The hosts critique the effectiveness of the documentary in conveying Matthew Perry's story and its focus on addiction.

“Half his life, at 50, half his life in treatment centers.”

Exploring Matthew Perry's Struggles

14:00 to 18:08

Discussing the depth of representation in the documentary about Matthew Perry's life and struggles.

“of actors who seek the stage and then actually behind the scenes have huge issues with depression and feelings of isolation and constantly seeking reassurance about their own talent.”

Critique of the Documentary's Approach

18:08 to 23:16

Analyzing the effectiveness and presentation style of the documentary about Matthew Perry.

“And they're there to care for him and his addictions, yet they saw him as a cash cow.”

Reflection on Celebrity Culture and Responsibility

23:16 to 26:56

Reflecting on the implications of celebrity culture, addiction, and the role of professionals in tragic outcomes.

“they set up the Matthew Perry Foundation and they cut to a very, like a tiny clip of his family being interviewed about it.”

Listener Feedback on Reality TV

28:00 to 28:45

Discussion about listener feedback regarding reality TV preferences.

Reflections on the Podcast

28:45 to 29:45

Hosts reflect on previous podcast discussions and listener engagement.

“on this special podcast but But to be fair, I don't think I ever talk about it unless it's in what I've been watching.”

Diverse Perspectives on Viewing Habits

29:45 to 30:50

Exploration of different viewing habits and recommendations from listeners.

“I'm sorry to have had to rush to get my train and couldn't taste it, but it looked marvellous and you deserve it.”
Show all 21 chapters

Debate on Science Fiction Genre Understanding

30:50 to 35:01

Discussion about audience familiarity with science fiction and its impact on viewing experiences.

“You know, when they say, I'm going to the Caribbean.”

Alan Partridge Recommendations

35:01 to 37:09

Hosts recommend entry points for newcomers to the Alan Partridge series.

“Yeah, so you don't worry about starting at the beginning at all.”

Humorous Anecdotes and Podcast Dynamics

37:09 to 42:01

Hosts share humorous stories and discuss dynamics within the podcast team.

“This time was the most recent one, which was very much...”

Listener Messages and Fan Engagement

42:01 to 42:50

Hear about listener feedback and host interactions with fans.

“yeah so he's a monster he's an absolute monster he is in many ways a monster said not for the first time no now this is a message from Mark also in your defense, Boyd, kind of.”

Evolution of TV Review Practices

42:50 to 45:06

Discussion on how TV reviews evolved from VHS to streaming.

“Well, he's a bastard and he took a day off.”

Hollywood Career Alternatives for Stars

45:06 to 48:04

Speculation on what alternative careers TV stars could pursue.

“Yeah, it was preposterous times when you think about it.”

The Impact of Network Shows and Nostalgia

48:04 to 55:40

Debate on the merits of past network shows versus modern formats.

“No, I skateboard from one end of my flat to the other.”

Reflections on Long-Running TV Series

55:40 to 56:00

Discussion on the significance of long-running TV shows and their legacy.

“So I miss the days when at least people tried to do that and sometimes succeeded.”

Nostalgia for Classic Sitcoms

56:00 to 56:38

Discussion on the quality and longevity of classic sitcoms like Cheers and House.

The Challenge of Time Commitment in TV

56:39 to 57:28

Exploration of modern audiences' time constraints impacting TV show engagement.

“But I just think that our time is so, we're so time poor now to commit for that length of time is a big ask.”

Wrapping Up the Show

57:29 to 58:19

Final thoughts, acknowledgments, and a preview of upcoming episodes.

“Well, I think we've, I mean, oh my God, we've been recording for over an hour.”
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Transcript

Automatic transcript. May contain errors.

0:07Hello and welcome to the Pilot TV podcast. Actually, this is Pilot Plus and it's only taken us about 17 hours to prepare technically for this hugely exciting event in which I try to host the Pilot Plus podcast with my esteemed colleagues Kay Ribeiro and Steph Seelen. Hello, guys. Hi. Hello. Hello. It's been slightly dramatic, hasn't it? What a long, strange journey it's been to this point. We can actually hear it. Oh, my God. But the listeners don't need to know the technical details. Let's just say it all seems to be working now. And, yeah, this is our first chance, Kay, to catch up since the, I'm saying outstanding triumph that was the pilot TV podcast live 349th episode on Friday.

1:00Oh yeah, how did it go? Yes, Steph. Yeah, where were you? Well, as I said, when I was on last week on Pilot Plus, no one invited me. So that's why. Steph, you know you don't need an invitation. You are always welcome at the pilot table. Okay. There still was no forthcoming invitation, so I was not there. But I saw the pictures and it looked amazing. Yeah, yeah. It was incredible. It was an absolute riot. And it was basically all down to Russell T. Davis. Oh, he's incredible. Who was on fine form. It was all down to him. In particular, the review of Butterfly will go down in history. Listeners, if you haven't listened to that bit yet, it's in the review section.

1:42But everyone should listen to the whole thing because it was a fantastic event. I will never hear the word Butterfly and not think of Russell now. No, absolutely, yeah. I sign everything now with the butterfly emoji to him as you should okay I need to know what this is about give me a clue so tell me what did he say Butterfly is a new show on Prime Video it's a new espionage thriller and I you know kind of led the review on the live show and Russell just thought it sounded well you have to listen to it Russell was shall we say intervened in my review he derailed it deliberately derailed it and it's a hilarious show anyway fantastic oh by the way I can't believe you haven't listened to the episode yet, Steph.

2:22I mean, it's only two hours, 20 minutes long. I've been very busy. Two hours, 20 minutes, I'll do it today. Do it today. Anyway, in the meantime, I should have said, I haven't even mentioned the menu of this very special episode of Pilot Plus. We are going to be, in a slightly unusual turn, we're going to be reviewing a documentary. It's called Matthew Perry, A Hollywood Tragedy. And as the title alludes to, if I'm using that word correctly, and I'm probably not, as many people have mentioned in the past. It's about how and why poor Matthew Perry died, looking at the kind of medicine he was taking, the drugs he was addicted to, et cetera.

3:04So we'll discuss that. Are we reviewing this program because it's about Matthew Perry, the legend from Friends, which, of course, is all out, you know, a lot of people's favourite sitcom have, including James, who's not with us and is on a holiday. Yes, partly. Are we reviewing it because there's nothing else on? Absolutely, there is nothing else on. this week. Outrageous. I know. And Kay is going to crack open the mailbag and unleash a torrent of highly intelligent and probing questions at Steph and me in what is, in many ways, a glorious recreation of the glory days of basic binges. Oh, yeah!

