‘Avatar: Fire and Ash’ Burns Bright Before Flaming Out. Plus: Best Picture Power Rankings and the Oscar Short Lists!

19 Dec 2025 · 1 h 23 min

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In short

Podcast Episode Summary: ‘Avatar: Fire and Ash’ Burns Bright Before Flaming Out

Hosts

  • Sean Fennessey
  • Amanda Dobbins

Episode Overview In this episode, Sean and Amanda discuss the upcoming changes to the Oscars, share their thoughts on the new trailer for Steven Spielberg’s *Disclosure Day*, and dive into a review of *Avatar: Fire and Ash*. They also evaluate the current Oscar short list and present their Best Picture Power Rankings for 2025.

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Key Discussions

Oscars Moving to YouTube (1:48)

  • The Academy Awards will be moving their broadcast from ABC to YouTube starting in 2029.
  • Sean's Take:
  • Positive move for global accessibility; viewers can watch for free from around the world.
  • Allows the Oscars to become more international and aligns with the trend of a global Best Picture race.
  • Amanda's Take:
  • Agrees on the consumer benefits.
  • Notes that it meets audiences where they prefer to consume content (i.e., online).
  • Concerns about the perceived prestige of the Oscars diminishing on a platform like YouTube.

*Disclosure Day* Trailer Reaction (12:46)

  • The new sci-fi film by Steven Spielberg starring Josh O'Connor and Emily Blunt is discussed.
  • Amanda's Thoughts:
  • Praises the thrilling trailer; highlights Spielberg's consistent ability to create engaging narratives.
  • Expresses excitement about practical effects versus CGI.

Review of *Avatar

Fire and Ash* (15:36)

  • Overall Impressions:
  • The film features breathtaking action sequences but suffers from slow pacing.
  • Described as a "you’re mileage may vary" type of movie.
  • Sean's Critique:
  • Acknowledges Cameron's technical prowess but criticizes the repetitive storytelling.
  • Feels the emotional connection to characters is lacking.
  • Amanda's Critique:
  • Enjoyed the highs of the movie but agrees it does not compare favorably to *The Way of Water*.
  • Notes the film's attempt to reintegrate themes from the first *Avatar* film leads to pacing issues.

Oscars Short List and Power Rankings (43:45)

  • Discusses the short lists for various Oscar categories and notes that *Avatar: Fire and Ash* has been shortlisted in four categories.
  • Best Picture Power Rankings (1:00:38):
  • *One Battle After Another*
  • *Sinners*
  • *Hamnet*
  • *It Was Just an Accident*
  • *Marty Supreme*
  • *Frankenstein*
  • *Sentimental Value*
  • *Avatar: Fire and Ash*
  • *Train Dreams*
  • *The Secret Agent*

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Key Takeaways

  • The move of the Oscars to YouTube is seen as a significant cultural shift, potentially increasing global viewership and accessibility.
  • The trailer for *Disclosure Day* generates excitement, highlighting Spielberg's skill in filmmaking.
  • *Avatar: Fire and Ash* garners mixed reviews, with criticisms aimed at its pacing and repetitiveness despite its visual effects.
  • The Oscars short list indicates strong competition in 2025, with several films vying for attention and accolades.

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Final Thoughts Sean and Amanda’s discussions reflect a blend of optimism and skepticism about the future of the Oscars and the film industry as a whole, particularly in relation to blockbuster franchises like *Avatar*. As they navigate through the changing landscape of film and award shows, the episode serves as a reflection of both the challenges and opportunities ahead.

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Transcript

Automatic transcript. May contain errors.

0:28I'm Sean Fennessey. High frame rate filmmaking, Amanda? Yes. Good morning. Okay. Whether or not a Na 'vi can be hot or sexually desirable. Yeah. We'll talk about that. Cameron's future with the franchise. Will there be more of these movies? We shall see. We'll also check in on our best picture power rankings because this is the last time we'll be discussing that in the year 2025. And this is a movie that may or may not make the cut. We're also going to talk about the trailer for one of our most anticipated movies of 2026 and the Oscar shortlist. And we've just had some crazy news in the world of the big picture and the Academy Awards right after this.

1:07This episode of the big picture is presented by Amazon Prime. You know how in every great holiday movie, there's that last minute scramble to make it all come together? From gifts to hosting essentials, Prime's fast shipping is always there for you during the holidays, especially when it's last minute and just can't wait. So if you need fast free delivery that saves the day, it's on Prime. Head to Amazon.com slash Prime to shop now. Okay, we're back. You're getting so good at your local news. Tonight at 10 p.m. teaser. It's like it's really coming through for you. I know. My native broadcaster slash game show host has really popped recently, which is so great because we're all streaming now, baby, including the Academy Awards.

1:48The Academy Awards just announced, the Academy of Motion Picture Arts and Sciences, that starting in 2029, they will be moving their telecast from ABC to YouTube. Yes. So we knew the rights were on the block and there were multiple bidders. Would it, you know, would ABC Disney pony up again? Would it be Netflix, who's been making a real push into live events and die balls and all sorts of new programming? Movie culture. Sure, yeah. And, or would it be YouTube? And here we are, YouTube wins again. Okay. Yeah. I think this is good. I have no problem with it. I think it's good. I think it's logical.

2:35Yeah. I think it makes a tremendous amount of sense for the Academy Awards as we know them right now and probably for its at least immediate future. Mm-hmm. And I think it's good for consumers. Yes. Who are going to be able to watch this show for free around the world. And I will emphasize around the world because, one, this telecast was not as clearly and easily available in England, Scotland, Ireland, Australia. You know, a lot of English-speaking countries that would want to watch. Obviously, in addition to that, the Academy has gotten so international in the last 10 years, and the Best Picture race has gotten so international.

3:11Right now, my gut tells me there's going to be three, maybe even four, foreign language nominees for Best Picture this year. stands to reason that this becoming the World Historical Movie Awards year by year, which it was not really, if we're being honest, in the past, but it has becoming that. It makes sense that around the world, you'd want to have easy access to this show in one centralized space. This deal makes that so. Yes. I am also okay with it. I mean, I do think user-wise, and I tend to think more in terms of consumption of an American audience because that's like what we've been talking about.

3:50But I even think for an American audience, this will be easier and is meeting the audience where it is. And, you know, we've talked a lot about the YouTube threat to the movies writ large or really to everyone else. It's like, Like because people like watching things on YouTube like us right now, I guess. And or are they watching things on TV or in movie theaters? And I don't really care whether people are watching the Oscars on linear TV versus YouTube. And it's an interesting example of this is about movie culture. The Oscars are promoting movie culture, but it still was a TV show. So I don't think you're threatening the theatrical experience by putting the television show honoring movies that used to be watched on ABC on a place where more people can find it.

4:45I think it's actually an instance of making movie culture more available to people who might be interested in it. I think it also makes the Oscars as a brand a slightly more totalized streaming experience in ways that are good and bad. The good I'll cite here. One, you basically get to build out the Academy's YouTube presence, and then everything related to the Academy all lives in one place. And since the Academy becomes purely associated with YouTube, then when they're airing the governor's ball, as they intend to, that might be more of an event for us to cover, to be a topic of conversation.

5:18And then when Tom Cruise gives that speech, it's not something that's happening in a ballroom in the middle of Los Angeles, and then the video will be posted 12 hours later. It's something that people might tune in to watch. All the red carpet coverage is going to end up on YouTube. That's a huge shift. That's a dramatic and fascinating thing. Obviously, places like E will still have access to it. But you're commodifying all of the apparatuses around the Academy Awards and around the Academy's history into this place. So, like, will the Oscar nominees luncheon be appearing on YouTube? Does that mean that that's something that we'll get to see instead of hear about from five to ten trade reporters?

5:51Probably. I would make the most hay out of those things that I probably could. So you get all that. Now, the bad is more of a kind of a cosmic things are different now bad, I would say. That there is inevitably a kind of lowering of the prestige and specialness of the show by making it something that you almost have to watch on a device. You know, like obviously people will be watching it on televisions and we will too. But YouTube's association with the sort of like on the go short form consumption versus this historically too long telecast. There is a bit of signal to noise there. You know, you pop in and check out the Oscars and then tune out.

6:33I guess some people do that on the regular. But, you know, it's less glamorous to be on YouTube. Let's be honest. Yeah. Right now, anyway, in 2025. But like it's less glamorous to be on streaming. And what this is, is just a confirmation of that. As you said, it's a streaming duopoly. And like what's interesting in this, in addition to it being on YouTube, is that Netflix didn't get it. And that was like my first thought when I saw this. What do you think that means? Since they're spending so much money right now, they have the Actors Awards, right? The Actors Awards. I'm sorry. It'll never not be funny to me.

