In short
Pilot Plus discusses Netflix limited series The Beast in Me (8 episodes), starring Claire Danes as Aggie Wiggs, an author whose life is destabilized when Matthew Rhys’ property magnate neighbor moves in next door. The episode is framed as a psychological thriller about whether Rhys’ character is dangerous, especially given allegations tied to his missing wife.
Guest backgrounds
No guests are interviewed in this episode. The hosts mention prior guests (e.g., Jodie Foster, Conan O’Brien, plus other recent podcast guests like Carolina Wydra, Ray Sehorne, Vince Gilligan), but they are not present here.
Key claims
Danes’ character is traumatized by her son’s death (possibly linked to drink driving). Rhys’ character is wealthy and menacing, using power to dominate. The central mystery is whether he’s a psychopath. Aggie is pressured into writing a book about him.
Notable examples
A tense restaurant scene where Aggie and Rhys’ characters size each other up; the “hooded eyes” performance style; comparisons to other “neighbor from hell” thrillers and to Homeland/24-style psychological menace.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Plot and Characters of The Beast in Me
0:45 to 2:42
Discussion about the mini-series' plot and main characters, including Claire Danes and Matthew Rhys.
“It's The Beast In Me, not The Beast Within.”
Character Analysis and Themes
2:42 to 6:32
Deep dive into the characters' traumas, themes of psychological thrillers, and character dynamics.
“the psychological thriller type of thing, everyone's got trauma to get over.”
Performances and Show Style
6:32 to 11:20
Examination of the performances of Claire Danes and Matthew Rhys, and the stylistic elements of the show.
“Listen, I'm quoting my own catchphrases here.”
Genre Trends and Conclusions
11:20 to 14:00
Discussion on the trends in the genre of psychological thrillers and final thoughts on the show.
“You know, it's kind of showing you might think five, six, maybe.”
The Rise of Psychotic Female Characters
14:00 to 15:36
Exploration of the trend of psychotic female characters in recent TV shows.
“And there's been a whole welter, all the ones about women, you know, kind of.”
Introduction to 'The Beast in Me'
15:36 to 15:56
Discussion about 'The Beast in Me' series and its release on Netflix.
“which is on the beast then in me that's not what it's called either you cannot wrap your head around this title the beast in Boyd which lands on Netflix It's already on, isn't it?”
Post Bag Segment Begins
15:56 to 16:42
Transitioning to listener interactions, starting with a humorous take on emails.
“otherwise known as the section where everyone yells at us about the Great British Bake Off.”
Compliments and Casting Questions
16:42 to 18:18
Discussion on listener compliments and casting choices in films and shows.
“But he goes on to ask a question for James, perhaps to Boyd as well.”
Mini YouTube Clips and Review Formats
18:18 to 19:50
Debating the possibility of creating mini YouTube clips of reviews.
“What else could we expect you to do other than not listen to me or boys?”
Debate on Podcast Brevity
19:50 to 21:26
Discussion on the length and format of podcast reviews and listener expectations.
“or just have things playing in the background or if I'm late to the party on something like TAS, for example, it may persuade me to subscribe to Now TV.”
Show all 34 chapters
Listener Complaints and Responses
21:26 to 22:39
Reading and responding to a listener's complaint about a show review.
“Because I don't cut the YouTube one in the same way.”
Critique of 'The Last Frontier'
22:39 to 23:42
A critical discussion regarding the portrayal of 'The Last Frontier' show.
“My first in six years of listening to the show so not a bad run really and hopefully this being my only one my only win, sorry, will mean that you take it seriously.”
Proposed Shows and Personal Dynamics
23:42 to 28:01
Imagining potential show formats involving the hosts and their dynamics.
“Technically on my laptop, but yeah, okay, go on.”
Vacations and Hotel Stories
28:01 to 28:34
Discussion about hotel experiences and potential vacation plans.
“Isn't that where your New York hotel story was?”
Daisy May and Charlie Cooper
28:35 to 29:41
Talking about the dynamic between Daisy May and Charlie Cooper in their shows.
“I thought you were going to say inspired by Nightwatch, you went to some haunted prisons or something like that.”
Aborted Journey to Leeds
29:42 to 30:14
Sharing a personal anecdote about a failed trip to Leeds.
“and yeah, all the trains bloody cancelled.”
Sugar Cravings Post-Diet
30:15 to 30:46
Discussion about cravings for sugar after a month-long diet.
“Oh, you should have brought them in actually.”
Listener Feedback and Thanks
30:47 to 31:41
Reading and discussing listener feedback and thank you messages.
Historical TV Recommendations
31:42 to 32:52
Discussion about historical TV shows and listener suggestions.
“Being old school, this is handwritten notes stuck to my fridge.”
Listener Questions About TV Shows
32:53 to 33:26
Responding to a listener's question about TV shows set in hotels.
“The Last Kingdom and the original Viking series into that into that historical chronology somewhere I think it was mentioned he mentioned that really?”
Alan Partridge and Iconic Moments
33:27 to 34:26
Discussing the significance of Alan Partridge in British comedy.
“But I was genuinely surprised that no one not even Boyd I know what he's going to say.”
Medical Detectives and Mystery Shows
34:27 to 36:04
Discussing upcoming shows and favorite mystery series.
“Is it a buffet and he brings his own plate?”
Favorite British Crime Thrillers
36:05 to 37:51
Sharing thoughts on favorite British crime thrillers and their appeal.
“I'm not sure, but I thought he said serialized, what was the phrase he used?”
Australian TV and History
37:52 to 39:55
Discussing Australian TV shows and their historical context.
“It'll be his new favourite show by the end of the week or something.”
Ratings and Reviews Discussion
39:56 to 41:58
Discussing listener reviews and opinions about recent shows.
“And I'm just going to find the title of it in this live Google search.”
The No-Star Reviews Phenomenon
42:00 to 43:20
Exploring the impact of early reviews on a show's perception.
“I'm saying whatever you think of that phrase deployed in that moment in the show, it's definitely not dull and uninteresting.”
Defending Kim Kardashian's Role
43:20 to 44:20
Discussing Kim Kardashian's acting and the backlash against her performance.
“That kind of tone is what it's going for.”
All Her Fault - Mixed Reviews
44:20 to 46:30
Analyzing the contrasting reviews of 'All Her Fault' and audience reactions.
“Again, yeah, I'm not saying it's a good show.”
Postbag Reactions and Viewer Perspectives
46:30 to 49:00
Sharing listener reactions and personal reflections on shows.
“I think she finished it from what I'm reading.”
Upcoming Podcast Discussions
49:00 to 50:03
Planning discussions for future episodes and brief mentions of other shows.
“the trip with Steve Coogan and Rob Brydon, where Steve Coogan lived in that show was shot in where I live.”
Finale of The Traitors - A Sensational Twist
50:03 to 56:00
Discussing the finale of The Traitors and unexpected outcomes.
“Although, Kay, you did intimate that you wished to discuss the traitors briefly.”
Emotional Impact of Reality TV
56:00 to 59:02
Explore the emotional toll reality TV takes on participants, especially during high-pressure games.
“that he burst into tears and I felt really bad for him.”
Celebrity Perceptions and Game Dynamics
59:02 to 1:01:56
Discuss the dynamics of trust and perceptions among celebrity contestants in reality shows.
“Do you know who else has expressed interest and they absolutely should...”
Celebrating Claudia Winkleman's Role
1:01:56 to 1:03:12
Acknowledge Claudia Winkleman's pivotal contribution to the success of 'The Traitors'.
“You know, obviously they're behind Gogglebox and Traitors and all the shows we'd have race across the world.”
Transcript
Automatic transcript. May contain errors.0:07Welcome to Pilot Plus, your extended guide to every show that matters, and a podcast that will today be mainly being terrified of Matthew Rhys. Next we're going to talk about The Beast in Me, from Mark Gordon, of 24 and Homeland fame, who's once again teaming up with Claire Danes in this, which is a mini-series, and she plays Aggie Wiggs, which is a great name, and she's an author who lives in an extremely nice house for someone who apparently can't pay their bills, but the less said about that the better, all of which is complicated when Rhys' property magnate and very possibly wife killer moves in next door.
0:39Let's hear all about this from The Boyd Within. Well, first of all, it's called The Beast In Me. I don't know. No, no, hang on. It's The Beast In Me, not The Beast Within. Sorry, let me do that again. I'm going to make my joke again. I didn't even know you did that. I thought that was part of the joke. No, I misjoked. I misjoked. No, in fact, it doesn't work. No, leave it. Leave it. No, because also don't say the Beast in Me. No, I just realised that's such a terrible joke. James, this is not that kind of podcast. This has gone horribly wrong. It's become a weirdly sexual podcast. Darren, keep this all in, please.
