Starbucks DVD peddlers (Friends)

6 Sep 2024 · 1 h 18 min

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In short

Podcast Summary: The Changelog: Software Development, Open Source - Episode: Starbucks DVD Peddlers (Friends)

Episode Overview In this episode, hosts Adam Gordon and Justin Garrison are joined by Emily Freeman, discussing a variety of topics that range from personal experiences of burnout to the dynamics of tech and influencer marketing. They explore quirky subjects such as area code turf wars and the curious practice of buying used DVDs at Starbucks.

Key Themes and Discussions

  1. Personal Experiences and Burnout
  2. Emily Freeman's Burnout Story:
  3. Emily shares her journey through burnout, detailing the symptoms she experienced, including a persistent eye twitch.
  4. She emphasizes the importance of recognizing when one’s health is at risk and the need for a break.
  5. Emily discusses her departure from AWS and the freedom and challenges she faced afterward.
  • Mental Health and Work:
  • The conversation touches on recognizing personal limits and the impact of high-pressure work environments on mental health.
  • Justin and Adam reflect on their own experiences with stress and the importance of maintaining balance.
  1. The Changing Landscape of Influence and Marketing
  2. Influencer Marketing:
  3. Emily and Forrest Brazeal have created an agency aimed at connecting tech-focused influencers with companies, highlighting the importance of authenticity in influencer partnerships.
  4. They discuss the value of genuine voices in a world where AI can generate content quickly, emphasizing that human experiences resonate more deeply.
  • Emerging Trends:
  • The hosts analyze how platforms like newsletters and LinkedIn are becoming powerful tools for engagement.
  • They note the effectiveness of authentic content over generic marketing in building trust.
  1. Social Media Dynamics
  2. Area Code Turf Wars:
  3. The conversation meanders into humorous territory discussing area code pride and cultural significance, particularly in locations like Los Angeles.
  • The Role of Social Networks:
  • Exploration of how social networks have changed over time, especially during the pandemic.
  • Reference to LinkedIn’s evolving role as a significant platform for networking and professional identity.
  1. Pop Culture References
  2. Quirky Discussions:
  3. The hosts delve into amusing anecdotes about childhood phone numbers, classic movies from the 90s, and the challenges of watching reboots of beloved films.
  4. They also critique recent movie remakes, discussing the nostalgia attached to original works versus their adaptations.
  1. The Importance of Authenticity
  2. Human vs. AI Content:
  3. There is a significant discussion around how AI-generated content, while abundant, lacks the human touch and authenticity that resonates with audiences.
  4. Emily argues that the current landscape of influencer marketing benefits from the flood of automated content, as it makes genuine voices stand out even more.

Conclusion The episode concludes with reflections on the ongoing importance of human connection in the tech industry and the complexities of navigating personal and professional identities in a rapidly changing landscape. The lively, often humorous banter among the hosts captures the spirit of the ChangeLog podcast, blending technical insights with personal anecdotes and cultural critiques.

Key Takeaways

  • Burnout can manifest in various ways; recognizing and addressing it is crucial for mental health.
  • Authenticity in influencer marketing is paramount; audiences respond to genuine content creators.
  • Social media dynamics and the rise of platforms like LinkedIn reflect changing professional landscapes.
  • AI content generation highlights the value of human storytelling and authentic engagement.
  • Nostalgia plays a significant role in how we perceive media and the impact of reboots on cultural identity.

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This summary captures the essence of the podcast episode while emphasizing key discussions and insights shared by the hosts and their guest. The blend of personal anecdotes, professional insights, and cultural commentary underscores the multifaceted nature of the conversation.

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Transcript

Automatic transcript. May contain errors.

0:14Welcome to Change Log and Friends, a weekly talk show about area code turf wars. Big thanks to our partners at Fly.io. Over 3 million apps have launched on Fly. You can too in less than 5 minutes. Learn how at Fly.io. Okay, let's talk.

0:42Hey friends, I'm here with Dave Rosenthal, CTO of Sentry. So Dave, I know lots of developers know about Sentry, know about the platform, because hey, we use Sentry and we love Sentry. And I know tracing is one of the next big frontiers for Sentry. Why add tracing to the platform? Why tracing and why now? When we first launched the ability to collect tracing data, we were really emphasizing the performance aspect of that, the kind of application performance monitoring aspect. Because you have these things that are spans that measure how long something takes, and so the natural thing is to try to graph their durations and think about their durations and warn somebody if the durations are getting too long.

1:20But what we've realized is that the performance stuff ends up being just a bunch of gauges to look at, and it's not super actionable. Sentry is all about this notion of debuggability and actually making it easier to fix the problem, not just sort of giving you more gauges. A lot of what we're trying to do now is focus a little bit less on the sort of just the performance monitoring side of things and turn tracing into a tool that actually aids the debuggability of problems. I love it. Okay, so they mean it when they say code breaks, fix it faster with Sentry. More than 100 ,000 growing teams use Sentry to find problems fast, and you can too.

