In short
How creator-led and athlete-led channels are reshaping sports media, shifting attention away from official broadcasts and forcing rights owners to rethink monetization, distribution, and IP.
Guests (hosts)
Chris Stone (community lead) and Nick Meacham (CEO of Streamtime Sports).
Guest backgrounds (from transcript)
Nick has previously shared “eight realities” on LinkedIn and discusses sports media strategy and engagement metrics; Chris focuses on community perspective and examples from major events (NBA finals, World Cup).
Key claims
- Engagement increasingly comes from athlete/creator channels, often outperforming official content.
- Sports rights owners face a conundrum: giving athletes more publishing rights can grow reach but may build audiences that don’t transfer when athletes move clubs.
- Broadcasters may still own the “main event,” while creators fill the between-moments storytelling gap.
Notable examples
- Knicks fan TikTok/Instagram chaos; “f trey young” robot.
- FIFA/YouTube “first 10 minutes” trial; Casa TV (Brazil) on YouTube.
- DAZN 48: 48 creators (one per country) with criteria like 3,000+ followers and English/video editing.
- Pat McAfee: from NFL player to ESPN licensing deal reportedly $30M–$60M.
- Kaza TV (Casemiro), Arsenal Fan TV/Mark Goldbridge, Dude Perfect.
- NBA vs NFL highlight strategy (NBA allowed more clips; later boosted media rights revenue).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VONBA Playoffs and Fan Culture
0:45 to 2:48
Discussion about the passionate fan culture surrounding the NBA playoffs, especially Knicks fans.
Transition to World Cup Discussions
2:48 to 4:14
Connecting NBA fan experiences to expected fan stories during the World Cup.
“And this is, I don't know, it was a historic comeback, but still haven't won yet, but wait till they win.”
Creators and Athletes in Sports Media
4:14 to 6:32
Exploration of how creators and athletes are reshaping sports content engagement.
“And that sort of starts building that manifestation or connection with those personalities that have given them something in their first team or the team of choice.”
The Shift Toward Creator-Led Content
6:32 to 9:08
Discussion on the shift towards creator-led channels over traditional media in sports.
“It's a really tricky conundrum for sports rights owners to navigate right now.”
Case Studies of Successful Sports Creators
9:08 to 11:50
Examples of content creators successfully engaging audiences in sports.
“I was actually having a quick look at the DAZN criteria for the 48.”
Challenges for Traditional Media
11:50 to 13:20
Examination of the challenges traditional media faces from emerging content creators.
“which I think is worth noting, Nick, that Casemiro, the streamer behind Kaza TV, already had his own separate channels.”
Value vs. Reach in Media
13:20 to 14:00
The discussion on the importance of reach versus the ability to drive value in media.
“Yeah, well, I mean, 100 % they need to be.”
The Evolving Role of Creators in Sports Media
14:00 to 16:10
Explore how creators are monetizing their content and creating leverage in the sports industry.
“There is people doing sports adjacent stuff, which is their own kind of sports stuff.”
The Challenge for Broadcasters in Building Global Brands
16:10 to 18:00
Discuss the struggles broadcasters face in establishing global brands compared to successful creators.
“There's not many creators you could point to that are generating 60 million through their content alone.”
Monetizing Social Media vs. Broadcast Rights
18:00 to 18:50
Debate on the value of owning broadcast rights versus social media conversations.
Show all 22 chapters
Innovations in Content and Audience Engagement
18:50 to 22:20
Analyze how different sports leagues engage audiences and monetize attention.
“And it is more the attention that the Premier League generates and the time spent on its platforms is significantly more than it is on the live match itself.”
The DAZN 48 Program and Creator Influence
22:20 to 25:30
Examine DAZN's strategy in integrating creators into their distribution while addressing its effectiveness.
“for their buck out of programmatic as the technology continues to mature.”
The Changing Landscape of Broadcasting and Storytelling
25:30 to 28:00
Discuss the evolving role of broadcasters in a landscape dominated by creators and their storytelling.
“So yeah, I don't think it's necessarily distribution needle mover, but I like the concept of people leaning into that.”
The Rise of Personality-Driven Sports Media
28:00 to 29:09
Explore how sports media is increasingly centered around personalities like Pat McAfee and their impact on engagement.
“But in terms of the role they play, it definitely feels like at least just for me.”
Athletes as Media Creators
29:10 to 30:58
Discuss the evolving role of athletes in creating their own content and engaging with fans.
“You look at Cristiano Ronaldo, he's got over a billion followers across all of his channels.”
Building Media Brands for Future Success
30:59 to 34:24
Learn why athletes are investing in their media presence as a long-term strategy for success.
“I feel like the growth of building your own media brand, media business, and audiences, you kind of think of it as like an investment.”
The Economic Model of Athlete Creators
34:25 to 36:36
Analyze the tight economic circles surrounding athletes and the implications for the broader sports ecosystem.
“As you think about fandom, sometimes we like a sports athlete because they're cool.”
Integrating Athlete Value and Team Revenue
36:37 to 39:05
Examine the disconnect between athlete popularity and revenue generation for their teams and leagues.
“Well, I think that was part of the point, not to put words in your mouth in your presentation about the eight realities.”
The Challenges of Monetizing Sports Content
39:06 to 40:50
Explore the growing gap between fan engagement and direct monetization for leagues and teams from third-party content.
“in the long run, but it was an interesting way that they were to sort of like, what do you call it?”
Untapped Value in Sports Media
40:51 to 42:01
Discuss the potential value left untapped in the sports industry due to reliance on third-party creators.
“And one of the questions we talk about, Nick, and I bring this up when I'm onboarding the new employees and I'm giving them my speech, kind of giving about the sports industry, is there is quite a gap, Nick.”
The Evolution of Sports Media and Creator Economy
42:01 to 44:07
Explore how creators are reshaping sports media through new engagement and revenue models.
“or let's say even me as an NBA fan, I wouldn't say I'm a fan of the NBA.”
