In short
Morgan Radford discusses why her dreams were delayed by repeated rejection, how “one yes” changed her career, and how institutions can fail to see people’s full humanity. She connects these themes to journalism’s identity crisis and to her debut novel, Now Then, about identity, love, and family history.
Guest backgrounds
Morgan Radford is a journalist at NBC News. She previously worked in local news and has been a Fulbright Scholar. She describes being rejected by every local news station she applied to, keeping the rejection letters. She also lived in South Africa and is the inspiration behind the Zulu greeting “Saubona” (“I see you”). Her novel is loosely based on her life; she wrote it while traveling and after becoming a mother.
Key claims
Dreams are built, not passively waited for. Journalism should reinterrogate who it is and why it exists, focusing on inclusion and the “why/how” beneath stories. Mentorship matters because the industry runs on no’s; one supporter can change everything. Systems can exclude through sustained, subtle inequities (e.g., pay, titles, leadership homogeneity).
Notable examples
Her CNN Atlanta internship at 2 a.m.; Nancy Hahn teaching her to write weekly; a county clerk refusing to engage with her during a voter-roll investigation; and her book’s mother-daughter letters tied to Cuban/Jamaican heritage and the question “Am I whole? Is my child whole?”
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Power of Seeing Others
3:01 to 7:27
Danielle Robay discusses the importance of feeling seen and shares personal anecdotes.
“Like if they threw on one of those pairs of x-ray glasses from the back of a comic book, sees you.”
Morgan's Journey to Journalism
7:27 to 9:26
Morgan Radford shares her path to becoming a journalist and the significance of being seen.
“Probably, buenas noches, Saubona, hello, bonjour, probably, if I recall.”
The Importance of 'Yes'
9:26 to 14:00
Morgan discusses the pivotal moments that shaped her career in journalism.
“It's, I don't know, four years later, because in journalism, especially at the network news level that you're at, a lot of it is, and it's because it has to be.”
The Power of a Single Yes
14:00 to 15:00
Explore how one supportive mentor can change your career trajectory.
“She wasn't really, you know, fulfilling this promise.”
Lessons from a Mentor
15:00 to 16:00
Understanding the importance of mentorship and learning the craft of journalism.
“How can I, you know, if someone's sick, can I come in?”
Navigating Rejection and Empowerment
16:00 to 17:30
Discussing the impact of rejection and the importance of empathy in journalism.
“Well, I've heard you say that you really enjoy mentorship.”
Experiencing Exclusion
17:30 to 19:00
Reflecting on personal experiences of feeling excluded and the societal implications.
“But it also probably breeds a sense of like hypermaturity that you shouldn't as a kid have to take on, right?”
The Weight of Identity and Values
19:00 to 21:00
Exploring identity, values, and the perception of diversity in society.
“My grandfather was a Baptist preacher and he used to say, don't ever look at who someone has lunch with.”
Exploring Identity Through Fiction
24:30 to 26:00
The interplay of personal history and fiction in storytelling.
“And I think that's so evident in your book.”
Motherhood and Healing
26:00 to 28:05
Discussing the transformative impacts of motherhood and inclusion.
“But no one tells you how much fun you're about to have.”
Show all 27 chapters
Exploring Immigrant Identity and Opportunity
28:05 to 29:58
Discussion on the challenges and reflections of immigrant identities and the quest for belonging.
“and it's a challenge and it's fun, right?”
Personal Journeys of Identity
29:58 to 31:48
Reflection on personal journeys of identity, Jewish heritage, and the significance of storytelling.
“Is our family seen as whole in certain spaces and certain industries and certain companies and certain, right?”
The Journey of Writing a Compelling Story
31:48 to 34:02
Exploring the process of writing a deeply personal story during a busy life.
“Because it was coming from such a deep place in you.”
The Vulnerability of Sharing Personal Stories
34:02 to 36:16
Discussing the challenges and emotions involved in sharing personal stories and experiences.
“I don't know when you took the time to write this book.”
Receiving and Acknowledging Personal Reflections
36:16 to 42:01
Exploring the importance of acknowledgment in personal storytelling and emotional connections.
“Do you know how nervous I am for May 5th?”
Vulnerability and Empowerment in High Profile Careers
42:01 to 42:50
Discussing how acknowledging vulnerability can empower others.
“I forgot whose interview I saw recently that you did.”
The Complexity of Womanhood and Personal Identity
44:42 to 46:51
Exploring the multifaceted identities of women and societal expectations.
“For a wardrobe you can count on season after season, visit ColdwaterCreek.com, shop new arrivals, and save 15 % on purchases$75 or more with code IHEART.”
Behind the Curtain: The Reality of Journalism
46:51 to 50:01
Insights into the true nature of being a news anchor and the challenges faced.
“For people who don't have insight into a news anchor reporter's life, what is the truth that people would understand differently if they could see what happens off camera?”
The Impact of Systemic Challenges on Personal Growth
50:01 to 54:43
Discussing the systemic challenges faced and their emotional toll on individuals.
“the form of storytelling and reflection of society's values and questioning of power is fundamentally who we are.”
Resilience Through Adversity and Community Support
54:43 to 56:00
Understanding resilience through personal stories of adversity and communal support.
“Baby, this has happened to me and you too will overcome.”
The Strength of Identity and Ancestry
56:00 to 57:10
Explore the importance of knowing one's roots and identity.
“parents gave me was, you know, this sense of, like up until this point, but no further, you know, there's something inside of me that has to remain impenetrable, has to remain impenetrable.”
Navigating Rejection and Public Perception
57:10 to 58:52
Discuss the impact of public perception and rejection in one's career.
“And there's so much strength and power in knowing where you come from.”
The Impact of Motherhood on Perspective
1:03:29 to 1:08:51
Unpack how motherhood changes perceptions and aspirations.
“I've also felt that when you see people and you see the human spirit in really tough moments, the way you pull from your ancestors, you can also pull from them.”
Building Dreams and Self-Investment
1:08:51 to 1:10:00
Understand the active role in building dreams and investing in oneself.
“Like when I was telling you there were experiences that I was having that said, okay, we're not going to do X, Y, or Z or honor your work or give you a raise.”
Reflections on Motherhood and Personal Growth
1:10:00 to 1:12:24
Explore the speaker's insights on motherhood and self-identity.
“created an environment and a system that allows her to expect such good things.”
A Letter to My Daughters
1:12:24 to 1:13:44
Discover the profound message the speaker wishes to convey to her daughters.
“Okay, so you mentioned something that is intertwined with my last question because there's a letter at the end you said is to your daughter.”
Rapid Fire Questions and Insights
1:13:44 to 1:16:22
Engage with quick revelations about personal struggles and successes.
“Okay, something you're still figuring out about yourself.”
