In short
Podcast Summary: Tetragrammaton with Rick Rubin - Episode: Tony Hawk
Episode Overview In this episode of "Tetragrammaton," Rick Rubin interviews legendary professional skateboarder Tony Hawk. The conversation dives deep into Hawk's journey in skateboarding, exploring his childhood experiences, significant milestones, relationships with other skaters, and the evolution of the sport.
Key Themes and Concepts
Early Influences
- Background in Sports: Tony Hawk discusses his initial exposure to sports through his older brother, a surfer. He highlights the connection between surfing and skateboarding as major influences in his life.
- First Skate Park Experience: Hawk recalls the intimidating yet exhilarating feeling of his first visit to a skate park in San Diego, which ignited his passion for skating.
Skateboarding Evolution
- Transition from Freestyle to Vert: Hawk explains the evolution from freestyle skating to vert skating, influenced by the Dogtown Z-Boys who initially skated in pools.
- Impact of Punk Rock Culture: The connection between punk rock music and skateboarding is examined, emphasizing DIY culture and the outsider mentality shared by both communities.
Personal Challenges and Growth
- Dedication vs. Natural Talent: Hawk discusses his journey of being bullied and ridiculed in the skate community for his appearance and style, emphasizing the importance of perseverance and hard work over innate talent.
- Injuries and Recovery: He shares experiences with injuries, including a concussion at a young age and a more recent leg injury, highlighting the resilience required in skateboarding.
The Business of Skateboarding
- Sponsorship Dynamics: Hawk explains the complexities of sponsorships and how professional skateboarders often rely more on endorsements rather than skateboard sales for income.
- Founding of Birdhouse: He reflects on starting his own skateboard company and the challenges of managing sponsorships and tours.
Skateboarding in the Modern Era
- Olympics and Global Growth: Hawk discusses skateboarding's inclusion in the Olympics and how it has transitioned from a fringe sport to a globally recognized one.
- Advancements in Skateboarding: The conversation touches on the evolution of tricks, gear, and the accessibility of skateboarding to a wider audience today.
Tony Hawk Foundation
- Community Impact: Hawk speaks about his foundation, which supports the creation of skate parks in underserved areas, emphasizing the importance of providing safe spaces for youth.
Notable Quotes
- “Skateboarding is an extension of my body now, and it's something that I am very proud of.”
- “What doesn't kill us makes us stronger.”
Conclusion Tony Hawk's journey in skateboarding is a testament to resilience, passion, and the evolution of a sport that has shaped culture and community. His experiences not only highlight the personal challenges faced as a professional athlete but also the broader impact of skateboarding on society, particularly through youth engagement and community building. The episode offers deep insights into Hawk's life, the skateboarding world, and the cultural significance of this rebellious yet unifying sport.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:01Tetragrammaton.
0:25My older brother was a surfer. He's 13 years older than me. And then skating was an extension of surfing in the 70s. so he started doing it and he's my older brother so i was like oh that's cool and for whatever reason i i i didn't take the surfing the way he did i liked it but i but i wasn't that confident in the water with big waves once we found skateboarding together i really enjoyed it but it was really intimidating it was like all the kids most of the kids were older there was a skate park in San Diego the bulls seemed like they were gigantic you know and it was constant danger but there was something about it when I first went to the skate park on my own and felt the energy in that space where it was like it wasn't organized it wasn't a coach telling us what to do no one's relying on the rest of the team for their success people were flying the music it was like a punk rock soundtrack it was all new and it was just i was like i want to live here i want to be in this world and i got hooked skate parks must have been a really new phenomenon at that time they were i didn't realize i was at the tail end of it because to me it seemed like oh there are skate parks everywhere there were actually two in san diego near us spring Valley Oasis.
1:50I was not old enough to get a membership at Spring Valley. He had to be 10. I think I was nine and my dad wouldn't lie. And then I went to Oasis and spent as much as I could get rides there. Both my parents are working. So it was hard to get there as much as I wanted to go. How far was it from where you lived? Like 20 minutes, but it was just more like my mom worked at a community college. She was usually there until late at night. My dad was kind of a traveling salesman at musical instruments. He was retired from the Navy. What kind of instruments? Everything. Guitars, violins, I mean, drums.
2:28My sister, my older sister, was in a band. So he was their roadie for the most part. And then he found a way to source instruments and just started selling them to music shops. all around Southern California and Arizona. So he was usually off doing that. And then I could rely on my brother at least once a week and my mom a couple times a week to get to the park. So I was there until they closed. And I remember just, I was obsessed. Like I had to be there. And first time I got hurt, I got knocked on my front teeth, got a concussion. and i didn't care you know i feel like i remember how old were you when that happened maybe 10 or 11 yeah i remember being in the ambulance i were like i remember waking up and i was not where i got hurt so you got knocked out oh yeah yeah and then i i woke up and i was in the pro shop of the skate park and they put me in ambulance because my parents weren't there yet and then I remember sort of this epiphany in the ambulance that was like, oh man, I got to learn how to do rock and rolls better.
3:45Yeah. Because that's what took me out. Yeah, yeah. That was a pretty pivotal moment in my life. In those days, how many hours would you be at the skate park typically? My parents moved around a couple times, San Diego, and ended up in North County. And it was just pure coincidence that the last skate park, almost in the U.S., was right there. Del Mar Skate Ranch. All of the other ones closed. During like the Dogtown days, there were not yet skate parks. They were starting to crop. I was like, like the Dogtown Z-Boys were the ones I was reading about in the magazines when I first started. But they learned to do what eventually you did in the skate park.
4:21In backyard pools. In backyard pools. Yeah. But then the idea was, well, why don't we build something instead of using a pool? But it felt like that came after them. It did. For sure. How long was the window between them and you? maybe three years not so long not so long no two or three years i mean i i i went to marina del rey when i was actually i went to marina del rey yeah you'll like this story and because they had these you were on a skate park team so i was team del mar skate ranch originally oasis then del mar skate ranch so then we would go to these every park would have a they would have a team i mean that was short-lived it was like one season or two seasons of that but we would have to go practice at these other parks and so i got my brother to drive me to marina del rey which is you know san diego to la and i'm trying to skate this bowl this pool so it's it's the dog bowl it's it's literally where where those guys skate jay abham stacy perlta you know tony alva and i'm just a little kid with this giant board and i'm just trying to like reach the top and i and i had the shallow end so I could do these little tricks in the shallow end and then all of a sudden this influx of punk rockers started coming into the park not skating just taking over the space like what what is going on my brother we're not from LA so we're just kind of like this is kind of intimidating this is weird and then all of a sudden they all gathered in this one bowl right by where I was skating but started spilling into the skate area and I was like I guess we're done for today and this guy got up on a ladder and they took photos of it and that is the cover of circle jerks group sex wow and then the circle jerks started playing amazing yeah i'm 10 yeah you know like i had no idea that i'm witnessing this revolution at all i'm just more like why can't we skate anymore so cool yeah why do you think that connection between punk and skateboarding exists uh i think it's just there's a do-it-yourself aspect but there's also just this outcast element of of like we don't fit in we don't belong but we're gonna do what we want anyway we're gonna make our own scene and that attitude that mindset is very much aligned skateboarding and punk rock And, you know, plenty of, I mean, if you look back, like Henry Rollins skated, EMK skated, like all these guys were deeply connected to skateboarding.
6:52And then that became sort of the soundtrack to it. Do you think that you're an unusually gifted athlete? Are you a diligent workaholic? I wouldn't say unusually gifted athlete. I was okay at sports. baseball and basketball like i was average player you know wasn't making the all-star team but i wasn't the last picked yeah when i started skating i was heavily ridiculed for my style for my lack of strength for my size for my look i mean it was i was bullied endlessly in the skate world but i was possessed so so would you say it was your dedication it was hard work yeah i mean it was it was it was just repetition perseverance and a stubbornness really like i you know i i people say like oh man like you're so determined i'm like i'm just stubborn yeah yeah would you say there were other skaters for whom it was easier not saying they got better than yes absolutely yeah so it was the work you were diligent it was it was the hours the 10 000 hours yeah yeah and not i didn't want to get hurt but i wasn't afraid to get hurt and that's that can go a long way with what we do absolutely yeah because fear is probably the thing that would slow down all the progress sure yeah did you ever get into surfing yeah yeah yeah and tell me about the relationship between surfing and skating similarities differences I would say the link, the evolutionary link from surfing to skating is the Dogtown Z-Boys because they were trying to emulate surfing by riding swimming pool walls.