The Future of Broadcast and Creator Content
44:08 to 46:05
Discuss the potential shift in the broadcast industry and the role of creator-led content.
“Well, Nick, I actually saw there's a new, I actually know one of the founders.”
Transcript
Automatic transcript. May contain errors.0:06Nick Meacham:Hello, everyone. Welcome back to the next episode of Streamtime Sports. My name is Chris Stone. I'm the community lead joined as always by our CEO, Nick Meacham. Now, as of recording this, it's June 11th. It'll be the first day of the World Cup, but it's also the morning after game four of the NBA finals. It's been pretty crazy NBA plays and pretty amazing finals with some incredibly bad mistakes by the Spurs. but Nick my favorite part of the NBA finals and this is where I'll figure out how much time you spend online have you seen the videos of the New York Knicks fans uh I've seen videos of them uh
0:39Chris Stone:not not sure if there's any specific ones but yeah they are like they are a different breed
0:43Nick Meacham:oh my it is by far been my favorite part of the playoffs is watching Knicks fans basically predicting if the Knicks win at all the New York City is just going to fall apart um there there's one guy i hope he's trademarked this nick it's been the it's basically being used as the intro to all the videos and it's like my mayor's muslim my bagels are jewish my christians dior nixon four it's hilarious it's great um they've got a robot that's programmed and all he says is f trey young it's just like all of it there's something if you haven't seen it go look up like new york nicks on uh tiktok or instagram the videos are incredible nick it's been my favorite part of the playoffs
1:21Chris Stone:so far yeah i have seen way more coverage about the fan fandom around this probably because firstly the knicks have had such a drought um i see it's it's quite like uh much talked about their lack of winning uh and how dysfunctional they've been to this point so this is quite a turning point for them but also just still i think it's quite extraordinary how passionate the fan base is in new york for the knicks in spite of all that normally when there's also obviously the nets there as well historically the new jersey team you think that might take a bit of the edge off when brooklyn had a good team for a while but no nicks is just it's really built into the fabric of of manhattan in a way that just i think few would appreciate unless you've been there
2:05Nick Meacham:yeah no it's just like i said i i think it's interesting because i think it leads nicely into the world cup in the sense of one of the stories about the world cup is always kind of the fans and we even spoke about the olympics it's when you get these major events they're always just seemingly there's these stories that you never quite anticipate that end up taking over more the the media space than you you'd quite think of and just yeah it's been my favorite part so far the playoffs is just watching that and i'm sure as the world cup takes off there's absolutely going to be something where something fan-centric pops up that people are going to be doing whatever
2:34Chris Stone:visiting fans there are i'm sure the first videos we're going to see will probably not be the goals but the fan reaction in New York and the chaos and carnage. I saw people who were climbing light posts and traffic lights yesterday. And this is, I don't know, it was a historic comeback, but still haven't won yet, but wait till they win. It will be pretty crazy. And if you add all those layers of the story around the franchise, around Madison Square Garden, James Dolan, the owner, Trump coming and throwing a spanner in the works. I mean, this is a heck of a championship with all the stories around the competition, let alone the stuff that's happening on the field itself.
3:15Chris Stone:And it's a great example of why the off-field side of storytelling of sports is so important to make an experience like this final series so impactful and so moving.
3:26Nick Meacham:And Nick, that's exactly what we're going to talk about today. We're going to go back a little bit to your eight realities. And we did the podcast. We covered a little bit of that. You've done it on LinkedIn. It has to be, Nick, I'd say one of your most engaged posts you've ever had on LinkedIn, just the amount of people going back and forth with you. But one of those eight realities that you had, Nick, was that creators and athletes are the future of sports content. And I think, Nick, maybe just to kick things off a little bit is just maybe perhaps remind people or provide some of the context as to what you were talking about when you're referring to the reality of creators and athletes as the future of sports content.
4:02Chris Stone:yeah well the reality is that most metrics that we will all see and look at and what we all engage with whether it be industry people or um people as fans um is definitely through creator-led channels a lot through athlete-led channels and the engagement metrics we see across the industry really validate that so um you know there's one of the most storied examples of that years ago was I think it was firstly it was like LeBron James had more followers than like the NBA's leagues to all the teams combined and there was the Real Madrid where Cristiano Ronaldo moved to Juventus and a million fans unfollowed and a million fans followed Juventus immediately after the signing and that's just kind of a symptom of where we're at whereas there is this inertia in sports which is moving so heavily towards athlete centricity where people follow the personalities and athletes first not just the teams now obviously there's there's it's that's generalizing there's loads of fans we just talked about the Knicks where that is not the case yeah but you'll find even in the Knicks example there'll be players that let's say performs really well for the team that they'll have a soft spot for and they'll follow them on social media might follow them to their next team after they've serves the Knicks over a while.
5:21Chris Stone:And that sort of starts building that manifestation or connection with those personalities that have given them something in their first team or the team of choice. And because of the movement of athletes these days, in some ways, the athlete is more the constant now because you have so much change, particularly in the American leagues of how teams look year on year. Whereas going back, I don't know, 20, 30 years ago, the core of a lot of those teams stayed a lot more stable uh that's my speculative view on it but i'm pretty sure that's uh somewhat founded um so anyway back to where we're at here is um we've covered events we've uh loads of events loads of content around how engagement does perform so much better um particularly when there's an athlete involved or quite frankly it's a creator or not even the sporting moment itself and outperforms the official content.
6:14Chris Stone:And currently our industry is mainly built around monetizing of the official content and the unofficial stuff, which is driving the most engagement, is actually still very porous or leaky is the word I think I've used in how it's driving direct value back to the competitions themselves. So really sports has this existential challenge that is determined when content performs better through the athletes' channels, the non-official stuff performs better what do you do do you start giving more rights to the athletes to to publish and broadcast because that's going to give them more visibility and engagement but do you risk them building up someone else's audience rather than your own when the athlete's going to leave your club in a couple of years there's that's a real tricky conundrum about you know the building sustainable audience base that you have and then you layer in the challenge with social media and how we're more algorithm centric than follower centric these days.
