The 2026 Golden Globes: ‘One Battle After Another’ vs. ‘Hamnet’ Begins

12 Jan 2026 · 1 h 13 min · 36 chapters

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Podcast Notes: The Big Picture - Episode: The 2026 Golden Globes: ‘One Battle After Another’ vs. ‘Hamnet’ Begins

Episode Overview Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Description: In this episode, Sean and Amanda react to the outcomes of the 2026 Golden Globes, analyze the telecast, and discuss the strengths and implications of films like *Hamnet* and *One Battle After Another* in the ongoing awards season.

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Key Takeaways

  1. Golden Globes Results
  2. Major Winners:
  3. *One Battle After Another* dominated the night with wins for:
  4. Best Musical or Comedy
  5. Best Director
  6. Best Original Screenplay
  7. Best Supporting Actress (Tiana Taylor)
  8. *Hamnet* emerged as a serious contender for Best Picture, sparking debates on its potential impact on the awards season.
  1. Predictions and Disappointments
  2. Sean admitted to a poor prediction record (4 for 19), expressing frustration over the outcomes, especially concerning *Sinners* not gaining the expected recognition.
  3. Amanda suggested that her predictions were based on an understanding of the international voting body and its dynamics, leading to her choice of *It Was Just an Accident*—a film that ultimately went home empty-handed.
  1. Significance of the Awards Show
  2. The hosts questioned the overall purpose of the Golden Globes, pondering if it merely serves as a promotional platform for films, especially in a highly predictable awards season.
  3. Amanda highlighted the importance of showcasing smaller films like *If I Had Legs, I’d Kick You* and *Sentimental Value*, noting the Globes’ potential to elevate less-known projects.

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In-Depth Discussions

A. The Impact of *Hamnet*

  • The conversation centered around whether *Hamnet* can compete with *One Battle After Another* as a Best Picture contender.
  • They compared it to past Oscar races, likening it to the competition between *Shakespeare in Love* and *Saving Private Ryan*.

B. Telecast Highlights

  • Host Performance:
  • Nikki Glaser returned as the host, with mixed reviews on her jokes and performance style.
  • The musical segments received criticism for being drawn out.
  • Awards Presentation:
  • The lack of clips during certain awards was noted negatively. Clips resumed later in the show, which enhanced the viewing experience.

C. Genre Confusion

  • The hosts expressed frustration about categories being blurred, particularly regarding what qualifies as a musical, comedy, or drama in the current awards landscape.

D. Commentary on the State of Cinema

  • Sean and Amanda discussed the broader implications of the awards, stating that the narrative seems to be favoring certain films while sidelining others, with many high-profile contenders leaving the show without awards.

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Final Thoughts

  • Sean and Amanda concluded that the Golden Globes, while entertaining, have become a platform that primarily reflects the ongoing awards season rather than redefining it. They expressed a desire for more diversity in winners and less predictability in future awards.
  • Amanda also raised a concern about the awards season feeling stagnant, suggesting that the excitement and chaos have diminished, making it less engaging for audiences.

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Closing Remarks

  • The episode wrapped up with discussions about the upcoming auction, the nature of their show, and light-hearted banter, maintaining a connection with their audience.
  • Both hosts expressed their enthusiasm for future episodes and the continual evolution of the film industry in relation to awards recognition.

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This structured note provides a detailed summary of the podcast episode, encapsulating the main discussions, key takeaways, and deeper analyses presented by the hosts.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Reflections on Predictions

0:46 to 2:20

The hosts reflect on their predictions for the Golden Globes and the outcomes.

“As if I were a member of the Golden Globes, as if I had any decision-making power.”

One Battle After Another's Dominance

2:21 to 4:42

Discussion on the dominance of 'One Battle After Another' at the Golden Globes.

“You picked It Was Just an Accident, which I thought was interesting.”

The Case for Hamnet

4:43 to 7:18

Exploration of the film 'Hamnet' and its unexpected success amidst competition.

“And I did say to you while we were watching the show, we've been saying all along, oh, it's one battle and Sinners has been in second place all along.”

Genre Confusion in Awards

7:19 to 9:20

A critical look at the confusion surrounding film genres at award shows.

“And also just the completely nonsensical way in which the films were divided this year.”

Nikki Glaser's Hosting Performance

9:21 to 11:05

Review of Nikki Glaser's performance as the host of the Golden Globes.

“This year I knew who she was as opposed to last year.”

Musical Elements and Awards

11:06 to 14:01

Discussion on the musical segments during the Golden Globes and their impact.

“They also gave us a clip of screenwriting in Hamnet and they just centralized, you know, really focused on the point where he says, who are you looking for?”

Celebrating 'Hamnet' at the Globes

14:01 to 15:10

Discussion of the celebration and music during Hamnet's win.

“And then just straight up celebrate for when Hamnet won best drama.”

Imagining the Golden Globes Commentary

15:11 to 17:15

Hosts discuss the absurdity of commentating the Golden Globes.

“If we were offered$10 million by the Golden Globes next year to be the play by play announcers, would you do it?”

Star Presence and Polymarket at the Globes

17:16 to 19:52

The notable celebrities and Polymarket's involvement at the event.

“So I don't feel good about the Polymarket thing.”

Podcast Award Highlights

19:53 to 21:55

Overview of the podcast awards and their relevance.

“Kaia fucking McMullin has a Golden Globe.”
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Challenges of Award Categories

21:56 to 24:16

Critique of how awards were presented and prioritized.

“I think it's pretty savvy on the Golden Globes part for a variety of reasons because they're trying to keep up with the Joneses.”

Best Supporting Actor Surprises

24:17 to 27:53

Analysis of the surprising outcomes in the Best Supporting Actor category.

“Ted Sarandos, also of Netflix, was at the Frankenstein table.”

Predictions and Surprises: Del Toro and Elordi

28:00 to 29:13

Discussion on the Golden Globes predictions, focusing on Del Toro and Elordi's chances.

“Not that it was an unwarranted victory, but we both picked Benicio Del Toro to win.”

Acceptance Speeches: A Touching Tribute

29:13 to 30:29

Analyzing the emotional acceptance speeches, particularly highlighting Stellan Skarsgård.

“And his children, yes, who have been telling him what a bad father he's been in recent years.”

Original Screenplay Predictions: Coogler and Anderson

30:29 to 31:59

Delve into the predictions for Best Original Screenplay and the significance of Coogler's script.

“E.J.'s acceptance speech, one of the co-writers of Golden.”

Female Actor in a Comedy: Rose Byrne's Win

31:59 to 33:54

Highlights of the Best Female Actor in a Comedy category, focusing on Rose Byrne's win.

“Obviously, one battle after another is considered an adaptation, but they were competing against each other in this category.”

Celebrating Independent Films at Award Shows

33:54 to 35:10

Discussion on the importance of highlighting independent films during award ceremonies.

“in the night I thought her speech was sincere, nice, thoughtful, spoke to the film and how hard it was to make that film, which is a very small independent film.”

Best Actor Drama: Timothée Chalamet's Reserved Speech

35:10 to 37:03

Analysis of Timothée Chalamet's acceptance speech and its implications for his career.

“I have some notes for the Golden Globes that we can talk about at the end of this show about what their value is and what their purpose is.”

Sinners: Box Office vs. Award Recognition

37:03 to 40:00

Exploration of Sinners' performance at the awards and its box office success.

“Definitely seems like he has a very, very, very good chance to win this race.”

Best Director Predictions: A Competitive Field

40:00 to 42:00

Discussion on the Best Director category and the potential nominees for the Oscars.

“And it's certainly ironic that a movie that was kind of like scolded and undermined around its box office potential in public by the trades and by box office analysts went on to win this award.”

Assessing Film Competitiveness

42:00 to 43:24

A discussion on various films' chances at awards, including 'Frankenstein' and 'Sentimental Value'.

“Or maybe now everyone gets their, like, gets a bee in their bonnet and is like, no, no, no.”

Paul Thomas Anderson's Speech

43:24 to 44:16

Analysis of Paul Thomas Anderson's speech at the awards, reflecting on his career and connections.

“That's a longtime assistant director who worked with Steven Spielberg and PTA and a number of other people and died last year very tragically.”

Animated and International Film Winners

44:16 to 45:58

Discussion on the winners of the animated and international film categories, highlighting 'Elio' and 'The Secret Agent'.

“Ted Sarandos stood up, standing ovation for that one.”

Neon's Strategy in Film Releases

45:58 to 47:26

Exploration of Neon's film acquisition strategy and its impact on the international feature category.

“any other thoughts about secret agent winning Brazil yeah you fear it but you respect it I do I acknowledge it yes you know it's a large land mass underestimated at your peril.”

Jessie Buckley's Win and Speech

47:26 to 48:26

Commentary on Jessie Buckley's win for Best Female Actor and her heartfelt speech.

“Best performance by a female actor in a drama.”

Predicting Future Awards

48:26 to 49:46

A playful speculation on potential award winners and the unpredictability of outcomes.

