Are strong viewing figures hiding the Olympics’ real problem?

18 Feb 2026 · 45 min · 16 chapters

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In short

The episode argues that strong Olympics viewing figures may be masking deeper commercial and distribution problems. Guests/hosts: Chris Stone (community lead) and Nick Meacham (CEO), plus references to industry guests like Timolume (IOC-related) and Michael Payne (former IOC media/marketing director).

Key claims

IOC sponsorship revenue is dipping, partly due to fragmented, paywalled, hard-to-navigate viewing across multiple broadcasters/apps (example: Sweden’s SVT/TV4 linear vs app access, TV4 charging a premium for live). Sponsors may also be getting less brand visibility than expected (no venue signage).

Notable examples

Canadian curling cheating allegations; Norwegian swimmer “chocolate muffins” viral story; DAZN Club World Cup “Game Plan” driving ~500,000 signups via TikTok; TikTok stats (e.g., 42% more likely to watch live after TikTok). The episode also covers LFP/BeIN losing FIFA World Cup rights to beIN, amid complex ownership conflicts.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Nick's Olympic Skiing Experience

0:45 to 2:28

Nick shares his recent skiing trip during the Winter Olympics and his family experiences.

“And, uh, yeah, came out the other side with no injuries and, uh, having a really good time and, uh, a bit annoyed that I hadn't tried skiing earlier cause I found it way easier than snowboarding to get up and running.”

Humbling Ski Moments with Kids

2:28 to 4:04

Discussion on the challenges and humbling experiences of skiing with kids.

“I did like, I was trying to catch him and, uh, I eventually found him somewhere along the way.”

The Unique Stories of the Olympics

4:04 to 5:51

Nick and Chris reflect on memorable moments and stories from the Winter Olympics.

“I don't remember that, but that sounds like something I would do.”

The Commercial Growth and Visibility of the Olympics

5:51 to 7:29

Exploration of the financial aspects of the Olympics and its visibility issues.

“Most people don't even realize there was actually ski fields where I came from.”

Fragmentation of Olympic Broadcasting

7:29 to 10:40

Nick discusses the challenges of watching the Olympics due to fragmented broadcasting rights.

“So firstly, I was watching in the place I was staying, and they only didn't have a smart TV.”

Marketing and Advertising Challenges in Sports

10:40 to 14:00

The hosts discuss the marketing challenges faced by major sporting events and networks.

“think in this day and age you have to make everything as accessible and easy to navigate as possible.”

Challenges in Broadcasting the Olympics

14:00 to 14:50

Explore the difficulties in effectively broadcasting the Olympics and similar events.

“I just need to set up my linear channels and I couldn't be bothered to that point because I never thought I needed to.”

The Shift Towards Paywalls in Sports

14:50 to 16:10

Discuss the trend of major sports leagues moving content behind paywalls and its implications.

“But we've also talked about, you know, is the NFL potentially headed that way?”

Warner Brothers Discovery and Olympic Rights

16:10 to 18:10

Analyze Warner Brothers Discovery's strategy in acquiring and sublicensing Olympic broadcasting rights.

“But that being said, as I was pointing out before, every news outlet, every social creator, et cetera, that I'm across, across social media, across Sweden, is talking about the Lympho Olympics.”

Sponsorship Visibility and Revenue Challenges

18:10 to 21:05

Examine the issues surrounding sponsor visibility at the Olympics and the potential revenue lost.

“of those is clearly significant and they've been able to lead on the exclusivity play for a long time but who knows maybe that will let the tension and pressure might come soon where they have to flip the script on that.”
Show all 16 chapters

The Role of Social Media in Sports

21:05 to 23:15

Evaluate how social media impacts sports visibility and fan engagement.

“And that's where I think you're going to have to see more brand connectivity into the Olympic experience at some stages.”

Value Addition or Gaps in Live Sports Content?

23:15 to 28:01

Debate whether social media content adds value to live sports or detracts from it.

“And I'll quickly run through some of the stats that they shared in a presentation they put together.”

The Impact of Social Media on Sports Viewing

28:01 to 31:15

Explore how social media engagement enhances sports viewership and fandom.

“Open live because I'd watch Brayson Dation.”

Content Strategies of Sports Platforms

31:16 to 35:58

Discussion on the importance of innovative content strategies for sports broadcasters.

“And the live sports experience at times, not always, is the secondary screen in their life at that moment.”

Challenges in Ligue 1 and Broadcasting Rights

35:59 to 42:00

An analysis of the recent challenges faced by Ligue 1 in securing broadcasting rights.

“But they're creating a destination for fans on the platform, which is obviously really interesting when you think about what TikTok is.”

The Tensions in Media Rights and Organizational Relationships

42:00 to 44:24

Discover the challenges and conflicts in media rights and organizational dynamics in sports.

“Again, to your point, the owner and chief exec of two organizations, PSG and then being in are one of the same person.”
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Transcript

Automatic transcript. May contain errors.

0:04Nick Meacham:Hello everyone and welcome back to the next episode of Streamtime Sports. My name is Chris Stone, the community lead, joined as always by our CEO Nick Meacham. Now Nick, in the spirit of the Winter Olympics, you went on a holiday to show your Olympic prowess. So I'm seeing you right now. I don't see any crutches. I don't see any casts. I'm assuming you went on a successful ski holiday.