8:41And then when I got into skateboarding, you either skated pools or you skated freestyle. Freestyle was flat land. The kickflips were not invented yet, right? So basically, are you cool or are you a nerd? Right? Because the freestylers, they're not putting much risk out there. I mean, that was the attitude. They're doing pirouettes. They're dancing to routines. And I wanted to be cool. I wanted to fly. I wanted to grind. That's what the pool skating was about. So that's why I chose the type of skating that I did. But when you look at nowadays, most of these tricks that you see people wanting to learn, perform, they're freestyle moves.
9:25kickflips 360 flips like that was all invented by rodney mullen who was the best freestyler but there was something special about him that we recognized and even the most ardent naysayers a freestyler were like rodney is magical he can do stuff that we don't even understand yeah did you ever talk to him about it oh sure yeah and for him was it just a natural thing he was like me he just couldn't stop dedication dedication yeah and and and i mean the thing that we identify with i'd say to identify with in each other is this obsession with having to learn new stuff and even he and i like we had probably the most successful competition rankings in skateboarding history he won every single freestyle event except one in his career i won most of the vert events that I entered.
10:19But the day after the competition is when we were released and able to try new stuff. Yeah. And that's what we cherish the most. Would every new move ultimately be an iteration of an old move? Sometimes. Nowadays, yes, without question. Sometimes it was just like, what the hell? I mean, like, Rodney, the Olly Impossible. You know, it's where your board actually wraps all the way over your foot doesn't make any sense that doesn't you can't relate it to anything else to us it seems impossible yeah right but once he figured it out people started doing it was it something he figured out or fell into or do you know just kind of tinker around with his board i mean he grew up near clearwater florida on a farm and he had a slab of cement that he would skate by himself that was his mo and then he would just kind of tinker around and even like he invented the kickflip he just said he he did an ollie kicked it away and the board flipped and he goes it's mocking me if i just go stand above it when i do that and a half hour later he created the kickflip so it's just kind of like that so i took a lot of inspiration from him because like i learned how to flip my board in the air above a pool because i watched him yeah the iteration was he was doing it on the ground you were doing it in the air yeah but if you didn't see it on the ground you couldn't do it in the air you needed to know it was possible yeah yeah yeah and then the same the same goes the same for him he probably didn't think it would be possible to do it in the air right but then i would do tricks in the air and he figured out how to do how to ollie off the ground where no one really had learned it the way that he could yeah and so he started learning some of my tricks like an air walk right i'd create an air walk where i take both feet off my board i kick each opposite directions and he was like oh i can ollie off the ground grab my board and kick it quickly and then he did it right there like you know without all of the momentum that you had yeah yeah yeah yeah that's really interesting yeah and then a lot of the early tricks were taken from surfing laybacks bertelman carving you know all the stuff but then And at some point, skateboarding became its own thing in terms of, oh, we're doing stuff in the air.
12:43We're flipping the board. We're spinning 540s. And then the power balance shifted where it was like surfers were trying to emulate skateboarding after that. I see. Which is what happens now. I mean, when you look at surfing, it's big airs, 540s, stale fish, varials, kickflips. Like, that all came from skateboarding. how is the difference between being on wheels versus being on a board on water oh it's way different i mean just the the way that you maneuver the board the way you generate speed it's you know some people can cross over pretty well i'm not one of them would you say wheels give you more control sure because you also you could take your foot and push for momentum yeah On a wave, you have to rely on where is the speed pocket of the wave.
13:34And every wave is different. Every wave is different. Once you're riding a pool or in a park, it's the same every time. It is, yeah. How different is it going from park to park? Oh, way different. It shifted a little bit with the Olympics because parks had to have, it's nuanced but kind of an overall vibe and different types of obstacles if they're going to be considered for an olympic qualifier that's my best explanation how many years has skateboarding been in the olympics uh first one was tokyo so that was 2021 should have been 2020 and then recently yeah and then paris this last time so two times two times yeah wow did you watch i watched yeah and what were your thoughts it's amazing it's crazy i think that half-life should be disciplined but that's a whole other conversation
14:33In a world of artificial highs and harsh stimulants, there is something different, something clean, something precise. Athletic nicotine. Not the primitive products found behind convenience store counters. Not the aggressive buzz that leaves you jittery. But a careful calibration of clean energy and focused clarity. Athletic nicotine. the lowest dose tobacco-free nicotine available made entirely in the usa no artificial sweetener just pure purposeful elevation athletic nicotine is a performance nootropic athletic nicotine is a tool for shifting mindsets athletic nicotine is a partner in pursuit of excellence.
15:19Slow release. Low dose. Gradual lift. Sustained energy. Soft landing. Inspired results. Athletic nicotine. More focus. Less static. Athletic nicotine. More clarity. Less noise. Athletic nicotine. More accuracy. Less anxiety. Athletic nicotine. From top athletes pushing their limits to artists pursuing their vision. Athletic nicotine offers the lift you've been looking for. Learn more at athleticnicotine.com slash tetra and experience next level performance with athletic nicotine. Warning, this product contains nicotine. Nicotine is an addictive chemical.
16:08Tell me about the skateboarding world that you entered at the time. It was the end of the skate parks. Kind of end of the... The first era of skate parks. Yeah. Because they came back. They did. I don't know if you want to say first or second, but it was sort of the end of the second boom of skateboarding. Tell me each one. Tell me the history. So the first one was sort of late 60s, early 70s, and they were toys. They had clay or steel wheels, and people were just using them to go down the hills and transportation. Then that sort of fad went away. I mean, it was almost like the Frisbee of the day.
16:46yeah and then in the 70s it sort of came back especially with the dogtown z boys urethane wheels urethane wheels changed the game for sure i think it was like 74 75 maybe i may not have that right it was before my time and trucks the trucks were originally roller skate trucks yeah and then they they started to make them specifically for skateboarding and then the boards started getting wider but i would say through the 70s that was the revolution of equipment and then the dogtown z-boys era people started realizing you could do a lot more than just go down a hill and then skate parks started cropping up so that was sort of the second boom probably bigger than the first one and was the goal of the skate park originally to get the feeling of riding in a swimming pool?
17:39Yeah, I mean, I think, well, the goal ultimately was profit. Skate parks saw, you know, people will pay to be here all day or for an hour or whatever. I mean, they would actually sell one-hour sessions. But it was different than skateboarding down the street. Absolutely, yeah. But it had a little bit of everything. Usually, skate parks had a little bit of everything. So it had sort of a reservoir. We call it like a bank slalom. that was just sort of a downhill bank that looked like a ditch. They had small pools. They had bigger pools. They had square pools. They had capsules-shaped pools. What were you doing in a square pool?
18:18Well, square, you can actually, the corners are rounded just enough. So you can kind of whip through the corner. They had full pipes, you know, that were just like ones they would find out in sewage lines, stuff like that, but big ones. I mean, back then when I was on Park Team, They used to have what they called a pipe pasting event. And so you would put a piece of tape around your fingers, and then you'd skate the full pipe and get as high as you can, and then get your hand up and then put the sticker up. And if you made it, they would run a line across to see how far over a vert you got. And then that was the winner.
18:56Was it getting more popular when they went away, or it got less popular? It was starting to get less popular, but liability insurance became impossible. I see. And I think that was the perfect storm. And was there a case or something that happened? Someone got hurt somewhere and that changed it? I think there was enough. No, I think it was just more that, I can't say there was a particular case, but I think it was just more that insurance companies just kept gouging skate parks to the point where they couldn't, you know. Couldn't survive. They didn't have the clientele to justify it. Yeah. And I got lucky because the park I told you about, Del Mar Skate Ranch, it was part of an entertainment center.
