Morgan Freeman joins Ari Melber: America, Blues & Purpose

16 Sep 2026 · 41 min · 17 chapters

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In short

The episode mixes Ari Melber’s political news analysis (Trump setbacks tied to war, inflation, and Fed independence) with media/First Amendment commentary (ABC/Kimmel and FCC threats) and a live interview segment with Morgan Freeman about his new music project.

Guests

Jacob Weisberg (Slate editor-in-chief; author of Profiles in Cowardice) and Michelle Goldberg (NYT columnist; MSNOW analyst). Later, Morgan Freeman (Oscar-winning actor) and Eric Meyer (Ground Zero Blues Club collaborator/producer).

Key claims

Trump’s pressure campaign against the Fed failed as the Fed raised rates; war and inflation are linked to higher fuel costs; “cowardice” enables capitulation, while Powell/Cook resisted; universities and major media can push back; censorship efforts can backfire via YouTube.

Notable examples

missile/drone attacks and low interceptor levels; Lisa Cook Supreme Court case; ABC/Kimmel FCC/broadcast-license threats; the “interview the FCC doesn’t want you to see” on YouTube; Freeman’s films (Shawshank, Million Dollar Baby, Dark Knight) and his album Morgan Freeman’s Symphonic Blues Experience with Ground Zero Blues Club, featuring artists like Taj Mahal and Chinake.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Analyzing Trump's Economic Setbacks

0:12 to 0:34

Discussion on Trump's challenges with the economy and the Federal Reserve's actions.

“Shop the iconography capsule now at True Religion.”

Analyzing Trump's Economic Setbacks

1:15 to 6:09

Discussion on Trump's challenges with the economy and the Federal Reserve's actions.

“And economic negatives for Trump from the Fed to the markets.”

Interview with Jacob Weisberg and Michelle Goldberg

6:19 to 14:00

Ari discusses with guests the impact of Trump's policies and their implications.

“It overlaps with some of the points I just mentioned.”

Discussing Political Backlash and Upcoming Guests

14:00 to 14:59

The conversation touches on the political climate and introduces Morgan Freeman as a guest.

“And we're watching a backlash in an economic environment where people don't have the patience or the interest in what Trump's selling.”

Discussing Political Backlash and Upcoming Guests

15:20 to 15:49

The conversation touches on the political climate and introduces Morgan Freeman as a guest.

“Kristen Kobes Dume's new book, Live, Laugh, Love, The Secret History of White Christian Women and the World They Made.”

Colbert and Kimmel: A First Amendment Defense

16:13 to 21:24

Ari and Jason Johnson discuss the collaboration between Colbert and Kimmel in the face of political censorship.

“Turn to something you don't see every night.”

The Importance of Free Speech in Comedy

21:24 to 25:51

Exploring the significance of comedians standing up for free speech and political expression.

“And we're back with Jason Johnson, Colbert and Kimmel uniting while the government can't take a joke.”

Exploring Morgan Freeman's Impact

28:00 to 29:42

Learn about Morgan Freeman's iconic roles and their cultural significance.

“talent, range, persona, and of course, that voice.”

The Blues and Symphony Fusion

29:56 to 31:29

Discover how Morgan Freeman blends blues with orchestral music.

“Well, it's nice to be with you, my friend.”

The Origin of the Blues

31:30 to 33:39

Morgan Freeman discusses the roots of blues music in American history.

“I always say that because I think it is America's original music.”
Show all 17 chapters

The Album and Live Performances

33:40 to 37:48

Insights on the album and live performances capturing the essence of blues.

“we're going to give you a world-class album, which we just recently released.”

Working with Contemporary Artists

37:49 to 40:05

Morgan Freeman reflects on collaborating with new generation artists.

“He betrays the trust of his team or his family, hoping to save his own cowardly ass.”

Lightning Round with Morgan Freeman

40:06 to 42:00

Morgan Freeman shares personal insights in a lightning round of questions.

“When the blues began, it was the first time America actually heard itself.”

Morgan Freeman's Symphonic Blues

42:00 to 43:20

Morgan Freeman discusses his album and thanks the host.

“Morgan Freeman, thank you for coming on and your kind words.”

Morgan Freeman's Symphonic Blues

43:32 to 43:55

Morgan Freeman discusses his album and thanks the host.