Transcript
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2:28Morgan Radford:No one has all the answers, but when we ask the right questions, we get a little closer. Closer to truths. Closer to each other. Even closer to ourselves. I'm journalist Danielle Robay, and each week my guests and I come together to challenge the status quo and our own ways of thinking by daring to ask, what if? Why not? And who says? So come curious, dig deep, and join the conversation. It's time to question everything. Who in your life sees you? The real you. Like if they threw on one of those pairs of x-ray glasses from the back of a comic book, sees you. It just happened to me the other day I was in New York and I was on the rooftop of Restoration Hardware, the restaurant having an iced tea with my friend Tommy.
3:27Morgan Radford:And we hadn't seen each other in a while. We were catching up on life and love and the pursuit of happiness. You know how it goes. And he asked me how I was feeling and I told him the truth, which I will tell you right now. I'm great. I'm really happy. I'm on my path, whatever that is. It feels authentic to me, but I'm a little confused because my path looks different than a lot of my friends, most of them. I really want kids, but I don't know if I am craving a partner. And do I actually feel that way? Or do I feel that way because I haven't been with anyone who makes me want that? And then I tell him this story about a date I went on where the guy told me he was working on his masculinity and that really sent me into a tailspin.
4:10Morgan Radford:And I told him I realized after that date that I'm not the problem. Anyways, I keep rambling, right? And he listens and he listens and then I stop talking and he pauses and he says, Danielle, you are definitely not the problem, my dear. You are and have always been enlivened by your own path. Whatever that is, Danielle's path. And that's all there is to it. I exhaled. and then I kind of wished I had a cashmere sweater to throw over me because I felt that naked and that scene. Now four years ago I was scrolling Instagram and I watched today's guest give a speech at a Fulbright dinner. She opened with a Zulu word, Saubona.
4:58Morgan Radford:It doesn't mean hello, it doesn't mean how are you, it means I see you and the more I learned about our guest Morgan The more I realized, Saubona isn't just how she opens a room. It's the question her whole life has been asking. You know Morgan from NBC News. What you don't know is that before the network, before the Fulbright, before Harvard, before Columbia, she got rejected from every local news station from here to Juneau, Alaska. And she kept some of the letters to prove it. But now Morgan has written her debut novel. Now then. And the jacket on the book will tell you it's about a Harvard student falling in love while uncovering her mother's past, fleeing the Cuban revolution.
5:47Morgan Radford:What the jacket won't tell you is that it's really about a question Morgan's great-grandmother, a Jamaican-Cuban woman building a life in America, never stopped asking. And it's the same question Morgan is now asking on behalf of her own daughter. I will have failed if I silence the question that bore me. Am I whole? Is my child whole? Is my child seen as whole? Is our family seen as whole in certain spaces, in certain industries, in certain companies? Like, are you seen? Are you valued? So that's what I took from these powerful women before me. They were never afraid to ask the question, and they weren't afraid to act on it.
6:27Morgan Radford:So today Morgan and I get into journalism's identity crisis. The cost of moving through institutions that don't always see your full humanity. I remember how chilling and how deeply embarrassing it was for me and that it happened in my home state. And I remember how small I felt. Like this woman, you know, successfully made me feel small. And the version of being seen we might only ever get from ourselves. Dreams aren't something you have. It's not a passive process. Dreams are something you build. So while I'm saying it, it takes one yes, right? Morgan is one of those people who makes you rethink the way you see the world in real time.
7:13Morgan Radford:This is a conversation about dreams. The ones we inherit. The ones we defer. And the ones we decide, no matter what, are worth building. It's time to question everything. With Morgan Radford.
7:33so Morgan I have long respected you as a journalist but I will never forget the moment that I felt so heartened by you as a human being I've never told you this it was 2022 you posted a video on Instagram you were giving a speech at an awards dinner it was for the one to World Fulbright Awards dinner, you were wearing this beautiful pink dress and you said hello to the audience. Do you remember what you said? Probably, buenas noches, Saubona, hello, bonjour, probably, if I recall. It wasn't in that order, but yeah, that's exactly what you said. And I'd never heard the word Saubona before. One, I would love for you to share what it means, but also what it signaled to me was you were such a full-hearted person.
8:32Will you share what that word means? First off, I want to say I really received that, and I really appreciate that. And I also would appreciate you not making me cry on the first question. That means a lot to me, and it means a lot to me because it means that you see me, which is what Sao Bona means. Sao Bona means I see you. I lived in South Africa for a year and I've always found it, of all the world languages, the most beautiful greeting to literally come across another human being and let them know that you see them. What could be more profound than that? And I think the very essence of who I am and what I was brought to this world to do is to be inclusive and to make space for other people and to make sure that they feel seen.
9:18And that's part of why I do that. I mean, that's honestly probably the through line for everything that I do. And so I appreciate you even noting that. No one's ever said that. I think about it to this day. It's, I don't know, four years later, because in journalism, especially at the network news level that you're at, a lot of it is, and it's because it has to be. It is about a great soundbite and it is trying to go after a story. And I worked in local news. And when I was doing that, I found myself wanting to make sure that I made people feel seen, even though I knew I had this other job to do that they didn't really see.
9:59It's another pressure. Yeah. And I saw how much that meant to you. Yeah. I mean, I think, look, I think our industry as journalists is finding its way. I think we are in a really critical, quite urgent moment. And the eternal optimist in me thinks that this is a good renaissance. This is a good moment for us to reinterrogate who we are and why we do the work that we do. So, you know, look, the sound bites, they're going to come, they're going to go. You probably don't remember half of them. But the work beneath the story, what the story taught you, how the story made you feel, whether you felt included or excluded.
10:43If you understand the why and the how, not just the what, this is our time to figure out what our industry will be in the next 5, 10, 15 years. I completely agree with you. Do you remember the first time you wanted to become a journalist, like when you got that feeling? You asked that question and it gave me the feeling back. I remember exactly where I was. I was an intern at CNN in Atlanta. I was about to move to South Africa, but I didn't have a job for like, you know, 10 or 11 months because the South African school year begins from January to December. So I'd graduated uni. Okay. And I had this dead time.
11:22And I was like kind of depressed because I had graduated from college. and the American dream is sold to you that when you go to college, you come out and you have all these job prospects and you can be whatever you wanna be. And my friends were coming to New York, I'm from the South, and my friends were coming to New York and they were making these like ungodly salaries that I had never heard of, working in investment banking and doing all these things. And I had this dead time. I knew I would go be a Fulbright Scholar, but the truth is I had partially done it because my father is a first-generation college student And he was like, you have to go straight through school.
11:56And I didn't really want to go to law school, but I knew if I had done this thing that it would kind of get him off my back and it was like formal enough, right? And so my family had just moved to Atlanta from Carolina and I applied for this internship. I was frankly like too old, I think. I mean, I had already graduated school. And the first day, Danielle, that I walked into that studio, it's like out of a cartoon when you hear the angels in the sky, you know? Yes. And the lights and the activity and the buzz and the bustle, it was so contagious. And I remember, I mean, my shift was started at 2 a.m.
12:30I was essentially like taking out the trash and like, I mean, I was, you know, I was just in the building. But I think that was a good career lesson for me because it wasn't about looking at who the highest person on the team was and wanting to do that. If you are the lowest person on the team, and remember, this is back when internships weren't paid. Yeah. So like when you're doing this for free 99 at 2 a.m. in the morning, like driving a jalopy it, right? And you love it that much. I knew it was exactly where I wanted to be. And I set my sights on it. And I asked people like, how do you go from like this to that?
