"I Didn't Know I Felt That Way Until I Wrote It Down" Elyse Myers on Healing Through Storytelling

30 Oct 2025 · 1 h 8 min · 30 chapters

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In short

Elyse Myers discusses healing and self-understanding through storytelling, journaling, and creativity—especially how writing helps her process feelings she can’t name otherwise.

Guest background

Elyse Myers is a writer and storyteller who rose from recording videos in her living room to millions of viewers. She’s known for short, requested stories (including TikTok/online content) and has a new illustrated book, That’s a Great Question I’d Love to Tell You, featuring essays, poems, and drawings from her journals.

Key claims

  • “Interior writing” (capturing what you feel internally) is central to her craft.
  • She needs story structure (beginning/middle/end) to understand emotions; writing turns “awkward/funny” moments into meaning.
  • Creativity requires “space” and input; her creativity is “like a gas.”
  • Being emotionally available online is rewarding but can be overwhelming, so she protects her mind by limiting direct messages/comments.

Notable examples

  • A childhood Halloween-night magic eight ball keychain named Lucy becomes a metaphor for her anxious-but-brave persona.
  • She wrote her book during a New York writer’s retreat after days of not writing, using a flannel/closet as the first poem’s inspiration.
  • She describes writing through writer’s block by continuing to type, and ties her last story’s breakthrough to that spiral.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Introduction to the Episode

0:45 to 0:59

Host introduces the theme of questioning everything.

“and shop cars within your budget, from luxury cars to family rides.”

Introduction to the Episode

1:04 to 2:34

Host introduces the theme of questioning everything.

“My name is Arnold Bogarty, and prior to me, I enrolled in Rasmussen to become a nurse.”

Introduction to the Episode

7:30 to 7:43

Host introduces the theme of questioning everything.

“It's time to question everything with Elise Myers.”

Elise Myers and Creative Process

7:43 to 9:12

Discussion about Elise Myers' creative journey and her book.

“Elise, congrats on the launch of your book.”

The Role of Storytelling in Understanding

9:12 to 10:46

Elise discusses how storytelling helps her process feelings.

“What color do you think that word, that phrase is?”

Personal Growth Through Writing

10:46 to 12:22

Exploration of how writing and storytelling contribute to personal growth.

“youngest, the only girl, like seven, eight and 10 years older than me and my brothers.”

Embracing Authenticity

12:22 to 14:00

Elise shares insights on being authentic and relatable online.

“And so that was always my stepping stone for memories I have and then turning them into like art and knowing when it was time for me to let it go and give it to somebody else.”

The Journey of Authenticity

14:00 to 17:32

Elyse discusses her journey of embracing authenticity and sharing her story.

“You know, like it's just, I think that I was able to make this such a normal topic of conversation and it wasn't like, it didn't feel overwhelmed and scary.”

Navigating Online Fame

17:32 to 20:08

Elyse reflects on the unexpected nature of her online fame and its implications.

“posting videos from your living room and suddenly millions of people are leaning in.”

Challenges of Managing Public Perception

20:08 to 23:00

Elyse shares the overwhelming feelings and challenges of public attention.

“I remember thinking so many times, I'm so grateful.”
Show all 30 chapters

Balancing Empathy and Self-Care

23:00 to 25:50

Elyse talks about the balance of being empathetic while protecting her own emotions.

“And I remember him telling me that when Queer Eye really took off, they would do sort of these conventions and all five guys had different expertises.”

The Evolution of Creativity

25:50 to 28:05

Elyse discusses her evolution as a creative and the importance of returning to her roots.

“There are still stories I'm thinking of right now that someone told me like three years ago that I just, I'll never, it'll never be able to let that go.”

Rediscovering Creativity

28:05 to 29:09

Explore the journey of reconnecting with one's creative self.

“Sometimes you have to just input, you have to like have enough and you can feel full creatively to then give back outwards, you know, and create and make things.”

The Therapeutic Nature of Writing

29:09 to 30:38

Understand the benefits of writing for emotional clarity and processing feelings.

“It's, you write your first book like 20 times over for like three years.”

Transforming Journal Entries into Stories

30:38 to 33:12

Learn how journaling can transition into formal writing and storytelling.

“But I will write something and immediately go, I didn't even know I felt that way because it just came out of me.”

Finding Inspiration in Isolation

33:12 to 36:49

Discover how solitude and focused space can spark creativity.

“So now be here because I was like, I don't want anyone trying to make a bridge to two places that aren't related, but I just like teleport yourself to this new place and now we're here.”

The Importance of Input for Creativity

36:49 to 39:26

Learn how absorbing information and experiences fuels creative output.

“I realized they were like all upside down or like flipped over.”

Pushing Past Creative Discomfort

39:26 to 41:50

Understand the value of enduring discomfort in the creative process.

“It feels like the more space I am given, the more I can take up.”

Respecting the Craft of Songwriting

41:50 to 42:00

Appreciate the complexities and skills involved in songwriting.

“and people would be like, maybe this isn't for me.”

Embracing Discomfort in Storytelling

42:00 to 43:20

Learn how pushing past discomfort can lead to creative breakthroughs.

“And you just pack it up and leave that hotel room and go back to your family.”

Overcoming Writer's Block

43:20 to 46:00

Discover strategies for overcoming writer's block through self-acceptance and persistence.

“My brother's an incredible artist, which is why I always wanted to draw.”

The Emotional Journey of Writing

46:00 to 47:40

Explore the emotional challenges faced during the writing process and the joy of completion.

“And it truly is the most powerful story in the book.”

Writing for Future Generations

47:40 to 50:50

Understand the intention behind writing for loved ones and the importance of representation.

“I'm like, after doing this, no, you can't tell me nothing.”

Personal Growth Through Writing

50:50 to 52:30

Learn how writing can lead to personal growth and self-discovery.

“And within that, everyone else, because they are the first and then everyone else gets to enjoy it too.”

Unlearning and Self-Compassion

52:30 to 54:20

Discover the importance of unlearning negative reactions and fostering self-compassion.

“Like we'll figure it out, whatever needs to be figured out.”

Values in Friendship and Integrity

54:20 to 56:00

Explore the qualities in friends that inspire personal development and integrity.

“And if you don't have an answer, you don't have to think of one, but I do want you to then text it to me or something.”

Contrasting Personalities in Relationships

56:00 to 58:06

Explore how different personalities in relationships can complement each other.

“It's like you're talking and she's like floating around her house and getting you water, but not one moment.”

Empowerment through Lingerie

58:07 to 1:01:24

Discover how wearing lingerie can boost confidence and empowerment.

“You know, you're not the first guest to say that.”

Impactful Books and Learning about Sex

1:01:24 to 1:05:24

Learn about books that can change perspectives on sex and intimacy.

“something you think everybody should read.”

Awe and Connection in Parenting

1:05:24 to 1:09:50

Discuss the feelings of awe and connection experienced through parenting and family.

“It's like the epilogue, but not for a story.”
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Transcript

Automatic transcript. May contain errors.

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1:19She said she loved the culture. It was a family atmosphere. here. I went to visit the campus. The facilities were amazing. I knew before I left that that was the school that I was going to attend. Rasmussen University. Are you ready to be your own hero online and on campus? Learn more at rasmussen.edu. Valvoline Instant Oil Change presents Wisdom from the Road. Summer means wide open spaces and a whole lot of extra miles. The last place you want your engine to give out is halfway to nowhere. Out here, low oil or a weak battery is just an ambush waiting to happen. That's why every oil change at Valvoline Instant Oil Change includes an 18-point maintenance check.

