In short
How the built environment shapes agency, connection, aesthetics, memory, and productivity through a feedback loop (“you put something in the environment, it shapes you, then you shape it more”).
Guest
Leidy Klotz, whose background is in the built environment (architecture/built-environment expertise) and who also studies psychology and self-improvement; she teaches architecture students.
Key claims
Prioritize spaces that provide agency, growth, and connection—not just paint/furnishings. Agency can be life-or-death: a nursing-home study found residents who could customize their space were half as likely to die within 18 months. Too many choices overwhelms; use limited, goal-relevant options (e.g., three ways to set up a home office/kids access). Aesthetics matter because familiarity breeds liking and nature-like patterns (order + complexity) feel comfortable. Spaces send “signals” (e.g., clutter, screen-facing layouts) that affect others’ comfort and your own attention.
Notable examples
toddler-safe hosting by blocking screens; “campfire” seating to reduce awkwardness; scouting venues via photos/Google Maps; aligning environments with tasks (writer on boat deck for drafting, inside for editing); home-field advantage by inviting partners to a warm, training-oriented home space.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOEnvironmental Influence on Self
1:41 to 2:00
Understanding how our environment shapes our behaviors and perceptions.
The Built Environment and Personal Growth
2:00 to 3:08
Exploring the connection between our physical surroundings and personal development.
“I'd love to jump into this project because I know many in our audience, when they think about wanting a better life, improving themselves, they start first internally.”
Intentional Spaces for Connection
3:08 to 4:25
Discussing the importance of choosing spaces that enhance our connections with others.
“Well, I think that's great because it really isn't about the large scale environment or building.”
Agency and Control in Our Spaces
4:25 to 5:46
Examining how having agency in our environments impacts our well-being.
“Yeah, I think first and foremost, it's like, is the space giving you agency?”
Balancing Choices and Agency
5:46 to 7:47
Tips on managing overwhelming choices to maintain a sense of agency.
“Well, let's start with agency because there's actually some really interesting science that you showcase in the book around agency and the impact that it has.”
The Role of Experimentation in Design
7:47 to 12:28
Understanding the importance of experimentation in creating effective spaces.
“and then the freedom to do whatever we want in the space.”
The Importance of Spaces in Memory
16:02 to 18:38
Explore how different environments can enhance memory and learning.
“Well, there's also moments where when things align to a degree, it burns a picture image feeling in your mind.”
Understanding Aesthetics and Comfort
18:38 to 21:06
Learn why aesthetics matter and how they influence our preferences.
“And there was a kick wall outside to shoot soccer balls off.”
Creating Intentional Spaces
21:06 to 22:36
Discuss the importance of creating environments that foster connection.
“And I think these signals are often lost in us.”
Designing for Connection
27:44 to 28:00
Examine how furniture arrangement can enhance social interaction.
Show all 22 chapters
The Impact of Furniture Arrangement on Connection
28:00 to 30:00
Learn how arranging furniture can enhance social interactions.
“with the intentionality of removing screens.”
Campfire Conversations: Fostering Equality in Social Settings
30:00 to 33:40
Discover the metaphor of campfires for promoting equal social interactions.
“stage, it's like, Oh, this is so awkward, like coming up to people.”
Understanding Attention in Modern Environments
33:40 to 35:50
Explore how our attention is manipulated by modern distractions.
“And then the other half was people going, don't you know what these things were used for well before we had stoves in the house?”
Navigating New Environments: Building Comfort and Familiarity
35:50 to 37:14
Learn strategies for feeling more at ease in unfamiliar settings.
“Yeah, I think, I mean, one basic cue is that there's like just thinking about space before your screen, right?”
Overcoming Discomfort in New Situations
38:00 to 40:00
Gain insights on how to push through discomfort to foster growth.
“And for many of us, we choose not to leave our house because of that lack of safety.”
Aligning Environment with Goals for Enhanced Productivity
40:00 to 42:00
Understand how to create environments conducive to specific tasks.
“Like by exploring and navigating new spaces, you're growing as a person and that feels good.”
The Impact of Environment on Productivity
42:00 to 43:35
Learn how different work environments can enhance productivity and creativity.
“And because I'm working for myself, I can do this.”
Home Field Advantage in Business
43:35 to 45:28
Discover how inviting partners to your space can improve business outcomes.
“to a neutral environment, we would always choose, hey, come check out our space.”
Using Space to Enhance Performance
45:28 to 47:50
Understand how the space you occupy affects performance and interactions.
“I realized that I Michael Jordan on the road, like he's like the greatest winning athlete of all time.”
Practical Tips for Improving Your Environment
47:50 to 50:00
Get small, actionable steps to create a more effective work environment.
“with that intentionality and just some practical things that they can do that don't require a massive renovation or a massive budget, but can have a real impact on their life?”
Nature's Role in Workspaces
50:00 to 51:45
Explore how incorporating nature can enhance well-being and productivity.