Reflections on Morgan Freeman's Impact

43:55 to 44:35

Ari Melber reflects on Morgan Freeman's influence and career.

“Terms and more at AppleCard.com There's a lot going on, a lot wrong with the world, but we just had Morgan Freeman here live.”

Reflections on Morgan Freeman's Impact

44:38 to 45:04

Ari Melber reflects on Morgan Freeman's influence and career.

“Opel is FDA approved, full prescription strength and estrogen free.”
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Transcript

Automatic transcript. May contain errors.

0:00Anybody can make jeans, but you can't dupe True Religions. That famous fit? Pockets you recognize instantly stand out stitching. They try to get the full package, but only we have the legacy. Shop the iconography capsule now at True Religion. With TELUS, you earn more daily. Open a reserve account with TELUS and earn 7.75 % APY on your first$2 ,500. Want no funding limit? Open a Boost account and earn 5.29 % APY. Listeners, sign up with code BOOST6 to earn a limited-time 6.5 % APY in your Boost account for seven days. Visit telesapp.com, T-E-L-L-U-S-A-P-P.com. TELUS is a real estate and financial technology company.

0:42TELUS is not a bank. TELUS is not FDIC-insured. I want to begin with a programming note. Morgan Freeman joins us tonight for his debut on this program. The acclaimed Oscar winner has a new project. So get comfortable. You know him from so many great films. He will be here this hour live. So stay tuned. We consider this a true PSA to catch up with an actual American icon that's coming up this hour. Now, the nation's top story is something else. It involves Trump's setbacks in two huge areas. Damning new fallout from his war. And economic negatives for Trump from the Fed to the markets. stocks tumbling today as the market saw their worst September start since the 08 financial crisis.

1:30I'll have even more on that in a moment. While with Iran, this is an MS Now exclusive, there is new information and evidence rocking Trump's Pentagon. These missile and drone attacks are happening far more frequently than what's being disclosed to the general American public from the Pentagon. Just knowing that those interceptors that are supposed to be the defense system that's stopping those missiles and drones from actually making it to the ground, that those are at critically low levels is extremely concerning. This is new reporting on the problems that we face with this open-ended war. And now you're looking at newly released pictures.

2:14Iranian missiles damage U.S. positions in Saudi Arabia and Kuwait and U.S. bases. We have these new assessments coming in from, as you see credited on your screen, photos obtained by CBS News. It details the extent of the ongoing damage. All this comes in as Trump voters have been hammering elected Republicans because they're, quote, tired of the war, as the sun puts it. And there are many different types of costs to this war. When the economic ones are totaled up, they, of course, link back to the other aspect that I mentioned that people are living through, not only the affordability crisis, but how other than, say, tech billionaires, everyone else is having to live through Trump's high prices and sagging economy.

2:55Americans paying an extra hundred billion dollars in fuel costs alone. The Journal reports, looking at families trade-offs, that's part of the rough September that I just mentioned. And that's not all. Today, the Federal Reserve, despite Trump ramming in his hand-picked chair Kevin Warsh did the exact opposite of what Trump has been clamoring for. They raised interest rates. That's a Trump loss. So even before you get into all the details, keep in mind that Trump has pushed to try to juice the economy, to try to take control of the Fed, sometimes unlawfully, and I'll get to that in a moment. And today, another loss.

3:36It's the opposite of what he wanted. Take a look. What is he doing? Why doesn't he lower these rates? We have a, you know, a deadhead Fed hair. I mean, this guy, the head of the Federal Reserve is a stiff. Now, I know it's gross incompetent because I happen to think he's grossly incompetent. Today, certainly, he should be lowering interest rates. All right? Certainly. Who would not lower them? But he's stubborn. Who would not lower them? An independent Fed. And while on the one hand, this is just how the government is normally supposed to work, on the other, because of this environment, it is an example of independent parts of our system, of our society, standing up against Trump's pressure.

4:24Indeed, if you want to make the argument, you could argue that the members of the Fed have gone forward with whatever they think is best independently to deal with this complex economy, including the problems I mentioned caused by Trump, rather than bowing like so many other media executives to say nothing of congressional Republicans. So I'm telling you tonight, this is a Trump loss. And it's not a small matter to him. He was hoping the Fed would do the opposite, if I simplify, to juice the economy for the midterms, which is why he's been working on this for over a year. And he crossed lines no other president ever has, including threatening and pursuing charges against two different members of the Fed, including Lisa Cook.