3:43If you know, you know, listeners, that's all I'll say. And if you do know, it's the time before these two fucked off and left me replacing me with James Dyer to star in the pilot podcast. And I'm just out there in the winds alone. But you know what? It's fine. It's just fine. Not bitter. And we haven't looked back since, let's face it. I mean, yeah. And can I just say, I just tried to call James to assist us with the technical difficulties, right? He literally couldn't give a fuck, right? I was like, are you on actual holiday? His words. I'm not out of the country just mooching around then I called him to which he did not reply he's mid mooch he did not respond priorities yeah horrendous yeah I mean he's had a very taxing time going to Thailand and working hard yeah but also he had to write his monologue his opening monologue of the live show which went on for about 20 minutes so oh but did it no but listen can I just say at this point I would like to give James and it's unlike me I know give him a shout out because I mean yeah I am going to do it because I mean obviously he does this every week but to do that in a live show he really like pulls it out of the bag in terms of you know he spends a long time on his script and whatever and he and I think he he did a good job so credit where it's to oh he is a great presenter what a grotesque moment of sincerity though we don't need this yeah no but it's a lot of pressure on him as the you know as the main host he loves I feel like he doesn't feel pressure, though, does he?

5:21He doesn't ever seem to be... No, it's good. I like this psychoanalysis of James' segment. This is a new segment. He internalises the worry, I think. But also, he does love it. I mean, and hopefully so. You know, he's got a lot of fans out there. Anyway, let's move on. Yeah. Anyway, if you haven't, for whatever godforsaken reason, listened to that episode yet, please do. It's very special. So let's start with Matthew Perry colon, a Hollywood tragedy, which arrives on ITV1 next Monday, August the 18th. Steph, as our true crime correspondent in many ways, you are the editor of True Crime Quarterly.

6:06Godfucks. Crime Monthly. Sorry, Crime Monthly. This is, because in many ways, this is, it kind of, it's part, you know, a look at Matthew Perry's life, right, and his career, et cetera, and his issues, various issues, but also it is about, essentially, people have been accused of the crime of being involved in his death. So I think it definitely comes under crime, true crime in Hawaii, doesn't it? It 100 % comes under true crime. So all the way through, obviously, what you have to remember is that there are cases pending against the people that they feature in this. And several people have pled guilty for their involvement for supplying Matthew Perry with drugs.

6:52And two people essentially have not, it looks like at the moment they're probably going to go to trial because their lawyers are saying they didn't have any involvement with this and they cannot be directly linked to the death of Matthew Perry. And when we say they cannot be directly linked, we're talking about a chain of evidence which will link them directly because for one specific person, they're saying that the drugs, the ketamine queen, the drugs that she supplied directly killed Matthew Perry. They were the drugs and that's going to be incredibly hard to prove. So there's two people, a doctor and the ketamine queen, who are, that's still pending.

7:32So I think we need to be very, very careful about saying that these people have not been convicted of a crime. And they flash up this disclaimer, don't they? Yes. We should say this is an American production. This is a production for Peacock in America that ITV has acquired. And it flashes up this disclaimer, like constantly saying, basically saying these people have been accused of crime, but it's still pending. Case is still pending. Don't assume they're all guilty, basically. I'm paraphrasing. Yeah, because you can't have that any kind of prejudice. And even the fact that it's out there, obviously, they're covering themselves somewhat by saying, oh, you know, you can't prejudice these people because nothing's been proven.

8:11But when they have segments where they talk about the fact that the Ketamine Queen sent a message to the doctor saying, you need to delete all of our messages directly after Matthew Perry's death, it's looking pretty bad. But all of that information, I'm not telling you anything that's not in an affidavit. An affidavit is a document that is made to support the arrest and the charges brought against somebody. So in an affidavit, it will have all the evidence they've got. So they've searched her house. They've gone through. So, I mean, I still cannot believe that to this day, people think if you just delete a text message, the authorities are not going.

8:56If you just delete it, then it never happened. Like, how stupid can you be? Of course they can find it. It's absolutely ridiculous. Go on, Kay, what were you going to say? No, I was going to say, yeah. I mean, it's just, it's forever there. I mean, it makes me worried about our WhatsApp group, but yeah. I mean, and absolutely should be, yeah. I mean, the police are monitoring everything we say. Constantly. Yeah. And this popular. Yeah, but the thing is, you can't do anything now. This is not like, you know, the 70s where like people were just murdering and doing whatever, right? Murdering. You can't do that.

9:28But you know what I mean? Like nowadays, you have like, every time you open your car, your car is a computer. If you have a certain level of car, right? Your car is a computer. They can find out. There's new investigation and forensic technique that can find out when you open and closed your car door. What? When that car was moved. Yes, yes, a man in America. If you've got one of those Teslas, though. No, no. A man in America has just been convicted. A man in America. America has just been convicted of killing his wife based on the evidence that they found out from his car that he moved his car to the house, backed his car up to the house at 2 a.m., kept opening and shutting the doors when he was moving his wife's body.

10:12He said he was still asleep, but the computer's in your car. You've got to be careful. You're not using that sat-nav. in your car you'll be careful anyway sorry i digress i digress yeah i dress anyway matthew perry so yeah what starts out as just seemingly an incredibly tragic overdose um starts to unravel in the most horrendous way of actually he was he was being aided and abetted people really taking advantage of what is a terrible illness of addiction and actually making a shitload of money out of him and that's therein lies the crime these people are taking advantage of him they're supplying illegally writing prescriptions for him um and then the what's horrifying to me teaching his live-in um carer the live-in assistant housekeeper yeah yeah to to to inject him with with ketamine which is you know highly illegal um I mean it's horrifying it's it's so so sad um and one of the most profound things I think he mentions because a lot of this is um in his own words because it's taken from his audiobook um friends lovers and the big terrible thing is when he says that he has spent half his life in treatment centers and 12 million dollars paying for those treatment centers.

11:36I mean, that is astonishing. Half his life, at 50, half his life in treatment centers. Can you even comprehend what that would be like for someone? And still, he was still so, so addicted at the end. It was something like, I think it was£100 ,000 worth of ketamine that he'd taken in the three days. In the final three days of his life, he had 27 shots of ketamine. I mean, God, it's just inconceivable, isn't it, to have that level, that someone can have that level of addiction. But so many do in America. What did you make of the documentary as a whole? Do you think they did a good job telling this story?

