Possible: Artful Intelligence, part 2, featuring Elise Swopes

7 Jun 2025 · 49 min

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

Podcast Summary: Pioneers of AI - Episode: Possible: Artful Intelligence, Part 2 featuring Elise Swopes

Episode Overview The episode features Elise Swopes, a pioneering visual artist and educator, who merges AI with photography to create unique and surreal visuals. Swopes shares her journey, discussing her successes, struggles with online harassment, and her mission to foster a safe space for creativity in the age of AI.

Key Guests

  • Elise Swopes: Visual artist, educator, and evangelist for Adobe. Known for her surreal photography and significant impact on social media.
  • Reid Hoffman: Co-host who provides insights into the broader implications of AI on creativity.

Episode Structure

  1. Introduction
  2. Recap of previous episodes in the Artful Intelligence miniseries.
  3. Overview of Elise Swopes' background and her innovative use of AI in art.
  1. Elise's Early Influences and Personal Journey
  2. Early exposure to technology and creativity through a Mac computer.
  3. Development of her artistic skills through platforms like MySpace and Instagram.
  4. Overcoming personal challenges, including online harassment and addiction.
  1. The Role of AI in Creativity
  2. Discussion on how AI tools like Adobe Firefly enhance creative expression.
  3. Swopes emphasizes the importance of human style and personal touch in AI-generated art.
  1. Creating a Supportive Community
  2. Swopes' desire to educate her followers on using AI responsibly and thoughtfully.
  3. Reflection on the toxic dynamics present in online discourse about AI.
  1. Navigating Opportunities and Self-Identity
  2. Swopes shares her decision to join Adobe as an evangelist, balancing her creative freedom with the opportunity for broader impact.
  3. Discussion on the challenges of maintaining authenticity in a corporate environment.
  1. The Future of Art and AI
  2. Exploration of the potential and limitations of AI in creative fields.
  3. Debate on whether AI can replace human style or if it will always require a human touch.
  1. Conclusion
  2. Encouragement for listeners to embrace technology without fear, channeling their creativity into meaningful expressions.
  3. Swopes concludes with a positive outlook on how AI can be used to foster a better future.

Key Takeaways

  • Transformation Through Collaboration: Success in AI and creativity relies on teamwork and collaboration, not just innovative ideas.
  • Emphasis on Human Touch: AI can augment creativity, but it lacks the nuanced style and emotional depth of human artists.
  • Resilience in Adversity: Swopes’ journey illustrates the importance of resilience and community support in overcoming personal and professional challenges.
  • Community and Education: Creating safe spaces for artists to explore AI tools is vital for fostering a healthy discourse about technology's role in creativity.
  • Optimism in Innovation: The potential for AI to enhance creativity should be approached with optimism rather than fear, focusing on unique human experiences.

Reflection Points

  • How can creators use AI tools to enhance their unique artistic voice?
  • What strategies can be implemented to create a more supportive online environment for artists?
  • In what ways can institutions balance the rapid development of AI with ethical considerations and community engagement?

---

This summary encapsulates the core themes and discussions presented in the podcast episode, highlighting both Elise Swopes' personal narrative and broader reflections on the intersection of AI and creativity.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00If you've spent any time building AI products or leading technical teams, you know this. Transformation doesn't fail because of ideas. It fails because teams can't move together. Enter Atlassian's Teamwork Collection. It has planning in Jira, documentation in Confluence, video updates in Loom, and now AI agents in Rovo, which connects the dots across your work so nothing gets lost. It's one AI-powered teamwork platform designed for how modern teams actually build. Learn more at Atlassian.com slash teamchanger. That's A-T-L-A-S-S-I-A-N dot com slash teamchanger.

0:50Hey there, listeners. It's Rachel, producer for Pioneers of AI. Throughout June, we're sharing episodes from one of our favorite podcasts, Possible. Every Saturday, hosts Reid Hoffman and Aria Finger explore the bright future that technology, and especially AI, can help create. Today, we're featuring the second installment of Possible's miniseries, Artful Intelligence, featuring Chris McLeod in conversation with Elise Swopes, an evangelist at Adobe. Swopes is a trailblazing visual artist and educator who blends AI and photography in groundbreaking ways. We can't wait for you to hear it. Enjoy!

1:36Hello, possible listeners. Last week, we turned the mic over to producer Chris McLeod for episode one of the miniseries, Artful Intelligence. Chris has captured stories of creatives on the cutting edge of AI tools, creating incredible art that's never been possible before. Chris is back today for episode two. Hey, Reid. Thanks for having me back. I have another story about an artist making groundbreaking work with AI. Just like last week, from time to time, we'll zoom out to hear your perspective on the greater AI landscape and how we can work toward the version of the future where it all breaks humanity's way.

2:19Sound good? Sounds great. Let's do it. Welcome to Artful Intelligence.