5:04Look, that case went all the way to the Supreme Court, where, relatedly, Trump also lost. Indeed, no one knew what the Fed would do until today on this issue, but that earlier loss paved the way for at least the same independent board of governors to make their decision. Former Chair Powell is remaining on the board, meaning he is not taking Trump's bullying and attacks as a reason to bow out. Trump was trying to illegally fire and pressure these people to get the opposite of what happened today. The Fed ignoring Trump. Now, as for why Trump cared so much, well, again, without getting into all the details, the markets looked at this as a short-term problem.

5:44The Dow dropping about 600 points. And if you want to kind of sum it all up, the usually right-leaning drudge report calls it F-Day. Fed Day or F-Day, take it how you want, rates hiked. And that's where we begin, a war that has economic consequences and an economy that under Trump is not responding to his sometimes illegal threats to give him a short-term sugar high. And instead, the big problems, how we deal with high prices and a lot of other stuff is still going to be up to this or the next Congress, which the voters may change. I want to bring in Jacob Weisberg, longtime Slate Editor-in-Chief, co-founder of Pushkin Industries, the author of Profiles in Cowardice, a study of collaboration in the Trump era.

6:28It overlaps with some of the points I just mentioned. It's new this week. You can go get Profiles in Cowardice now. And New York Times columnist Michelle Goldberg, an MSNOW analyst for us. Michelle, I mentioned that the setbacks on the war and the economy are related. And all of this comes after an extraordinary and sometimes illegal pressure campaign by Trump. Well, right. I mean, and I wouldn't necessarily give Kevin Warsh, the Fed chair, too much credit because he really didn't have that much of a choice. Because Donald Trump, you know, driving up inflation, driving up the debt, it seemed like if they didn't hike rates, there was going to be some kind of bond crisis that would also hit American consumers.

7:09Right. He's sort of they were in a they were in a lose lose position. There is not a way kind of without radically changing Donald Trump's foreign policy and tariff policy to ease the pressure on the ordinary Americans. If you're Donald Trump right now, the Treasury giveth and the Fed taketh away. I mean, Scott Besant is pursuing this policy of buying back bonds to try to lower interest rates. But Warsh, because the Fed has a mandate to maintain inflation at 2%, as Michelle says, doesn't have a lot of choice in the matter. Where Trump had a choice in the matter is with the policies that are driving inflation.

7:49And there are principally three of them right now. There is the war in Iraq and what it's doing to fuel prices. There is the overspending, which is creating fears long term about the debt. And there's this trade policy, which is dry, which is inflationary. And what must irk Trump to the extent that he's in touch with reality on this is it all could have been prevented. If he hadn't attacked Iran, we wouldn't be in this position. I don't think we would be having a Fed rate hike right now. Yeah, those are all policy failures. And they drive what I mentioned, which is this revolt in the public and the hard times out there.

8:22and none of them touch on the sort of angrier, flashier aspects of Trump that people are so familiar with. All these norm breaking, all of the attacks, all of the angry, negative, mean behavior, right? All the stuff that takes up so much energy. We're talking about the fact that these policies have failed the American public. If anything, the Fed's trying to help, as you said. In your book, Jacob, you write that cowardice is shameful. It wears disguises. Pragmatism, realism, caution, institutional loyalty. Beneath those justifications lie abdication and refusal to confront a fundamental threat when duty and ethics demand it.

9:00There are greater causes than just handling the markets and the interest rates that the Fed is doing. But they, and the people I mentioned, including Ms. Cook, stood up to this when we saw others fold over the last two years. Absolutely. Lisa Cook and Jay Powell are two people who exemplify the opposite of what my book's about. They were in positions of institutional responsibility. You know, Jay Powell is a lifelong Republican appointed by Republicans, served in Republican administrations. But he understood his public responsibility and his role and the need for an independent Fed. That's why he's still there after his term as chairman expired.