“Some people have to be in a completely green, floral environment to really feel that.”
Personal Insights and Reflections
51:45 to 52:58
Hear about the personal changes inspired by the conversation about environments.
“probably thinking about and then the the the growth piece right like not trying to recognize when I'm in a rut.”
Transcript
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1:43You put something in the environment. It shapes us. We put something in the environment. It shapes us more, right? This is it's a feedback loop.
2:00Johnny:Welcome back to the show. It's great to have you. Thanks. Awesome to be here. Thanks for having me again. I'd love to jump into this project because I know many in our audience, when they think about wanting a better life, improving themselves, they start first internally. What are those beliefs? What are those thoughts? And how am I holding myself back? This is a really interesting perspective on how we can view self-improvement. So how did this project come together? I think that's exactly it. I mean, so my background is in the built environment, right? And that's kind of the thing that I know about, but I've also, you know, very interested in psychology, interested in improving myself.
2:40And so I think this project was like, OK, what do people need to know about the built environment that is relevant to helping them have a better life? And trying to distill that down to the key things, because there are a lot of things that that external world can do. But it's like, what are the most important things for people to know about that external world and helping us thrive?
3:03Johnny:So what does that look like in real life, at least for our listeners who might not be in construction or building large scale environments? Well, I think that's great because it really isn't about the large scale environment or building. It's really about like, you know, for those of us fortunate to have access to a number of different spaces, it's like, you know, choosing wisely among the spaces to which you have access. Right. And so it might mean, hey, I want to I want to feel like I have more control over my environment. So I'm going to work in a space where I can open the window or I can, you know, arrange the desk to see outside.
3:39So a lot of these things are relatively small tweaks that we can make within the world that we live in.
3:47Johnny:Well, I think during the pandemic, of course, many of our environments collapsed on themselves into one where we live, where we work, where we play. For many of us, especially in large cities, we have a very limited amount of space. And I think because of that, the intentionality for most of us was like Zoom background. what's going on behind me and how do I look on camera and not thinking so intentionally about the spaces we inhabit and then the different hats and skills that we use in those spaces. So how should we be thinking about it if many of our lives, events and things that we're doing behaviors are happening in the same environment?
4:25Yeah, I think first and foremost, it's like, is the space giving you agency? Is it helping you grow and is it helping you connect? And I know those are broad ideas, but those are the things that we should start with. So going to the, you know, kind of the challenge that we all faced, even in rural environments. I mean, I was squeezed into my house during the pandemic and is OK. So connection in that case is like, OK, I want to be able to connect with people outside of the house. Right. And that's the background. But I also want to be able to have a solid relationship with the people inside the house.
5:01So then thinking intentionally about, okay, how do I, how do I use this space so that it's like, really, it's not making my kids feel like they're being ignored when I'm there talking to people somewhere else, but it's also, but it's also like allowing me to connect with them when I want to. And I would say like all of us who had that project of how do we set up our home office now, like that's the first most important thing to consider. And I think the answer is different depending on what your goals are. But if you start to think about like, okay, connections, what matters here? Here's how I can set up the space connect outside of my house, but here's how I can set up the space to like keep these relationships positive inside my house.
5:41That's going to get you further than if you start with paint colors and furnishings and things like that. Does that make sense?
5:47Johnny:Yeah. Well, let's start with agency because there's actually some really interesting science that you showcase in the book around agency and the impact that it has. And I don't think many of us have really linked that to our physical environment, the space that we inhabit. So what exactly does that mean to set up environment for agency and what is its real impact? Yeah, I mean, the most striking study that I came across was the one they studied people in nursing homes and the people in the nursing homes who are able to, you know, customize their space were half as likely to be dead in 18 months.
6:21Right. And so it's like that is not just some little quirk of, you know, a little bit better. That is like literally life or death based on having control over our surroundings. And so that's like one of the micro studies. But then when you think about that and where does this need for agency come from? I mean, like this being drawn to affect the world around you is what helped our ancestors survive. Right. I mean, the ones that wanted to create shelter were more likely to pass on their genes to us. So this is a very deep seated psychological need. It's not like some small bias or quirk or something like that.
7:02And so then like, OK, how does that look? How would you set up your space for agency? I think it's like thinking about where do you how can you how can you put yourself in places where you have a say over them? And I fully understand. Like I'm sitting in my office now and looking out the window and I can't open that window just because of the way that it's designed. But so I realize, OK, my agency is constrained in opening that window, but I can move my desk or I can move things around. Right. So it's like you're recognizing this as a need, but then you're also when you find that need stifled, can you look for places that where you can exercise that need?