2:34In each episode, we'll share the story of an artist using AI to create what's never been possible before. Episode 2, How to Change the Future.

2:50I love science fiction. And some of the movies that have shaped me most are about artificial intelligence. I don't know if you've ever noticed this trend in sci-fi films. But when AI is involved, things rarely go well for humans. For example, The Matrix. You wanted to know what The Matrix is, Nia? Trinity. In this 1999 dystopian thriller directed by the Wachowskis, a computer hacker named Neo meets a mysterious man named Morpheus who explains the truth about the nature of reality itself. But what we know for certain is that at some point in the early 21st century, all of mankind was united in celebration.

3:38We marveled at our own magnificence as we gave birth to AI. AI. You mean artificial intelligence. Neil learns that hundreds of years in the past, the world was taken over by AI robots. All of humanity has been living in a simulated reality, while their bodies are farmed for electrical energy. An incredible film, but not exactly the idyllic AGI that we're hoping for. Another one of my favorites is maybe the greatest sci-fi film ever made. the 1968 Stanley Kubrick masterpiece, 2001, A Space Odyssey, which there's no way I can summarize here. Open the pod bay doors, Hal. I'm sorry, Dave. I'm afraid I can't do that.

4:30By the end of this ambitious story, which spans the length of humanity's existence, Dave and Hal have a bit of a falling out. I can sing it for you. Yes. I'd like to hear it, Hal. Say it for me. Daisy. Daisy. Give me your answer, too. There's something about AI that makes for some terrifying stories. And like it or not, these films have shaped much of the conversation about AI. When I talk to people about the exciting ways that I'm using AI tools, sometimes all they can think about are moments like this. Hasta la vista, baby. But what if we're not, in fact, destined for the darkest timeline? What if we can actually use technology to create a better world?

5:33To quote another great sci-fi epic, let's hear the final words on screen of someone who knows quite a bit about the future. Your future hasn't been written yet. No one's has. Your future is whatever you make it. So make it a good one. Both of you. We will, Doc. Stand back. Nothing against Kubrick or the Wachowskis, but I like the sound of Doc Brown's version of the future, one that's still being written. So I wanted to talk to an artist who's using their work to create a better future with AI. I want people to be at peace more than anything. I want people to feel confident in their choices and who they are and why they do what they do every day.

6:22Because that, in essence, is going to make the world better. That's Elise Swopes. Swopes is a photographer who's been creating stunning and surreal art long before AI tools were around. Her style is unmistakable. Scroll down her Instagram feed, at Swopes, and check out some of my favorites. Giraffes walking through the streets of Manhattan or a waterfall flowing over a building. Swopes was one of the first ever Instagram influencers. She's worked with brands like Adidas, McDonald's, New Balance, and Sony, just to name a few. She's the kind of artist who is constantly paying it forward. She makes videos to teach her followers how they can create work like her.

7:08Can Adobe's new AI tool, Adobe Firefly, help turn my photo into a work of art? Let's find out. I love exploring and utilizing New York as my canvas. It's the perfect backdrop to my surreal ideas. And as an early NFT adopter, she made about a quarter million dollars with her art. So she created Sunrise Art Club, which empowers other Black women in the NFT space. Now she uses AI to take her style even further. Earlier this year, she created a piece that blended AI art with a style of composite photography that went viral. So today on Artful Intelligence, we'll find out how she made this stunning piece and how it's actually helping make the future a better place.

7:55and in the spirit of great sci-fi films, we'll do a bit of time travel ourselves. So bust out your hoverboards and hop in my DeLorean as we make our nonlinear way through Swopes' story. As we traverse the space-time continuum of Elise Swopes, we'll try to answer the question, how can you change the future with AI? Hey, Doc, we better back up. We don't have enough roads to get up to 88. Roads? Well, we're going, we don't need roads. Part one, shape your tools because they will shape you and your future.

8:40It all started in 2022. My friends were playing with Mid Journey in our Twitter chat and they were making the most fugly stuff. and I was like what is this thing what is going on things you couldn't really like see anywhere else you know like just stuff you couldn't really make or or imagine when did you start utilizing it like on your Instagram posts it was probably something very simple like a cloud or like like a waterfall or something because I'll be honest with you the outputs were not that good And also, things got, like, very strange real quick. I was just being, like, bullied a lot when I would talk about AI.

9:28People would, like, threaten me, like, death threats. You know, there was just a lot of violent language at that time. Like, why are you even following me if you're going to be so negative and hateful about stuff that you're just assuming? So I was very afraid to kind of go all out on it. I would utilize it like little bits and pieces, like stock imagery within my work. And that seemed pretty safe. And no one really knew. Because they didn't want to get bullied. Swope saw a version of the future where artists didn't feel safe expressing themselves with AI tools for fear of being shamed and bullied.