1:55Learn more at sentry.io. That's S-E-N-T-R-Y.io. and use our code CHANGELOG. Get$100 off the team plan. That's almost four months free for you to try out Sentry. Once again, Sentry.io.

2:19Well, we are here with our good friend and Ship It co-host, Justin Garrison. Hey, man. How are you? Hey. What's up? How's it going? It's going well. You know, three-day weekend. Back at it. No complaints. No complaints. I'm tired. I mean, that's the complaint. Okay. I mean, I'm sure I could complain if you asked me to. It was a great weekend. I don't have complaints about the weekend. It's just the week starting again. Right. Let's compress five days of work into four days, which is what we're doing today. See, that's the problem with America, though. France would be like, no, we work two days this week.

2:53You know, it's like we're way off. Yeah. Wait, wait. The level of output can go down? Yeah, I know. It's crazy. Unacceptable. Unacceptable. Well, that voice is Emily Freeman, our new friend. Emily and I met briefly at All Things Open, but Adam is meeting Emily for the first time. And Justin and Emily, you guys are old friends from this like AWS meetup kind of a thing. How did y 'all meet? I don't remember. I think Amazon. It was probably like we knew of, I knew of you. I don't know if you knew of me, but I knew of you before Amazon. And I remember when you joined Amazon, I was very excited. And then at that point, it was just a lot of DMs for years.

3:28Yes. Years and years of DMs. It's funny how relationships can form via something like that. You know, it's such a small mechanism for communication. But there you go. I mean, some of my closest friends come from Twitter, just random interactions. Yeah. Well, the only true social network is like someone's phone number, right? Like that's like who you know is like really part of your social network, I think. Like you can text someone or like DM their phone. There is like another level of intimacy there. I remember somebody who I was like internet friends with. and suddenly we had our each other's phone numbers and i'm like i feel like this is weirder not bad weird but just like i wasn't ready for that it's another level in the relationship like oh we're actually friends now okay it's a different style of communication on the same device it's like a dm and twitter or x is still an app on your phone or slack like a slack message yeah and then suddenly it's like literally in messages if you're an iphone user like i am like this is where my mom texts me and you're right there next to her.

4:31This is something real. Same phone, different app. I don't know. I don't think I'm alone with that sensation, am I? Do you remember when we had all our friends' phone numbers memorized? Oh, yeah. Do you still have your childhood phone number memorized? Oh, yeah. Yeah, of course. My home phone, but not my first. Actually, I do. My very first cell phone number is still my phone number. That's crazy. That's amazing. Is that mine, too? Yeah. Well, now you, you were born in the year when, in the years when you could port, right? Like, cause like porting phone numbers, right? Like wasn't, they got somewhere along the lines, a regulator came by and said phone number portability is like, you have to allow it.

5:08Didn't they? Yeah. Cause if you wanted to switch carriers, you had to give up the phone number and you're like, I gotta, I gotta tell everyone. It's like the old school version of like rebuilding your follower list. Right. Like I gotta go like network portability is an old thing, I guess. It also opens up like fun conversations. Like I have a 727 phone number. And so that's what, that was what I call my life layover in Florida. People like, wait, you don't live in Florida. Like, let me tell you about my eight years in Florida. There you go. Hmm. Yeah. You can't get away from it now because you have that phone number.

5:42Yeah. A 403 number. I believe. Is that what it was? 407. Oh yeah. Yeah. Yeah. Orlando. 407. Is that the Florida as well? Yeah. It's Orlando. Wait, where were you in Orlando? In Orlando. Well, I know. I used to live there. All over the place. By the airports, by Universal. I think it was called Westlake or Westgate. Maybe Westgate. Does that ring a bell? West something. Near Full Sail for a little bit too. Yeah. So all over. Amazing. Did Florida have like the area code turf wars? Like in LA, like it's a thing. If you have a 909, like you're like, no, no, no. Like you're out of here. And yeah, it's very, and then like they split too.

6:25Cause it's like, it's like this moment where like, Hey, we have too many phone numbers here. So like I have a six to six, which I'm very proud of for a lot of reasons. And I was like, I'm holding on to that six to six. That's amazing. I don't know if that's a thing other places. I know here in LA, it's just like, Oh, my wife has a nine Oh nine. I'm like, I'm sorry. That's your, what are you sorry for? You just feel bad for her? Yeah. I mean, Denver has seven to zero and three Oh three, but I don't think anyone like, but That's a very not Colorado thing to be worried about. They're just like, we don't.