12:16Basically, do you think they did a good job telling his story and why and how he ended up having these addiction issues and what happened to contribute to his death? Personally, I felt like it was kind of like, oh, his parents broke up when he was younger. He had his mother had him when he was young. His parents broke up when he was younger. And then it was kind of a bit like, so he had a troubled childhood and he always felt very isolated. He always felt very alone. He found some solace in coming to LA, having that recognition. He was obviously constantly seeking a level of approval, but that level of, he could never find it.

12:54It could never really make him happy. And when he talks about the first time he took any kind of drug, which is alcohol, when he was 14 and how that immediately felt better there's a really poignant part where he says he thought this is what normal people felt like felt like because he felt so happy um and he thought oh this was this must be what normal people feel like and then he was consistently chasing that feeling and if you cannot find that feeling without drugs which he clearly was unable to do um then it obviously was just going to be a perpetual cycle of addiction which which was awful.

13:31And all the love and all the adoration and all the friendships. And I thought that was really sad. Hank Azaria talks a lot, who is a very good friend of his. And he says, a lot of us feel like we lost him to drugs and alcohol a long time ago. And that again is just, he was so loved. And he was just, there's just this horror about being this massive presence on screen, but behind the scenes. And it's not an isolated tale, is it? of actors who seek the stage and then actually behind the scenes have huge issues with depression and feelings of isolation and constantly seeking reassurance about their own talent.

14:14Yeah. I did it well. You think you did it well? I think they did it as well as they could in that time. But it wasn't the depth that I would have liked. It was very much more about the fact these corrupt doctors, I thought. It was a lot about them and sort of a little bit about his life. I think if you want to get a feeling about what his life was really like, then you really need to read his book, which is excellent. I had mixed feelings about this as I knew we were going to review it because I tend to find these shows, I was worried about how tawdry it would be because it's essentially raking over the sordid details of his life and death.

14:57and I think, and I still have a mixed feeling about it. On a tawdryness scale of one to ten, how does this rate in the tawdry stakes? It's not, I think it hits a balance five, I'm going to go mid level because I think the thing that helps it is that they have contributions from the people they have contributions from. So for example, Martin Estrada, who was the district attorney at the time of the death. So he was able to give his insight, which felt very informed. Obviously, he's gathered a lot of evidence, et cetera. So that added some authority to it. As Steph said, his friend, Hank Azaria, the actor, also contributed to this, as well as Morgan Fairchild.

15:42Can I just interrupt one second? The Hank Azaria stuff was interesting to me because I couldn't work out. That was stuff that was shot on Zoom. And I couldn't work out whether that was stuff that he had contributed to this show because I don't think it was, was it? No. It wasn't. They had put the date up. I can tell you what that was. After Matthew Perry died, he responded with a very long tribute on his own social media. And they have cut those bits together. Unlike Morgan Fairchild, who sat in her palatial home and gave a proper interview. In which case, I'm putting the tawdry level up because they don't make it clear.

16:22That is not clear. I mean, obviously, you can see it shot on Zoom, of course, but... They flushed the date up. I think the first time they cut to that, that's their way of making it clear. Yeah, but the first time. I mean, he's on screen many times, right? I agree, I agree. So I felt like that added a sort of level of authority or intimacy, the fact that his close friend was contributing to this. But yeah, okay, I feel disappointed in that because I felt misled. But I do think Martin Estrada sort of contributing is a factor. But yeah, overall, I just found it incredibly sad, as Steph said, because in spite of all the adulation and the fame and his incredible talent, it's that he was just in the grips of this terrible addiction that he couldn't kick and everyone tried to help him.

17:09I think Jennifer Aniston's just done an interview with Vanty Fair where she talks about him as well. And I think the sad thing is that no one could help him. And the fact that they use clips from his audio book, I found it like it's hard, isn't it? Because you're hearing his voice and you're hearing him talk about his addiction. And in fact, he talks about ketamine, which is like, you know, ultimately the drug that killed him. And that's, you know, it's devastating to hear him talk about it then, you know. I don't know. It was a really sad watch for the reasons of, you know, him talking about his addiction and the struggles he had.

17:45And when he says you're able to chart, they do a lot of cutting up of interviews he's done to promote this book, which I agree with Steph, you should read. So he, Diane Sawyer interview or whoever, and he's sort of saying, yeah, you can chart my addiction through friends depending on my weight gain. And I think that's really fascinating. But ultimately, it left me feeling really angry at the medical professionals who let him down. And they're there to care for him and his addictions, yet they saw him as a cash cow. And the fact that there's this correspondence, and as you say, the documentary is at pains to flash up these things of, I've actually written it down.

18:22The program examines a case that is yet to be tried for all the defendants. Statements about actions or defendants are alleged until determined by a court of law. so they say that and they like flash up moments where they're like this is a text that was allegedly sent between you know whoever um and the doctors were essentially you know mocking him like let's see how much this moron will pay and that is it is distressing and disgusting to hear so yeah i mean i've gone from saying i didn't find it tawdry to um that i was mid mid you know tawdry level but actually i think yeah it's heightened i think what you're alluding to as well is the fact that it's a bit of a cuts job isn't this it's it's not one there's not one tone throughout it that kind of brings it together and like none of the friends cards obviously would contribute to this i i i i thought this was terrible i have to say i thought i thought it was absolutely shocking shockingly okay cheap and um tawdry my tawdry scale would be at eight eight nine wow okay and the problem with it was for me was that it had so much um bullshit filler documentary, cheesy documentary nonsense going on.

19:30How many times, I stopped counting, how many times they showed us the Hollywood sign, right? When they were doing like, you know, filling in space, literally showing you something while they prepared us for the next talking head, who, by the way, was a journalist from The Sun or a journalist from The Hollywood Reporter. Fine, you know, to tell the story. I mean, then you'd see another shot of the Hollywood sign. It was literally dozens of shots of the Hollywood, slow pan across the Hollywood sign. There was one segment, and I just thought that indicated for me early on that they haven't found a way to tell the story without kind of cheesy standard footage, bog standard B-roll footage.