7:12Chris Stone:It's a really tricky conundrum for sports rights owners to navigate right now.
7:17Nick Meacham:And I think just to further set the scene, a story you and I spoke about a couple of weeks ago in a World Cup podcast was the preferred platforms in terms of engagement with YouTube and TikTok that FIFA is working with on the World Cup, allowing viewers to watch the first 10 minutes before having to switch over to broadcast. We'll speak about the likes of Casa TV in Brazil, broadcasting every game on YouTube. Another example that's really kind of triggered my mindset to have this conversation, DAZN is launching what they're calling DAZN 48, where they went out recruiting, looking for 48 content creators from each of the represented countries in the World Cup to basically produce daily content, Fed-led content on the World Cup.
7:57Nick Meacham:So you're just thinking about all these different things, like just looking at the World Cup alone in terms of some of the strategies and how creators are going to be used with that. Also, you know, shout out to one of our Streamtime community members, Little Dot Sports, their MD, Robbie Swargo, really smart guy, recently wrote a piece, go check it out on the website, talking about athletes like Erleon Holland and Christian Ronaldo, launching their own YouTube channel. So go find that on sportspro.com. But, you know, Nick, you know, just last week we were talking about this shift of, you know, what's in the media space when we go from free to air to paywalls behind subscriptions and major broadcasters.
8:30Nick Meacham:but actually there's even a larger shift taking place just looking at you say the stuff that's taking place outside of the traditional space with content creators with athletes that isn't just all about the experience of the live event itself yeah there seems to be and i think most
8:47Chris Stone:sports events organizers i'll call it rather than just rights owners have definitely understood that they need to really meaningfully engage the creator world that sits in and around sports and entertainment and just culture to really amplify its visibility and build new audiences and expand out of its current ecosystem. I was actually having a quick look at the DAZN criteria for the 48. Have you looked at that at all? Not in deep detail now. Okay, so it's interesting. So it's very simple criteria. So I don't know how they vetted all these people. Got to be over 18. You have to be a legal permanent resident of the country they wish to represent, must have at least 3 ,000 followers on a platform, be fluent in English and proficient in video editing.
9:33Chris Stone:I mean, I covered that one a couple of times over, so I reckon I should have applied for it. Now I missed my opportunity.
9:40Nick Meacham:You could have done that, Nick. You could have done the business angle of the Swedish public reactions to the local broadcast.
9:46Chris Stone:Yeah, yeah, which would have been a lot of fun, except my video editing skills, I have to say, are a bit subpar. But anyway, look, it's clearly everyone's aware that you can't rely on your own channels alone to get the visibility and reach. You're just not going to maximize the opportunity and events are an opportunity. You've got to think of it like that. You've got to think that we're having this moment, this match, this competition. You've got to throw all your eggs at that to make sure you leverage the moment. What we've seen, even if you take a step back from event moments like, let's say the World Cup, you see what, you could say what FIFA tried to do with FIFA Plus.
10:21Chris Stone:You could also say what Olympics, the Olympics did with the Olympic channel, they tried to create this relevancy and audience engagement between their major events. And I think the reality we've all now seen is that stuff doesn't really move the needle. What moves the needle is putting all roads leading to these big, massive moments that drive fandom, emotion, connection, and mass, mass audience connectivity and maximize that opportunity through whatever way you can and fifa and loads of events organizers are now heavily leaning into creators and f1's been doing this for a long time leaning into um inviting popular personalities to the racetrack to make it look cooler and it's worked it does has really had a knock-on effect um rather than people just like checking out the team principals and the coaches or the drivers.
11:18Chris Stone:It is about all that fanfare and people want to see who's there and using creators to enable all that storytelling is these days, it's just absolutely essential. You've got to have a dedicated creator strategy if you're running sports events, whether you're big or you're running even a smaller event. I think you've got to be thoughtful about that.
11:36Nick Meacham:So when we're talking about creator content, we'll split this into what actual we'll call content creators versus what the athletes are doing. We'll start with the content creator side, Nick, and maybe just look to a couple of different examples or different models of this. We've spoken about Kaza TV, which I think is worth noting, Nick, that Casemiro, the streamer behind Kaza TV, already had his own separate channels. Kaza TV was set up specifically to basically fill in the marketplace where certain media rights weren't necessarily being taken advantage over they were able to live stream things off the back of his channel.
12:07Nick Meacham:So he's done the Olympics. He's done the Club World Cup. We'll be doing the World Cup this year. We've also got the likes of, you know, Mark Goldbridge and our friend Robbie Lyles, who've done the podcast as well with Arsenal Fan TV and what he's trying to do with Global Fan Network with this. I guess giving content creators the ability to have a more local and authentic feel from mainstream media that maybe only covers the bigger clubs or covers things from a specific example. We've also got things, I think, kind of like sports adjacent, sort of your Dude Perfects of the world that are building their own IP completely separate from what already exists.
12:40Nick Meacham:And all three of those have slightly different approaches to their content. They all have slightly different monetization models to how they're making those work as being adjacent to the live content. But I guess, Nick, ultimately, these are all people with tens of millions of followers. I'm pretty sure that Dude Perfect has over 60 million followers. I think Kaza TV has close to 30 million followers. You're talking about really massive businesses. And I guess just kind of to kick things off, Nick, should billion dollar traditional media broadcasters be concerned that content creators are almost able to match them in terms of just reach without necessarily having the similar marketing budgets and production budgets?