13:04Like, how do you get inside the screen? And it seemed so sort of like a protected class, something so unreachable. Like, you know, I wasn't famous. I didn't come from some uber wealthy family. I wasn't particularly connected. I'd actually never met a journalist. I didn't write on like, you know, the Harvard Crimson or anything. And so I just really dedicated my time to figuring out how I could make a way. I remember having a meeting with a woman named Nancy Hahn. Okay. Wait, do you know this story? Is that why you're saying her name? No, but it relates to you. So I had a meet. I went to like some agent I had.
13:44I don't even remember at the time. I have a meeting with Nancy Hahn. It was right after you had been hired. And she said to me, do you know who Morgan Radford is? She was made to be a journalist. Wow. And I'll never forget that. I have chicken skin. What do you call it? Goosebumps. Goosebumps. Yeah. And as I was digging into your background for this interview, I was like oh I know what Nancy means it was written in the stars for you do you know why that's so crazy you said that tell me every time I talk to a young journalist I remind them it only takes one yes to change your stars Nancy was my yes she was your yes and someone asked me this in an interview they were like who's your yes I was like well it's this woman named Nancy Han and she is she the one that hired you at ABC no even better I was hired at ABC by a woman who said, we'll put you on air.
14:46But you know, this is a tough industry. It didn't really happen. She wasn't really, you know, fulfilling this promise. And I went to Nancy and was like, how can I learn? Just like, just humbled myself before this whole bit. I was like, how can I learn? How can I, you know, if someone's sick, can I come in? Because she was running, I believe it was ABC News Now at the time.
15:06Morgan Radford:Yeah. And she said, yeah, come in. And every Friday on her lunch break, she taught me how to write, which is the skill for any journalist. I mean, that even in television, like I think it's a undervalued skill, but it's the skill that carries you. And she said, you cannot fail because if you fail, it looks bad for all of us. And I heard everything in that statement that she couldn't say, that she was trying to say, that she, I mean, when I came back from Atlanta with a bad perm and a bad haircut, she was like, ooh, let's re-rack that. Try again. She had my hair right. She had your back. She had my back.
15:43And I think about that was only a cost to her, right? Like there was no reward for her taking this. How old was I? 20 something like under my belt. But she believed. But she believed. And so even when you say that, it's such a, I never forgot what she did. And I always try to be someone's Nancy Han. Well, I've heard you say that you really enjoy mentorship. I love it. What do you love about it? I think it's seeing the seed implanted. Like when you see the kid realize they're worth it, because I think this industry is built on no's, right? Like, I don't believe you can do this work, you Danielle, without having experienced no's.
16:21You wouldn't have the empathy to ask the questions you ask if you hadn't experienced no's. I only created this podcast because I kept getting no's. And look at where you are. And that's the point. Like, I think these younger people come into this world, into this universe, to this industry, you know, big-eyed and bushy-tailed and they're excited. And then they're, like, crushed by these people who maybe it's an abuse of power, maybe it's someone who didn't get what they wanted. There's no reason to be unkind to someone who's starting out. There's no reason. But I think there are people who've experienced that.
16:55So I think to be able to be the person that reminds someone of their divine worth, I mean, that's part of being inclusive, right? I mean, that's part of why we're here. Did you feel excluded growing up? Is this coming from a deep place? I think at times. And I think I still do. Really? Absolutely. Is it too deep to ask you where? You know, I think when I was younger, having to sort of shapeshift for even adults in sort of exclusively white spaces, I think that breeds a sense of flexibility, right? But it also probably breeds a sense of like hypermaturity that you shouldn't as a kid have to take on, right?
17:45The weight of exceptionalism. Like you are the best black student. Well, I may have been the best student, but you always kind of put this qualifier of surprise. And I think navigating that is real. And I think even currently, right? I mean, the funny thing about the isms that you feel that exclude and the phobias, whether it's transphobia, homophobia, racism, misogyny, is that you can see them and feel them before anyone says them. If you're part of any minority group, the data is already there before someone has to explain it. So we can look at, as any minority member, we can look at your wedding photos.
18:30We can look at who you interview. We can look at who occupies your C-suite. And your values are evident, right? And so, you know, I'm currently the only in many spaces in which I operate. And in 2026, in a city as diverse as New York, in some spaces, that is a choice. If you are choosing to have a homogenous C-suite, if you are choosing to have a homogenous senior leadership team, if you are choosing to have a homogenous wedding party, that's a choice, right? My grandfather was a Baptist preacher and he used to say, don't ever look at who someone has lunch with. Always look at who they break bread with at dinner.
19:17That tells you where their values are. And so I watch. I see where people break bread at dinner. And I don't trust people to do in corporate spaces what they don't do in personal ones. If you haven't been in a practice of being open to the world, that's what we're asking. No one's saying like, go out and find a friend with blue hair to hit a quota. No, it's like, are you open? You know, like I would go to weddings of my friends who graduated from uni and I'm like, dude, Harvard is 30 % Asian. You don't have one Asian friend who you had something in common with in your, you know, lit B class. That's kind of different.
19:56If you're open, you should be open to the world. And so I think sometimes for people who aren't open, that can be a shocking thing. I was talking to someone about my book recently and they said, well, you know, one of the things is it might feel like it was an interesting sort of, they liked it, but they had a, the slight criticism they said was it was too diverse. And I was like, well, that's interesting. They were like, yeah, you know, you got this black Cuban girl and this Korean roommate and this British Indian love interest and this like half African love interest. And I'm like, well, yeah, that, That is my actual life, though.
20:34So it wasn't like, you know, I concocted it, right? Like those are real people in my real lived life. And so I think for people who perhaps aren't open to a real lived life with texture and of all people, that can be disorienting. It can be a learning opportunity if you're open for it. But I think that point of letting everyone feel seen is probably core from that place.
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24:29You had this very particular upbringing in my mind as well because you are so many things. And I think that's so evident in your book. It's about sort of on the surface, this Harvard student who falls in love all the while uncovering her mom's secret past fleeing the Cuban Revolution. And it's through these letters that her mom is writing her. And as you mentioned just now, it's loosely based on your life. I'm curious where fact stopped and where fiction started. I think you captured it perfectly. Loosely based is accurate. Where it stopped, you know, my mother is born in America. She is not Cuban at all.
25:09It's from my father's side. So I sort of inverted my father's history story with hers. He's Jamaican and Cuban. Yes, he is. And I did that because I really wanted to explore the mother-daughter dynamic. That was really important to me. Why? Because, man, I started this book after having a kid. And a daughter. And a daughter. Yeah. And motherhood is the single most expansive thing I've ever done. It is the single most natural thing I have ever done. And it is also the most healing thing I have ever done. Everything you just asked me about, were there places where I feel like I didn't belong? wrong, I am actively recreating spaces of inclusion for my daughter.