20:09And there are loads of shots of going up the Sunset Boulevard. And I know you have to – it's hard to make documentaries without – Oh, yeah, the Walk of Fame. Yeah, the Hollywood Walk of Fame. For me, when it really lost it was when they suddenly decided about halfway through to get the showbiz journalists to explain that when people come to LA, they're often looking for stardom. And often that goes wrong. And they don't find it or they find it and it ends up being tragic and awful. And at that point, I thought this is an inane load of old nonsense. The best bits are that the only thing that saves it as makes it watchable is the fact that they use, and I don't really know how they've got around that, that they use Matthew Perry to narrate his own story because it is his audio book.

20:56I agree with, I totally agree with you. And one of the really awful bits is whether they, when they get two people outside Matthew Perry's house laying flowers and it, oh God, it's just, yeah, it is excruciating. I think one interesting thing that did raise though, which I think it's important to point out was, you know, his assistant has been, is part of this case, right? For injecting him and stuff like this. but I thought it was really interesting that they were sort of at pains to highlight that when you're in that role as an assistant, it's very difficult to say no. So that was interesting.

21:31But yeah, no. Yeah, they had an expert on kind of being a personal assistant to a subject who explained that. That was fine. I mean, I'm not saying, you know. No, I agree with you. I do agree. No, I agree. You just didn't need. I just think, you know, someone's got to say, look, this story is intrinsically fascinating in itself. and you have got you are able to use but you know the the recordings of him of his audio of his book and in various interviews that he did which by the oh the other thing the noise was they hadn't it looked very cheap because they hadn't really the the the footage they cut they used from like his interviews with um diane sorry it just looked very cheap and they hadn't really i don't know that there's something technically about the way they um incorporated those clips that was seemed very shoddy to me um so but they could have just told the story fairly straightforward it's such a powerful shocking story and you know the revelations about the doctors and and the and the live-in personal assistant were all shocking enough to not have to have people from the sun explaining what why people go to la for stardom he just didn't and i think it's just an example of filler and inane observations i've been there i've been i've been a talking head on many a you know cheapo show um not this kind of story really but and you and you're asked can you just explain to the viewers you know what this and i'm not blaming the contributors at all but i'm blaming the producers just having to fill it up with that kind of nonsense was just a real shame but don't you think i mean who is this made for do you know i mean like it's not made for it's kind of made for it's a very it's very basic and it gives you the basics of he's had a sad life He came to LA, he found fame, he got a drug addiction, then he died.

23:13That's the narrative, sure. Yeah, and even the bit at the end where they say after he died, they set up the Matthew Perry Foundation and they cut to a very, like a tiny clip of his family being interviewed about it. Yeah, it's a bad cuts job. That's what it is. Yeah, exactly. But it gives you the main points of the story. and I suppose viewers who are just looking for a very kind of easy just quick access this is what happened to Matthew Perry it's fine and yeah there is some interesting points I agree with you I think it's interesting they had that former celebrity assistant who came on and said you don't know what it's like being a celebrity being a celebrity assistant you do anything you do anything for them and that is that is that is basically what happened and if the person if the assistant says no I'm not going to do that for you then they get fired and they'll get someone else who won't do it lose their likelihood yeah and let's be honest This is far from the first time a celebrity assistant has done this kind of thing, or indeed a corrupt doctor has been involved in a celebrity's death or intricately involved in maintaining a celebrity's addiction.

24:17It is far from the first time. It does, almost despite itself, because it does explain the basics of the story. And the guy, I mean, the one talking head is the district attorney for the Central District of California. his actual title is the District Attorney at the Central District of California US Attorney's Office. That's his title. Yes. And he should always be referred to as such. Yes. Martin Estrada. He's the one, he is the single soul talking ahead of this whole torture show who you actually have some facts you want to hear from. Right. And he establishes the situation. You don't need all the other, really all the other people.

24:56I mean, that's a slight on Morgan Fairchild if ever I heard one. I'll accept Morgan Fairchild. But what was interesting is, because I watched the Lucy Leppard. Did you watch the Lucy Leppard show this week? Oh, don't, because I've got that. Okay, okay. We can talk about that. There's been two Lucy Leppard documentaries, one on ITV. And Panorama last night. And Panorama last night, as we're recording this on Tuesday. And the thing that I was going to say that linked these two shows is doctors, right? The doctors in the Lucy Leppard case, they're all disagreeing with each other they've got the same they're all looking at the same evidence and they cannot agree on what the fuck was going on in so many of the cases that she was found guilty of right and I just think when you become a doctor so one of my best friends is a doctor trained 70 years and he's amazing but just having qualified to be a doctor and being able to call yourself a doctor I think we all have to step back and go this does not guarantee that this person is a decent human being or even knows fully what they're talking about.

25:58And that's why I came away from both of them. The Lucy Lepishar came away from the end of going, well, doctors just don't know. Human. They're human. Yeah, they're just human beings. They're flawed. And in this one, it's more a case that they can actually not only be flawed, but be actively horrendous people. And of course they can. If you decide, particularly in America, it can be a very lucrative profession, can't it? Medicine, you know, and if you... Private practice and then having a prescription pad on the side is very lucrative. And also, of course, not all doctors. Some doctors are actually murderers.

26:31Not all doctors are going to be consummate professionals. Of course not. Absolutely. Anyway, I mean, yeah. It's probably, if you're interested in Matthew Perrin, and you kind of know vaguely the detail, you do get the facts of the case by the by. They do tell the story. But I just felt it was, for me, it was, as you say, it was a tawdry cuts job, yeah, essentially. But if you do want to watch Matthew Perry, A Hollywood Tragedy, it's on ITV1 and ITVX from next Monday at 9 o 'clock, August the 18th. And we need to say we're not just doing this because James is away and we're being renegade. It's because there weren't any new releases.

27:12Yeah, there isn't anything else on. We're in the height of summer. Silly season. Silly season, but there'll be some good shows to watch in the regular pilot show coming out on Monday. Oh, yes, there will be. Okay. Yes. Okay. So let's move on to the post bag.

27:34Ladies and gentlemen, it's Miss Kay versus the post bag.

27:48Okay, I'm going to start with a bit of live event feedback from Guy who says, just to thank one and all for a brilliant evening on friday rtd should be allowed to give his thoughts on anything whenever he wants to what russell's been watching would be a welcome addition to pilot plus oh that would be great agree yeah he could just send voice notes across and we could just play it i'm sure he's got the time he'll definitely do it just ask him he's not busy um steve said hey team i find my tv taste often aligns with james though a normie version but never more so than his aversion to reality TV I think hearing you guys talk about it for so long on pilot 349 was especially tough as it wasn't even my own country's version of the shows I don't watch so I don't know who any of the people are still always love your work but will be happy if reality talk is kept to what you've been watching only cheers wrist duly slapped I think if Russell wants to talk about stuff he can talk about it on this special podcast but But to be fair, I don't think I ever talk about it unless it's in what I've been watching.