0:22Chris Stone:I did. I tell you what, it was incredible timing to go on a skiing trip by luck. I didn't actually plan it this way, but to go on a ski holiday whilst the winter Olympics was on. It was such a cool experience. So I went out, have a break because I went with the family, right? We're two couple of young kids. We had quite a few breaks and to go back to the way we were staying and then, oh, let's just put on some more skiing and got right into the energy of it all, which was which was really fun plus the fact that these days i basically have i have three teams to root for technically four i'd even say if you want to count jamaica in there when when they go on the bobsleds but that wasn't that wasn't on that with australia and great britain and sweden so always something to cheer on but it was a great holiday uh minus 20 something at one stage in one morning and consistently minus 10 but otherwise my first time so i've been snowboarding for years but to first time I went skiing, got the kids into skiing and stuff as well.

1:17Chris Stone:And, uh, yeah, came out the other side with no injuries and, uh, having a really good time and, uh, a bit annoyed that I hadn't tried skiing earlier cause I found it way easier than snowboarding to get up and running. So, um, you know, it was a lot of fun and yeah, got me right into the thick of the Olympic Olympic spirit and watching the winter Olympics. I watched more sports in that week, even though I was busy on, like on the slopes than I have pretty much for the last 6 to 12 months.

1:44Nick Meacham:Well, I was going to ask if you had the kids skiing or snowboarding, and I don't know what it's like in America. I've only ever skied in Europe a couple of times. I will tell you right now, there's nothing more humbling than watching a three-year-old French kid going through ski lessons, just bombing it straight past you as like a grown adult, you know, trying to learn to ski. You just see these three, four-year-olds just going by with absolutely no fear straight down the mountain. It is genuinely one of the most humbling things I've ever had, Nick.

2:08Chris Stone:Well, I had that. I had that to some extent, but not with that. not so young, but, uh, my kids are eight and five and, uh, um, my eight year old, like on day three, I thought I was doing pretty well. And he just, we got on one of these runs. It was like a blue run and he just bombed it straight down. He didn't turn, just went straight down. I was like, he's like, and he flew down.

2:29Nick Meacham:I did like, I was trying to catch him and, uh, I eventually found

2:32Chris Stone:him somewhere along the way. He's just there waving at me at the end of the run. That was a pretty good reminder of just to like how I'm not going to be able to keep up with them as they get better and better and uh sure enough it got uh more difficult as we went along but i got into it yeah loads of fun i'd say what i experienced in terms of the skiing versus snowboard debate because there's a lot of debate about that firstly when you've got a couple young kids you have to ski because you're going to be dragging them around on skis even worse with a snowboard so unless you go the right type of places with loads of lifts also there's loads of um the button lifts and anchor lifts which are just so much easier with a set of skis than with a snowboard they're not built for ski slopes aren't really built for snowboarders so your snowboarders are living in a skier's world unfortunately and i've had to deal with that for a long time so uh skiing was almost necessity just because i had to drag around a couple of a couple of young kids but uh by then it was a lot of fun and uh i did a couple of small runs even my five-year-old on uh one of the the runs where i went down that took the wrong turn and they're taking down a much more difficult run And they're like, all right, well, what's going to happen is anyone way we can do this is get down and do the best we can.

3:39Chris Stone:But loads of fun. So I had a great time and then got a chance to consume a load of the Olympics. And for my first time watching it from Sweden as well.

3:47Nick Meacham:Well, the nice thing about the Olympics is because it's so long and there's so many events and so diverse, you actually always get these really weird stories. You don't think are going to come up, Nick. I remember at the Paris Olympics, it was the Norwegian swimmer, I think, who went viral for rating all the chocolate muffins in the canteen area. Do you remember that, Nick?

4:05Chris Stone:I don't remember that, but that sounds like something I would do.

4:09Nick Meacham:I'm telling you went viral. Go look up a Norwegian swimmer and French pastries. It was the fun thing. And I think this Olympics, what I've covered, it's a sport I'm very passionate about only once every four years. but the Canadians both the men and women's team have now been implicated for cheating in the curling and just like you know again not one of these stories we predicted coming out of the Olympics but you know it's all over.

4:32Chris Stone:It has been all the news here and the Canadians have been absolutely mocked by every creator, social influencer, broadcaster, network, expert whatever you name it they are copying it from all and luckily they probably don't understand what's being said about them because it is pretty ruthless in the Swedish media here. And obviously it's keep manifesting because there's been more instances since, which is being speculated of being cheating. But yeah, I actually wonder, this is definitely, there's a risk of recency bias here, but just, I feel like I enjoy the Winter Olympics more than the Summer Olympics.

5:12Chris Stone:I'm not sure, it could be recency bias, but you know, the curling's great. some of the skiing stuff you see is just some extraordinary some of the tricks and thrills and spills and every single um winter event that i can think of it has such jeopardy attached to it like one little slip of the ski or the skate or whatever can end in disaster i don't know it just feels like there's something more to it um than some of the summer events but that could absolutely be because I just was immersed in skiing on the slopes and whatnot. And also seeing Australia do it pretty well, actually. I got a few messages from people saying, how was Australia so good?