7:42Johnny:Well, I think what comes along with agency for many of us is too many choices. and then the freedom to do whatever we want in the space. But that also doesn't necessarily help. So how should we be balancing that agency and too many choices that overwhelm us? Yeah, and that's like the home office example, if you're anything like me, right? It's like, this is a relatively small like home improvement decision. And it's like, there's so many degrees of freedoms and so many options that it becomes overwhelming. And sometimes you're just like, well, forget it. I'm just gonna keep it how it is or I'm just going to buy a new desk and hope that that solves everything.
8:20So, I mean, I think I'm sure you've talked about this in other episodes, probably like the overload of choice. And one thing you want to do is give yourself a limited number of options, but you also want to give yourself the options that are the important ones. Right. So I think coming back to agency growth and connection is the things that you're designing for and then trying to say, OK, well, instead of considering all the different possibilities, it's like, what are three basic ways that I could give myself agency in this space? Or what are three basic ways that I could connect in this space?
8:53So maybe one is like, okay, I'm going to have it completely open to the kids coming in whenever they want. Two is it's going to be porous. And three, it's going to be closed off. And then kind of evaluating those options against each other so that you're not overloaded with these kind of distracting choices and you're focused on the choices that matter the most. I think for a lot of people, they're just not very versed in design and what it offers mentally, physically, and possibly even spiritually, getting things aligned in the right way. But those three criteria are certainly a good place to start, right?
9:34These are the results that we're looking for right to grow so now that you understand here's the desired result that you're looking for you can start to as you were mentioning start to think about what designs work for you to get those results and start experimenting because for a lot of people they're just not well educated in that in that idea i mean this is why interior design as a field and a career exist. And also, I would say, I mean, I can kind of say this from the inside that, I mean, teach a lot of architecture students and have an appointment in architecture school that like we don't necessarily do a good job of helping people, empowering people to do it.
10:18And I would say in some cases, mostly unintentionally, the experts are kind of steering you in a direction different than is going to actually meet your needs, right? It's like Home Depot is trying to sell you a certain layout or a certain countertop, and they benefit if you buy the new countertop, but even if it doesn't meet your agency incompetence, actually they benefit more because if you have to buy it again after it's not making you happy, then they – Well, if you're even looking in that area, they want you to buy the package because it's not just good enough to get this countertop or this little thing over here.
10:57You need the overall aesthetic that is going to put you in this place that you don't even know you want to be in. Right. Giving those three criteria throws a wrench into that idea and gives people, as you guys were mentioning, the agency to experiment. And I love the experiment. I'm glad you said it again so I can come back to it because I think the agency to experiment, but then also like just the act of experimenting is going to make you feel better. Right. I mean, that is by doing it, you are going to make yourself feel better in the space. You're going to feel empowered. Even if you don't like the outcome, at least you're feeling like you had something to do with it.
11:34And then you can do the next experiment. I think for a lot of people, if they had a guest over and the guest is like, what are you doing with this room? Right. And their go to thought is, well, you know, I'm experimenting in order to figure it out. That's a very uncomfortable thing for people because they need completion. That mystery or openness, it's enough to give certain people a lot of anxiety over that process. Yeah, but I think like the completion is artificial, right? I mean, nothing's ever completed. I think the built environment is especially, especially adept at creating that mirage that things are permanent because it is so physical.
12:23But I mean, things are, they're always evolving, right? Your relationship with them is evolving. And I think I totally get what you're saying. And I totally think that we can kind of push back past that.
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16:53So how do you, how do you make the, how do you put yourself in spaces that are going to enhance the memory when it's something that you want to remember? I'll just give a small example. Like if I'm talking to my son about, you know, some big life lesson, maybe it's just like being a good teammate. He's 11. And, and if I can like take him for a walk and talk to him on the playground, it's just a different space than I have most of my conversations with him. And it gives it twice as many chances of landing because the place is different and the conversation is different.
17:27Johnny:And I think what Johnny's landing on in part is aesthetics. And I think many of us don't really think about the impact of aesthetics in our lives. In fact, many of us think they're subjective or maybe even superficial and unimportant. And if you've ever gone on Zillow and house hunted, you could see a wide range of how people interior design their house and then think, oh, well, you know, that works for them. But aesthetics really move us as humans and create those memories as you're talking about. So how should we really be thinking about aesthetics? There's like kind of an overarching framework.
18:03And then we'll get to the last thing, which I'll start with is just that, like, if you like it, that is the most important thing. Right. And it's like because we if we've chosen something, we're like wired to them like it more. Right. So if you choose it, you're going to like it. So I think that's important. But in a general rule for aesthetics is like, what have we been surrounded by in the past? And starting from the very near term past is like, OK, the the house that you grew up in, like I had I grew up in an old farmhouse with like quirky angles on the in my bedroom. and like a gravel driveway.
18:41And there was a kick wall outside to shoot soccer balls off. And I ended up in a house that had like those same features in Virginia instead of upstate New York. And I mean, it's just that's familiar, familiar to me. Right. And familiarity like brings breeds liking. Right. There's famous studies of in utero chickens that here are exposed to musical notes. You would like this, John. You've probably heard this one. And the so and then the chickens, the chicks that heard these notes while they were in the egg, once they hatch, they come out and there's speakers at either end of the pen and the chicks like are drawn to those notes.