6:57They're not worried about it. They have mountains, you know? Yeah, exactly. That's funny. That reminds me of the old ICQ number. I'm not sure how long y 'all have been around, but ICQ was one of the OG chat, you know, networks. And having the smallest ICQ number, because they were just auto incrementing or something like this, was very cool. Like you could actually buy ICQ numbers on eBay. Really? Smaller than yours. Yeah. Dang. My college roommate had a five digit and it was just like, you're amazing. Like that was top tier. Like no way. Yeah. But like it's the same thing with every social network, right?

7:29Like, cause you can get vanity phone numbers. You can buy an X, like a single letter, two letter X account or whatever. People want those, those things that are important to them. That's true. I'm currently on the, as we, we've muddled through this era where we're like, should we leave Twitter? What other networks are available? every time a new network comes up, I have to join, get Emily Freeman, and then basically forget about it. And it's right. I'm going to pitch you on blue sky. I know you're already on there. I am, but like the domain, the domain thing is really cool, right? Like you buy the domain and the domain is your authority.

8:04Like that's who you are. Yeah. But that ruins the scarcity problem. I mean, it shifted it to domain registration, right? Well, that was the funny thing was one of my friends, I think it was Nick Neesey, but I could be wrong. They're like, I had to get on blue sky and get my, my domain as my name. And I was like, yeah, but you own the domain. Like what's the, what's the rush? You know, isn't that kind of the point? Like you didn't have to get, I don't know. I think it's a cool feature. I just don't see why that is like incentivizing necessarily. I do think it's a cool feature though. I don't know.

8:32I have some, some beef with blue sky over their early days. I don't know if they've cleaned up, but. Oh, what's that? Don't have no beef. No beef. No beef. I don't have any blue sky beef. I just don't have any interest. I have, it's like, I have enough social networks. Thank you very much. Yeah. And you have to kind of like pick a new horse. And I was, I thought Macedon was cool, you know? Yeah. And it's like, it's just a little bit boring. Yeah. But it's still nice. And I don't know, they all kind of just have their own ways of sucking. And so there we are. Exactly. And we don't, we didn't get to pick a new horse.

9:08We have it now a stable ponies. Meanwhile, the only phone number on the internet now, apparently some reason is a LinkedIn account. How weird is that? Like now that's the only place everyone is. Can we talk about how LinkedIn is like the most effective social network right now and it's blowing my mind? I feel like Adam, you were ahead of your time because he was, he loves LinkedIn. I've been long LinkedIn for a very long time. Really? Oh yeah. I've been die hard collecting friends, but really only people I know. So I've been hardcore about knowing somebody or having met somebody or want to be truly connected to them in some way, shape or form, like truly networking.

9:45And I don't mean that in that, like I'm being posh or, you know, anything like that whatsoever, just more like I wanted it to be about people that I was trying to connect with in some way, shape or form or met literally face to face or virtually in meetings and stuff like that. Not really this like, Hey, I want to follow you. Now they do have the follow mechanism, but literally connecting. That was what I was trying to do there. So, I feel like all my connections are pretty proper connections, not just like, you know, randos on the internet that I'm a fan of. Right. Yeah. Or vice versa. I like the thing where you can deny a connection and say, I don't know this person.

10:21That's right. That's right. It just feels like the right thing to do, doesn't it? It does. I enjoy that you enjoy it. You're like, no, I don't know you. Oh, well, there's more places. No. I'm reporting that I don't know you. That's not necessarily the point, but I just feel like it's giving me a reason that I can just say this without being a jerk. That's fair. That's totally fair. I like it. I feel like LinkedIn kind of went to the Facebook route of you should be connected to this person somehow outside of this network. That was like you worked together, you knew them through a conference, but then social media and everything else online just kind of blew that up to me.

10:58I'm like, forget it. Years and years ago I'm like, I will accept pretty much every request. If I don't look like you're going to spam me in DMs, it's fine. We can be reconnected. Yeah. And sometimes they spam you and you just wanted a nice little note. So it's like, okay, that sounds nice. And then like at that point I can disconnect and I can block them. Exactly. Yeah. Maybe I should start trying that. I'm more like follow the rules guy. So I'm like, I'm sorry, but I don't know you. So I'm not supposed to connect with you. If you like that feature, keep it, do it for you. That's great. But they have decided now they have fault.

11:28Now you can just follow without actually reciprocating. And so they're trying to be more of that asynchronous. Do all accounts have that feature? I don't know. Or is that because for a while it was only the, what are they called? Creator accounts. Like you had to like, like really apply to it. Same thing for like long posts and videos. And there was a handful of things that they gated behind this. Like you had to have so many connections and follow or connections first, then you could apply for it. Then they approved you. Cause I did that like three or four years ago. And at that point it was just like, I don't know what feature is, is for everyone or which one is like special.