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2:42No one has all the answers. But when we ask the right questions, we get a little closer. Closer to truths. Closer to each other. Even closer to ourselves. I'm journalist Danielle Robay, and each week my guests and I come together to challenge the status quo and our own ways of thinking by daring to ask, what if? Why not? And who says? So come curious, dig deep, and join the conversation. It's time to question everything. Hello, hello, and happy Halloween. Well, almost Halloween. I was thinking back to when I was a kid and how much I loved Halloween. And I see so many of my friends now who are parents and they watch their kids kind of do like a parade, like walk around school and they see all the kids' costumes.

3:37It's so cute. I remember doing that. I always dressed up as badass women. Like I was Xena Warrior Princess. I was G.I. Jane, which was inspired by Demi Moore with her shaved head. And in recent years, I have not dressed up. I just felt like I didn't have the capacity to think about costumes. And I think maybe next year I need to figure that one out because it's so fun to have a creative costume. I remember in LA, the Cos Amigos party used to be big. and I dressed up as J-Lo for that one year. But that's like the last time I remember dressing up. And there were so many good costumes at the party.

4:19Somebody was wearing this really cute slip dress and they wrote Freud on it. And she was a Freudian slip, which I thought was so clever. I love when people are clever like that. But I can't wait to see what everybody's wearing this year. And I really hope that you have a fun Halloween. however and with whomever you're celebrating. I also have one other thing that I want to address before we jump into today's episode, which is that last week, the episode with James Sexton, who's the fabulous divorce attorney, it like blew up online. It did really well, but I actually made a mistake during my introduction and it was brought to my attention by one of our wonderful listeners.

5:06And she wrote me the most graceful, kindest email saying that she was going through a divorce and she was kind of triggered or upset by the language that I used saying that divorce was a failure. And I totally agree with her. I feel like any relationship I've ever been in is about growth and learning and evolution. I would never consider it a failure. So I felt honestly a little embarrassed that I used that term. And yeah, if anybody else felt that way, I'm so sorry. And I always try and be thoughtful with my words and my language. And I'm going to continue to try to be, but I'm going to be even more considerate.

5:51So to that listener, you know who you are. Thank you. And to everybody else, I hope you enjoyed today's episode.

6:02So today is about creativity, how we make things, what we make from them, and what they make of us. Elise Myers is one of those people whose creative process is the art. She's a writer, a storyteller, and accidental internet confidant to millions. She's built this world where panic attacks, body image, creativity, motherhood, desire, autism, faith, doubt, marriage, and joy can all sit next to each other at the same table. She has this way of saying the quiet stuff out loud so plainly that you just feel your shoulders drop. You know that feeling? Elise went from recording videos in her living room to millions of people watching her every move.

6:45She's known for her stories. They're so requested that she took them from the internet to analog. Her new book, That's a Great Question I'd Love to Tell You, is not a traditional memoir. It's essays, poems, drawings from her journals. It's in full color and so homey.

7:03Elyse Myers:There's just so much of the creative process that looks like wasting time. But then you make like a masterpiece. There's something deeply human about the way Elise moves through the world. She just doesn't pretend to have it all figured out. She tells the truth about what it means to try. My creativity is like a gas. It feels like the more space I am given, the more I can take up. So the question we're circling today is how do you build and protect a creative life that's honest to who you are? It's time to question everything with Elise Myers.

7:43Elise, congrats on the launch of your book. I was so drawn to the title, of course. The book is That's a Great Question, I'd Love to Tell You, because every single time I would lead into my TikToks when I first started making content, I would ask myself a question.

7:58Elyse Myers:And I'd be like, that's a great question, I'd love to tell you. And I accidentally created that hook for myself. And now it just became this thing that people know me as. So when I do it in person, people are like, oh my God, she did it. She did it. It's really funny because I say it normally in my everyday life. I don't try and put that on. and so yeah that's kind of where it was birthed from and I wanted it to feel like the book was like this walkthrough of my life but not like memoir style like I wanted it to feel like you were like you already knew me you know that like like a story that a friend is going to tell you about their past or like something that happened in their day is not it's not going to come with all the lore that you already know about them it's going to be like very oddly specific and like, but you know them.

8:44Elyse Myers:So this makes sense in context of them. And so all the stories in this are kind of that. It's not the lore that got me here, but it's, it's the things that made me very specifically me. And they don't seem really big to people, but they felt really big to me because they just, they shifted the way that I see myself and my worldview, even though they might've been really small moments. So that was kind of the idea of when I kind of picked all those stories. I just learned this word called interiority writing. Have you heard this? What color do you think that word, that phrase is? Ooh, I don't know.

9:21I've never thought about like synesthesia in that way. No? What does it feel like? Close your eyes. I got orange. What did you get? Ooh, I got purple. Cool. Yeah. What does that mean to you?

9:34Elyse Myers:I don't know. Actually, there's no reason for it. I just, think about how it sounds and feels and what color it is. I think it helps me remember it. I want to use it. You know when words just sound good in your ear? Yeah. Okay. So they stick with you. And you and I are a lover of words, lover of questions. And so to me, one of the marks of a great writer is that they're able to sort of string together sentences and meaning that you feel in your own interior, in your mind, but can't quite figure out how to say or communicate out loud. And I think a lot of your stories, because these are like short essays, did that.

10:13There was a lot of awkward, funny, surprising, but then they sort of like sucker punch you with meaning. And in the book, you say that I've always been someone who needed to tell a story to understand how I felt about it. So to me, I'm like, okay, you process through storytelling. When did you realize that that was your way through the world?

10:35Elyse Myers:I think the storytelling part started when I was really young because there was a lot of like, I think chaos happening when I was younger, especially I was, I was the youngest, the only girl, like seven, eight and 10 years older than me and my brothers. So like big age gaps. And I think I just learned if anyone's going to listen, it's got, I've, I've got to, I've got to be really interesting and like captivating, you know? And so that's like a little trauma lore, but it informed the way that I learned how to communicate with others. But then I learned it was much more comfy for me to kind of monologue style a conversation rather than figure out how to do the exactly right back and forth.

11:20Elyse Myers:And am I talking too much? Am I not talking enough? Am I coming across as kind or angry? Am I looking at them enough? Am I looking away too much and do what they need to go. And so there's a lot of clarity in telling a story because there's a beginning, middle and end. And if a person wants to know more, they can ask follow-up questions about it. And if they don't, they don't. And I'm like, great, done. Cross that off the list. Goodbye. And so I think that I've always felt really naturally comfortable speaking to somebody that way. And then when I learned you could write those down, like incredible, you know, because now I can share those with people and not have to talk to them.

12:04Elyse Myers:And it was like, it was amazing. And I've always journaled as well. And so, yeah, I think when I used to say that when I could write a song about it, I was processing it. And when I could make it funny or make it like into something that's not like musical, I have like healed from it. And so that was always my stepping stone for memories I have and then turning them into like art and knowing when it was time for me to let it go and give it to somebody else. So, yeah, I think I've just always framed what I think and how I feel and what I remember that way. Okay. The beginning of your book opens in Anaheim, California in 2002, Halloween night when a magic eight ball key chain named Lucy became your secret sidekick.

12:54And honestly, it felt like such a metaphor. After I closed the book, I was like, okay, this is such a metaphor for how you've navigated the world, which is a little anxious and very funny, but also very brave in your own way. And I'm wondering if that's what you think people gravitated to online.

13:13Elyse Myers:I would say probably yes. But I think that people can tell when someone is being that way performatively, which is also beautiful because they want to be that way. And I want them to genuinely feel comfortable in their skin to share that with somebody else so that it lets them in and gives them permission to be that way too. I think that I've reached a point in my life where I have become very neutral with all of those feelings, like the anxious and the scared and the overwhelmed and overstimulated and the autistic and all of it. Just like all of it is just my skin. Like it's me. I like pizza and it's hot outside.