1:09This is the podcast that everyone wants. It is. This is the podcast I pay for. I cannot have while I'm in this room. Thank you. 100%, yeah. That's for the OnlyFans. Sorry, boy, carry on. As I was saying, I don't know, but there's a very famous and brilliant Nick Lowe song called The Beast in Me. And I don't know if it's named after that, or I should have inquired further. some sort of basic research they haven't played it they haven't played it in the show yet but half of me thinking at some point it's going to pop up in the show I like the title yeah it's a good title other interesting things about this show are I don't think you mentioned this in your in China site I don't know tell me it's among its producers are Jodie Foster yes friend of the pod Jodie Foster and Conan O 'Brien oh wow I know what a combo American talk show host extraordinary and comedian listen they're having to branch out these days yeah true yeah Yeah, that's true.
1:56Yeah, absolutely. But it all rests really on the shoulders of Claire Danes and Matthew Rhys. It's basically like, I think it's interesting, you know, she's experienced a trauma involving her kid. She's retired from public life. I think in answer to your point about how come she can live in an enormous house and still have a problem paying her bills, well, she's had one huge, big, successful book, I think is the idea. She's living off the proceeds from that. She's Harper Lee, yeah, right. Yeah, yeah. But her funds are clearly dwindling because she hasn't written anything for years and the next thing she's writing doesn't sound particularly commercial.
2:33Yeah, and the trauma has also just like kind of stopped her in her tracks and slowed everything down, understandably. Yeah, exactly, as trauma does, yes. By the way, I am going to say this, I was thinking every single drama of this type on TV, the psychological thriller type of thing, everyone's got trauma to get over. Yeah, obviously. And often it's quite similar. No, no, no, no, but it isn't life. if not everyone has at this level. Big tea, small tea. The things, like the thing that's happened in her life that's ruined her life and made her really depressed and miserable, that kind of thing crops up a lot in this type of show is all I'm going to say.
3:06Let's make that observation. Okay. The trauma police over there. We should say her trauma is in the very first scene of the very first moment of the episode. You don't know why I'm being slightly coy about it. You don't need to be quite so coy about it. Okay, fine. Yeah, stop being a traumatist. Her son died in an accident that may or may not involve drink driving. That's kept vaguely mysterious, isn't it? So she's in that position. And we have to be careful, sorry, Bordie, I should say this. Yes. Because I'm just derailing the podcast at this point. Yeah, go for it. But it's been one of those mornings, let me just say.
3:34I dropped the winner of Bake Off in the podcast. Don't I know it? We're going to get into this, aren't we? Yes, I am. And I have been called out. This is how oblivious I am. I didn't realise it was a spoiler. But we'll talk about this later. Well, you know what? I mean, I'm sorry, but... No, wait for the postbag. Wait for the postbag. Wait for the postbag. Wait for the postbag. now. Yeah, I have. It's true. All right, let's dish it up. Come on. We got castigated. Right, let's derail. All right. I was DM'd or added in some stuff. We've had something in the postbag. I want to, yeah, apologize to the people who got in touch because I usually am a responsible reviewer.
4:07So we're saying it's your fault? Okay, good. No, no, no. I can sign on to that. You brought it up and then I piggybacked it to talk about it saying it was an inevitable winner of the Bake Off. but the point of it is if I hadn't watched it and I was dedicated to Bake Off as I have been this series I would be furious so the fact that like but you're not going to put yourself in a position a week after it aired of not boy don't stoke the fires can then people get angry I'm sorry I came out of this message quite well because she said yeah you're alright it's usually me you're the only one not spoiling shit but come on I mean with all Westworld in the world a week after the thing happened so then we can't pussyfoot around about it Are you saying the corollary of that is, is that a word?
4:48I don't know, but I like it. God, I like that word. Is that, you know, we wouldn't talk about the traitors winner. You know, like 15 million people watching. Which we need to do 10 minutes at the end of this. Yeah, right. Fine. But we're not going to keep that secret, are we? It would be absurd. So the statute of limitations has to be a couple of days maximum for this type of show. You can't expect this. Well, I think that's the key, isn't it? This type of show. Because I think, let's say it was like the finale of Breaking Bad or something. Yeah. A week, you still wouldn't. And even a couple of months, you probably wouldn't.
5:13Because people watch shows at different speeds. And someone might come to Breaking Bad like several years later and not want to know what happens at the end. So I think that's different. With a reality show, which I would say by its very definition is a communal viewing experience, and it is part of the zeitgeist and part of the cultural conversation, I don't think it's possible to avoid it. As evidenced by the fact that I knew who won, and I have never watched an episode of it in my life. Quick question. Are we pretending that you had thought about all that before you... Absolutely not. No, genuinely, I so didn't even understand anything that I literally...
5:43Passed and loose with his words. Yeah, literally. I had just been told that and so I just thought, oh, I'll drop this. It'll make it seem like I know what's going on with reality TV. Do you know what? I think he saw it as a bonding thing. I did. I was trying to bond with you two and it all just blew up in my face. But even that pales by comparison to when I destroyed, and I've said it on this podcast before, so this is not a new story, the first season of The Apprentice because I had met the winner who was a friend of her friends and we've been talking about it and I went in the office the next day and went, oh yeah, I've met the winner of the apprentice, such and such a person.
6:13And they all just looked at me because the show had only just started airing. Who was your editor at the time? That's a good question. I want to say Mark Dinning. Do you know what? If I was Mark, I'd say, you're fired. Get out. Get out of this place, you big spoiler-rific. I mean, that would be fair. I thought you just did an Alan Sugar joke and then you went, you're fired, get out. I added in, yeah. No need. Listen, I'm quoting my own catchphrases here. Not just recycling Suge's old material. Getting notes on your punchline though, that's good. I know. 100%. Oh, yeah. Oh, don't think that hasn't been noted, James.
6:44It's going in the big list of grievances. I've always had a book on Boyd. Of course she has. You've just got to ignore it. No, for real. Do you remember that little book? That little notebook Jen and I had? Yeah, we just have to ignore that. His various misdemeanours, yeah. Yeah, yeah. If people are wondering why this is particularly chaotic this morning, I would say that Boyd and I are slightly giddy this morning. Oh, yeah, they're all gassed. I'm particularly giddy because we have had Carolina Wydra on, we've had Ray Sehorne we've had Vince Gilligan they all came to the office there was some logistical wranglings getting them in and we just had a big old chat in the studio about Plooribus and do you want to give an overview of how it went?
7:19from the show Plooribus you didn't say that it was Plooribus and the creator obviously of two of the greatest of all time which you did which I did mention yes which wasn't controversial right? no no no and safe to say not only did it go well they were very complimentary about James and he has been on cloud nine ever since he basically floated into the studio Boyd particularly enjoyed that part No, I mean, Boyd has been telling me how unbearable it was. And then I asked James, and he's, you know, like a sort of letterboxd smile. He's like, his smile, he's been grinning like a Cheshire fan. If you were to type into Wikipedia, smug twat, there would just be a picture of my face.
7:53Literally, that would be it. Do you know what? The self-awareness is appreciated. But yeah, we had a good time. And you will hear that on the regular podcast on Monday. Sorry, Boyd, you were trying to review something. By the way, in this show called The Beast in Me, named after perhaps a Nick Lowe song. that hasn't been in the show yet, as I was saying. The key element to it is that she's having, she's, Claire Danes' character, Aggie, the rather appropriately named Aggie. Aggie Wigs. Aggie Wigs, exactly. Which feels like it's rhyming slang for something, I would just say that. Oh God, okay. Got a bit of Aggie Wigs, don't know what it means.
8:24No. She, her life is suddenly turned upside down when a new neighbour moves in next door who's got like annoying, barking, scary dogs who ride roughshod over the kind of, you know, the neighbourhood. And the law. and the lawn, doing what the hell they want to do. And the neighbour is played by Matthew Rhys, and he is this big, successful, powerful figure who has been accused of being responsible for the disappearance of his wife. And so the big kind of mystery of the show is, is he or isn't he an actual psychopath who's done something terrible? She is going to write... They agree, this isn't a spoiler, I don't think, because even that happens at the end of the first episode, they decide she's going to write a book about him.