12:01I think that's that. I think that's everybody at this point, But I do know there was kind of an upgraded account for a while. The weirdest thing about LinkedIn, I don't know how long we want to talk about this topic, but let's go one layer deeper. The weirdest thing about LinkedIn is how they don't care about freshness whatsoever. And so as a person who's there to see what's going on, like you see something, you're like, oh, that's interesting. It was like three weeks ago, which is fine for evergreen content. But a lot of times it's like not evergreen at all. And you're like, oh, this is really old.

12:30I don't know. Yeah, I feel like Twitter is for the fast stuff and LinkedIn is for the evergreen. Yes. So much so that I've actually deleted and put back on the X app from my phone multiple times. Because I just don't want to deal with it anymore, so I delete it. Yeah. And then like something breaking news happens. Like I think the assassination attempt was one. And then just like locally, weather alerts here in Omaha come faster through Twitter. Shut up. I'm not going to download my. They do. What? I'm not going to download my local news channel's app. I'm just not going to do it. I'd rather get the Twitter app.

13:06Oh, yeah. If there's actual tornadoes coming through, which we've had some serious storms this summer, you're going to find out about it minutes before on Twitter. And those minutes actually matter when you're driving down the street wondering where is the tornado. And so for that, I installed the app again. I'm like, dang it, I'm back. I'm back on the app again. That's shocking. I'm just envisioning Jared driving down the road, looking at his phone, checking Twitter while there's tornadoes. 100%. I'm not sure where the tornado is, but that's a hilarious meme right there. Is this tornado? Yeah.

13:39Do you have a shelter like in your house? No, we all have basements here. So the basement is usually good enough. I know some places don't have basements readily, but there are folks who have shelters. But for the most part, just get as low as you can. My family's all in northern Alabama. And my father growing up, my grandfather was horrified of tornadoes. In fact, the school knew that a storm was coming when my grandfather walked across the courtyard to fetch all the his kids and all the cousins. Yeah. And then he would make everyone sit in the cellar for way too long. And so they called it the cellar dweller club.

14:14Cellar dweller club. Exactly. Just sitting there for hours. Yeah, it's kind of funny. You can tell all the different kinds of people there are depending on how they react to tornadoes. You know, I'm somewhat cautious and I'm like and my wife is more like it's not going to hit here. you know and I want to be I want to be like manly and stuff and I'm like seriously we should go hide right now because it's getting pretty close you know she's like no it's not I'm like oh no so we have that fun dynamic some people sit on their back porch and like watch the tornado come through and other people are literally like driving to Iowa to get away from it so takes all kinds I don't mess around with tornadoes man I've seen the movie both of them you see the new one?

14:53trailers at least of the new one teasers I saw enough. He got close enough to that. I don't know if this guy's going to replace Bill Paxton. Like Bill Paxton had a magic to him. Bill Paxton was cool. He was cool as s**t. Yeah, he was. Yeah. But I go see it tonight, actually. So we'll see. I'll let you all know. Let us know. Yeah. It's got good reviews. Yeah. I feel like. It's many of them. Twisters. Yeah, they pluralized it. Well, I thought it was just because they didn't want to say Twister, too. It's just twisters. Well, it's kind of like, remember Alien and then Aliens? Oh, yeah. It's like, ooh, they just upped the ante.

15:30Beetlejuice, Beetlejuice. That's true. Every sequel needs a clever name now. That's true. No, it's because they're remaking every movie from our childhoods. They have to. And they're trying to trick us into thinking they're new f***ing movies. Oh, can I curse on here? Sorry. And they're not. But go ahead. I agree. I'm not going to see Beetlejuice, Beetlejuice out of principle. What? Why? Yeah, why? Because they take everything that I love and is dear to me as a child and then they bastardize and sell it to me again. I can concur on that with Wonka. Oh, Wonka was a crime. A sheer crime. Seriously.

16:05It's awful. Yeah. I try to explain it to my kids. I'm like, it's not that that one was better. It was weird. I'm not sure I wanted more of the weird, but I didn't want a complete opposite story. Right. Like the origin story does not connect. No. In my opinion. Not at all. No. I mean, name a good reboot. It's harder than naming a bunch of bad ones. We could all name bad ones. That's true. We may not think of one collectively. Somebody will. They're few and far between. I'll leave it as a background process and then just randomly in the middle of conversation. Just shout it out. Push that one in the back.

16:37I mean, there's plenty that are good, but were they better than the original? Probably not. No. No. No. I can't think of one. It had good properties, but it was not good for somebody who watched the original. Exactly. Which is who they're selling it to, right? Like they want you to, they want to tap into your nostalgia and now you have kids or whatever. You have more money than you did before and you're going to take everybody to the theater. And they need to at least satisfy the person with the wallet. No. I would think. No. Apparently they don't care about us at all, Jared. They've already gotten our money.

