In short
Podcast Notes: Stuff You Should Know - Short Stuff: Victorian Flower Language
Episode Overview
- Hosts: Josh and Chuck
- Description: The episode explores the concept of floriography, the language of flowers popular during the Victorian Era, which allowed people to communicate feelings that society deemed improper to express verbally.
Key Concepts Floriography Defined
- Floriography: The practice of sending coded messages through flowers, prominent during the Victorian and Regency eras (roughly 19th-20th centuries).
- Historically, flowers were used as a medium to convey sentiments like love, friendship, and even rejection due to societal restrictions on open expression.
Historical Background
- The tradition of sending coded flower messages dates back to the Ottoman Empire, where a game called Selam allowed members of the harem to communicate through flowers.
- Lady Mary Wortley Montagu: A British aristocrat who introduced these customs to the UK after living in Turkey, leading to the popularization of flower symbolism in Europe.
Flower Symbolism Key Messages and Meanings
- Each flower and its condition conveyed intricate meanings:
- Red Rose: Love
- White Rose: Purity
- Yellow Rose: Loss of love
- Crimson Rose: Mourning
- Withered Rose: Lack of impression or fleeting beauty
- Thornless Rose: Love at first sight
Complexity of Communication
- The state of the flower (fresh, wilted, dried) and the color significantly impacted the message.
- Different combinations of flowers and their arrangements (e.g., upside down, ribbon tied to the left or right) could suggest various nuances:
- Upside Down: Indicates opposite meanings.
- Left Ribbon: Related to the giver; Right Ribbon: Related to the recipient.
Social Context
- The Tussie Mussie: A small bouquet often used to convey messages, containing flowers and herbs, each with its own meaning (e.g., rosemary for remembrance).
- Social Class: The practice was primarily among the upper classes, especially women, who had limited means of expressing their emotions openly.
Notable Mentions
- References to Jane Austen and her works, where flower symbolism plays a role in character development and plot progression.
- Importance of context in interpreting flower messages, highlighting the complexity of relationships during that era.
Conclusion
- The episode emphasizes how floriography reflects societal norms and interpersonal communication in the Victorian era, showcasing a unique blend of art, emotion, and coded language through flowers.
Key Takeaways
- Floriography served as a vital communication tool in a repressive society.
- Understanding the meanings and symbols related to flowers can offer insights into Victorian social dynamics.
- The complexity of flower language illustrates the lengths to which people went to express their feelings amidst societal constraints.
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Additional Resources
- For more information, refer to sources like the Farmer's Almanac, Iowa State University Extension, and various floriography guides from the 19th century.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This is an iHeart Podcast. Guaranteed Human.
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1:01John Palk story on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
1:12Hey, and welcome to The Short Stuff. I'm Josh, and there's Chuck, and that's all that needs mentioning today, because it's just us, so this is short stuff. That's right. And by the way, I wanted to thank you for sending over that beautiful nosegay of wilted white roses delivered upside down with the ribbon to the left. Well, may I ask where on your chest are you wearing it? Near my bodice. In the center or? Right in the center, baby. Oh, well, I guess we're good friends then. I can live with that. Although I'm not sure what I was saying with the whole thing. Yeah, I'd have to get out a decoder book or whatever.
1:51Well, they had those, Chuck. What we're talking about is floriography. And there were a lot of floriography books because it turns out floriography was a huge steel in the Victorian and Regency areas, I guess between a couple of decades on either side of the 19th and 20th century divide, the DMZ of those centuries, as it were, it was really popular to send unspoken messages using flowers. That's right. Unspoken because at the time in the UK and parts of the US, obviously in Europe and certain high societies mainly, You could not speak these things aloud a lot of times. It was untoward. So you had to have a coded way of talking to each other.
2:36And if you're thinking like, oh, yeah, you send flowers to someone and that means something. It goes deep. I mean, it is literally a code. And that's what I was kind of referring to with the upside down and the wilted and where the ribbons tied. Like all that stuff means something. It does. Yeah, it is quite deep. And you can send quite complex messages. and we'll kind of show what we're talking about. But first I want to shout out some great sources that helped with this. Farmer's Almanac, the Iowa State University Extension, Petal Republic, it's a great name, Author Sarah on Substack, Clive Rose, Georgina Garden Center, Thursday, just the D, Flower Meaning and Historical Holly all helped with this.
3:21So thanks to all of you. Yeah, that's wonderful. So this is nothing new or was nothing new back then. Coded Messages Through Flowers goes back to the 1600s, at least, in the Ottoman Empire when they had a tradition called Selam or Selam, S-E-L-A-M, which was a game where between the members of the harem of Constantinople, where they would send flowers attached with like rhymes and meanings and stuff like that to communicate with one another. Yeah, which made sense because a lot of them couldn't read or write. So Flowers did the talk in forum. And this actually spread from the Ottoman Empire to Europe via one single person, a British aristocrat who was married to the British ambassador to Turkey.