9:07Or is he telling... That is a spoiler for me, boys. Is it? Oh, is that in the second episode? He moots it. She doesn't agree to it. Oh, okay. Well, she should, I mean... Right, lads. Anyone who got in touch with me and James that are slagging us off with a Bake Off winner, now if you could at Boyd, I'd appreciate it. Okay, let's just say in the description, the official Netflix description of the show, it makes it quite clear that she's obviously going to agree to write this book because she's desperate. It makes sense, doesn't it? And there wouldn't be any more, seven more episodes of the show if she didn't agree.
9:35No, I'm not going to do it. Okay, I'm moving away. I would respect her. But all in all, do you know there's an actress in there called Julianne Emery as well, by the way? Because we know a friend of ours, Julianne Emery, works for the company. I'm going to go out on a limb and say not the same one. I don't think it's the same one, yeah. I very much enjoyed the whole of the first episode comes together when they have lunch or dinner together in this restaurant. And that scene where they're kind of going at each other and she's kind of trying to work out what he's really like and what the issues are with him.
10:04And he's been very charming in a slightly, in that sort of psychopathic way. I very much enjoyed it. And as, you know, we've had a surfeit of this kind of show this year. And I think so far, I've watched the first two. I'm on board and I will want to know what happens, Kay. Me too. This following, you know, our review of All Her Thoughts, it feels very similar, right? These kind of glossy, you know, they dip their toe in melodrama, but I'm here for it because it's very entertaining. And everything for me is like hinged on the performances of Rhys and Daines. Yeah. Both who are fantastic. Both give intense performances.
10:40Daines is exceptional at that kind of tortured, pained, agonised, you know... On the verge of tears constantly. Yeah. She gives such good... Unlike me, who's a very ugly critic. Claire Daines is sensational. And she... That particular... That slightly wobbling, like, micro-expression on the verge of tears thing. Literally half the scenes in Homeland are Claire Daines doing that face. And she does it like no one else. Like, it's going between, like confusion to fury to grief to break that like there's a lot going on yeah exemplary face acting 100 and i also think matthew reese is the same and he what he conveys is this sort of like underlying menace because obviously you know it's it's alleged that he's murdered his wife and whatever no one knows the truth he's this real estate mogul he's incredibly wealthy he makes that known wealth is power to him so he thinks he can dominate like that and she's not that lady's not for turning no and so he's met his match and it's kind of how that relationship is going to develop and how how far it will go i mean in the first episode you kind of see some twists that you know the lengths he will go to and it is terrifying it's extraordinary and so that's the thing that's so compelling um and i really really enjoyed this so i will continue watching i'm sure everyone who made this will be delighted to hear that i'm going to be watching they're waiting to thing as I always say.
12:02Yeah, no, same. It's eight episodes, by the way. It's quite hefty. Bring it on. You know, it's kind of showing you might think five, six, maybe. No, it's full on eight hours. Because a lot happens in the first episode. You feel like we've covered quite a lot of ground. I must say, when I saw the number of episodes, I was like, oh dear. That's a lot. Yeah, but think about it, James. We've got the house Renault to go. That's true. We want to see what happens with the dodgy plumbing. What's going to happen with the running path? That's what I want to know. Are those dogs going to be alive by the end of it?
12:26Who knows? Who knows? Who knows? But just on what you were saying about Matthew Rhys. Matthew Rhys, who, remember like brothers and sisters, right? Oh, he loved. He's so like warm and friendly and likeable. But he can do this thing where he has quite hooded eyes, where he's slightly hooded expression. And he has this thing of like simmering menace. And I always thought that's what made the Americans so effective when he started with Kerry Russell, where he switches from, you know, friendly, slightly geeky family guy to I'm also a Russian spy and I will kill you just kill you dead he's not in the family guy he's not in the family guy no he's not actually he might have done a guest voice it's entirely possible but he's do you know what I mean most recently he was in the Agatha Christie adaptation remember when he played the pained trouble detective yeah where he was I mean it's interesting what you're saying about his hooded eyes or whatever what's he saying that's what I'm calling it what delightful expression hooded eyes who died Matthew Rhys you'd love it but he does look almost completely different like he had a bit of facial hair I think and he just looked he was pained and you know and everyone's listening right so you're saying he wears different costumes and plays different characters it's called acting no no no he's very good that is a transformation from that character to this that's an impressive he's very good Claire Danes is very good yeah I was just going to drop in that if you are a Matthew Rhys fan for anyone who listened last week he was in the Richard Burton documentary that was talked about do you remember?
13:51I said he read out the diaries of Richard Burton anyway with hooded eyes oh god leave his eyes alone if Matthew Rhys doesn't leave us a review because of this I'd be furious can you definitely listen to the podcast oh 100 % yeah definitely okay yeah it's very good but the other thing is there are loads of these types of shows at the moment it's like become the most popular genre particularly for like I think for limited series you know which I mean this could carry who knows what's going on but you know there's in fact Malice coming up which we're going to review in the main pod as well There's another Sky one coming up very soon as well.
14:24And there's been a whole welter, all the ones about women, you know, kind of. Shows about women? Boys in arms? Yeah. I'm joking. All these women stealing our shows. Sorry. All these female characters who may or may not be psychopaths has been a constant recurring trope throughout this year. He says, looking at me. I think it's the year of the psychotic woman, Kate. Yes, I am. Good. It's kind of a slight throwback to that early 90s thriller format, as Hand the Rodster Cradle, which has obviously been remade. But that kind of like, you know, the psycho among us, the bunny boiler. There's a lot of that at the moment.
14:56And there was a long period of time where they went around. He's the neighbor from hell. He is. We've had the babysitter from hell, the nanny from hell, the manny from hell in Malice. Yeah, absolutely. But it's interesting, all of these things used to be kind of, this is what cinema used to be, didn't it? Like there were so many of these kind of mid-budget, mid-level kind of thrillers you would get. And now, I mean, obviously Hand the Rodster Cradle was a film, but you, the recent one I should say for Michael Monroe but it completely failed didn't it that came and went without it yeah and with good reason I think it had been on TV it should have been on TV they should have done a you know five part adaptation I agree whereas I think these things lend themselves sometimes to the sort of longer form format yeah great then the beast then in me which is on the beast then in me that's not what it's called either you cannot wrap your head around this title the beast in Boyd which lands on Netflix It's already on, isn't it?
15:45It's already on, yes. It arrives today, Thursday the 13th of November. In all of its eight-part glory? Absolutely. Of course it does. On the Netflix. On the Netflix. Right, let's have the post bag, otherwise known as the section where everyone yells at us about the Great British Bake Off. Ladies and gentlemen, it's Miss Kaye versus the post bag.
16:20Yes, and I was actually going to start with this, but we've had two new emails in that I just want to... While we've been recording? Yeah. Oh, my God. Well, not about the same thing. No, no. Oh, okay. Is one of them from Mary Berry? No. No, these aren't complaints. Thank you. I mean, she's not on Bake Off anymore. Damn it! No, they're not about Bake Off, and they're not... Crucially, they're not complaints, so I thought I'd stop them. We're not getting a Hollywood handshake. No, you are definitely not. actually you'll quite like Paul Hollywood do you know what he does really good bread rolls which you buy I get the Paul Hollywood bread rolls from Sainsbury's an insight into James' culinary although there's a bit there's a picture of him on the cover and he's like throwing flour on them no one makes rolls like that what are you doing Paul Hollywood's got like a concession stand in the local Sainsbury's that's incredible he personally makes them in front of you and hands them to you with a handshake he is absolutely coining in okay I'm going to start with this one which I said I wasn't going to read out because it was too complimentary but you lied Yeah, well, it was basically just showing some appreciation for my laugh, which has never really been complimented and has been likened to a hyena cackling.
17:21But I thank you, John. That's very sweet. But he goes on to ask a question for James, perhaps to Boyd as well. He said, Lawrence Fishburne as Regis is a great example of perfect casting I would never have thought of myself. What other examples can you think of where a surprise actor is excellent as a character from a book in a TV show? Maybe Gary Oldman as Jackson Lamb, but perhaps he's not that surprising. Come on, you Spurs. Oh, God. What's this poor man's name? John. John. I mean, James is doing his emails, so I don't know. it's a tough one isn't it well I keep thinking of what's uppermost in my mind at the moment is the shows we're going to I mean Jack Whitehall in Malice is quite a surprising bit of casting I think I mean it's not he specifies from a novel did he what other examples can you think of where a surprise actor is excellent as a character from a book from a book from a book sorry I'm just now joining this conversation yes yeah I told you any actors I'm texting with Phil Phil D 'Asemlian who I'm meeting for lunch and we're just making arrangements so apologies for that well I mean that doesn't make it any better Listen, Jamie...