19:22Right. And it's because you're familiar with the thing. It doesn't require as much cognitive effort. And then you like like it more. And it's the same with our surroundings. But then also kind of these enduring aesthetics. And again, I'm not prescribing what the best thing is for every situation, but we do like things, patterns that are found in nature, right? Because that is what we've been surrounded by for all of our history. And so like, what does nature look like? It's kind of a, it's a balance of order and complexity, right? So it's not necessarily you need to have a pine tree in your living room, but the pine tree has like fractal patterns, right?
20:01So there's like patterns that are in the pine tree. So like the big branch of the tree kind of looks the same as the smaller branch, right? There's like an underlying rule that is creating this. And if you think about like a brick facade, which nobody was thinking about before I mentioned that, but next time you walk by a brick facade, I mean, there's a balance of order and complexity. So it's like you've got this massive thing. But if you look at what the pattern is, it's either like just alternating staggered one block after another one, one row up from another. Or maybe there's like one block that's laid long way, one block that's laid narrow way.
20:37And there's this very simple rule that's been repeated many times and it creates this aesthetic that like we kind of feel comfortable with. So kind of paying attention to what you've been surrounded by in the past is a good rule for like what you're going to find comfortable and what you're going to like in the future. But, you know, most important, I think, is that you're the one choosing it because then you're going to like it more.
Read the full transcript
21:05Johnny:and I think it also signals a lot about you like we're talking about zoom backgrounds even in the environment if we were to meet in person and I was to walk into your office and it's just piles and piles of manuscripts and papers and envelopes ripped open and you know peanut shells on the floor that's a much different signal you're sending than an aesthetic room that's manicured well-ordered and I'm gonna pick up on that and it's gonna make me feel something about you as an extension of you, the environment that you spend the most time doing your work in. And I think these signals are often lost in us.
21:38Johnny:And for me and my wife, we have a toddler now going out to eat and going out, staying out late is not ideal. So we've started hosting more and bringing families over to our place and really thinking about setting up an environment to be intentional around connection and a space that's safe for toddlers. And, you know, there is an intention behind the thinking around this environment to host and gather that not only creates connection for us, but creates a space of safety. And that's an area where we're like leaning into now thinking about our physical environment. And we've been over friends' houses who maybe don't have kids.
22:16Johnny:And we're like, well, this is definitely not a toddler safe place. And we've also been in environments that are completely chaotic and will immediately pick up Amelia and keep her close because of those same feelings and thoughts. But I think for many of us is we're starting to get to a place where we have the ability to change our environment, not just the agency, but the means and the capability to do so. I think many of us don't think as intentionally about it, especially if you're unsteeped in design. So let's unpack that a little bit more because I think those signals are just so important.
22:49Yeah, that's amazing. kind of intro story that, and I think one thing that you said, like just the mess, right? And I think that it's really easy. Like you said that, and now I'm looking around my office and there's a stack of, I asked my students for mid-semester feedback and each one of them gave me a piece of paper and it's been sitting there for like a month. I looked at it, but it's still like, it's sitting there and I've stopped noticing it, right? Because I've become habituated to like, that thing is just there. I don't notice it. But if you came in my office, you'd be like, oh, Lydie had a stack of random paper on his desk.
23:21And so really trying to like look when you're hosting or when you're trying to think about how other people are going to encounter your space, like trying to go outside and then come back in and say like, OK, pretend I'm experiencing this for the first time. What are the things that I would notice? And it's not necessarily that I care that much that you think that I'm a slob, but it's also like if you're thinking about that stack of paper we're not connecting right and so like cleaning up is an opportunity to just remove these distractions and you know in my house it's boxer briefs and like shin guards are on the floor and i stopped noticing them but if somebody came in like what's what is happening here right um and i think that but that can also go in the other direction i think where like if you've ever gone to somebody's house that's just so amazing right or there's some like amazing feature that like draws all the attention or it's so cool that it like makes you feel awkward.
24:15I think that can, that can also, you know, prevent the connection, right? Because if somebody is spending the time, it's hard to connect. We basically have enough cognitive capacity to connect with one person at a time. It takes all of our effort. And if you're trying to pay attention to the space, the connection is going to be much less. So basically like cleaning up both literally, but also like metaphorically in terms of like, okay, just like put the space in the background. It's not the star of the show here. And how do you have, like allow the people to do their thing? And I'd say, I think if the example might even be in the book of like ways to show that you've thought about who's coming over.