17:07They know our children will bother us until we give up. That's the game. That is the game. That's why I'm just making my kids watch all the old movies that I thought were good. And then I watch them again. I'm like, it was good when I watched it the first time, guys. I think there's a lot that were, at least for me, like my grandparent generation that reboots happen that like Wizard of Oz. The remake was way better. Really? Which is the one we all know because there was one from 1925. OK, but there's like a certain level of ability to make movies that advanced. Right. We hit that plateau now. But there was this whole remake thing with like CG in the late nineties when everyone was like, oh, like this is the new way we make movies.

17:49Like, no, like we've shifted back into this practical effects into world. But there's a lot of like the really old movies that are like, oh, I didn't know that was a remake that I think would apply. But I think if you're looking at modern last 50 to 60 year remakes, that's gonna be harder. Oh, they're just ruining our childhood. They really are. What about, here's what I didn't see, but I think Adam saw. What about the Blade Runner reboot? Yeah. Adam, was that one good? So I was... Yes, in my opinion, it was good. I'll answer that easily. I think the cinematography was phenomenal. The soundtrack was phenomenal.

18:23I think the acting was continuous from where it began to where it ended up. There was a lot of throwbacks and cuts between that connected. So they did a pretty good job, in my opinion. It was a solid movie. We'll count it. We'll say we thought of one. Oh, Dune! Dune's a good remake. oh yeah dune is good okay that one was kind of easy though honestly don't you think kind of easy we didn't say i mean it was so bad it was so bad it was so like cheeky bad yeah a lot of people like it though don't they but i will agree it definitely is a good and the sequel mad mass fury road now we're on now we're on a roll here yeah yeah i'm on the fence on that one i mean like it's okay i would just say it's good movie it is a good movie but i it i i feel like they're different movies.

19:11I know it's the same movie. I'm just lowering the bar so we can get some winners. That's all. Wait, who was going to say something about Duden? Adam? Oh, just that part two was good. I think part two is actually potentially better than part one. Agreed. You know, there was a lot of good stuff in there. Part two of the same, of the new movie. Right, of the reboot. Part one was a lot of character development and build up and backstory. I never saw the second half. I didn't see the second half either. I fell asleep in the first one. I was not my fan. Yo! I made it to the end, but I didn't know it was going to be the first half of a movie.

19:43So I was kind of mad. No, I did finish it. And I'm like, what? Seriously. Like they should have put Dune 1 when you go, but they didn't. They just called it Dune. So I expected it to be a full movie. It's like if I would have got 50 % off, I'd be less.

19:59Right. I get half a story. I pay half the fee. That's right. I remember getting like two thirds of the way through. I'm like, dang, they have a lot more to talk about. How are they going to get through all this? Did you read the books? No. Adam, did you read the books? I did not read the books. I'm sorry. You're not proper nerds. I want to read the books. There's just so many. It's a lot. It's too much. I want to be the kind of person that read the books. I believe that Brett Cannon said... I don't. It's alright. That's how you really feel, Justin. You only really need to do the first two and then it kind of jumps to shark.

20:39But the first one is one of, in my opinion, the most magical, beautiful pieces of writing. I mean, it is just, it's amazing. So I guess one thing for you, Jared, is the director of Dune Part 1 and 2. Yes. Is also the director of Blade Runner 2049. Okay, so this person knows what they're doing. Also the director of Sicario. That was a good one. Arrival. Yeah. Oh, Arrival's good. enemy which stands out to my brain but i'm not sure why what is enemy i don't remember that one there's two good movies about enemies enemy of the oh yeah the gate good movie and then less good but still pretty good is enemy of the state back when i liked will will smith more will smith yeah yeah i i just bought i just bought the dvd of that one shut up really complex no for real like i put all of them in plex and like i just re-watched it i'm like this movie holds up like it actually has like a good yeah no like the the the things they're doing in it and all the like conspiracy and stuff like you brought the dvd or the blu-ray because isn't that 720p yeah no it's not even it's 480 or whatever it's like 480i probably yeah yeah no it's fine like i buy muse i just buy like there's people like an offer up i'm just meet someone like here's two dollars for a movie or whatever and i throw it in plex and where do you buy these offer up ebay we're off the internet okay yeah just like well i meet low i meet locally typically i don't want to pay for shipping on the meet them at a Starbucks like if it's local right like I just like hey I'm in the area can I buy these three movies from you really yeah I do it all the time so you meet somebody at Starbucks to buy a$2 version of Enemy of the State I mean this is hilarious I love it why not they could because they could murder you I don't know what is out of character here I would never I wouldn't either I'd be like I'm gonna get hit with a shiv in my back you know 100%.