5:54Chris Stone:Most people don't even realize there was actually ski fields where I came from. That's actually when I went skiing or snowboarding the first time. There's a nice little pocket in Australia, which has, I think, one ski field that has over 50 lifts at it. So it's quite a big setup. So yeah, definitely enjoyed it. Now, what I would say is I have a darker side, a more negative side around the Winter Olympics that I wanted to bring up, which was linked to a couple of things going on here. I have started reading Michael Payne's book. I don't know if you're familiar with Michael Payne, but he was the media and marketing director of the IOC for 20 odd years.

6:34Chris Stone:He was pre-Timolume, who we've had on the podcast before. um many role initially around the sponsorship and the evolution of the commercial proposition and how they monetize the IOC it's a been a really interesting read and reading that plus and all the nuances around the media rights deals and the sponsorship deals that happen and how those events have been delivered over time whilst being able to watch it live and then whilst experiencing skiing live has been quite a full like immersive experience I would say uh consuming it all what has made it so successful has been its presence on free-to-air tv you know it grabs the whole nation the patriotism behind it um and without and with that in place has allowed the olympics to absolutely immerse itself into all of news conversation particularly in where i'm in sweden i'm just you can't get away from it it's all people are talking about but over time it's got me reflecting a little bit of what's happened with the olympics and then some other stuff that's been going on so firstly there's speculation around where the olympics is going in terms of its commercial growth or lack of lack of it the last financial numbers that came out showed a massive dip in the sponsorship revenue that they were creating um and i won't i won't go into too much detail because i could go on forever out that alone but the top sponsorship model uh is being used hugely regarded by across the industry for its success up to this point um but But over time, you link with what the success of that was, again, that global reach, and then the growth of pay TV and the fragmentation of those rights has created, I think it's sort of led to the IC, I think the Olympic movement, perhaps losing a little bit, not all of it, but like just a little bit because I'm still writing to it, but a little bit of its like impact.

8:30Chris Stone:because maybe those rights and the visibility aren't what they used to be because there is more money coming from the pay tv sort of world and my experience in sweden has been a bit of a challenge so when i was watching it i think this is coming back to something that i think might be interesting to the audience is how they've approached it here um firstly there's two of the major public broadcasters have a good chunk of the rights i i haven't actually looked it up i I think HBO Max might have some because of their links with Discovery. But so TV4. So firstly, I was watching in the place I was staying, and they only didn't have a smart TV.

9:11Chris Stone:So it was only linear channels. So the first time I'd watched just linear for, gosh, I don't know how long. SVT, channels one and two, and then TV4 on channel four. But then there was other channels on TV, on the 7th channel and the 12th channel where there was also broadcasting. And then sometimes SVT had another channel which used to be sometimes the child's channel and sometimes a channel they had I think this time I watched they had the Swedish rally because the rally's also going on at the moment. So there was six different places for me to look what was potentially on TV and what was not.

9:46Chris Stone:And sometimes there'd be live Olympics, sometimes there wouldn't be. And so I was getting so lost trying to find where to watch that stuff. But that's one thing. And then I was like, okay, well, when I got home, I was like, let's put on my smart TV and see what the experience is like on the apps and on the platforms. And then TV4 doesn't have the live broadcasting of its channels available on the app. And in fact, they were charging a premium subscription, a plus package to access the live feed of the Olympics on their channels but i was watching that for free on my own linear tv before so it just creates this like this mishmash of like okay well there's some rights here being protected that aren't available but they are available on linear if you have an old tv you can watch it or just a tv that's connected to other channels and it's just really fragmented really bitty and i think in this day and age you have to make everything as accessible and easy to navigate as possible.

10:45Chris Stone:And I found that just incredibly frustrating and difficult. Now, I need to look up quickly if HBO Max over here does, if anyone else does have the rights to the Olympics, because if they do, I've not seen it marketed once to me other than the public broadcasters in TV4 and SVT. And that for me just feels like a massive missed opportunity. I should be a perfect person they should be targeting for this stuff right you would think um so i found out i walked away being just very frustrated that i wasn't able to get my head around where and how to watch stuff it was just all over the place surely there has got to be a better way this day and age and i think the knock-on effect of all of this is that the negative uh the downward trend that the IOC has seen lately in sponsorship is a little bit linked with this bitty nature of their rights being visible in a bunch of different places.

11:46Chris Stone:And I had a quick look, by the way, and Wooden Brothers Discovery do have it. But for me, not to have seen them market it once is bonkers and such a missed opportunity for them.

11:55Nick Meacham:I find that really interesting because I don't think the Olympics is alone in that because I remember last summer, completely different broadcaster, completely different sport, completely different in terms of legacy. I don't remember seeing any or much of all of any Club World Cup advertising in the lead up to it. And even the World Cup is currently, you know, we're still four months away from the World Cup, but it still feels like I've not necessarily heard a ton about the World Cup either. It does feel like some some major events. The marketing doesn't seem like they've necessarily been there.

12:26Nick Meacham:So it is interesting you mentioned the Winter Olympics on this, but I felt very similar about the club world cup that like i followed it because i'm really into sports but like i don't know how to casual would have ever found that from just what i experienced in the uk exactly and i

12:39Chris Stone:think that is this comes back to this fundamental challenge we are seeing across the industry and i think it's almost a naivety that there's a general growth in content consumption in the world every statistic shows that right across whatever medium you want to talk about if you aggregate all those mediums, more content is being consumed than ever. So different services see that growth and think they are succeeding right now. But my perspective is this issue here, this example we've given about the lack of advertising and marketing of the fact that it's visible in multiple places, is something that I think I've consistently seen.