13:20Chris Stone:Yeah, well, I mean, 100 % they need to be. I do think if they're not, they're really flying dark here. But I think at the same time, creators ultimately are living on a platform of choice, right? And they're building from there. Broadcasters and major platforms have their own destination. You know, the kind of road of travel for like a creator in this world and space is normally, if the creator is good enough, the monetization machine of like broadcasters and so forth just doesn't quite exist around that it's still a very um it basically needs someone to basically put in the hard work of reaching out on a one-to-one basis because the programmatic revenue is not solid enough yet whereas if you're a broadcaster with reach it's almost guaranteed you're monetizing your advertising through the legacy uh system that does uh exist but if you're the right type of creator the right type of space normally and you get to a certain threshold you really then start to be able to dial up those other levers where you can drive more value i mean look at the music industry actually most people will say in the music industry there's a reason you see most musicians and acts touring so much these days they make more money out of the live show than they do um out of cd sales or album sales or streaming revenues right and i think it's a similar thing here is the the reach is one thing and it's important and the reach of creators is eating broadcasters lunch in terms of the attention window that's available but attention isn't enough if you can't drive those other levers um or take the right approach to maximize the value but think about i was thinking about one of the other creators i think when we talk about sports content from the creator lens And you gave some great examples, right?
15:05Chris Stone:There is the live event. There is people doing sports adjacent stuff, which is their own kind of sports stuff. There's people just talking about sports. And the one that came to me as probably the greatest in our generation or our time, Chris, is Pat McAfee, right? What he was able to achieve as a creator. You know, canceled his career, already had a legacy audience, but, you know, being a pro football player, but that's not going to do enough. And since then, he went from being a creator with getting a creator doing his own thing with a couple of friends to getting lots of major brand deals to getting a$30 million contract annually for the licensing of his content on ESPN.
15:46Chris Stone:And now they're talking about it could be worth$60 million. So what do you classify? Yeah, what do you classify him as now? Like he was sort of a creator in a sense. He's now licensing his rights. So ESPN doesn't own the rights of all his stuff. He's licensing it to them. So that's like, I don't know, the pinnacle of what can happen with a creator. But I think it's just interesting that it comes back to the stream or the platform ultimately that's brought that opportunity to life. There's not many creators you could point to that are generating 60 million through their content alone.
16:17Nick Meacham:Well, that sort of leads me to that next question. And Pat McAfee is a good example of this. Dude Perfect would be another example. But why have broadcasters struggled to create their own brand or their own global brand of content like that? Why haven't they been able to necessarily create that organically? Why are they? Because another example would be Mark Goldbridge, you know, getting acquired by the overlap, where again, this is someone that has gone and built his own thing and been acquired by the overlap is still not traditional media, but it's certainly more traditional than what Mark was doing, sort of why those brands have struggled to create these sorts of communities.
16:53Chris Stone:Well, I think that the thing I come to on that type of point is that traditional media typically serves a localized market. Now, a localized market can be a city, it could be a state, it could be a country, but that is still localized when you think about the global opportunity that exists for some of these companies. Now, if you looked at Mark Goldridge's audience and some of the creators we're talking about here, I'm pretty sure you can pretty much guarantee you that the majority of the audience comes outside of their core market of the UK, not in it. Dude Perfect is a global powerhouse and they've done events and shows right across the world.
17:30Chris Stone:And that's really the superpower of what streaming platforms and big tech platforms have done is globalize the opportunity. So look, you could build a Dude Perfect on, I don't know, the British channels and so forth, but the sky is not the limit there. There is a definitive cap on serving the audience that you've built your business and organization around. now if you can turn it into something that is um scalable and global like able to be globalized that's a different ball game but traditional media has never worked like that most of its revenue comes from that localized aspect so it's more likely that you would see some of the big tech streaming companies try and do that and in some ways you could point to perhaps what netflix did um where they tried some special live events um to run themselves to own the ip of um who knows maybe they'll lean into the creative stuff more they're doing quite of interesting types of shows that might have almost in that leaning into the creative world um so i think the stream is much more likely to do it because of that global reach i just don't think traditional media will ever be able to bring that to life in the same the same vein anyway yeah well nick the next question
18:38Nick Meacham:i'm interested to get your take on which is would you rather own the premier league rights for broadcast or would you rather own the premier league conversation on social media do i have to pay can i pay the same price or do i get no no no you gotta pick one okay um i would say that for
19:01Chris Stone:now still the best way to monetize those rights is still the premier league rights is still the holy grail there but your point is i think if i'm reading it correctly is basically about But the amount of engagement on social media is incredibly valuable. And it is more the attention that the Premier League generates and the time spent on its platforms is significantly more than it is on the live match itself. It's all the stuff around it that gets all the coverage, your documentaries, the fantasy sports, just fans talking to each other, moaning about what happened, thrilled about what happened, whatever it might be.
19:38Chris Stone:that stuff is what generates the the energy the excitement around competition just as much as the live experience yet the ability for us to monetize it as an industry is still yeah very unproven and unoptimized I should say so that I don't know if I had to pay the full price for Premier League rights and I could get the Premier League's conversation on social for free then I'll take the social media for free versus paying billions for the rights if I had to choose.
20:07Nick Meacham:Yeah. And I think the difficulty of that question is to your point, Nick, we've not quite figured out the latter yet. We know how to monetize the media rights. But as you say, Mark Goldbridge might get more eyeballs during the week talking about Man United than necessarily Sky's owned channels might get when it comes to talking about Man United. And I think that might shift the balance. And that's probably why we're seeing or at least having this conversation is because we're probably starting to see a bit of the tipping in that balance. But yeah, for now, I'd probably own the media rights, but I don't know how that conversation will look in five, 10 years with just some of the stuff we're seeing.
20:45Chris Stone:Yeah, I'm not sure either. I think it will be more business as usual than we would hope. But I think the industry just has to be focused on how to optimize all that attention they are generating. It comes back to the example of like the NBA example of where they zigged when the NFL zagged. They let people use their highlights quite freely to create their own clips and content. And that led to this huge wave of interest growing in the NBA about the last five to ten years. And while the NFL was very protective, so it was only through official channels you would get that content. And the NFL since pivoted because the amount of people consuming that NBA content was so insanely off the charts.