18:29It doesn't make any less rude. What else could we expect you to do other than not listen to me or boys? Yeah, I mean, that's entirely fair. That's a very complicated, multi-part question. So it has to be answers who are surprising, but they have to be in roles from books. Yes. Yeah, characters from books. Demands some preparation. A little bit, yeah. Who are surprising? I was surprised by how good Alan Richardson was as Reacher. Oh, yeah. Because for the longest time on the Empire Podcast, listeners will know this, me and Chris just went backwards and forwards over how no one could ever play Jack Reacher because no one in reality is built like Jack Reacher.
19:04It doesn't exist. And then suddenly Alan Richman walks in and he's just like, hold my protein shake. And you're just like, wow, he genuinely is Jack Reacher. That's a good answer. And that's the collective answer for all of us. We will come back to this if Boyd has any answers. Right, so the next one... Really earning that£2.50,£3.50? how much do we charge again? Not enough. 3.49, sorry. So this is the other extra one that I'm just going to quickly read out, which is from Stu. I'm reading out because it's going to make me laugh. He says, Hi all, I really value all your individual opinions and it really helps me decide what to watch next.
19:41Would you be able to upload mini YouTube clips of your reviews as well? I promise I will still listen to the podcast in their entirety too. But if I sometimes forget what review you gave something or just have things playing in the background or if I'm late to the party on something like TAS, for example, it may persuade me to subscribe to Now TV. Keep up the good work. So the reason why I'm chuckling is because I think this is very much a task for James. Yeah, yeah, yeah. No, I agree with you. Yeah, yeah. James can still this out. Yeah. Pull your finger out, James. Well, the problem is, is that we're so tedious and long-winded and we bang on about these shows for so long that there is no kind of capsule review we can upload because we spend like 10, 15 minutes wanging on about these things.
20:23Do you think that's an argument for brevity? No, no, no, no, no. a 10 minute review is fine just put it up of course it is they do that on Kermode and Mayo they put Mark's reviews up and they're often 10 minute 10 minute review it's fine you've got time apparently so we do so Harry chops up the main podcast and puts little YouTube shorts out there and he puts them on TikTok and what not and he puts some stuff out there rarely a whole review just again for brevity really because if he goes over one minute it's just a bit too long for that kind of medium mate put the whole thing up for us wanging on yeah too much wanging yeah that's TikTok but on YouTube it would be fine I mean the whole episode is up on YouTube and it says what we're reviewing in the title and on the podcast there are time codes specifically saying but what about on YouTube do you put those time codes there as well not on YouTube but if you listen to the podcast and you want to find it it's not like it's it's not a superhuman effort no no no I just think the way around this like I'm loathe to help James out but not to give him another task just put the time codes on YouTube so people can easily look up that's a copy and paste the reason I don't do that is because the time codes on YouTube would be different to the time codes on the podcast.
21:28Why? Because I don't cut the YouTube one in the same way. The YouTube one, so the video is edited separate to the audio. Hence all the mistakes in the YouTube. Hence all the mistakes in the video. Because I do the video and it's edited separate from the audio. So it will be a completely different length and loads of the stuff that we cut out of. I sort of lost a little bit of interest. But also I want to say for anyone who is watching YouTube now, just to let you know, these aren't mine. I didn't bring these in. This doesn't go on YouTube. This is part of the class. this is so sad I still don't understand you found Santa themed sex masks in the studio I'll describe it with my words yeah I walked in to find two sort of like fluffy masks Santa masks with sunglasses on them that feel like they're sexy Santa attire don't throw them at me I've just thrown it at James so you can get there anyways right let me continue now the post bag proper right we start with a complaint okay of course we do so I'm not going to go on about the Bake Off ones we've had those we've dealt with I personally apologise James is not posting Boyd has shut you all down and said you're wrong so that's fine.
22:23I've apologised. Boyd's shut you down. James hasn't apologised. Okay, on behalf of the podcast I would like to personally apologise for my own ignorance in not realising it was a matter of spoiler. Oh, Darren, clip that up for YouTube. Right, now the complaint. So this is from Gary, double R. He says, Hi guys, so I have a complaint. My first in six years of listening to the show so not a bad run really and hopefully this being my only one my only win, sorry, will mean that you take it seriously. I have been thoroughly enjoying Apple TV's The Last Frontier over the last five weeks or so. Granted, it's not going to change the world, but is well-made, disengage-your-brain fun with solid performances and well-produced set pieces.
23:02That said, criticism of the show is all well and good. However, this isn't a procedural show. It isn't a convict of the week show. To repeatedly claim it is, especially when none of you have watched it, is beginning to grate and sells the show short. There is a series-long plotline involving the CIA, Frank, the main villain, does it have Locke yet, and the community surrounding the events. Sure, certain convicts get more screen time depending on how involved they are in said overarching plot, but it's not the show you are selling it as. I had the same issue with the Empire review, but then the reviewer claimed to be on his phone while watching the show.
23:39Gary, just a bit of insight, James is actually on his show while I'm reading this out. On my show? On his phone. It's on his phone, sorry. Technically on my laptop, but yeah, okay, go on. Yeah, pedant. so might have missed the intricacies or the 10 episodes they claim to have watched sorry for the moan but hopefully you take this as a constructive criticism and not as a personal attack thanks for all you do love the show Steve oh wait a minute he said love the show Steve and then signed off all the best Gary love the show Steve is a phrase referring to Steve Wright in the afternoon which is also often used in the again Kamo de Mayo show I didn't understand that reference yeah it's often referred to by Mark and Simon on Kamo de Mayo that was obviously a little quote for you so you were regarded in the same light those legends yeah absolutely but funnily enough I kept gnawing at me that where how you knew this was a procedure and I because I was because I didn't think I questioned that I should have questioned I apologise I should have questioned more but it did I did wonder whether you're absolutely right about that because it didn't feel like that kind of show to me it felt like it was going to be as I recall that was a criticism made and I'm almost certain this is the case in the Empire Review because in the Empire Review he said it was mentioned in the Empire Review right so they mentioned two things our reviewer said two things which I had said when we did it from one episode was that to me it felt like network television and it felt like the set up to a crim of the week procedural and then I felt validated because our reviewer who had watched the whole season I believe made the same thing so I was like oh then that's clearly what it is so I have taken our reviewer's word for that having not pressed on myself so what I'm doing here is shifting the blame very adwatly adwatly?
25:14adwatly so yeah not my fault you're going to name names who wrote the no let's not let's not maybe it was exaggerated the extent to which it is a criminal of the week thing let's not let's not dance around it it's an applosure yeah I had actually read this complaint on the subreddit as well oh really oh Gary's double down yeah I assume it was also Gary on the subreddit but I had seen that well let's hope so otherwise it's another one right okay question now from Andrew if you will he says unless I've missed it you haven't talked about Daisy May and Charlie Cooper's night watch on the pod. Have any of you watched the show?
25:50You did, didn't you? Yes, I'm going to come to that, Boyd. It's a daft delight and perfect autumnal viewing. If the BBC approached you for the next idea for the Gone Fishing slash Night Watch format, which duo would you pitch doing what activity? Love the pod, Andrew. I would pitch James and Boyd doing something. Oh, yeah, we could do Gone Fishing. No, you've got to do something different. So it'll have to be Boyd and James gone... what would you do what would be funny to watch you two doing I mean just kind of like living would be quite entertaining to watch you two I'd like to see you I mean it's not an original idea so I'm just completely reverse rated on what I just said I would like you two specifically to take part on Race Across the World because I think watching you two trying to survive A.
26:35without phones B. in a race conditions when I don't think Boyd's very competitive and I think James is I think I think Boyd would spend the entire time being low-key furious and texting you about how annoying I would be. But you can't, that's the thing, he doesn't have phones, so you'd have to have little flares. Because we had this this morning, so I was, when the Pleuribris guys were coming in, I was kind of arranging it all, but then in classic James fashion, I'd arranged it all and then was running late. So I was like, yeah, Boyd, I'm probably not going to be there when they're right. And he was just like, I'm sorry, what?
27:01And he was, I could tell, like, Boyd was not happy. And understandably so. He was like, so I now have to deal with this. I'm very much the buffer. Also, I enjoyed you talking about yourself in the third person. Oh, yeah. By the way, I got an email about this situation with this other podcast called Wood, about 11.30 last night. I was like, what is going on? And you replied to it. Well done, I didn't. I didn't say it. I know, I know. He didn't fucking reply to it. Exactly. He's boundaried. Okay, it was his ballgame. And you know, we had like 15 people. Yeah, it's true. Anyway, the whole thing was insane.
