In short
Podcast Episode Notes: Stuff You Should Know - Short Stuff: Devil Horns
Episode Overview
- Hosts: Josh and Chuck
- Topic: The origin and cultural significance of the "devil horns" hand sign in metal music.
- Key Themes: Irony of the hand sign's origin, its adoption in the metal community, and notable figures in its history.
Introduction
- The episode begins with a humorous acknowledgment of the hosts' excitement about discussing a hand sign deeply associated with metal culture: the devil horns.
- Josh mentions practicing the sign for an upcoming Judas Priest show, highlighting its cultural relevance among metal fans.
The Devil Horns
Origin and Meaning
- Irony of the Sign:
- Although widely recognized as a symbol of metal fandom, the devil horns (or *corna*) have roots in Italian superstition meant to ward off the evil eye.
- Hosts playfully note that while fans use it to express enthusiasm, its traditional meaning is quite the opposite.
- Historical Context:
- The sign has been popularized by various artists, primarily Ronnie James Dio, who is credited with making it fashionable in heavy metal.
- Dio adopted the sign after joining Black Sabbath, distinguishing himself from previous frontman Ozzy Osbourne, who favored peace signs.
Key Figures in Devil Horns History
- Ronnie James Dio:
- While he popularized the sign, Dio stated in a 2001 interview that he didn't claim to be its originator.
- Gene Simmons:
- Attempted to trademark a variation of the devil horns that resembled an American Sign Language sign for "I love you," which was met with criticism for its inappropriateness.
- Geezer Butler:
- Black Sabbath's bassist claims to have used the sign in 1969 before Dio, asserting it was suggested to him.
- Jinx Dawson:
- Lead singer of the band Coven, credited by the hosts as likely the first to use the devil horns in a rock context, with songs that featured dark imagery and themes.
- Her band’s 1969 album, *Witchcraft Destroys Minds and Reaps Souls*, included songs with content that aligned with the dark themes now associated with metal.
Cultural Impact
- The episode discusses how the devil horns have transcended mere hand gestures, representing a shared identity among metal enthusiasts.
- The hosts explore the unique adaptations of the sign in different cultures, such as the *kitsune* hand gesture in Japanese metal concerts.
Closing Thoughts
- The episode wraps up with reflections on the lasting legacy of the devil horns, its evolving significance in metal culture, and the importance of recognizing its origins.
- Josh and Chuck acknowledge the fascinating connections between various artists and the cultural history of heavy metal.
Key Takeaways
- The devil horns hand sign is steeped in irony; it symbolizes both metal fandom and serves as a protective gesture in Italian culture.
- Ronnie James Dio played a significant role in popularizing the gesture, but its origins likely trace back to earlier figures in music, particularly Jinx Dawson.
- The sign has evolved within different cultures, emphasizing the universal nature of music and community expression.
Additional Notes
- Josh and Chuck frequently interject humor throughout the episode, making cultural discussions accessible and engaging.
- The episode also connects with broader themes in the heavy metal genre, showcasing the interplay of music, identity, and cultural heritage.
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This markdown serves as a comprehensive summary of the episode, highlighting its main points and discussions for easy reference and understanding.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
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0:38Hail Satan and welcome to the short stuff. I'm Josh and there's Chuck and this is our mid metal two-parter short stuff that's more metal adjacent than you can possibly imagine. We're talking about the origin of the devil horns hand sign that is as metal as metal gets as far as hand signs go. Yeah. I've never had an opportunity to flash this, so I've never really done it, and I feel like a bit of a nerd, but I'm practicing because of that Judas Priest show. Yeah. I figure that'll be a great time to whip it out for the first time. For sure. So where did this come from, Chuck? Well, I mean, let's talk a little bit about what it actually is because there's a bit of irony attached to this because when you're at a metal show doing this, You are, you know, what you're really doing is just a fun thing where you're like, this band rocks, and this is the appropriate sign that you do at a show like this to indicate that I think this rocks.
1:35But sort of the kind of funny subtext is like, yeah, Satan's horns. But what it really is in origin is sort of the opposite. It's known as a corna, which is Italian for horn. and it is what you do in old Italy or even if you have a grandma in Italy who is still sort of superstitious to ward off the evil eye. It's not like, yeah, Satan rocks. It's like, no, get thee out, Satan. Yeah, exactly. So all of the metal fans are like, oh, that's the problem. That's why Satan never shows up. We've been doing this wrong. Yeah. So, yes. And like you said, it's totally associated with metal. And most people trace it back to Dio, Ronnie James Dio, who we surely have talked about by now in part one.