4:07Her name was Lady Mary Wortley. And she would send back letters to friends and family describing all of the new and exotic customs of this land that she had moved to. She moved to Constantinople. And among them was a description of Selam or Selam. How did you say it? I said Selam or Selam. I'm not sure if it's a long or shorty. Well, the flower code that the harem workers had come up with. She wrote a letter about that and somebody got it and said, this is great. I want to tell everybody in the UK about it. That's right. And by the way, I mentioned a couple of puns in the Operation Paul Bunyan episode.
4:47Which one were you thinking? Because you said you remembered one. That the code stems back? Yeah, that was one. That's the only one I can think of. Well, no, here's the other one. Botany was a growing field. How did I miss that? My pun sensor is covered with dirt. Well, no, that's good. You want to pack some mud on that thing. I know, but I don't like walking past stuff. I like to take part, you know, be involved in the mix. So botany was a growing field. And floriography was, like I said, among certain classes, you know, mainly upper class women, because, you know, it wasn't like the kind of thing that you could really talk about openly in that class.
5:31And this is one thing I haven't seen Emily yet today because she got out of the house early. But I wanted to ask her because she's, you know, like a lot of Gen X women are obsessed with Jane Austen stuff and Sense and Sensibility and all those series and movies and books. And I wondered if she knew about this or if they in those because I've never watched any of them. If they were kind of pointed stuff out like, oh, he sent the flowers this way and that means this. But that's I mean, that's the Brawny sisters and Jane Austen used a lot of floriography to help kind of develop their characters, which I guess.
6:04So I guess they did. Yeah, they definitely did. And the readers at the time probably would have picked up on this, but floriography, it's become so arcane and obscure that modern readers would not pick up on it. But if you learn about floriography and you start reading Jane Austen, apparently it'll show up. Oh, well, no, that's what I was wondering. If in the books they said like, oh, well, he sent an upside down thing, which means blah, blah, blah. Yes. Yeah, they would do that. I found a quote from Pride and Prejudice from Jane Austen. Oh, can you read it in character? Well, it's the narrator.
6:37So sure, I guess I can because the narrator sounds exactly like me. But Elizabeth Bennett is giving a flower to Mr. Darcy and the narrator describes, she gave a red rose to tell him that she loved him. Red rose, red, red, red, red, red, rose, rose, rose, red, red, rose, red, rose, red, rose, red, rose, red, red, red, red, red. And then in the, I think the first edition, the word red is just repeated over and over for three pages before it just stops and a new chapter starts. That's so hot. Yeah. All right. I need to go cool down. Should we take a break? Yeah, I think so. Yeah. All right. We'll come back and tell you about a lot of this, what these coded flowers mean right after this.
7:20If you want to know, then you're in luck. Just listen up to Josh and Chuck.
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9:01Stuff you should know Stuff you should know So Chuck, you mentioned that I gave you a nosegay. Another great word for a nosegay is a tessimussie. and floriography in the victorian age started to get popular at the same time that tussie musseys and nosegays were popular too and they're really kind of small short tightly bound bouquets that you would kind of wear almost as like a boutonniere or a corsage and they were made of flowers and herbs so not just flowers but herbs had their own meanings too so um like rosemary was for remembrance and mint was for clarity. Moss even had its own meaning, charity or maternal love.
9:53Throw a violet in there maybe for modesty. If you put all those together in the little tussie-mussie and gave it to somebody, you would be saying something like, I modestly ask you to clearly remember me with either charity or maternal love. Your pick. Yeah, which would be a very confusing message. It would be. Paging Dr. Freud on that one. For sure. So obviously, you know, the type of flower is going to matter. The color of the flower is going to matter. Many messages could be sent. If you wanted to send a message of rejection or disappointment, it could be a yellow carnation or a yellow rose.
10:29But if you send a yellow lily, that means that you're just sort of over the moon and walking on air. Yeah. Obviously, the red rose is going to mean I love you. A white rose is purity. A yellow rose is loss of love. And a crimson rose is for mourning with M-O-U-R. Right. And I mean, like that is just skimming the surface, just the color of different types of roses, right, or different color roses. The state that the flower is in mattered a lot, too. You may mention, I think, of a withered rose in the Tussie Musse I gave you. If you gave somebody just a plain white rose, you could be saying, like, I think you're heavenly.