9:41Normally, you leave. But he's staying, I think, because the Lisa Cook case might not be done yet. You know, the Supreme Court said that they couldn't fire her for what they call cause without some sort of judicial process. It's not clear yet that they're not going to come back at her again and say, all right, we're now going to have a hearing. We're now going to show the evidence and see if we can make another case for firing her. Yeah. And Michelle, it sounds weedsy, but Powell clearly made that choice. and we saw, for example, the former FBI director just quit early, just give up because he was worried that Trump was going to make his life hard.

10:19And we've seen some leaders in law firms and universities do the same. And I wonder what we see here in terms of what actually works. And there's a shift. I mean, ABC, we've covered recently, has decided to sue Trump over censorship rather than give in, whereas at one point they were going to yank Kimmel. Right. And you see all of these. I mean, I think that it was one of the things that has most shocked me about the second Trump term, and I wrote this in my column, is that I honestly expected the armed paramilitaries on the street, right? I expected the political persecutions. I expected the terrorizing of immigrants, the camps, all the rest of it.

10:54What I truly did not expect is the capitulation of people who, by all accounts, knew better, right? I mean, I think we've gotten used to, like, where are the decent Republicans, and we've seen a couple of them, but not nearly enough. And but the capitulation by heads of universities, the capitulations by big media companies that paid him, that paid Trump these like ridiculous kind of protection money slash bribes in the guise of settling lawsuits. I think there was this sense when Trump came back that he that something had fundamentally changed in America. Right. And that he and that people were sort of scrambling for their own place on the lifeboat.

11:37And now I think even just not even two years in, you can already see that the tide has changed. The kind of vibe shift was extremely temporary. And these people have shamed themselves, you know, often for nothing, because it's not as if the people that have stood up to Trump in these same industries have, you know, kind of Many of them have been able to fight his attempts to weaponize the government against them. They've tended, yes, exactly as Michelle says, the law firms that did stand up, the universities that did stand up, have won every case in court so far. And more than that, the law firms that stood up have thrived.

12:25And Paul Weiss, the firm I write about that capitulated so prominently at the beginning of the second term, has not thrived. They've lost, you know, several dozen top lawyers who've gone to form a sort of old Paul Weiss values and exile firm. And, you know, it's no longer that firm is no longer special. That's no longer the kind of liberal firm that stands up for civil rights. It's just another corporate firm. And that's going to be that reputation is going to stick with them. They can't really go back to being the old Paul Weiss. But what I think maybe we're starting to see now, just early signs of it, is countervailing pressure that makes it harder to give in because the resistors to this sort of capitulation have gotten a little more organized.

13:09And it's very interesting what's happened in the universities. I thought Harvard was probably going to end up making a deal. There was so much pressure on them, you know, the$2 billion in government grants being taken away from them, the threat to ban, prevent foreign students on visas from coming. But what's happening now? It's become impossible for Harvard to make a deal because the faculty, the students, the alumni have said this isn't acceptable. And I don't think Harvard is going to make a deal right now. Trump, the Justice Department, has turned their attention to Yale because they think, Mel, maybe we can't get a deal from Harvard.

13:45Maybe we can get a deal from Yale. But I don't think it's easy for Yale to make a deal in this circumstance either because the world's a little different than it was in early 2025. Right. Their perceived power, and sometimes perceived power becomes power, particularly when people are scared, as Michelle was reminding us, has completely curdled into something else. And we're watching a backlash in an economic environment where people don't have the patience or the interest in what Trump's selling. So it's really striking. Again, Jacob's new book is Profiles in Cowardice, a study of collaboration in the Trump era.

14:19Michelle Goldberg, our thanks. In the program tonight, Morgan Freeman will be here live on the beat. You can tell we're excited because we're going to keep showing you clips from his great films. We also have a lot of other stories, including the AI clash in D.C. And Stephen Colbert and Jimmy Kimmel uniting to fight for freedom, even if some of their companies didn't. We're going to show you some of those special moments. We're back in 90 seconds.

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16:12Tostitos. Tradition matters.

16:22Turn to something you don't see every night. Stephen Colbert, joining one time television rival, or at least time slot, same time slot, Jimmy Kimmel, to discuss the kind of strange journey they've been on that tells you a lot about not only American politics under Trump, but the need to have a First Amendment in this country. People still do this. Truth is still view themselves. Rarely. I've been done very many. Do you? Many fond memories of this. Do you? Do you think about it ever? Nope. I will say. I have an opportunity to not think about the news every day. And I took it. You took it, yeah.