2:30At the very least, we definitely do in part two. He sang for Elf, Rainbow, Dio, obviously. He also took over after Ozzy, R.I.P., was kicked out of Black Sabbath in 1979. Dio took over as the front man, which is a cool way of saying lead singer for Black Sabbath. And Ozzy was known to give double peace signs as his thing. And Dio was like, I can't do that same thing, but I got to come up with something. Everybody's going to be expecting some signature hand signal. So he turned to the corner. That's right. What is the deal with those hand signals? It's definitely a hard rock to metal thing. Because Van Halen with Sammy Hagar, they did that thing.
3:17And I don't know. I just never feel like I see other bands doing that. What did Sammy Hagar and Van Halen do? They did the double I Love You put together in such a way that it may have indicated something sort of naughty. I'll just say that. Oh, gotcha. I remember White Lion made the W with their two index fingers and thumbs coming together. Did they really? No. No. And then Poison had the thing where you snap your fingers and then slap your hand on top of your closed fist three times. And then Klaus Meinberg would go whoop, whoop, whoop. Exactly. All right. I don't believe that one, so I didn't fall for that one.
3:58But, you know, a lot of people, if you're just a casual researcher, you'll just see everywhere that it was Ronnie James Dio. People have asked him this. There was an interview in 2001 where he said, I doubt very much that I would be the first one who ever did that. That's like saying I invented the wheel. But I think you'd have to say that it made it fashionable. So he never claimed to be the originator of that hand symbol, which is great. Stand up guy, Ronnie James Dio, R.I.P., of course. So where did it come from? I mean, Gene Simmons in court said it was him or tried to at least. He, so here's the thing Gene Simmons really outed himself as a dipstick When?
4:40Which time? Well this time in particular Right? Because he tried to trademark His trademark hand sign Which is like the devil horns But rather than the thumb closing over The two closed Middle and ring fingers Like you do with the devil sign He stuck his thumb out So there's three digits sticking out, right? That's I love you It is. It's the American Sign Language sign for I love you. Regardless of that, he tried to trademark it for himself, probably so he could sue people who continued to use it. And yeah, he tried to trademark it an American Sign Language sign. That just kind of is pretty dipsticky, if you ask me.
5:21But what's interesting about it is that all the press that this thing got started to actually tease out the people who probably really were responsible for introducing the metal horns to heavy metal or to music, at least. Yeah. Should we take a break? Yeah. All right. We'll be back with more of this mystery right after this.
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7:37So before we get to who possibly may have created this We should mention Geezer Butler, the bass player for Black Sabbath. He said, hey, look at our photo from 1969. I'm flashing this sign. So I did it before Dio, and I actually suggested that he do it. And also this was on the cover of Yellow Submarine, like John Lennon in animated form is making this sign on the cover of Yellow Submarine. that doesn't really clear it up because Geezer Butler is also wrong so I'm going to let you lay it on us my friend who maybe started this whole thing okay thank you for giving me this one because this is amazing it turns out that it was probably a blonde 18 year old American girl named Jinx Dawson who was the lead singer of a band called Coven which would be, I guess, psychedelic rock maybe, but super dark psychedelic rock.
8:41Yeah. Did you listen to much of it? I did. It's not that great, but... It didn't even sound psychedelic to me. And if you hadn't known the lyrics or the song titles, it didn't seem even spooky. Yeah, you'd be like, is this like a Paul Revere and the Raiders cover band or something? Sort of. It was interesting. There was an article by a guy named Dom Lawson in Metal Hammer, and he called it, he said it was scarcely any kind of metal, but it flowed with a similar dark magnetism. I think he kind of nailed it on the head. Yeah, well, what's interesting is like it is ultra metal with imagery and lyrics and song titles, but it's such a weird thing for your brain to hear that kind of thing coming out of something that's not metal sounding, you know?
9:26Right, exactly. This is a 1969 album called Witchcraft Destroys Minds and Reaps Souls. and it had songs like For Unlawful Carnal Knowledge on it, Packed with Lucifer, and then very spookily, the first track on this album was called Black Sabbath. Yeah, can I read a few other song titles? Mm-hmm. White Witch of Rose Hall. Mm-hmm. Choke, Thirst, Die. That's just one song. Yeah, yeah, commas in between. Mm-hmm. Eat, Shoots, and Leaves. Wicked Woman is one. And there was one called Dignitaries of Hell. And so Jinx Dawson, the reason why she's like probably the one who did this, she was actually raised in a left hand path house and was raised as a Satanist in the Anton LaVey, Aleister Crowley sense, the occult sense.