“If we win, if we win, it is my solemn promise to you, you will be the only person who speaks.”

Julia Roberts and Empowering Moments

49:46 to 51:48

Discussion on Julia Roberts' shoutout during the awards and its significance in celebrating lesser-known filmmakers.

“We're not advising anyone spend any money on these things.”

Best Performance in Drama

51:48 to 54:02

Review of the Drama category winners and the dynamics of competition among nominated actors.

“by a male actor drama now you were right on the money with this I think I was Definitely searching for some sort of mystery.”

Traditions and Changes in Award Acceptance

54:02 to 55:44

A debate on the tradition of producers accepting awards and the need for change in this practice.

“And the first person to speak was producer Steven Spielberg, which I understand.”

Campaigning for 'Hamnet'

55:44 to 56:00

Discussion on the potential campaign for the film 'Hamnet' and its themes.

“And as you said, she mentioned something that Paul Meskel had said to her and they had a very nice moment.”

Hamnet's Oscar Campaign Strategy

56:00 to 57:05

Discussion on strategies for promoting the film 'Hamnet' in the Oscar race.

“When Steven Spielberg won Best Picture for Schindler's List, the other producers were Gerald R.”

Observations from NYC Flights

57:05 to 58:20

Sharing amusing observations about airplane behavior and chat GPT usage.

“New York for opening night of Bug written by Tracy Letts starring Carrie Coon on Broadway.”

Contrasting Cinematic Themes

58:20 to 1:01:40

Exploration of thematic parallels between 'Hamnet' and 'Saving Private Ryan'.

“Right here with my extremely powerful mind, which many are calling...”

The State of Award Shows

1:01:40 to 1:05:00

Analysis of the current landscape of award shows and their impact on films.

“And like I said, I love the idea of Rose Byrne winning on national television for a movie like If I Had Like I Kick You and if people go seek it out, that's wonderful.”

Reflections on Award Season Trends

1:05:00 to 1:08:20

Discussion on the trends in award seasons and their implications for films.

“So what you're saying is you wish Kate Hudson had won over Rose Byrne.”

Baseball Talk and Episode Wrap-Up

1:10:00 to 1:10:26

The hosts discuss the upcoming baseball season and wrap up the episode.

“Don't they need to rest their shoulders a little more?”
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Transcript

Automatic transcript. May contain errors.

0:29I'm Sean Fennessey. any of the decisions. You turned to me as best drama was being announced as George Clooney and Don Cheadle did a fairly amusing, if extended, bit before announcing the final category. You turned to me and yelled, are they really not going to give this to sinners? As if I were a member of the Golden Globes, as if I had any decision-making power. And I did not. And in fact, they did not align with my predictions. but they did not give the last category to sinners. So we finished on a bit of a down note personally or we as people invested in cinema and people we like winning meaningless trophies.

1:13Well, I'd like to explore that with you. Yeah. So it was a huge night for One Battle After Another which won Best Musical or Comedy, Best Director and Best Original Screenplay in addition to Best Supporting Actress for Tiana Taylor. One Battle was the big winner of the night. It has been the big winner of award season throughout. I thought Paul Thomas Anderson gave two really good speeches. I thought Tiana Taylor gave a good speech. It was a great showing for the movie. I do feel stupid for a variety of reasons. Not just because I was like four for 19 in my predictions. You started out strong.

1:43I don't even remember what I started out with. Well, the Best Supporting Actress was the first award given. And so you did pick Tiana Taylor. I started our conversation on the predictions episode by saying, I'm feeling very bored by all this. Everything feels very predictable this season. And while making my predictions, I think I was trying to manifest a swerve, a change in the narrative, something different. And I made all these crazy picks that I had no chance of winning. Michael B. Jordan winning Best Actor in a Drama. Or who else did I put? Emma Stone winning for Begonia. Like things that have not really had any precedent of happening.

2:17And the most obvious place to quote unquote zag here, which is really obvious when you look back, is to say Hamnet. Right. for best drama. Correct. And you and I didn't pick it. You picked It Was Just an Accident, which I thought was interesting. And your rationale was 100 % on the money. Which was you thought that what? Well, I thought that it was a very, this is an international voting body or a non-American voting body. There were a huge number of international nominees across the acting categories, screenplay, directing, and of course, both best drama and best musical and comedy. and it was just an accident, was also nominated in screenplay, director, international, and in best drama.

3:02So I thought, you know, there is a broader international voting base and this is a movie that has a lot of nominations. It went home empty-handed. It did. So that's tough. That's a great film. And I think the way that you were thinking about it was sound though, which is that you chose Sinners to win the best cinematic and box office achievement, which is a real award that exists. and now has precedent in a couple of different ways. I predicted it to win. I did not choose it. Once again, we find that to be an insulting award and that the ability to connect with audiences on a mass scale is just another way to be great at making a film.

3:41And you can have it all. You have correctly identified this award, though, as the Bridesmaid Award. That this is the award. I don't mean the film Bridesmaids. I mean, this is the second place award. This is that you did a really nice job at the box office. It's the Barbie Award. You're worthy of Oscar nominations, but you're not worthy of winning anything major. Two years ago, Barbie won. Last year, Wicked won. This year, it's Sinners. And you said, Sinners is going to win here. And it did. You were right about that. And I have to go somewhere else because I don't think that they're going to repeat Sinners in this spot.

4:12And for whatever reason, I just wasn't really thinking hard about it. I think it's because you were holding a grudge against Hamnet that you maybe just didn't want to go in that direction. No, I was trying to, I was thinking, international. Okay. And I was, I mean, like, no other. And it is an international film. Sort of. As Jesse Buckley noted, an Irish cast, a Chinese filmmaker, a Polish crew. So, you know, it's not a foreign language film, but it is an international movie in some respects. And it won here. And in retrospect, it's obvious. And I did say to you while we were watching the show, we've been saying all along, oh, it's one battle and Sinners has been in second place all along.

4:51but many people said Hamnet is not a critics film. It's an industry film. It's a film that once people in the academy start watching it, that they're going to like more than critics are going to like it. And I'm not saying that Hamnet is coming for one battle's neck or anything. Yeah. But we do have a race now. We have a race. I mean, we're back where we were in September with the Shakespeare in Love versus Saving Private Ryan. And Steven Spielberg is somehow like involved once again. On stage, accepting the award. Yeah, exactly. But like possibly on the losing side, but Shakespeare is now, you know, it's, we are, I think you're right, but I don't feel as bad about myself as you.

5:35You're trying to bring shame to both of us. And I just want to keep it on your side of the table. I'm just trying to be real. Like we both got that category wrong and we shouldn't have because for months we have known that Hamnet is going to be very strong in this kind of a battle. And in part because even though One Battle After Another and Hamnet are, I think, both ultimately very sincere movies, they're kind of two different modes of sincerity. I thought Chloe Zhao gave a really nice speech. And I think people are going to remember that speech about what Paul Meskel said to her about what it means to love and to be loved and to be seen and to be vulnerable.

6:04And those are things that resonate. My beautiful wife Eileen texted me and she said, I thought that was a really nice speech by Chloe Zhao. She thought Hamnet was okay. But that sort of thing matters at this stage because, as you said, when we last recorded, Academy Voters watched the Globes. And when you're listening to this, Academy members are probably starting to vote. Voting starts. They're voting on nominations starting tomorrow. Monday. Yes. Monday, wherever you are listening. Yes. So this is this is a consequential telecast, at least in that respect. Just like gut check. Yeah. Do you think there's any chance that the tides really start turning here?

6:37Because in years past, like last year, we had a Nora at the top of our Best Picture power rankings for months. Right. And we switched it one time. And it was the one episode we did after the Globes because The Brutalist won Best Drama. Right. And Brady Corbet won Best Director. So almost as like a nod to the fact that it just won these two big awards, we have to say, well, The Brutalist, it has a chance. It's in the race. And then it ultimately turned out to not be in the race. In years past, this has happened many times where it seemed like maybe a film was getting in there, but the front runner was always strong.

7:11Do you think Hamnett has a chance in this race? I don't. I think that some of it has to do with both our own biases against the musical and comedy category and or I guess our biases of taking drama more seriously. And also just the completely nonsensical way in which the films were divided this year. I mean, you know, as you pointed out to me, Rose Byrne, very deserving win for best actress in a musical or comedy. and If I Had Legs, I'd Kick You. It's an incredible movie, one of my favorite films of the year. Yes. Best actress in a deeply upsetting drama. And, you know, there are moments where you laugh from despair.

7:50Like, it is funny, but what is a musical or a comedy? Because All Sinners is a movie that music and the history of music is deeply embedded in that film. And it did win for best score tonight, though that was not televised, which we'll get into that. Shameful. So what's a musical? What's a comedy? What's a drama? This year in particular, Up is Down. And so I think - And the award show became sentient about this idea. They were literally talking about this. Having presenters discuss this on stage, Judd Apatow went out of his way to note the train wreck lost best musical or comedy to The Martian directed by Ridley Scott.