7:10It's going to take a while for that one to sink in. I did remember it, thankfully. But, you know, they're getting involved in live awards programming. They obviously have spent the last 10 years making awards films. Is it because that would be seen as a conflict of interest? I don't really think so because ABC was owned by Disney, which also had films that competed. No, I assume it was money. I assumed that, you know, YouTube cut and Google cut a bigger check. Agreed. You know, you do wonder a little bit whether there's a little bit of conscious like, and also we would like to give this to YouTube in order to not give it to Netflix, in order to not, you know, further the seeming monopoly on Hollywood that Netflix is expanding every day this morning.

7:50Yes. As we're recording, the Paramount bid was rejected by Warner Brothers shareholders. No, the Warner Brothers board recommended to reject. Yeah, to reject, which was expected. Yes. But that seems to be inching closer towards Netflix. So, you know, who will know who like ever know if there was a, you know, a little bit of lean towards one offer or another. But I certainly thought of that. It does feel like the streaming wars are boiling down to a death struggle between YouTube and Netflix. Obviously, there are plenty of other places that are going to draw eyeballs. Disney Plus is not going anywhere in the world or in my home.

8:32But these are really the two big competitors. And, you know, obviously Instagram and TikTok have something to say about that, too. But those are two platforms that are not in pursuit of things like the Academy Awards. Exactly. And so. They are short form. Exactly. And in terms of longer, please actually watch this for more than five minutes. Yes. And I guess YouTube's gambit here is that this is just a huge advertising play, you know, and that time spent and the way that they'll be able to integrate advertising. And, you know, that thing that we talked about earlier this week where it was like, why is the Oscars not just a way station for the premiere of every single new trailer?

9:07Well, that's already what YouTube is on a daily basis. It's the place we go to to look at trailers and we will get to one momentarily. So this all feels very logical. Yeah. I wonder how it will integrate into YouTube TV and whether it's part of like a strategic play. To elevate YouTube TV? Yeah, but like when they have their own channel. You know, we are a YouTube TV household as well. but are they just going to then like portal me over to right is this is are they trying to wean me off cable further by this how about this what if there was an oscars channel on youtube tv oh wow you know i mean that's the kind of thing that you could do with these kinds of rights so it's a four-year license this starts at the 101st academy awards which means the 100th will be the last one on abc television yeah which just pure gut check just be be real with me yeah okay Are we there?

10:02Will we be making this show? Oh. At the first ever YouTube Academy Awards. A lot of people you got to talk to about that one that aren't me right now. Let's see. Beatles movies. What year is that again? So that's 2028? So 2029 is the year that the Beatles movies would be eligible. And I've said we got to hold on one way or another, but I'm going to have to get my business degree, you know? Yeah. And then a lot of... Yeah, that's coming very shortly. Maybe you can go to... You're taking the speed test, right? Yeah, it's the Kim Kardashian lawyer and business school at home. Okay, great. And maybe I'll throw a JD in there as well, you know, just to really represent our interests fully.

10:51But I have said at least that we got to hold on at least through the Sam Mendes Beatles movies. Like hold on to our lives or to this show? Both. Okay. Well, we just need a place to put our feelings. You know, like I haven't done this for as long as we've been doing this to not have a platform to talk about these four guys as Beatles and Sam Mendes making four movies. That makes me want to cancel the show so that you have to go on IG Live when the movies come out and respond to people asking questions for 17 hours. Who says I won't do that anyway? You might do it regardless. But anyway, that's April 7th, 2028, and they would be eligible for the first YouTube Oscars hosted by Joseph Quinn.

11:43That means those movies are going to be out less than a month after the 100th Academy Awards. Okay. And in honor of that, I'll be watching all 100 telecasts consecutively. And I'm really excited about that. And I'll be streaming it on Twitch. Any other thoughts on this? I mean, this is just tectonic news. It is huge news. The earth under our feet is moving. Are you surprised? No, when you calm down, it's incredibly logical. Yeah. I think I wasn't surprised. I was like, oh, they got it. Like, oh, you know, it's a little bit of it's YouTube flexing and being like, yes, we are, in fact, YouTube. And you guys have all been in a panic about all your other little stuff and where your movies are going to go.

12:30And and then here we are. I genuinely like that it is broadcast by a company that is not actually making movies. I think there is something coherent about that. And that's really never been the case. So anyway, I think it's a good thing. Yeah. All right. I mentioned trailers yes we were trying to figure out last week with Joanna the name of the Steven Spielberg film was it Disclosure and was it a remake of the Michael Crichton adaptation from the 1990s about sexual harassment in the workplace was it Disclosure Day it was in fact Disclosure Day yes trailer hit this is in fact some kind of alien invasion thriller starring Emily Blunt and Josh O 'Connor what did you think of the trailer Josh O 'Connor forever put him at number three I enjoyed his SNL posting oh I didn't see any of that I just I just watched some clips it was just mostly him in sweaters or giggling you know okay that's nice just a big fan speaking of sweaters I'm really sorry but like is this come to Garcon's sweater new?

13:31actually quite old it is I just remembered I have it okay but like it's new in the rotation right I clocked it I just was looking for another sweater when you were talking about like the future of Hollywood and I was like excuse me Sean did we go shopping without me okay thank you we've never been shopping together That's really not true. And in fact, I picked up the Navy jacket. Oh, you're right. The barn jacket that you pick out all the time. I picked out for you in Sweden. That's true. I have private with me today. Yeah, no, I know. You're welcome. Anyway, pro-Josh O 'Connor, pro-Steven Spielberg.

14:00I'm open to this. I thought it was an absolutely thrilling trailer. Yeah. I am astonished that a 70-year-old man would make a movie this big. Keeps happening. Yeah. Ridley Scott did this twice with Gladiator 2 in The Last Duel. We just saw Martin Scorsese make Killers of the Flower Moon. This is a, you know, Francis Ford Coppola in Megalopolis. This is a trend that is happening now. The film obviously is very much in the succession of stories like this that he has been making over the years. From Close Encounters of the Third Kind to E.T. to War of the Worlds. The sound design of this trailer is incredible in terms of what is happening to Emily Blunt's voice in the opening moments.

14:40And I'm very excited. There are a few images that are CGI created that don't look good. I'll just be honest about that. There is one shot in particular near the end of the trailer where we see a young girl and I believe it's a moose. Yeah. And a bird. And they are standing before a lit up home. It looks a little bit more like a shot from Robert's mechs is here than you want it to. It does. Or like an AI Hallmark card. So I didn't love that. but everything that was clearly practically done for example the car chase moment they show us very briefly looks incredible so I'm hoping that it's more of that and less of the former but I'm fired up an original summer blockbuster about aliens from Steven Spielberg June 12th good stuff put it in the calendar okay do you think we'll be doing the podcast then uh gosh I hope so I sure hope so refresh your good vibes from a tic tac With the right vibes it's...

15:43Oh man!

15:52...to... Now try the different TikToks from minty fresh to sweet and sweet. TikTok. Refresh your good vibes. Okay, speaking of blockbusters, it's time to talk about Fire Nash. Okay. Now, huh, this is interesting. So, new film, directed by Cameron, of course, written by Cameron, Rick Jaffa, and Amanda Silver, shot by Russell Carpenter again. As always, the film stars Sam Worthington and Zoe Saldana. Sigourney Weaver is back. Stephen Lang is back. Kate Winslet is back. Introducing Una Chaplin. Jack Champion is back in the movie. the logline for Fire and Ashes a year after settling in with the Metcaina clan Jake and Netiri's family grapples with grief after Netayam's death that's their son they encounter a new aggressive Navi tribe the Manguan clan also called the Ash People led by the fiery tribe leader Varang who has allied with Jake's enemy Korich as the conflict on Pandora escalates to devastating consequences okay great great summary those are great names did you write that yourself?

16:59I did not okay we saw this film together we did we saw this I got there right on time and you'd save me a seat but we were sitting one row back from the whole Ringerverse clan even though there were seats next to them in the row in front and I wanted to ask you what that was about I was there before most of those people and I also thought that that whole row was taken and so I had to save you a seat oh thank you but in fact it was not taken okay I appreciate it it was nothing against them I spent the entire 30 minutes that I was there before the movie started talking to Van and Jomi. I mean, as did I once I arrived, but I just, you know, so they were there and they were with us, but apart.

17:42Yeah, and they had a different experience watching the movie from you. Yeah. What did you think? It's a no for me, dog. Like, it's respectfully, the experiment has run out. Not here. Okay, all right. Let's be real. Let's respect Big Jim. For the first time ever, you're going to be honest on the podcast. Finally. I've been waiting years for you to just speak your truth. James Cameron is a legend and good at making movies. And technically, I still think that these movies are incredible. And they look so much better than all the other CGI slop and all of the other, you know, animated, like the created worlds that we see on screen.