13:15Chris Stone:It's almost like these broadcasters are just relying on the fact they've got those rights as the marketing investment for them to get people on the platform. And to some extent, I get that. But by not further investing in heavily and heavily marketing to people who consume sports content on social channels and other channels alike on a regular basis, how am I not getting it thrown in my face at all times to be consuming it on HBO Max and to just to know where to go and how to consume it? I think that's where, again, it's just like creates a little bit of user tension that is going to push me away from consuming it.

13:52Chris Stone:I gave up last night trying to watch it and I really wanted to watch it, but I just wasn't really, I'm not going to buy a plus package, especially from TV4, I'm sorry, when I know I can watch it for free on my linear TV. I just need to set up my linear channels and I couldn't be bothered to that point because I never thought I needed to. And I think this is a consistent problem that I think that I see has to deal with because they've been finding that balance between taking in the pay tv checks and getting those um free-to-air deals and maybe again this is that more existential issue just getting it to as many eyeballs as possible and doubling down on sponsored revenue as the core play again getting as much reach and making sure you've got a single destination that everyone can get and immerse themselves in the olympic movement because that's what i was looking for yesterday and I couldn't find it.

14:39Nick Meacham:And to be clear, this isn't just an Olympics thing. It might just feel exacerbated because the Olympics is only on we'll call it once every two years. But the each edition of the Olympics is every four years. There probably is that pressure to feel like you've got to get as much money out of it as you can because you don't have that cyclical nature on a year to year basis. But we've also talked about, you know, is the NFL potentially headed that way? Because it used to be the NFL is historically free to air. But now it's a Netflix subscription. It's the Amazon Prime subscription. It's a YouTube TV subscription.

15:08Nick Meacham:You need a Peacock subscription, like more and more of it's actually being put behind a paywall. And, you know, the money might be coming in. But does that create long term issues down the road that are harder to spot? Because in the short term, you're making the money. But, you know, I've made the same argument. I would love for there to be a one game a week on BBC for the Premier League instead of having everything exclusively behind a paywall. You know, is that part of the reason why European fixtures or European media rights for football leagues is going down? because so much of it's hard to see.

15:35Nick Meacham:I don't know. That's a little bit of, you know, lick your finger, stick it up and see if the wind blows that way. But I don't disagree, Nick. I think there's something to the fact that the more difficult stuff is defined that does just create more tension that maybe takes a longer time to see how that plays out.

15:52Chris Stone:Yeah, look, it's easy for me to throw stones here. But some context here is that Warner Brothers Discovery, they have the rights, the exclusive rights across Europe for the winter olympics and the summer olympics the olympics or in overall and then they have to sub-license those rights out to different broadcasters that's part of the mandate and their approach they wanted all those rights and then they're going to sub-license them out they've been doing that for a long time and they've got it till i think 2032 i think is the number that they've got to work with um and so they do they do deals with like the ebu which is connected with public service broadcasters and that's how that this this all comes to play and so i think Warner Brothers Discovery had a very smart approach to it all but I still think in this day and age the the Olympics is being so limited by this approach particularly across Europe that they are missing a big opportunity and could come out the other side of this right cycle with just some real challenges on rebuilding that inertia and then excitement and momentum around it in a really hotly contested marketplace.

17:02Chris Stone:But that being said, as I was pointing out before, every news outlet, every social creator, et cetera, that I'm across, across social media, across Sweden, is talking about the Lympho Olympics. So there's a load of conversation, loads of highlights being shared. So there's plenty of conversation being had. But I still feel like the issues that they're having back to the business side here more further is that the reason they might be having a dip with that sponsorship mix is that maybe, maybe sponsors might be a little bit disappointed with how their visibility is being made across those platforms.

17:38Chris Stone:Because remember that if you're a big sponsor of the Olympics, your brand visibility is not very high, actually. You have them on the back of certain media drops, but you don't have them on any of the signage in the venues during live events at all. there's no branding at all like imagine the value of those advertising boards if they decided to flip the script there gosh they'd be worth they'd be worth billions and imagine if they went to a geolocated uh model like they do in football where like supponer and those others do it but the value of those is clearly significant and they've been able to lead on the exclusivity play for a long time but who knows maybe that will let the tension and pressure might come soon where they have to flip the script on that.

18:21Nick Meacham:That's 100 % something I was thinking when you're going through that first initial bit, when you talked about like the TOPS program worked really well when linear was just the world. And, you know, the degree of personalization wasn't possible, but you start thinking about the day, you know, you're talking about the experience in Sweden is going to be different than the experience in the U S you know, one of the things I found really interesting is like, at least in my experience, the NFL game pass, they've yet to, you know, give me UK based commercials. They're still just showing me the American commercials.

18:50Nick Meacham:Like imagine to your point, whether the zone is doing that or the Olympics, to your point was able to all of a sudden start doing that. Cause in theory, you'd like to think the technology has got to be close to that. You know, we we've spoken to enough people in the dynamic ad space. It would tell you it's possible to do that. You know, what could you possibly do if you could all of a sudden, you know, especially for such a global event to be able to start personalizing them, just adding a little bit more advertisement money instead of just relying on those big global brands.