8:27The Martian is funnier than if I had legs I'd kick, I would argue. But your point is dead on, which is that there's been a lot of genre confusion and mishmashing and a lot of category fraud. for lack of a better term. There's a lot of category fraud throughout all the categories this time of year. So that part of it, I think, blurs the lines of how impactful some of these things are. But it's actually, I think it's fun. I think it's fun to have a little bit more tension in the race. I think it's fun not to be as much of a steamroll as it has felt like. Maybe it feels more fun because I'm like, the stuff I like is still in pretty good shape here.

8:59I think so. Nothing feels threatened. I don't know why I'm treating this like it's a sports season. Maybe because the Mets and the Jets have been so fucking miserable that I just need this to happen. But let's talk about the telecast for a little bit before we go back to the races because the races were good, but they did feel very chalky. So there's not as much to analyze as there has been in years past. Nikki Glaser returned as the host. What did you think of her performance? Pretty good. This year I knew who she was as opposed to last year. Remember when I was like, oh, this Nikki Glaser. Wow.

9:26She has some experience with comedy. A working comedian of 20 years. Sure. No, but she picks the right targets for the most part. and they're softer targets, but it's still funny. Mostly kept it moving. You know, she had like a dig or two at CBS News on CBS, which I appreciated. Me too. The musical numbers are not funny, but a bit long for my taste. And I personally would take some of the costume changes in a different direction. Okay. But I thought that she did a good job. I thought she was pretty funny. Yeah. I thought she was really funny last year. Maybe a little bit less funny this year, but she does feel much more comfortable going bing, bing, bing, treating the monologue like a roast.

10:10And that's obviously something she's best at. Her returned barbs towards Kevin Hart, who's a friend of hers, are reminiscent of a lot of the barbs she's thrown Kevin Hart's ways over the years during roasts. That's where she's at her best. And I thought her shots at Chalamet were pretty funny. I thought Wicked was back with Wicked for money was probably my favorite joke of the night. I thought her Sean Penn joke was very funny. You know, a lot of people talk the talk, with Sean Penn. You actually go to the places in the world that need help the most and do cocaine there. And that was a great laugh line.

10:41She had the George Clooney troubleshooting espresso moment. It was really very funny. So the jokes were pretty good. I found the intersegments and the musical number to be a little wanting. We can talk about the podcast awards in a moment. Yeah. That was a little bit funnier. The show started with no clips for the supporting actor and actress awards. And that's evil. Right. We reject that. here on the show. They did eventually start introducing some clips. Yes. Starting with the podcast awards. Okay. Yeah. We can start with that. They also gave us a clip of screenwriting in Hamnet and they just centralized, you know, really focused on the point where he says, who are you looking for?

11:20William Shakespeare. So once again, clips highlighting the best of the work that we see every year. That's helpful. The show was about three hours and 15 minutes. So it wasn't brisk, but it wasn't over long. I would say, especially because they also have to hand out a trundle of TV awards, most of which also seemed pretty predictable and not super interesting. Congratulations to the nice people of adolescence. Yeah, they did very well tonight. The Pit did very well tonight. It was nice to see Ray Sehorne up there for Pluribus, one of my favorite shows of the year. Something that was not good about the show, not even a little bit good, was the play-by-play announcers speaking while winners went to the stage.

12:01Yeah. Kevin Frazier and Mark Malkin were doing, I guess, banter. I mean, it seems like they had some factoids, but they were also trying to like feel it out and like, you know, like find the energy in the room. And listen, it's hard to find the energy in the room. We get there most days. Yeah. Sometimes we don't. They were not getting there. No. It was excruciating. I almost climbed under our theater chair multiple times. I found it deeply unpleasant. And that's a small chair. Yeah. I found their banter to be often ill-informed and boring. Yes. It also had the performative, like, aren't we having fun, everyone?

12:41Quality to it, which is obviously not great. When you combine that with the Bachelorette Party circa 2009 soundtrack, it was very, like, they seemed like strip club DJs to me, where I was just like, you know, Usher was going hard in the paint as, like, Cliber Mendoza's Ophelia was going to the stage. No, it was not. Usher, yeah, played as Stellan Skarsgård made his way to the stage to accept Best Supporting Actor for Sentimental Value. Please, I've written them down. Return of the Mac played as Macaulay Culkin came out. That was excellent. Yeah. Espresso, after Paul Thomas Anderson's Best Director speech into animated feature.

13:21You know, Ponda Replay, as everyone from The Secret Agent made their way back from, like, you know, the table 324 or whatever. A little questionable. The further the table was, you know, the longer the music played and also the longer those two people whose names I don't remember had to vamp. Pink Pony Club, as the heated rivalry guys came out. Yes, that was funny. Which I enjoyed. Isn't She Lovely for Jesse Buckley's. And at some point, it really did turn into like fourth hour of a wedding, like clear the dance floor situation. We found love in a hopeless place for one battle after another's triumphant win.

14:01And then just straight up celebrate for when Hamnet won best drama. That's really. Because when you think Hamnet, you think celebrate. And apparently after they wrapped the globe scene in Hamnet, I'm not making this up. This isn't like me doing a bit. they as like a cathartic moment for everyone in the theater they had a dance party to we found love in a hopeless place by rihanna like in the on the globe set okay so i found that very weird that that you know they couldn't even cue those music cues up if they wanted something in congress very strange um it i liked the soundtrack i guess it kept the energy up during the show you know like and just a lot of recognizable yeah mid-tier mom jams like that's i don't really know what else to call it like it wasn't bad music it was good pop music i suppose but it was like once again with the sort of reckoning of the movies that you like are going to win best picture at the academy awards it's like it is all coming for the middle-aged people of of the millennial generation like all of this is coming to the fore where it's like that's great the oldies that are playing at award shows is fucking ponder replay like how did we get here um quick question for you.

15:10Yeah. Very quickly. Just yes or no reaction. If we were offered$10 million by the Golden Globes next year to be the play by play announcers, would you do it? No, I would. I'll do it alone. I'll do it by myself. I have so many factoids about films. Here's the thing. Here is the thing. I don't even need to prep. Just put me in the chair and I'll crush. No, no, no. Listen, you know the facts. You're a great game show host. But as you know, from doing watch along or whatever. Fitting the anecdote to the moment and the time by time, it's a little more intense. Under any moment of fear, I just immediately go to what is the physical media availability of this actor's catalog?

15:51Yes. And I have so much info. Which leads me to point two, which is sure, $10 million for one night. That's not our rates currently. I'd love to get there. So that seems like - You're saying we make more. But it would be$10 million for that one night, and then you'll never make any money again because it will go so badly. So is that it? That's your cap. $10 million next January 4th or whatever, and then you're out. I won't need it because I've been relying on Polymarket to make bets on my wagers all night. And thanks to my wonderful predictions, I am now a quadrillionaire. Polymarket odds were shown during the telecast of this show.

16:31They sure were. They were shown apparently in the building, in the theater. Oh. They were flashing them on screens to the attendees of the Golden Globes, which is, of course, you know, historically this very sloshy, insidery, fame-packed small room where really like a ton of very, very well-known people. In fact, we bemoaned last year the kind of lack of heavyweight stardom at the Oscars. But this year, we had one table alone that featured George Clooney, Julia Roberts, and Adam Sandler. Yes. This was a very starry night. Leonardo DiCaprio was in the crowd. You know, there were a lot of heavyweight, famous people, young and old, and they were showing fucking Polymarket on the board.

17:07It was the lower four, you know, it was the Chiron as people were mingling. So I watched the two sweet boys from Hamnet go meet Adam Sandler. And that was... The Joops. Yeah. And that was very nice. So I don't feel good about the Polymarket thing. I don't know what to say. Is it legal for everyone at the Golden Globes to be placing bets from inside the room? It's a wonderful question. Okay. I have to assume yes. Okay. Although there is no gambling, online gambling in California, right? Oh. So, no. So, well, then how's everyone doing it? Well, nobody in California is doing it, in theory. Okay. But the thing that flashed in my mind when I was thinking about this polymarket thing, one, I was like, get off my corner.

17:52I'm the guy who incorrectly predicts the Golden Globes here. Two, it felt very much like Adrian Wojnarowski, former all-knowing savant of the NBA, a reporter who had all the information and broke news all the time, would literally spoil the upcoming draft picks in the NBA draft while the NBA draft telecast was happening on ESPN. and he was sort of undermining the TV property that he was working for and working on and this sort of worked in the same way where it was like coming up next Cinematic and Box Office Achievement Award here are the odds Sinners is at 87 % okay so if Sinners doesn't win it's going to be like the upset of all upsets on a night with virtually no upsets I thought it was very strange let's talk briefly about the podcast award before we start getting into the nitty gritty of all of the film awards so So it opened with an AMC Nicole Kidman style spoof.