22:31I'm like, no, thank you. I'm okay. Who pedals used DVDs at Starbucks? It just sounds... It's just a world of... I didn't know this world existed. Adam, you would never do a used DVD. This guy goes highest quality everything, right? I'm not sure I would meet somebody to get it. You wouldn't use your money? No, I mean, I would buy it. Oh, meet somebody. I would buy it from eBay or something like that. I'm not sure if I would meet locally to get it. Maybe. My threshold's under$5. yeah like if it's under five dollars for per movie and like people will sell lots they're like i got 300 movies which ones do you want and i'll go get like give me five movies or whatever i'm gonna meet you up here's 10 bucks right and then i'm just like okay well then i just and i put them in plex and that's yeah this is wild yeah i am with you on the put them in plex part you know i i feel like if it's not full res on plex it's not a movie how about 480i for two bucks you can go for that i have plenty of that if that's all it has yeah if that's like the max resolution available then sure yeah if that's the master sure i'm checking my i have 1023 movies in plex and this isn't counting tv shows this isn't counting shorts this isn't counting alternative stuff like i just i i have boxes and boxes of dvds over here most of them i paid like a buck or two for and like it's content that i own i keep and all these streaming services like i don't have that's true like every one of them raise their prices right like how much is disney plus now it's just like as someone who ran disney plus i'm like where isn't there are you part of the problem over there so they take movies away i was trying to find something the other day yeah and you can't you can't find it and they change the movies yes yes yes stop changing our movies and enemy of the state was one i couldn't find to watch like i literally was like i want to watch that movie and i you can't stream it and so i was like forget it like i'm just gonna go i found it on offer up and i was like at the store i'm like hey can you meet me here and they come over and here you go here's your do you guess do you strap i've been doing it for years do you strap just in case do you no i'm in public it doesn't i have more faith in humanity i'm sorry i also i also have a lot of privilege as a white dude in southern california where i'm just like yeah it's fine it took me like 20 seconds to realize what strap meant for just i was like oh oh a gun a gun okay yeah sorry wait are we are we gun people here we jared i grew up in the air when you would watch what was the movie give me a second to answer your question in the meantime i'm not a gun person but i hang out with a lot of them so i know the lingo i do not strap myself i do not strap we grew up in the era when you could watch boys in the hood 1991 when you could watch it yeah like you still watch today but like we grew up when it came out oh yeah right it's 91 heck yeah and so i learned strap probably from that movie there probably i was wondering where he was going with that i'm like where's he going with this can i tell you that my theory is that 1995 was the best year of our lives and we'll never get it back oh i want to hear more okay i mean i'll hear the theory but please think about the movies from 1995 like incredible story movies i got a better year for you but that's just one okay that's one think about pizza hut 90s pizza hut i did not understand how great point these pizza remember you had the plastic which were probably killing us it was like made of bpa and those like massive soda jugs.

25:50They come over with the BPA soda pitchers. You get a whole thing. You have booths. There's like a salad bar before it killed you. Oh, yeah. I mean, 90s Pizza Hut was magic. I wish I could time travel, okay? Right. Yeah, that would be nice. Time travel. I would definitely time travel to do that kind of stuff. Emily, these movies are not... I'm looking at the movies right now. This is not living up to... What's your better version? 99 had a better year. Well, 99's the best year ever so we can't really even compare wait why is 1999 the best year ever oh my goodness here we are again adam do you want to get the list out uh it's a long list we can go 30 movies deep and you'll still be saying that's a good movie i'm serious it's insane there's there's a book written about it apparently yeah okay maybe i have to shift it to 1999 i have to look at like 95 you can be nostalgic for that too for sure i remember the first time they put cheese in the crust of pizza stuffed crust yes stuffed crust and i was like wait there's cheese inside the crust i mean they all told you to eat it backwards that's exactly float around that's the kind of innovation that we're lacking now you know i i just want to be able to like remember wendy's wendy's had like it was a nice place to eat you could go get the dollar menu and not feel like you were going to get some kind of disease in in the restaurant like some sort of chicken bone and this this past summer we took my son for his very first time into a play place oh yeah that's and like because he was like partial covid like we're like yeah we're never doing that and then this look we're this summer you're gonna be able to so we went to like burger king and chick-fil-a and mcdonald's and like we're hitting up all the ones that had if they had indoor play places like you can go to it and like i'm sitting there i'm like can we go now can we go now they're buying dvds that was so good you go play over there that's amazing did he love it or what oh yeah absolutely and so he has a tier now of like which ones are the best mostly because of which friends he met at each one right and so he's like oh well this one had better kids I'm like well they're not always there

28:04that's hilarious I don't know about your kids My kid becomes the mayor of whatever playground she's on. I wonder where she gets it. She's like, this is my playground. These are my people. Like, what is happening? And they all fall for it, huh? They do. And people come up and be like, how does she know everyone? I was like, she doesn't know these people. She doesn't know these children. She doesn't know. She just met them. She gave them names. Yes. They are merely her subjects. 100%. Like, it's magic. It really is. That's hilarious. What else? Should we talk about, like, tech? At some point, are we just a movie 90s nostalgia pod here?