10:11And she wanted to change it. I was like, OK, how can I help people understand what's going on and protect themselves, but also utilize it in the way that they could? Arguing with trolls rarely ends well. But Swopes had another tool up her sleeve. I am an educator. I was born an educator. Swopes wanted to teach her followers how to use these tools in ethical and artful ways. and she wanted to create a safe space for them to explore any tool they wanted. Luckily, it wasn't the first time she taught people how to be creative with technology. Let's fire up the flux capacitor and head back to the mid-90s.

10:59Growing up with two parents who were divorced, who were very young. My mom had me when she was 19. We weren't wealthy by any means whatsoever. However, I was homeschooled at the time, so my mom would go to work and then my dad would come and take care of my brother and I. My dad would just teach us everything. I mean, I learned how to read really young, swimming, riding bikes, all kinds of stuff. We would do these like paper mache globes. And I would just be so obsessed with like figuring out that we could use flour and water and just like build stuff. One day, a piece of tech came into her life that would change everything.

11:40It was one of those old Mac computers with the blue plastic back on it. My mom brought it home from work because they were just older and a couple years old. They were giving them away. She wanted to learn everything she could about this marvelous machine, even if it meant ignoring her actual schooling. My dad would fall asleep sometimes during lessons and I'd just be on there playing with all these different programs like KidPix and AOL and, you know, AngelFire. I would like build websites and stuff and teach myself HTMLs and even like design, like graphic design. I would just teach myself. I didn't wait for anyone to show me it.

12:21I didn't wait for anyone to like allow me to show myself that. I just looked it up and figured it out and did what I wanted to do when I wanted. You know, I'm like an eight-year-old kid just testing stuff out. That was my way of responding to the things around me without having to, I don't know, be judged. Having this computer that allowed me to have unlimited creation, unlimited opportunity to express myself, unlimited everything really kind of made me feel like I was limitless.

12:59She was so excited about all the incredible things she was learning and wanted to share it through online communities and forums of the early Internet days. This forum that I used to go on, this creative pixel forum or something. She came across a user who made an entire website with tutorials on how to create with digital tools. And for whatever reason, the website was for sale. And I was like begging my dad to like give me 20 bucks so I could buy this domain from this girl. And I ended up building like tutorials on how to like design your own graphics and how to build your own websites. And, you know, she just had this like plethora of other information that I included as well.

13:39And I just loved having like a community of people who would learn things from me. It didn't stop there. When junior high came around, she started going to public school. She and her friends were discovering early social media platforms like MySpace and Zynga. On these sites, if you knew a bit of HTML, you could customize your profile to look however you wanted. So, of course, Elise customized the hell out of her MySpace page. I would sell MySpace layouts to people. I would help people do their own MySpace layouts. I mean, I was in middle school, 12 years old, 13, like selling MySpace layouts to people at school.

14:19and just needed to do it. Because of Elise, other kids were able to experience the absolute thrill of having a creative impulse and using technology to harness it. It was her way of shaping the future and working toward a world where creativity was limitless. Meanwhile, back in the present, Swopes is dreaming up ways to educate her followers about AI tools and meet head-on the toxic conversations and online bullying. She was about to get an opportunity that would supercharge her efforts. But before we get to that, read. So I've scrolled down some of your LinkedIn posts into the dreaded comment section.

15:05And while much of the conversation is incredibly thoughtful, even when people have different perspectives, from time to time, the trolls come out. And honestly, the worst comments are usually from people who have no idea what they're talking about. So here's my what-if question. What if the conversation about AI could be kind and thoughtful, even if we disagree? How do we work toward this future? Well, your question kind of makes me think of a new fun phrase, which is, on the internet, no one knows if you're a dog, but everyone knows if you're a troll. because there's a stack of human response that's that way you know that's because people are angry or fearful or other kinds of worse character dysfunction and so it's very difficult to get away from the fact that anything that has some substance to it can bring out some number of human beings to a vitriolic stance.

16:11Now, you know, there's various ways that we try to work towards having a more civil discourse and even better compassionate, kind, thoughtful, you know, like for example, what we've done with LinkedIn is to try to tie it to your professional identity. You own what you're saying versus the says pool of x.com. But, you know, like AI can be helpful here because you say, oh, you're going to censor, you're going to have censorship. And you're like, well, you know, could do that. I'm not saying you should do that. But like, for example, say, you know, is you had, you know, kind of an AI agent that said, hey, you know, we can post that if you want, you know, and just tell me, go ahead and post it.

16:53But have you thought about how you sound to other people? Have you thought about, you know, what your friends would think if they saw you saying this? Have you thought about, you know, what making threats are, you know, getting moments of reflection. You know, again, you can say an AI agent says, would you like me to frame this in a way that would be more constructive? You like your same point? And I'll give you an alternative to how to say this, you know, here's, you say, well, look, I'm really deeply worried about the fact that you don't care about people in rural society on this, you know, or you don't care about, you know, what's happening with my minority community, my community of color.