13:55Elyse Myers:And I had a panic attack this morning and I have a dinner tomorrow and it's really exciting. You know, like it's just, I think that I was able to make this such a normal topic of conversation and it wasn't like, it didn't feel overwhelmed and scary. And so people could relate to that of like, I can just be this way. I don't have to fix myself or change myself or be something better or different. I can just like exist this way because she's doing it and it's going fine for her. So it could, you know what I mean? So I think that, yeah, I think that people see themselves in me and gravitate towards that.

14:28Elyse Myers:And I really enjoy that. fun fact side note can I did you know that that was my childhood home can I show you yeah please that was so that drawing the door to California is my childhood home oh wow isn't that cool yes that's awesome do you have a black and white or a color version color oh color okay so you got to see all the end pages and stuff yeah that's so awesome I'm so excited sorry I mean I just keep showing every single person that has eyeballs that because I'm really excited about it well Well, for everybody listening, there's drawings in your book and also some text that looks handwritten.

15:03Yeah. And that's sort of rare. Yeah. Like, first of all, that means that the publisher was taking, they use some, they use extra money to use color print. Oh, 100%. They really are betting on your book. They're thinking it's going to do well.

15:16Elyse Myers:I went in there when I sold the book and I was like, this is what I want. It's like, I want four color. I have, I'm illustrating the whole thing. I'm writing the whole thing. I'm, this is what I want to do for the cover. I want to read my own audio book. I want it to be sound designed. I want the Kindle version to look as pretty as possible. Like, you know, I had all of, I knew exactly. And I was like, if you don't want that, totally fine. This is what the book will look like no matter what. And like to have to find a publisher that was willing to say yes to that. I mean, one day that will be a whole story on its own.

15:49Elyse Myers:Not now. And, but like, it was a really powerful and magical experience. And I just did not give up on it. And I believed in it so much. And to have it actually - A lot of people said no to that. Yeah, yeah, yeah. Almost everyone. Yeah. I mean, everyone but one. I mean, it's expensive. Yeah. It doesn't actually make any logical sense to do it that way the first time, but that's okay. I wanted to be working with people that they had enough faith in me and they saw the track record and they believed in me and trusted me because it takes that much trust for me to give them my book. And so I want that back.

16:25Elyse Myers:And luckily I found that in Harper Collins and William Morrow, which I'm really grateful for. Now, I didn't say this to them specifically, but in my mind, I was like, I'm very good at my job. And I hope that I get that trust in somebody that I'm partnering with because I'm giving you my life stories. This is about as intimate of a thing as I could give you besides my body, I feel like, honestly. And so, which is a crazy thing to say, sorry, as I said that, I was like, is that too serious? But like, it just, it's real. Yeah. And so not only that, but there's like the handwritten, that's my actual handwriting from my journals.

16:57Elyse Myers:Like it's just, it's literally my life. And so I even like the picture, like the cover, like I took that film picture. We, I designed the set for this and we went to Austin and took this and it was such a cool day. Like everything about this book has been so specifically chosen that to finally let people see it and read it or hear it, experience it is like, like, I can't wait. It's been such a labor of love. I'm like, finally, people can see it. I'm just so excited. So Elise, I want to ask you about your rise online because one day you're posting videos from your living room and suddenly millions of people are leaning in.

17:38Yes. That's got to be one of the weirdest feelings in the world. As a person who loves questions, what were you asking yourself as soon as all of that stuff started happening to you?

17:48Elyse Myers:I didn't set out to be like, I'm going to be famous or I'm going to have millions of people watch me do what I do. So I think at first I was questioning whether this was a good idea or not. I felt really exposed. I felt nervous that I had opened this door for people to immediately be in my home with me and my family. And I was like, I didn't realize I invited this many people over. That's kind of how it felt. I was like, there's not enough food in the fridge and I don't even have enough drink. I don't even own enough silverware for this. That's kind of how it felt. And I continued to just question, do I want this?

18:25Elyse Myers:If yes, make another video tomorrow. If not, never post again and it'll go away. I knew every single day I woke up, I was choosing to move this forward. And so I had to really decide with every single thing I posted, checking with my family, make sure that this worked for the life that we wanted for ourselves. And taking it one day at a time really helped all of it not feel so overwhelming. And it allowed me to really decide how I wanted this to look very specifically and what I didn't want to do. And yeah, just staying really grounded, I guess, in the beginning of it, trying to decide what I wanted this to look like, I guess.

19:01Elyse Myers:Yeah. Was it exciting? Because I can imagine too, like when your videos popped off, they really were getting lots of views that this is like a whole new financial place to be in also. Was that overwhelming? Was that exciting? Yeah. So I was running a business at the time. So I was a web developer and I owned a pretty successful web development, coding, and design company. So I was running that full time and just had a baby. So when this happened at first, I was like, this is just a thing I'm doing in the morning, my job before my job kind of a thing. Well, my hobby, my hobby before my job, basically.

19:39It wasn't until it got to the point where I had to like choose how much time

19:44Elyse Myers:I wanted to be spending where, because it didn't financially make sense anymore to not choose content creation. And I mean, if I didn't want to do it, I could easily, I loved my business, But yeah, I was like, I think that this makes more sense. I can be home with my family more. I can be more relaxed. Turns out you start traveling a lot. So it changed really quick. But like, yeah, it was the best and most right decision for my family. But it was overwhelming. I remember thinking so many times, I'm so grateful. I know how to run a business. I know how to look at contracts. I know how to make deals.

20:18Elyse Myers:I know what a good deal is, what a bad deal is when I'm getting taken advantage of. I had a family and I was like a little older and so I just kept thinking I'm so glad this didn't happen to me when I was like 17 like I couldn't I honestly couldn't imagine it's just different it was so different when this was happening to me at like 30 years old or 29 I guess time yeah no 28 my god I've been doing this for four years what year is it yeah four years this October crazy Wow. It feels honestly like it happened a year ago. It blows my mind that it's actually been that long, which is cool. But yeah, it was overwhelming.

20:57Elyse Myers:And I remember driving from getting groceries and it was like the first week the taco story had gone big and my mind was all over the place. It was like my brain just had a fire hose of water on it and I couldn't hear or see anything else, but wondering what was happening. And it just felt like a lot of attention and I couldn't decipher between real life and millions of people seeing me on the internet. It just felt all real. I was just standing on a stage with a million people staring at me 24 seven. Wow. Were you reading the entire comment section? Yeah. I used to respond to as many comments as I possibly could, but it wasn't really that.

21:37Elyse Myers:It was just, I mean, the human brain is not meant to know that millions of people are watching them. That is a very bizarre and like biologically unstable situation, you know, neurologically. And then when that is sustained for long periods of time, it's like you have got to figure out how to turn that off, that awareness off. Even when I go out, because people will come up and say hi, and I love saying hi to people. And this has changed the way I even exist in a physical space. Because if I'm making eye contact with everybody that I see, I would have just walked around and just looked around a room, right?

22:18Elyse Myers:But now I am always ready for someone to come up and interrupt me in a good way. like just, I stay interruptible with what I'm doing. So I have to decide if I want to go out, am I in a place where if someone walks up to me, I feel good having a conversation. If not, I just don't go out. And so it changes how you live. And so you have to turn that awareness off and really focus on like, what am I doing? What do I need to do? Where's my body? What's around me right here? And like, am I getting my stuff done and everything else is just extra? It's interesting. So did you ever watch Queer Eye for the Straight Guy?