Read the full transcript
27:30It was wild. But yeah, that's a good question. Yeah, I don't know. I couldn't do Race Across the World with Jay. Oh my God, can you imagine? Come on, I would love that. I mean, even his closest, even his nearest and dearest wouldn't do that. But also, they give you, now my understanding of this show, which I have only, I think, watched once, they give you a budget, right? Yeah. Basically the equivalent of the flight to the destination. Right, and of course, Boidy only flies business, so we'd get absolutely nowhere, right? So we'd move like one country and then we'd be fucked. And he wouldn't be able to use his private jet, so.
27:56Yeah, exactly. And then we'd end up in New York, we'd go to the Hilton in New York and they'd take one look and be like, oh, not you again. The Hilton in New York. Yeah. Isn't that where your New York hotel story was? It was a Hilton. It was near the airport, wasn't it? Near the airport. That one. There's a Boyd-shaped plaque somewhere. Boyd stayed here. Hello, I am Boyd Hilton of The Hiltons. Please let me into your Hilton. See, I'd enjoy that. Just you two going on holiday, in fact. Let's just change it. You two just going on a vacation. Just do James Armstrong's emails. I mean, that could be fascinating.
28:28Or all three of us going to Fiji. I'd be down for that too. First one to get heat stroke wins. We're doing a special live podcast from Fiji anyway, aren't we? Cannot wait. absolutely cannot wait now just to quickly touch upon the Daisy May and Charlie Cooper element of that do you know what Andrew I did actually talk about it so I mentioned it a few weeks back in the what I was watching section and I just I really enjoyed it it's delightful it's obviously a bit silly but just spending time with those two is always fantastic fun because it's the squabbling it's their obsession with ghosts it's like yeah just getting an idea of their dynamic in real life as opposed to watching it on this country which is fantastic and And inspired by seeing them on Nightwatch, I started re-watching This Country.
29:09And I can highly recommend, by the way. I thought you were going to say inspired by Nightwatch, you went to some haunted prisons or something like that. Yeah, that time I stayed in a haunted prison. No, but on this note, just to pick up on something I've talked about before as well. Another aborted travel story for you guys, where I don't reach my destination. Where were you trying to get to? I was trying to get to Leeds, right? Now, this is connected to the pod. I'm not just telling you about my life. I was trying to get to Leeds to hang out with your friend of mine, editor Darren, at Leeds University where he works and lectures.
29:39And he had asked me to do a talk, a career talk. I got to King's Cross. Oh, God. Talk about North or South Korea. Sorry. I, you derailed me. Sorry. No, no. You're getting a train. I was bright-eyed and bushy-tailed. I was so excited to see Darren mostly. Yeah. And to give my thoughts on journalism. and yeah, all the trains bloody cancelled. So with my tail, my bushy tail between my legs, had to return home and just do it on Zoom. So once again, set off on an epic train journey. You never got to Leeds. Not to get to Leeds, yeah. You never got to see Darren. Didn't get to see Darren. And I bought him a box of chocolates as well.
30:14Where are they? Oh, you should have brought them in actually. Yes, you should. Oh, maybe I'll bring them in tomorrow. Although I'm not sure if you deserve it. I'll monitor the rest of your performance tonight. Fair enough. I'm allowed to have sugar again now, so you know. Oh, really? I went the whole month. I did it. Whole month. Any notable difference? well okay and this is absolutely true yeah if it's bowel related I don't want to know no the day the day that I was able to have sugar again I walked straight into my local supermarket and bought a tub of bohemian raspberry Ben and Jerry's and just ate the entire thing end to end you're totally yeah and can I say that is him in a nutshell yeah extremes of like feast or famine extremes of emotion extremes of like food talk about basic binges yeah also by the way Gary, Andrew anyone who's written in very good podcast you might want to go back to it wow right okay so now we have a thank you so we've gone from complaints to some high praise okay good is this one of the students who was watching your performance at Leeds University no although they were very sweet did they listen to the podcast you should have ensured they all signed up oh yeah oh come on I feel like Darren should make it part of the curriculum Darren asked a question he did say like in between because he was the man with the mic going around and in between questions he just said because I couldn't see him at that point so I said oh question from a listener but first time emailer and I was like oh okay and he goes so who's your favourite co-host out of Boyd and James very funny Darren right so it's a message from Dr.
31:41Kate he says dear team please could you offer my enormous thanks to both Barb and Daniel who in the last few episodes of the pod had taken my inquiry about historical TV timeline so very seriously I was so pleased that they both suggested series which I had not yet watched and I've added these series to my watch list. Being old school, this is handwritten notes stuck to my fridge. Perhaps I should start recruiting my students from the pilot TV listenership. Incidentally, I once set an episode of the pod as compulsory listening for my students in their independent study time. It was a review of the Netflix documentary Crime Scene, The Vanishing at the Cecil Hotel in episode 127.
32:22During the review, the discussion between James Boyd and Terry turned to a consideration of the utilisation of true crime as a source of entertainment and became quite heated. It was the perfect supporting material for a course I was teaching on the rise of crime as entertainment during the 19th century. A further plea, I do not have the time or the technical know-how to become a subredditor, but please could my early medieval suggestions be added to Dan's wonderful historical TV timeline on the subreddit. I may even suggest my current students consult it. Very good wishes, Dr. Kate. Could we shoehorn King and Conqueror The Last Kingdom and the original Viking series into that into that historical chronology somewhere I think it was mentioned he mentioned that really?
33:01yeah yeah yeah okay wait which you apparently put up have you put up? I have I did put it on the subreddit as promised but I couldn't remember if The Last Kingdom was on there and King and Conqueror I'm not sure was Vikings might have been I can't remember okay I'll consider but either way they should be added to this canonical historical list yeah thanks for our listeners engaged listeners right now for a glaring omission it's a real rollercoaster of missions it really is yeah I did this intentionally Keep us on the back foot. It's from Kobe and he says Hi team I was listening to today's episode Monday the 10th of November very specific and your listener question about TV shows set in hotels motels or inns got me thinking obviously 40 Towers is the gold standard and you nailed that.
33:41Thanks Kobe that was me. But I was genuinely surprised that no one not even Boyd I know what he's going to say. Mentioned the first season of I'm Alan Partridge which was set Travel Tavern almost entirely Did I not mention that? Nope. In the iconic Linton Travel Tavern. Oh, I mean, I assumed I mentioned it first. Yeah, no, absolutely. Never assume. You know what happens. Right. Yeah. No, the Travel Tavern legendary. That's a massive oversight. Surely Alan's doomed attempts at small talk with the staff and those painfully awkward breakfasts deserve a spot on the list. The Linton Travel Tavern is as legendary as its hapless guest.
34:14Would love to hear your thoughts and maybe a Partridge quote or two. I'm taking, smell your cheese, you mother. Love, Kobe. Well, Alan's big plate. was a key moment of course. I feel like James would have a big plate. Yeah, definitely. Is it a buffet and he brings his own plate? Yeah, yeah, yeah. But like a really enormous plate. I feel like that's what you do. I've never had a big plate, but I've had a big bowl. I wondered what you were going to say. When I went to school, I used to give the dinner lady, this was my primary school, a wink and she would give me the big bowl for customers. There was a big bowl.
34:49So I'd ask for the large bowl. James, there's shows about that. Do not wink at the... She'd give me the large bowl for my custard. Is this like a cry for help? No. What were you telling us? She was giving you a big bowl of custard? And it was me and there was another boy called Andrew Ward who went to school and he was the only other student who knew about the large bowl to ask for it. Oh my God. I don't know about this custard circle. This is very disturbing. I'm so... Is that an overshare? I don't know. I'll tell you what it is. Disconcerted. Is it? Okay. Back to Alan. Back to Alan in the trouble.
35:22It always returns to a sugary substance. If you say that this is something you also identify with, then I wouldn't be surprised. Alan's, of course, the secret of what's in his drawer. Alan's secret drawer. James' secret drawer. Custard. Is this like Felicity's roommate's box? No? Felicity who? Remember Felicity in the TV show Felicity? Oh. Was it Megan? And Megan had a box, a secret box. I don't know. Well, in this case, it's something embarrassing that he doesn't want anyone to see. And it's legendary. it's a bit like the fishing trip in Gavin and Stacey yeah it's a bit like that yeah good comparison um okay now for a message about detectives hi pod squad in light of Kay's recent foray into the Shetland Isles I was wondering if I could get a top three from each host for serialised character driven detective drama mysteries I'm not looking for cosy crime just good naughty mysteries with interesting protagonists and good chemistry among the supporting cast my top three are probably Broadchurch Unforgotten and The Missing.