17:03You just seem like a different person. You seem happier. You seem healthier. Like I don't drink a cup of poison every day? Yeah. Yeah, exactly. Like that. Because part of the job is, the old gig as I remember it, was to be lowered like carbon rods into a radioactive pool every day. And then to be pulled out and put in front of a camera and to irradiate it back at the audience at a non-lethal rad level. Colbert obviously having fun, joking. He is a great comedian and orator, so he's exaggerating. But you see his beard? He actually shaved it on live TV. The backstory being that he made a promise to his wife.

17:41Apparently there was some disagreement in the house about the value of the beard. And he promised his wife he would shave it if he won an Emmy this year.

17:53congratulations thank you not just to you but your whole staff you guys won six emmys seven actually seven emmys you know it was fun because usually emmys you're just sitting in a row but we got to sit with john stewart and john oliver with that photographer the photographer came over and he goes oh look at all you got let's get a one shot of all you all you hosts together so we got up and got a little circle and the guy said and the guy said oh it's the endangered table and look at our faces there that's the reaction we all had to that kind of fun to get the backstory when you have that photo there though this endangered table there are too many seats because the joke is fine it's hard to do comedy in a country like this under Trump.

18:41But the truth is what you see here, a level of attack, legal and otherwise, on the free press in this country and the tech companies. Our earlier guest tonight talked about the early capitulations and so-called settlements. This is the real deal. And Trump is still going after Kimmel's parent company, ABC, threatening their broadcast licenses over the programming, the free speech, the First Amendment that he doesn't like. Donald Trump is for cancel culture. He is against the First Amendment. He is, in the modern era since Nixon, the most anti-First Amendment, pro-censorship, pro-cancel culture president we've had.

19:22And you might say, I don't know, I remember all this branding about him being against it. Just like he was against wars in Iran or for Epstein transparency. On a lot of big issues, the great reality show communicator got a lot of people saying words that are the opposite of his real plans. Now, that doesn't mean all the censorship is working. We reported from day one on how Kimmel outwitted the FCC by taking the entire Texas Democratic candidate Tallarico interview to YouTube, an interview that has now reached more people there by a magnitude of over five than Kimmel's entire live show. This is not the first time you've been demoted to YouTube when you were on Stephen Colbert's show.

20:08That's right. This same, very same thing happened. Why are they so scared of you? Well, they're worried that we're going to win this race in Texas. Yeah. They are terrified of this movement we're building in Texas, working people coming together across party and race and gender and religion and culture to take on the people at the top who have been screwing us over for far too long now. I have to say, that's just some of the censored interview that's being viewed so many times, and we've played clips here because it's newsworthy. It is still bad news when telling jokes and talking to candidates in America is something that becomes a fighting cause, an ongoing month-by-month battle to just tell jokes because freedom of speech comes in all shapes and sizes.

21:00But it is a good sign that so many people, including apparently people in Texas, are standing up against that, deciding they will watch what they want to watch and not rely on the government censors. Jason Johnson is here on this. Next.

21:24And we're back with Jason Johnson, Colbert and Kimmel uniting while the government can't take a joke. Your thoughts. I am reminded of one of the best quotes from Deep Impact, a movie that your upcoming guest Morgan Freeman was in. And he mentioned that, you know, when cities fall, we rebuild them. But when heroes fall, we remember them. We will remember Stephen Colbert. We will remember Jimmy Kimmel if he's pushed off the air. These people, I'm not being hyperbolic when I say this, these people will be known and remembered as sort of fighters in the First Amendment battles. that we had under this administration.

22:01People who could have capitulated in advance. They could have changed their jobs. They could have stepped down. They could have backed away, and they didn't. And it was an amazing night and an example of how even people with tremendous wealth and power can still put themselves in the line of sight and stand up for everyone else. Respect. And we know how this works a little bit. We're around, you know, I don't know about you, but I'm around the media, Jason. Sometimes the test is right in your lane, and you got to kind of deal with it. They had an easy dodge. They could say, you know, ha ha ha.

22:35But mostly I do a monologue. I'm supposed to have jokes. And then you've seen my guests. Most of them are not Senate candidates. Right. So they could have said, you know, I'm going to steer back to that. That's kind of what this show's always been about. And they could have. And they didn't. And I think that that bears noting. And even the Tallarico thing, they could say, well, you know, let's just leave it. It's been a whole fight. We don't do a lot of candidates, which is true. Most midterm candidates are not on any of the late night shows. And instead, I'm going to put it back up because it is a we talked about profiles and courage.