24:55And, you know, like if, if you've got people who have a toddler coming over the, probably the most important thing in their life is the health of that toddler. And And if you've like kind of shown that you've thought about that, that's a really nice way to kind of show, hey, you're welcome here. Right. And so you can send this message intentionally. And then the other side of that coin is if you even if you haven't done it deliberately, if it's unsafe for the toddler, then you're sending a message that like, hey, maybe we're not in the same life stage as you or whatever.
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27:17Johnny:You're paying for quality, not brand markup. Quince Flowknit Activewear has become my go-to gym outfit. Breathable, comfortable, look more polished than I expected, and they don't cost nearly what I thought they would. refresh your wardrobe with quince go to quince.com charm for free shipping and 365 day returns now available in canada too go to q u i n c e.com charm for free shipping and 365 day returns quince.com charm yeah i think a lot about and johnny and i have talked about this on the show about open body language and not directly facing each other when we're seated creating a space of openness to share in conversation.
27:58Johnny:And one of the ways that we've changed our environment is now with the intentionality of removing screens. So understanding that screens are there, but we don't want our toddler necessarily on screens as much as we are starting to move the seating in the living room to block the screen so that not every chair is assembled around the screen, which I think many of us set up our living room to do so. And what's been interesting as we've hosted gatherings is like the screen is no longer distraction, people don't even notice the TV. And instead, we've created an openness for that connection for great conversation by reorienting our furniture, not necessarily intentionally thinking about it for connection, but thinking about it more of, hey, let's block the screen from our toddler.
28:40Johnny:But it's been really interesting to see how that has changed the gatherings. Yeah. And I mean, it's a that is a great example. I wish I had put that in the book, but it's our spaces are sending messages all the time, right? And they never turn off. It's like free advertising that never turns off. And if you've got a toddler, and even if you're not showing them the screen, if the whole living room is set up to look at this TV, then what are the, what message is that giving them? Right. That's saying that this is a really cool thing that you should pay attention to. I love that example. I think the, the campfires is a cool one, like evolution, like from an evolutionary perspective and like thinking about how when you sit around a campfire, it's kind of this amazing situation where nobody says, oh, that's AJ's campfire, right?
29:29Even if you built the campfire, it's just that's a campfire. Everybody's on equal footing here. And if you think about that when you're hosting and what you're trying to do is make people feel comfortable, like that metaphor where like, OK, now it's not necessarily you're coming into my house and I'm like sitting at the head of the table. It's like, we're at a campfire that just happens to be in my house and we can have better connection as a result. I think about that. And I'm, I'm an introvert, like in, especially in large groups. And when I go to like a conference or, you know, I can talk in front of like the whole audience, but then when we get off the stage, it's like, Oh, this is so awkward, like coming up to people.
30:05But if I can kind of set up my own little campfire where it's like, Oh, I'll go find a table, sit at it, make sure that people see that they can like come join me and then that creates a an environment that i'm i'm much better in and i think you know a lot of other people are probably too i just that's a very important point and soon when aj brought up the idea of the living room everyone's facing the screen and my immediate thought was when did that happen well that happened with television of course what was there before that was the radio but not really as much as it was the fireplace, right?
30:44And it's not that the fireplace was entertaining, right? It was crackling, it was doing its thing, but everyone got warm there, everyone communicated. Because think about how precious our attention is and how everyone fights for it on the internet. and whatever wins our attention better have uh something important to say something to better our lives something that makes us better people something that makes us strive for something larger than our ourselves and you know arguably television had not really done that ever at least now we have the choice of where our attention is going to go more so than in the past i mean even if you wanted to read books you still had to go to the to the library unless your family owned a giant collection i've i've heard uh i forget who i was talking to but they were they were saying that well yeah but this that attention is so powerful and but the so much of the stuff that is trying to get our attention now is it's not just not giving us those like basic human needs.
32:03It's actively working against them, right? It's like giving us dopamine hits that are keeping our attention, but aren't making us happy in the long run, right? They're actually making us sad and depressed in the long run. And I think the fire, I hadn't thought about that before, but that is something that actually is, I mean, it's, it's, it's kind of connecting you with nature, connecting you with something bigger than yourself, right? And that's, it's not capturing all your attention. So you can have time to connect with others. And I think that's a good example of like, okay, what make the focal point something that is actually contributing to these deeper needs that we have.
32:42There was a deep respect for that fire to be in your house. It's amazing. It's like, who understands how a fire works, right? I understand how it works kind of, but it's free. It's amazing. And it's like, think about this is like the physical world versus screens, right? So the screens, like amazing stuff can happen on the screens. I get it, but it's fundamentally pixelated. Think about a fire. It's like, you have no idea what it's going to do next. It's constantly evolving. It's like three dimensional. There's, there's warmth coming from it. It's like the, the, the views there's smell. There's like, you can feel things like It's giving, it's touching all your senses.