17:33And I had the following questions that are, I think, really important to answer, right? You go, well, that sounds like it's a lot better than that person is evil. I am going to run my car over them. The vast majority of the cases, especially when you're online and having that kind of emotional response, the vast majority is no, no, actually, in fact, the evil person is you, right? And a little bit of compassion and kindness and reflection and civility is actually, in fact, the right way to engage in this. And the more we are that way, this is part of how we make progress in society is, you know, the reason why we discover truth by groups of us talking to each other, whether it's a panel of people agreeing to publish a paper, whether it's a jury agreeing whether or not someone has done something wrong or not.

18:29that's how we navigate this.

18:36Part two, the right networks will amplify your voice without losing it.

18:46Over the next two years, the AI tools were getting better and Swopes was using them more and more in her work while showing her audience how they can do the same. She got to make what she wanted, when she wanted on her own terms. And that's the way she liked it. But an opportunity came along that would open up her work to a massive new audience. And she'd have to make a choice. Last year, I got hit up by someone who was working with Adobe. And they were like, there's a perfect job we think you'd be good for. Are you interested? And honestly, at first, I was like, no. I was like, no, I'm not. I don't want a real job.

19:27I'm terrified of having a real job. I don't want to have a boss. I don't want anyone to tell me what to do. And they're like, oh, well, it's an evangelist. I was like, hmm, all right, well, maybe. And I did the whole pros and cons thing. Pro, stability. I never had insurance. You know, I mean, there's a lot of loans that I had to take out. Con, she wouldn't be her own boss. Yeah, there's a lot of stuff that I learned being my own boss that was necessary for me to learn. Take initiative and organization and just thoughtfulness and preparedness. Like that kind of stuff you cannot not do when you're on boss.

20:01Swoops has never been a fan of being told what to learn or what to create. Remember, this is the same person who would wait for her dad to fall asleep so she can make stuff on her iMac. In fact, let's go back again. This time to middle school.

20:20When I got to public school, eventually, I was in accelerated classes. I was very headstrong, very confident, and just not afraid of a challenge. I never waited for anyone to tell me what I wanted to learn. I figured it out, take initiative, do what I want to do because I want to do it. That also got me in trouble because I didn't like to listen to teachers. My dad also told me I didn't have to stand for the pledge if I didn't want to, so I didn't. And if a teacher had a problem with that, you know, call my dad. So, yeah, it's bittersweet in many ways.

21:02So grade school and swopes weren't exactly compatible. Maybe things would be different in college. My first semester, I failed like every single one of my classes. Or not. So college dropout Elise Swopes continued to create on her own terms. She became a photographer, graphic designer, and musician. Fun fact, for a while, Elise was in a hip-hop group with Kanye's DJ.

21:39But then she discovered a platform where she could create the art she wanted. But with the power of networks, her voice would be amplified. My nickname in Chicago was Instagoddess, because I was the only person who was doing Instagram. I mean, I remember taking photos of my phone with friends, and they were like, what are you doing? Why are you doing that? Posting edits of the cityscape of Chicago and putting elephants and giraffes and waterfalls and stuff like that in them. And so me and my fiance, we've been together since we both signed up for Instagram. By the way, you should totally look up Elise's fiance.

22:18He's at Trash Hand on Instagram. And he's really good, too. Anyway. We would have this thing where we'd be like, OK, if we get a certain amount of likes or a certain amount of comments, we would get on the popular page. It was like one kind of static page that everyone on Instagram would see. and we'd be like, oh my God, we made it. Ah, you know, big deal because you can get thousands of followers for being on the popular page. I woke up one morning and I was getting like thousands of followers, not even being on the popular page. I'm like, okay, something's weird. Something's going on. I'm kind of scared.

22:50I don't know what's happening. My fiance was like, I think you're a suggested user. I was like, what is that?

23:00When you sign up for Instagram, there's like a page that pops up for people to kind of tell you who to follow. So I was one of those very few people. I was like, oh, wow, I should probably take this serious. And she did. As the Swopes brand grew, so did her impact and opportunity. Other brands started to notice. Being one of the first influencers with Nike, working for the first time with George Clooney on his tequila brand, Casamigos, traveling to Japan, Dubai, Paris, You know, going all over the world, just like taking photos of my phone for brands and people and individuals. It was a very surreal time because no one was really doing that.

23:44It's strange to think back to a time when people being paid to post content on the Internet was a novel idea. But Swopes was helping to pave the way for an entire new influencer industry with nothing but her iPhone and the power of networks. With this newfound appreciation for networks, she wondered if she had missed out on the network of higher education. Maybe it was time to give college another college try. I was like, oh, maybe I should go back to get my diploma because now I'm really successful and it'd be nice to have that. So she went back to school, but then quickly remembered. I hated being in the classroom.