18:47Yes. Starring Nikki Glaser. Yes. Did you think that was funny? Well, she was wearing the silver penstripe jacket and then she went to the AMC theaters and it was closed under construction, which I did think was funny. And then she said, we come to our car for podcasts, which is still how I, at least. I hope that none of you are watching this on YouTube while in your car. Okay, please be safe. Well, usually you have to be parked to watch, to utilize if you have a screen in your car, the viewing, but you might have it on your phone. Yeah. And to that, I say, please wear your seatbelt and don't watch this podcast and drive.

19:21Thank you, your podcast mom. The good news is no one who listens to this show has their driver's license. They're all 15 and under. You know, it was wonderful to hear our friend Griffin Newman's voice in the fake Bombas ad or maybe the real Bombas ad? Question mark? I don't know. They make great baby socks. I wasn't paid to say that. That's wonderful. It was nice to see Marc Maron in that advertisement. The award itself was given out by Snoop Dogg. Yeah. And Snoop Dogg, yet another indication of how everything that seemed cutting edge and exciting in the 90s is just like warm and fuzzy nostalgia for people in their 40s and 50s now.

19:58And Good Hang with Amy Poehler won. Wonderful. And I say great. Yeah. The Ringer has a Golden Globe. It's incredible. Kaia fucking McMullin has a Golden Globe. Shout out to Kaia. I'm thrilled for Kaia. It's amazing. Bill Simmons' name uttered on stage at the Golden Globes. That's a great podcast. I would like to say, because in the Nikki Glaser quote, the spoof, they played clips from podcasts, and they played a recent Good Hang clip, which Amy Poehler and Gwyneth Paltrow discuss having dinner at 6 p.m. And what a joy that is. Deeply relatable. I would just like, it's not deeply relatable because we are not successful enough to get the 6 p.m.

20:38reservation. That is Golden Globe privilege right there. Oh, I see. We can only get five. I thought they were saying - Six is taken for rich people at this point. I thought they were saying like, I eat at home at six. Oh, no, no, no, no. I think that they, when it's like I do a 540, I did a 545 last night. And that suggests to me that it was a 545 reservation, you know? But yeah, I can't get the 6 p.m. 6.15, are you kidding? At like San Vicente Bungalow? Like, what are we talking about here? Um, those aren't available. You have to start at five or nine for everybody else. So I'm happy for that.

21:08You got to start like using your poll a little bit here. You know, you got to be carrying around that issue. The New Yorker, you know who I am. I'm the lady in this caricature. It's not in the print version. Oh, right. Yeah, I know. So I don't know. You got to start showing them my Instagram. I'm like, hey, do you see that? But I don't have my microphone with me or my coffee cup. I was I was really happy for Amy. It's wonderful. Really deserving. She kind of indicated it, but like I was in the meeting when Amy came in and pitched the show and it was we everyone that was in the meeting was like, this is the most no brainer meeting like of all time.

21:42We were just like, we have to do this. Whatever we have to do, we'll do this. And it's great. That show obviously is a smash success and she's worthy of it. You know, I don't love the podcast award and the stand up comedy award blotting out the film and TV stuff as much. I understand why they exist. I think it's pretty savvy on the Golden Globes part for a variety of reasons because they're trying to keep up with the Joneses. Right. What are people actually consuming? Nikki Glaser's bits, I think, leaned into that pretty good. But then when you watch those awards, you watch Nikki Glaser doing a Marty Supreme Golden mashup parody, and then Best Score gets pushed off the telecast.

22:15Something feels wrong there. Even stand-up comedy is like, Ricky Gervais won, and he wasn't even there. So why did they give that award out on the telecast? I don't understand. Also, if Score was the only category I'm aware of that was given out during the commercials, that's just bad planning. That's just why. Also, score is a cool award. I agree. I don't understand. I mean, maybe the least sexy award perhaps out of all of these on this telecast. But like, is it really less sexy than like supporting actress in a limited series? I don't know. It just, that doesn't sit right with me. And I didn't like that they did that.

22:45And we're talking a minute, like three more minutes on a three hour and 15 minute telecast. We could have put one of the bits. We could have. Yeah. Very quickly, I did want to do executive watch. That's what we were doing in the room. Yes. I'm not saying this doesn't happen at other Golden Globes you know memorably Tim Cook showed up for Golden Globes in the past because you know he had produced shows for Apple Apple had a good night the studio did really well but there were a lot of very visible executives from the movie studios on this telecast at a critical time in which two different companies are bidding for one of the companies yes and they're all kind of involved in the Oscar race except for Paramount but the show was airing on CBS which Paramount owns.

23:30So in the room we had David Zaslav the chairman of Warner Brothers and HBO at the one battle after another table with Mike DeLuca and Pam Abdi they're the film chiefs. Yes. David Ellison you noted was there looking perhaps a bit sunburned. Yes. And also seemingly in the corner he was up against one of I think he was on like orchestra level. Okay. But on the fringes. You know? I see. As best I could tell. Lurking in the shadows? Is that what you're saying? It was in the corner. All right. Bella Bajaria seated at the J. Kelly table with Adam Sandler, George Clooney, and Julia Roberts, who was there as a kind of plus one.

24:09Sure. Also with Kevin Hart, apparently. I just, I don't know. I don't think that after The Hunt had that many other nominations or any other nominations, so they had to put her somewhere. Good point. They put her with George. Ted Sarandos, also of Netflix, was at the Frankenstein table. Yes. I spotted Tom Rothman in the crowd. looked like he was embracing Leonardo DiCaprio at one point from Sony. And Casey Bloys, of course, from HBO, also there. Big Night for Hacks, Big Night for The Pit, a number of his shows. And I'm saying all this because there was some interesting synergy. There was a very lame cross-promotional moment in which UFC fighters came out to introduce the heated rivalry stars.

24:45UFC, of course, was recently acquired and will be showing on Paramount Plus and Paramount Properties going forward. and this kind of like peacocking that is going amongst the suitors yes is a little lame of sorts feels a little lame the UFC into the heated rivalry moment was it wasn't really the heated rivalry guys were cute we haven't watched heated rivalry yet we watch movies I'm sorry please don't at me they did a great job but the UFC stuff they were just like walking around silently in the dark I just bit ominous I mean I just like instinctively opened my phone to the real real I was just kind of like this is not for me I don't know what's happening so it wasn't very effective promo it was sort of pathetic and when you think Golden Globes in a room full of celebrities you think combat sports I don't know who thought that was a good idea but it was not do you want to go sequentially through these film awards now to talk through the outcomes the first award of the night was best performance by a female actor in a supporting role yeah I predicted Tiana Taylor one of my precious few correct predictions tonight.

25:54You predicted Inga Ibstad or Lilias. Yes. And Tayana won. And she gave a spirited speech. She had some sort of like butterfly knot medallion tied in the back of her dress that she pointed out. And then she spoke. Yeah, it was like a bow sort of. Yeah. Yeah. Anyway. She spoke of God and Jesus and her savior. And then I thought gave a pretty good speech. Yeah. I think she had the right energy to open the show. I'm a little unsure of that race. I just said in our Instagram Live right beforehand that I feel certain that Amy Madigan is going to win. Right. Because of a lot of precursor stuff. And we can talk through some of the SAG, PGA, DGA, and BAFTA long list news that we've gotten over the last five days.

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26:42But she's kind of present in all of those. She's been very strong throughout that race. Yes. She hasn't been pushed aside. But Tiana Taylor has too. Amy Madigan was there sitting with Ed Harris and they were chuckling and also looking kind of like, what's going on? The way that we looked on our Instagram lives. So I really related to them. They actually are grandma and grandpa, though we're not. So they have an excuse of having lived. They also they were both wearing their reading glasses, which maybe it's time for us. Might be time. So, no, I think Tiana Taylor is very much in the mix, though.

27:11I agree that this feels less settled. I like this speech. And, you know, it kind of built in momentum to, you know, a tribute to all the other brown and black women and especially little girls watching this. And that was very lovely. It was moving. And she was like, she was pumped, you know. She was pumped. And kind of like danced off the stage, I believe, to my boo, Ghost Town DJ. That's right. Yes. So, yeah, you were mocking the music. But listen. Well, that was cool. I liked that. All right. And she gave a little, she did a little groove off the stage. I think I've said this before, but I think back on meeting Teyana Taylor in 2008 when she came into the Five Magazine office and she was like, I'm going to be a huge star.

27:49And I was like, who are you? And she may be an Academy Award winner. Best performance by a male actor in a supporting role. Right. Now, this was surprising. This to me was the lone true surprise of the night. Not that it was an unwarranted victory, but we both picked Benicio Del Toro to win. He has been the chalk pick in this category throughout the season. I was proclaiming that I feel like there's a strong chance that Jacob Elordi has a powerful upset in him in this category you were like I think this is gonna happen yes at the Oscars in a few months and maybe it's the other way maybe it's what happened tonight maybe it's Stellan Skarsgård for Sentimental Value I could see it I was kicking myself because when we were doing our predictions I you know I picked Inger Ibsen or Lilius from Sentimental Value and Supporting but I remember saying aloud oh but like maybe they'll do the Supporting for Stellan in Supporting Actor and that turned out to be the case.