10:23and another reason why it's attributed to her and her band Coven is because no one, no one was doing this, especially in the States. They were from Chicago. They essentially had no inspirations aside from the real life left-hand path initiations that Jinx Dawson had been raised around. Yeah. I mean, if you look at the, I think it's on the back cover, right, of their album, Once again, witchcraft destroys minds and reaps souls. I just want to read that like five more times. They're doing that sign. I mean, it's very clear. It's not an accident. It's very much on purpose. It's exactly what it is.
11:04And it was so convincing that in 2017, when Gene Simmons was trying to trademark this stuff, they came forward and Gene Simmons was like, you know, didn't know about these guys. No. Someone else who said they didn't know about these guys was Ozzy Osbourne and Geezer Butler and Black Sabbath. Yeah. And supposedly, and it gets even spookier, the bassist for Coven's name was Greg Oz Osbourne. Yeah. This is happening simultaneously in Chicago. Yes, as Black Sabbath is changing their name from Earth to Black Sabbath. Yeah. And Black Sabbath has always maintained this is just some spooky coincidence.
11:42Sure. It's believable. There's an article by a guy named Dom Lawson, that same Dom Lawson from Metal Hammer Magazine, who basically says, like, their album got zero. It just didn't make it over to the U.K. There's almost no way they would have heard this. And the reason why is because their album was released right around the time of the Sharon Tate murders, the Manson murders, and America was not in the mood for stuff like satanic rituals. Or bad music, yeah. Sure. But Lester Banks heard it. He compared Black Sabbath to a combination of Cream and Coven. Yeah. So at least in the mind of legendary rock critic Lester Bangs, Coven was at least somehow related thematically to Black Sabbath.
12:26Yeah, I think it was like take the music of Cream and combine it with the spooky imagery and lyrics of Coven, or Coven as I like to say. Oh, yeah, you could say it that way too, I forgot. Yeah, that seems to be the deal. Yeah, so I guess it's unclear exactly how much direct influence they had. But at the very least, everybody tips their hat to them for being pioneers in that respect. Yeah, well, at the very least, it shut Gene Simmons up. Right, exactly. So hats off to Jinx Dawson for that. And then we can't talk about the devil horns without at least a nod to the kitsune side. Kitsune means fox.
13:02And in Japan, if you go to a metal concert, say like a baby metal concert that will come up at the end of part two, you will see something similar to a devil sign, but rather than the ring finger and middle finger bent down and the thumb crossing them, the ring finger and middle finger come together and are pressed against the thumb with the pinky and the index finger up. And what you're doing is you're making a face of a fox. And it's very Japanese. That's what they do at Japanese metal shows. You know, I didn't understand any of that until I just sort of did it as you were following along. And I was like, oh yeah, look at that little fox.
13:33Great. Makes a nose is what it does. It does. A little fox face, and you can be like, hello, I'm a fox. If we have one extra minute here, I would like to do a real-time update. Breaking news. In part one, I rattled off my top five metal bands, and I forgot because I was listening to Hair Nation again later that day. And I have an update, and I hate to do it, but I'm going to, I guess, bump the scorpions out in favor of Tesla. Okay. All right. I can see that. They're similar. level? Yeah. I feel bad. I forgot about Tesla. And while I don't dive deep into Tesla, I think I'm going to go on record and say that like three of their songs are some of the best songs of that era out of any band.
14:23So I have to put them in there. Okay. Well, while we're talking, while we're doing updates, I watched, Yumi showed me some, I guess, Instagram clips of Ozzy's funeral and Sharon Osbourne just losing it. It's brutal. It's so hard to watch. But then also she showed me a clip of him singing Coming Home, Mama, I'm Coming Home. Yeah, great song. I think he's sitting on like a throne in this stadium in Birmingham, that last show like right before he died. Oh, yeah. It's amazing. I hadn't seen it when we recorded part one and two of Heavy Metal. But yeah, it's quite stirring. It's really neat to see.
14:58So I'm like, man, that is a really great way to go out, you know? Yeah, I mean, he practically passed away on stage, you know. Right. So we've said it before, said it again. R.I.P. Ozzy Osbourne, one of the metal greats. And I guess Chuck Short stuff's out, right? That's right.
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From the publisher
Metal fans have many ways to express themselves, but none are as metal as throwing the devil horns. But who did it first?
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