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22:54Yeah. So the reboot, there's a guy named Karamo on there who was a friend of mine from when I first moved to LA. And I remember him telling me that when Queer Eye really took off, they would do sort of these conventions and all five guys had different expertises. And Karamo was sort of the therapist, the counselor. And so he was like, everyone, like people would go to Bobby and talk about design or whatever. And the people that would come to me would trauma dump because they were like, I was the feelings person. And he was like, even though I have big feelings, like it was really a lot for me.

23:30Because you have big feelings and a lot of your content talks about big feelings. Is that a similar experience and how do you navigate that?

23:38Elyse Myers:Oh yeah. I mean, I was just having this conversation last night with Jonas. I can't really keep my cameos open? I want to, I want to so badly, but like almost every cameo I get, and I have a round I need to finish today and we'll see how it goes. But I'm like, okay, here we go. Let's drop in. I'm so honored at first and foremost, I'm so honored that someone would see me and be like, I want to give her this information because I trust her with it. And she's so safe that it wouldn't even be a question in their mind. Like what a gift it is to be that for somebody. And then I think there's a layer of it where when that's a one-off situation, it's beautiful.

24:19Elyse Myers:And when in the context of relationship, it's really beautiful. I think out of context of relationship and when it's happening a hundred times a day to you, it can feel so overwhelming because I feel things so deeply. I will wear that. I will have that feeling like it's my own and I will take it with me in my personal life. And I do not just like see it, read it and go, oh, I'm sorry you're going through that. And then walk away from it. The very thing that makes me good at what I do and a person that people want to follow or relate to or share with is also the thing that could destroy me if I let it.

25:04Elyse Myers:And so I have to be very careful with protecting my emotions. And that's why I don't really go through the comments anymore. Not because they're bad, they're so kind. But I think it's a lot of feedback that you hold or I don't have my direct messages open on most social platforms because I get a lot of those kinds of messages. And just, I want to be as available and as open as I possibly can, but there does become a point where you have to protect your mind because for that one person, it's like, they feel like they got to share that with me. But when it's 15 times in a row, it's like, I just need a second, you know?

25:49Elyse Myers:And I just, it's hard to process all of that. There are still stories I'm thinking of right now that someone told me like three years ago that I just, I'll never, it'll never be able to let that go. And I think about that family all the time. Yeah. It's a hard balance because I don't want that to go away. I want to be someone that people trust and want to share with. It's good to communicate that to people. I think that a lot of people are scared to be honest about that because they don't want to seem mean. And I think the kindest thing I could do for people that love me is tell them how I best feel loved in that.

26:25Elyse Myers:And I think it's really valuable to like communicate that to people. And so I try my best to do that in a way that helps them understand. It's not because I don't want to hear it. It's just, I'm not a, I'm not a licensed therapist, so I don't know how to deal with these feelings. Like I would talk, I would personally talk to a therapist about these receiving them. So like, I wish I could give you help. I can't, I want to point you in the right direction. So yeah, I experienced a lot of that, but it's gotten a little, it's gotten better since I've started to open up about that online? Well, I remember because I'm online.

26:57Like I like, I sort of, you and I, I were two years apart. I'm 34. And so I think that we're in this interesting age group that has one foot in and one foot out of the digital world because we sort of grew up without Instagram and YouTube in the same way that Gen Z did. And so I grew up in the sort of like influencer world in LA when I got here for my career. And so I'm very aware of the internet. And I remember Elise popping off. I heard your name everywhere. And there were so many, like you had, you were, you were like the big new person on Instagram, on TikTok. You took some time off from the internet and then you came back online.

27:43What made you want to come back?

27:45Elyse Myers:Coming back truly like was me deciding that I'm always going to be a creative person. And And no matter where I'm creating, whether it's on the internet or like writing songs or making crochet animals or anything, you know, making silly videos, anything, I will always be that person. And so like, you also need to turn off the output. Sometimes you have to just input, you have to like have enough and you can feel full creatively to then give back outwards, you know, and create and make things. And I think that resuming posting and like just coming back onto the online content creation world was me accepting that like no matter what form of, no matter what medium I'm creating on, I will always be a creative.

28:32Elyse Myers:And so, yeah, that was just a really important season for me of learning how to accept myself as a maker and really fall in love with that again and make it fun again and go back to the way I felt when I first started it. It was really essential for me to fall back in love with it. And so that's kind of what happened when I started posting again. Is that when you decided you were going to write your book? No, I wrote my, I started writing my book. I was five months pregnant with Oliver when I started doing the book meetings, but I had decided a year before that. So this really has been going on since like 2022.

29:13Elyse Myers:It's, you write your first book like 20 times over for like three years. And then the second book is like, well, see you in six months. It's a, it's a very fast turnaround, round, which is funny. Have you, you, you write? No, I mean, I write for fun, but I think you should write. Thank you. No one likes words like that and doesn't write. Come on. What do you write for fun? One day. I write down my feelings sometimes. I do find it therapeutic, but hand with your hand or a computer, a computer. And you know what? Everybody that I admire says do it by hand. So I'm wondering if I need to switch over.

29:49Elyse Myers:Oh yeah. I will tell you right now, There is such a brain and body connection when you are writing. You think something and feel something, and then it takes a lot longer to write it. So by the time you start the sentence, it's already a more clarified thought by the end of it. But your hand is catching up to the writing process. I have written sentences down and then read it back immediately. I don't ever read my journals back. A therapist told me you should never, ever go back and read your journals because that version of you doesn't exist anymore. So it's like eating expired food. It's like, yeah.

30:27Elyse Myers:So I thought that was really cool. The only reason I had to go through my journals was for this book, but that's not a typical practice for me. And I enjoy that. I enjoy it. It's really freeing, actually. Like sometimes I'm like, I'll just burn it. I don't know. Yeah. But I will write something and immediately go, I didn't even know I felt that way because it just came out of me. Like it's like you're, there's a very, very powerful thing. It's not like a one plus one situation. It's like a one plus one equals five when you are, you know, it's not like a, I'm thinking it, feeling it, writing it, processing it.

30:56Elyse Myers:It's like this magic happens when your hand writes it and then your eyes see it. And then you're like, if you say it out loud, your ears hear it. It's, it's really, really cool. So my husband knows if we're like, you know, some, we get in a tiff or something. when we first got married, he was the kind of family that they're like, we're not leaving till we work it out right now. And I'm just like, ew, no, punch you in the face. No, get away from me. I don't want to process this in real time in front of you. What do you want to get, like iced out forever? Right. That's a good point. Well, it's just totally, it's both are not right or wrong.

31:31Elyse Myers:And I love that he loves communication, but I am just not a person. I will just mute. I've never talked in my life. I need to just write what I'm saying, what I'm feeling down because everything feels so jumbled. And then when I can write it, I can process it and I can go back and be like, this is what I was feeling, what I meant to say, which is side note, but it's always been something that's helped. So what I would do is I would get a little journal and I would start a practice. It doesn't have to be every day, but I think that you'll really, I think you would enjoy it. You like words. Oh yeah.

32:03Thank you. So you said you went back into your journals. Yeah. Had you written about memories and then you turned them into essays for the book? Or talk to me about your process here. Yeah.

32:14Elyse Myers:So some of the journal entries are just from – a lot of them are transitional into different stories. So the actual essays and poems, those were all written now. So I'll show you an example. One story is just a contract. I just wrote a contract. It just makes me laugh every time. Sorry. Every time I see it. it's called the rules on face touching as it relates to facial hair. Yes. Or as it relates to surprise beers, I think. So a lot of the essays and stories are either allegorical or as literal as I possibly can get without getting sued. So those were now, but then things like, you know, when I go into mine and my Jonas's stories, it'll be, I'll show you.