25:55And when you're pregnant, you know, and you're waddling around, people stop you at HomeGoods and be like, oh my God, girl, you're never going to sleep. But no one tells you how much fun you're about to have. No one tells you how healing this is. You think about and ruminate on all the ways you can get it wrong. But what if you get it right? So like, you know, my kid's best friend, Korean, you know, my kid, Like, you know, she speaks Spanish exclusively, but she's, you know, learning English and she tries it out to build friendships. And I was telling her a bed. She wanted to hear a bedtime story about Princess Adelana the other night.
Read the full transcript
26:34And she said, and is there a wolf, you know, in the story? And I'm like, yeah, there's a wolf. I said the wolf was howling because people thought the wolf was scary. But Princess Adelana approached the wolf and said, I'm not scared of you, wolf. It's OK. I'm going to be your friend. And would you like to walk with my friends? And she's like, oh, yeah. So the wolf walked with them and they were all friends together. And so even teaching her to meet difference with compassion and curiosity, you know, that's my life's work. And to do it with this child and watch it stick is just the most exciting, healing, fulfilling circle.
27:12Well, it's almost like you're reparenting yourself at the same time. Yeah, which is interesting because when you ask, you were these different things, my parents were so awesome. I get this from them. They were front and center before modernity struck. They were front and center on LGBTQ plus issues, front center on having people break bread in our home that could explain different experiences internationally, taking us internationally. And my mother was always clear to teach me that, you know, minority status is relative. You may be a minority in this space. You're a heterosexual woman making you a majority in the vast majority of spaces in which you operate, right?
27:51You can get a Valentine's card made by Hallmark for you. That is not something that some of her friends get to do or her brother got to do, right? And so, yeah, I think like reparenting for modernity, right? Like reparenting in this new world, it's exciting. and it's a challenge and it's fun, right? Absolutely. So in the book, Lily gets this letter from her mom on the first day at Harvard where she describes being an immigrant parent as quote, an impossible calculation. You write, is the life we want worth risking the life we know? When you wrote that line, were your mother's words in your mind?
28:32Where did that come from? Because I found that to be one of the most powerful quotes in the book. Thank you. No, that was mine. Yeah. That's how I feel. That's how I feel. I think it's how I feel because it's what I take. That's what I took from the women before me. Okay. And part of that matrilineal descent, like, yes, my dad's family is Jamaican-Cuban, but it was because his grandmother came here. It was because his grandmother was this, you know, tall, mixed race black woman born in Jamaica who said, I'm going to live in three countries in my lifetime. And I'm going to have babies and I'm going to show that.
29:10Like, she never stopped asking, where can we go to be whole? Whoa, I thought you were going to say, what if? But where can we go to be whole is a very specific question. Where can we go to be whole? Why was that the question? Where can you go where you're not three fifths of a human? Where can you go where you can be seen for who and what you are and what you have to offer? Where can my kids have the best opportunity? And, you know, I looked at my husband, who's also the product of immigrants, and I said, hey, I'm never, I will have failed if I silenced the question that bore me. I'm comfortable now in what many will argue is just, you know, the land of opportunity.
29:53and yet I have to ask the question, even if the answer stays the same, I cannot be afraid to re-interrogate. Am I whole? Is my child whole? Is my child seen as whole? Is our family seen as whole in certain spaces and certain industries and certain companies and certain, right? Like, are you seen? Are you valued? So that's what I took from these powerful women before me. They were never afraid to ask the question and they weren't afraid to act on it. So who am I to stand on their shoulders and suddenly become afraid with so much more? I have so many more resources than they had. And so I think that is the question.
30:37That is the calculation that as cogent, thoughtful, responsible people, we should be asking. I recently had this experience, Morgan. and I'm Jewish and my grandmother's a Holocaust survivor, my mom's side of the family, all are survivors. And I got asked to write a speech and it made me do all of this excavation that I really would not have otherwise. And I came to the idea that I think I had hidden a lot of my Jewish identity or not hidden, not been loud about it because of some of the stories I heard growing up. It was like, this is something that we're quiet about and have only recently been able to come into Jewish pride.
31:26And that writing experience was so healing for me. It was so powerful. Out of all the things I do, I got paid the least to do it. It was so much work. And it was my favorite thing I've done this year. Wow. I share that to ask you, when did you know you had to write this story? Because it was coming from such a deep place in you. I want to go back. Okay. I'm happy to answer your question, but I want to go back. Because what you said is so important. And I want to tell you, it is never too late. This binary that society and this country often forces us into, black or white, Jewish, Gentile. I mean, it is categories fail us.
32:14Categories fail us as humans. Well, that's a theme in the book. That is the theme in the book, yeah. But I think for you, like that is so powerful that you can come to it however you choose to come to it at whatever age in which you come to it. And, you know, Jews and Blacks, we have a lot in common in sort of our story and our history of resilience. Yeah. And I think about that where, you know, in blackness, we didn't have as much range of choice, right? I mean, in terms of like hiding or not hiding who we were. But, you know, my blackness is what made me so empathetic. My Latinidad is what makes me so empathetic.
32:56It allows me to imagine myself inside the world of other people. Yes. And my mom, because of the time in which she grew up, her mother was part Jewish. And she was, you know, bullied during this time in her life and called little Jew girl as she's trying to walk to school and just, you know, the things that we know about in our communities. And I always wanted to like know more, learn more, and was in some cases hesitant, in some cases could lean in. My brother was much better about like leaning in and understanding. Because the point is, I think we owe it to ourselves to be able to ask those questions.
33:28to be able to ask the hard questions, whether we're 18 or 28 or 55, right? So I'm just, I really commend you on taking the journey, like letting yourself flow into the journey. And I hope that more people give themselves the freedom to do the same. Thank you for saying that. That means a lot to me. And also, I think we're so lucky that our work sometimes mandates that we excavate. Otherwise, you have to really carve out the time to do it. Yeah. I don't know when you took the time to write this book. Because I remember years ago watching you on Instagram. Every single day you were on a different airplane.
34:13True. That's when I was writing. So is that when you were, because, you know, books come out two years after usually. So you were writing while you were on the road. Oh, yeah. No, I was writing. Morgan, you must have been working 14 hour days. How did you have time to write? It was too much fun, Danielle. It was too much fun. Oh, my God. It wasn't like, I mean, I never thought I would write a fiction book. I met the book agent preparing to talk about a nonfiction project because I'm a journalist. That's what you expect. And after a two-hour meeting, at the very end, she looks at me and she was like, you know, Morgan, if you ever did fiction, that would be like, that would be hot.
34:52And I said, can I tell you something? and I told her the story of the real life Vikram and what had happened in college and post, the romance. And when I was done, it was the first smile I'd seen in two and a half hours at this point. And she's like, that's it. That's it. That's the story. And she goes, just like in everything, there's a time for books. You'll write your nonfiction, but this is the time for this story. And so I got to work. My kid was, gosh, I don't know how many months old. My husband sleep trained my baby from 7.30 to 10.30 after she had gone down, I just wrote. I couldn't stop writing.