28:50Like I talked about Clarkson's Farm in that section. So I can't... I think I brought up at the end, when it was any other stuff, I brought up the fact that there was a dating, you know, celebs go dating. Very briefly, that was right at the end. But maybe, you know, we talked about the guy from The Chase being on it. And, you know, I don't know. It might have been that that pushed him over the edge. Maybe just give Guy a warning before. Just say, Guy... This is Steve now. Oh, Steve. I'm sorry, this is Steve. Okay, sorry. It's fine. Apologia. Maybe just give the guy, Steve, a little warning before.

29:24Yeah. Yeah. Yeah. Okay. Do you know what? I was really only doing that, mentioning celebs go dating to Phil because there wasn't anything else to discuss at the end of the show. So I really regret it now. Apologia. Apologia. Apologia. Apologia. Okay. Baha says, okay, so congrats on the milestone cake. I'm sorry to have had to rush to get my train and couldn't taste it, but it looked marvellous and you deserve it. Perhaps we need a new goal now. And they said, finally, this will probably make James' head explode, so you don't have to tell him. I'm going to. But there was a point in the live show I genuinely felt bad for him when you, Boyd, and Russell were all talking about soaps and quiz shows from reality TV.

30:04I must admit, I was almost as lost as he was. I'm famously one of the three foundation viewers along with James, Steph's husband, and should frankly be paid by Apple for how much I bang on about it and being the best streamer to my friends. On that note, I just want to say it's wonderful to get different perspectives on genres from you three, and the pod has definitely broadened what I watch and more importantly, how I talk about it. I've always been a bit like Boyd in how widely I watch everything and don't have too many hard absolutely not i'm outs except for true crime which i tend to avoid for very reasons to james but always appreciate steph's views whenever she's on oh still i discovered many wonderful shows through pilot and gave things i normally wouldn't uh give a shot after listening to reviews mr bates versus the post office being one of the recent examples what was this lady what was this lady's name bar her i don't know i said that right so that was a mild wrist slap at the beginning followed by a full full full commendation it was a do you know what it was it was a mild wrist slap and then a wrist caress yes that was so nice what a well thought out email as well oh it's a nothing if not um eloquent they're lovely yes and fair so it's i'm gonna i'm gonna find some true crime that they're gonna like i'm gonna try i'm gonna try some i'm gonna find some don't worry i'm gonna get you on a little bit of true crime oh i will that is her nice statement okay um okay christina says steph this is one for you christina from new jersey usa writing in i am born and raised in the us and i'm 44 and yes i do and every american i've ever heard does exactly what steph said we do regarding the vacation spot of the caribbean versus the movies sadly i didn't realize i slash we do that until she said it love you all oh my god thank you i I used to live in New Jersey.

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31:52So yes to New Jersey. And oh, thank you. James did not believe me. Boy, did you hear this? Yeah. Did you hear that? You know, when they say, I'm going to the Caribbean. Yeah. And on the way, I'm going to watch Pirates of the Caribbean. Well, listen, no, Jeffrey's got a bit of an explanation for that as well. He's got in touch. Right. Okay. The phrase Pirates of the Caribbean has been around since early Disneyland. So its pronunciation was locked in stone in an earlier era. they probably chose it because the rhythm was nice a trochaic tetrameter clap along with it i hope i've said that right and everybody got used to it so regardless of how we say the name of the sea and he says he says i say um caribbean the name of the ride and the movie franchise is just its own thing and it'd be weird to put my own spin on it people would look at me like i i said guild board oh nice yeah but essentially it's the same place so it should just be said the same way okay all right well i'm just reading what jeffrey said okay okay well listen he continues and actually it is directed at you oh god okay go on okay it's about foundation he says while i appreciate that steph endorsed foundation as being for some people i think there was an element missing from the conversation about who those people are she suggested that is for people with a lot of time to spend figuring the show out, but I don't think that's quite right.

33:16For me, and I imagine for James, it didn't take any additional time or effort because I'm already deeply familiar with the genre of science fiction. I suspect that when Steph sits down for a serious crime show, she's always miles ahead of the story, guessing who is the victim, who is the killer, picking up on early hints and details, and generally guessing everything without any real effort because it's a genre she spends a lot of time with. Modern superhero movies are now skipping the origin story for a similar reason. Superheroes are no longer a new film genre. Audiences are familiar enough with the structure that they're actively looking for the origin story and know how to piece it together from clues, so they don't need to be walked laboriously through it, and in fact will be bought by the process.

33:57Foundation is the same. For people who read and watch a lot of science fiction, it has the exact right amount of exposition. We already know about galactic empires, city planets, space elevators, etc., and aren't trying to piece them together from scratch. For people like us, the moment we saw the Starbridge, we knew exactly what it was and how catastrophic it would be if it hit a city planet hundreds of levels deep. So that sequence immediately resonated. Whereas for Steph, it only made her incredulous that a spaceship crash would kill 100 million people. Sorry. No, in a sense, Steph is right that foundation is for people with time, but that time isn't spent during the show figuring it out.

34:35The time is spent prior to the show loving and steeping yourself in science fiction so that when a show like Foundation arrives you are the audience member who already gets the basics and is ready for the story that is building atop them. That is absolutely true and excellent point and yes and I suppose I was saying that based on the fact that I haven't read any of those books so if you are trying to access a show like that just just to see if you like it then yes you do need that but totally take that on board i'm i'm trying to come into your world and i don't have the map and you have the map and you know the locations and yes i totally take all of that on board and that's very well written too i like that you're critiquing the emails i am yes um okay now for a question it's from alistair he says hello my favorite podcasters i have never watched an alan partridge show oh but yeah what boys looking lively yeah but after listening to boyd rave for years about it i thought i'm it might be time to start where do i begin the catalogue this is like me and foundation isn't it this is exactly the same okay the catalogue seems denser than k floating in a pool i'll take that alistair um can the team recommend an episode for me to start with um such as you did for buffy thanks boy this is come on this is yeah such a you question this is so this is difficult yeah um i would say stuff in the beginning right no absolutely not really no oh because alan partridge it's not like um you know it's a character that's been going for decades and its very first iteration which was on the day today if you don't get me started in you know oh i love the day today brilliant yeah but you you don't want to send people back to that to have to it's not like a there's no great narrative put it this way that you're spoiling yes i think I just like to always start from the beginning, but I just hate your point.