33:21It cooks your food. And for a lot of that time, there was always sort of simple things that were made with that fire, heating up the teapot, some simple foods that can go in. And for a lot of families, they did a lot of household cooking in that fire as well. And in fact, it was funny. I saw, I think it was Twitter. I just saw some video with somebody showing something how they made in their house and half the comments were people freaking out about these people cooking with this fire in their house, losing it about how it's going to mess up the damper and the fireplace and all this stuff and catch on fire.
34:03And then the other half was people going, don't you know what these things were used for well before we had stoves in the house? And all the comments for it made me wish that I had that experience.
34:24Johnny:what i love about the fire metaphor is there's so many areas in our life where we can start to see it and apply it so whether we're hosting a gathering or like you said going to an event where there are naturally these spaces that act like that fire that everyone already gathers around so it's easier to approach people and join a conversation in that group setting than is to go stand off in the corner by yourself with the name tag on at the conference. There are these things that are happening in environments that are well designed. You go to Las Vegas, there's plenty of this intentionality going on around the fountain and the gathering that happens around the fountain and kids being drawn to it to throw coins in.
35:05Johnny:There are these spaces that happen at events that we're going to that we can leverage to our advantage if we're introverted or we're looking to create connection, to lower our stress and anxiety and create those great moments to interact with one another. And I think many of us might not be noticing them, you know, again, going in these spaces, if we're thinking internally about how are we perceived, what are we going to say, what's going to happen if someone doesn't interact with us, how are we going to feel? Those tend to carry the day for a lot of our listeners. So what are some things that we could practically do to start to see more of the environment, to take in more of the environment?
35:42And then as you shared in this book, use the environment to shape what we're thinking and
35:48Johnny:feeling instead of letting what we're thinking and feeling overwhelm us. Yeah, I think, I mean, one basic cue is that there's like just thinking about space before your screen, right? And then if you can't do it, like every time you look at your phone, right, let that be a cue to be like, well, have I actually scrutinized the space that I'm in? um i have one of my friends i had got read an early version of the book and she's like now i think about you every morning when i wake up because i look first at my phone and then i'm like oh wait i like i'm in this bedroom all the time but there's like really cool like light angles and things like that but if you're also doing that in the conference right it's really easy to like get into your own head or to you know kind of check out and just be on the screen and like you're saying it could be something as simple as just okay here's how this conference is set up over here, there are like, there's circular tables.
36:39And you know, there's random people talking over here, are is more of kind of like, it seems like those people all know each other, and they are, you know, kind of closed off, I'm going to go put myself in the environment, that's more like a campfire, because that's going to, you know, draw out the things that I want to draw out in myself. So I think the first step with all of this stuff is like noticing the space, which gives the, just the joy of connecting with something bigger than ourselves, but also helps us then analyze it and see how it can actually help us do things like connect.
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37:59Johnny:I also think many of us, when we're entering a new environment, feel that sense of uncertainty and that lack of safety. And for many of us, we choose not to leave our house because of that lack of safety. At times, we choose to order the door dash. We choose to have things come to us because we feel so safe. And then we're forced to go to an event. We're forced to go to something that is a new environment completely, and it can feel overwhelming. And I think a big part of it is starting to build a sense of familiarity before you go. And there are a lot of ways to do this. Digitally, you could hop on Google Maps.
38:33Johnny:You can start to see some photos that other people have posted on Yelp of the environment, of the restaurant, of the space. You're gonna be going to, to build a little bit more familiarity before you get there to recognize, oh, this is where the refreshments are. This is where the circular tables are, where it's easy for people to gather, to lower that uncertainty, to create that sense of comfort and ease and confidence when you walk in that new environment. That's a great one. I wish I had used that. In the book, I talked about like scouting it out beforehand, but I meant it kind of physically, but you can totally do that digitally.
39:06That's a great example of how these two worlds can work with each other. I think also like when you have the opportunity, if you can physically engage with the space, that's really helpful. I know like when I go on vacation, I feel uncomfortable if it's a new place the first day just because it's a new place. But I like to run. And if I go for a run and run around all the places, then you've taken on all that discomfort all at once. Plus, you've got the endorphins going a little. Plus, you figure out what's there. And I feel comfortable for the rest of the vacation. So I think that's that discomfort that you're talking about.
39:44The other side of that discomfort is this sense of accomplishment. I've pushed through a little bit of discomfort. Now there's this space, this whole place that I never felt comfortable going before. And now I feel comfortable going there. And that's like, we haven't talked much about growth, but that's like there's agency growth and connection. And that's the growth piece, right? Like by exploring and navigating new spaces, you're growing as a person and that feels good.
40:08Johnny:Well, I think many of our listeners are high performers who are looking to intentionally create focus and to push harder and to remove distraction in hopes that that will create enough productivity in their environment. But that cuts both ways. It doesn't necessarily help us to be in such a sterile, distraction-free environment to get maybe what we're looking for. So what should we really start to think about that keeps us from just going on autopilot and allows us to be intentional about spaces for productivity? I would say aligning the environment with the goal, right? The best example I've got of this, I talked to, I think it's Amy Marin.