28:40Yeah, I mean, eventually we have to rename it. I do want to throw one more thing in there, though, just to close the loop. I love it. All right, close it for us. Okay, close the loop on 1995. I'm just going to name some movies because these are the ones. Yeah. Okay? Okay. Toy Story. Yeah. The original. Braveheart. Yeah. Amazing. Seven. Yeah. Wow. The Usual Suspects. Yep. Oh. Apollo 13. Nice. Casino. Mm-hmm. Yes. Heat. Mm-hmm. Jumanji. Okay. Die Hard with a Vengeance. Okay. And Goldeneye. Vengeance was all right. Well, Goldeneye was pretty good. Jurassic Park was 95 too, right? Oh, was Jurassic Park?

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29:18Assuming a hallucination, that's accurate. Who's hallucinating? You were the - Oh, you're not even - Not me. Jurassic Park was 93. This is not - No. Really? Oh. June 11th, 93. Why do I think - Hold on. It's close enough to 95. I mean - But I thought there was a thing with Michael Creighton had like - Was it the second one? Jurassic World, maybe. Jurassic World is... No, that's the other one. Jurassic Parks? What was the second one? They're going to two parks on this one. It's like Disney. We go East Coast, West Coast. Yeah, exactly. I hit them all. Jurassic Park holds up, though. For sure. For sure.

29:59And the music. Holy cow. I know. These composers overdo everything. I mean, everything. It's like, okay. We're just stalling for Justin. What year was it, Justin? I'm still looking. Okay. They had the Jurassic World rebooted in 2015. Lost World was 97. That'd be the third one, though. Yeah. So I'm trying to find what was the second one called? Jurassic World was the name of it. Maybe that's right. The second one. Screwed up. But I could be wrong. Do you all remember Wizard of Oz 2? With the wheelers and how scary that was? Yeah. you were thinking of the lost world then because 1995 the lost world comes out i think as a book though yeah oh because the new re and you read books so i don't read books i'm just saying i read a lot of my fiction just you know not by reading it all right yeah lost world was the second one and that was 97 and then jurassic park three they went back to the number system was 2001 so yeah it was 93 97 in 2001 there was something in maybe i got the year wrong i thought it was Michael Creighton in one of those years had like the best-selling book, the best-selling movie, and some other element.

31:08It was like a special. Special year. Yeah. It's like when you wear the EGOT award when you wear. Oh, yeah. They don't do that. They don't do that all in one year, do they? But that's when you win a Grammy, a Tony, an Oscar. And an Emmy. I don't know about that. And an Emmy. I always wanted an Emmy because I feel like that would be so. It's like Emily has the Emmy. Right. Right. Well, he did write Twister the year after 1995. Now we're stretching. Just to close one more loop. I didn't realize he wrote Twister. Apparently it did. His best book, in my opinion, was Andromeda Strain. Did that get turned into a movie?

31:41I think, but it was. The book was magic. You should start a book review service. I know. Media with Emily. There you go. The years are wrong, but the thoughts are right. Hey, it's a good segue. It doesn't really matter what year it was. Well, that's somehow a hard segue into DevRel and careers because there's no possible way of getting there with my limited skill set.

32:18Okay, friends, I'm here in the breaks with Annie Sexton over at Fly. and you know we use fly here at changelow we love fly it is such an awesome platform and we love building on it but for those who don't know much about fly what's special about building on fly fly gives you a lot of flexibility like a lot of flexibility on multiple fronts and on top of that you get so i've talked a lot about the the networking and that's obviously one thing but there's various data stores that we partner with that are really easy to use um actually one of my favorite partners is Tigris. I can't say enough good things about them when it comes to object storage.

32:58I've never in my life thought I would have so many opinions about object storage, but I do now. Tigris is a partner of Fly, and it's S3 compatible object storage that basically seems like it's a CDN, but it's not. It's basically object storage that's globally distributed without needing to actually set up a CDN at all. It's like automatically distributed around the world. And it's also incredibly easy to use and set up. Like creating a bucket is literally one command. So it's partners like that that I think are this sort of extra icing on top of Fly that really makes it sort of the platform that has everything that you need.

33:33So we use Tigress here at Changelog. Are they built on top of Fly? Is this one of those examples of being able to build on Fly? Yeah. So Tigress is built on top of Fly's infrastructure, and that's what allows it to be globally distributed. you did. I do have a video on this, but basically the way it works is whenever, like, let's say a user uploads an asset to a particular bucket. Well, that gets uploaded directly to the region closest to the user. Whereas with a CDN, there's sort of like a centralized place where assets need to get copied to. And then eventually they get sort of trickled out to all of the different global locations.