18:26It is a completely different league. You watch a movie like this and then you get mad that you have to go back and watch a Marvel movie or, you know, Super Mario's like whatever. It just doesn't there like the technical craft achievement. It's undeniable. It looks really, really good. I do not care about these characters in part because I think this story is such a retread of the last one. and so bogged down in its, and so infatuated with its own ideas that it loses like basic pacing and plotting and communication of who these people are. So in the end, it was just Big Jim and all of his toys, computers, and guns together.

19:20And I just wasn't involved. Mm-hmm. Yeah, I think I share the same criticism, but that ultimately doesn't make me dislike the movie. I think because the highs in this movie are so incredibly high relative to any other blockbuster that's come out this year that I was swayed often enough to come out liking it. I do not feel as positively about this movie as The Way of Water, even though this movie might have higher highs. I don't think it's as complete a story as that movie was. And I completely agree with you about the very odd decisions in the script to just reiterate and replay moments from the first film.

20:04In some cases, beat for beat. We know that the movies were originally written to be one and they were split in half. We got to stop doing that. I agree. That means that you haven't finished editing the one movie that you have. I mean, like, or the one script that you have. Yeah, I agree with you. But what's so crazy about that is that, so does that mean if the films were together that they would feature together incidents repeating themselves? Like particular sieges on ships that happened in the third act of this film, which feel very similar to sieges on ships in the second Avatar film. No, I think, I mean, it would be that you have to make choices, you know, and that you aren't doing things again or doing it even bigger.

20:48And there are just really no, there are no choices, no cuts made in this movie. It's just like, let's do this again and let's do this again and let's do it bigger. Okay, so let me speak specifically. I think I said this to you and Mallory immediately after the film. That the film is a bit of a complex thing to digest because it's three hours and 14 minutes. It's even longer than the last film, which was quite long as the listeners of our watch-along pod know. And you will get a high, high moment. And there's a high, high moment in the first act where the family, Nateri and Jake and their children, are trying to leave the Metcaina clan.

21:27And they're going to take these kind of like jellyfish dragons that are transporting them around. And they're trying to get Spider away from the Metcaina clan and away from Korich being able to find them, his father, you know, who's been hunting for him since the second film. and there's a battle sequence with the ash people on these jellyfish dragons i don't know what they're called i apologize to those who know the lore and anthropology of the world of pandora and it is just absolute 10 out of 10 cameronian mania like just really exciting action great staging it's all very coherent so many movies like this and maybe because so much of this work is done in post.

22:13But as you see in the materials like going behind the scenes, like they are actually using real rigs, real environments to design and execute on a lot of these sequences. And then after that sequence, which is very dramatic, movies just slow down a lot and they really take their time letting the characters sit inside the sadness or the alienation or the isolation that they all experience. They all get kind of spread apart and then the film kind of sets out to hopefully reunite the family over the course of the film. But he is really comfortable sitting in that anguish. And the movie slows down a lot, multiple times.

22:52And it just kind of messes with the pacing. You know, it's just draggy. And there are also some logistical issues. I don't know where everyone is once they're all separated. and I personally don't remember who all of the characters are with enough detail in order to, you know, you're figuring it out as you go along, but you separate all these people. Because you're not the racist. Yeah. You think they all look the same. That's so true. For a million dollars, our friend Michael Lasker sent us a tweet that was like, for a million dollars, can you name three of these people? And you did, but it took you a little while.

23:31I was just busy. I wasn't able to respond to that quickly. My guy, Lowock, huge movie for Lowock. Sure. For the Lowock heads. Right. And for Paiacon. Redemption, I guess. Yeah. Though I honestly don't remember. Are they redeemed in the end? This is the thing. I just like, I don't remember what happens. I watched this movie and because like, they're all separated and they're - We saw it two weeks ago. Well, but they're also, there's not, there's not a lot of development. They all get put in different places. and the point is just they like got to get back together and then fight a lot with guns and I well I think one of the reasons why and one of the flaws of the movie to me is because there's more emphasis in this movie on Spider who is the human who has become a kind of adopted member of the family who's played by Jack Champion and who is put in I think a tough spot in this movie early on in the film he's really in peril and he is revived in a kind of magical way by Kiri the Sigourney Weaver character that's um you went to the bathroom for that yes but I'm aware that that happened Yeah, yeah, yeah.

24:32But you like didn't really get the full like extent of what's going on. But that's an it's an incredible Sigourney Weaver, like pretending to have a Navi orgasm. Like it was it was unreal. Van in front of me was just like, what is happening? And then I was like sitting in the aisle by myself being like, I need someone. It goes on and on and on because she connects to the spirit tree. I was in the bathroom for like 98 seconds. But experientially, it goes on for a while. And there's like a lot of swaying. And you're like, what is happening? What's wrong with a prolonged orgasm? Just out of curiosity.

25:06No, I think that that's great. I would remind you that Kiri is like a teenager. And it is Sigourney Waver. Yeah, but Navi years. Like, how does that work developmentally? We don't know. I'm not going to insert myself into that. Sigourney Waver, you know, she's a 70-year-old woman. Like, it's okay. Right. No, that's true. And I'm glad, you know, life goes on. And women experience new sexual health at all ages. And that's really, really important, you know? I'm not done talking about Navi sex, just for the record, on this episode. I've got a lot more on this. You know, we've made movement on perimenopause and menopause.

25:43But it's just, there's a world and a life beyond. I'm getting ready to talk about Varang. Just wait for that. We will. We'll talk about it. It's really long. And I still, this is another thing. I don't understand the rules of the spirit tree. I don't feel that the logic and world of Pandora are effectively communicated to me. Cinema Sins Dobbins, concerned about the logic of Pandora. Well, I turned to you at the beginning of this movie. What did I ask you? I don't remember. What did you say? I asked you if Pandora was real. Oh, yeah. That's right. And you were like... Yeah, you did. No. But what I was trying to ask you was, is Pandora real?

26:26You were like, is it a state of mind? Right. Is it a real place in the universe, in the world of Avatar? Which if you step back and think about what your job is, is an insane question to ask. Having watched two films about the planet Pandora, where all of the action takes place. I've told you that a lot of this sci-fi mumbo-jumbo often goes over my head. And I do often think that it's when it's when it is legibly and clearly stated and you can put like where I can put my arms, my brain around it. Then I like I do think that's evidence of good storytelling. But if it's too complicated or if it's just too, if it requires like too many flights of fancy, I do begin to fit all like forget all the bits and bobs.

27:13I hear what you're saying. I think that these movies are very much a go-with-it experience, and you kind of have to go with it. Very few people in their lives will be asked to speak for one hour consecutively about a movie they saw two weeks ago. We have a very odd job. But with that in mind, ironically, relative to what you're saying, these movies are very simple. You know, the plotting and the arcs are very simple. It's like a father who wants to reunite with his son, another father grieving his son, the preservation of the ecology of this planet, you know, aquatic life and the mystery therein and how we protect that life.

27:46All these themes and ideas are all the same in all these movies. Yeah, but when you slow it down and stretch it out, you give people more time to be like, okay, so why is she allowed to connect to the tree right now? You're right. What she can't before? Why can't they just connect to the tree all the time? Like, why is only she connecting to the tree? Like, there's lots of room for question. Why is Hillary Clinton not working on this right now? Why is she not explaining to us the tree logic of Pandora? The Kate Winslet character is like not, not Hillary Clinton-esque. She isn't, she's surprisingly not in the film very much.

28:20Yeah. I had been led to believe she was a significant part of this series, and I would not describe it as such. The person who is a significant part of this series is the actress Una Chaplin. Yeah. The granddaughter of Charlie Chaplin, perhaps best known for her work on Game of Thrones in the early seasons. I figured out what I knew her from, which was another I spent another 10 minutes being like what's she in what's she in but like at a respectful volume we were in the back of the theater and you didn't know she was the wife on The Hour oh that's right yes the Dominic West series yes and Romola Garai yeah she's a great actress and she does something that I think really truly only Zoe Saldana has been able to do which is to become real in a way to actually convey a kind of personality through the Navi I think Sigourney Weaver does good work.

Read the full transcript

29:08Sam Worthington does good work in these movies. Stephen Lang does good work. But Varang, who is the leader of the Ash People tribe, who, you know, for sort of like, I guess classically domineering survivalist reasons, wants to be the only surviving Navi tribe. Yeah. Attacks all of its, I guess, genealogical competitors. And so they are at this kind of war. Well, didn't they get burned out of their home? and so now they need other homes? Yes. Right. But, you know, the way in which they pursue that is a little hazy. Prometheus type, the fire, we discovered the fire but then it ruined us and I was like, I'm not really sure what you're trying to say here.