33:00Elyse Myers:it'll be like story and then it will go into my journal entry from that time of me being at like his house or something like that they're more like transitional but the actual writing process i had no idea where to start because i didn't want to make it chronological it's not chronological there's so many holes in the stories of my story of my life that i had to like find ways to visually tell you, you don't need to ask any questions about how we got here. Like we're just, we got, we're here. So now be here because I was like, I don't want anyone trying to make a bridge to two places that aren't related, but I just like teleport yourself to this new place and now we're here.

33:40Elyse Myers:And so I didn't know how to start writing that. So I just was like, I'm just going to write, cause I write short stories and perform them on Instagram sometimes. So I was like, I'm just going to start writing a story like that. Like if I were just to be posting it online. And then I was like, okay, cool. I'll write another one. But honestly, a lot of these came from me reading a lot of like short stories and just getting inspired by what I had around me. And I hadn't had the idea of like actual funky poems in terms of like more artistic than anything else, more beautiful and allegorical until I was in New York and I took a writer's retreat.

34:18I got a hotel room, a really, like a really pretty hotel room because

34:22Elyse Myers:I was going to stay in it basically the whole week. And I wrote my book in that room. I stayed there for every night and I laid on the floor and I wrote my book. And I remembered sitting there, it was like day three and I had not written a single thing, but I had read. And I was like, how can I be a writer if I'm not writing? This is crazy. I was sitting there on the ground and And the closet was up, it was in front of me and I had my jackets hanging. And I had this flannel or this like kind of, yeah, flannel jacket hanging. And I was like, I wonder if that flannel is judging me right now. Because the way that the closet doors were like slated, so you could kind of see through always, even if they were closed.

35:10Elyse Myers:And I was like, this shirt has just seen me this whole three days not write anything. And I was like, I'm going to write a story about this shirt judging me for not writing. And all of the times it's seen me, you know, like walk in front of the closet or pace or do everything other than write. And I started writing it from the perspective of a shirt. And that was the first poem that I ended up, it changed so much. It's very different now than what it started as. But I was like, here, I'm going to read you the one line that I realized this is the book. This is the book. The story is called His and Hers.

35:48Elyse Myers:So I wrote, when she saw me, she cried, her face looked happy and her voice sounded sad, way too sad, definitely more sad than her face looked happy. And I drew a little pie chart of like, it was like 75 % sad, 25 % like happy. And I was like, it's the visuals, like we're going to have visuals and I'm going to write poems and not all of them have to be like straightforward essays of my life. And like, this is the last page of the, that story. And like the words are like going around with the text and it's like the, and then I was like, oh my gosh, the words are going to be the pictures sometimes.

36:25Elyse Myers:So like, if there's not an illustration, the words will look like Shel Silverstein status. And I was like, oh my God, I've got it. Like I just, I will never forget it all clicking because I had, it was like, I had all these individual pieces, but none of them or to the same puzzle. So I'm like, great. I've got a puzzle's worth of pieces, but literally they're all a different picture. And it doesn't make sense. Why do I have all of these? Who gave these to me? I realized they were like all upside down or like flipped over. So I just started uncovering all of them. And I was like, it's all the same picture now.

36:59Elyse Myers:It started rolling from there. It was really cool. Do you think that you felt this like burst of it all coming together, those puzzle pieces because you gave yourself some time alone in that hotel room? For sure. Oh, yeah. I could not. And that was what's so interesting is I was only going to go for like three days. And Jonas said, no, minimum, you need to be there a week because the first four days are just you settling in. You're in a new place. You're sleeping in a bed that isn't yours. You're learning where everything is in the hotel room. You're catching up on sleep that you've been missing because you're a working mom and just exhausted who we, our son was still going through his like heart stuff.

37:41Elyse Myers:And so I was just in fight or flight. How can you be like creative when your body is like, are we going to die today? Like that's everything extra just goes out the window. And I gave myself space and I, I was reading so much. I walked around the city because at the beginning I was like, I don't deserve to go outside and walk around and spend time because I've not earned that break. But so much of the creative process is input. Like I was saying, you have got to have enough input so that there's enough to come out. And that input looks like, for me, going on walks, reading, listening to music, watching TV, not talking to anybody, because that is output that is now releasing steam in a way that I could have been putting it on paper.

38:32Elyse Myers:And like, there's just so much of the creative process that looks like wasting time. But then you make like a masterpiece. I'm not saying this is a masterpiece. You make art and you wouldn't have, there's no way you would have been able to make that if you, sorry, I just love this conversation. I've got a book called Someone Who Will Love You in All of Your Damaged Glory. And it's a collection of short stories. And I bought it my second day in New York for that trip. I went on a walk and I saw it in the window of a bookstore, loved the cover, bought it, read it in one day. And that informed so much of my writing style in this.

39:09Elyse Myers:And so there's no way if I wouldn't have gone on a walk and wasted some time. So that, yeah, that was like the space I gave myself and my brain, the permission to not write, knowing and trusting myself that when I have wide open space, I will fill it, but I have to have the space. My creativity is like a gas. It feels like the more space I am given, the more I can take up. I love hearing you talk about your creativity. Thank you. No, really. Did you always consider yourself a creative person or is that sort of a new hat that you wear? I don't think I considered it like an adjective of me. I think it was like, I create things.

39:49Elyse Myers:Anything I could DIY, I did. I was always artistic, but I never saw it as a gift. It seemed like a huge problem because it was - What do you mean? Well, it's time consuming. And when you're a kid, it's expensive and it's a hobby that is very superlative to things that are actually helpful. I was terrible at school, but I could draw you a mean picture. And like, but then you live in a world where it's like, at that time, now kids, oh man, it's so cool because we were just like, you could be anything you want to be, but like people mean it. But people say that to you, like back in the nineties and it's like, you could be anything you want to be unless it doesn't make you money.

40:34And also you

40:35Elyse Myers:need a degree. So unless you're going to be a full-time artist, it wasn't always that harshly said to me, it was more just this like understanding of like, you can like things and make things, but as long as it doesn't get in the way of all the things that are going to make you successful, I think now I'm realizing my greatest strength is my ability to teach myself anything I want, because how hard could it be? And then knowing like within that, if I want to make something, I can make it. I don't need to be a pop star to write a pop song and make it really cool. at least just one. It's fine. Anyone could do it.

41:15Elyse Myers:That sounds silly. And I'm not undercutting how hard being a creative is or how hard music writing is, but just releasing yourself from having to make it perfect and make it monetizable and make it your job, I think really helped me see myself as a creative and not just like, I do create. I don't know if that answer made sense. It makes a lot of sense. Okay. I actually just interviewed an author, a fantasy writer named Leigh Bardugo, and she did a TED Talk about great art. And she was like, for her, great art comes when you push past the discomfort. Because so many people think like, oh, if it's not working, similar to that story that you just shared where like you had three days where like nothing was coming out.

41:59and people would be like, maybe this isn't for me. And you just pack it up and leave that hotel room and go back to your family. And she was like, once you get past the point of that discomfort, that's when the magic happens. And she likened it to this question I love. She was like, it's sort of like romance. We ask everybody, how did you meet? But really the better question is, how have you stayed in love? And it's like, how have you pushed past that discomfort to create this art. So your story made total sense. I loved it.

42:27Elyse Myers:I also, I want to reiterate, it's very hard to write music and I'm not saying anybody can be a pop star. I have a lot of respect. I have a lot of friends that do that for their job. So I want to clarify. Yeah. Max Martin is very talented. Megan, Megan Trainor out there. I love you. Yeah. No, but the last story in the book. She's a great songwriter. Oh, she's so, girl, she's a weapon. Oh my God. And not just a great songwriter, She's an incredible audio engineer and producer. She can track the hell out of your voice. Wow. She has a studio in her house and I have watched her actually work and it is mesmerizing.