36:21They are good shouts. They're good shouts. I'm not sure, but I thought he said serialized, what was the phrase he used? Serialized character-driven detective drama mysteries. Right, so we're not doing procedural because they're all ongoing stories. Yeah, that's fine. I mean, Broadchurch and I would say Happy Valley. That's on my list. Even though she's a sergeant and not technically. And Sherlock. Sherlock's on my list too. Strike would be on my list. I love Strike. Oh, that's good. I also listed the bridge slash the tunnel interesting so obviously there are three of those there's the American cable one there's Bruen the kind of Swedish Danish one and then there's the tunnel which is the English French one have you seen all three of those like which bridge for a start the first is on name your bridge I looked it up yesterday and I did have the in the meantime the game changing the game changer for foreign Scandi ones was the killing wasn't it which was absolutely brilliant to be fair the US remake of The Killing League which I think was AMC with Murenos and Joel Kinnaman genuinely really good I really like that as well yeah it was decent I mean it doesn't really count well it's not police procedural but House is a kind of medical mystery procedure that doesn't count well he's a medical detective he's a crime though isn't he I mean you're right it is a mystery there's definitely a mystery to it you know there's a new medical detective series coming up called Medical Detectives in which Dr.
37:44Watson really modern day Dr. Watson and becomes an investigator of medical mysteries. Hard part. Yes. You say that. You say that. We may end up reviewing it. I'm sure we will. Is this a network show? It feels like a network show. It's a network show. Who's in it? I can't remember who's in it. Sky Witness. I don't think it's anyone that big. It's on Sky Witness soon, though. Okay. It'll be his new favourite show by the end of the week or something. Yeah, exactly. He'll go, oh, guess what? I've binged eight episodes. He won't watch it and he'll assume it is procedural. Yeah, that's true. And then I'll get in trouble with the subreddit.
38:13Nice one, Boyd.
38:16I think like a great, and I have to say, a great British crime thriller is a pleasure, the likes of which there are a few, you know, there are a few things that quite match that for me. But for me, it has to be a British one. There's something about like Brit crime stuff where it has that earthy grittiness to it that I just, I delight in. Happy Valley is the best. It is the best. I mean, look, Blue Lights is another, you know, genuinely great sort of, it's technically crime, they're police. Oh no, police, it's not really a mystery, but. Oh no, Line of Duty. Yeah, Line of Duty, of course, Line of Duty.
38:46We've summed it up. There you go. We've answered the question. We've given you a lot of answers there, Chris. So thanks for your question. Cracker. Cracker is the best. Sorry. Cracker is my all-time favourite. Prime Suspect. If you're going back that far, Prime Suspect. Prime Suspect's another good one. But Cracker, Robbie Coltrane, when he gets in an interview room and interrogates a suspect, there I have rarely seen, you know, dialogue, acting, performances. It's just extraordinary. I mean, him versus Robert Carlyle, the L-I-V, E-R-P scene, as Albie, in To Be a Somebody, is magnificent. Peak TV.
39:16there you go that's the definitive answer yeah there we go definitive now we are going down under steady to hang out with Alistair who's our Aussie listener who got in touch to say after listening to the latest podcast I was inspired to do a history of Australia in TV form 10 pound poms is that on there James don't be silly what after 30 seconds I realised Australian history is boring as batshit so just so just watch Colin from accounts okay fair enough peace out Alistair what other well Ten Pound Poms would be a good example there was a good historical drama about I didn't enjoy Ten Pound Poms did you enjoy it I didn't watch all of it I don't remember disliking it I thought it was it was okay it was decent decent show but the the one I can remember is there was a drama with Russell Tovey in it about British convicts being taken to Australia yes there was which was really good I think it was Jimmy McGovern wrote it Who wrote Cracker.
40:16Yes. Full circle. There we go. Yeah. And I'm just going to find the title of it in this live Google search. Okay, while you're doing that, I'm going to talk about Kath and Kim being a great director. You do that. Yes. All the great Australian comedies we've got. Banished. Banished. Banished in 2015. It was really good. Only one series, but good. Okay. Thank you for your message, Alistair. Now we've got a message from Martin. He's queering zero stars. That's not from us. We know what that's referring to. So he says, Hi guys. While anyone with any taste would give your pod the full five, Martin, you know why I'm reading this out, right?
40:54But actually, crucially, have you given us five stars? Because if you haven't, that is egregious. I was reading a lot of pushback on the zero star reviews of All's Fair and people saying it was lazy reviewing and sets an awful precedent. I agree. Yeah, me too. Just interested to know your thoughts. Also, after the discussion on the last pod about going to places you've seen in films and TV. I would like to shout out... Now, is it N-E-I-R? N-E-I-R. N-E-I-R, I think. It's like we're. It's like near. Yeah, Niers Tavern in Queens, New York. Famous for being the bar, they met a bunch in Goodfellas.
41:35What's the matter with you? It's done as a quote. I'm not going to say in the... I don't know. What's the matter with you? Really friendly stuff and great to see a pub celebrating. it's 159th birthday great work guys always love the show and James go get your FN shine box I know what that means it's a reference to Goodfellas fine okay good what was the question again? well the question was about all the fair wasn't it but we kind of I think addressed this when we reviewed it where although I think that was before the no star reviews came out you know what's interesting was I listened to The Rest of Entertainment I'm going to state it again your favourite podcast yeah it's definitely a podcast I listen to regularly and they talked about the whole phenomenon of this show and it's no star rating and I made the point when we reviewed it I think people are judging it on the first episode only because they were talking about how the dialogue is perfunctory and boring and I mentioned the example I agreed to be honest yeah but I mentioned the example about how in the second episode someone refers to Kim Kardashian's character I'm going to say it again do not say it I am going to say it again as a comrade which I thought was you know that is whatever you think of that Is this your level for good writing?
42:42I'm not saying it's good. I'm saying whatever you think of that phrase deployed in that moment in the show, it's definitely not dull and uninteresting. It's not perfunctory. It's not perfunctory, exactly. So I was like, you've only watched the first episode. I'm not saying everyone should watch any more. But I just don't think, as we made the point at the time, I made the point at the time, it's just not a no-star review. There were just so many worse shows than this. And I think the pylon is a bit embarrassing. I put it to you that if that was not Kim Kardashian if it was any other actress in the world people would just say yeah it's just not very good I think Kim brought the spotlight and the heat but I do think you know besides that it is it's not good yeah for the other reasons we've said none of us are saying it's good I wasn't piling on because of Kim because as you know I like Kim but I think it's a proper knives out scenario where it's a combination we're not allowed to talk about films sorry go on sorry no I was saying because it's a combination that people are going for Ryan Murphy because he stretched him but it is partly like who does Kim Kardashian think she is pretending she can act you know I think there's a lot of that going on that's the other thing the other thing that surprised me about the rest of the same coverage they were kind of talking about it as if they hadn't it's not deliberately camp and over the top and almost like almost by accident it ended up being as it is it's like Ryan Murphy right that's his whole thing it's completely obviously setting out to be camp and ridiculous and over the top you know the scene where Sarah Paulson clambers onto the table to attack that's what You think he's going for realism.
44:10It's very Dynasty Dallas. Yeah, it is. That's what it's going for. That kind of tone is what it's going for. And you have to judge it on its own, you know, what it's trying to do. And whether it succeeds. And it's questionable whether it does. Oh, completely. Again, yeah, I'm not saying it's a good show. It's pretty much a terrible show. Not as bad as Monster, I still maintain. But I think people just... I'm slightly unfairly misunderstanding what it's trying to be. It's not trying to be a serious thing. It knows what it is. It does know it is, yeah. Whereas they were saying it didn't know what it was on that other podcast.
44:42Okay, well, you've just got to stop listening. I'm worried about your blood pressure. No, no, it doesn't get me that angry. I just think it's interesting how they got it wrong. Right, now, connected, another message about all her fault. No, it's a different show. Yeah, that's a different show. I mean, to be fair, all's well, all her fault. It's confusing. Yeah, and they came out the same week. Yeah. Thank you. Let's always be fair and overly generous to me. All's fair. It's a message from Michael. And it is about all her fault. And he says, Well, I've watched the whole thing in an attempt to fill in time while slow horses and the diplomat are ready to return.