21:31Chris Stone:The concern at the time was, well, is this going to turn into value? Well, it did. The NBA ended up getting a 3x media rights revenue deal because the interest in the sport was growing. Now, the reason there's been concern about that is because that sort of innovation is now status quo. It doesn't quite have the same inertia in moving people to the NBA like it did when they decided to make that decision a decade ago. So there needs to be constantly new ways of bringing that to life. And I think things like athletes publishing near-life content through their own channels might be another way of achieving that.
22:04Chris Stone:But we've got to keep innovating and innovating and getting more visibility. And that should turn into more revenue, whether it be through the indirect ways of sponsorship deals for the whole ecosystem or because the streaming platforms, the big tech platforms themselves are going to be able to get more bang for their buck out of programmatic as the technology continues to mature.
22:25Nick Meacham:And I guess this is the last question on this one, Nick. When we're talking about the business model, could it be argued that creators actually have a more scalable and sustainable business model than traditional broadcasters who might be reliant on subscriptions?
22:42Chris Stone:Oh, reliable, I would challenge. I think that there's a very strong legacy in traditional media that keeps the whole ecosystem moving along the right way. I think creators in this day and age really have to find ways of continuing to stay relevant and keeping an audience engaged because they are going to get tired of you and they'll move on to the next thing. The algorithm will force them to try someone else, whereas traditional media historically has had your attention because you didn't have much of a choice. So I think creators have a real challenge to constantly keep that engagement. You know, there's that top level, but even people like a Mr.
23:22Chris Stone:Beast who shot to fame and as like the number one global creator, a lot of people are getting tired of his content. So he's trying to find new ways to reignite his brand. Look, it's better in the sense that they have such low costs to run and operate for sure. But the money-making machine is rough for them overall. And most really do pretty low-key deals and have to integrate them into the broadcast. And think about traditional. it's a lot easier to scale and traditional audience data and the integration into broadcast is actually really straightforward because there's legacy ad slots and everyone knows how that ecosystem kind of works.
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23:59Chris Stone:On the flip side, the traditional audience data is just much weaker than what you could get from a creator. So there is a bit of that, but we're still a long way from being a well-oiled machine, that creator economy around them.
24:12Nick Meacham:Now, before we move into talking about athletes, let's refer back to DAZN's DAZN 48 program that we mentioned at the top of the show. And you mentioned in the last Summer Olympics that the IOC had a similar content creator approach. And we've seen other people doing this. At this stage, things like the DAZN 48, is this innovation or is it more an admission that creators are now essential to the distribution strategy for these organizations?
24:39Chris Stone:So I don't know much about the DAZN 48. uh is it it's it's around the world cup right correct it's all 48 creators one from each country yeah so i think that is a great idea if you have the rights to the world cup i'm less sold on the idea until maybe a way for them to keep relevant yeah when they don't have the rights to the world cup but i just don't see how it can be a needle mover for the zone it sounds cool you know the zone 48 is a brand and stuff but i just don't see how it really makes it's going to make much impact i would wait i get away more if they did around the club world cup when they had the rights to that and trying to drive awareness that they've got the platform because most zone still has a bit of an awareness issue in many many markets and this will be a great great way to bring that all to life uh nbc celebrated a lot of the work they did with creators at the olympics um but yeah does not having the rights i can see this trying to be relevant but i just don't know how it really moves the needle there certainly is an admission that creators are essential from not necessarily distribution perspective, but from an awareness perspective and widening the net, I don't think they're going to be able to use any live rights.
25:50Chris Stone:So yeah, I don't think it's necessarily distribution needle mover, but I like the concept of people leaning into that. They can funnel audiences to their own platforms, a bit like the preferred platform concept, I suppose, in a different way.
26:01Nick Meacham:Yeah. And I guess we're doing this because creators are now becoming the storytellers, but I guess the question is if they are the storytellers what's the role for the actual broadcaster to
26:11Chris Stone:play these days hmm i would say that they at the very least they're filling the void between the main events they're taking away that responsibility of you know the magazine shows and all that other stuff that goes on where people would historically tune in to hear hear what gary lineker on bbc match of the day might have to say about the football that happened earlier in the day they They now have that being served to them by creators everywhere who have got opinions and publishing stuff on these different channels. So they fill the void in between those moments. And providing that dichotomy sort of continues to exist, it still gives the broadcasters a really valuable piece of the ecosystem.
26:54Chris Stone:It's when they start to lose that main event status and it gets threaded to the creators that they sort of lose a bit of their clout and impact. But maybe it's basically simple. They don't have to tell as many stories as they used to and let the others do the storytelling. Just enable them to do it. But I haven't spoken to any broadcasters that are actively thinking like that. I think they just think in this day and age, we keep hearing it. You've just got to do more of everything. And maybe more of everything means just enabling others to do it rather than doing it themselves, which would be enabling creators to make the most of the opportunity.
27:30Nick Meacham:And I think, you know, anecdotally, I'm one person. I think what you said there makes a ton of sense because I still go to the broadcaster to watch the main event, the live sport. It's the what do I do between? You know, I've got local Bengals podcast and YouTube channels that I listen to. I'm not necessarily going to ESPN or the traditional broadcasters for that in-between content. I'm really going there for the live event. I don't think, to your point, that's an excuse for those traditional businesses to not do those types of shows or not do that type of content. But in terms of the role they play, it definitely feels like at least just for me.
28:05Nick Meacham:And I would say that's consistent amongst my group of friends. Like they are going to Pat McAfee. They are going to other places. If we use the example of the NFL for Monday through Saturday content.