24:25You know, there was this one time I remember very vividly, one of my teachers said something to me about how like no one uses email for business. And I'm like, what are you even talking about? I told him I can't be in class because I have this huge project in Japan. He's like, well, I'm very disappointed you're not going to be in class. And I'm like, you don't get it. Like none of you get it. No one gets it. So I just I at that point, I really had to like just decide what meant something to me versus what meant anything to anybody else. You know, so I again, I failed. So, yeah, failed a couple of times.

25:02Elise had to be free to follow her passion and opportunity. And this dusty college professor did not get it. Institutional education may not be right for her, but leave it to Swopes to still figure out a way to get that college degree on her own terms. During the pandemic, I was like, I think I can do some online classes. I reached out to the dean and I was like, hey, I heard about this college credit gift thing. And so I basically wrote this huge dissertation about my life and what I've accomplished. I was gifted a college diploma. Elise saw that networks could play a huge role in amplifying her voice.

25:47and that it was possible to exist in these systems while staying true to herself. Meanwhile, in the present, Elise was contemplating the offer from Adobe and she knew it would have to check both boxes, amplify her voice while creating on her own terms. She was skeptical, but the folks at Adobe were selling hard. It's not very like kind of sales and marketing and stuff. We're just ourselves for a living. So it was time for some soul searching. What is being true to yourself? And what's just ego getting in the way? You know, I put down pros of why I should work there, cons of what, you know, but the cons were just like very ego-driven stuff.

Read the full transcript

26:34You know, like I want, you know, I don't want anyone to tell me to do. You know, I want to be my own hours, blah, blah, blah. Not realizing this was going to be like the greatest door that I needed to open. So she said yes. So I've been killing it, which is incredible.

26:55So Elise gets to create what she wants on her own terms. And her voice is amplified with the help of a massive brand like Adobe, a company that's heavily invested in AI tools for artists and creators. This could be the opportunity she's been waiting for, to teach the world about what's possible with AI. in a safe space where creatives feel free to experiment with any tool they want. It was time to go all in on AI. But before we get to that, Reid, you're a big proponent of the power of networks. But networks also come with their own set of challenges, like hierarchy, status quo, and institutionalism.

27:38Much of the early AI breakthroughs came from higher education. But now the innovation seems to be coming from private companies. When it comes to shaping the future with AI, what's the role of higher education versus the role of private companies? So, you know, the fact that innovation is happening through private companies, you know, does have some interesting blind spots. There's a lot of stuff that happens through private companies. Like most people eat, right? All the food that you get is through private companies. You might say, well, but that's the problem because we have this industrial complex which, you know, tells us to eat sugar cereal.

28:18And you're like, yeah, there's some problems. But by the way, the fact that everyone can eat, we're in such a calorie-rich environment, is because of private companies. And so there tends to be a bit of an overly demonization, like private company equals revenue, profit maximization equals deeply suspect and bad. And that's a huge mistake. What it is is mostly good with some blind spots. and occasionally bad, you know, like, oh, I'm going to sell you opioids or, you know, that kind of stuff. And so you have to kind of navigate through that understanding the mostly good. And the mostly good isn't just because they provide jobs, it's also because they provide the entire infrastructure that we live in, right, for everything.

28:55And so the fact that AI is being built by private companies is like, well, if I had to pick, it's like, well, private companies tend to be much more like responsive to customers, responsive to how do we grow a very big market share? How do we get it out into people's hands? I do think that what is important is that we are capturing a very broad brush of engagement. That's part of the iterative deployment that's so important. And that creates a dialogue is that dialogue then allows us to go, oh, you know, the really important thing isn't that Google screwed up making black Nazis in images. Yeah, that's kind of absurd and stupid.

29:39And yes, we should, you know, now iterate to not do it that way. And that was like, OK, but the really important thing is the more subtle questions around language bias judgment around different racial stereotypes embedded in lots of subtle forms of text. And we need to analyze that because there's going to be a lot of text generated from this. And that could be much more systemic. And we need to agree what that could look like. And then we go, here's how we measure it. And that's the kind of thing that actually, in fact, is much more important to do. And you only learn that by having that out there and having people look at it.

30:20But that iterative deployment, that engagement, broad swaths of people engage in a conversation allow us much faster to be on target for the things that we are trying to build. Meet Nicole Nicholas, Capital One business customer and co-owner of Ansett Uncles, a plant-based restaurant and community space in Brooklyn, New York, that got its start from a need for unity. The inspiration, it was born from the desire to create a space that felt like home, where we can connect community culture, good food, and come together with family and friends. That's how we birthed aunts and uncles. Nicole and her husband, Mike, were fulfilling their dream of bringing people together out of their home kitchen.