11:07You're very pure, and I like that. But if the white rose was withered, you were telling them that they made no impression on you whatsoever. Or that you think their beauty is fleeting. So remember that. And then if it was dried, you were saying, I would rather die than to give in to your advances because I care about my virtue. And I'm sure you could be like, you know, if you gave somebody a withered rose, you'd be like, is this dried or withered? What are you trying to say here? So I don't know how much was like in the beholder's eye. Yeah. Yeah. I mean, translation is important. And, you know, we'll get to that here in a sec.
11:43But a thornless rose means you've fallen in love at first sight. A thornless crimson rose means you're mourning because remember crimson rose was mourning, but you're mourning an unrequited love at first sight. Right. And also the context really matters. Like, you know, you obviously kind of know what's going on between you. It's when you're getting these or, you know, you're seeking clarity, but, you know, there's an established thing kind of happening here for your own context. So if you get a hydrangea, it can be thanking the receiver for understanding or that you think they're frigid and heartless.
12:17Right. So you really got to kind of have a read on the general air of the relationship. Yeah. Same with like petunias. You could be saying you soothe me or I resent you. So the context definitely mattered. But the reason why like hydrangeas and peonies and almost all of the flowers had multiple meanings was not because they needed to pull double duty because we didn't have enough flowers and enough colors. Like if you put all those together, you have a mind boggling number of combinations. So that wasn't it. The reason they had multiple meanings was because there were many, many different floriography books.
12:51And essentially, a lot of them just assign different meanings to different flowers. Yeah. So when you gave somebody flowers, especially if there wasn't a lot of context yet, you were just hoping that you guys were working from the same book. Yeah. I mean, that's huge. I think there were 98 different guides just in the United States alone that were circulating from 1827 to 1923. Not helpful at all. No. And then, you know, I also mentioned that they were presented upside down. That also matters. If they are upside down, it basically says it's opposite day. So I guess you're trying to sort of maybe confuse if, like, if mom is looking on and sees these flowers.
13:34But it would seem like mom would know about opposite day too. So I'm not really sure, you know, why they would do that. Maybe to throw somebody off the scent. Who knows? How the ribbon was tied also matters. Tied to the left, the symbolism is applied to the giver. It's tied to the right if it's in reference to the recipient. Yeah. Yeah, I know. This is how deep it gets. It could also express a lot of negative meanings. And I think that's what you were doing when you handed a bouquet upside down. You'd have to be pretty sharp to put a bunch of mean flowers in and then hand it to the person upside down to let them know you meant the opposite.
14:12Yeah. That's a lot of trouble to go through. Right. You could be talking about jealousy with marigolds. You could be expressing distrust with lavender. orange lily straight up said i hate you uh you could say i feel deceived with snapdragons you could declare war with a flower called a tansy which i hadn't heard of before but it's like a bunched a bunch of like small yellow flowers together on like a single stalk okay i thought that might have been a misprint uh pansy but i literally looked at my computer keyboard and was like nah i bet it's that t and the p are pretty far apart yeah i i just i didn't know that that flower existed, but by goodness it does.
14:51Also accepting also mattered. So depending on which hand you accepted the flowers with sent a message, which I guess would, I mean, if you're handing them in person, you would know, but if not, you had to have it relayed back to you. If you accepted with the right hand, it was a yes. The left hand was a no. If you held the bouquet upside down after getting it, that's rejection. If someone gave you wisteria, maybe like asking for a dance at a dance, you would hold it upside down with your left hand if you wanted to say, no, thank you. Right. Yeah. You were really saying I'm passing with that because that's a double no.
15:31Although the person giving it could be like, is that a double negative? Like a yes? Is it opposite day? So you could also, as the receiver, send flowers in return to like if somebody actually sent you flowers or a bouquet with a message and didn't physically hand it to you, you could reply with flowers yourselves. Carnations came in handy for that. If you sent a solid colored carnation, it meant yes. A yellow carnation was a big fat no. A striped carnation was letting them down a little easier, but it was still a no. It said, I'm sorry, but I can't be with you. I wonder which flower meant, like, you know, are you down?
16:09them? There was something like that out there, I guarantee it. I don't know which one. Yeah. But there was definitely something. And then the last part, I asked you where you were wearing your nosegay and you said in the center of your bodice, which meant I just want to be friends. But if you had worn it over your heart, Chuck, I would have known that you were saying, I love you right back, buddy. Hey, I do love you right back, buddy. Just, you know, not like that. I understand. I took my shot. Yeah. I guess then Chuck Short Stuff is out? I think so.
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From the publisher
What do you do when you want to tell someone you’re smitten with them but you live in a society so repressive decorum prevents you from even speaking such things? Why, you can say it with flowers! And that’s just what people in the Victorian Era did.
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