40:49She has a like high performance podcast too, but she, um, she, she lives on a boat and she says when she's, uh, did it, did it pause there? Oh, sorry. Let me start again. Um, okay. So the best example I have of this is an author friend I was talking to, and she, she lives on a houseboat in Florida. And she said when she's writing, uh, just free rewriting, like drafting, she goes outside on the deck of the boat. But then when she wants to edit, she goes inside. And, you know, it's such a great example of, okay, now you're outside and you've got like, you're, you're more free and that's what you want.
41:29So you're aligning up your environment with the goals of your thinking. But then when you want to focus, you go inside. And I think all of us can kind of use that, right? The right space for one task isn't the right space for another task. There's classic examples, right? Of, you know, you do all this work at your desk and you've got to do the hard work. You can't just not ever think and not ever like just crank stuff out, but you have the epiphany when you go on the walk, right. Or in the shower. Sorry. I did. I do the same thing when I'm writing, filming and editing content. Each one is done in a, in a different space where your space is well the the kitchen is where i'm writing the uh and then there's another spot in the kitchen that is the filming spot and then uh editing is more it depends but sometimes i i like to edit laying down so either i'll hit the couch to edit or the bed and which can be dangerous because i have fallen asleep editing multiple times now don't don't fall asleep editing this the uh but i think that's i like i i'll second that one i i find it really rewarding to to work in like a position that i couldn't work in at work it's just like when i'm writing at my house i'll be like you know what i can sit in the reclining chair like i've earned the right to do this by like kind of getting away from just working for somebody else.
43:01And because I'm working for myself, I can do this. So that's a cool example.
43:06Johnny:Well, another example that I love was really thinking about home field advantage for sports fans. I know we hear about this all the time. You shoot better at home. You play better at home. You have the fans cheering you on. So you get better performance than going into an enemy territory, an enemy environment. But this also works in business. And it's something that Johnny and I kind of stumbled on. But when we would start business partnerships, we would always invite those potential partners to our place. Whereas many people choose a business lunch or to go out to a neutral environment, we would always choose, hey, come check out our space.
43:42Johnny:And we had set up our space for training very intentionally, very welcoming and warm for clients and naturally had enough seating to engage in business conversations. And we found that that actually led to more partnerships to more productivity in those interactions and more engagements with people that just going out for a power business lunch and going out on the town. Yeah. And I love how, you know, you set it up to be welcoming. Like one of the classic studies in this area is like people do negotiations and they set up the study so that one group has been in the space where they're going to negotiate for like 20 minutes.
44:19I don't know if that's the exact It's some tiny amount of time. But the group that's been there longer, like gets more from the negotiation. They're like more assertive, more aggressive. And it's like the only difference is like the 20 minutes in that space. But you use that in a benevolent way where you're like, OK, I want to be able to control the space to help connect with other people. And it's I mean, it's powerful thinking about whose space it is. Right. And I think when you're, you know, having somebody come into your space, expecting them to perform the same way as, you know, if it was in their space is foolish.
44:54And you can think about this with like job interviews, for example. Are you we do this in academia, like where you've got a person coming onto your campus and they're like trying to take in all this stuff about the campus while having this like super important conversation that's going to potentially determine like the course of their career. And it's, you know, we we do things to kind of mitigate it where you're giving them tours and separating the that part of it from the in-person part. But to expect them to, you know, it's important to pay attention to the to the space that this stuff is happening in.
45:30I realized that I Michael Jordan on the road, like he's like the greatest winning athlete of all time. But he's his his record on the road was like not statistically better than average. like 50 % on the road, best basketball player of all time. And so, I mean, it matters. I think, so I'll give a couple more examples here. Like when we think about, so this is, you know, setting up the environment, but also sometimes we have to go into other environments, right? And so thinking about whether it's a situation where you want to kind of scout it out ahead of time versus a situation where you want to, you know, the environment is going to be disorienting and you just want to like drop yourself in there at the last minute so that you can focus on the activity.
46:16And if you think about like, I'm sure you do speaking where it's like there's a green room, right? And so you're in the green room and then you go out on the stage and you talk and do your thing. That's something that has happened. You know how to do that, right? And it's not, it's, that's better than, you know, if you have to sit in the audience and then think about what you're going to say and like all the people are around you and then you have to get up there and talk, that's harder because you're trying to deal with the situation before you're just dealing with the mental part. So trying to, but then the other option is like, well, if you can get there a week ahead of time and then get to know everybody that in the space, then that is going to, then it'll feel like your space and you'll do even better.
46:56Johnny:Yeah, I think oftentimes we don't think about the signals that are sent in our space. We might think about the status signals of what we're wearing, what we put on ourselves, but we don't think about the intentionality of the status in our space and our environment. And going back to that earlier example, many of us started to recognize, okay, maybe our Zoom background wasn't very compelling. It was very white, very plain. Maybe we had a coworker call us out on it and then we'd put an item or two. But I think for many of us, these environments, when we walk into them and we go to someone else's home and we go to someone else's office, there's a lot of signal that is available in the environment that we have under our control that maybe we haven't thought about.