31:00But they soon learned that the demand for community was greater than they knew. It became overwhelming and we were like, we need home, but not in our actual home. We realized that there was also a need in our community for something bigger in our neighborhood. So we had to find a place. Moving from a home operation into a storefront was a huge next step. But Nicole and Mike were able to take it on with the help of Capital One Business. It's not for the weak as a small business. Finding resources is super important because that's the way you'll be able to manage and scale. We would have never done that without having Capital One to be able to help us along the way.

31:38The cashback rewards are very helpful. So, you know, it just gave us that runway to be able to breathe a little bit. Then you get to focus on the cooking of the food and making the experience great. To learn more, go to CapitalOne.com slash business cards.

31:56Part three, taste and style are your competitive advantage in shaping the era of AI.

32:08There's this phrase that's become part of the modern lexicon. You've probably heard it. It goes, that sounds like something ChatGPT wrote. Meaning it has no soul, no perspective, no style. It comes off as a knock on ChatGPT, but what if this isn't a bug, but a feature? Maybe style is something that best comes from humans. The outputs are becoming more realistic and a lot more clear and high quality where it allows me to kind of make it my style, put filters on it and recolor it and mask it and mold it and collage it in different ways to the point where people aren't going to be like, this isn't your style.

32:54This isn't what you do. I think folks have like assumptions that like if you use AI, it means that you phoned it in. It's like, oh, you just type the prompt and hit upload. It's like, well, maybe some people are doing it, but like. The outputs are not good. No, no, exactly. It's like it requires an actual person knowing how to use these tools to make the output. And knowing yourself and your style too, I think is really important. It's a tool for me to express the thing that I'm seeing. It's just an idea that I have that I need to accomplish. and you know those prompts are very specific I've got like notes and notes on different ones to use different things that are my style different things that I would rather I represent and that took a lot of practice but it's like worth it because now I know my style I know what I want and when I go to improv it's not going to be some kind of you know digital anime kind of character thing.

33:58It's going to be very realistic output. Like I took a photo and I can edit it and I can do fun stuff to it. As a full-time evangelist for Adobe, Swopes was using their set of AI tools packaged as Adobe Firefly. Firefly is a standalone app as well as incorporated into other apps like Photoshop and Illustrator. With AI built directly into so many creative applications, the Adobe suite became like a playground of limitless potential for Elise. Then a photography trend started popping up on her feed that she found inspiring. There was these like videos that were kind of going viral where people would pull their phone up to take a photo of corners of buildings, like a lookup or something, and then they would put tape on the screen.

34:50These photographers could integrate multiple pictures by putting tape on the screen of their phones. It allowed them to capture photographs of similar objects that were perfectly aligned. So Elise wondered, what if you could do this with AI? I don't know, it just like sparked something in my mind. I was like, okay, if this person is utilizing the tape to match the corners, why can't I use AI to match each frame that I want to create? I don't want to find all these buildings, so I'm just gonna sit here and figure out how to do it in a fun, unique way without me needing to use the tape. Her now-employer just released a new feature that would help, called Composition Reference.

35:35She could take one photo, upload that to Firefly, then create a series of AI outputs that matched the shape of the original photo. I knew that I needed to go downtown. I knew that I needed some high rises. I knew I needed a visual looking up. You kind of get the grandness of city life. The first scene of the video shows Elise on top of a New York building, walking toward the camera, holding her phone. First, my fiance took a video of me. You could see me walking up to the scene. I did want people to see me at the location, me pulling up the video and stopping towards the sky seeing that first shot which is you know like the least ai of the whole thing it's just you walking holding the phone that almost like plants you in reality a little bit of like here's a human being who's gonna about to make some stuff that's cool exactly then you'd come into my phone the camera zooms into the phone she's holding as she swings it up to see four different buildings and the edges of them.

36:46That's where I would cut the video, take that last frame of the video and screenshot it. With that screenshot, Elise had the original image to upload to Firefly. Now, inject a little AI into the process. Upload that screen grab or that photo to Firefly and then you can have outputs that match like the shape and the style. Now to create the prompt that would tell Firefly how to transform her original photo. I'll go into like ChatGBT and I'm like, hey, give me a bunch of different lookups for different buildings around the world. So it gave me like, you know, art deco and like coliseums and like underwater and all kinds of different stuff.

37:31And so I would just like copy those prompts and then I'd put it in the Firefly. I did about like 50 to 60 of them. and the ones she went with are stunning. The buildings are suddenly in the jungle, then underwater with fish swimming by, then in the middle of a thunderstorm, then a beautiful moon in the night sky. Now to edit them all together. There was a very common theme and trend with like sounds that were kind of like kind of bouncing with the photos. And I kind of wanted to play with that too. So I tried to have as many cool outputs as beats in that song to kind of keep the attention. On each beat, the photo transforms into another stunning iteration.