28:42But there is a huge amount of support for Sentimental Value. I told you on our live that my husband watched Sentimental Value yesterday, absolutely loved it, and then was just basically like, Amanda, what's wrong with you? You know. A common refrain that's come in your direction. I'm working through it. I liked it, and I just didn't, you know, emotionally get there. So maybe I will. But I thought he gave a great speech. He gave a wonderful speech. You know, he spoke very briefly about the people who worked on the film with him and had brief remarks. He had a very amusing dedication to his wife that indicated some sort of sexual power.

29:18And his children. And his children, yes, who have been telling him what a bad father he's been in recent years. And he and Alexander Skarsgård have been on the trail together and they've been very funny together. But then he spent a minute of his speech talking about the importance of seeing movies in movie theaters. He said, let cinema be seen in cinemas. and he was the only person to talk about that all night at this moment when, you know, the Netflix executives are sitting nearby the Warner's executives, nearby the Paramount executives and there's this like, there obviously is this real sense of doom around theatrical movie going in Hollywood the last year or so and he spoke to it.

29:51Yeah. Someone else did give an acceptance speech about how they proposed to someone in a movie theater but I can't remember right now. I think it was another producer accepting which we'll get to. Okay. Best original song. So Golden from K-Pop Demon Hunter is one. We picked both of this. We're going to need to work on this speech before we get to the... It's okay. You know, it's your first time accepting. Not everyone, you know, nails it when they get up there, but we're going to need to work on tempo. We're going to need to work on focus. I want this for Golden. I just... We got to practice and economize.

30:30E.J.'s acceptance speech, one of the co-writers of Golden. And she spoke with a tremendous amount of sincerity and burst into tears. Yes. And she said all she wanted to do when she grew up was be an idol. Now, if you've seen the film and you've heard the song, You're Idol. Yeah. There's some acknowledgement. She quoted herself in the speech. I didn't have a - I think it was more the energy that was a little off. It was the energy. It was the pacing. Like I said, we got to practice and focus. It's okay to be surprised. but like we do need to prepare for the inevitable Oscar win. So let's, let's, we've, we've learned, we're all about learning and growing here on the big picture.

31:11You're not campaigning for train dreams from train dreams by Nick Cave. Uh, that was a perfectly predictable win. Yes. We both did predict that. Best original score. You mentioned Lovie Garansson from sinners won this. We didn't see it. You predicted this. Yeah. best original screenplay. Yeah. Best screenplay, period. Only one screenplay category at the Golden Globes. We both predicted Ryan Coogler. Right. Because I think we were trying to account for the, you can't just give cinematic and box office achievement to just sinners and that be the only award they win. They surely wouldn't do that, right?

31:49And also, because I do think we think it has a real chance in original screenplay at the Oscars. I think it's a frontrunner. Yeah. I feel it's a frontrunner. Obviously, one battle after another is considered an adaptation, but they were competing against each other in this category. Paul Thomas Anderson won for one battle. I love this speech. It was wonderful. He talked a lot about how he's a magpie and that he steals from everybody. And he cited stealing from Shayla McHale, also known as Jungle Pussy, who's in the film in a line from her, which appears on the note, that Tiana Taylor's character writes.

32:24Talked about Nina Simone, Thomas Pynchon, of course, whose novel he worked on. he adapted. So I thought that was a really, really good speech. Very low key. PCA was very subdued tonight. Very easygoing. He cradled both awards like little babies. Yes, he said, I got a GG. Yeah. That's cute. It was nice. It was a nice moment. I do think that he and Ryan Coogler are the strong front runners in those categories. Best performance by a female actor, musical, or comedy. Now you predicted Rose Byrne and she did win. I picked at Emma Stone because I was like, I don't know what's going on here. Maybe this will happen.

32:59And as we discussed, begonia is rising. Well, it's just been very consistent at all of the various guilds. And I was just talking with my wife, Eileen, this morning, and she just watched it last night. She was like, that begonia, pretty good. She was like, just like any other person I met, I was like, I like that a lot. Yeah, it's pretty good. It's very solid. And as you have pointed out, Emma Stone is in the Streep Zone. And if she's in a movie, people are gonna people are gonna pay attention she's really liked and respected in the industry Yorgos Lanthimos is also really liked and respected and Julia Roberts gave Emma Stone a kind of yeah kind of vague shout out like Emma Stone yeah you're here awesome you know I didn't even she didn't even know what to say after Julia Roberts got her standing ovation for just being Julia Roberts but Emma Stone you know working she's working she's trying to split the atom of Julia and Meryl yeah that's literally what she's trying to have in her career I love her Roseburn won though and I thought gave the speech in the night I thought her speech was sincere, nice, thoughtful, spoke to the film and how hard it was to make that film, which is a very small independent film.

34:02If I had legs, I'd kick you. And then just had some like daffy, funny stuff. I mean, I wrote it down. The last thing she said was, I want to thank my husband, Bobby Cannavale, who couldn't be here because we're getting a bearded dragon. And he went to a reptile expo in New Jersey. So thank you, baby. And then just walked it off stage. It was perfect. Very great moment. And also, you know, done with perfect comedic timing, even though she was, I think she was surprised and moved and like, but still found her way to talking about what it means for such a small film to win an award like this and the recognition and then, you know, Reptile Expo forever.

34:39She's been winning a lot. I know. Now, let's talk about it when we talk about Jesse Buckley. Okay. Yeah. I also love that movie. I think it's an amazing achievement. And it doesn't work without her, obviously. The camera is on top of her face the whole time. I thought her shout out to Mary Bronson was really nice. You can see Mary Bronson was really moved in the audience. To me, this is the good of award shows. It's like shine a light on a movie like this. Shine a light on sentimental value. Shine a light on a movie that you haven't heard of that you might be interested in. It's like, this is the upside.

35:10I have some notes for the Golden Globes that we can talk about at the end of this show about what their value is and what their purpose is. Historically, they've been very receptive to those. So I think you should give them. No, the problem is they've been too receptive. That's actually the issue is they've been listening and I'm worried about that. But we'll keep going through these categories. So best performance by a male actor, musical or comedy. I think this is where I was personally trying to manifest some drama. Okay. And I'm fascinated by there being not the drama I thought there was going to be.

35:40So Timothee Chalamet won. He did. In this category. And then he has given his second consecutive fairly mild mannered. Very subdued. Reserved, humbled speech. In this speech, he talked about how his dad taught him the importance of gratitude. Yes. He did, you know. Would you say that's something that you practice? I do. Do you? Yeah. I mean, I don't have. To whom? I don't have a journal or anything. To myself, primarily. Yes, of course you do. I'd like to thank myself for being myself. No, no, no. Being thankful for other things. But I don't really share it. I don't write it down. Do you keep a journal of any kind?

36:16Well, I have a dream journal in my mind. Sure. but you don't dream. So that's why I have it here. So when I'm sitting back and thinking of my dreams, I have to put them somewhere in the brain bin. He kind of made half a joke about like, if you told young me that I'd be thanking Mr. Wonderful from Shark Tank. Yes. That was at the end of thanking everyone in the cast. But it was, it was again, the energy has been turned way down. He's running from Marty Hauser. Yeah. He turned back into Elio from Call Me By Her Name. I'm like, what happened to all the swagger? He really, he turns it off. Once the movie was a financial success, he was like, this is about keeping my head on straight and being a humble young man in the face of all of this adulation.

37:01Seems like it's going to work. I guess so. Yeah, yeah, yeah. Definitely seems like he has a very, very, very good chance to win this race. I think so too, yeah. And that is historically anomalous. It is extremely rare for a young man to win Best Actor. Sometimes you'll find guys in their 40s, You know, Cillian Murphy just won for Oppenheimer recently after, you know, amassing a pretty good body of work. More often, it's an older actor who's been waiting a long time and getting their due. Leo had to wait a long time. He did. And this would be interesting. We'll be talking about it a lot, obviously, for the next couple of months.

37:32But this is a big deal. This is a big win for him because, you know, he didn't win this last year either. Adrian Brody won this at the Globes. And we thought, oh, maybe, you know, Timothy's going to come from behind because he won SAG. But so this now he's got a Globe. He's got an actor award. and maybe soon an Oscar. No, Critics' Choice. He hasn't won. No, he won the SAG Award last year. That was his speech for greatness. Oh, I thought you meant this year. No. But I think, but he's... No, I mean, he won for a complete unknown. Right, right, right. So on his shelf now, he has SAG, Critics' Choice, Globe.

38:03But I do think for this year's SAG Awards, based on the nominees that we have, Vagnamore is not in the running because those are very American. So you can... that is maybe trending Timmy's way, I think. This race is turning out to be, I've been trying to manifest the Leo win because it just feels right to me in some ways. And maybe I'm just kind of responding to what I know about Oscar history instead of what the Oscars are now. But his kind of non-competitiveness in this race is kind of fascinating to me. The fact that I did share with you some odds over the weekend that I was looking at, which happened to be on Polymarket.