35:26It wasn't even that I was like trying to write. I couldn't stop writing. So I'd be on the plane like as soon as they, right before, after they called, you know, bored military veterans, like I'd close my laptop and then get back on in the plane. I would do it in hotels. I would do, I remember being in like Montana on a story with barely any wifi. And I would just use my, you know, computer like a word processor. And it was - It flowed through you. It was the most fun, Danielle. So I've often heard from book agents, you have to write the book you least want to write. Is that what you felt in that meeting?
35:56Like it was sitting so beneath the surface or did you really want to get this out? I wanted to get it out. You wanted to. I wanted to get it out. Yeah. Yeah. You've spent your entire career telling other people stories. What did it feel like to put some of your story onto the page? Deeply vulnerable. It still feels deeply vulnerable. Yeah. Do you know how nervous I am for May 5th? Like, do you know how nervous I am when people actually read it? They're going to be like, wait, did this happen to you? It's a great book. Thank you. I'm incredibly nervous. Oh, I mean, there's one scene. There's a scene in the book where people would assume it was the hardest to write.
36:35And it wasn't. I mean, the hardest scene was actually this conversation between these two lovers. And it's almost like verbatim, as I remember this conversation happening in real life, not too many years ago. I mean, okay, this is, I've never said this before, but the night that this love interest from college resurfaced 12 years later and just said, hey, can we get coffee? And of course, I'm like telling my husband, hey, you know, do you mind if I have coffee with this old friend, blah, blah, blah. He's like, yeah, dude, fine. Like, you know, we went to college together. So we have a lot of similar friends and I know women he's dated, right?
37:16And I meet this gentleman for coffee, and it was so clear that he was processing in real time what had happened. It was like the breakup conversation that should have happened 12 years ago that I was not expecting. But there's something, as unexpected as it was, there's something beautiful about another human being holding this reality with you. Because if he hadn't said it, I would have just been in my own mind thinking this has happened. This is how I metabolize this experience. But having someone hold that reality and remind you that you're not the only person in the world who holds it, there's actually something beautiful.
37:53And the most beautiful thing about him and that entire experience was that he saw me. He did. He was able to. And here you have this British Indian from Yorkshire and this Black Cuban girl from North Carolina in a public school who met on the grassy knoll of a university. I mean, thousands of miles away, nothing to suggest that there was anything in common. He saw exactly who my parents had raised. He saw exactly who my parents had raised. That makes me emotional. And that meant so much to me to be seen in that way. I wasn't a box to him. And that, as you see through the conversation in the book, there were some boxes I was accustomed to as an American that not being able to see was also challenging, right?
38:44And so to have someone 12 years later have this conversation with you, girl, I went home that night. I took a pregnancy test. And it was like the biggest, by my husband. Yeah. My husband, girl. Plot twist. And I just, I thought of, and the symbolism of that, right? Yeah. What if that makes you emotional? I know it makes me emotional, but what if that makes you emotional?
39:23I don't know. Wow. I don't know if it's a me thing or a storyteller thing, but I think I and we have spent our lives living in other people's stories. And you've done breaking news for 10 years. I did breaking news for two years. And when you're doing news or journalism in any capacity, you are, I think, removing your feelings from the presentation of it oftentimes. It's required. It's required. And I often think to myself, are people who are good at compartmentalizing drawn to this work? Or does that come as a muscle because of the work? Maybe a little bit of both. but I feel that so few people have seen who I am and when you said I was not a box to him I was just like so moved can I tell you something yeah no one's ever done this to me in an interview no but I well and I at the risk of being corny and I was going to tell you this when we got off camera.
40:36Danielle, this is the first time I've gotten to meet you in person. But I have to tell you, like I watch every one of your Instagrams. I watch all of your stories. I watch all of your interviews. My first question I was coming in here is, is she going to be tired? And my thought was, you emotionally excavate for so many people. I'm like, she must be doing this type of work at scales. I said, I wonder if she feels tired. Because to do this, you can only do it in authenticity. You can't do this work and fake the funk. It can't be done. And you do it so well. And your questions are so poignant. They're well-researched, obviously, but they're so poignant.
41:19And they really hit, I mean, right in that muscle, right in that solar plexus of someone's emotional shape, that you were meant for this. And like whatever shape it takes, the shape will follow you because you have the talent and you have the skill. And it was what you were put here to do. That is obvious. Whether it's obvious to you, it's obvious to us. And I think by doing this work and exactly the way that you're doing it, you're creating space and inclusion. And that's why I love the story about what you wrote, because you're allowing the world to also impact you. You're impacting us by the stories you tell because you're always getting, I forgot whose interview I saw recently that you did.
42:04And it was such a vulnerable space for this like very high profile person to like acknowledge this very vulnerable moment in their career and to have, to make them feel safe enough to acknowledge that. And by virtue of acknowledging, empower others to acknowledge and feel free to acknowledge their vulnerability. That's a gift. And I'm really, I'm really proud of you. You are incredibly generous, but... No, I just hope you receive it. I receive it. And I receive it because it's in you, you know, like... It is. But this is yours. That's your flower, girl. I want you to hold that flower. Thank you, Morgan.
42:42Thank you for that.
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45:38I got emotional because I think romantic relationships, and especially the one you write in the book, because it's like, will they, won't they? It feels, those are where like the mirror is held up. That people really do see all of you, the good, the bad, the ugly. So I hope people read that passage, if absolutely nothing else. I appreciate that. I mean, and that's why I say that that juxtaposition of like finding out I was pregnant, you know, at the same time, it was so interesting because as women, we have multitudes within us. Yes. We have so many lives. Just because I'm a mom now and I'm a married woman doesn't mean that this life didn't exist before.
46:20Or now you're still a woman in her 30s. Yeah, but it's like there's a life still. These multitudes of who we are and who we once were get to coexist. They get to inform one another. And I think there's this like false notion that once you do get married or once you figure out your romantic life or once you, you know, whatever, lo que sea, that, you know, you erase everything that came before. And that, to me, I feel like is such a disservice to who we are. I completely agree with you. Yeah. Well said. For people who don't have insight into a news anchor reporter's life, what is the truth that people would understand differently if they could see what happens off camera?
47:09That the glamour is a very small portion of it. They see us with a hair and makeup team and are like, oh, that's a cool job. It is, that is the smallest piece. That is the smallest, should be, if you're doing your job, the smallest portion of your day. At its best, this industry is a thinking man's game, right? This is a questioning woman's game. This is, if journalists are good, teachers are good. We're teaching a society, you know, what resources to use and what's happening and how. And we're helping them report on the what by giving context in a way that allows them to deduce the why and the how, right?
47:56And I don't know that people always see that. Like, I don't know. I remember I was doing this interview in front of Trump Tower during the first term, actually when he was running. And this woman I was interviewing in real time, she's like, you know, I don't, she gave me the answer. You know, why are you here today? What speaks to you about this administration? What speaks to you about this moment? What are the issues you care most about? She answered, lovely conversation. And then she's like, well, you know, I don't trust the mainstream media. I don't trust all y 'all are fake news. And I stopped.