45:15And quite frankly, it's not just her fault. It's everybody's fault. Is this a spoiler? Are you spoiling all her faults? No, I don't think so. I'll read it and then you can decide. Well, I'm not sure if I want to know because I haven't watched the end of it yet. Carry on, carry on. From the overprivileged lazy bollocks husbands who are such selfish narcissist bellends to the jaw-droppingly cheesy acting from the supporting cast, I honestly couldn't give a fuck if they found fucking Milo. Wow. Very angry. He's coming in hot. Yeah, Michael continues and says, in fact, I thought he'd be better off if they didn't.
45:46The whole thing desperately tries to portray a social commentary on the rights and wrongs of parenthood while the only redeeming part of this shit show are the actors who play the feds investigating the case and his utterly adorable son who has special needs. Worst dialogue since Crossroads. Oh, my gosh. And as for Sarah Snook. Yeah, don't come at crossroads with Kay here. From a succession to this. Not her fault, I guess, from Michael. What's interesting is that in The Guardian, which was the most prominent no-star review, remember, of All's Fair, in that very same week, they gave five stars to all her fault.
46:25Five is mad. To be fair, Lucy Mangum wrote it. I like Lucy Mangum. I think she'd watched more of it than I have. I think she finished it from what I'm reading. and I saw a lot of people on Instagram kind of talking about how well written it was and people really like you thought it was good I thought it was good I actually said I didn't think it was I'd give it four stars yeah I would give it four stars but it definitely didn't reach the heights of other similar shows I think but I need to watch the rest of it but that's harsh from our correspondent Michael's not happy yeah he's saying it's yeah opinions differ they always do right say sage this steady right the last message we're going to end on is from Steve who says on this week's pod you reviewed all her fault and we gave it a bit of a middling review did we?
47:13I don't think we did well I thought yeah maybe we did yeah we were just saying we didn't think it was in the upper echelons I mean I think I said I wasn't going to carry on with it which is accurate oh yeah you did and I said it wouldn't reach the heights of other similar shows but you know I'm open to okay well anyway Steve says that would usually send it to the bottom of his watch list but then he continues and says that this show was shot in and around his local neighbourhood with a snooty area of Melbourne standing in for a snooty area of Chicago. Oh, I read about that, yes. So he said he'll probably end up watching the whole thing with his wife pointing out the local landmarks and talking about which characters are similar to our own local school community.
47:50Can't wait. Question is, what is the most superficial reason you've watched something you might have otherwise skipped? Cheers, Steve. A superficial reason for watching something. So I guess it would be something like it's shot in your local area or you know someone in it. I mean, obviously, we all watched Bonjour La Class because I was starring in it and that seems like a decent reason. I think I've seen that clip for real. Really? The lack of respect you show me is extraordinary. I mean, hello, the lack of respect you show me every part is extraordinary. Fair enough. My starring role and you didn't sit down and watch them all on YouTube.
48:21Can you send me a link? I'll only watch you if you send me personally the link. Oh, yes, I'll just go and Google it for you and then send it to you. Yes, of course, I can absolutely do that for you. Listen, if it's good enough for Boyd, it's a Google, yeah. so I'm going to watch that I can't wait I mean is that really our answer? that is my answer James James is my answer have you ever watched something for superficial reasons? I mean I tend to watch stuff because I like it that's probably the only reason I would use it or unless I'm being forced to for this podcast superficial reasons what kind of I mean you must have had stuff shot in your building your plush oh yeah well the first series oh that's different I mean that's yeah yeah the first season of the trip with Steve Coogan and Rob Brydon, where Steve Coogan lived in that show was shot in where I live.
49:08So that was very exciting because I'm a huge fan of Steve Coogan and Rob Brydon and the trip, my favourite things as well. But superficial reasons have to be like, I can imagine if anyone related to Arsenal, and I'm trying to think, there probably is an example of a show that I knew had some connection with Arsenal, like maybe the, you know, someone in it was a fat Arsenal fan, a prominent Arsenal fan, or a player pops up in it exactly, I definitely would watch anything associated with Arsenal, put it that way. So that feels slightly superficial in that sense. That's a good answer. Thanks. On behalf of us all.
49:42Were you Arsenal fans as well? I didn't know. Well, listen, actually, I'm a converted gooner because of my niece Daisy, as you know. Oh, brilliant. Yeah, of course. Right. Come on, you spurs. Right, okay. That's it for the postbag. If you would like to send in your post, to send them to PilotTV at empiremagazine.com. And that is broadly all we have time for this episode. Although, Kay, you did intimate that you wished to discuss the traitors briefly. I think we should have a quick chit-chat. Let's do it. Now, as you know, I have lunch. I know you know this because I organised it while literally doing this podcast.
50:14So, but, you know, kick off and we'll see how far we get. Yeah. So, sound the klaxon. Okay. This is the klaxon.
50:24so we've got to talk about the finale boyd obviously because it was absolutely sensational now so i'm just going to quickly tell you that i got it completely wrong because i thought it was going to be a wednesday and thursday uh tv viewing schedule right so i i sat down on wednesday ready to watch it and then was like what the fuck i was going to text you but i couldn't bear it to watch ballad of yeah wallace island and do you know what i was obviously gussie because i wanted to watch it. But then I was thrilled because I thought I had it so lodged in my head that Joe Marler was going to end the game.
50:57Everyone did. Everyone assumed. And I thought well it's definitely going to happen and then across two episodes that's actually going to be quite of an anti-climax. It's not going to be great. So I was happy that they just obviously just did one episode the finale on Thursday as I discovered. And what a bloody twist. Yeah. Now I funnily enough I am going to mention the same podcast that I mentioned just now. Your obsession. So the rest is entertainment. Richard Osman did this whole spiel in the penultimate. So they've been doing weekly, to give them credit, they've been doing interesting weekly commentaries on the show after it goes out every week.
51:34And Richard Osman, at the end of the penultimate episode, said pretty much kind of what most people assume, which is that, yeah, it's Joe Marlis to lose. Him and Nick seemingly were agreeing about who the remaining traitors were. Such a strong bond between them as well. Really strong bond. Right at the beginning of the episode, he talks about, it's probably Kat and Alan. He thought it was both Kat and Alan. He guessed that, which was absolutely brilliant in his part. It was nailed on. And Nick Muhammad was kind of going along with that theory, he thought, and that they were, you know, kind of, they were very much like a duo who agreed on the same stuff.
52:11So, but what I thought was misguided about what Rich Olsen was saying was, often in the history of the show, and I include other territories versions, the American version, etc. Often, what you think the obvious thing that's going to happen in the end is, often fails to happen for various reasons. Because in the end, it all comes down to the psychological, what's going on in your head, and letting what's going on in your head rule the logical situation. And for me, it's really, that's bold to jump to the conclusion that things are going to play out as you think, just because of what everyone's saying on the show in that penultimate episode and the beginning of this episode.
52:51In Richard's defence, right, I think it's because Marla is a man of conviction, right? Sure. And he's unwavering. Whereas I didn't anticipate how the pressure of being in that room would affect Nick and also how that one comment to Kat of like, sorry, would completely like scramble his brain. And you can see how that happened, right? So if someone like says sorry, you think, oh my God, is that because they're fellow traitors and he feels really bad that he votes, all this kind of stuff. He's drawn that conclusion and it's understandable. But I hadn't accounted for the fact that Nick could be more easily swayed.
53:28That's interesting. The other thing he said was that he thought, because he made such a bold statement that it's definitely going to be Joe Miles to lose. He couldn't work out any other way in which he would lose. He really went for it. Like, and he was even talking about how the producers, you know, would they be tempted to do a last minute, you know, kind of addition to the format or change in the format to create a twist. But my point, and what's interesting is that he even said, as far as saying, there must have been a conversation between the people that we're not worthy to. Oh, wow, he really went down this rabbit hole.
54:06Yeah, as if like, but my point is, no, no, no, all it takes is for Nick Muhammad to start having doubts about Joe Mahler for perfectly valid reasons. Yeah. You know, and that's exactly what happened. And then people were saying, why didn't he, why didn't Nick Muhammad do another round, right? When you throw your, you know, because he could have, he could have, well, the answer is, and they were saying, you know, what's he got to lose? He could have been more specific, you know, about picking out whoever's left to just see if they were a traitor. And, you know, and to see if he might end up making sure they don't win all the money if they were a traitor.