43:03Elyse Myers:I would love just like live feed footage of her tracking in a studio and herself or other people. She's a genius. And I know that she's not like putting all that out there because she loves her music as well. And that's like what she likes to share. But the girl is an actual like genius. so I'll just say that yeah that's cool um so the last story in the book is called a very short novel and its sequel it started because I was like after so after New York I almost finished the manuscript and I knew there was going to need to be a little bit more added in but I was comfy with where it was I was like this is a book it's going to be more of a book but this is a book even if it just went out as it is right now I would be very proud to tell people I wrote this book but then I don't know what happened I got in my head because it was like I hadn't drawn the illustrations yet and I just lost the vision of it like almost like I completed that thing that felt like a mountain and then I felt like I was I was starting over because now I had to go through this next process of like drawing it and then I was like I'm not an artist like why did I say I would do this and so I started spiraling in my closet and I was like okay my brother's an artist.

44:18Elyse Myers:My brother's an incredible artist, which is why I always wanted to draw. And I was like, I could commission him to do this. And then I should... Did I need a ghost writer? Should I have not written my own book? It was like, I just really lost it. And I tried to start writing a story because I knew I wanted something at the end and I hadn't gotten there yet because at that point it was a lot of unrelated stories that were good, but there was no ending that really felt like it was cohesive with the rest of it. And I had such bad writer's block, I could not write. So I wrote about having writer's block.

44:56Elyse Myers:And then as I did that, I realized when you end up reading it, it's really cool. It ties back into this exact feeling I had when I was really little. And I would write, but then I didn't know what else to write. And then it all came together and it was because I was spiraling in my closet with having writer's block. And I know, you know, the saying like depression can't hit a moving target. Yes. Okay. So it was, it's kind of like that, like, how could you possibly have writer's block if you are actively typing a sentence in a word document? It doesn't matter what it is. It could literally be your inner monologue, but like you don't have writer's block.

45:34That is like, it's a, it is truly like a mentality

45:39Elyse Myers:that you just have to not accept. It's like, I didn't say what I'm writing is good, but I'm writing and writers write. And so that's what I'm going to do. And pushing past that was truly like, I've decided that this is who I am and I love it. And I'm not going to let myself take it away because that would be wild and silly. So yeah, that was how the last story ended up coming into play. And it truly is the most powerful story in the book. I cried the whole time I tracked that in the sound booth. And I look over at the audio engineer, his name is Chris, and I am holding it together. Obviously, I'm embarrassed because there's a producer in my ears, sound engineer out of the booth.

46:20Elyse Myers:And everyone knows, just don't say a word. I'll get back into it. We're doing it two words at a time. I'm like, how is this going to even sound like real sentences when it's pieced together? And I look over finally, and I make eye contact with Chris. And Chris is crying and he's got like a little like tissue. And I was like, Chris, you can't cry. If you cry, I'm going to cry. And he's just like, I've been crying this whole time. And it's just, it's a special book, dude. It's special. I have had so many people that are like, I'm not readers. And I read your book and I loved it. People are like, I'm not your target audience, but I have been enjoying it this whole time.

47:00Elyse Myers:Like this producer in my ear. And it just feels like there's something magical about it that's hard to explain that has allowed me to connect to so many people that don't see themselves in the book world. But I'm not going to say it's a book for people that don't like books because it's not. It's a great book. And it's a book for people that love books. But also it's a book for people that just love really good stories and to look at beautiful things and to feel something and people that are visually inspired. And if you like scrolling on Pinterest. You're going to like the book. It's that kind of feeling.

47:37So yeah,

47:38Elyse Myers:it's just been a joy to write. It has instilled so much confidence in me. It's restored. I love hearing that. Yeah. Yeah. I'm like, after doing this, no, you can't tell me nothing. I can do anything. But you've been through childbirth. So for you to say that means you really - Oh, this is harder than any. I mean, yeah, no. Having a child compared to - This is a child. This is like 12 children. I wrote this book so many times over again, but I'll tell you, it's like, it was worth every, every, every single meltdown in a closet and trip to New York and crying on Zoom with people that have already paid me money to write this book of me saying, I'm going to give them your money back.

48:23Elyse Myers:I can't do it. I literally can't do it. I don't know why you, I even said I could. I was like high on coffee that day. I'm not even sure what I was saying. It's been worth that because when you have the physical final product, it actually happened. We did it. We made it. It's a physical manifestation of so many different things that I had to push past and believe about myself to do. And I'm really proud. I'm really proud of it. In the About the Author, it says, Elise has three simple goals behind everything she makes to make people feel known, loved, and like they belong. So as I'm hearing you, I'm thinking, okay, you must have in part written this book for Elise, but you're also so outwardly focused.

49:10People won't hear this part, but you asked me a ton of questions before we even started recording. You are really a person who thinks about other people. So I know that other people came into your purview when writing this. Who did you write this book for? It's a good question. I'm going to cry.

49:26Elyse Myers:I wrote it for my sons. I dedicated it to my sons and me and Jonas. I wrote it for them because they deserve to know all of the things that brought me to them and why they're here. And man, I see so much of me in them. And if they are even a quarter as anxious as me or a quarter as curious or overwhelmed or driven or creative, they deserve to have books in the world and stories in the world that make them feel known, loved, and like they belong. And that they can then give that to other people, that acceptance and that clarity that like, I am great just as I am and not, and I'm not, it's like, it's not like I'm, I'm, people will put up with me.

50:23Elyse Myers:It's actually such a gift that you are this way. And it is a gift that you can give people that acceptance of themselves as well. And so every single story I wrote in here, I first wrote for the young version of me that needed this when I was little and needed the validation and the guidance and the self-acceptance and the permission to just like myself. And then after that, I was like, I didn't get that. So I'm going to give that to everybody coming up after me. That was who the book was for. And within that, everyone else, because they are the first and then everyone else gets to enjoy it too.

51:00That was really beautiful, Elise. Thank you. I'm going to ask you some fun rapid fire questions. Great. I love fun rapid fire. Okay. Amazing. One of the many things I value about you and what you put out into the world is that you do not pretend to have it all figured out. What is something that you're still unlearning?

51:20Elyse Myers:This is not a rapid fire question. Let me see. Let me see. Let me see. It could be personal. It could be societal. It could be from your parents. I think reacting when I feel overwhelmed, I have a, oh, I'm not wearing it right now. I have a bracelet, friendship bracelet I wear. I mean, it's called, it says it's all good, buddy. That phrase, when I break a glass, my, like, it's my immediate thought, like, um, it's all good, buddy. When I'm angry at someone, because I feel like my justice sensitivity is like flaring up. The first thought I have when I'm angry at them is it's all good, buddy. Like there's so much compassion and like kindness and just acceptance in that phrase that when you say it, no matter what situation you're saying it in, either to myself or to someone else, calms my nervous system immediately because I just am so used to being so reactionary because everything that goes wrong feels like the end of the world and it's usually not.

52:11Elyse Myers:And so yeah, unlearning that like, unlearning that like immediate just like reaction because I feel like I'm in trouble or getting, you know, feeling like that control has been taken from me. Like, it's all good, buddy. I love that phrase. And it's not like everything's going to be okay or, because sometimes it isn't, you know, sometimes it's not a good situation, but it's like, it's like such a breath really quick. Like it's all good, buddy. Like we'll figure it out, whatever needs to be figured out. So yeah, that's what I'm doing. There's also a feeling of companionship in it. Like even though you're consoling yourself.