29:48Yes. And then, yeah, then they've just become... They're in pursuit of violent conflict. Yeah. And they're trying to take over as much of Pandora as they possibly can even though they're a relatively small tribe based on what we see. Nevertheless, they become the big bads of the movie or at least the first half of the movie in Varang. She's very sexy. I don't know what to say. She's a very alluring, hips-forward Navi. A little skinny. All the Navi. Well, they're all a little skinny. Where are the fat Navi? That's a really good question. They don't exist. And the body image in Avatar is not what one would want.

30:27That's interesting. I hadn't thought about that. It's not good. We're back to quote-unquote heroin chic. There aren't. But someone in Pandora who just like eats too many Cheez-Its, you know, who's just like. They don't have Cheez-Its because they're in touch with the, you know, natural world. And also Jim Cameron is a vegan. And so he's against processed foods. That's right. Yeah. That's right. Well, nevertheless, Varang, she's got it like that. And Korich notices. Yeah. And Korich, who is, you know, in pursuit of Spider and Jake Sully. And he wants to capture Jake, his mortal enemy, and bring his son home.

31:03he falls in with Varang and there's an incredible sequence in this movie oh this part's really good where she tempts him into a tent and he thinks he's in the power position and then she gets him to snort what I guess is Navi PCP yes and he begins hallucinating and then in his hallucination the film turns into this psychedelic seduction mm-hmm and it was very cool it's a great moment in the movie I thought it was very funny. Yeah. I was entertained. It's very amusing. And it is very much like James Cameron, you know, child of the 60s, letting his freak flag fly. You know, going back to his hippie days of experimenting.

31:45Is it documented that he was a hippie and on? I think he was a... He seems a little control freak to go on psychedelics. He was definitely like an erector set science guy for sure. Yeah. But I think he also was like a let his freak flag fly guy. You know, like this guy was married to Linda Hamilton and Catherine Bigelow. Like he knew what he was doing. Totally, but like this is not a man who to me seems like he's ready to let the spirits take over. Well, maybe not now. And it's like a take one to no one situation. Yeah, but he might want to plug into that tree now. It's more spiritual rather than is experimental with other.

32:17So you think he's like an ayahuasca type guy? Well, see, I felt like the varang coke was more like ayahuasca. Like that was what it was meant to induce. Whereas the tree is this like I'm connecting with a greater God, you know, something beyond me. And that's the polarity, I think, of the boomer. You know, the boomer is kind of stuck between, is it God or is it the devil? And these are the two representations. This film is incredibly deep as an exploration of some Jim Cameron. I was just shaking my head at boomers, you know? Like, it's just, it's not where I want to be. They won't let go. They really won't.

32:46They will not let go. It's just very boring. Yeah, that was a good scene. It's like, there are amusing parts of it, but I think we've made it, what, 75 minutes into the movie? Yeah, and that's the thing is that Varang is extremely hostile and intense. And she's a great villain. Yeah. You really hate her. You really, you know, despite my attraction to her, she's evil. And she's attacking the scene. Well, you don't hate her. She is like the classical villain that you're like turned on by. And you're like, no, maybe that's the person that I want to spend the most time with. Right. But then when she enters Korich's atmosphere, he kind of just like blots her out a lot.

33:25Yeah. And then she becomes a part of his story and she gets like less dialogue. She becomes less powerful. And the film really takes a big dip into the second act, I think. Once you get like roughly an hour, hour, 20 minutes into the movie, there is a lot of action and a lot of stuff that transpires that is interesting. You know, our guy Payakan, the whale does go on trial at a certain point. He gets railroaded by the whale jury. And, you know, it's like straight out of the hurricane. You know, it's like he was not there that night. Like he did. He's not guilty. you have to free Pyakon you should not be imprisoning him he is a whale who deserves to swim in the ocean freely and not be outcast by his own people and you know a lot of parallels there with how Loak feels inside of his own family you know and that's his spirit guide so then that's literalized yeah I liked the whale council okay that was funny I didn't understand then once again Pyakon is exiled and then there are other whales that he's talking to but like I didn't know he goes far away and I didn't know who else was talking to him it's a fair point we don't really because the Tolkuns don't really speak English it's a little hard to know like where they are and where they're going it's not I don't mind subtitles I'm not Chris Ryan it's just that it was not made clear who the other whales and then Aegisle has to go away to come back like I didn't understand what the point of the journey was?

34:57I think it's that. I think it's just that classical thing where a character needs to experience exile and isolation in order to come back even stronger and save the day, which is something that you see in a lot of Cameron movies. One of the reasons why I think the movie is struggling a bit is that this is actually, despite his long and historic career, something Cameron's never done before, he's never made a third movie in a series. and he definitely has not made three consecutive movies in a series before. He's made Aliens, which is magnificent, but he did not make Alien. The extension of a story, he seems to be like a little flummoxed with how to keep it going.

35:36And I think a lot of your criticisms are down to that. Right. Where it's sort of like, I built this world, okay, I got all this cool stuff in my world. But then even in terms of the Ash people, he just doesn't really fully explore that stuff. We don't really get their world for the last hour and a half of the movie. And I thought that there was going to be like a big conclusive fight on a volcano to end the movie and that's not what we it's another battle on the water in the third act it is true that this is a film titled Fire and Ash and there's very little fire and almost no ash where's all this ash?

36:08it's in the water no it's fucking it's up Corch's nose I guess so that's true got that booger ash I I did like a lot of the the submarine subterranean stuff in the movie especially the crazy attacking squids that play a big role in the third act. Yeah, those were you chuckled a lot when they showed up. That was just like maniac Cameron action stuff that I was loving. There are moments where I was delighted during this movie. Yeah, yeah, yeah. But I can't disagree with a lot of what you're saying in terms of what doesn't really functionally work that well about it. But I also do like it as this crazy man's representation of like all of his interests at this stage of his life.

36:46I think there's something cool about that. And like also like just clearly as a father and somebody who spent spend way too much time at work. He's like, he's going through it with the way that Jake Sully had his relationship to Loak, to Spider, you know, to Kiri, to like who belongs in the clan and who doesn't, who's getting his time, who doesn't. Should you be more of an authoritarian leader and father? Should you be softer and warmer to your children? Like, this feels autobiographical. Does it not? I guess so. Okay. No, it does. But I was literally trying to be like, okay, so Jake, he tries to like ditch Spider somewhere.

37:21and then he tries to kill him I mean he he lines up to sacrifice him and then they say no of course he loves him it's his son yeah I I was just thinking more about how the the moms are entirely sidelined until the very end where spoiler alert Kate Winslet's character who's been pregnant for all of two films I'm not really sure like what in 27 years that's the gestation period on Pandora takes 27 years how long is a year on Pandora though oh uh there you go Mr. Science time is meaningless and yet it controls us anyway what does the quote remind me from one battle um I don't it's yeah time doesn't exist but it controls us anyway thank you uh so she has a classic you know I'm I'm dying but I gotta give life to this baby first because that's like like, what true mamas do moment.

38:22And then Natiri, who has been nowhere for the whole movie, which sucks, shows up and is like, okay, I will, you know, preside over this most, like, holy act of woman warriorhood, which is you pushing out a baby, which, like, true or whatever. And then Kate Winslet, out, which is disappointing. It is a you got this mama movie in a lot of ways. As much as it is a dad in crisis movie, it's also a you got this mama movie. Yeah. That's beautiful. This episode is brought to you by Amazon Prime. Like an action blockbuster, the holidays move quick. But with Prime, fast free delivery means those last minute gifts arrive right when you need them.

39:02Last year, while watching Singing in the Rain with my son, I realized a pair of tap shoes would be a perfect Christmas gift, and I had them under the tree for him on Christmas Day. Prime's fast shipping is always there for you during the holidays, especially when it's last minute and just can't wait. Last minute holiday magic? It's on Prime. Head to Amazon.com slash Prime to shop now. I half jokingly, but maybe quite seriously, tweeted the movie is a soft remake of John Ford's Drums Along the Mohawk. Okay. I don't know why that hit my mind, but it is true and there is a certain kind of a movie about invaders of a native land and one group wants to fight for their independence and then the loyalists want to retain the colonial pride in the crown.

39:46and in that movie on the New York frontier the loyalists conscript the Native American people on that land to fight alongside them against the revolutionaries. I think that's a pretty clever, smart idea for like a war movie inside of this modern time. Like I think it works and it makes sense. It's something that you see like in foreign conflicts all the time in 2025 too. So like that's an aspect of the movie that I thought was smart that I like the idea of Varang and her crew like joining the humans and being and there's a confrontation with Korich and Edie Falco's general character you know when when the fire people the ash people come back to the human base that is very amusing Edie Falco is in a lot of this movie yeah more than I expected she looks at some transparent screens and yells a lot right and she's also in one of the yes a power loader is that the power loader in this movie though or is that just in Way of Water and I'm remembering it I think so a lot of Jermaine Clement you know and he has a surprisingly heroic redemption arc in this movie and the way that he yeah and works to free imprison Na 'vi I think this movie is pretty cool I think I think that's fine it is a real your mileage may vary situation and it's clear that Big Jim is having a great time and you had a great time I think Van Latham and had a great time.