19:37So it was like a mini golf, a driving range. They even had like RC slot cars. Cool. And all of that helped to keep the place open. Even though the skate park was a big part of that and it wasn't doing as much business, they didn't really care because the rest of it was working. And then they lost their insurance and that was it. so then what did you do when that happened that was kind of around the time that people started building backyard ramps i see so i had a couple of places to skate by then how old were you before you had your own ramp when i first got my ramp i was 19 and were you already professional at that yeah yeah yeah that was the other thing all of a sudden we were kind of you know skating it came back around in the mid to late 80s and all of a sudden i'm on the bones brigade the bones brigade is just on tour so we're on tour endlessly globally globally yeah europe australia japan and would it always be for competition or would it also be for demonstration mostly demonstrations it'd be like a show yeah but i mean you know in the sense that we go to a parking lot of a skate shop and they just put a bunch of junky ramps out and it's like go skate this or skate parks because there were by then there were wooden skate parks indoors indoor skate parks and they were they were busy enough to justify getting insurance so that was that was cool because we got to skate all kinds of different terrain we didn't have that many options at home anyway and how many people would be on the tour uh usually they would send out four to five skaters in a van and with sort of a a supervisor but the supervisor was also a pro skater and usually they were they were just along for the party anyway so you know it was very lawless yeah i mean it was very much like i always think of like beastie boys or um like punk rock show punk yeah but but you know a bunch of kids traveling like no one's setting guidelines or rules yeah except for be at the demo at this time that was our rules the people in the shop also were probably kids yeah we were it was the whole thing was just chaos a youth movement absolutely yeah counterculture movement yeah but i was always at least reliable i never partied so hard that affected my skating because that that was always paramount to everything else that was my priority i had to skate good i had to prove myself at every turn and anything else was a distraction from that will be the places that you'd stay when you go on tour hot in ramada definitely sharing rooms we didn't care i mean yeah it was fun yeah and the word would get out just through the skateboard stores just through Yeah, well, I mean, Paul Peralta, who was the company behind Bones Brigade, their tour plans were pretty elaborate.
22:44How many years had they been doing tours before you? Oh, we were one of the first. Really? Yeah. I think they did a few one-offs, but I think the first tour I went on, we actually had a van, you know, like a van that you would travel with a band in. Yeah. And then we put ramps in the back of the van. And then we show up to a skate shop, and then we just pull all the ramps out and put them in the parking lot. And it was sort of like our little Lego set that we could put however we want. And then the crowds outgrew that scene very quickly. so then the next year they bought a fully retractable mini ramp that lives on a trailer and hired you know seasoned drivers to be in charge of the ramp so we would be in a van that's just the skaters show up and the the ramp is already assembled and ready to go and the crowd is same as man first time you go the equipment's in the back yeah you set it up yourself yeah you put it away and then maybe if things go good the next time there's another van with the roadies that have the equipment yeah and then you're in the other car in the vehicle to travel and at that time and then and then years after that we thought that was as big as ever going to get yeah i mean we were riding high like that yeah yeah of the let's say in the initial crew were four or five how many of the four or five continued being the same four or five year after year I would say that lasted for at least five to six years.
24:17And so you and the four or five other guys, that was... So what they would do is they kind of had what I would say were their A-listers of the Bones Brigade. And those were Steve Cavallaro, Mike McGill, Tommy Guerrero, Rodney Mullen, me, Lance Mountain. so usually they would put one or two of us in that crew and then the rest were amateur skaters that were all excellent skaters yeah yeah and just not as known yet just not as known right and so inevitably you'd show up and it'd be like where's rodney where's lance it's like uh they're not here but we're here and then those guys would tell me every time they show up where's tony so yeah yeah yeah how many teams were there in the country there weren't many i mean it was really like it was palo prelta vision santa cruz and those are like the big three what happened next as big as it was skate parks again were closing even though they weren't permanent structures and and usually they were in the more difficult parts of town for the real estate cost but the skate parks again couldn't afford the insurance they started closing skating was still considered a fad in a way so it was like all right this cycle's over and then skating went underground for the most part and did the tours stop or did you still continue tours didn't stop but they they changed shape did they shrink an audience or not necessarily shrinking audience absolutely yeah because because by 1992 i started my own company i had left pal because i saw the signs and i thought i guess i'm 24 i guess my career is over because i'm old and i skate ramps what was the first peak that you experienced and then what was the first bottom that you experienced after that peak i'd say the first peak i experienced was 88 89.
26:14and your age then 20. 20. and then 92 is when all of a sudden everything was dropping my income was shrinking by half every month because it was all royalty based yeah you know even like and royalties on skateboards t-shirts t-shirts but all the accessories too trucks yeah you know shoes so the whole industry was shrinking it hold yeah and and i was feeling it not you know i i had a child on the way and two mortgages and i was like what the whole bottom just dropped out what's happening and so i started a company hoping that i could sort of create what stacy pro to created with our team yeah it was like i'm gonna find the talent and if skateboarding comes back around we're gonna be on top of it yeah that was the goal out in the world of skateboarding at that time were the people who were interested still interested or was the interest in all of it waning there were no more casual skaters that were in it for the the hype of it they were in it because it was cool even though i don't ever i never think of it as being cool because like all those kids in the 80s when they're in high school they were getting hassled yeah if they were skating right but they coveted it they loved it it was more like it's just not as accessible and so the people who truly love it are going to keep doing it at all costs but there's very little support for that so there was a hardcore contingent that hardcore contingent and if you look like if you look back especially if you look back in early 90s mid 90s that's the revolution of street skating and that's when things were no longer oh this is southern california vibe this is surf culture no this is we're in the streets this is like new york city you know wu-tang is the soundtrack philly texas and it was all like everyone had their little pockets of scenes but it was all street skating and it was all mostly illegal and so if you wanted to be a skater in those days you had to endure cops you know ridicule kind of like the graffiti like it's not so different than that that culture and so many of the hip-hop artists from the 90s were skateboarders yeah yeah yeah Again, like a continuation of the punk rock side, just the inner city version.
28:48Yeah, I mean, I remember what we thought was a big event in England, maybe like 93, 94-ish, and De La Soul played at the event. So cool. And I remember half the skaters were like, are these guys really here? Like, you know, because to us, they're a hugely popular hip-hop band. Yeah, yeah, yeah. We're still the dredge of the earth skaters here. Yeah, it was weird. So then you started your own company. I started my own company in 92, got a team together. And that's when I learned the hardships of being on the organizing end of doing tours. Yeah. Because then it was like, all right, I got to book all these places.
29:30I'm the one asked to collect the money and make sure that we have a place to stay, get food. We had this old really beat up Toyota van that we used for deliveries for the skateboards for our company. So that became the tour van. Mostly I was driving. There were five of us. And we would go skate shop, skate shop. There were a few skate parks left. So we'd go there too. We'd show up, skate for like an hour, sign autograph stuff for an hour. And then I would have to try to collect$300. from the shop i would say i got it maybe half the time yeah you know and then and just not a nice position to be in having to do that no i mean you're a skateboarder yeah but i mean you know i i signed up for it i started the company and this is the new gig and so depending on how much we got that would dictate if we're going to get one room or two rooms right you know at howard johnson's usually yeah and then hopefully gas and then talk about how long would tours go for usually five to six weeks even when there was less of an audience and less of a business model were tricks continually evolving so the art form was always moving forward regardless regardless list still to this day yeah and the sad irony in my case i mean not that i i look back on in regret but i was still skating ramps even though it was like this forgotten discipline you know there are hardly any ramps in those years i were my most creative years in terms of learning new tricks and stuff, I had no audience for it.
31:24Like literally, if you put a half-pipe section in a skate video back then, we call half-pipes vert, so people would say, hit the vert button. That means fast forward.
31:39That's amazing. Yeah, and to this day, that's still a thing. In fact, there's a podcast called The Vert Button. That's amazing.
31:50So much of today's life happens on the web. Squarespace is your home base for building your dream presence in an online world. Designing a website is easy using one of Squarespace's best-in-class templates. With the built-in style kit, you can change fonts, imagery, margins, and menus. so your design will be perfectly tailored to your needs. Discover unbreakable creativity with Fluid Engine, a highly intuitive drag-and-drop editor. No coding or technical experience is required. Understand your site's performance with in-depth website analytics tools. Squarespace has everything you need to succeed online.
32:39Create a blog. Monetize a newsletter. make a marketing portfolio launch an online store the Squarespace app helps you run your business from anywhere track inventory and connect with customers while you're on the go whether you're just starting out or already managing a successful brand Squarespace makes it easy to create and customize a beautiful website visit squarespace.com slash tetra and get started today
33:20when did gear to protect your knees and elbows start like i imagine right when you started that that was so in my day that was mandatory you couldn't go to a park without having all the gear i see helmets yeah but they rented it i see you know they rented this shitty super thin plastic but it wasn't available because there was a time when no one even thought about it right right i mean my first concussion i was wearing a helmet it was just shitty yeah it was a joke yeah in fact the the the edge of the helmet sliced my eyebrow so i had stitches too like you know what i mean It just squished into my head.