19:17Chris Stone:Yeah, because the global brand approach that the IOC has taken to this point relies on just big, massive deals being struck. And they have to really get brands to buy into being connected with the movement of the Olympics and that position that they've taken.

19:34Nick Meacham:And it's a really strong story.

19:37Chris Stone:but it means that there is innately a lot of revenue being left on the table a lot of inventory not being used and a lot of space to i guess for brands to come into the play into into play and now a lot of people will talk about the olympics being what's so prestigious about it is it such a clean experience there's no brands involved and i i do think there's definitely some value in that but i just think you're going to see more pressure as if revenue continues to dip on on the sponsorship program that you might need you might see the needing to make a change at some point and final point i'll make on this is that over time and again reading michael's uh michael's book which i'm halfway through now it is a really great read for anyone who's in the industry um what's it called i should i've brought it it's fast track and dark deals fast tracks and dark deals uh all right interesting title yeah yeah and it's been great but my point was going to say that back in the day when they launched a top program and and and were able to lean in that the messaging that they had then the sponsors what they were paying for back then were visibility and the ability to activate and tell stories around their connection with the property and the IIC did an incredible job of like protecting that at all costs so the brand's got immense value but now we've seen it in countless times brands are now paying for content they're paying for storytelling they're paying for moments and emotions and something that no advertisements or no brand positioning can buy alone.

21:06Chris Stone:And that's where I think you're going to have to see more brand connectivity into the Olympic experience at some stages. They want to keep growing that sponsorship hype because without it, I don't think there's enough there unless the ISE can really open up the floodgates on content creation themselves to really bring that to life and basically maximize the sponsorship dollars that they need to, to keep funding and distributing their revenue across athletes and national Olympic committees across the world.

21:34Nick Meacham:Well, Nick, that might be a really nice segue to talk about our most recent Streamtime Connect event. You've heard us talk about our Streamtime community in the past, you know, quick summary. It's something we've built off the back of the podcast, given how many of you have reached out to us and put on a series of events that take place, not only at our core events like New York, SP London, SP Media Awards, but also hosting smaller events. And the whole purpose of them is to be a little bit smaller, more intimate, give people the opportunity to really connect with decision makers. Because, you know, we recognize, hey, come to Sports Pro Madrid, come to Sports Pro New York next month.

22:07Nick Meacham:They're great. But there's also something nice about having a smaller, more intimate event. We just had our most recent one at the TikTok offices. And Nick, the big question around all of that and Nick wearing his merch branded, I didn't wear mine, I should do, but it's a big puffer jacket. It's too warm to be wearing inside. But what we talked about during that event, Nick, and maybe it's a nice little segue into this the the main theme of it was is social media and non-live content a value add or a value gap to live content basically the argument being does all the content around live sports actually create a distraction taking away the value that broadcasters are paying for or does it add value to it and i'll be honest i got we i think uh maybe a little um a little biased because this is what tiktok was wanting to talk about so sort of tiktok is obviously going to want to push across the message that, hey, we're a value add.

22:56Nick Meacham:We're not taking away. So for us, I think going into there's like, okay, we know what you want to talk about because you do want to, you know, frame yourself as adding to the value, not taking away from it. And that was sort of the purpose of the conversation. Maybe that leads to nice. We're talking about the Olympic side of things with the content creators and, you know, how do you drive value to the live content? And Nick, there are some pretty big stats from that. And I'll quickly run through some of the stats that they shared in a presentation they put together. They said in 2025, there were 5 trillion sports video views, which is just a bonkers number.

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23:26Nick Meacham:19 of their most, 19 of the 25 most followed publishers were sports accounts, which actually really surprised me because, you know, I just, there's so much on TikTok. The fact that sports is so popular, I found a bit interesting. 64 % of women choose TikTok as their go-to sports content platform, which again is really interesting for the right people, depending on how you're trying to use it. 42 % of fans, according to their statistics, were more likely to tune into live matches after consuming content on TikTok. And then the one case study example they used, which I think is really the important part, and we referenced it earlier, was DAZN's Club World Cup coverage and using their game plan feature.

24:04Nick Meacham:They said that they managed to drive from TikTok to DAZN's platforms through like an affiliate link. Approximately 500 ,000 signups on DAZN through TikTok. They claimed that they could sort of take credit for pushing people there in terms of the funnel. So this whole conversation around, is it a value gap? Is it a value add? You know, Nick, there's a ton of statistics in there. But I guess maybe before we go into some of the stats there, what's your general take in terms of is social media and content a value gap or a value add?

24:32Chris Stone:hmm where to go with this one i like i i reflect on the conversation i had with uh rob pilgrim a while back on from meta's perspective and i think it links with this one where he was suggesting that have we got it all back to front you know basically have we got it so where's the real value in the conversation around sports or just around sports content is it the live event or is it all the storytelling around the non-live stuff the stuff that gets what we were talking about for the the canadian curling and all those other moments that happen around those events that i've watched countless highlights and examples of and platforms like tiktok do a great job of making that stuff accessible serving to people's people's channels people's platforms and my enthusiasm and engagement with the sport is so much higher because of it serving me that than it would be by just relying on like the linear feed of of content alone And the fact that the revenue that's funding this whole ecosystem around media is built around a broadcaster buying the rights and then trying to monetize it through selling subscriptions or advertising.