41:13He stood and clapped at the end of the film. So like if you're into three hours of just all out like machine gun battle sequences between made up people and sometimes a beautiful sea creature and sometimes some psychedelic experiences, then you'll have a great time. I don't think that this movie like the other two has that like transcending genre, like, you know, transcending, I'm going to the movies to have a good time thing that the first Avatar and the second, and even Way of Water, it's something you've never really seen before, which you have in this movie. And there is something like experiential where this is more like, oh, look, he did a funny thing and he decided to do this other funny thing.

42:10and so it's not transformative in the way the other two are. I can't disagree with you. It's only been three years since The Way of Water and there's not a lot that isn't particularly new here. So you have to really enjoy these movies, I think, to enjoy this movie. And that's cool if you do. Yeah, yeah. Do you think that there will be a fourth and fifth? Well, how much, just ballpark, how much money do you think this will make? I mean, I guess we know it's going to crack a billion internationally, worldwide, just because of how things work. But the last one made over two? 2.34 billion. Okay. I guess 1.8.

42:52I feel like it's going to be lower than that. You do? I do. Okay. Because of all of the things that you're citing. And I don't know if you'll get as many repeat viewings because it is very long. I don't remember what the Christmas competition was in 2022. I guess we could look that up. There are not This is the big fish for sure this weekend. But there are a lot of movies coming out in the next week or so. Marty Supreme, The Housemaid. I just saw Song Song Blue and I've added it to the calendar. I'll be interviewing the director because I really liked it. You know, there's a bunch of stuff coming out over the course of the next week or so that will be chipping into this at least domestically over that time.

43:31So I'm curious. I'm going to say 1.6. And then 1.6, would that be a failure? I don't really know. I'm not really sure how to think about it. I would be surprised if Cameron, who's 71, came back for four and five. Right. He's already taking on other things. He's been talking a lot about the ghost of Hiroshima. He co-directed a movie with Billie Eilish, which I've seen a lot of trailers for while getting my nails done. Nice. Did you watch that? Yeah. Okay, great. I mean, there's footage in the trailer of James Cameron and Billie Eilish interacting. like sure sign me up yeah why not uh but it would seem that he's interested in things outside of uh the navi right now i want to talk about whether or not this film is going to get nominated for best picture okay i think we should talk about the shortlist first we'll show because the shortlists you know do shed some light they do and and avatar fire nash did get shortlisted i believe in four categories so it's not as though it was not represented but you know we're recording this on a Wednesday.

44:31So yesterday, the shortlists were announced in 12 categories. This is the first year for the Best Casting Academy Award, which is really exciting. I think it might be worthwhile to spend 20 or 30 minutes in February breaking this down, really, this category and what makes sense about it. But just high level, Sinners and Wicked for Good both were shortlisted eight times. This is not necessarily

44:57a signpost that these movies are going to dominate, but it doesn't hurt to be shortlisted in all these categories. Frankenstein got six shortlistings. Also not really surprising. The surprising one was Surratt. Yeah. Surratt was shortlisted five times. Now, Surratt, which I think I saw in August. Have you seen it yet? No, not yet. Okay, so you haven't seen it yet. I mean, it sounds like we should talk about it. No, we're going to do it. I mean, it's number one on my list. It was a very quick qualifying run. Okay. And so, I hope they'll start making it more available. Yeah. Yeah, I mean, it certainly seems like people in the Academy are watching it because it's shown up in a bunch of places here.

45:33A couple of other quick reflections before we get into the specific categories themselves. Jay Kelly not in casting or cinematography. It does feel like Jay Kelly is DOA right now. Agree. And now I'm nervous about Adam Sandler. Yeah, you were very confident about that on the Adam Sandler or Jay Kelly pod. And I just don't really think that it's going to happen. So you think it's Jacob Elordi and Paul Meskel? So it's for sure Benicio del Toro, Sean Penn, Stellan Skarsgård. I think Meskel's in. And it would probably have to be Elordi in that spot. Okay, that's annoying. Anyway, I thought Jacob Elordi was great.

46:19I mean, Delroy Lindo, last minute? It's possible. Certainly possible. I think that we'll get into this when we get into Best Picture Power. Yeah. Interesting Sinners moment right now. Yes. Interesting Sinners moment. Okay. Couple of other things. Wake Up Dead Man and just score. So that's not a good sign for Wake Up Dead Man more broadly. Although it seems like people are really liking that movie, which is cool. Yeah. It's a likable movie. It is. Once again, Josh O 'Connor. He's a man. I would encourage people to listen to the Rian Johnson interview if they liked it. He's really, he's incredibly insightful.

46:51And if you liked it, I think he's really good at explaining why he made certain choices in the movie. so the arguably the biggest thing that's happening here is that it doesn't seem like Searchlight's gonna have a movie in Best Picture yeah so The Testament of Ann Lee got nothing and I don't know if people yeah which is you know which is a bummer but it is like a it's a I guess it's a polarizing movie we all quite liked it like I said I saw a tremendous number of Italian people walking out of it in Venice a friend of ours texted me this week and was just like hi I hated that. And it's just, and said, they just aren't my taste.

47:30I get that. Which I get. You mean Mona and Brady? Yeah, I get that. But like, the Brutalists had like eight nominations. I mean, it was so. Sure. Well, one's about men and the other is about women. So, it's not really surprising. Yeah, you're right about that. It's not the testament of Jim Lee. Yeah. It's the testament of Ann Lee. So, Ann Lee, God, I hope Amanda Seyfried is nominated. She is extraordinary in that movie. I do too. I don't think that movie is really competing for Best Picture. We can talk about it. Rental Family is also not recognized here. Is this thing on not recognized? So since 2010, every year except 2016, Searchlight has had a movie in Best Picture.

48:07And the only reason it didn't have a movie in 2016 is because they acquired Birth of a Nation and then Nate Parker was entrenched in that scandal and then that movie kind of got erased. And that was a movie that coming out of Sundance, people were like, well, this is clearly a Best Picture container. So you were looking at an unbroken run of 16 years of Academy Award. And prior to that, they missed in 2009. But prior to that, they had a bunch going way back. So, I mean, Searchlight is as significant an Oscar player over the last 30 years as SPC, as Miramax, as all of those companies. It's a big thing.

48:40Yeah, but I think, you know, you are seeing like a regime change. How many is Neon going to have this year? What, three, four? Yeah, it looks like three, maybe four. And mostly because they just go to festivals and buy up all the international films and are running the table with that. And them shifting into that international flair and all of these movies, even though Rental Family is a film that takes place in Japan and The Testament of Anne Lee has a kind of foreign component, these are American productions by and large. And that stuff is not as powerful. The Wake Up Dead Mans are not as powerful at the Academy Awards as they would have been 25 years ago.

49:17It's interesting. It's just notable. It doesn't mean that the studio is like DOA or anything. I think that what, I think specifically what Searchlight has done for American movies over the last 25 years is really good and I hope they get their mojo back with this sort of thing and we loved Anneli. I'm glad that they picked it up. Yeah. But it's a shame that it's not recognized here. Okay, let's go into a couple of the categories. Casting. Mm-hmm. I'll read the names really quickly for the listeners so they know. Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Surratt, Weapons, and Wicked for Good.

49:48Yeah. It's 10 films shortlisted for five spots. It's cool. Interesting mix. Weapons is a shock. I'm really happy about it. I wonder what that tells us about how strong Weapons is right now. Yeah, or I wonder what that tells us about how strong Amy Madigan is. Agreed. Yeah. Could be very strong. Which is exciting. It is exciting. She is hustling quite a bit. I think Mikey Madison presented a screening of Weapons recently, which is interesting. Surratt being here is even crazier to me. Okay. Surratt, but no, no, it was just an accident and no, no other choice. But Surratt in best casting? I don't, I guess Surratt is really on the brain.

50:31But that's what I'm saying. People like it. Yeah. Or it's sticking with them. I mean, you know, it was also a surprise at the Golden Globes. I think you're right. Like that's, it's, the big takeaways from this are J. Kelly out Surratt in. Maybe not in best picture, but like start paying attention. I know you haven't seen it, but when you see it, you're going to be like, How the fuck is this in? Well, listen, people contain... I liked it. I liked it with some issues, but it is not an Academy movie. I'm kind of shocked, but I think it tells us something about how this has all changed. Any other notables there?