38:41Little did I know they would appear on the telecast tonight. And Timmy's way ahead. I mean, he's like 65%. Yeah. And I think Leo was at like 20 % over the weekend. So it's interesting. It kind of feels like the way we used to treat Leo in all these other races when he was nominated in the past where it was like, oh, he's not going to win. You'd be like, why not? Yeah. I don't know whether some of it is just that we are in like the Marty Supreme surge right now. And it's been the month of Timmy. And the awards and all of the critics' bodies did coincide with that. I think that's right. won battle and is is also like presumptive winner in so many categories that people are just kind of like yeah yeah yeah Leo whatever and sometimes it's that's just the timing of how these things shake out it did feel like maybe Benicio del Toro or Sean Penn may have fallen victims right as well cinematic and box office achievement yeah I picked Avatar I was playing fast and loose there sinners which was you know a completely inspired pick by you and was right thank you and And I don't love that being the only win besides score.

39:45You know, the one other win not being on the telecast. It's like, it's not, that's not good. It's deeply insulting. The concept of this award is insulting. The fact that this and score are the only two awards that Sinners took tonight. Yes. Is insulting. Well, there's something really interesting. And it's certainly ironic that a movie that was kind of like scolded and undermined around its box office potential in public by the trades and by box office analysts went on to win this award. But also it kind of indicates this sort of what feels a little paternalistic and it's like, okay, you got your box office now.

40:21Be happy with that quality. You know, there's no way to like definitively affirm that that is what is going on. But it feels that way from the outside when you see this be the only major award that this film, which is going to end up having a lot of Oscar nominations and is, you know, another kind of link in the chain of what Kugler is building. But like you saw Kugler on stage give his speech. He's the fucking man. Everybody loves him. Like him and Chloe Zhao shouting him out because they're old friends because they were worked at the Sundance Labs together like 15 years ago. He is a very beloved figure, but stuff like this where it's like a weird cabal of people and they're like, yeah, we'll give sinners this weird award.

40:54Yeah. Just kind of left a sour taste in my mouth. Agree. Best director. Paul Thomas Anderson won again. We both predicted this. this is not surprising. I was doing, I was trying to do a lot of math strategy around what this category is going to look like at the Oscars because we got all these guild results. So we talked about this on the pre-show. If you heard it already, I apologize. But at DGA, the nominees were Paul Thomas Anderson, Ryan Coogler, Guillermo del Toro, Chloe Zhao, and Josh Safdie. Yes. It was very exciting for Josh Safdie. We were pumped for him. We want him to get into this category.

41:31Joachim Trier, and Jafar Panahi were nominated tonight. Safdie was not nominated. And as you said, it was just an accident got blanked. Sentimental value only won one award. Joachim Trier made the shortlist for BAFTA, but Guillermo del Toro and Jafar Panahi did not. Yes. And so it definitely seems like there's a world where Josh Safdie gets in, but more likely, as you pointed out, DGA usually gets four out of five, right? And then there's usually an international film that comes in, but maybe it was just an accident. It's not as strong as we thought. Yeah. Maybe it's Joaquin Trier. Or maybe now everyone gets their, like, gets a bee in their bonnet and is like, no, no, no.

42:08What about, it was just an accident. What about Sentimental Value? Which has a lot of support. It does. Like, especially among, it was in all the directors' favorite movie of the year list. It was. Over and over and over again. So, until, you know, 8.13 local time tonight, I was like, oh, so maybe the four out of five will be... Paul Thomas Anderson, Ryan Coogler, Del Toro, and Josh Safdie. And then Chloe Zhao's out. And then, of course, you know. And so I know that's wrong. I'll tell you who's vulnerable right now. You might not think it, but Frankenstein had zero wins tonight. I know. It's very strange.

42:49And Del Toro not on the BAFTA long list, which is 10 filmmakers, is odd. Very odd. And him getting into DGA is not shocking because he has a tremendous amount of support in America. He's obviously a Mexican filmmaker, but he has been working in America for a very long time. And, you know, he has a whole community of other directors. He's like James Cameron's best friend, who's a filmmaker that talked about. James talked about that on The Town with Matt. And so that's kind of an interesting one to parse out. I look forward to seeing what happens on the 22nd with that one, because that fifth slot could be any number of films and might be indicative of other aspects of the race.

43:24PTA One gave a great speech. Lovely. you know he dedicated this speech to two people if you heard me talk about how one battle after another got made on our one battle mailbag episode about how his long relationship with Mike DeLuca yeah kind of allowed for a movie like this to come along some 30 years after they made Boogie Nights together he talked in depth about how DeLuca has been an avid supporter of his a kind of benefactor in some ways for many of his films over the years and then he went on to thank Adam Sumner to whom One Battle is dedicated. That's a longtime assistant director who worked with Steven Spielberg and PTA and a number of other people and died last year very tragically.

44:07And so I thought that was also a very nice speech by Paul. Best motion picture animated. The winner was Elio. It was really exciting. Congrats to the producers of Elio. Yeah. No, it was K-pop Demon Hunters. Oh, right. Yeah. Right. That's great. Ted Sarandos stood up, standing ovation for that one. Wow. Yeah. Thank you to Sony Pictures Animation as well. Best motion picture, non-English language. Mm-hmm. Now, you chose The Secret Agent. I did. I chose It Was Just an Accident. Yes. I think we both had the same thought, which is like, it was just an accident that has to get a big win here. Right.

44:47I mean, it was nominated in so many categories, and it did win the Palme d 'Or. It is sort of strange that it got blanked. Yes. So this was my thinking here. Yours also very sound. And The Secret Asian, of course, did win. It has now won the New York Film Critics Circle Award for International Non-English Language, the Los Angeles Film Critics, the National Society of Film Critics, Critics' Choice, and Globes. this is if you had told me the day after Cannes ended even though that this film won best director Klaiber Mendoza-Filio won best director and did Wagner Moore also win best actor Cannes?

45:23I think he did even still he did I would have thought either the Palme d 'Or winner or the Grand Prix winner would be the front runner in this race and the secret agent is the front runner in international right now and that is very interesting Klaiber gave a speech that I thought was quite good and just as it was starting to get going they started playing him off it was the only time someone was truly played off tonight yeah and that was incredibly rude really lame yeah I don't all of the choices to kind of like cut out the celebration of film and filmmakers suck tonight and they got to do something about that any other thoughts about secret agent winning Brazil yeah you fear it but you respect it I do I acknowledge it yes you know it's a large land mass underestimated at your peril.

46:10Yes. Do you think Neon will go five for five in this category at the Oscars? No. Okay. If I had to put money on it, I would probably put the voice of Hendra Job in this category. Okay, yeah. And say either one of Sirat or No Other Choice are out. Okay. But I don't know. All right. How do you feel? I think Neon is very good at this category. I think... And I do wonder whether this is like the conclusion of Neon Gaming, the international feature category, and then they redo it. But like, no disrespect. I love what they're doing with getting these films in front of people. It's really cool. I was mentioning they Know Other Choice did really good business this weekend.

46:49It was on like over 2 ,000 screens. It made almost$4 million. Like, it's doing really well. And I want for that. I do think it's a little weird to go to Cannes and just like buy every movie you think is going to win the Palm and be like, we're going to put all these out and it's going to be okay. And then they all compete against each other all year long. It's a little weird. I mean, I say that more as like we've talked about how they need to redo international feature as a category. And that it's... I don't think it should be one film per country. Yeah. I completely agree. But so, that, you know, maybe, you know, Neon's strategy has brought a lot of wonderful films.

47:21And I hope they keep doing that. And then maybe we also then redo that category slightly. Best performance by a female actor in a drama. Yeah. Jessie Buckley was predicted by both of us and she won. Yes, she did. She gave a nice speech. Mm-hmm. Very sincere. She seemed surprised, which is a little hard to believe. Yeah, she was visibly shaking in one of the camera angles. I think it is probably pretty stressful to get up in front of all of those people and know that you're being watched by millions more and have to give a speech. I see. I would find it stressful. You think you'll win a Golden Globe?

47:59I don't, actually. You don't? Because I don't really, I don't know if I have a spare five. Take a note of that. I don't have a spare, what is it? 5 ,000 or what? Oh, to submit? Yeah, yeah, yeah. That's going to preschool. I'm looking forward to being on stage next year. You'll be winning? What will you be winning for? Us three. Oh, wow. Oh, for best podcast. Ringer goes back to back. You think they'll be submitting us? Yes, and I will be the one accepting the award, of course. I fully accept that. I'm down with that, Jack. If we win, if we win, it is my solemn promise to you, you will be the only person who speaks.