33:58But I would say once the skate parks were closing, then all bets were off for pads. I mean, to this day, especially when you watch people skate, you probably hardly see anyone wearing pads, right? Out in the wild on handrails and stuff like that because once it wasn't mandatory, who cares? Have you ever street skated at all? A little bit, but my style was very rooted in what we call transition skating, which is like riding radiuses yeah so i'm not ready for like any sort of rough terrain or abrupt things like that you know i did i went as far as i could with my street career until on one of those tours i ended up rolling one ankle in the worst way on a handrail and then the very next day we're still on tour i'm still you know i still gotta skate whatever the next day I went down a small set of stairs, like skating the other direction because my ankle was so fucked up.
34:56And then I wrecked my other ankle just as bad. And in that moment, I was like, if I want to continue to skate and have fun, I can't do this stuff. Yeah. You know, I'm just not, I'm not built for it. No, it's completely understood. Like I think of the difference between skating and surfing. If you fall off the weight, there is the potential for drowning. That's a real thing. but you're landing in the water which just seems like if you're going to be falling off of something to land in the water is so much better than to land on concrete steps yes i agree um when people say like how can you ride these giant ramps you know like and they give me shit like and you won't go surf when it's a little heavy i'm like because when i fall the ramp doesn't come attack me and hold me underwater i try to drown you yeah like i I know where I stand with this ramp.
35:49Yeah. And I'm good if I fall. I'm fine, you know. It's really interesting, that difference. Because it does seem like falling on something hard seems like the worst option. Yeah. I mean, one thing you learn by default and almost involuntarily through skating is how to fall. Yeah. And you learn that early on? Way early on, yeah. Yeah. Yeah. Are there secrets or tricks you can explain? Well, if you're skating big ramps, we do knee slides. That's how we get out of situations. The secret, like the technique to a knee slide is as you're falling, you take one very quick step with your lead foot, whatever that might be, or your dominant foot, and then you go straight to your knee.
36:33So you've kind of taken the impact with your one leg just enough that you can take the rest of the impact with your knee. So you're not breaking the fall with your knees. You're not breaking. If you do go straight to your knee, you'll jar your back. I see. And if you. So you use the bent foot as like a run. One quick step, drop to the knee, yeah. To get to the knee. Yeah. And I guess you get good at that. Yeah, yeah, yeah. And you get good at spatial awareness like a gymnast where it's like you snap and you're like, oh, something's wrong. I got to bail out. Even though I can't see where I am, I just know this is not right.
37:10How much of what you're doing is always intentional versus, hmm, I'm surprised my feet decided to do that? Well, in the context of trying to learn new tricks, I would say it's like, in my experience, in my approach, it's like two-thirds intentional, one-third happy accident. And when I say happy accident, it's like I screw up an attempt, but I see something else. Yeah, you get a glimpse of how it could work. Yeah, but you wouldn't have known that had you not right or I have something in mind I want to get this done when I want to check it off the list. Yeah It just doesn't work. Yeah, and then I find this sort of side door approach to it Almost by accident.
37:56It's like why did I torture myself trying it this one way and not just go this way with it But you know, I was always happy to make those discoveries. Yeah Is skateboarding it's fun for you now as it was when you were young it is yeah I broke my leg about three years ago. Skating? Skating, yeah. And doing a McTwist, like some trick I took for granted that I've done thousands of times and just kind of didn't have the right amount of speed and was cavalier and fucked around and found out, like, you know, just that it doesn't work the way it used to. I can't just recover. Got my leg tangled and broke my femur, like, I mean.
38:35As I was still sliding across the flat bottom, it felt like my leg had left my body. You know what I mean? It was so obvious. It's like, okay, that is disconnected. I broke my leg for sure. And getting back from that, I had a false start. I skated too soon. The bone never actually reconnected back to itself. So it was offset for the first eight months of my recovery. And I was always in pain. And at some point I was like, this can't be right. I can't have this kind of limp and be struggling this much. And then they took an x-ray and they said, yeah, you have what we call non-union fracture. Yeah.
39:14So the bone came back together, but in the wrong place. It didn't even come back together. Oh. It never did. At some point, it was on top of each other. I skated too soon. I shifted it out of place. And then it was just hanging above the other one. Yeah, it sucked. So then you had surgery, I imagine. And then a few months later, I had it realigned with a very stern warning from the doctor that did it. It's like, you cannot get back out there. Don't get back out there the way you did. Yeah, yeah. Take it slow. In fact, I want you to be on crutches for the first two months, even though you won't need them.
39:46Yeah, yeah. And I'm only telling you this because now, having gotten through that, getting to a level of skating that I'm at now, that is back to sort of a professional level, I don't take any of it for granted. and so it kind of makes it way more fun. Understood. I mean, I just skated with my kids two hours ago at Kapawa Skatepark. Yeah. And just jumping over the hips there, like that's a gift. Yeah. At my age and then I get to do it with my kids. Yeah. You know, I'm not moving the needle on getting gnarly, but it's so fun. And also the idea that skateboarding has come this far. It's accessible to everyone.
40:23Is it more popular now than it's ever been? That's hard to answer. I would say yes on an international scale but also but now it's in the culture it's not like a fad it's just something that people do like yeah you know like this dude showed up today he was driving by I saw a skate and he's like oh man I haven't skied in a while if I get my board can I skate with you guys yeah go for us we drove home came back and he was skating and it was just like that's how it is now like that guy skating is in his DNA even though he doesn't even do it that much anymore and i feel like this is part this is something people choose riding a bike yeah they just we don't always ride a bike but once you know how to ride a bike it's in your arsenal yeah like going back to how available skateboarding is i mean if you go to a skate park right now almost anywhere you'll see people of all ages all genders all races all backgrounds using the park and all skill levels like from absolute beginners to actual pros that are competing internationally and they're all enjoying the space the same and they're all encouraging each other i just don't there's no other sport like that tell me about the changes in equipment what each of the changes allows that wasn't possible before i think in the 80s it just allowed more stability because the shapes got bigger and wider wider yeah wider and a little bit longer i remember there was a period at some point where they got really long yeah that's more longboard like cruise boards that's sort of a different okay approach but that exists yeah and at the time that they came out it was new we hadn't seen it was new sure and it's just less trick oriented yeah so and then boards i remember when i was a kid they were hard and then there was a time when they got soft they would flex in the middle those boards like those were more like the surf style boards in the 70s or slalom boards slalom boards were very springy and what's the benefit or negative well the negative is that it's not rigid enough to be able to do tricks right but the benefit is if it's if it's kind of bouncing in the middle is you can do slalom and do real fast turns that's that would be like shock absorber also sort of not really it's no because you wouldn't be on those types of boards you would not be leaving the ground okay i would say around and slalom is like you see the videos of the guys going really fast really fast just back and forth yeah yeah which i had to do as a park team member and i was terrible at it and there's like video of me hitting all the cones it was just not my thing in the early 80s or sort of early 80s mid late mid 80s seven ply maple became the norm for construction for skateboards and then it was just about what is the concave what is the shape and that is unique to each company why is concave a good thing just keeps your foot in place i see especially when you're up on big walls and stuff like if the board's flat there's a good chance your foot's going to slip off once you get does the shape of the nose or the tail make a difference makes a difference um mostly because we learned that as skating evolves people start skating backwards so now you need a nose that's just as long as the tail i would say that was the biggest shift of equipment from the 80s to the 90s because then the 90s all the boards looked like popsicles so now they're reversible yeah yeah and you're using you're using the nose as much as the tail still does one side have more of a kick to it or not necessarily they're pretty much the same Pretty much the same, front and back.
Read the full transcript
44:07Yeah. If I were to show you my board, you would not know which is the front or the back. Is there a front and a back? There is, yeah. I just know because it's very subtle, but I've been riding the same shape for like 20 years, so no. Do you think of skateboarding as competitive? I think there is a sector of it that is competitive, sure. when I was growing up, the only way that you were going to get any recognition, sponsorship, support was through competition. There was no YouTube. The magazines didn't care what you were doing unless you were competing. Tell me about a competition. I've never seen a skate competition.