36:27Yeah, so you don't worry about starting at the beginning at all. Do you know what I would suggest? Mid-Morning Matters. Series one of Mid-Morning Matters, which was, and the reason I suggest that is because it's absolute pure, hardcore, uninterrupted Alan, you know, albeit with Psychic Simon, played by the great Tim Key. But it's like there's no messing about. It's just him as a radio DJ slash presenter in the studio with Psychic Simon being hilariously Alan. It's like distilled Alan down to its absolute best. Do you know what I mean? So on that basis, I would say jump in with Midmorning Matters.

37:12What was the most recent series? The one show? This time was the most recent one, which was very much... One show-esque, wasn't it? You could start there because that's, yeah, you could start there. And in fact, I watched an episode the other day and they showed them on, I think they had a night of them on Saturday or Sunday night. He's laughing already. I'm laughing at my wild social life where I was sitting here watching. Boy, to be fair to you, you're in recovery from the live show. I was in recovery from the live show. You're right. And I did go and see the film Weapons earlier that day. Oh my God.

37:43Which is amazing. How did you have the energy? I don't know. It was amazing, by the way. Anyway, but this time has an episode in which Alan tries some... He's allergic to oysters. And Jamie Dimitri plays a TV chef who promises him they're under-oysters. And the way he ends up visually is absolutely fucking hilarious. And it's also got a segment where Alan investigates the history of swear words. and he goes to the British Library which as Kane knows I go to the British Library a lot to work and he goes to the British Library to find out from an expert this woman on swearing and it's one of the funniest things I've ever seen in my life and I was sitting there and I've watched it about 20 times already I was sitting there the other night just cackling madly to myself and almost crying with laughter because she literally dives in going well the word fuck comes up and he's like whoa his reactions to her so yeah I think it's episode four off the top of my head of this type of episode.

38:45Actually, that might be, on a pure level of hilarity, the funniest one to go for. I'll double check which episode it is, but I'm pretty sure. But what a great question. And there's a new series that's coming up this autumn, by the way. Did you get the invite? I got the invite, yes. Yeah, very exciting. Very, very exciting, yeah. The golden ticket. Yeah, absolutely the golden ticket, yeah. Oh, it reminds me, Kay, do you remember when you had an allergy to shellfish and we had to get you. We went to a Bauer Christmas party and they served up some kind of langoustine or whatever. And I love seafood, right?

39:21And Boyd, I had a skewer. Obviously, you know I love eating, so I was like absolutely yammed loads of this langoustine. And went to the bathroom. I was like, God, my face feels itchy. I looked in the mirror and it looked like I had bubble wrap on my face, right? Basically, if anyone's seen Sunset Beach 100 years ago, when Vanessa got that like when she had that allergy and she had like bubble wrapped skin it was awful I didn't know what to do and my friend like I Steph was there and another friend Joe and they basically wrapped like a scarf around my head because a celebrity leaving a clandestine meeting and she put her she put her arms out to feel in front of her to make sure she through this crowd of people with her face ballooning ballooning ballooning oh my god it was awful it was awful well the episode of this time is really based on that because that's pretty much what happens to to Alan.

40:09I think it's episode... Me and Alan. He's in a pod. It's episode five, I believe, of series one. And it's the other hilarious thing about the episode. It's got Alan and the presenter Dean with the Me Too movement. Oh my God. Exactly. It's just relentlessly hilarious. So yeah, yeah, definitely that one. What a great, great question. Now, Boydo, this one's for you actually. Well, it's basically about you breaking your pilot streak. Oh yeah. Sorry. It's a... No, I know, I apologize. It's a defense. Angela said, so James, Steph and I were chatting about it on Pilot Plus when you're off. And James had some things to say.

40:48And so Angela has fixed James' statement, what he said for him. So James said, some of us took our microphones to Thailand. Did we complain? No, we did not. I was there staying in the White Lotus Hotel with my microphone. And did I record a podcast? Yes, I did, because I'm a professional. And then she's added, was I there for work? Yes, I was. Was I on holiday? No, I wasn't. Is Boyd on holiday? Yes, he is. Thank you. Thank you very much. And can I just say, by the way, thanks, Angela. You're absolutely right. Can I just say the outrageous thing about James going away on this unbelievable jaunt to promote Jurassic Park, whatever, right, is that he put his out of office on.

41:28So I have people, I have people, listen, I have people, you know. And directed them to you. Yeah, directed them to me. Of course, yeah. Like people, all these people going, do you want to, this guest on, this person, you know I've never heard of do you know what do you know what that is technically called a piss take James's bitch but also you're James's bitch now that's basically what you are apparently so oh my god a basic bitch at one point I was just you are working you know you are out and he's like yeah of course I am he said you know he's a classic way you know it's like well don't be around working on his suntan yeah you can still outrageous unbelievable yeah so he's a monster he's an absolute monster he is in many ways a monster said not for the first time no now this is a message from Mark also in your defense, Boyd, kind of.

42:10He says, I'm a long-term fan, having heard every single episode of Basic Binges. Wow. And all, yes, Steph, Mark Mansfield. Oh, my God. Oh, Mark. Oh, I remember Mark. An original POG person on the ground. A POG. Anyway, and he said, and all of the Pilot TV and Plus episodes too, but also all of Boyd's Arsenal podcasts. Oh, my God. And I have to reveal that he has missed one or two of those as well. Oh, yeah. He has form in this department. Yeah. He goes, but, Mark adds, he can do no wrong as far as I'm concerned. Top bloke. You all are, even James. Love and best wishes, Mark. Thanks, Mark. All I would say, I haven't missed a couple of episodes of my Astor podcast, but I have been doing it for 17 years.

42:49So, I mean, you know, let's start. Well, he's a bastard and he took a day off. You're either committed or you're not. Yeah. Right, a message from Robert who says, how did you review shows, brackets and films, in the olden days before streaming? Were you sent DVDs, VHSs? Did Boyd get sent the latest zoetrope, is it, back in the day? Or was everything in person screenings? We had, in Heat magazine, we had a cupboard for many years full of VHS tapes of the channel's different programs. And I believe when Kay, in the early days of Kay, in the office, had to deal with some of that. Can I just tell you, when I joined he, I was the TV review assistant.