48:34Okay. Okay. Sounds good. Buckley versus Rose Byrne. I mean, I think we know it's going to be Buckley, but I'm loving the Rose Byrne. I mean, if it's a sudden, I mean, this is not an exact comparison, but if, was it Olivia Colman defeating Glenn Close? Mm-hmm. You know, where it's at the last moment and then Olivia Colman just yelling, Lady Gaga is the last thing she said before she went off the stage. You know, there's a similar Coleman Rose Byrd energy to it. That's one of the great speeches. And she points at her husband being like, you're going to cry. You know, so maybe you could have a late breaker in that way.

49:20Okay. But you think, Buckley all the way down. I think at this moment, were I placing money, which I'm not allowed to do because I'm a resident of California. And also I do this job. But also an employee of Polymarket. Yes. I meant to say earlier, I'm pretty sure there's a legal wraparound gray area thing where people in California can play swagers on Polymarket. I'm not positive, but I think so. You mean Polymarket is going around the law in some way? I am saying that. Jack, I'm shocked. This is not a gambling podcast. The predictions are for fun. We're not advising anyone spend any money on these things.

49:58We are merely talking with very strained and often inaccurate expertise. I think one of the things I liked related to this category was Julia Roberts shouting out Ava Victor. That was also a legitimately cool thing. And another example of an extremely famous person showing love to a less famous person who made an indie film. She was doing it literally after the envelope had been opened. Yes. And she knew. She was really. She was Julia, I would say, in that moment. It's powerful. And we do. There's a reason that everyone stood up. I mean, I think we do all yearn for it, but she was like, really.

50:35Do you think they were standing because of the message of After the Hunt? They were like, thank you for being so brave to tell us. We all understood what that epilogue was about. If you had an affair with an older man as a young girl, you should definitely tape a photo of him to the bottom of your bathroom sink. That is the major takeaway. So when you have major ulcers and then are exposed and fired, you should go back to the Indian restaurant in New Haven with your nemesis and have an inconclusive tête -à-tête. What an insane movie. If the makers of that film came and they sat down next to us and they said, we think this movie is so funny and we made it as a very arch satire, I would accept that and enjoy it more.

51:23Okay. if there's any part of any of them it was like we made points some points were made as soon as Luca Guadagnino and Julia Roberts sit down in between us they've both been on this show I know but if they sat down together whatever they say about that movie we're like uh huh you're totally right you want them to sit in your bedroom is where you want them to sit I want to get drunk with both of them and then go shopping best performance by a male actor drama now you were right on the money with this I think I was Definitely searching for some sort of mystery. Again, that swerve that I was thinking of by choosing Michael B.

52:01Jordan. There's nothing in the math that would have told me Michael B. Jordan was going to win here. But I was like, another famous person to get on stage. This could be a cool moment. But of course, Wagner Mora did win. He did. Gave a very nice speech. Gave a Brazilian dedication at the end. You know, I think he's thought to be in third place in this race. if he had been nominated for a SAG award I would have said after this win he's in second place SAG not super predictive because of its bias against non-English language films I mentioned on the live show that for the ensemble award they have only nominated one non-English speaking one non-English language film in best ensemble in the last five years and that film was Emilia Perez so SAG is not predictive at all in these categories anymore so Wagner Moore is still in the game yeah gave a good speech looked very good like that suit oh yeah no he always looks amazing and like incredibly I was just looking Glenn Close did win for the wife in this category at the Golden Globes at the Screen Actors Guild I see yeah so you know it can still you just circled back to that seven minutes later well I'm just it's like there are people who win everything and then up comes Olivia Colman you know this is genuinely quite stressful.

53:21Wow, I don't know if I've ever heard you do British. What a moment. I've just watched that particular speech so many times I can remember the intonation. Oh, okay. That was great. Some voice work from you. My goodness. I won't be doing Wagner Moore's voice. He's too silky. Best motion picture musical or comedy. One battle after another was predicted by both of us. It was. It won. I don't think any other film had a chance here. How sad that Richard Linklater had to compete against himself in this category, canceling himself out but going to Marty Supreme no other choice we're not truly contending here I like what you said about Marty Supreme being we're being right in the thick of that moment though and I'm very pleased with how successful the movie has been it's really doing quite well at the box office I've loved the moment let's keep the moment going let's keep the moment going now let's talk about best most in picture drama okay yeah I predicted Sinners you predicted it was just an accident listen I was trying something by talking about how Hamnet won Hamnet won it did Hamnet versus one battle.

54:17You think one battle is still strong. And Hamnet won. And the first person to speak was producer Steven Spielberg, which I understand. You lectured me in the room and you'll lecture me again about how it's tradition that producers accept and give the speech for the best picture or best drama or whatever. Let's talk about the word lecture for a second. I merely communicated facts. This was not an extended monologue. Right. It was less than 30 seconds. It was less than 20 seconds. There was something in your manner. But there's always something in my manner. And that's why I always respond to you in the way that I do.

54:56I understand that this is the precedent. Like many precedents in our world, I think it's time to break it. And let's, we got to stop. Even though it's Steven Spielberg. The Federal Reserve is trying to uphold the rule of law right now. We're not breaking precedents, okay? The Senate needs to step up. They need to do what's right here. and you need to relax and let the Golden Globes continue to give awards to producers. I was happy to see Steven Spielberg. I like him as well, but it is a little disorienting also when it is someone as well known for his own body of work and someone who has received like a thousand awards to be up there accepting, the first person accepting an award for him.

55:36And I was just like, sir, let the other people hold a statue. Yeah. Anyway, I think I just... Chloe Zhao did get a chance to speak. She did. And she and she gave a nice speech. And as you said, she mentioned something that Paul Meskel had said to her and they had a very nice moment. He is he didn't even say anything, but he is just an emotive treasure. And I I'm a big fan. I would just I across all awards shows producers, you know, smile and let other and let other people speak. When Steven Spielberg won Best Picture for Schindler's List, the other producers were Gerald R. Mullen and Bronco Lustig.

56:15Yeah. And Steven Spielberg spoke first. Okay, well. Put that out there. Okay. I don't really think Hamnett's going to happen, but I think that there's a campaign to be run here for sure. Okay, and you are now in charge of it. You've been hired. Congratulations. By whom? You are Captain Hamnett. And why don't you tell people what your strategy is? To bring this searing work about the power of connection and ghost dead children to the world at large. These very cute little child. I'll tell you, I'll give you my tagline. Here it is. Love has no equal. That's exactly the kind of thing that they do.

56:55That is some chat GPT shit that I've never. One masterpiece after another. Incredible. You know what? We were on planes recently. We got to go. We can. We shared on the pre-show. Why are we in New York? New York for opening night of Bug written by Tracy Letts starring Carrie Coon on Broadway. It ruled. It was so wonderful. We were so lucky to be there. We also got to, I got to observe the plane watching habits of people to and from New York. A lot of sentimental value, a lot of weapons. But I also observed a new thing, which is people using chat GPT visibly on their computers and me just reading what they're doing.

57:34Because if you're - That's not new, but that's new to you, I think. Use it. Well, I mean, I'm always looking at what people are doing on their computers. If you're on your computer on your plane, it's not a secure. That's true. It's not secure. It's an open network. I'm sorry. That's just how it is. Stop looking at porn on planes, people. But just like I saw a lot of chat GPT usage on these flights. And it was always to be like, can you explain this news story to me? Sure. I was just like, this is we, we like, we have hit rock bottom. What's going on with these whales? Yeah, that's literally what it was.

58:07And then it was like a lot of images. I can't believe this is what people are doing. Anyway, yes, that sounds like a chat GPT slogan that you wrote on Plane. And congratulations on your Oscar, I guess. Right here with my extremely powerful mind, which many are calling...

58:27Yep. So you think there's a campaign to be run? I do, I do. I mean, to the point that we've been making about Shakespeare in Love versus Saving Private Ryan, the sort of like the masculine cinematic achievement, the like the longtime hero of bro cinema against a story of family and grief and the act of creativity, which is really what Hamnet is. Sure. Whether you like it or not, subjectively. Yeah, yeah, yeah. The ending is. They are similar and they are different, right? Their movies about families. Their movies about loss. Their movies about the absence of critical figures in your life and what comes out of that.

59:09Like what is born out of that kind of loss. And so they're this, you know, funhouse mirror image of each other. I will say something that I have been hearing a lot from just is like people I've been talking to and people who listen to the show are like, I'm afraid to watch Hamnet. Like, do I have to? I don't want to. Like, maybe I just don't have to experience it. And I do wonder if there is. Artists are not like that. Okay. I don't think. You think artists are like that? I mean, artists are like, lay it on me. Okay, like artists are like that, but artists and Academy voters, it's, you know, it's not like a one-to-one overlap.

59:41Yeah, it's interesting. Chloe Zhao's just general reputation is fascinating. She's obviously won Best Picture already and Best Director. It does feel a bit like Nomadland's kind of memory hold because it was the first best picture after, you know, in the midst of the pandemic. and that's a movie that I've always liked and have always defended and I like her as a filmmaker despite the Eternals debacle. There was a lot about Hamnet that I didn't like and there was a lot that I did like. And so to me, I don't view it as like the enemy of the season, but I have so much affection for One Battle and I loved Sinners too.