25:38Chris Stone:This feels like such a leaky bucket in this day and age that I don't know if I'd call social media a value add in terms of from a broadcaster's perspective. but certainly from a rights owner's perspective, they need to be so focused on how they ensure that their visibility and content is made available as many ways as possible on the platform and being part of the conversation with fans and consumers and passive fans that might not be interested in that sport like we are talking about curling today. So I think social media's role is incredibly important. It is super interesting to see and hear TikTok talk specifically about driving signups to the platform.

26:22Chris Stone:Now, that's been a really interesting takeaway I took from the event was this focus around being basically a bit of an affiliate marketer, I'd call it. I'm sure they wouldn't like me calling them that. But basically, they are measuring how much business they are driving to DAZN as a platform. And that's not something we've had around social media for quite some time, in fact ever really in terms of something that you've heard shared from major social media outlets previously so for me that's just a big play here is what are they why have they made this announcement why have they made this statement about signups and being open to sharing that and the zone was on stage to talk about that and and show their support for how important important and valuable working with TikTok has been to driving signups to their own channels.

27:15Chris Stone:And the more that social can play a very direct line of consumers, signups, subscribers, et cetera, to the platform, the more beneficial it does become to broadcasters and platforms who are publishing and promoting on that platform and need a way to funnel audiences, casual fans to their platform so i think it's it's pretty significant um that they are intentionally positioning themselves as such and that the zone's also pretty willing to share those numbers and to to shout about it because it is potentially a real needle mover if other broadcasters and other streamers can directly attribute sign up subscribers etc coming to the platforms as a

28:00Nick Meacham:result of what they're doing on social well i've shared this story before but i think it it ties into this and we also had the head of content for the european tour there and we spoke about golf feels like it is someone that's really leaning into this space whether it's the dp world tour or it's the pga tour or it's the individual golfers themselves like bryson de chambaud or you know grant horvath all the different content creators it really feels like golf's doing an excellent job of this and you know for me you know using that stat tiktok cat it wasn't by tiktok it was via youtube the whole you know 42 more likely to watch live content I for the first time ever went and watched the U.S.

28:35Nick Meacham:Open live because I'd watch Brayson Dation. And then I went on to watch the Ryder Cup stuff I'd never done before purely because I'd watched content outside of it. So I do think to your point, there's probably differences whether the broadcasters or the rights holders called a value gap or a value add. But there's certainly I watch content now I wouldn't have watched before. And similarly, you know, things like fantasy sports. Nick, I would never watch Bundesliga football. sorry Andreas Hayden I know you're not technically DFL anymore but like I wouldn't necessarily be watching Bundesliga football if I wasn't also into so rare in fantasy sports where again a non-live piece of content you know we can use an NFL example I would never watch the Raiders play football if I didn't own Brock Bowers and fantasy football and again this you know fantasy football is a type of content that is a value add because it it makes me interested or gets me invested into something i would otherwise never normally watch like there might be people they're going to go watch the the curling final because they want to see if canada really is cheating you know stuff

29:34Chris Stone:like that like it drives appeal they're feeding each other i think that the linear and the live broadcast actually feeding the social media engagement because people are walking away like want to keep in touch with what they're seeing and have seen on tv and social is able to keep them in touch they want to go back to it again and watch it later and so that kind of like two-way dynamic is essential um for the sport and for the broadcaster to continue to engage audiences and keep them interested for something that takes you know a number of weeks to be delivered it's not a one-off event happening for two hours right we're talking about something that happens over a long period of time how do you constantly keep fans interested at least when we're talking about um the winter winter olympics as it stands so or the fifa world cup or the fifa club world cup etc which was the example that we we pointed at um so look i think social media is got the a huge important role i think it plays the most important role in terms of building fandom i think the notion that the live sporting event is the thing that builds fandom i it has a such an important role if you watch live sports but i think highlights and non-live plays a bigger one to your point around you know you're big consuming youtube golf streamers and that made you watch that's a great example of where you've watched something that's not live and it's driven you to the live experience uh it's just it's a secondary step but you've become more of a fan because of the non-live content you were creating it wasn't the live that was the the the fuel to your fandom necessarily it was actually the other other way around and i think that is really where we're at today i think highlights non-live and the storytelling around the the unique angles which they pointed to a couple of those which we'll talk about perhaps in a second other things that are really getting people excited about a sport or something to watch and a live event can be but we've talked about and i've talked about for in presentations and no doubt on this podcast that in many ways i think that's live sports is often the second screen experience when people are watching they're on their phones whether they're doing something completely different or they are talking with friends or whatever about the experience, but they are focused on what's happening on their phone first.

31:48Chris Stone:And the live sports experience at times, not always, is the secondary screen in their life at that moment. It's not always just because live sports is on. It's always the first screen, the priority for everyone at every single moment. And that's just the reality of things. So that dynamic between social media and its role to drive people, but also its social media and its role during a live sporting experience is so complex that I'm not really sure who's like winning here or who's maximizing who from from whose perspective but it is really interesting that TikTok and Meta and YouTube these big tech platforms are all really going and gunning after sports right now at least that's what it feels like given everything we've

32:30Nick Meacham:seen and heard so far and in terms of you know the overall day was there anything that stood out to You know, we had DAZN coming in talking about what they were doing from a platform perspective. You know, Game Plan was something that was referenced multiple times, both by TikTok and DAZN. You know, it's a TikTok product, but DAZN was using it for the Club World Cup. We also, you know, had the head of content from the World Tour, or sorry, the DP World Tour coming in talking about, you know, how they're using content creators. Because we have talked about, you know, some of the content they're producing.