28:16Chris Stone:Yeah, I do think though, one thing that has caught my attention is the Pat McAfee example is, well, now he basically is ESPN. Yeah. you know, Monday to Friday and Saturday with college game day. He's basically on TV all year round. And so they are leaning into a sort of a personality driving the brand of that and that whole opinion-led content being such a core part of their show. You know, they spend so much money on talent, you know, McAfee and Steve Smith. Stephen A. Smith is there. They're spending collectively$50,$60 million just on those two guys. that's not nothing because they needed to fill the the airwaves they needed to fill the void of um of airtime frankly they've got to share but it seems to drive real engagement for them so i don't know i i think it's they don't need to lean into it but people like espn are still leaning into it they really value that whole connection with opinions and and um and personalities
29:17Nick Meacham:so moving on to athletes nick for years we've seen athletes lean into being celebrities some more than others, but it does seem slowly more and more athletes, they're becoming more media savvy and attentional with their choices. You look at Cristiano Ronaldo, he's got over a billion followers across all of his channels. I think he's just shy of 80 million subscribers on YouTube. And we've seen him not only producing his own high-end content, but we've also seen with Premier Paddle, he was live streaming and distributing from his channels. I think we covered that on a story in the past, but basically Premier Paddle tapping into his 80 million platform channel.
29:52Nick Meacham:We've got the likes of Erling Holland, you know, producing content. It's not all necessarily football soccer, but some of it's adjacent where he might be playing video games or some of it's completely non-football related. You know, it's what he's dressing up as the Joker for Halloween. It's also worth mentioning Bryson DeChambeau, sort of some of the independence and freedom that Liv offered him to be able to create his own YouTube channel, which honestly for Bryson and probably the case for most athletes can be a great PR tool because I know Bryson's always had a bit of a reputation but his youtube channel everyone talks about i kind of hate his youtube channel because it makes them look like a normal guy because they don't like his golf antics but again it's this idea of being able to do that and then i guess lastly they could potentially be creators but we'll call them athletes even if they're retired we've talked about pat mcafee we've talked about gary neville um with the overlap but these athletes essentially using their their platforms um to have some of that credibility to move in that space so i guess Nick, just the opening question when it comes to athletes.
30:48Nick Meacham:We've seen athletes with social media presence in the past, but what do you think is driving this shift towards what seems like an intentional choice to produce long-form content? It's a good question.
30:59Chris Stone:I feel like the growth of building your own media brand, media business, and audiences, you kind of think of it as like an investment. It's an investment in the longer term by having an established follower base on these channels particularly if your priority is your career and your performance on the pitch and you might not have the time to commit to doing a lot of off stage or off field stuff if you can just do enough to build a good base of visibility and awareness it not only leads to immediate commercial opportunities but it sets you up if you can walk away from competition you're not Ronaldo but like let's say the tears beneath him and have multiple million millions of fans who follow you across these different channels that's kind of like setting you setting you up for success longer term you just got to find a way to turn that audience into value and you're with the right people behind you that it should be almost not a guarantee but close enough to it and you are seeing a lot of athletes lean into not only sponsorship and investment deals but definitely sorry sponsorship and endorsement deals but also investment related concepts and having again a platform an audience base to be able to market those investments as well as investing in yourself to be able to get sponsor-led deals makes a truckload of sense.
32:14Chris Stone:So, look, I think it's a no-brainer for any athlete not to be investing in building a team around them to maximize that opportunity. Because if you don't, and then you get to your end of a career and you've been flying under the radar your whole time, there'll be some athletes that will just pass you in the street and no one will know you. And there'll be the same quality and standard of athlete who's invested into that, who will be a household name across the world, across the country that everyone will recognize just because they've invested into that. And that sets them up for lots of commercial success.
32:46Nick Meacham:Yeah, and I think to your point, Nick, like Ronaldo and Holland don't belong in that category. Like they are superstars, but Pat McAfee was a punter. And that's not to be disrespectful to punters, but like not exactly a glory position in football. And you might recognize him in the streets because he's really tall, but Peter Crouch isn't exactly a superstar. Peter Crouch has gone on to have a really good career doing some of the content that he does with Paddy Power. And like, I think there's a lot of example of those sort of lower level athletes that have been able to do that. And I think to your point, Nick, as glamorous as sports is for some people, it's not retirement money.
33:17Nick Meacham:There's still things that need to go on after that. But I guess, Nick, one question with those athletes, what's interesting is we often see, and this has been backed up with conversations that I had with Martin Raffel from Babe Bison and other people I've spoken to by YouTube, often we see non-sports content can actually perform their sports-related content when they're doing Get Ready With Me or stuff like that. Why do you think that is the case that athletes who are known for their sports, actually the content that has nothing to do with sports actually outperforms?
33:51Chris Stone:I don't. I mean, I don't really, really know. Other than I think it is a bit of that you want to really, it's been consistent for a while now that behind the scenes, off-field stuff where you get to know the people. People love people. People are interested in people way more than I think we as sports fans kind of really accept or understand. At least it's taken me 40-odd years to work it out and understand that actually the people behind all the sports stuff matters way more than I really took for granted. So I think it's the ability to access and learn about the personalities and the field. As you think about fandom, sometimes we like a sports athlete because they're cool.
34:31Chris Stone:Sometimes we hate someone because they come across as arrogant and so forth. And the Bryson DeChambeau is a great example of how you can change your audience's perception. Within 12 months, he's completely transformed the perception of him in the golfing world. So, you know, fair play to him. I want to come back quickly, though, to your question before about sort of like the athlete side of things and why they're building media businesses. One thing I've been thinking about is that really the economy around the athletes and the media that they do is actually it's super tight. So it goes, the money that they generate goes to them, the families that they have, the staff that they have supporting.
35:14Chris Stone:And that's about it. Most of the money just sort of goes to that sort of very small group of people. And I think that's the interesting part of all this is if you go through the traditional channels, normally that revenue, not necessarily, I'm not saying fairly, does get spread through the entire ecosystem. And that could be to the leagues and the governing bodies, but also to the athletes, coaches, and also to families and the grassroots level. There's a whole ecosystem built around filtering that stuff through. Now, when you look at this athlete economy, whether it's NIL, it's happening in the US, or just building around a media business around you, that ecosystem and that economy gets really, really small.