44:44Well, basically, my era was pool competition. So there would usually be a main pool at every skate park. That's the competition pool. At Del Mar was the keyhole. and then you would go there would be whatever however many people in town 100 skaters you'd have prelims and they would cut it down to maybe 16 people then you'd have semi-finals and then they would cut it to eight and then eight people would generally get three to four runs 45 seconds each if you bail you can get back up start again but if you fall you're not going to win you get marked way down and you got to do something like you know just pull some brand new move out of your ass if you fall and to even be considered back in the lineup it was supposed to be about your style your airtime trick selection and when it came down to it in our day it was just kind of like who's the coolest yeah and who was the coolest christian wasoi yeah right and so to combat that i had to come up with the craziest shit trick wise because they hated my style they didn't you know i was bony cock like i was the nerdy kid that was just trying to maneuver my board and looked awkward doing it so i had to do like mctwist but do a variation of mctwist like throw my board another 180 grab it a different way and that was the only way that i was going to get seen so do you say what christian was doing was easier for him to do than what you were doing it wasn't that it was it was just more that he looked so smooth yeah he was amazing like you know he could go twice as high as any of us and do some of the hardest tricks too i'm like he it's not lost on me like christian he had the moves just for instance his lean air would count for probably one of my harder tricks.
46:45Yeah. I can do lean airs, but they didn't look like him. Yeah. You know? Yeah, yeah. So you had to do something over and above. And I have to hide it from the judges. Because if they saw me do it in practice. Then they wouldn't be impressed. And if I didn't do it, they're like, what about that trick we saw? I see. And I would get marked down. I see. So they were judging me against what they thought I was capable of. Yeah. So it was tricky. But I mean, whatever, what doesn't kill us makes us stronger. Like all that just fueled my fire to keep getting better and better and better. Yeah. Would you ever get there a day earlier to practice something in the place where it was going to happen?
47:23I would practice it not in the place where it was going to happen because everyone shows up a day or two early. I see. And that's when you're under the microscope. But how different is it from place to place? Well, at some point it evolved from pools to ramps. So the ramps were a little more reliable in terms of being similar to each other. You know, they were all wooden and they were generally... Better to fall on wood, seems like. Yeah, I think so. I prefer falling on wood than concrete, for sure. It seems like it. It's funny you say that because they're having an event at this sort of legendary concrete bowl.
47:58They're having it in January and it's going to be the last one there. And they're having a legends division and everyone's like, you got to go. And I was like, I do not want to fall on concrete. am I? It's not a matter of if I'm going to fall, it's a matter of when I'm going to fall.
48:25LMNT. Element electrolytes. Have you ever felt dehydrated after an intense workout or a long day in the sun? You want to maximize your endurance and feel your best? Add Element Electrolytes to your daily routine. Perform better and sleep deeper. Improve your cognitive function. Experience an increase in steady energy with fewer headaches and fewer muscle cramps. Element Electrolytes. Drink it in the sauna.
49:02Refreshing flavors include grapefruit, citrus, watermelon, and chocolate salt. Formulated with the perfect balance of sodium, potassium, and magnesium to keep you hydrated and energized throughout the day. These minerals help conduct the electricity that powers your nervous system so you can perform at your very best. Element electrolytes are sugar-free, keto-friendly, and great tasting. Minerals are the stuff of life. So visit drinklmnt.com slash tetra. And stay salty with Element Electrolytes. LMNT.
49:51Tell me about your shyness when you were young. How would you experience it? I just didn't feel like I belonged. So I just would be very... Just quiet and reserved? Yeah, just introverted. And then when I started skating good, that was my voice. And so I used that as much as I could. and then people thought I was arrogant because I wasn't talking to anyone and I'm just doing all these crazy tricks and I was like, I don't know how to talk to people. I don't know, you know. And I think I broke out of it eventually because Stacy Peralta said, look, you know, there's all these kids here. They literally bought a scaper with your name on it.
50:32They're staring at you like, go talk to them. Like, I'm not even comfortable in my own skin. How am I going to talk to these guys? Yeah. And eventually I just kind of learned to move through that discomfort and be available and be interactive. Would you think of Stacey as a mentor for you? Yeah. Yeah, for sure. Tell me about sponsorships. How do they work for skateboarders? Usually it's a contract, like an annual contract. In the case of there's a strange disconnect with skateboard companies, actual like who make manufacturers skateboards because they are not the biggest in the industry like in terms of sales so hard goods are the hardest to maintain a legitimate business with you are officially a pro skateboarder if you have a skateboard with your name on it but the irony is that that's not going to be what makes you money it's it's if you have a shoe deal energy drink deal car sponsorship or your competition earnings but the skateboard company is is the very least of your income but you're identified through that it's very strange you can't get the sponsorships without being uh you can i mean there are there are people that do it for sure they're more focused on competition yeah but the ones that are that are like vying for skater of the year for thrasher they're out in the streets they're getting the craziest footage they definitely have a skateboard sponsor tell me about the culture of skateboard shops well that was the hub i mean that was where you would go to find your crew to talk shop to watch videos and they typically be places that only sold skateboards or would they sell other things it depends on the era generally it would only nowadays well i would say through the 80s 90s only sold skateboards for sure.
52:27But in the early days, yeah, it could be just sporting goods and they had a little skate session in the back. And also, they're the ones that support the local scene. You can't dismiss them. Like even if their online sales have affected their business and whatnot or they're struggling, they usually are the ones that people look to to put on local events, to get teams to do demos. When I talk to people about those 80s and that era and doing demos, the first thing they say is, oh yeah, I saw you guys at this shop. The shop is what they remember. Is there a crossover between skateboarding and X Games?
53:02I think that there's a synergy in that we use the same terrain. Yeah. For instance, in the early 90s, I wasn't getting a lot of jobs as a vertical halfpipe skater, but I would get invited to be a special guest at the Rollerblade demos and the BMX shows at the state fair, and that paid my rent. Yeah, yeah, yeah. I was the special guest at Matt Hoffman's BMX show for the Michigan State Fair for two summers in a row. And would it be like BMX scene in some ways replaced the skateboarding scene or not really? No, not really. I think in the early 90s, inline skates did for sure. Inline skates? Yeah, rollerblades.
53:43But you can't do tricks. Not really. But they did skate ramps, and they were selling tons of these rollerblades so people would come see and pay to see those shows. So I did shows like I was, again, special guest at Six Flags Parking Lot St. Louis for a whole summer in a rollerblade live show. Yeah. But you would skate? I would just skate, yeah. Because there were some people that they knew my name from the 80s. Yeah. So it's like, yeah, I remember that guy. And I could do all the tricks, so you know what I mean? Like people want to bash inline skating, rollerblading, whatever. I was like, dude, that was, I'm so thankful that they were around back then.
54:26When did your connection to video games start and how? Around 1997, a guy approached me because he had a crude engine for a skate game that he had coded on his PC. And he said, hey, I think we could do a skate game. Do you want to go with me and pitch it to different publishers? And so he and I went to a bunch of different meetings. We went to some software studios. We went to actually Nintendo. And I mean, I remember one quote was, skateboarding is not even popular. Why would a skateboarding video game be popular? And I said, well, skateboarding games were popular. We had 720. We had Skate or Die.
55:09Like, I think now that we're at a different stage of video game and home consoles, we could do something fun. And even if people don't skate, they would like it. It's like, no. And then about a year later, less than a year later, I got a call from Activision. They said, hey, we heard that you might be working on a skateboard game. So I tried, but it didn't work. And they said, well, we are working on a skateboard game. We just did a game called Apocalypse featuring Bruce Willis, which is the first time there was like a name and likeness in a game. I said, it didn't do very well, but the engine is perfect for skateboarding.
55:45And so we want you to come see what we're doing. and I went up to Activision the next week and they handed me a controller and I started playing this game that was Bruce Willis on a skateboard with a gun on his back, skating through a wasteland and immediately I was doing ollies and kickflips and grabs and I was like, oh, this is it. I just knew instinctively that this is the game that skateboarders will want to buy a console to play. Yeah. And to me, that was the biggest success. Like, if it's good enough for skateboarders that they like what they're seeing, then that's a win. Yeah, it sounds like falling doesn't hurt as bad in the video.
56:27Oh, yeah. It is hard to watch, though. There are some animations of, like, my knee popping one way that I can't watch it happen. I have to choose a different character. You talked about breaking your leg. And as someone who's suffered so many injuries over the years, tell me in that moment when you realize what's happening what's the thought process is it oh no or is it okay there goes two months what do you it's that like how long is this going to take yeah it's just how long is it going to take yeah yeah and the only reason how long it's going to take is because how long is it going to take before he can get back yep yeah that's it it's not well it'll be painful for two months that's not part of the thought no i mean that's a given It's just getting back.