33:00Nick Meacham:Sort of where you balance out your budgets because live is where the money is. But as you talked about, do you need the non-live to push the live? You know, I thought it was interesting. TikTok sort of said, we know they've experimented with some live streaming. They didn't sound like, hey, we're going to make a big push for live streaming. I think it more came across. If the numbers line up and someone wants to do it, we can. But there certainly don't seem like they're trying to be pushing for live vertical streaming, which I'm not saying I'm surprised by that. But like it was something that, you know, was specifically commented on.

33:31Nick Meacham:but was there anything else in particular that stood out to you from any of the speakers?

33:34Chris Stone:Yeah, that was definitely an interesting thing. I remember asking Dominic Burns on that. He definitely made it sound like the focus doesn't need to be the live product. It is just creating great content for the platform. And live is, they will be happy to help you, but focus on just creating the best content possible for the platform. There were a couple of anecdotes that came out of it. One was that Dominic Burns, who's basically leading up their TikTok business took off business from European perspective, particularly around sports, was basically stating that I think it was something like that the traditional highlights need to be immediate.

34:09Chris Stone:They have to be out the door straight away. They can't wait 24 hours to get it out, get on platform. Like that used to be the case, but it isn't anymore. So you need to get that stuff out ASAP. And actually what had been working through the Club World Cup, secondary to that, the stuff that was done a bit later was the more unique versions of content, which is not too surprising but like ref cam was the main thing that really worked there and european tool absolutely talked about the player player content or the player led content they've been creating as really driving engagement on their platform what also struck me from the european tool the db world tours perspective most of the examples i pointed to were again not actually highlights they were the innovative storytelling some of the quite often sponsored content stuff that the innovative different shows and different concepts they've tried and again very player-led not their more traditional highlights that's been driving huge numbers and huge audiences on those social media channels so again um a little bit of like what is that dynamic between a rights holder and how do they get value by the platform taking a traditional approach will only get you so far i think i think that it that has to be the

35:21Nick Meacham:play. You know, we didn't get a chance necessarily to talk about it at TikTok. We just did not have enough time. But interestingly, someone from AFTV was there. So we didn't even get to go into the AFTVs of the world, the Mark Goldbridges of the world that are using platforms like TikTok and YouTube. But I think it just goes to show the breadth of the conversation that it actually is extensive. There's so many things we could have talked about. We still didn't even get a chance to go into it. I think to your point, we're probably trying too hard to credit one and discredit the other one really there probably just needs to be an acceptance that the two really

35:52Chris Stone:can't exist without the other yeah i think that's the summary here is that they need each other if you don't have a really solid tiktok strategy and you're a rights holder or a major broadcaster you are shooting yourself in the foot and tiktoker and platforms like tiktok are going to work really closely with these types of properties to make sure they're getting maximum value out of it we haven't talked much about it but i'll quickly talk about game plan that's a new product that They've launched and they've partnered with FIFA around the World Cup on that product, which is a huge setup. But they're creating a destination for fans on the platform, which is obviously really interesting when you think about what TikTok is.

36:27Chris Stone:It's a video, vertical video swiping platform, very simple to use. But they're actually creating destinations within TikTok now dedicated for live sporting events. That feels like a pretty significant commitment to sports. And I just wonder how far it'll go. I wonder if we'll get to a point where TikTok says, well, do a deal and commit to a major rights owner about having this game plan destination. And will some sports properties say, hey, we don't even need our own app anymore. We're just going to lean to this because it is comprehensive enough. I don't think we're there yet, but I think it could come to that point where TikTok, depending on the commitment and agreement they have in place, might really want to drive fans into TikTok through that as a gateway.

37:14Chris Stone:Then what better way to create a single destination that is only available through TikTok? That would drive me to sign up to the Olympics if I had that relationship and probably would from the World Cup. Currently, I don't use TikTok very often at all, but would I start using it? yeah, I probably would if I wanted to get insight and access to what was going around the World Cup and that was the only place I would go. So I think it could be just an interesting play for them to see if they can lean into it and if it works. And they actually drive people from just watching video and swiping up and down on content to actually staying on platform, reading editorial, watching highlights, checking metal tables, you name it.

37:51Chris Stone:That's going to be a whole different diversification of the TikTok business and platform, that's for sure.

37:56Nick Meacham:Well, in terms of speaking of building platforms, it's a shame we've only got 10 minutes to chat about it, but we need to talk about it because it is breaking news over the weekend and want to get out on it, is the latest story with Ligon. We've talked about it's felt like they've taken some positive steps with launching their own streaming platform in some of the early numbers in terms of subscriptions. They took a new approach to pricing. Then one of the things they wanted to do and something that It seems that other journeys like you've got to add other content to your platform. And one of the things that looked like they had successfully been able to do was to negotiate to distribute the World Cup in France on their platform.

38:31Nick Meacham:Again, a great way, a bit of stickiness to keep people through the offseason going into the next season. But it looks like last minute they have been usurped in their bid to get World Cup rights by BN, which is all the more complicated, I guess, Nick, because League One wasn't able to secure a deal with B1 as a domestic broadcaster. And then you also have to take into account who owns BN, or also the same people who own PSG, who also happens, I think, to be on one of the boards for UEFA or one of the big players associations. So essentially the owner of PSG is now doing something that's probably not in the best interest of the league that his team's in, but he's also the owner of the broadcaster.