48:27I'm shocked I actually had the wherewithal to stop in real time because I was a rookie reporter. And I said, sorry, you think I'm fake news? And she was like, well, not you, but everyone. I mean, everyone else. And I'm like, well, no, no, I'm here. I'm in the news. And I remember saying, you know, do you think I left my family and do you think I left my friends and I've been living out of a suitcase for seven weeks because I have something to say? Because I just gave you this microphone and allowed you to have full range and free reign of what you wanted to say. Did I tell you what to say? She was like, no.
49:04I said, did I edit what to say? I mean, this is a live interview. So what about this feels fake to you? And what would my motivation be? Like, I'm curious what I would get from this. What did she say? She was like, well, like I said, you were great. But Susie, Susie now, come on. You know, right? And I think people don't realize how hard this job is, right? Like, there's a lot of personal sacrifice, especially in like the early years, right? I mean, I couldn't maintain a personal relationship because I was not in one place. I always say that like the guys I was dating at that stage of my career could not have sustained a relationship with me at this stage in my career.
49:48It was just too different. And so I don't think a lot of people see that. Like most of us do this because we couldn't imagine doing anything different. Most of us do this because it's a calling. the form of storytelling and reflection of society's values and questioning of power is fundamentally who we are. And I don't know that that is always clear, which is why, at least in the work I do, I always try to be transparent, whether that's on my Instagram stories or posts like, hey, look, this is a tracking mic. When I stop at this location, after I get off this puddle jumper, I'm going to get like edge control in the middle of like I'm driving this rental car in the middle of the night and I'm going to get one hour of sleep.
50:34I think transparency is how we build trust. And I think right now viewers need that more than ever. I notice you do that often on your Instagram stories. I really like that. Thanks. That's why. Yeah, I understand that. Yeah. Where does all of your emotion go? You just saw me get emotional. Where does all of your emotion go when you're covering breaking news and it's a really rough day? How are you when you come home?
51:03And my village is so important. And I think people talk about community. I have realized in doing this work how important, deeply important community is. And not just like capital C community, but like little c community and the small interstitial spaces. I think of a time it was not this election, but the previous. I was with my producer. We went home. We went home to North Carolina to a different part of the state. and at that time, there had been a lot of ballots that had been inexplicably rejected from the North Carolina voter rolls, and we were going to investigate it, and one of the county clerks, I believe she was, tried to kick me out of the building.
51:51Me. My producer is white. Mexican, but white presenting. Me. Not us. Me. And when he said, whoa, whoa, like, this is just our job. This is also a public sidewalk. I mean, you can't kick us off the public sidewalk. She said, I'm not willing to talk to her. And she would only look at him and address him. Oh, my God. And I remember how chilling and how deeply embarrassing it was for me. And that it happened in my home state. Mm-hmm. And I remember how small I felt. Like, this woman, you know, successfully made me feel small. And I remember getting in the rental car and just bawling. Mm-hmm. And my producer saw me.
52:44And there was also, like, a complicated feeling for me about, like, how should he respond to that moment? Like, do we want to just get the story and, like, not, you know, start a revolution just to, you know, or, like, would it have been more meaningful to just have someone see me and say, like, regardless of what happens or what came after that? And he saw me when he got in the car, and I just, I was crying. And I said, all of the things I've done, they still don't matter. All the things I've done. Like, I played by your rules. I did all the things. I went to the best schools. I spoke this many languages.
53:22I was kind to people. I reported. I was a good company soldier. And this one woman still could say, I won't engage with her. In one moment. In one moment. And I've had lots of moments in my life, of course, I think most minorities have, where those things have happened. I think they're much more crushing and scary and deflating when they happen with systems. because people expect it for moments. Like racism is not in 2026, someone calling you the N-word in the grocery store. I mean, if you're waiting for that moment to declare something racist, you are going to be waiting for a long time. Like it is in the isms.
54:01It's in, you know, I had a very difficult boss for a sustained period of my career. And it became clear that under her, I could not have a career. I could only have a job. I could only have a job. It's what you see is what you get. You are not allowed to dream or think or desire for more. And everyone around me, she would homogeneously hire, and everyone around me would get more. They would get better titles. They would get better opportunities. They would get better pay. She didn't change my salary in six years. And she was allowed to do so, and the system was complicit in allowing her to do so, right?
54:37That is the type of ism that is far more pervasive and perversive. And I think those moments are harder to metabolize and are the ones I rely on a community of aunties who say, baby, this is unfortunate, but we have seen this before. Yeah. Baby, this has happened to me and you too will overcome. And I have to remind myself, and it's the community that reminds me of the fact that I stand on soil of a country that was built by people who, even when they were told the worst was happening, even when the worst was happening to them, they still had hope and belief that a better day was to come for them.
55:25how can you not be resilient when like that's the shoulder upon which you stand right what has it been like to have to soldier through some of these things that I I would categorize as chipping away at your soul I think you would categorize that correctly look it's hard it's painful it's othering It's undeserved. And I think holding onto that, like the one thing I'm so, I feel so blessed my parents gave me was, you know, this sense of, like up until this point, but no further, you know, there's something inside of me that has to remain impenetrable, has to remain impenetrable. It is not porous.
56:18So you don't get to tell me who I am. You can try and humility we can discuss. Certainly we can take feedback and we can, hey, whoa, that's great. But like at the end of the day, you are not allowed to tell me who I am, right? And I pray that my daughter walks through the world and that it is necessary. It is absolutely necessary. Part of me feels as if, because a big question in your book is, where do I come from? What is my story really? and I think because you have such a deep knowledge of where you come from, your daughter will inherit that. But it's actually, I think, something that will be a beautiful outcome of your people reading your book is them questioning, well, where do I come from?
57:09What is my story? And there's so much strength and power in knowing where you come from. And you keep using the phrase standing on the shoulders. I've felt it in my life. Do you refer back to that often to cultivate strength? Absolutely. I think the ancestors for me are what religion is for others. Yes. Right? It's just like, past is prologue. No, no, I've seen this before. My faith isn't blind. I have seen this before. And I've seen it in my own life. I've seen it through the now then periods and the now what periods, right? where God, the universe has sustained me. And it's always worked out more beautifully than I could have imagined, always.
57:54And so I genuinely hold that as a belief that the best is truly, truly yet to come. That is one of the gifts of age, I think. And wisdom. It's a different type of security. It's a different, so like now, Now when the now what periods come, I have so much more. I have so much more knowledge about who I am, about what I offer. I'm not afraid to say what it is that I offer. I'm not afraid to say what it is that I think I'm worth. I have data, right? Skills that I didn't have when I was younger. But I also have a piece. And a faith. Faith in self. Faith in ancestry. When you've seen some hard shit, like, you know, I think, and when you ask about the question like journalism, like, what do people not realize?