43:42And I used to, Boyd would tell me which shows he wanted to preview. And I would then send a bike to Channel 4 to collect the VHS tapes and bring them back. And I would distribute them. That was one of my duties. And then inject me with Ketamint. Oh my God, don't joke. Anyway, so, yes, we used to do a lot in VHS tapes. And then it moved to DVDs. DVDs, yeah. The DVD era. Yeah, that was another era that I was on top of. Yeah, yeah. I remember very clearly going to a meeting at the BBC in London, in Portland Place, a big unveiling of their new press preview system where you'd have to go to a portal online and watch stuff without any physical...

44:33And I remember thinking, oh, this is like an absolute revolution in our lives and what an incredible advance it was. I went to one for Ready to Air. They gave me a demo of it and I was like, oh my God. In my head, right, obviously it's brilliant. But in my head I was like, wait, I don't have to organise the collection of DVDs and that's brilliant. No more bikes for you. Channel 4 uses Ready to Air listeners, which is a portal to watch their preview. And believe me, they're still using Ready to Air, like decades later. I'm sure if I'm quite startling. Maybe it's because of my feedback, my good feedback.

45:03It's all down to you, Kate. But yeah, we did all that. It is, in fact, I, who is a monster. We did all that. Yeah, it was preposterous times when you think about it. But now all of the people have their own multi-two-factor, multi-functioning verification system. Boy, back in the day, because obviously when I was the lowly TV reviews assistant, I didn't tend to go to these kind of events. but did they have as many TV screenings then as they do now? It didn't feel like they had as many, but that's probably because there weren't as many channels. I mean, it's pre-all of the streamers. But I remember the main channels were their main shows they would have a screening for.

45:46I remember my very first week was Queer as Folk, of course, legendarily, in 1999. That was a launch in town, a cinema in town that no longer exists. All righty back to Russell. Yeah, exactly. Yeah. And when you say town, you mean London town? I mean the centre of London town. The centre of London, yes. For all regional listeners and people abroad. That's what he means. That's what I mean. Glittering, the glittering streets of Soho and beyond. Glittering. Right, okay, two last questions. This one is from Rachel, who says, Hi Kay, with the news that 90s Superman, Dean Cain, has trained as an ice agent, what alternative career path do you think other TV stars could take if their success wanes?

46:31Thanks, Rachel. And she said, I'll be in the audience on Friday. So nice to have, I was going to say see you. I didn't pick you out, but thank you for coming. Well, that's a very good question. I mean, the whole Dean Cain-Ice thing, by the way, is horrific, obviously. I mean, one absolute bellend. I know. He is definitely, he should not be allowed to have been Superman now. Oh, yeah. Oh, he should take his S badge. They should be able to take it from him. But I, what could they do? You know Jason Isaacs? Yeah, Jason Isaacs. Oh, yeah. Do you know what he did before he became an actor? Was he a carpenter?

47:07No. Was he a stripper? No. I think you'll never guess. Go on, what was he? Oh, no, no, hold on. Was he a plumber? No. Can you give us a clue? Just one clue. It's sporty. Oh, was he a baseball coach? No. I'll tell you. He was a skateboarder. He was a pro skateboarder. Oh, this is why Boyd's excited. He was a skateboarder. In his early, early days, yeah. Honestly, he was like that good at skateboarding that he became a pro and could have gone further with it. But then he thought, no, no, no, I'm going to try some acting. So, yeah, I think Jason should go back to his, I mean, you know, reincorporate skateboarding into his life as he prepares for his next big role.

47:52Boyd, now this might be a bigger conversation. Do you think that it is suitable for grown adult males to skateboard? That's a very leading question, Steph. No, no. Is it because? Do you, do you in fact skateboard? No, I skateboard from one end of my flat to the other. Okay. Shut up, you do not. Sometimes I do, yeah. Cool, yeah. yeah for the lols yeah when i got i've got a helmet on and you wear like knee pads i have got a skateboard um a fully functioning skateboard when i got it about 15 years ago when i first got it i i've moved here into where i live which is a big loads of flats you know like loads of different lots of flats and i did actually a few times skate around a bit but it's really loud for some reason yeah of course it is dude you can't fucking start skating around in a flat You poor neighbours, I would hate you.

48:50If I heard this kind of skateboard going across, have you got wooden floors? It's not loud in the flat. That's not loud at all. No, I'm talking about outside. Yeah, not for you, Boyd. I'm talking about underneath. No, no, no. I don't think it is that loud. Anyway, but what I'm talking about is when I started doing it outside in the public areas of where I live, the development, and that was really loud. That was really loud. Like clickety-clackety loud, yeah. No, people are just like, oh, it's old TVs, Boyd. hilton just skating around the estate again so i've stopped doing that oh my god i've stopped doing also this really perpetuates um james and my um kind of view that you have this massive palatial um yeah so he's getting board skateboarding from one wing to the other this is amazing yeah i'm so happy you told us it's just open plan it's just a fully open plan that's all wow okay jose nice that's good um i whenever i think about other celebrities doing other jobs it always reminds me of when Angelina Jolie gave that interview and she said she was only learning how to fly a plane so that in a case of like another world war she would be able to get up in her plane and drop and drop supplies to people right yeah and that was many years ago she gave that interview and as yet I have still not seen Ange in her plane dropping supplies to anyone in need anywhere not yet no but but that should definitely be as she mentioned it was the reason why she was learning to fly her job for when you know yeah okay that's quite a good answer um mine would be i was reflecting on a on a chat i had with idris elba the big drister oh yeah talking about loud noises hear that one drop um but i remember saying to him that would he ever go into politics because i think he'd be a great uh politician right his campaign work about by you know knife crime etc i just think he would be yeah i think he'd be fantastic you know and he's an incredible dj as well so he could do his policies while while the party exactly yeah that's a great yeah definitely yeah okay so okay and now for our last question.

51:09It's from Chris who says, my partner and I have been watching The Rookie. We're really enjoying it. It's really nice watching a big network show with 20 episodes in a season. There's something nostalgic about a show where every episode isn't crucial. Sometimes there's just a filler episode and if you weren't paying attention it's okay. There's no real overarching plot to keep up with. Also, why isn't Nathan Fillion a bigger star? He's super funny and charming. So, Chris's second question is other than the Nathan Fillion which I know Steph has thoughts on I do is uh what do you guys think do you miss the days of network shows with 20 plus episodes a season or do you prefer the peak tv model of eight episodes per season with two to three years in between okay great question can I just can I just talk about okay so I have long been in love with Nathan Fillion.