1:00:15And I was nuts for Marty Supreme. Right. And so like Hamnet like kind of, you know, mousing its way to the top is not what I want to see as a fan, but it wouldn't stun me. You have to see it's in the realm of possibility. Absolutely. Yes, it's in the realm of possibility. Again, this is not a gambling podcast but once I circumvent the rules of the state of California and place my polymarket bets I'm not putting them on Hamnet at this moment. Let me just think back to the year when Oppenheimer was the big dog. The musical or comedy winner that year was Poor Things which we never considered having a chance.

1:00:55And Oppenheimer was a total behemoth. And the other contenders that year, including Barbie, just didn't, were not really stacking up in the race. It has felt like one battle is obviously a lot like Oppenheimer. But Poor Things won in musical or comedy over Barbie. And Barbie got the comedy. So Hamnet is not on like the poor things of this year in that Sinners took the box office award and then they gave something slightly more quote unquote prestigious in corsets. Yes. The best drama or best picture award. I'm glad you framed that that way. That leads to kind of my entree, like our final discussion here, which is kind of what is this award show right now?

1:01:40because for three consecutive years, we've jumped on after the nominations were announced and maybe me more than you, but I've kind of consistently been like, so this is just like a critics group giving away awards to cool movies. And that is a good thing. And like I said, I love the idea of Rose Byrne winning on national television for a movie like If I Had Like I Kick You and if people go seek it out, that's wonderful. Ava Victor getting a shout out, that's great. You know, Ryan Coogler getting to speak at length on television, regardless of whatever award he's winning, that's great. but it feels very same same right now it feels very like yeah kind of one critic's body after another like a very like everything is very similar and this includes one battles you know epic success which I root for but I also think is kind of dull yeah and a lot of my picks as I said were kind of this like gesture of like can we break the wheel of how this season has been going and there were a couple right Stellan Skarsgård was a shift.

1:02:39Right. But aside from that, not a lot to inspire confidence that this award show does anything other than calcify rather than redefine. Yeah. I would put it a different way, which is that we're basically just platforming the award season now. And these things start small and with us and limited release and with critics groups and they start to get some attention. And then hopefully you get people in the, you get a sinners or you even get a Marty Supreme. But that this is the stage where you suddenly, you put, if I had legs, I'd kick you in front of a larger audience. You put Hamnet, I guess, in front of a growing audience.

1:03:21And movies only made$11 million. I mean, and it really is the show. We make a lot of fun of the show of the Golden Globes. I think rightfully so as like a foreplay, you know, a paid, a pay to play environment. And I mean, it is like it's it's everything is on display here, you know, and they've added, you know, more categories to just try to get more. There are TV people there just because you also want TV things. So it really is just like here are wares. And I guess the state of movies in particular are such that. I don't know, you you you get shiny things and then hopefully people then do also pay attention to the if I had legs, I'd kick you.

1:04:02and the sorry babies and the somethings of the world, but it's really just functioning as advertising at this point. Yeah, I think it always was, but there's no chaos, I think is the thing that I'm looking for. I think I'm looking, and chaos doesn't have to automatically mean Jared Leto and the little things, right? It doesn't have to mean something that's buffoonish, you know? Right. It could be this is a show where weapons wins awards. Okay. You know, it could be this is a show where F1 wins awards. that would be considered a little bit more ridiculous maybe. But like, I think it's an opportunity to change up and be a little different.

1:04:38And I guess last year was a little bit different, right? Because The Brutalist did win two awards and Enora was not as dominant and that ultimately had no impact. So I don't want to overstate my concern. But I think in terms of the films that are identified and supported, what the nominees turn out to be, the fact that there are six nominees in categories instead of five means the pool is really wide. There's kind of like very few people get cut out of these races now. Yeah. So what you're saying is you wish Kate Hudson had won over Rose Byrne. I didn't say that. But I like that movie. That's a small movie.

1:05:08That's not a big movie. I know. That's not Wicked for Good. That's a, you know, a family drama. That's something that we identified as like a classic, a Golden Globes of your win. It's Globes-y because it's like, you know, a gal you love singing in a movie. Right. That's why it's Globes-y. And it's kind of got like what feels like a sheen on it. But then you watch the movie and it's about like poor people living in the middle of the country trying to survive. Like it's not, it's an awards movie ultimately. So I like that they're identifying those films. I like that they're celebrating the movies that we also like.

1:05:36I hope this doesn't seem incoherent. I think it's just a little bit more fun when there's a little differentiation and I am starting to feel an agglomeration around awards season. And that may be why I think I just get a little bored through part of it. And part of it is because I'm thinking about it too much. Yeah. I think for most people, they're kind of logging on right now. And they're like, oh, okay. Rose Byrne made a movie? Yeah. Cool. I like her. What's that about? Is it like Neighbors? Sort of. In a way. Any closing thoughts on this show tonight? I liked the soundtrack. Do we know who DJed?

1:06:17DJ Khaled. Okay. It was DJ Khaled. He did a great job. I got to laugh out of Jack on that one. You got to laugh out of me too. I laughed. Thanks. Yeah, it was a really, really good soundtrack if you are the DJ at a pool at a hotel in Miami. Just absolutely perfect. No, they're playing like the Surratt score. Sorry, I met a senior citizen's hotel at a pool in Miami. At Amanda's 42nd birthday party. What are you doing for your birthday? It's eight months from now. Yeah, you'll be on vacation apparently, so. I'm thinking about it, yeah. It might be New York at that time. Okay. But what are you going to do without me?

1:06:56Yeah, you know, tequila shots and ushers. Yeah, you know, ATL, baby. Yes. When I think of ATL, I think of you dancing. So we have an auction later this week. We do. Our first auction of the year. Have you thought at all about the results of last year? Oh, yeah, I got absolutely hosed. And I didn't even get absolutely hosed. I hosed myself. Yes. And that's fine. Listen, we have to make choices. Okay. You're losing it now. It's coming apart. You were held strong for a while. It is 9.37 p.m. We spent the morning at a toddler birthday party. There was a bounce house. I went out last night. Yes, you partied.

1:07:41I was this close to Benicio Del Toro. You were in New York 48 hours ago. Yeah, but no. So back to the auction. I'm obviously in, you know, quiet moments. Hold it together. We're almost there. It's not about what happened. thought about where I quote unquote went wrong. Uh-huh. This is like a woman talking about her divorce.

1:08:06But, you know, just like to really bring it back. This is you in therapy, right? Where you're like laugh crying through talking after every event of your life. You think I ever cried in therapy? Then you really don't understand my emotional state. But to bring it back to like the Pinterest, you know, slogans or whatever, I wouldn't take anything back, you know? Yes, we know. You don't apologize for being an idiot. No, I had to make the choices I needed to make for me. I think all of us made mistakes. We will recap the mistakes that we made and the successes that we had with the auction and we'll auction off new movies.

1:08:42I do like the rules that we invented last year. I think we'll stick with those rules. Oh, I hated them. Okay, well, you failed at them, so that's probably why you don't like them. I know, but they all sprung them on me and then I was like, well, now I got it. you know I just like I don't care what all the Thunderbolts kids want to see or whatever like all the children who are like we're going to see that is not a sector of people you just made that up I just I want it I want to make my choice okay we gotta uh take Amanda back to the recharge factory. She just run out of gas. I want to live by my truth.

1:09:21Okay? Okay. Jack, what was your favorite moment from the night? Oh, man. Was it the five minutes when we talked about whether Kyle Tucker's going to the Mets? That was by far my favorite moment of the night. Okay. Yeah. That was pretty good. Do you think that's going to happen? Just put it on the record right now. Yes or no. Kyle Tucker to the Mets. No. I agree. Where does he play now? He was a Chicago Cub. Longtime Houston Astro. He's an outfielder. Okay. A very good baseball player. A cheater? I believe that predates his time with the Astros. Okay, all right. Or he may have been in the farm system at that point.

1:09:52Okay. Very, very talented hitter. And we sure could use him because right now we are dog shit. Mm-hmm. Okay. We can't really start talking. When's spring training? Six weeks. Oh, okay. That's nice. Coming up pretty soon. Less. Less than six weeks. Pitchers and catchers, 25 days. Wow. Right? Don't they need to rest their shoulders a little more? Well, the Mets have been sitting for some time. They did not qualify for the playoffs this year, so they should be ready to go. Thanks to Jack Sanders for his work on this episode. Amanda, thanks to you. Thanks, John. You stepped up big time. Hang in there, Mama.

1:10:26We'll see you guys later this week.

1:10:44you

From the publisher

Sean and Amanda instantly react to the 2026 Golden Globes and break down their thoughts on the telecast, debate whether or not ‘Hamnet’ is now a serious Best Picture contender, and wonder what exactly the purpose of this awards show is.

Hosts: Sean Fennessey and Amanda Dobbins

Producer: Jack Sanders
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