23:07Right. This is a profile in boomeranging. The effort to censor the interview we have Kimmel here has actually enhanced it only because they chose to fight by putting it on YouTube. that puts it out to the world. And oh my gosh, we are way over the normal audience. And the intrigue, I mean, I'll tell folks, they titled it, you know, the interview the FCC doesn't want you to see. Americans don't like being told what to watch or what to think, Jason, including by right-wing overlords, even in Texas. Right, and here's the thing, Ari, you know, to sort of paraphrase, you know, I got beef with the FCC, they won't let me play my hits, right?

23:47And he said, I don't care. And he took it to YouTube. And here's the thing, it's not just that Tallarico got a lot more attention. Jimmy Kimmel saw what happened to Stephen Colbert. He knew he was putting himself in the line of sight. So not only does the show improve, but the Tallarico interview actually got more views than Trump's speech at the midtermapalooza in Texas. So it is a victory on multiple levels, both politically and politically. And that's one of the things that makes it both a brave move and an indicator. People don't like being told what to watch, but they will watch what they think is important.

24:19You remember the old phone a friend? Yes I want to phone a nerd I know you well enough that we both are nerds And we can call each other as such, right? Yes, I feel it Captain America's shield We saw Colbert give Kimmel The shield We'll put that up here Can you walk us through that? I This actually makes me somewhat emotional This is such a huge deal Because throughout his career Stephen Colbert has been very supportive, not just of free speech rights, not just of labor and everything else like that. And so for Marvel to say, we're going to give you a replica shield of Captain America was significant.

24:58He's always had it in the background of his shows. For him to give it to Jimmy Kimmel is basically like when Steve Rogers gave his shield to Sam Wilson at the end of the Avengers series. And I can also say this, you know, Steve Rogers' catchphrase, Captain America's catchphrase is always, I can do this all day. He fought bullies. That's what he did. He was a small town kid who got superpowers and fought against bullies. That's basically what Colbert is saying. I'm going to let you continue this fight that I can't fight anymore against the bullies that other people can't push up against. It was it was an amazing nerd moment and an amazing political moment for me.

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25:32We thought you might be up to it. And that shield we have on the screen here also reminds us not only inspirationally and in our sort of dreams and fantasy of art, But on our best days, what America can be. And you remind us of that, Jason. Thank you, sir. Thanks, Ari. Anytime. Still ahead, we look at how Americans are revolting against aspects of AI. But next, we turn to The Promise I Made You, Morgan Freeman, his epic run, his amazing films, a moral voice in art and life. I'll tell you about his new project when he joins us next.

26:18We know we're living through turbulent, hard times. High prices and the gas crunch forcing families to choose among necessities. Another Middle East war grinds on. With no end in sight right now, many protests, the political and governmental problems we're facing at home, just as other generations have before. People doing what they can without the luxury of knowing what will come next or what might even work. There are many ways to channel hard times. One of America's original foundational genres is, of course, the blues, primarily created by Southern Black artists confronting their daily lives in hardship and U.S.

26:58oppression. It's an art forged in conditions determined by politics and inequality, to be sure. But it also, as music, often transcends any partisanship or labels, even any given time. Great blues songs can feel timeless because they narrate life in ways that resonate for so many. The blues are in the news tonight as beloved Oscar winner Morgan Freeman has a new album, Morgan Freeman's Symphonic Blues Experience, and here's how he describes the project. These songs became a attachment to the unbroken human spirit. spirit, the sound of America's past and present, and the heartbeat of a culture that refused to be forgotten.

27:52When you hear me moan. I don't know who could put it better than that. Freeman, of course, known for his artistry, talent, range, persona, and of course, that voice. An actor and storyteller who has iconic roles in films across decades, like Seven, Driving Miss Daisy, The Shawshank Redemption, Million Dollar Baby, Gone Baby Gone, and the Dark Knight trilogy, where he elevated Lucius Fox to Batman's moral conscience, addressing issues like digital surveillance, so relevant right now, and brought his signature gravitas to a whole nother generation of moviegoers. You think that your client One of the wealthiest, most powerful men in the world Is secretly a vigilante Who spends his nights beating criminals to a pulp with his bare hands And your plan is to blackmail this person That kid's long gone And this old man is all that's left I gotta live with that We need inspiration, Francois because in order to build our nation, we must all exceed our own expectations.