58:49You know, not even just journalism. When you have any modicum of publicity, of a public life, you know, these Wikipedia pages are in some sense is a disservice, right? You're going to Google me and be like, oh, you know, Harvard check, Columbia check, da, da, da, da. You have a lot of checks. I'm going to be honest. But the craziest part is they're going to see all these peaks, but they're never going to see the valleys. They don't see those 11 months or whatever when I was looking for a job. They don't see the number. The reason I went to Network News was because they were the ones who were going to take a chance on me.
59:27I applied to every local news station from here to Juneau, Alaska, and got rejected from every single one. The story didn't end like, oh, yeah, and then I got into Biloxi. No, I got rejected from every, I saved some of the rejection letters. And I got rejected from Columbia when I applied to school the first time from South Africa. And here Nancy Han and I are thinking, well, who in the world is rejecting Morgan Radford? It's like plenty of people. And so, you know, it wasn't until I applied to Columbia a second time and then I got a Fulbright scholarship. And so, you know, I just think that, especially in this like Instagram, social media world, like people are so busy showing their high, which is great.
1:00:07We love to celebrate. We love to celebrate achievement and peace and process and all that stuff. But I think there is this vulnerability that it's risky for sure. But the reward is connection. And that is just, I mean, that is worth its weight in gold. And that connection is what builds that community that will sustain you in those periods.
1:00:39Some journeys invite you to see a place. Others invite you to see yourself differently. On Wayfinder Life-Changing Travel, we chase the kind of destinations that pull you all the way in. In a special episode sponsored by Reef, a trip to Morocco invites Preeti to wander widely and experience it all. There are people who want to go to Tahiti because they just want to lay on the beach. And that's great. And then there are some people who feel really bored with that. For those people, I would recommend a destination like Morocco because you can do so many different things from ATVs to sandboarding to hiking to a hot air balloon to a cooking class to a traditional hammam.
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1:02:30You know what quality feels like. You can see it in the way a fabric moves, recognize it in a flawless fit, and appreciate it in the details that make our styles unique. It's the standard Coldwater Creek has honored for over 40 years, derived from a rich Mountain West heritage, and designed for today in styles that are distinctively Coldwater Creek. For a wardrobe you can count on season after season, visit coldwatercreek.com. Shop new arrivals and save 15 % on purchases$75 or more with code IHEART. When it comes to advancing your education, you have more options than you think. At Rasmussen University, we find ways to remove barriers, not build them.
1:03:09Like a new laptop if you're eligible and enroll in select online or on-campus programs. That means flexible and engaging online courses and resources, tuition savings options if you qualify, exceptional student support, and much more. Online nationally or check out their 20 campuses across six states. Start when you're ready and get the support you need. Visit rasmussen.edu.
1:03:38I've also felt that when you see people and you see the human spirit in really tough moments, the way you pull from your ancestors, you can also pull from them. You know, it's like, oh my God, I interviewed this person who had cancer while trying to raise three children on welfare. It's like, I can get through my bad day. Yeah. You know? Yeah, that's a great point. Yeah. There's a lot to learn from them. I think so. Have you ever questioned your path entirely? Which path? Your path in journalism with all the no's that we didn't know you got. But I have never, ever questioned my career. I have questioned certain jobs.
1:04:27Yeah, that's fair. I've never, ever. And I think that's really healthy, actually. I think if you are in spaces like the one that I mentioned, where it's clear you're not being valued, it's clear you're not being seen, it's clear people like you aren't being valued and seen. I think it's necessary that you reinterrogate and ask why you're there. and if you should be there, if it's healthy to be there, if that's the kind of system, when we talk about looking at the C-suite and the senior leadership teams and the wedding pictures, is that the environment where you will best thrive in? So I've definitely questioned that, which I think that process of questioning brings a lot of clarity, but I have never questioned this career.
1:05:09I love it. I still get giddy. I still wake up before my alarm. You do? Yeah. What does it mean to you to be a journalist right now? Right now? Yeah. Wow. That's a different question. To be a journalist right now, those are two distinct questions. To be a journalist is to be a truth teller. It is to give fact and in some cases shape to fact. And it is to give platform to voices that need it and to shine a light in spaces where there's darkness. In this moment, I think being a journalist is being unafraid of power and systems of power. Whoa. I think before that was an element, right? And we've heard that truth to power, accountability.
1:06:04Sure, sure, sure. That's all true. I think when your paycheck comes down to it in a different way, in a more urgent way, you know, that portion of this role becomes outsized. What are you willing to do? What will it cost you to hold power accountable? And are you willing to pay that price? That's the mark of a journalist in this moment. and I don't know how long that moment will last. Are those questions that you've had to ask yourself? For sure. You've said that motherhood gave you a fourth dimension and a way of experiencing the world that you didn't even know was possible. What did it make visible for you that you hadn't seen otherwise?
1:06:55That's a great way to ask that question. I see the world in technicolor now. Whoa, Morgan. Yeah, I see the world in technicolor. How beautiful. I cannot overstate the profound impact it has had on my vision, on my courage, and my capacity to build. I think what motherhood taught me, something my mom, I think, had tried to teach me, but I didn't see until I had my own kid, is that you already have everything inside of you necessary to engineer the life that you want. My mom showed me that, you know, dreams aren't something you have. It's not a passive process. Dreams are something you build. It is a very active process.
1:07:46So you're not waiting for things. I'm not the type of person to ever wait for something to just stumble my way. But the dream is like an active building. You have it. So while I'm saying it takes one yes, right? Whether we're building podcasts because we've heard no's or career because we've heard no's. I think my kid showed me that this is real. You really, truly can. I mean. Because you look at her and think you can do anything? No. I look at her and think I can do anything. Whoa, Morgan. It's true. That gave me chills. It's true. I mean, I think it's great when you live for your kid and stuff.
1:08:27She's definitely the most important element of my life. But no, I'm doing this for me. She's going to have a full life with her dreams. This is for me. Yeah. I mean, I wrote this book because it was my story. Now it ends in a letter to her and what I want her to take from it. Because my most important legacy is her and through her. But this was my story to tell. This was for me to feel the richness of telling and sharing this story and of learning that I could financially close the wage gap that I had experienced when not valued, right? Like when I was telling you there were experiences that I was having that said, okay, we're not going to do X, Y, or Z or honor your work or give you a raise.
1:09:11This was a way to close that gap, even financially. what a mind-blowing experience to be able to create and be rewarded additionally for something that is uniquely yours that no one can take away from you right I mean that is a huge thing that I think just like bringing this life in the world and seeing that it was so natural and that I do feel like I'm getting it right in what I'm teaching her. She just lives life with such reckless aplomb. I mean, she was walking on the street yesterday, just hola, hola. She expects good things to come. She expects good things to come back to her. And so I'm watching this and it's not just like I'm in awe of her.
1:09:56Honey, I created her, to be clear. Like part of that is just, of course, innate to her, but I also created an environment and a system that allows her to expect such good things. So why should I not be able to invest in myself in a similar capacity. Do you think your husband married you knowing this woman's going to be an amazing mother? Was that something that he has said to you? I don't know that he said it in those words. I don't know that he's had to, because since we were 17 in Elliott Dining Hall and we were just friends, he told me he wanted like a soccer team of kids. So I knew that being a father was so important to him.