35:54Chris Stone:There's only going to be a handful of people that are getting value out of that unless you are engaging with a major agency that's leading that for you. So I just think it's something that's a little layer to all this, that if we do continue to rely upon athletes and creators and and going down that that that line the risk is that the rest of the sports ecosystem starts to struggle to get their piece of the pie that drives the economy around whatever they whatever they do whether it's the again the coaches and the athletes and the support staff or people like us and who work around the industry like it does get just a lot narrower which i think is something to for us to be a little bit of aware of and see how we can i guess navigate all that in the future.
36:37Nick Meacham:Well, I think that was part of the point, not to put words in your mouth in your presentation about the eight realities. One of them was, we talked about our content creators and athletes of the future. And part of that argument was they're not the future, they're the now, they're already doing it. But I think the other part that you mentioned, we talked about the top of the show is athletes having bigger followers than the leagues. And I guess the issue is currently there's a disconnect between the attention that the athletes are getting that isn't necessarily directly driving revenue for the league.
37:04Nick Meacham:So we can celebrate that, hey, more athletes are getting involved and being more media savvy, and this is a positive. But at the moment, there isn't, at least what I can tell, like you can say if you're a fan of Erling Haaland, he moves to another country that might benefit the league because they're a fan of Erling Haaland. But that content that you're talking about, it's still not directly going to whichever necessarily league or team that he's in. There's still that missing gap between the two ecosystems, connecting those together to generate real value.
37:31Chris Stone:100 and i do think i don't really know how we necessarily solve that only way i can think about it as a possible solution is that the teams what they could what the teams could do in that situation around an athlete is they can be the ones enabling more of that all the commercial side for an athlete and and and please they they've got the the the ecosystem the framework the commercial expertise in-house and really enable that but there needs to be some sort of filtering of how the commercial stuff flows through the club and into the players. But I think that's really tricky to navigate and most athletes will want to control their destiny far more than give the rights over to the club at hand.
38:14Chris Stone:But an interesting look back in time is, I remember it was quite a groundbreaking deal at the time, but it was when Wayne Rooney was playing in Man United and he was renewing his deal for Manchester United and it was a record salary and part of the interesting aspect of that he sold his ip in a way which i'm struggling to remember the specifics of yeah that basically gave the club way more commercial control to his right so they paid a premium to the much higher salary than everyone else was getting but they had control of his commercial destiny a little bit more now there's pros and cons about that model but a guarantee that he didn't have to think about his commercial stuff too much the club did all the work he had to do what they told him to do from a representation perspective, which was more than what the other athletes would do.
39:00Chris Stone:But they did all the commercial work as a result of that, and he was able to cash in. I have no idea whether that was a worthwhile deal for them in the long run, but it was an interesting way that they were to sort of like, what do you call it? Integrate, I guess is the word I'm trying to look for. Integrate the athlete and the club together so the commercial goals were the same. I just wonder if that's going to be something that might play out again in the future? Because I don't see that happening at the moment. I feel like they're going further and further away from each other right now.
39:31Nick Meacham:Yeah, interestingly, that was a, I can't remember the specifics of it either, but it was something that we spoke about when I was doing my master's in sports law when we were talking about intellectual property. Fun story for you, Nick. Even when I was a D3 college football player, we're talking, Jesus, I'm old now, almost, you know, 18 years ago. Every start of the season, we had to sign a contract. And this is part of why NILs came about is that the NCAA had intellectual property rights to you for the entirety of your life. Didn't matter if you graduated. So, you know, famous example, Barry Sanders, one of the greatest running backs of all time.
40:03Nick Meacham:The NCAA had exclusive access to his IP rights, even though he's graduated 30, 40 years ago. So yeah, like some of that stuff does come up. I think that's why some of the NIL stuff has come up is because you basically had to sign away all of your rights. And that's why, you know, even though, you know, they've banned or taken away Reggie Bush's Heisman. They can still keep using his IP because you had to sell, I don't want to say sell, you had to sign away your IP rights even after you graduated. So yeah, how that stuff's all evolved over the years is definitely going to have changed.
40:35Chris Stone:Yeah, and I'm not sure NIL is the solution, but it's probably broken the dam or the barriers that were in place of the result of that legacy model to try and hopefully come to a different place. But I'm definitely not a college expert, but that doesn't sound like a healthy environment longer term for people. That's for sure. No.
40:51Nick Meacham:And one of the questions we talk about, Nick, and I bring this up when I'm onboarding the new employees and I'm giving them my speech, kind of giving about the sports industry, is there is quite a gap, Nick. And the thing I try to explain to him is using my football, for example, and I touched on this a little bit, is at the moment, in terms of attention, I'll watch the Bengals for three hours on a Sunday. I'll probably consume 20 hours of content on YouTube and Spotify from third-party content creators. And actually, despite the value of media rights, none of that is directly monetizing by the league or those teams.
41:28Nick Meacham:It is those third-party content creators. And there's, I would argue, an even significantly larger amount of value being left on the table because that... And I don't know how you close it, right? How are you going to monetize third-party content creators? I don't know. But I think it's more to just demonstrate if attention is the true metric, there's just massive amounts being untapped for the sports world? Yeah.
41:54Chris Stone:Yeah, I don't really know how to solve all that, but that is the number one conundrum I've got. I've used this example a few times, but yeah, me as an NFL fan, or let's say even me as an NBA fan, I wouldn't say I'm a fan of the NBA. I like checking it out every now and again. I've watched some of the highlights from the final series we just talked about. I've listened to more of Bill Simmons' podcasts at the gym the day after those few games that I have watched of any live NBA for this entire season. Now, there are at least more mature ecosystems around podcasting, around Spotify and video that allows them to generate their own ROI from the fact that they're able to talk about those things.