52:44Yeah. Yeah. Yeah. That's how it feels. Yeah. Okay. Your favorite question to ask a stranger or ask somebody at a dinner party.

52:52Elyse Myers:I have one that I've been asking of people a lot recently. I have a bunch. One of them right now is what is the first thing you really remember thinking, I'm too cool for this? Not because you actually were or because... Okay. A good example is like, this is my friend's answer. You know, the Kia commercials, Kia, right? Soul or something with the cars that look kind of like Scions, but they weren't. Oh yeah. You remember those? Yeah. So my friend was like, he was like in middle school and he saw that commercial with the might, the rats or the mice. Remember like there was like dancing rats. It was a crazy, it was a crazy time on TV with commercials.

53:33Elyse Myers:They were just trying anything at that time. And he said, I remember seeing that commercial and thinking that car looks so impractical. I think I've, I think that that's too far. All right. He's like 11 when he's thinking this, but his like first time thinking like, I'm too cool for, I've aged out of my own generation, that feeling. For me, it was the sidekicks, T-Mobile, like the sidekicks. I was like, I don't think I'm cool. I don't think I'm cool enough for that. I think I'm too old for this. I was like in high school. So is there something that you remember feeling that way about? Oh, I'm too cool for this.

54:10Elyse Myers:Yeah. That's interesting. I want to know. Oh, you're asking me? Yes, of course. You can't ask me my favorite question and then not let me ask it. Oh, okay. I'm going to think. And if you don't have an answer, you don't have to think of one, but I do want you to then text it to me or something. Cause I have to know. I'm going to think about it. My, my initial instinct was I never feel too cool for anything. Well, that's, well, for me, my answer was the opposite. It was like, I'm not cool enough to use this. I've like phased out of my generation. So that's kind of what it was. So another question I'll ask you, and I do want the answer to this right now.

54:45Elyse Myers:Who's your best friend? Do you have a best friend? Yeah. Or a good friend? I do. What is a quality in them that you would feel you want to be more of? Oh, Elise, I've been thinking about this a lot. Cool. And I love this question. Okay. So I have two of my closest friends have incredible integrity. They see the world way more black and white than I do. I see a lot of gray. And it's not that I don't value that perspective, but sometimes when I'm making a decision, I think, what would Elena do? What would Chelsea do? What would Julia do? Because I'm like, their integrity is so strong and I always want to make sure I'm there.

55:25Elyse Myers:I love that. That's really good. What's your answer? That's such a beautiful question. Thank you. I have two, I don't know how to categorize best friends because I'm like, best in what way? But I have two really good friends and they're together. They've been for like, I think nine, eight years. I love them so much. And one of the friends is there's not a moment where she isn't like thinking about other people, but it's no effort. You know, when you go to someone's house and you can feel like they're stressed about taking care of you and you're like, just sit down. Like I am, I would rather just hang out with you.

55:57Elyse Myers:She doesn't, it's not that way. It's not like manic mom. It's like you're talking and she's like floating around her house and getting you water, but not one moment. Do you not think that she's not paying attention to you or in her mind thinking of, I'm not going to listen to her, but I'm going to take care of her. Cause that's kind of out counterproductive. She is just so effortlessly hospitable in every area of her life. And I love that about her. And I am the opposite. I am like, I want to make sure you have everything you need to the detriment of you actually feeling like I'm present with you because anybody can like get you a glass of water, but I want to like sit and like hear your story, you know?

56:37Elyse Myers:So I love that about her. And then - I love how specific that is, Elise. Oh, thank you. I think about this all the time. And then with her partner, I love how he is so adventurous and so fun, but doesn't stress about things and not in a careless way. He just truly has this idea that like, he can just figure it out if we're out. If like, we just decide randomly to go to a second location out altogether. And like, I think it's going to rain. I don't have a jacket. He's like, if we really get caught in the rain, it's all good. That's like such a cliche example. But like when you're so used to just worrying about the worst possible case scenario all the time, being around somebody that panics the appropriate amount is a pretty good hard reset to your nervous system.

57:25Elyse Myers:And it's really teaching me how to panic appropriately. Like he's like, worry about the things that actually matter and really worry about them. It's all good. But the things that don't, he's like, you've got to let that go. And he's so New York. He's from Jersey. So I mean, he's like, he'll slap you in the face really if you're going too hard. And you're like, you know what? I needed that. You're so right. Not really, but that kind of vibe. So them together is hilarious because they could not be in a way more opposite. And she's like, so here. And he's like, get over it. And both of them, I'm like, yes, yep, yes.

58:01Elyse Myers:It's really cool. They are such a power team. It's so great. That's awesome. Yeah. Okay. One thing every woman should try once. Sex with a woman. Ooh, Elise. You know, you're not the first guest to say that. Well, I'm also bi, so I'm partial. But yeah, no, I think maybe not that. That is my answer, but maybe another one too. I've been really into, and I didn't think I was, but now I'm like getting into it. I wear, I call them a power set. so it's lingerie but not lingerie for like sexy time lingerie i mean it can be anything can be lingerie for sexy time if you try hard enough but it's like just beautiful like bras and underwear that i wear under my clothes when i'm really nervous in a in a like business setting that you don't see but i know that they're there and i don't it is so because people would say stuff like that when I was younger and I'm just like, ew.

58:59Elyse Myers:I don't know. It's not comfortable. I mean, they're not the most comfortable things to wear. You can get them cute and comfy. But anyways, it's a long tangent, but I have been doing this in very strategic and specific situations. And now I have like Pavlov'd myself to where every single time I put them on, I feel powerful. And then you can take that into the bedroom, which is so fun. So it's just like, yeah, Pavlov yourself essentially with things to make you feel powerful. And it's, it's quite a time. I like that so much better than a power pose that never does it for me. I like going like this, the super woman in the mirror doesn't work.

59:35Elyse Myers:No, no, I'm, there's so much actually about those things that I want so badly to resonate with, but like my brain just talks me out of it. And I've released my, my need to make those things work. Like even body, like positivity, that feeling, I'm like, I just want to be neutral. I literally just want to be like pretty neutral about myself because I've got so many more things to think about. But the power set has been a really fun adventure. Thanks for sharing something so intimate. I love that. Yeah. Now I'm like, now people are going to know. They're going to know you have red lace under your sweatshirt.

1:00:15Elyse Myers:That's literally what it is. I have one that's red. It's like red and like see-through mesh with the darker parts of polka dots. It's so cute. I just got it at Victoria's Secret. It's so cute. I'm obsessed with it. I love it so much. I think about it when I'm not wearing it. Oh my God. You really love it. I love it. And coming from me, I actually cannot even begin to describe how miraculous it is that I can get to a point where I say that because I didn't own mirrors in my house for a while. I was so scared to look at myself. Like, so to do this, and I got that just walking in a mall, seeing it in, like deciding to go in, it's one day we can have another chat about that, but it is like, there's so many steps that had to happen to get here.

1:01:04Elyse Myers:So I understand that just saying, go get a pretty like set like that and where underneath is not a task people can just wake up and go do. But if you're at that place, it's so, it's so powerful. or take little baby steps to get there because yeah, lots of things between that. But yeah. That's an awesome answer. Thanks. Okay. A book that you've read that's changed your life, something you think everybody should read. Well, I have different answers for different, because I don't think every single person would like every single book, but like if we're going creative, Bird by Bird by Anne Lamott.