39:12Nick Meacham:And maybe we ignore some of the stickiness, Nick, because there are some things in there, some webs being drawn up, but maybe just for this to instantly just react on what it means for Ligon in terms of being able to, what could have been a really nice proposition value added to the platform over the summer to now having that pulled out from under them.

39:31Chris Stone:Yeah. I mean, as I've written a post about this and it's gotten a fair bit of traction, I've had a bunch of people messaging me about it as well. It just keeps, a new headline just keeps popping up almost every other week, every other month when it comes to Ligon and LFP. And I'm not necessarily going to just point my finger at LNFP and LNFP media. I'm not sure they've done wrong here. And from a few sources I've heard from, it sounds like they may have been hard done by. So definitely, I think we can't just all say that they've been run badly. And we're not in the room. We're not seeing what's going on behind the scenes.

40:09Chris Stone:But it does feel a bit premature to make the announcement, whether or not there was a deal signed or not. if there was a way that FIFA could pull out of and do it and get one-upped by their competitor. That feels like a massive miss by LFP and basically their bosses have stepped down from that role. Now, from what I've heard from a couple of sources is that them announcing it wasn't necessarily premature in that. They had signed some sort of agreement with FIFA. and it was ratified and it was good to go. But once that deal was agreed, somehow, someway, FIFA was able to strike a deal with BN in the meantime.

40:58Chris Stone:So from what I can hear and what I'm seeing is that it sounds like that FIFA's gone and got another better deal once there's been a deal signed and finalized. Now, my suggestion would be, well, LFP, if that is the case, then you need to make sure you've got an agreement that doesn't allow that if you've signed the contract and commitment. But nevertheless, it doesn't sound great if FIFA has done this move to try and trick them. Now, who knows what BEIN's done as well? Like BEIN might've come with an incredible offer. They've got the capabilities of blowing anyone out the water at any time, given who they're backed by.

41:36Chris Stone:But it's just another messy, messy situation. And whatever the case may be as to how we got here, you've got a situation where not only does the LFPs, the Ligue 1, have a tense relationship with Cano Plus, the biggest basically sports broadcaster in the market. They now seem to have even more tension with being in sport. Again, to your point, the owner and chief exec of two organizations, PSG and then being in are one of the same person. But there must be even more tension in that relationship so how do they resolve that so they can reset the marketplace and build up those relationships and you get that visibility that they're crying for out of those different channels and platforms and media rights deals that they would be wanting to get without it they're in a lot of trouble and they're gonna have to keep committing to this doing it themselves approach which um you know the jury will be out for quite a while as to whether they can really make it worth financially to get anywhere near anywhere near where they were they don't think they can ever can um so they're going through a big reset so i feel sorry for the people at lfp if things have played out the way it seems to um but it is just another chapter in the ongoing saga that is uh legal in this domestic market so i won't ask the question of will we hear from

42:59Nick Meacham:this story again instead i will ask the question when will how put an over under on how soon you think the next chapter will come up whether you know they they sue to get the rights back or you know because they're popping up every single day so i won't i won't ask the question of well will we hear again i'll ask the question over under on when we'll hear again oh gosh it's a

43:19Chris Stone:great question uh i think we're going to see them in the headlines quite often because they make great great headlines every story's been an absolute curveball um you know the chief the media bosses step down so who's going to step into that role will they be someone that is a bit you know, outward and public facing as well? Will that be someone who will maybe keep their cards more closer to their chest and not allow the risk of what we've seen with this announcement a couple of weeks ago being drawn out and now the about face that's happened by FIFA here. So yeah, I think you're going to see more of it.

43:50Chris Stone:I now think they have, I loved the move with them buying the FIFA World Cup rights and being able to mitigate the churn risk that comes with a seasonal proposition like they have and would love to have seen what the results were. Now we won't see that. And there's nothing else that can play that role for them. Maybe they could lean into non-sports related content on the platform, but I think that would be a mistake. I think they need to now just do damage limitation and get everything else ready to market and try and drive the next wave of subscribers to the platform. And that's really all they can do for now.

44:21Chris Stone:So it is a real shame. And who knows what will be next in that saga, but we'll be watching and following closely, that's for sure.

44:29Nick Meacham:We'll certainly be here to cover it. But thank you once again, everybody, for joining us for this episode of Streamtime Sports.

From the publisher

Despite strong early viewing numbers for the 2026 Winter Olympics, is the event’s long term growth being held back by its current strategy?

Nick Meacham and Chris Stone explore whether the Olympics’ TOP sponsorship program still fits the realities of today’s media landscape. The duo also discuss TikTok’s growing influence on live sports consumption and break down the latest developments surrounding Ligue 1.


Key Points:

• Why the Olympics’ viewing figures don’t tell the full story?

• Does the Olympics’ TOP Partner programme in need of a revamp?

• How is TikTok influencing the way audiences discover and follow major sporting events?

• Does sports need social media or does social media need sports?

• What does Ligue 1’s latest twist with FIFA say about the stability of sports media deals today?#StreamTime #SportsPro #Podcast

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