57:12Yeah. Getting back, yeah. Or, you know, did I damage this so completely that it's over? That I can't get back. Yeah. Yeah, yeah, yeah. Like, is it? I don't know. But, you know, when I woke up the next morning from the surgery, like, oh, we got to run back in place. And I was like, okay, here we go. Let's go. Yeah. But that was my fault for thinking that way. What's the longest you've ever gone without skating? It was during that time. It was probably... the second time around I didn't skate for about three months and then when you get back is it always like ah i'm back yes or is this um the first go around of my broken leg i thought it was going to be like that and it was just so painful and so weak that's when reality hit me i was like oh this i'm never gonna get back to where i was i see but now but now i'm i'm i would say you know i'm like 80 90 of what i was before that and And if that's where I live, it's fine.
58:11Yeah, yeah, yeah. How popular did the video game get? It was the biggest game. It was insane. When the fourth game came out, the first three were still in the top ten of sales. It's unbelievable. It's unbelievable. How long was it between iterations? We came out each year up until 2002. So in the fourth year, one, two, and three were all in the top ten. That's unbelievable. Unbelievable. And then the consoles kept getting better. so then we're out i also love the fact that nintendo's like god no one's gonna like this yeah well it wasn't it wasn't exactly nintendo that said that but because because someone said it yeah yeah but yeah you're right it's just that much more interesting when the powers that be the experts yeah say it's a bad idea yeah and then but also it took everyone by surprise i mean even the designers you know we were just kind of going rogue like picking music i was just picking the soundtrack to my skating years so we got dead kennedys and primus and great you know i mean and they were all happy to lend a song because it was like you guys want our music okay yeah sure and then all of a sudden the soundtrack took on the life of itself and people credit that for getting them into punk rock or ska or even hip-hop.
59:30Yeah. I mean, it's crazy. There are four cover bands that only play songs from our video game on different continents. Amazing. Yeah. It's amazing the power of music in that way. I think if it wasn't for The Clash, I don't know that any of us would know any reggae or ska. That's when people say, what starts with The Clash and Gang of Four, and then everything fans out from there. Yeah. Gang of Four, incredible. So great. I've seen them live two times. Once at Irving Plaza and once at Roseland. Wow. Unbelievable. What a great band. I remember speaking of something like that, like I remember I saw Nirvana right after Nevermind came out in 1990 at a small venue in Houston because there was a skate event in Houston.
1:00:20And then everyone's like, Nirvana's playing tonight. So all the skaters go to the show. and I remember as they started thinking like, this is the coolest place you could possibly be in the world right now. Yeah. And it went crazy. And I remember Jack Black told me that same thing about seeing Devo in 1980, where he's like, this is the greatest place anyone could think of to be right now. Amazing. In the presence of this band. I saw Devo in Boston in this theater. I don't know what it was called, but like an old movie theater. and it was one of the greatest things I've ever seen in my life. I know that place because...
1:00:58In Boston. You had to like walk through an alley to get to it, even though you get to it and it's a big theater. So when I was on tour in Boston, on Bonesbury tour, the Damned were playing there. Great venue. And I was so excited. Yeah. And I walked in, they're like, it's 21 and over. And I was 20. And I was like, come on. Yeah. And they're just like, no, it's not an all-day show. I never got to see the Damned. Well, I didn't get to see them until 20 years later, but I still like, I remember exactly that moment was in slow motion to me. I saw the poster. I knew I was staying there tonight and I was like, one ticket.
1:01:31Yeah. Like, no, bro. In the history, we got to the point where it was 92. You start your own company. What's the next uptick in skateboarding? X Games. X Games started in 95. It was still kind of a, it was a little scattered. It was a little wonky just with how they presented our sports because it was like, they're extreme. Woo, camera angles like this and mohawks. And it was like, dude, that's not what it's all about. But they kind of found their groove, I'd say, in 97, 98. What percentage of the X Games is skateboarding? Is it like a third or a fifth? I would say it was more like a fifth then.
1:02:11Yeah. It's about a quarter now. But all the other sports have shifted. Yeah. Because back then it was like bungee jumping and sky surfing. eco channel I just random stuff do you think of yourself as a daredevil I think so yeah yeah I mean when I was a kid I want to go off the high dive and yeah for sure bounce on big trampolines and all that stuff is it that you like that adrenalized feeling yeah yeah but not so much that that I'm throwing caution to wind yeah i like the idea that i am capable of this yes and yes it can be risky and yes it's a little out of my comfort zone or skill level but i know i can figure it out has there been anything besides skateboarding that you've dedicated yourself to in that way well parenting i suppose yeah which i had to learn kind of the hard way through my years of success where it was like oh you have to prioritize better and choose time with your kids more so than whatever you think this other thing is important and that took a while i mean definitely took longer than it should have what's the current state of skateboarding pretty solid very international tricks still evolving still evolving how often do you see something where you feel like i can't believe Absolutely.
1:03:44I mean, it took me 10 years to make a 900, right? 10 years of my life, getting beat up. You were the first person to do it. Yeah. And you were the only person to do it for a while. For a couple of years, yeah. Then a few people learned it. Then Tom Schauer did a 1080. I don't know, maybe 10 years later or nine years later. Then Mitchie Brusco did a 1260, you know, as the ramps got bigger. And they're like gymnasts. It's crazy. I just watched, this is last year at our event, Verd Alert, we have a big Verd Contest with my ramp. We bring it to Salt Lake City. I watched a 10-year-old do three 900s in a row.
1:04:24In a row. 10 years old. 10 years old. Yeah. In his run. Like, that was part of his run. Doesn't hurt as much when you fall on your 10. But I mean, I can't believe I get to live in that timeline. Yeah. I was the one commentating. Like, I get to witness this. I get to call it. I get to try to explain the difficulty of that, even though I didn't. So cool. So cool. Yeah. And do you think it's that humans are evolving? Sure. I think it's just we see what's possible, and so that is a goal to start with. It's like the six-minute mile. Once it's broken, then a lot of people can do it. Absolutely, yeah.
1:05:02When I started skating, no one did 540s. Yeah. So 900 was impossible until it wasn't. Right. And now that it's not impossible, other people can do it. Like, now you skate ramps, it starts spinning. Unbelievable. Yeah. It's really interesting. Yeah. And it continues. That's an example, though, of, again, just an iteration, because it was a 720 before there was a 900, right? Yeah. To put it in context, I did the first 720 in 1985 on a ramp way outside of Stockholm in this little town by a lake with three people watching me. Did you intend to do it? Yes. Or did it happen? No, I tend to do it because the ramp was a little different design and allowed us to go higher.
1:05:48And so I was doing 540s a lot back then. And I thought, well, maybe this is the ramp to go one extra spin. I learned it in like half an hour. There were three people watching me. No one cared. I mean, it was cool. Yay. So is that often the case where there'll be something in the environment that sparks you to do something that you couldn't do before? Because you were reacting. I was. You didn't decide in advance, I'm going to do this. I didn't go with that intention. No, but you saw the opportunity based on the real world conditions. Yep, yep. Is it typically that way? I would say it's half and half.
1:06:27Yeah. It seems like it would be easier if you got that glimpse than just, I have an idea, I'm going to make it happen. And if you get a glimpse, oh, the speed or the height that I'm going now makes it easier to do this thing that I couldn't do before. You see the opportunity is different than a theoretical idea in space that you're going to push to happen. Sure. But it's interesting, like going from that, that was 1985. I didn't make a 900 until 14 years later. Yeah. To do that extra 180 took that much time and effort. Do you remember when the 900 happened? What was different about, what allowed that to happen?
1:07:09There were a few things. One, that the ramp was built much better than most ramps at the time because no one had the budget to make great ramps, but ESPN did. And in the past, whenever I tried to make it, I would fall forward. And one time I actually broke my rib around 1996. I had all the pieces to the puzzle. I'm doing it. Here it goes. And then I fell forward, broke my rib, had to go pick up my son in kindergarten. and like couldn't breathe. No one was paying me to do that. Yeah, yeah, yeah. So it was all just for the passion of it. Yeah. And then... How long was it before you tried it again?
1:07:46About a year. But I could not get that commitment again because I didn't, you know, for what? Yeah, yeah, yeah. I don't want to go through that again. And so I actually had a ramp built that was bigger than most ramps. It was in a bullring. It was in Tijuana. It was like, oh, this is going to be sick. And I was doing all these other tricks and I was like, I'll do 900 on this ramp. And then when I finally got to it, I was like, I can't. I don't want to get hurt again and be stuck in Mexico. Yeah. So the key to it was at the 99X Games during the Best Trick event, I started trying it because I had done my best trick in the event prior to that, which was a 720 variation.