38:18Yeah, and then I just exported the video and we were good to go. With this video that she was about to post, Swopes wanted to demonstrate to her followers that you can use AI tools to create work with authentic human style. She hoped it would create a version of the future where creatives were safe to try out whatever tool they wanted without being bullied. Overcoming adversity by using her art and her unique style is nothing new to Elise. When Swopes first began to find massive success, she experienced another kind of adversity, and it almost derailed everything. Let's go back to her early days on Instagram.

39:06traveling to Japan, Dubai, Paris, you know, going all over the world. Even though there was a lot of amazing things I was doing, I was also like going through a lot of emotional issues. I had become addicted to Adderall. I thought I was ADHD, but I wasn't. I don't really think I was like in a good headspace but I was still like actively gaining thousands of followers and finding success and doing all that stuff but I just wasn't at peace

39:45I remember talking to someone at Instagram and they were like you were really rude to me one time I met you you didn't even give me a time of day and I was like I don't even think I was like myself you know

39:59I just quit Adderall one day and I was like, I need to stop. I'm going to die if I don't get this right. And then I called my mom and I was like, hey, I think I'm not feeling too good. I think I'm going to do something to myself. So I went into the psych ward and that was a big shift for me because I was like, I don't want to come back here ever again. And so it took a lot of years for me to kind of like get into a place where I had a decent practice of like mental health and physical health and even spiritual health. I always had to be aware and confident and kind and present with people, you know, and I'm still like that to this day because of those things.

40:36Like when I'm with someone, I'm like here with them. And I'm glad that I'm in a position now to like talk about it and be proud of the growth I've had. Swopes used this story to inspire thousands when she got the opportunity to join the TEDx stage at LIUC. Hi, my name is Elise Swopes. I'm a college dropout. I've been addicted to drugs and I've been to rehab. But I've also traveled all over the world, worked with billion dollar companies. My mom brought home a 1998 Apple iMac computer, and this is where my creative Internet journey began. I eventually owned my first website when I was in sixth grade and it taught people how to build their own websites.

41:20I eventually in middle school started selling MySpace layouts for McDonald's cheeseburgers. I'd like to believe this is where my success is. And eventually Instagram added me the to the suggested user list which was a list. In college I was so unmotivated that I felt like I I needed Adderall to keep going, but it got out of control and I ended up in a psych ward in rehab. I had to make a decision. I had to decide. I had to wake up.

41:52During our conversation, Elise started thinking back on the choices she's made in life. Addiction, failures, even waiting so long to start working for a company. You know, I don't know. There's just, there's a lot. But I think I made all the right choices to an extent. But there's, I'm just so comfortable now and so happy that I'm just like, how the hell did I deny this myself for so long? It's a mess. Well, the way I look at it is every choice, good or bad, led me to be the exact person I am right now. And I like the person I am right now, you know? Absolutely. Even all my addictions and all my failures.

42:31I mean, all that stuff made me who I am. I wouldn't have a TEDx talk without it. I wouldn't have the perspective, the knowledge, the gratitude that I have today. I wake up at 5 a.m., I meditate, I read, I write, I work out. I'm focused more than ever, which is huge to say compared to who I was when I first started. It's not even close. Not even close. Not even touching. But I had to go through all that to know it. And I probably wouldn't be the employee I am now if I didn't go through all that either. So I'm grateful every day. Back in the present. Elise is preparing to upload her video. She wanted to use her unique style to create a space where her followers felt safe using AI tools.

43:18And to work toward a future where artists are free to explore their creativity without the fear of online bullying. Then she clicks post. The video went viral. I didn't get any negativity from that. No one complained. No one said a word. No one's like called me out on anything. They were just like, this is really cool. People were very motivated and inspired to try Firefly for the first time. And I think why it was so successful because there was such a thoughtful use for it that had never been done before. I still have to like implement some skill and some passion in there and some thoughtfulness.

44:06Deep down, that's kind of what that piece embodies. It's just my freedom to like do what I want to do when I want to do it in the way that I see fit while still being a part of this trending conversation, you know. Creating that, I think, was kind of like a, yeah, I can do this too kind of vibe.

44:27Reid, before we finish today's show, I want to hear your thoughts on this idea of embracing your own style with AI. Do you think that AI will ever get to the point where human style is unnecessary and obsolete? You know, here's one more of those kind of little challenges, which is, can AI never get to X? And you're like, well, I don't really know. Right. And when? Don't really know. And that, for a lot of people, causes fear and anxiety. For me, it creates curiosity and mostly optimism and hope. I'm not blindly optimistic. And so it is, of course, possible that you can get to AI where you go, the AI is just so much better at all fronts than human beings.