29:16Bruce, I'm God. Bingo! And the Oscar goes to Morgan Freeman, a million-dollar baby. If she dies today, you know what her last thought would be? I think I did all right. And I'm asking myself when. When, oh, Lord, is going to be our time? or time's coming when we're going to have to ante up. Ante up and kick in like men. Like men! Morgan Freeman joins us now, along with his collaborator on this project, Ground Zero Blues Club's Eric Meyer. Welcome to both of you. Excited to have both of you, Morgan. You can tell we're very excited to have you, sir. Welcome. Well, it's nice to be with you, my friend.

29:58I watch you every day, and when I can't watch you, I'm recording you. I didn't know that. That's wonderful. Tell us about this great blues project while you're doing it.

30:12It's, well, we blend blues with the symphony orchestra. We go around to different places in the country or the world, and we do music with them. But we do the blues, and they play strings. mostly. It's quite an experience. Yeah, and it takes this, as mentioned, unique American art form and sort of gives us a different way to hear it. I want to play I Lied to You from the album here with Keith Johnson. Let's listen a little bit. Okay. See, I'm full of the blues Holy water too I know the truth hurts, so I lied to you So preach on, speak your words I know the truth, so I lied to you Yes, I lied to you Morgan, tell us about which songs you're choosing here and if you venture to share with us, why do the blues feel so distinctly American?

31:28Ah-ha. I always say that because I think it is America's original music. It didn't come from anywhere else but the cotton, corn, and tobacco fields of this country. I think it just originated from field hollers and moans. sometimes people get into a rhythm picking cotton and they just moan and that gets picked up and before you know it you have a hymn and before you know that you got a blues song hey when you put it like that it makes a lot of sense we bring eric in uh take it from there to what morgan just shared it's often hard to follow morgan you realize that i'll do my best look this is a as morgan said this is an incredible american art form that's been the foundation for most contemporary music uh our club you know it was considered ground zero for where this music was birthed in the Mississippi Delta.

32:58And these performances, as Morgan said, were preserving the beauty of the blues over a hundred year period. So our album and our show really starts in the 1920s where the blues started, really from more of a commercial vantage point by folks like Robert Johnson. And we trace the evolution of this genre over 1920s to modern day, pair it with the a beautiful symphony. The shows we've done about 25 already around the country, including Central Park, San Francisco, Chicago, Nashville. And the album is just an extension. You know, if you can't come to Clarksdale, hopefully you can come to a show. If you can't come to a show, we're going to give you a world-class album, which we just recently released.

33:43And it's been a blast. Yeah, I think that comes through. I mean, Morgan, the blues, like other classical American music, also grew out of community. Long before we had streaming and remote ways to get music, this was in the community. I'll share briefly. First time I heard Taj Mahal, I was a kid, and I went to Jazz Alley in Seattle, and he had come to town. I was in the room, and you say, okay, that's a feeling that's different than virtual. Let's play. We have a little Taj Mahal from your album curation here. Let's look at that. Great. Well, you know, I didn't know I loved her, till they let her down.

34:42I didn't feel so bad, till the good Lord's sun went down. Morgan, tell us about bringing that to listeners. That's an experience in the room.

35:01Well, I tell you what it's like for me, because I'm a big fan of Taj Mahal himself. To be in his company when he's doing something like that, it gives you goosebumps. And to bring something like that to an audience, and I know that if I get goosebumps, many of them are going to do the same thing. So it's a joyful experience. I'll tell you, I feel so fulfilled when we do these shows. Let me bring in Eric on. Here's a hard question. Eric, why does music that comes out of grit and adversity, that in one sense, the name, the blues, that it has a sadness to it. Why does it feel so uplifting? I mean, listening to Morgan even start to hum and then Taj Mahal, I think a listener might feel lifted.

36:02And yet we're coming from a partly melancholic place. Yeah, it's cathartic, right? And when you think about it, it's storytelling in this most natural way. and I think people can relate to it. One of the things that we've noticed from this album is it really appeals across many audiences, many ages.