1:08:25So I already had that. And it was like, what's next? Well, what's next is a 900, you know, impossible. So you've never done it. Yeah. The one time you tried, you broke your rib? The one time I really committed to it, yeah. And now you're going to do it in competition? No, I just started trying it because it was like, here's the next thing that I would like to do. Here's the next stage of spinning. It was kind of like for this crowd, because we never had a crowd like that. It was just kind of like me, like, yeah, check it out. This is what, you know. And then after about my third attempt, I had a super good spin.
1:08:58I had way more speed than I usually had. and I was like, well, if I'm ever going to really try again, it might as well be here because I don't mind getting hurt here. And so then I started fully committing to it. And when I did commit to the first one, I fell forward again, but I didn't get hurt. And there was something that happened there where it was like, you have to shift your body weight mid-spin. That's the key. So the next one I tried. And you could have never known that until you did it. Until I did it. Unsuccessfully. Until I did it unsuccessfully and took the hit. Yeah. But took the hit that wasn't so debilitating.
1:09:41Yeah. That allowed me to get up again. Yeah, yeah, yeah. Because the first time I got hurt and broke my rib, I didn't drive away going, man, I got to figure out how to shift my weight. I drove away and going, fucking trick? I'm never going to do that trick. Right. I hate that trick. Yeah. in that context i just thought okay shift your weight so then the next one i did mid-spin you know there's a lot to think about yeah because you can't see anything when you're spinning that fast shift my weight to my back foot and when i came down i fell backwards it was kind of a hard slam but i was like that's it like i fell forward i've fallen backwards split the difference and i made the next one yeah and is it that intellectual where you're programming yourself to do it yeah just making these tiny adjustments every time and banking them so you must have great sense of your body in space because you're flying and spinning while this is happening yeah after a while you do yeah that's amazing what i'd learned in those years in the years after where watch what you wish for because then once I learned it anytime I'd go do a demo anywhere it's like 900 come on let's see it like oh it's gonna take everything I have to do that yeah yeah did you ever do it more I did yeah I ended up doing it like 30 times yeah did it get easier or never
1:11:09it got easier to get to that stage of knowing i can do it yeah so for instance at x games i think it was like 11 attempts after that it would usually take me less than five or six to get there yeah but it always took a lot it was never first try yeah yeah but what i learned in those years after is that as soon as you snap if something's off don't stop spinning and i've told kids that who want to learn it like look if you go and you miss your board or whatever do not open up because you're going to open up and you're not going to know where you are and you're going to be way further out of the ramp than you usually are and you're going to get you're going to get hurt yeah like there's no question so by continuing to spin what happens you come back around the wall and you can get to your knees i see it's like you're so far off the wall but you kind of your your spin and your trajectory brings you back to the wall if you keep spinning yeah do you ever spin where your back is to the wall instead of your knees the first time i ever tried it yeah because i didn't know how fast to spin right i did that in 1987 that's what prevented me from trying it after that because I literally land on my back like, oh, but if you open up.
1:12:30Is there anything you can think of that I may have done at some point in my life, something physical that everyone can do, but that takes some practice to be able to do it? How similar is it to learning to ride a bicycle, what we're talking about? It's kind of like if you've ever tried to do a flip off a diving board. that can seem like the scariest thing in the world. And once you leave the diving board, if you panic, you're going to end up on your back, right? Yeah. It's the same thing. If you go up to for 900 and something goes wrong, you panic, you open up, you're going to land on your back.
1:13:11Yeah. One body motion is much more extreme than the other, but it's the same outcome. I see. If you learn something like keep spinning, can that same idea apply to other tricks? Is that knowledge base deeper than that trick or is it just that one? That one's kind of on its own in terms of what it takes to get there. What are some of the ones that are more general like a technique you use when it's going wrong that ends up having good effect on a lot of things? That's hard to answer. I would say the things that you do up on the lip where you're getting your board and you're grinding with your trucks and you're grinding with the middle of your board.
1:14:04It's very easy to get lazy on that stuff and your board will hang up on the top and you think you're going to be in and then next thing you know, you're on the flat bottom. Yeah. Right? We call that hanging up. Yeah. There are very subtle feet maneuverings where you can avoid that. And you can use them for almost any lip trick. Oh, good. So you learn them from the basic ones, but you get them so dialed that you know if you get in some certain position and, oh, shit, your board's over the coping, you have that backup skill set. Does the board ever hit you, fall on you? Yeah, I mean. But it's not a big deal.
1:14:42I mean, it sucks, but yeah. I definitely have scraped up my knuckles too. I mean, all this, my shin, that's my skateboard. Yeah. Is there some piece of equipment that you can imagine that would allow gains in skating that have never happened? That's how people got to do 1080s and 1260s is that. What do they have? Foam pits and bigger ramps. So it's just, you can fall much easier. You can fling your body. You don't have to worry about opening up or spinning if you're flying in a foam pit. I see. Past the foam pit, is there anything that can take it further? I don't know. I don't. People try to develop harnesses and things like that.
1:15:28And I'm still old school. Like, you know, I learned in the school of hard knocks. I learned on concrete. All this stuff. So I don't really have a gauge where it's like, yeah, go try that easy way in. Yeah, yeah, yeah. Who would you say was the most influential skater on you? Eddie Alguera Because he was the most innovative skater At the time when I was coming up And he got ridiculed because They called him a robot Because he was learning tricks And I was like That's me I want to do that I want to learn tricks Yeah I learned his signature trick Frontside rock and roll When I was like 11 And they moved me up two divisions as an amateur because I could do frontside rocker nails.
1:16:13I couldn't do anything else. But they were like, oh, that kid can do front rocks, put him in 3A. And I was like, okay. I say it a lot. He was in the right place at the wrong time. He was like the most innovative skater at a time when skating was in its lowest point. Yeah. Is there any training you can do outside of skating that makes you a better skater? I would have said no a long time ago, but these days at my age yeah for sure I mean I work out three times a week doing strength and conditioning and stretching and it helps my skating just in terms of my endurance mostly yeah with my leg it's unlocked some some positions that I can now get back into that I couldn't when you were younger do you feel like I was younger it was the antithesis yeah working out like that's for jocks yeah jocks hate us yeah i'm not doing anything that you know what i mean i'm not gonna do anything that football or baseball players are doing you know i got away with it for a long time because i could like i was i was lanky and i was skinny and i was flexible and so i could just show up to any ramp cold turkey and do a bunch of crazy shit how much of skateboarding is feel?
1:17:32I'd say it's half feel, it's half visual. Have you ever skated with either blindfolded or eyes closed? No. Would it be possible or no? Yeah, I mean, there are blind skaters, but I rely on watching my board and seeing the coping. And so much of what I do is watching the edge of the ramp and my relation to there. So I need that visual. At all times? Mostly, yeah. If I'm spinning or if I'm going to be blind to it, I know the feeling of where I am in the air, too, and what needs to be adjusted to make it work. Does it feel good when you're going fast? Yeah. Yeah, it's cool. Did you ever get into skateboard videos?
1:18:15Sure, yeah. I mean, the first thing I did when I started Birdhouse was make a video. Oh, cool. We sold it for$5, and we asked people to mail$5 to us in the mail, and then we sent them a VHS. in 1992. And were videos the way that people learned, saw new moves and... That time, yeah, for sure. How big was the tape trading world? It was big. I mean, I don't know how many we sold. I think we only made 500. Yeah. But... But they were influential. To this day, people will say, dude, Feasters, I remember that. Yeah, they got passed around. They would break. Tell me about the skate park project. That is my foundation for public skate parks in underserved areas.
1:18:58We've been doing it for 24 years now. And it's definitely my proudest work because I saw skateboarding on the rise, obviously in the early 2000s, mid 2000s with the success of the X Games and our video game and skating was just everywhere and there were no facilities and cities were not providing. I just thought if there's something that I can do to give back to this world, it's provide skateboards because my skate park was my salvation as a kid. It's where I spent all my time, where I met my closest friends, where I learned my skill but also just felt a sense of belonging. That's what it was.