51:03I feel like it's roughly seven to eight best picture contenders in here. I mean, the secret agent train confirmed for sure. Yeah, that's a very good sign for secret agent. We were on that last month. I think if Marty Supreme were not in casting, it would be like a real siren. I agree. We're in trouble here. So I'm glad to see it. Marty really only missed in sound. You would have liked to have seen it in sound for it to feel like really powerful. But yeah. Okay. Let's talk about international features. So I'll read the list. I think it's 15 titles. Okay. So the titles include from Argentina, Belen, from Brazil, the secret agent, from France, it was just an accident, from Germany, sound of falling, from India, homebound, from Iraq, the president's cake, from Japan, Kokuho, from Jordan, all that's left of you, from Norway, sentimental value, from Palestine, Palestine 36, from South Korea, no other choice from Spain, Surat, from Switzerland, late shift from Taiwan, left-handed girl and from Tunisia, the voice of Hendra Job.

51:56So I noted here that I've seen eight of these. Yeah. Let me count. There are a few more that I really would like to see. I'd like to see Kokuho. I'd like to see the president's cake. I'm interested in Palestine 36. I'm interested in late shift, but I do think that the eight that I've seen are going to be enough in terms of being, and I think even maybe seven would be enough. And there is a world now with the Surratt strength that it's five neon movies. Yeah. Which has been like solidifying for the last couple months. And it was funny, like in the summer, they just bought everything. At Cannes.

52:30Yeah. At Cannes, they bought absolutely everything. And we all made these jokes. And then nothing was released for a while. And it seemed kind of quiet. And like, oh, maybe, you know, maybe this is a year maybe everything will stay like an international feature and this will be a more an American year and it's it's funny that we now have we've been like we don't have an anatomy of a fall but like maybe now we have three I think you're right I think you're right and it's I've been thinking back on my like top 10 top 20 for this year and why it feels chalky and I think one of the reasons why it feels chalky is that Kleber Mendoza Filio like he never had a movie distributed by Neon before You know, like Jafar Panahi hasn't had a movie distributed at this, in this way.

53:20So like movies like that that usually show up on year endless are usually small international features. You know, maybe they get a Sony Pictures Classics or a Janice to release them and they get recognized and they get loved, but they don't get so widely seen. Yeah. These movies are getting really widely, Surat getting widely seen is crazy. And Neon is just absolutely going for it. Like no other choice in particular. they were hosting like a summer intern contest did you see they're doing like really gimmicky stuff they invited 500 CEOs to a screening it's really funny it's really good but they are they have like taken a page out of the Timothee Chalamet playbook and the A24 playbook and are like really like okay we're leaning into this and sort of making these movies that we didn't immediately think were pop pop through their marketing 100 % it's worked really well Obviously, we saw it with Enora last year.

54:13They know what they're doing. They're really good at this. And it's a different strategy for them this year than in years past where they have a lot of eggs and a lot of baskets. Whereas like A24 has Marty Supreme. That's their movie. Netflix has a lot of eggs and a lot of baskets. Sometimes it's better to have a bunch of movies. Sometimes it's better to just focus on one. We'll see what happens. Best documentary, not a ton to dig into. We'll talk more about this category when both of us have had a chance to catch up on some of these. I've seen the major films, The Perfect Neighbor, Come See Me in the Good Light, Cover Up, Apocalypse in the Tropics.

54:47I think My Undesirable Friends Part 1 is the best film on this list. Maybe they're with Cover Up and has won a couple of critics prizes already. If you can see it, we should talk about it. It is five hours long. It is an intense durational portrait of Russian journalists, dissident journalists. But it's a very good film. I don't know how many Academy members will get through it. Okay. Well, you know the documentary, Darians, that branch is a... They're punishing. They are, but then when everyone has to vote, what happens is the question. Right. Right. So they could nominate the film, but then everyone would have to vote on it.

55:27No Predators on this list. No Orwell 2 plus 2 equals 5, the Raoul Peck film. No Put Your Soul in Your Hand and Walk. I was surprised to see that missing. Yeah. if it were left to the people at large, I think The Perfect Neighbor is probably in position to win since it's been such a hit, but we shall see. I just want to touch on cinematography and music before we go. Right. So, I'll read the shortlisted films. Ballad of a Small Player, Begonia, Die My Love, F1, Frankenstein, Hamnet, Marty Supreme, Nouvelle Vague, One Battle After Another, Sentimental Value, Sinners, Surat, Song Song Blue, Sound of Falling, Train Dreams, Wicked for Good.

56:11You haven't dipped into your F1 theory on this episode. And it's like... Some signs. It's not not happening. The effects, sound, song, cinematography. Yeah. I do think this is weird. This is a weird list. This whole collection is odd. But yeah, but as you have noted, no other choice. It was just an accident. And The Secret Agent, like three almost guaranteed Best Picture nominees. And no other choice than The Secret Agent are gorgeously shot. And then did like did not make it in. And so you could say to that, okay, well, maybe the cinematographer branch is not really, you know, thinking internationally.

56:51But then you have Surratt and Sound of Falling that did make it. Very odd. Okay. Very odd. Yeah. And Song Song Blue, which is a good movie that I liked. I just said that. I don't want to rag on it. Yeah. But no other choice not nominated in Song Song Blue nominated? Very curious. I mean, Wicked for Good was shortlisted. So what are you going to do? Good point. Okay. Best original song. Only one K-pop demon hunters. What are we doing? And two Wicked for Good. What are we doing? What is this category? I don't know. What is this category? I don't know. This is bad. These people are out of control.

57:26Yes. Dua Lipa doesn't have an Oscar. And there's only one K-pop demon hunters. Save yourselves. You were handed this gift on a platter. You could have nominated four songs. It could have been a K-pop convention. This is, it's really stupid. These, it's stupid. I also don't even understand the rules themselves because Testament of Ann Lee is ineligible because they are based off hymns, but Wicked for Good is an original song. These are two new songs. Those are the, yeah. These songs were written for the movie. Okay, okay. They stink, but they were written for the movie. Right, right. Yeah, I mean, we'll get to a similar quagmire and score when we get there but you're right that there are a lot of inconsistencies with these kinds of rulings I'll be rooting for I Lied to You from Sinners and secondarily I'll be rooting for As Alive as You Need Me To Be by Nine Inch Nails which I listened to on the way to work today which is an absolute banger that's beautiful thanks I do love Golden Golden is like my third or fourth favorite song on that album I've heard that album probably more than any other album this year But that's the thing.

58:33But it's... What an opportunity, you know, to have, like, real songs that are part of the film... Yep. In the telecast. ...that are wildly popular. Amanda, you're 100 % right. And I just... This has been a bad category every year except for the one year that they gave an Oscar to Lady Gaga and Mark Ronson. You're right and you should say it. I do. Every year. And nothing happens. Let's dig into best score quickly. Okay. Here are the nominees. Avatar, Fire, or I should say the shortlisties. Avatar, Fire, and Ash, Begonia, Captain America, Brave New World, Diane Warren, Relentless, F1, Frankenstein, Hamnet, Hedda, House of Dynamite, Jay Kelly, Marty Supreme, Nuremberg, One Battle After Another, Sinners, Surat, Train Dreams, Tron Ares, Truth and Treason, Wake Up, Dead Man, and Knives Out Mystery, and Wicked.

59:25That's 20 films. I would like for you to perform the Captain America, Brave New World score for me right now. I don't know who composed it. I'll happily look it up. Okay. The composer of that score is Laura Cartman. I think Laura Cartman, what did she do? I think she's previously an Oscar nominee. I'm going to look up what she was nominated for. I can't remember what it was. American Fiction, which was a good score. That's a good score. What a great film. A jazzy score. Yeah. I'm going Nuremberg. Have you seen it yet? I think Christmas, Christmas Day. I've got a screener at home. No, I know. I saw it too.

1:00:06But it is over two hours long. It's two and a half hours. Yeah, I know. I clocked that as well. It's two and a half hours of Russell Crowe sitting, which I will watch. You just, you really have to do the choral or the choral. Oh, yeah. Screener needs to be up. We don't have it yet. You got to do a Nuremberg the choral doubleheader. Yeah. The 78-year-old Sean saunters into the Angelica on a Tuesday at 2 p.m. That's what those movies are. Nothing against them. This is Sinners versus One Battle, I think. But to Jack's point, I think Hamnet being here and the idea of previously used music from Max Richter appearing in the film clearly didn't disqualify it.

1:00:45It is eligible to be nominated. You know, interesting, I think Hedda getting a look here is notable. A movie that is otherwise not really super represented. House of Dynamite otherwise not really represented here Wake Up Dead Man we mentioned otherwise not represented so you know some stuff here some warning signs some like this is always helpful I think for both of us to be like alright I gotta watch this this and this now absolutely that leads us to Best Picture Power Rankings okay so the rankings today are brought to you by Scout Motors and although it's not a film we do want to give an honorable mention to their all new Scout Terra and Scout Traveler iconic in the 70s reimagined for tomorrow with plans for advanced four-wheel drive.