42:39Chris Stone:and they're obviously there they are helping build that level of fandom around the sport around the sports property so that so there's sort of just like an acceptance of a bit of quid pro quo there you're helping build our audience you're allowed to talk about us off you go and that's that's all fine but it doesn't feel like it's really optimized in the right way does it at some stage I just feel like we're going to end up with some sort of really empirical way of measuring attention that turns into direct revenue but we are very much not there and i don't expect to get there any anytime soon because everyone wants to like maximize their opportunity right so you know on social media and so forth yeah they've run they run created chat what do you call them like um creator initiatives i'm trying to think about another word the pga coordinated one a couple years back i think yep yeah that sort of thing and that you know the tiktok's tiktok will do rev share and YouTube do rev share and those types of things to help facilitate the economy.
43:36Chris Stone:But that reach is just the 1%. That doesn't really reach 99 % of the rest of people producing that stuff. So it's definitely not an environment that is built for everyone to prosper. You do have to get through or pass a certain threshold before you're able to make ends meet, basically, which in some ways you could think is a good thing, but it would be kind of cool if everyone was able to get proportionally the amount of revenue they generated from the amount of attention they got. I'd love that to be the case.
44:08Nick Meacham:Yeah. Well, Nick, I actually saw there's a new, I actually know one of the founders. There's a new service where basically you pay influencers, but they get paid based on the amount of engagement they get. So usually they might have a standard, hey, if you want an Instagram story, it costs this much. If you want that, it costs this much. but basically you go to the service you say i have five thousand pounds in my budget split that up by views or whatever and then it pays them based on so basically you're not paying for product you're paying for performance um it almost sounds a little bit like that nick where it's kind of like um you know giving it for the actual performance as opposed to the product i think that's an interesting concept in terms of like trying to measure um actual engagement what the value is
44:50Chris Stone:behind that yeah like it's back to the point before about the ecosystem there's all these different ways of making money but it's not it's not people are trying stuff but no one's got the magic bullet here uh for to solve all this and make sure that it's all seamless through the whole way uh through the ecosystem uh so i think i'm not sure if we'll ever get there but uh it's
45:11Nick Meacham:cool to talk about yeah well last question nick just to wrap things up on this i think if you listen to this podcast it's clear that this is not a fad it's not a phase it's something that is very much a part of the ecosystem, how much one depends on the other or how much one supports the other, whatever. But Nick, in terms of the broadcast industry, how quickly do you anticipate this shift? Or is it something that the broadcast ecosystem is so ingrained that we might not ever hit a particular threshold or just might not really accelerate the rate we might think, given what we've said? Because you also said here, it's not all rose-tinted glasses for everybody.
45:51Nick Meacham:There are the examples of the people that have hit it big time, but there are certainly millions more who never hit that threshold to get to the Pat McAfee level, the Mark Goldbridge level. Like you have to do quite a bit of work before you really kind of break through. So how much change would you really expect? Or are we kind of at a rate of adoption that this is probably going to be the status quo?
46:14Chris Stone:That is the trillion dollar media question, Chris. I mean, I have no idea where we're going, but it feels like the effort, the attention that all these big tech platforms are creating and the fact they're able to use people at no cost to them to be able to drive this attention, drive engagement on their respective platforms. It's an arms race now. They're all investing into different ways to do it, whether it's supporting the creators themselves, buying live rides, creating new events, driving e-commerce. and I just don't know what that means for the traditional media landscape. I know that it's only going to continue to be a focus for all these big tech companies.
46:54Chris Stone:There are some studies that show that people are stepping away from focusing on engaging on those sorts of big tech platforms, but they aren't necessarily going back to the traditional ones and that's kind of the conundrum. So I don't know where we get to. I do think you're going to see more traditional media leaning into more creator-led content primarily because it's actually also often cheaper to create than some of the other stuff that's out there but also it does drive a lot of engagement and interest and it threads directly to social media channels so succinctly there's a there's the creator's ability to market themselves on those channels that allows that to be amplified and to drive audiences to the traditional but I think we're going to go through a lot more disruption before it gets more before it calms down and frankly long may it continue because it gives us a lot of lot to talk about.
47:43Nick Meacham:Absolutely. Well, everyone, I hope you enjoyed this episode of Stream Time Sports. As you're hearing this, the World Cup will be in full swing. Hope you're enjoying the football there. I'm going on a two-week holiday. I'll be back in the States next. I'll get to watch it live. I'll let you know how the coverage is over in the U.S. versus what we'll see back in England, but I'll be eating lots of smoked meats, got the briskets all ready to go. My parents have a kegerator in the barn, so basically it fits the size of a keg. You can pour your own pints in the barn it's going to probably be anywhere between the low 90s to you know high 30s low mid 30s for the people speaking celsius so yeah nick i'm looking forward to a sports filled vacation back
48:21Chris Stone:at home i'm really intrigued to hear just how you see the adoption and the engagement with the local community given particularly obviously you know whether irrespective of what the u.s does so yeah good lot to talk about when you get back but i'm very much i've already booked a few calendar invites into my schedule to make sure I get a chance to watch Australia, England, and Sweden play at different stages in the early phases. So I'm looking forward to it as well.
48:48Nick Meacham:Absolutely. Well, everyone, thank you again once for joining us, and we'll catch you on the next episode.
From the publisher
Creators, athletes, and influencers are reshaping how fans engage with sport, but is the industry able to keep up?
As initiatives like DAZN48 and athlete-led platforms gain momentum, the balance between media rights, reach, and relevance is being tested.
Co-hosts Nick Meacham and Chris Stone question whether broadcasters are losing control of the conversation and why off-field content is starting to outperform the main event. If attention is shifting faster than revenue models can evolve, what does that mean for the future of sports media?
Key Points:
- Are creators and athletes starting to control the sports conversation over broadcasters?
- Is attention now more valuable than traditional media rights?
- Why is off-field and creator-led content outperforming the live product?
- Can the sports industry actually monetise the massive attention it generates?
- If the model doesn’t evolve, who loses out—broadcasters, leagues, or everyone?