36:32The blues is global. And while it started in the Delta and these were work songs from Slays and Sharecroppers, I think there's something about the way it's communicated that people can relate to. and I think it's a combination of just the the guttural way the music is communicated but also the lyrics and um I can tell you my girls love the blues and and they're in their 20s uh you walk into a club you'll see you know all ages and we've seen the same thing at the shows and we've tried to bottle that essence with this album as well yeah all right I don't know if you're aware We were very intentional to really showcase the Delta Blues musicians from our club in the surrounding Mississippi area.

37:18Very blessed to have people like Taj and Kev and Shameika Copeland and Tierney Jackson be a part of this. And then we paired it with really the most prominent symphony of color out of Europe, Chinake. and so the beauty of this album construction is we've got arrangements by Martin Gellner, Boo Mitchell, multi-Grammy winner from Sinners, etc. and we recorded it both in Memphis and Abbey Road and it was just a joy putting this whole album together Yeah, and that's great for everyone to understand and folks can pull this up on streaming, they can google it right now and check out the album Morgan, you know I try to keep it real around here and I love all your movies I also loved when I was driving around listening to Savage Mode and the way you go in and out of that album with 21 Savage and Metro and for those who don't know we're going to play a little slice you teamed up with these beloved southern artists from a different generation from the hip hop trap era because your fans are of all ages sir let's play a little bit of this you were teaching everyone a little bit of a legal street code here let's listen A snitch is someone minding other folks' business to find information they can sell for a price or trade for some other form of compensation.

38:42A rat is a traitor. He betrays the trust of his team or his family, hoping to save his own cowardly ass. The difference is, at least a snitch is human. And on it goes. Can you tell us about working with them, what that meant to you? And you're having fun with it, but you're also speaking about real codes. Yeah. You know, they just sent me the script and I go to a studio and sit down and sort of play with the script. I don't work with them at all Nobody's there with me So, you know, that's just me sort of absorbing and regurgitating What can I say? You put it simply, I mean, I guess that's what you do so effortlessly Because it's like in film, you bring the words to life It works great on the album, that's just my view I want to do a lightning round to end And this is kind of fun.

39:50Take your time if you want, Morgan. But if you finish these sentences, the first one is, the blues still matters because. It's America's music. When the blues began, it was the first time America actually heard itself. My toughest role was My toughest role was getting a role The first one Yeah, you know, getting started These are the final four Okay I knew I'd made it when

40:39Uh I got an Academy Award nomination for playing a pimp in the movies. Ah! Oh, great. I thought it was over when?

41:0019, when I was 30 years old,

41:06I realized my 30th birthday, I had no prospects, no job, nothing. And now what? I was 30, age 30. Final two, sir. Yeah. Failure means... Not trying hard enough.

41:37Success means...

41:43You notice I didn't jump right on that. Because success means a lot of things, different things in different situations.

41:56But I would say that success means an easier road. Morgan Freeman, thank you for coming on and your kind words. I hope you'll come back. Eric Meyer, a big part of this project. Both of you, we appreciate it. And as we do around here, I'll tell folks again so you can go check it out. The album is Morgan Freeman's Symphonic Blues Experience. You can get it wherever music is streamed or sold. Google it right now. Our thanks again, and we will be right back. Do you remember in school when your teacher had a favorite of everything? A favorite marker, a favorite element, and yes, even a favorite student, who wasn't me, so let's move on.

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44:03There's a lot going on, a lot wrong with the world, but we just had Morgan Freeman here live. You saw him, his energy, his spirit, what we know from watching so many movies, feeling close to him. He told us about feeling like it might have been over at 30 years old, no job, no prospects. His career really took off in his 50s, unusual in Hollywood, and he shared so much with us, including his album. You can always find us online at Ari Melber on social. Tell me what was your favorite part of what Morgan Freeman had to say, or what do you think of his new album? That's my question to you. That does it though for us.

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From the publisher

September 16, 2026; MS NOW’s Ari Melber reports on new fallout from President Trump’s war and economic challenges, from the Fed to the markets. Slate’s Jacob Weisberg and The New York Times’ Michelle Goldberg join. Plus, Oscar winner Morgan Freeman joins to discuss his new project, “Morgan Freeman’s Symphonic Blues Experience.”

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