54:39But again, logic wasn't what was happening at that point. it was what was going on in his head and what was going on in his head was he got suddenly decided Joe Marler was the final traitor. He was convinced. And he wasn't even thinking that it was Alan at that point or anything. That was the brilliance of it. That's the brilliance of the former is that just when you think you know who's going to vote for who and why they undermine themselves or they get completely caught up in the moment or they create an idea that is from nowhere. Listen, lest we forget. Do you remember with the Harry series?
55:12when he crossed out the name and you're like, no! Right, that's what I was thinking of. So, you know, it wasn't a case of Nick Muhammad not realising the logic of he could have carried on another round in the final. He thought he'd found out who the traitor was and he thought he was Joe Marlow. How great was that? Absolutely. He was completely horrified. Now, as we've said, we've worked extensively with Alan and he comes across, how he comes across on screen is exactly how he is. And the thing is, throughout the series, he'd been really sort of like, you know, like revelling in being a traitor almost and be like, oh, you know, like he's quite quippy and funny about it.
55:47But you do, you know, I think, well, at least for me, I underestimated the pressure that puts on him and the decision making and like the fact he like killed, in inverted commas, Paloma. And at the end, like he genuinely felt so terrible that he burst into tears and I felt really bad for him. But I think that the burst into tears was everything, all the emotions, all built up into everything. Yeah, of course. And winning, and winning it as well. You know, it's all, it's the kind of extremes of emotion that this format brilliantly puts you through. And Jonathan Ross, again, talked about, he talked about this a lot on his own podcast with his daughter, that he found it really genuinely painful towards the end.
56:26He was incredibly relieved that he could go home finally when they banished him. He was massively, because he couldn't, by that point, he was getting psychologically affected by it. And I think people, I didn't pick up on that. That's really interesting. Yeah, no, he was really going through the mill. His daughter said other people wouldn't actually notice, but if you looked at him, he was like pale and drawn right in the final roundtable session. Poor J-Roy. And I think, and Jonathan, you know, he's been doing this stuff for literally decades and isn't affected by anything like this normally.
56:57But it's the pressure of the game, a game which relies on people not trusting each other and having to fall out of... And even though it's only within the context of the game, and there are certain people, you know, I think who have taken it too seriously. Which Jonathan referred to, right? So do you have an idea? Because I was speculating in my head who that was. What's your theory? Well, it's Ruth, isn't it? Yeah, Ruth Cobb. I thought it was Ruth. He hasn't said this, by the way. No, I know. So you thought Ruth. I thought it was Mark. Oh, no, I don't think it's Mark. Because of the jokey t-shirt.
57:27No, no, no. But that showed he was joking. I think Ruth Cobb seems to genuinely hate Jonathan. I mean, I'm just saying, I don't know if that's true. Or she might deny it. But she seems to have a genuine ill feeling. just mainly because that went back to him allegedly talking about whether they were going to have an alliance and all of that and him being very firm but if you carry on thinking these thoughts after the game's finished that's problematic I know but I think it's because when you're in the midst of it even though you know it's a game it becomes a reality and you take it personally sometimes and I think the celebrities didn't realise so from now on they will and in fact finally I've done an interview with Dermot Leary and I asked him about would he do the traitors and he said he wouldn't be able to resist doing it he'd love to do it basically but he would really worry that he'd be a terrible traitor and it really affects him when particularly his peers think ill of him and I think he hit the nail on the head because these people are showbiz David O 'Hara Shoga is just a really good guy who happens to be a TV academic but by and large These are people used to just hearing compliments and being acclaimed and being loved by the public, blah, blah, blah, blah, blah.
58:45And, you know, maybe too much criticism from the media, but you can put that to one side. When you're suddenly faced with your own peers in your similar world, not trusting you and judging you for being untrustworthy, that is a big thing to deal with. I think if Dern went on it, he'd have to be a faithful, without a doubt. Do you know who else has expressed interest and they absolutely should... Studio Lambert should be snapping them up. Yes, I know what you're going to say. Danny Dyer. Oh, no, I didn't think you were going to say that. Danny Dyer's gone on record and said... Well, similarly, Richard E.
59:13Grant. Oh, he would be fantastic. He's in this film coming up called Nuremberg, which I went to the screening of last week, and he was chatting away to Leo Wardle, who's also in it, and they were talking about, would they do traitors? And Richard E. Grant said he'd love to do it, and I'm like, that is number one. I'm sorry, that is it. Yeah, the male Celia Imri. Big dogs. He would be a brilliant big dog for the next series. By the way, just when you're bringing up big dog, the interesting thing about the Mahler thing is that no one thought, did he come up with a theory of Big Dog? Yeah, I think so.
59:39No one ever queried the fact that, are you a Big Dog saying this? Well, every now and then they kind of did, I think, didn't they? I don't think they associated him with Big Dog energy because it was always about Jonathan Ross and Stephen Fry. Maybe, maybe. Yeah, he could have been a double bluff. That would have been extraordinary if that had been the case. I think Big Dog kind of referred also to cultural icons as well, didn't it? like people who are I don't think he is that yet I mean I think he is now Joe Marlon No but in terms of how he presents he's got big dog energy Oh yeah 100 % but I think that this big dog theory is more about the stature that they have in the industry and stuff but yeah I mean but going back to finally go back to the show it's all down to I love Nick Muhammad as much as you know we all love Alan Carr Nick Muhammad is an absolute delight as well and I've interviewed him and I've been on an awards panel with him and he was absolutely amazing yeah totally and he is fantastic and this is going to be a brilliant I mean his career he's also already having a brilliant career but it will definitely be a boost for him because he's so well known but it's all down to him I think he should get all the credit for not being a predictable I mean he got it wrong which led to Alan winning but what I'm saying is him getting it wrong created the TV moment of the year I also think Alan deserves a lot of credit for the fact that he didn't play it how traitors usually play it in terms of openly laughing when he's saying unfaithful being in Vertical was a bad traitor he wasn't obviously he was a great traitor but like you know he was often called oh I'm such a bad traitor he's such a bad traitor because he's doing this and the other but actually that's what made him a fantastic traitor yeah but I think as someone else pointed out on the did you watch the post show yes I loved it oh my god by the way if anyone hasn't watched that I'd highly recommend it yeah I think someone pointed out that everyone just thought Alan's being Alan even when he laughed and couldn't say I am a faithful it was just Alan everything everything was Alan being Alan all the way through and he just and people just brilliantly trusted him and believed he was just being himself rather than being someone who's sweating at the beginning and being too you know all of that but it all made for i think the casting again because nick mohammed that that final gang of people was so brilliantly interesting and so brilliantly cast that that's what helped it all become the phenomenon that has been and it has it's now the most watched show of the year it's um it's and i think two of us being commissioned yeah of course i think that is one of the best finals ever in all traitors because it has that incredible amount of unpredictability Oh I'm saying TV reality gold like the cultural moment of the decade like it's been sensational We will outdo each other cultural moment of the century the cultural moment of the millennium Stop swinging Can I just say also the BBC have said that basically it's boosted the Scottish economy by 21.8 million so like all round Studio Lambert printing money right they are exceptional at casting and creating these?
1:02:27Do they create these? Who created these? You know, obviously they're behind Gogglebox and Traitors and all the shows we'd have race across the world. Yeah, but they've done it in terms of the production. Yeah. I think the... We'll wrap up soon, sorry. I think the tasks this year, the casting, the way it's shot, Claudia, the fart from Celia Emery, all of these moments make it add up to an absolute legendary, even by their standards. this is a legendary series and before we wrap up last word just goes to the brilliance of Claudia Winkleman yeah like anyone who was concerned when she said she's stepping down strictly worry not because she is an absolute staple the linchpin of The Traders she's fantastic thanks I enjoyed listening to every word of that attentively I mean we'll test you on it in the next podcast yeah can you imagine for everyone who hates Traitors I can only apologise for that right okay that's it we're finished for this week's show we'll be back in your ears on Monday when you will get to hear our big old in-studio chat with Vince Gilligan Carolina Wighter and Ray Sehorne for Pluribus which is very very exciting we'll be reviewing The Death of Bunny Monroe we will be reviewing Malice and we will be reviewing Summer Water as well see you then pilot out
From the publisher
A slightly manic episode this week as Boyd and James bounce into the studio straight from recording their big Pluribus confab (in your ears on Monday’s show), so apologies for the unbridled chaos. On the plus side, we do find the time to review The Beast In Me, Netflix’s new miniseries, which sees Claire Danes and Matthew Rhys face off in a nasty neighbour thriller with a sinister edge.
Want your messages read out as part of The Postbag? Email us at pilottv@empiremagazine.com