1:10:38I don't think he would have chosen someone who he didn't think the ride was going to be really fun with. But a fun ride is different than an amazing mom. They're not necessarily binaries, but... That's interesting. He did say once after the baby that he was surprised. He knew I was going to be into it, but he was sort of blown away by how deeply... My kid is super attached to me, I'm super attached to her. They talk about Velcro kids. I'm like a Velcro parent. It's like, we snuggle. My husband, I realized, I only noticed the other day. I don't know why I hadn't noticed it before. Do you know that ever since we've dated, we hold hands when we watch TV?
1:11:19And I didn't even notice it. We were watching the other day. And it just dawned on me. I was like, oh, I don't know if that's a thing. And my kid, she holds our hand when she watches TV. Yeah. So it's like, I don't know if any of us knew how much I was going to love this. And I say that to say, though, none of her godparents have kids. I would say the majority of my friends don't have kids. I love adult company, and I love connecting with adults. So I don't think that motherhood is like some holy grail for all people. For me, it was a unique and profound joy in a way that's honestly a very private joy.
1:11:55I talk about it in these circumstances, and I'm fine putting pictures of her up. and stuff like that. But it's not something where if you like see me on Fifth Avenue, I'm like kikiing about my kid. Like that's not, it's a very private experience for me because I still like interact with the world as Morgan. And like, I probably don't bond super well talking about like, you know, diapers and strollers. That's not really my vibe. But, you know, privately, the marrow of who she is brings me such joy and excitement. That is so awesome to hear. Okay, so you mentioned something that is intertwined with my last question because there's a letter at the end you said is to your daughter.
1:12:36When your daughter and your unborn new daughter or son read this book one day, what do you hope that they understand that you were carrying. That I was carrying? Yes. Interesting. The weight of finding the break in the fence so that I could be included and so that I could be seen. That's what I was carrying. And what I hope that they take from it is that they already have everything inside of them necessary to be and do whatever they want in this big, beautiful world, in this bountiful life. And that for them to do that doesn't actually require that someone else see them to make that possible.
1:13:26Sometimes I'll be in conversation with people and someone asks a question and the temperature of the room changes and you can just feel it. Do you know what I mean? You just brought the temperature of the room down. Thank you. I have some rapid fires for you. Oh, yeah, sure. Okay, something you're still figuring out about yourself. Girl, how to do my hair. Your hair always looks good. How to do natural hair. My husband's like, you are like a 14-year-old on YouTube trying to figure this out. You would think at 38 by now, you would have figured it out. I'm still trying to figure out natural hair.
1:14:00I feel like you figured it out. I have not figured it out, but God bless you. God bless you for saying that, yeah. Yeah, I've never thought that. That's kind. The struggle is real, though. Just true. A moment you almost walked away from your career. Maybe that's heavy. We could skip that. Never. A story that stayed with you longer than you expected. A story on an adopted family. I have never been able to get adoption out of my mind and leave that door open very actively open for my family. A truth that you're avoiding. Oh, that's a good one. I don't know. It's a hard one. That's a hard one. How about a version of success you no longer want?
1:14:41Oh my God, I have so much I want to say to you, but not in front of these microphones. Okay, how about a book that changed your life? Something that you think everybody should read? Oh, Pat Conroy. I would say anything by him, but Prince of Tides. Easy. The smartest decision you've ever made? To have a kid. Something that every woman should try once? hmm trying to think of a pg answer hold on it doesn't have to be pg this is a podcast we're not on tv something every woman should try once like the type of romantic kiss you can only read about in the rain woo morgan yeah that was a good pg version to whatever you were thinking I was like so tulum no yeah And then from the question everything card game, what is something that people don't see about you at first glance that you wish they saw?
1:15:44I'm not sure if they see it, but a need for gentleness and tenderness. Wow. I feel that immensely. And I'm not sure. I think some people see it and some environments see it. But I don't even know if this environment, like in New York, thinks anyone needs it. So I don't even know that that's a me-specific answer. but I think like gentleness, not kindness, not respect, not like just gentleness. And I love that about the South. So I do feel like I get that there, but yeah, a need for gentleness. Beautiful. I wouldn't have guessed that. Yeah. Thank you for sharing. Thanks for sharing so much of yourself.
1:16:19Thank you. On the pages too. Really fun. I'm so excited for everybody to read this book. Oh, I'm so nervous and excited. Oh, it's going to be amazing. Thank you, mama. Yeah. Gracias.
1:16:34Morgan Radford:Okay, you know what time it is. Today's a good day to have a good day. I'll see you next week.
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1:17:52What? With all new episodes of Tyler Perry's Divorce Sisters. You've always liked a little drama. Plus a whole new world of movies like Gladiator 2. Now I will control an empire. Original series like The Chi. Just make sure we protect each other. And live sports like UFC. Welcome to the history books! New home, same family. Your BET favorites are now on Paramount+. Subscribe now. You know what quality feels like. You can see it in the way a fabric moves. Recognize it in a flawless fit. And appreciate it in the details that make our styles unique. It's the standard Coldwater Creek has honored for over 40 years, derived from a rich Mountain West heritage, and designed for today in styles that are distinctively Coldwater Creek.
1:18:38For a wardrobe you can count on season after season, visit coldwatercreek.com, shop new arrivals, and save 15 % on purchases$75 or more with code IHART. When it comes to advancing your education, you have more options than you think. At Rasmussen University, we find ways to remove barriers, not build them. Like a new laptop if you're eligible and enroll in select online or on-campus programs. That means flexible and engaging online courses and resources, tuition savings options if you qualify, exceptional student support, and much more. Online nationally or check out their 20 campuses across six states.
1:19:13Start when you're ready and get the support you need. Visit rasmussen.edu. This is an iHeart Podcast. Guaranteed human.
From the publisher
What if you did everything right… and still weren't seen? NBC News anchor and author Morgan Radford is the kind of person who makes you rethink in real time. From being rejected by every local news station she applied to becoming one of NBC's most trusted correspondents and anchors, Morgan shares the truth behind her success and the moments that almost broke her. Inspired by her debut novel Now Then, this episode centers on the question passed down through generations of women in her family: "Where can we go to be whole?” In this episode, Morgan shares:
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The rejection letters she saved + the unpaid 2AM CNN internship that changed everything
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Why success doesn't protect you from feeling unseen
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The workplace moment she realized she could have a job, but not a career
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What it costs to be "the only one in the room"
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The love story that came back 12 years later + the pregnancy test she took that same night
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Why motherhood made her see the world "in Technicolor"
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The emotional inheritance passed down through the women in her family
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What writing Now Then forced her to confront about identity and vulnerability
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Her take on "fake news" and why journalism is at a breaking point
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The line that stopped Danielle in her tracks: "Dreams aren't something you have. Dreams are something you build."
Grab a copy of Morgan’s debut novel Now Then here
Follow Morgan on Instagram @morgankradford
See omnystudio.com/listener for privacy information.