1:01:25It'll be a showstopper. Now let's go through November 24th's power rankings. Number 10 was The Secret Agent. Number nine was Train Dreams. Number eight was Avatar, Fire, and Ash. Number seven was It Was Just an Accident. Number six, Sentimental Value. Number five, Frankenstein. Number four, Marty Supreme. Number three, Sinners. Number two, Hamnet. Number one, One Battle After Another. Okay. Now that list was pretty good. Yeah. We might quibble with the ranking a little bit, But we're maybe only going to have to strike one movie off the list, and I don't even know about that. Or maybe two. We can discuss it.

1:01:59Okay. I think The Testament of Anne Lee has been quietly put to bed. I think Is This Thing On has been quietly put to bed. Okay. So you're going through the outliers. Yes, the outliers. I think A House of Dynamite is done. Yeah. I think Rental Family is done. Yes. I think Springsteen is so done that we can take it off completely. We don't even have to mention those words anymore. though Jeremy Allen White did get a nomination a Golden Globe nomination but that's that's Golden Globes Inc holding on to their truths the new tier one to me that is on the outside looking in and we can decide whether or not any of these films is going to make the list right is as follows Wicked for Good of course we don't have it in right now but it is still right they're a contender they're hanging on and there's going to be a lot of below the line nominations for Wicked for Good and probably at least two in Best Actress and supporting actress.

1:02:48Maybe. Certainly supporting actress. There's a strong feeling that Cynthia Erivo could be out. Yeah. I think Chase Infinity could push her out. That would... We shall see. I think no other choice is still in tier one. I do as well. The Libyan Hun nomination at the Globes seems to indicate some strength. Yes. But the short list, it's it's present but not that present you'd like it to be stronger yeah for sure cinematography baffling I I don't I can't even imagine what the point is F1 I'm putting it in tier 1 okay that's fine welcome to tier 1 F1 you earned it what's it what is the tier 1 in F1 the sport called I don't know okay Jack wow alright is song sung blue in tier one well you listen you're like a little you texted me out of the theater yeah right how long was your drive home last night by the way it was one hour and four minutes okay not ideal and you were like I saw two films yesterday you know what I saw the two hour and 40 minute Magellan and then immediately drove four minutes away and saw song sung blue you know why I love film you know what I'm doing tomorrow?

1:04:13What are you doing? I'm doing a double header of Marty Supreme straight into Is This Thing On? Do I even need to get in my car? No, I don't. I've lined it right up. Thank you so much. The R-Men OK double feature. But you texted me right out of the theater and you were kind of surprised how much I liked, how much I loved. I think you just loved Song Song Blue. It's just so not really in my bag, but it's just like a big, beautiful, steaming Christmas ham. You know? Yeah. Where it's just like sometimes you just want that pineapple on there and those cherries and get that glaze going, you know, and just like, this is good for me.

1:04:47It's debatable. But like, I'm loosening the belt tonight for Song Song Blue. So let's be clear. It's not good for you. And also, would you actually eat a ham with pineapple and cherries? I've eaten plenty of ham in my days. Yeah. But like right now? No. And also, did you ever eat it with the mustard? Fuck no. That's psychotic behavior. Disgusting. I would never eat that. Okay. I hear what you're saying. I think that there is. I'm just I'm just I'm just drizzling idea dust on on this list tier one's fine tier one's fine okay tier tier one glaze on the list I'll add one more to the top of the list and I think this is in keeping with um wait I gotta go back to my list I think this is in keeping with um with the these shortlist nominations which is weapons weapons had been in tier two but we see it in casting and we know Amy Madigan is going to be nominated.

1:05:40I'm not saying it's going into Best Picture. I don't think it is. Right, but you're putting it in Tier 1. Okay. That means Tier 2 becomes Rental Family is this thing on The Testament of Anne Lee, House of Dynamite, J. Kelly, Wake Up Dead Man. Okay. Is that track? Yeah. Now, doing our 10,

1:06:02I'm going to start from the bottom up. Is it possible Sinners is in first place right now? No. Are you 100 % sure? And when it's first Critics Prize, it broke the one battle after another streak. Yeah. I think right now we're in the phase of everyone's tired. It's been a long time. We've got a long time to go. We're looking for narratives. We're looking for some juice. We're looking for some maple glaze. I know. Three months. And we're taking one battle for granted a little. You have been, you yourself, Sean Fennessey, have been a little overconfident. Yeah, presumptuous. And that's, you're right as a man sitting at this table.

1:06:46But I think that that's reflective of where we are in the race. And people are just kind of like, eh, maybe it's time to talk about sinners. And that, listen, it's good content. I still, I think it's two, not one. Two? Yeah. Are you, did you think Hamnet would be a bigger hit thus far? No, I didn't. Like, you mean a box office hit? Yeah, I do. I don't. I don't think that people were going to be rushing out open night. Like, you know, Paul Meskel is the internet's boyfriend, but it's not really like a Colleen Hoover, go with your girls type of movie. Bill Simmons loved it. Wow. Loved it. texted me immediately after seeing it.

1:07:30Wow, wow, wow, exclamation point. Wow. Listen, this is what I love about Bill. He always surprises. Did he cry? He didn't address that when I brought it to him. Okay. And then I told him what I thought of the movie, which is what we said on the pod, which is like first hour I really didn't like, but then it really did get me at the end. And then I think he listened to the pod. Okay. And he was like, you are a heartless fool. You are? Yeah. Okay. I think he implied that you were as well. Oh, I am? Yeah. I mean, I said, I literally cried on that podcast. You did cry. That was a moment. Well, listen.

1:08:03Let's aggregate that moment, internet. I cried and then you started tearing up. So that's fine if I'm heartless. I agree. We're not heartless. We're full of heart. Okay. So is Hamnet in three? You think it's one battle sinners in Hamnet right now? Is there anything above it? Marty coming? No, I think that you would probably have to put either it was just an accident or secret agent. Oh, interesting. Or like sentimental value. You know, where are we with that as a community? I think it's right where it belongs. Okay. Where's Bill with that? I don't believe he's seen the film. Okay. It is in Norwegian, so no guarantee that he's going to watch the film.

1:08:42Bill, if you watch it, please text me too. Okay. Because you want to be confirmed in your feelings of mixedness? No, I just thought I'm curious. You know, I value his opinion. I think One Battle still won and you're right that I'm getting overconfident about that. Okay. I do think that Sinners is increasingly, I can see the spoilerdom because I can see the Actors Awards, Ensemble win on stage. I can see score and song going early in the telecast to Sinners. I could see cinematography going to Sinners. I could see a couple of things that would make us go, what? and to your point earlier if somehow Wonmi Masaku and Delroy Lindo get into those acting races then it's like oh wow there's a ton of support flip side film didn't do that well overseas it's a black American film you know it has obviously elements of Irish history in it but it is it is an American movie and those movies don't have the strongest track record but there's something in the air I don't know what it is I think eight shortlist IDs is a lot and I listen I'm just, I'm flagging it for purposes of this conversation.

1:09:50I think number two is where it should be. Okay, number two. I don't think you're wrong. It still feels to me like the original screenplay winner. And then some below the line stuff. And that's, you know, traditionally the coolest and best award for our favorite person. So that would fit in my logic as well. Okay, then here's what I'll propose. Okay. I think Hammond is still three. Okay. I think it is very powerful. I think the people who love it, love it. So you'll see a lot of ones on those voting ballots. Okay. I think for, I think it was just an accident is an inspired idea. Okay. And given all the news about Panahi and some of the critical wins, that has power.

1:10:33I still, if I were, if we were filling out our predictions today, it would be one battle best picture and Panahi and best director. It's definitely possible. Yeah. Definitely possible. That would be - Which is not like a novel idea. many people are circling around that. No, but a lot of people have been pointing out that the last three or four years, the Oscars have been going heavy for one movie instead of, you know, spreading the wealth. So we'll see if one battle is truly a juggernaut or not. Or if Sinners is stronger than we think, then everything's on the table. I would then suggest that if it was just an accident, it's four, Marty is five, Frankenstein is six, Sentimental Value is seven.

1:11:11You think Frankenstein is above Sentimental Value? I do. Okay. Because I think it will have more total nominations. Okay. One, two, three, four, five. That's in the acting screenplay and best picture. Do you think? I don't think it's going to get into screenplay. But I do think it's going to get into directing. And I don't think Sentimental Value will get into directing. But I do think it will get into screenplay. Wait, what don't you think will get into? What's getting into what? I think Sentimental Value will get into screenplay yes and Frankenstein won't agree agree we're on the same page I think Frankenstein will get into directing and Sentimental Value won't agree and then I agree with you even though do I agree with those choices no but I agree with your assessment Sentimental Value will get three acting noms but it will get no below the line nominations whereas Frankenstein will get like six below the line nominations that's my gut right now could be wrong I don't know what the fuck I'm talking about so that's the top seven you got all that Jack?