45:14And it's like the five-year-old trying to do that next to the professional adult. And you're like, okay, that's cute. Now, you go, okay, can you tell me that's not going to be the case? I'm like, no, I think it's extremely unlikely. Like, you go, it's not zero, so therefore it's terrifying. It's like, well, it's not zero that you die going to work today, right? I hate to break it to you. Right. But it's not zero, right? And so you go, well, but that's so rare and so uncertain. I treat it as zero. It's like, okay, well, maybe we can treat this as zero, too. We're certainly nowhere near it. it's kind of the equivalent of worrying that we're going to die driving to work as opposed to imagining the things like well but it's moving very fast and what is 10 years like our imaginations are terrible um at that kind of thing and we tend to go to the like i can imagine the asteroid hitting the earth and oh my god i'm gonna stay up at night because the asteroid's gonna hit the earth and you're like well but actually in fact look an asteroid's gonna hit the earth at some point probably.

46:15And hopefully, by the time that the asteroid is coming for the Earth, we have figured out how to divert the asteroid. And that's part of the reason why you go down the road and you iterate. Now, that being said, you say, well, we know it's getting better. It's improving a whole bunch. I can see it coming, that my unique creativity and inspiration style is being outmoded in various ways. And I can see that already. And I worry about the momentum of that. well one i actually have a fair amount of optimism that human beings figure i was like oh great it's like painting and photography is kind of a conversation like look photography bad painting good photography will never be art no actually photography has been great and now the fact that everybody has a camera on their smartphone and like yes maybe people don't go and i stand in awe of ansel adams as much as i used to but you know like we have this range of expression and and creativity and tools.

47:13And I tend to think that that's what's going to happen. And even if you say these get to superpowers that human beings can add very little into, I think there's still a lot of room for the value of human experience and human connection. And there's various ways in which we like things that are produced by humans for humans. You know, you could easily imagine and say, well, the AI can produce such much better music. But like the fact that I'm sitting around in a bar listening to, you know, a woman strumming her guitar and singing her life story or an aspect of her experience in that particular voice has a human connectivity moment that I'm like, yeah, I understand that the AI could do that in all kinds of ways that are like the way this woman never could.

48:04But I like this experience and it's part of what reminds me of humanity. So I think it's, I can't say for 0 % you outlawed human style, but I can say that everything that's visible is nothing anytime soon and lots of maneuvers and things to experiment and a lot of amazement to happen in the journey that we're currently in.

48:35Well said, Reid. While there are lots of potential timelines for a future with AI, rather than fearing the darkest one, perhaps we can take our cue from Elise Swopes. I know that there's a lot of fear of change and a lot of resistance to what could be, but we make what we have what it is for ourselves. I love it. I'm not afraid of anything. Granted, I should be. I mean, there's a lot of stuff that I'm, you know, so many creators making crazy stuff on their phone now that I couldn't even fathom made before. But does it, like, scare me? No. I just have to focus on my shit. You know, I got to focus on what I'm trying to do.

49:26I can't focus on what anybody else is doing because that's their, that's them doing that. I hope people use the products but I want people to be at peace more than anything

49:40I want people to feel confident in their choices and who they are and why they do what they do every day because that in essence is going to make the world better

50:01We hope you enjoyed this episode of Artful Intelligence. Next week, we'll have our final installment of this three-part series, where we'll tackle the question, how do you create a cultural paradigm shift with AI? Things that I'm scared of or nervous of, I tend to walk towards. I know if this technology exists, it's not going to go away. That's just not how technology works. whether I knew what the repercussions meant for filmmaking. I knew I had to like try to understand it to try to see what could be done with it that wasn't possible with the animation or wasn't possible with the camera. Artful Intelligence is produced by me, Chris McLeod.

50:48Massive thanks to Reid Hoffman. To follow Swopes on Instagram, head to at Swopes. You can find the link in the show notes. Special thanks to Aria Finger, Sean Young, Saida Sapieva, Ben Relis, Ian Alice, Parth Patil, Jack LaFortune, and the team at Wonder Media Network. Mixing and Mastering by John Delore. This has been a Blue Elevator production.

From the publisher

How can you shape the future with AI to create the world you want to live in?

Reid Hoffman and Chris McLeod explore this question with Elise Swopes, a trailblazing visual artist and educator blending AI with photography. Currently an evangelist for Adobe, Elise has been a creative force since the early days of Instagram, crafting surreal visuals for brands such as Adidas, McDonald’s, Casamigos, and Sony. But her journey hasn’t been without challenges. From online harassment to personal struggles, she’s faced adversity with resilience, using her art to shape a brighter, more inclusive future.

Join us as we traverse her path—while Reid reflects on AI’s evolving role in fostering creativity and meaningful human expression. Can AI ever replace human style, or will the future of art always require a human touch?

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

More from Pioneers of AI

All 125 episodes
Possible: Artful Intelligence, part 2, featuring Elise SwopesPioneers of AI · 49 min
Listen in VO