1:19:37Like, we were the nerds and the outcasts. Like, we were the misfits. And the skate park was our happy, our safe place. So how do you get it to happen? Through having a voice and a name that city councils would recognize and advocating for the kids in the areas that are trying to get it themselves so i'm not taking credit for it i just became a conduit for it yeah and it was like these kids need a skate park listen to them you're giving them tickets every day because they skate wherever at the mall they skate they're like they're not going to quit skating yeah and if you provide a skate park people want to come to your city how do you know where to go to advocate for a skate park Oh, I mean, at some point you learn the process, the city civil process can actually work.
1:20:25Like if you work the system, you can make it happen. Is it pretty similar place to place? Kind of, yeah. I mean, it requires city council meetings, petitions, hearings. But sometimes it's like, hey, this guy has this land, he'll donate it. Well, that's one huge hurdle to get over. Yeah. Or we only need this much more to reach our goal for funding. And it's like some wealthy person in that area had a deep history with skating. And they're like, I got it. And then we're the ones that can connect those dots. Great. To date, we've helped to fund over 900 parks. Amazing. Yeah. It's a huge number. Huge.
1:21:07Huge. And globally or mostly in the States? In all 50 states. But we have a partnership with Skatistan, who they provide skate parks and educational facilities in South Africa, Afghanistan, Cambodia, Jordan. We help them with their projects because there's no one I would trust more. How would you say besides the fact that you've dedicated your life to it, it's provided for you and your family, how else has skateboarding changed you? it's given me a sense of confidence that i don't think i would have found anywhere else and an identity everything that i do almost inherently is connected to skateboarding even with my kids in a lot of ways and so i identify with it but i identify with it proudly and for instance like when i was in when i was a freshman in high school i was a pro skater right I was the top amateur skater I was about to go pro I had to hide my skateboard before I went to school like I would hide it in the bushes near the bungalows because I would get harassed at school with it like I would get bullied or he would steal it or they would like beat me up or put me in the trash can or whatever like that was going to happen and then I would go through the day and try to be low-key and out of everyone's way and then go get my skateboard at the end of the day and skate home and then go to the skate park and be there until closing learning all these tricks and it wasn't that i was embarrassed to be a skater it was just hard to identify like that it was dangerous yeah and and nowadays like i'm old as fuck and i like go on a plane and i put my skateboard up in the overhead bin in first class take up space for other people and i'm like this is me this is who i am you know take it or leave it yeah and so i just mean like it's become so it's an extension of my body now and it's something that i am very proud of yeah i'm so glad that you get to continue doing it at the level that gives you that feeling of joy it's amazing yeah amazing i am so i'm living the dream like i'm so lucky when you were 14 could you have imagined the grown-up you doing this no i mean it's unimaginable when i was 24 i made the washed up skater list in big brother yeah i was washed up at 24 yeah still learning tricks but for what yeah because nobody else cared i mean i did i would i still do no but that's the beauty of it is your dedication is what allowed the whole thing to happen that's something that i it's hard for me to accept, but I'm hugely proud of it.
1:23:56You know, if I did anything to raise the profile of skating or if someone got inspired by me and my dedication or stubbornness, it's the best thing that I could hope for. What's the last trick that you were committed to doing that took a long time to get to? I did that trick, the impossible. I did what we call a front foot impossible. So you take off and you use the other foot to wrap the board around so it's like a two-part process it makes it take more time yeah and then i did it to a backside air i had never done it and i had to do it i had to do it really high to have all that time to do it and i had to set up with my feet in an awkward position so when you do tricks aerials to get speed there's kind of a standard aerial that you do that's just functional it's just forgetting speed yeah i couldn't do it like that because i had to have my foot in this fucked up position and it was in the way of my hand so i had a different type of air and i kept trying it trying it like got close a couple times and finally set a date this is it we're getting to some film yeah i had a tiba jefferson there shooting a sequence of it and i made it but it was it was so fucking hard is that the only time you've ever do it yeah yeah yeah i landed one and fell on how many hours would you say it took to get to be able to do it just focusing on that trick it was probably a year of off and on attempts yeah like an hour at a time so so you knew it was possible you just hadn't done it yet yeah and it was just as hard as i imagined to do like probably harder than i imagined because the one time that i did try to make it i thought i had it and then i just fell backwards across the flat and it was like fuck if i can't make it like that yeah and then the was there a breakthrough or it was just no it was just just gliding towards it inching towards it and then finally landing one went up on the deck just collapsed like that's it i'm done are there any tricks that have taken a really long time to learn but once you learn them you can do them like it's nothing yeah how does that happen you just get more confident with it back in the day we learned tricks to have them in our repertoire so like in bones forget days if you learn the trick you're gonna keep doing that trick going forward yeah it's only in the last 20 years or so where it's like that trick is so hard i'm only gonna do it's a one-time only it's a one-time thing yeah yeah but for sure like there been some other tricks that i've learned fairly recently and it was like i could throw that in there like that's a pretty cool one yeah what gets you excited about learning a trick just the fact that haven't seen it done before and you can do it yeah or even if it's something that has been done yeah but someone else but i've never done it like that's exciting to me yeah yeah and that that buzz when you land something that you've never done that buzz like that's that's the dragon does watching skateboarding excite you as much as it always did it probably excites me more now Because of the possibilities now because because I'm seeing what's next.
1:27:15Yeah You know in a lot of ways I was trying to help create what's next especially through those 80s and 90s But now it's way beyond what I'm doing. And so I just watched it like I never imagined and you're astounded by what you're Astounded. Yeah, it's the craziest thing you've ever seen There are tricks that Bob Bernquist has done and he's more of a generation of like 90s era but there are tricks that he has done that i'm convinced no one else will ever do for instance we're in the weeds here but yeah he did a frontside 540 which is not usually you do backside mctwist mctwist is a is a 540 there's a trick called a nar jar what's that so a body jar is when you go up in the air and then on the way down you land on the tail and it's very risky because if you're trying to land on the tail it's a good chance you're going to miss and your trucks are going to go over and you hang up and you're down if body jars go wrong you're getting ko'd you know i mean there's no there's no safe way out yeah of a bad body jar yeah a gnar jar is a 540 and then on the way down you come down on your tail it's the gnarliest of jars right yeah there's like four people in the world that have ever done it yeah and to this day i'm like but when you see it it's just like terrifying it's terrifying oh well i mean even to watch it because you know what can go wrong as a skater yeah other people see it and they're like oh that was cool 540 hit his tail and i was like oh bob did it front side are there things that you ever see in street skating that are like astounding to you yeah the way that people can just pinch into a rail and just stay on a rail now and and they're on a rail and then they're setting up their other foot for what is going to happen when they come off that shit like i it's so far beyond me i cannot believe it it's wild it's wild it's what we put in our video games so that you could skate in a fantastical way because we never thought that stuff would be possible yeah and now a lot of the skaters now grew up playing those games and they can do it they can do it unbelievable unbelievable unbelievable i think sci-fi works that way too you read things in sci-fi books that that are impossible but then 20 years later the seeds 20 years later, it's better than it was in that version of it.
1:29:37Yeah. Yeah.
1:30:05Tetragrammatin is a podcast. Tetragrammatin is a website. Tetragrammatin is a whole world of knowledge.
1:30:19What may fall within the sphere of Tetragrammatin? Counterculture? Tetragrammatin. Sacred geometry? Tetragrammatin. The avant-garde? Tetragrammatin. Generative art? Tetragrammatin. The Tarot, Tetragrammatin, Out of Print Music, Tetragrammatin, Biodynamics, Tetragrammatin, Graphic Design, Tetragrammatin, Mythology and Magic, Tetragrammatin, Obscure Film, Tetragrammatin, Beach Culture, Tetragrammatin, Esoteric Lectures, Tetragrammatin, Off the Grid Living, Tetragrammatin, Alt Spirituality, Tetragrammatin, The Canon of Fine Objects, Tetragrammatin, Muscle Cars, Tetragrammatin, Ancient wisdom for a new age.
1:31:06Upon entering, experience the artwork of the day. Take a breath and see where you are drawn.
From the publisher
Tony Hawk is a professional skateboarder widely regarded as one of the most influential figures in the sport’s history. Rising to prominence in the 1980s and 1990s, he became known for pioneering tricks like the 900 and for pushing skateboarding into the mainstream through competitions, video games, and media appearances. He became a household name through victorious X Games performances, and his career highlights include being the first to land the 900 in competition, earning over 70 contest victories, and dominating vert skating across two decades. As an ambassador for the sport, he also founded the Tony Hawk Foundation to support youth skateparks, further cementing his influence and legacy in skateboarding culture.