52:00I respect all of his career choices. Now, if like me, you were an early adopter of Ryan Reynolds, okay, you will know that there was a sitcom, a Canadian sitcom, Two Guys, A Girl, and A Pizza Place, latterly just called Two Guys and A Girl, okay, where Ryan Reynolds was in a flat, had a flatmate, and it also starred Trailer Howard, who now, Does anyone watch Monk? Do you know Monk? No, I know. Oh, my God. I mean, incredible show. My friend Wendy did the makeup on Monk. Oh, really? Well, it's a very, very cozy crime, but actually excellent. Anyway, and he starred as Trayla Howard. She was Natalie and she, sorry, she's Natalie and Monk.

52:49She was Sharon in Two Guys and a Girl. And he was Johnny, her boyfriend, her like very put upon boyfriend. And he was amazing in that and has gone on to have a very, very sort of, I would say slow but steady, but always a very good career. And James would, if James was here, he would be screaming about Firefly and Serenity, Joss Whedon's, boy, do you know these, Kay? Have you ever heard of them? No. Okay. Well, Firefly was cancelled. Then they made the film Serenity to wrap it all up and various things about that. That's definitely a James conversation. But yeah, Castle, he was amazing. That was eight seasons where he played a novelist who got together with a detective to solve crimes.

53:34I mean, he's had a fantastic career. So I think what he's just not done - He's in Superman. Yeah, I mean, he just hasn't gone wild. Well, I think, you know, I think that's, his role in Superman, he's got a key role in Superman. He's brilliant in it, by the way. So I think like, there's definitely a bigger awareness of him. He's not a superstar yet, But I think as a character actor, you know, as you call him, I think he's definitely acknowledged to being a really, really good guy and a good actor, and hence roles in huge films like Superman. I'm sure he'll get more of those. Question, though, because he's not a young man.

54:09Question, do you think that he just hasn't kind of gone into the superstardom because he's not... Ryan Reynolds. Yeah. Not just that. He's not strikingly handsome. what is it that's made he's a normal looking guy he's an unassuming if you bumped into him in the street you wouldn't like bat an eyelid whereas if Ryan Reynolds or whatever then you're like oh wow that's the thing that's why I'm saying he's more of a character actor than a big superhero main lead role kind of guy but because he's really really great and very likeable and all that he does get big roles in network TV shows that give him a really good career he's the kind of person that could be like your estate agent that is actually quite attractive.

54:55Do you know what I mean? He's not like, do you know what I mean? Yeah, he's not like superstar looks, but you know, thank God, you know, not everyone. No, we don't want that from everyone. But he's really funny. And then the second part of the question, what do you think? So do you miss 20 plus episodes? Yeah, I miss the days. I do not. I'm particularly with sitcoms though. So I'm not so much with dramas, although, you know, let's face it, what an incredible thing that the West Wing, and I'm mentioning it because he's not here, James isn't here, but The West Wing was a network primetime NBC show, and they did come up with 20 however many episodes per season of that level of brilliance.

55:33I mean, it's extraordinary. Obviously, it nearly killed the various people who worked on it. But I really miss the days. So I miss the days when at least people tried to do that and sometimes succeeded. And the likes of Seinfeld listeners know all those sitcoms, Seinfeld, Cheers, Frasier, Taxi. I was listening to sitcoms that had hundreds and hundreds of episodes friends hundreds and hundreds of episodes what an achievement Sybil, Kay you are Sybil and you know the level of quality was extraordinary like think every now and then you would get a Duff episode right you can remember your own and you think oh yeah that wasn't quite up to scratch but most of the time on those classic, classic sitcoms Cheers relentlessly brilliant year after year after year after year so I missed that I missed that desire on the part of networks to come up with a show that will last for years for like a decade and have that faith in it to keep going with i miss that and i don't think we'll see it's like again i think it's unlikely but you know that we'll get that kind of show ever again i think that's a bit sad i mean what about house i mean would that come under that because that's yeah i mean come on cbs that's a good example yeah cbs nine o 'clock week in week out for fucking seven years yeah hundreds and hundreds of episodes yeah incredible achievement god you made me flip-flop because actually yeah shows like house I would you know I really enjoyed that but I mean it's such a time commitment yeah go on murder she wrote come on you've got do you know what I mean diagnosis murder oh my god Dick Van Dyke diagnosis murder that's a great show it's just such a time commitment I know I know they were designed like also as our listener said you can just dip you know if there's yeah you can watch It's isolation.

57:19But I just think that our time is so, we're so time poor now to commit for that length of time is a big ask. Maybe, but let's give it a go. Come on. Okay. Yeah. Okay, I signed it off. Great. I signed it off. Let's go back to that. Yeah. Good. Show runners. Okay. Well, I think we've, I mean, oh my God, we've been recording for over an hour. That was, you know, I feel exhausted already. Yeah, it's almost matching the time that it took us to get up and running. Almost, almost. It was working in the end, though, wasn't it? Yes, indeed. Thank you very much. Thank you very much to Steph and Kay and everyone who wrote questions in for the postbag, etc.

57:57And everyone who wrote things supporting me against James in my ongoing battle for justice. Yes. And just to say, we will be back. James is away, by the way. This is for three effing weeks. I mean, you're going to have to get used to us a lot. Sorry. Oh, my God, yeah. And we'll be back on Monday for what I like to call the main pod. and we'll be reviewing the likes of Mudtown on you and Alibi, Alibi, The Twisted Tale of Amanda Knox, which is possibly the most Steph show there is, I'm guessing. It's got Steph written all over it. It's got Steph written all over it. Oh, you think, do you? Oh, you think.

58:32Well, we'll see about that. We'll see about that. And Peacemaker Season 2, I'm guessing neither, I don't know. I may be wrong. I'm new to it. be new to it which is coming up on Skymax soon so we will be reviewing those shows we'll be having a guest I think I can't remember who it is and it'll all be wonderful see you then Pilot out

From the publisher

As we collectively recover from the epic 349th live podcast special last Friday, and somehow deal with the absence of our glorious leader James, Boyd, Kay and special stand-in Steph review the new documentary Matthew Perry: A Hollywood Tragedy (yes, it’s a thin week for new TV stuff) and Kay opens a bumper postbag in which sensible people disagree with James, again.

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