47:37Johnny:And I know for the listeners, they're saying, great, I don't have the money to redesign my office. I don't have, I'm not an interior designer. I can't afford an interior designer. How should they be thinking about what we shared with them today with that intentionality and just some practical things that they can do that don't require a massive renovation or a massive budget, but can have a real impact on their life? the first one is just moving among the places to which you have access right so if you say you're like an office worker and you yes you're having you know you can meet the person in one room but you could also meet them in another room right and you can also like get to that room and set up the chairs in a circular pattern right so there are all or you could have like you guys were thinking about we could have this business lunch here or we could bring it to our office so really trying to align the like the spaces that you have access to with the task that you're um that you're trying to accomplish and what makes sense and that's you know that costs zero dollars um i think that is probably that's that's the biggest one um the other thing is you know it it doesn't have to be a huge renovation like these things can the relationship between our environment and our and what's happening in us is cyclical, right?
49:00So it's like you put something in the environment, it shapes us. We put something in the environment, it shapes us more, right? This is, it's a feedback loop. And so if you can make a small change in the environment, that can build on itself. And if you think about, maybe it just starts with in your office, you start by, okay, we are going to like, start using the conference room for random things that we need to get done because nobody's using the conference room. I'm going to use it as a second office. And then all of a sudden people see that you're doing that and they're like, oh, we have more flexibility in the space.
49:35And then the boss lets more people do it. And then all of a sudden, like you're creating a workplace culture that is more like open and aligned, like people have more autonomy over what they're doing. So I think that like keeping in mind that sometimes these like small spatial actions can reverberate um that's another it doesn't need to be a massive top-down renovation in fact that is yeah that kind of goes against the what we've been talking about yeah i think one thing that i
50:08Johnny:really took away from the book is just the impact of nature i think starting with plants and bringing more natural elements into your spaces and seeing which of those move you you know i've i've gone in offices where someone has a Zen sand garden on their desk that they doodle and play with in between meetings and that natural rock sand environment does it for them. Some people have to be in a completely green, floral environment to really feel that. But I think bringing nature in and sometimes just reorienting our ability to interact with nature, like you said, shifting your desk to be facing the window instead of having the window behind us.
50:49Johnny:There are some simple ways that we could bring in those elements that create that sense of calm, that create that sense of connection to the outside world that I think can make us more productive, can make us happier and naturally feeling more comfortable. So, yeah. And, you know, if it's a nice day, you can go outside, right? You can find a space outside. And I mean, that's definitely in my, you know, rotating options of spaces is like, okay, this is a, this is a task that I can, I'm writing in a notebook. I can totally do this by the pond that's on campus. And, you know, that's, there's a lot of nature there.
51:26Johnny:so in in putting this book together what's one behavioral change you had in your own life maybe it is that going out in nature more um i think the noticing probably i know that's not i mean just being much more aware of the spaces that i'm in and what i can do for them and then probably thinking about and then the the the growth piece right like not trying to recognize when I'm in a rut. You know, Johnny, your example of like, I do this in my living room, I do this, and I have that same thing, but there's not, sometimes there's not intention. Like, why am I sitting in this chair? I could sit anywhere.
52:04And if I sat in this room, there's like all these windows and it's warmer. And so trying to recognize when I get in a rut, either with how I'm using like my house or how I'm like moving places, sometimes how I walk around campus and it's like, just go a little different way and you notice all these new things.
52:23Johnny:I love that. Thank you so much for joining us. Where can our audience find out more about your work in the book? The book's available anywhere books are sold. It's called In a Good Place. And then my parents gave me a good Google name. So LeidyKlotz.com, L-E-I-D-Y-K-L-O-T-Z. And yeah, everything's there. Thank you for joining us. Thanks for having me.
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From the publisher
We spend so much time trying to improve ourselves — but ignore the environments shaping us every day.
Leidy Klotz joins AJ and Johnny to explain how the spaces we live and work in quietly influence our behavior, relationships, and performance. From agency and attention to connection and memory, small environmental shifts can have outsized effects.
This episode breaks down how to design your space for focus, growth, and better conversations — without needing more time, money, or complexity.
Chapters
00:00 – Why your environment shapes your behavior03:00 – Agency: the hidden driver of well-being08:00 – Designing spaces for connection and focus15:00 – The signals your space sends to others23:00 – Attention, screens, and the “campfire effect”32:00 – Small changes that create big impact
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Episode resources:
www.LeidyKlotz.com
In a Good Place
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environment design, behavior change, productivity, focus, agency, attention, workspace design, communication, human behavior, environment psychology, habits, connection, home office, decision making
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