1:12:13yeah he does okay Avatar Fire and Ash I don't think I don't think I don't either we're gonna have to figure something out alright we've got Train Dreams and The Secret Agent at 10 and 9 from last month I feel comfortable just moving those to 8 and 9 8 and 9 okay and you still think that Train Dreams is ahead of Secret Agent I think it's pretty tight I think they're both very well liked very well liked Secret Agent I think is a little bit of a a little bit of a tougher sit for some people because of its length I guess so and it's sort of all over the placidness However, Brazil, very popular, very strong in the academy.

1:12:45Yeah. Not been to the country. I'd like to go one day. It was lovely. You went? When I went, yeah. Did we talk about this? No, I went with my friend Stephanie when I was 25. I got the most sunburn I've ever got in my life. Interesting. What cities did you go to? I just went to Sao Paulo and then to the beach, but I don't remember the name of the beach, but it was beautiful. Okay, cool. I'd like to go back. I'd like to go to Rio. So 10. now if we're pulling from tier one the tier one choices are wicked for good no other choice F1 song sung blue weapons okay what's going okay so here's we forgot to mention one film yeah Surat you think it's going all the way that I mean that'd be awesome I mean we're talking we're just talking on a pod let's what do you want to put it you haven't even seen the film you want to put it in tier one do you know what's going on in this movie are you familiar with what happens I know like enough that I don't want to know the rest like stop talking to me and I couldn't go to the most recent screening.

1:13:44I can't remember whether I had to go see. Like, do you know the premise of the movie? Yeah, it's a rave in the desert. Yeah. That's how it opens. Yeah. No, I don't know the rest. I don't want to know anything. I'm not going to tell you anything. Okay. I'm just asking questions. Great. And I'm giving you answers. So now we have to talk about other things. So you can't say for sure. If it's whether it's an Academy movie or not. Or weapons or F1. I mean, to me, it's like the bold choice right now at this stage of things is F1, Surat. Right. Or no other choice. Those are, I think, the real contenders.

1:14:18Now, you know what? It might just be Wicked for Good. It might. That would be boring. I agree. But that also is going to have a bunch of below the line. What do you think will win the Cinematic and Box Office Achievement Award at the Golden Globes and get that onstage moment? in that category are Avatar, Fire and Ash, Wicked for Good, and K-pop Demon Hunters. And then, you know. I think this is dependent on the first two weeks of Avatar's box office. Okay. Cinematic and box office achievement. 2025. I can read the rest for you. Please read the nominees. Well, F1 is also in there. Mission Impossible, The Final Reckoning.

1:15:00Sinners. Weapons. Wicked for Good, Zootopia 2. Oh, Zootopia 2. You think? It's going to make like$1.6 billion. They're not just looking at the box office sheet. It's a cinematic achievement. Yeah. Have you seen the film? I'm going to take knocks. It's an extraordinary exploration of the way that we allow societies to divide us. Okay. I just, I'm saying there's also, is this, let's see, Sinners is nominated in drama. and one battle is in comedy. So, and Hanmat was not that strong at the Globes. So you think Sinners takes drama, one battle takes comedy. I do. And then, in this category, you think it'll be Zootopia over K-pop Demon Hunters, Avatar, and Wicked for Good?

1:15:55I do. Okay. Unless Zootopia is going to win an animated feature, which I don't think it is. I think K-pop Demon Hunters will win. you think that's how they're going to do the split? Maybe they give it to Wicked for good. Okay. Maybe just because, but the truth is, is that that movie has not succeeded nearly as much as the first film at the box office. Okay. I guess the follow-up question is, do you think that that stage moment for whichever of these films matters in terms of best picture nomination? Do you? I don't know. I think people are impressionable and seeing people on stage confers an idea of, I mean we've always said this about Do you get a Golden Globe for cinematic and box office achievement?

1:16:36What do they give you like a crunch bar? Like what's that worth? I love crunch bars I do too Remember when they did like Bunch of Crunch? Oh yeah That's so good Yeah that was good We've always said that the Ensemble Award at the SAG Awards rebranded as the Actor Awards was important in terms of seeing everybody together But that's because it's the last big thing that everyone sees before Oscar voting That's why Well, this is the last, is this, are the Globes after the nominations ballots are in? When, when is, what's the voting timeline? Oscars voting timeline. Timeline 2026. This is very exciting.

1:17:14That's like, bro, I'm in New Jersey. I'm trying to just relax. Nominations voting begins on January 12th, the morning after. So there. Great. Okay. I'm just, I'm just asking questions. So you think the Cinematic and Boxing Off Achievement Award. I'm just saying whether. No, I just want to make sure I'm getting this right. You said it's the most significant bellwether for the Best Picture race in 2026 is what you said, right? Just saying lizard brains. People have seen the people on stage and then they got to open their portals and, you know, testify that they've watched every single movie. What's going at 10?

1:17:47Make a choice.

1:17:53Well, let's see. Let's be bold. Let's do Sarai. I love it. That's exactly the right choice for the purposes of this list. Okay, let's read our list now. At number 10, Surratt. Yeah. Oliver Lash's Spanish film about a... Well, I won't say because I don't want to spoil it for you. Number nine, The Secret Agent. Number eight, Train Dreams. Number seven, Sentimental Value. Number six, Frankenstein. Number five, Marty Supreme. Number four, It Was Just an Accident. Number three, Hamnet. Number two, Sinners. And number one, One Battle After Another. Today's Best Picture Power Rankings was brought to you by Scout Motors.

1:18:27bold and cinematic. Just like these films, the all-new Scout Terra and Scout Traveler are planning to deliver that and more. Join the waitlist at scoutmotors.com. Concept vehicles not available for sale. Features and performance specifications are preliminary and subject to change. Joining the waitlist does not guarantee purchase. Visit scoutmotors.com for details. Well, that does it. Can I ask a question very quickly? Of course. Avatar Fire and Ash dropping out. More specifically, your personal reactions to the film or something larger collectively you think is being felt by the industry? Larger, I think.

1:19:07I think so. It's just the juice isn't there in the same way. I mean, you know, we also estimated that the box office would be much lower than Avatar The Way of Water. And the critical reactions are, it's not just us. Many people are saying that it's not as exciting as the first two. and it's the same logic we're using for Wicked for Good. That's exactly right. Way of Water was a 67 on Metacritic. Avatar Fire and Ashes is a 61 and will probably go down a bit over the next couple of days. So, I just think there is like everything that Amanda said, that lack of the thrill of the news, some of the repetition of the story beats, those things are working against it.

1:19:47But it's a good question and we could be wrong because, you know, Ben against Big Jim, dicey. So far, it has not served us. so did we have Way of Water in In In last time in 22 I don't remember I don't remember either nevertheless the next episode of this pod is going to be very cool because we are talking about Ella McKay and Is This Thing On two movies that I have no idea if the audience of this show are going to see Ella McKay just opened to one of the single lowest wide release weekend box office numbers in the history of film yeah however the film is also actively being memed on the internet I've also seen it and I have many strong thoughts as do I is this thing on you haven't seen yet I also have strong thoughts on this film tomorrow night so it's gonna be real coming on hot it's also we're at that time of year where it's crunch time it's crunch time for the movies it's crunch time for you and me and this has the prime Friday afternoon before Christmas second recording of the day spot.

1:20:56So like I, it will have to be seen and heard to be believed is these films and also the podcast. We're going to leaven that discussion with 10 overlooked and underseen movies from the year. You'll pick a few. I'll pick a few. We'll put our list together. We'll say, hey, maybe over the holidays, watch these movies. Sound good? That sounds great. Okay. Thanks to our producer, Jack Sanders, for his work on this episode. Thanks to CT for filling in in studio. We'll see you next time.

1:21:25Thank you.

From the publisher

Sean and Amanda start the show by reacting to the news that the Oscars broadcast will move to YouTube in 2029, and debate whether or not it’s a good move (1:48). Then, they react to the new trailer for Steven Spielberg’s science fiction film, ‘Disclosure Day’ starring Josh O’Connor and Emily Blunt (12:46). Next, they dive into one of the year’s most anticipated films with James Cameron’s blockbuster sequel ‘Avatar: Fire and Ash’. They celebrate its breathtaking action set pieces, criticize its slow pacing, which they felt dragged the movie down, and explain why it’s a real “you’re mileage may vary” type of movie (15:36). Finally, they cover the Oscars short list (43:45) and take stock of what’s rising and falling, before building their final Best Picture Power Rankings of 2025 (1:00:38).

Hosts: Sean Fennessey and Amanda Dobbins

Producers: Jack Sanders and Chris Thomas

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