1:01:38Elyse Myers:Have you read that? No, but I love Anne Lamott. bird by bird and you love and Lamont. That's like the book. What are you talking about? Elise's eyes look so upset. I am upset. I am very angry. Okay. I'm going to add it to my TBR list right now. I think it should be moved up to the top. Okay. Okay. It's it's, and then I'll message you reflections. Yeah. You, yeah, you're going to, when get a journal at the same time because you're going to be so inspired. It's there, it is, oh, it's so, it is like a meal. Every chapter is like, this is changing my life as a writer. It's so good. And then for people that love like fiction for, oh, for people that are like neurodivergent in any way, especially like women, the love quotient or sorry, the kiss quotient by Helen, I think Huang, Huang.

1:02:36Elyse Myers:I want to get that right because I know there's Anna Huang and then Helen Wang, I believe. Okay. So it's a reverse pretty woman, basically, where she's a data analyst and she hires an escort to teach her how to have sex because she's autistic. So she doesn't... Girl. Girl. I had to... Listen. My jaw is open, guys. I had to buy a second copy of this book because the first one was my textbook. I literally learned how to have sex with this book. And I'm not joking you because I never understood how to communicate things because it seemed embarrassing or scary or like, because nobody just explicitly talks about how to have sex.

1:03:21Elyse Myers:Do you know what I'm like? You're right, actually. Besides looking up porn, how would I actually figure that out? and so I mean besides with another person I know that but like there's but for me like I don't want to be learning in front of somebody I want to like feel like I'm going and feeling like I have a little bit of understanding of what's going on do you know what I mean yeah so so when I read this book I had no idea it was going to be as impactful as it was so essentially she she tries to hire him and he's like I don't do repeat customers and she's like what if I pay you a a large sum of money and I can, we can like a punch card kind of situation.

1:03:58Elyse Myers:She's like, but we can do lessons, just like break it down by lesson. And he's like, no, I'm not going to do that. So he leaves. And then she's like, fine, I'll just do it. I'll go back to this service and do it with someone else. But he is like an actually good person. And he's like, there's disgusting people on this app, like that, that will take advantage of you. And I don't, I don't, he, he has some kind of fondness towards her initially, like immediately. So he's like, fine, I'll do it. But I'll only do like three times. And then, cause he has, he's had people like be obsessed with him and like give him gifts and stalk him because they think that they are in love because he's like, you know, it's a very intimate thing you're doing.

1:04:32Elyse Myers:And it was really confusing for people. Tell me he falls in love with her. Of course. But, but the thing is, it's confusing. Cause he's like, I don't think that she is, she likes me. She's just paying for my time, but the lessons are literal like lessons. And the way that she describes, like this beautiful person in front of her and she's like, I just don't know what to do with you, but like, I wish I did. And I feel so many things, but I'm also like overstimulated and feel like I'm going to like shut down. And if I do anything wrong, I'm going to feel like I'm thinking about that more than thinking about being here with you.

1:05:09Elyse Myers:And it was just, there's something magic about the way that was written. And it was written by an autistic woman. And so she found out. She didn't know she was autistic until the process of writing it. And then I've never read the end of a book. It's not about the author. It's like the epilogue, but not for a story. It was her notes from the author at the end. She basically was going through how impactful the book was to her and how a lot of Stella, the character, is rooted in things that she has experienced in her life, man, I just hope anybody that has ever felt like they don't understand. This is going to be such a funny conversation, but I just have felt like I cannot conceptualize sex in a way that other people can because I can't enjoy something until I fully feel like I've got my head wrapped around it.

1:06:01Elyse Myers:And it's like, I've got to study it. That's really how I feel like I'm comfy in situations. Like I study menus at restaurants. I love food, obsessed with food, but I need to study that menu. Like I want to learn every single thing I can about you as a person, as a friend, like please tell me your entire life story. And then more after that. So it makes sense that another thing that I love and enjoy and want to enjoy, I would have to study and figure out. And that book made me feel so seen. And also I learned so much. I love that. No one's ever really had an answer like that. And I think that's one of your gifts is you say this stuff that people, interiority writing, think in their mind and don't know how to express.

1:06:43No, I think it's so wonderful. I'm so grateful. Good.

1:06:46Elyse Myers:I think that we just need to read more about sex from a neutral place so that we can learn more about it and see more about it. Because I just think it's so important. I think it's so important. Yeah. Okay. Elise, my last question for you is something very up your alley. It's a game of questions called question everything. So tell me when to stop. Stop. Okay. When is the last time you felt awe? Awe? When this call loaded up, I saw your bookshelf. I was like, that's so cool. Oh, it's really, I mean, that's a common feeling for me. Ah and wonder is like, it's pretty hard for me to not see that everywhere.

1:07:31Elyse Myers:So it's a wonderful gift, but also it's very time consuming. Yes, but wonderful. Some people don't feel it very often at all. Yeah. I also felt it. And like her hair is so beautiful. So I was like, wow. I was like, I need to ask her how she does her hair. You're so sweet. And then, I mean, we've had some incredible sunsets in Nebraska lately. Like beautiful sunsets that I want to like pop up and like live in. eat the clouds because they're so pretty. Yeah. Yeah. It's just everything. What about you? So sweet. Last time I felt, you know what? My friend from growing up had a baby and watching her be a mom, I was in total awe.

1:08:13It's pretty crazy, isn't it? I didn't expect it because I have a brother. He doesn't have kids yet. And I can imagine you feel this way as an aunt or uncle, but I haven't experienced that. The love that I'm experiencing for my friends' children, it's such a gift. I get chills talking about it. It's so cool because I love them. And then to love their babies and I'm like, oh my God, I get to watch them grow up. It's so cool.

1:08:38Elyse Myers:I think too, it's such a beautiful thing to see almost a younger version of the person that you love right in front of you. And when my brothers had kids, I literally look at my nephews. So my oldest brother has two sons. My middle brother has two daughters and I have two sons. So we like, our genes are whatever we've decided. That's the one we're having, which is really funny. But when I first met my nephews, my first nephew, it wasn't at first, but it was like, as he got older, he's like, oh my God, you're Trevor. Like looking at him, because I never got to meet that version of him. He's 10 years older than me.

1:09:21Elyse Myers:So I never got to see the young versions of him like that. And so I'm just like getting to be reintroduced to my brother in that way too. It was just like really crazy. And then they're also their own person, which is like, whoa, you're a whole person. You're not even, you're not like just a clone. You're like, you're going to have a personality. You have a personality. Even as babies, they have personalities. It's crazy. No, I agree with you. So it's so beautiful. Elise, thank you for this conversation and for what you put into the world. I really, really enjoyed talking to you. This was so fun.

1:09:51Elyse Myers:Thank you for having me.

1:09:57okay you know what time it is today's a good day to have a good day i'll see you next week

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From the publisher

Elyse Myers is a writer, musician, viral sensationmother, and the person who turned her most anxious, "too much" bits into art. She shares about the beautiful mess of creativity, neurodivergence, and the quiet revolution of simply being herself. In this episode, Elyse shares:

  • The moment she realized she was living someone else's life + quit.

  • Walking away from the career, the platform, and the version of "success" that didn't fit.

  • Why telling the story you need is an act of rebellion.

  • How she protects her nervous system +stays open without staying exposed.

  • When creativity becomes your whole identity + how she took it back.

  • Life with anxiety, autism, and "big feelings" + why she stopped fighting them.

  • How That's A Great Question was built off one line + why every chapter is unapologetically unedited.

  • The New York hotel notebook: when nothing made sense…until it suddenly did.

  • Why she stopped trying to "fix" herself + chose to feel, messy and real.

  • Curiosity over certainty. Questions over answers. Belonging over perfection.

Follow Elyse Myers here.

Check out Elyse's book That's A Great Question

Book Reccomendation: Bird By Bird by Anne Lamott + The Kiss Quotient by Helen Hoang

See omnystudio.com/listener for privacy information.

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