34:07Whereas with Tigris, the moment you upload something, it's available in that region instantly. And then it's eventually cached in all the other regions as well as it's requested. In fact, with Tigris, you don't even have to select which regions things are stored in. You just get these regions for free. And then on top of that, it is so much easier to work with. I feel like the way they manage permissions, the way they handle bucket creation, making things public or private is just so much simpler than other solutions. And the good news is that you don't actually need to change your code if you're already using S3.

34:40It's S3 compatible. So like whatever SDK you're using is probably just fine. and all you got to do is update the credentials. So it's super easy. Very cool. Thanks, Annie. So Fly has everything you need. Over 3 million applications, including ours, here at Changelog, multiple applications have launched on Fly. Boosted by global Anycast load balancing, zero configuration private networking, hardware isolation, instant wire guard VPN connections, push button deployments that scale to thousands of instances. It's all there for you right now. To pull your app in five minutes, go to fly.io. Again, fly.io.

35:19And by our friends over at Paragon, use paragon.com. Check them out. Ship every SaaS integration your users need. With more than 100 plus pre-built connectors, you can add dozens of integrations to your app quickly and reliably with their embedded iPass for developers. And I'm here with co-founder and CEO, Brandon Fu. So Brandon, talk to me about the friction developers feel with integrations, SSO, dealing with rate limits, retries, auth, all the things. Yeah, so there's a lot here. And I think there's a lot of aspects to the different problems that you have to solve in the integration story in building these integrations and also providing them in a user friendly way for your customers to self serve and onboard and consume those integrations.

36:05So part of what the Paragon SDK provides is that embedded user experience, again, what we call our connect portal. That's going to provide the authentication for your users to connect their accounts. That's going to be the initial onboarding. But in addition to that, your users may also want to configure different options or settings for their integrations. A common example that we see for Salesforce or for CRM integrations in general is that your users may want to select some type of custom object mapping. Every CRM can be configured differently, so your users might want to map objects to some different type of record in their Salesforce or different fields in their Salesforce.

36:39And typically, that's what developers would have to build on their own, is this UI for your users to configure these different settings for every single integration. That's also going to be what's provided by the Paragon SDK, is not just that initial onboarding and authentication experience, but also the configuration end-user UX for different settings like custom field mapping, selecting which types of features on your integration that your user might want to configure. And that's also going to be provided fully out of the box by the Paragon SDK. With integrations, different APIs might have different rate limits, they might have different policies that you have to conform with, and your developers typically have to learn these different nuances for every API and write code individually to conform to those different nuances.

37:27With Paragon, because we build and maintain the connector with each of the integrations that we support in our catalog, we're automatically going to handle for things like retries, things like rate limits. And so we look at this as sort of the backend or infrastructure layer of the integration problem that we have spent the last five years essentially building and optimizing the Paragon infrastructure to act as the integration infrastructure for your application. Okay. Paragon is built for product management. It's built for engineering. It's built for everybody. Ship hundreds of native integrations into your SaaS application in days or build your own custom connector with any API.

38:06Learn more at useparagon.com slash changelog. Again, useparagon.com slash changelog. That's U-S-E-P-A-R-A-G-O-N dot com slash changelog.

38:24Emily. Yes. You were the mayor of AWS when I met you. at your own AWS. Hardly. Thank you. What was your, yeah, tell us about your role there and then what happened since then because things have changed. I know. AWS, I ended up, I came in as head of DevOps product marketing, which is awesome. Peter Uelander, who is now the CMO of Mongo, pulled me over. He's incredible, incredible leader. So that was a fun time. And then went over to DevRel, led community efforts, really focused around, especially third-party communities. I think AWS does a really good job of ensuring people who are already bought into AWS continue to be bought into AWS.

39:08I think they have a growth area in reaching developers who are not already AWS fanboys. So that's what I focused on. If you don't call yourself a builder, then you're a third-party community for AWS. I never bought into that term. So if you don't know, at Amazon, And, you know, when you think about developer, they call developers builders. And I just it's like I've never roofed a house. You know, I don't I don't know. I have carpentry. I'm not a builder, though, to be honest, sometimes when you say developer, people like I'll be like, oh, I'm a developer. And they're like, oh, you buy land like you develop land.

39:43Right. No, I don't. I'm not that cool. But yeah. And then after AWS, I left, which was a really good decision. I left sort of jumping off a cliff. I didn't have another role. But it was interesting. like, I don't know if any of you have had this in your career. I was so burnt out and empty that I was just not even showing up the way I wanted to. Like I just needed a break. And it wasn't just Amazon that, that, um, stuck to my soul. It was Microsoft before that Microsoft during the pandemic was a special, special kind of exhausting, but yeah, it took a break. And then in May, June, Forrest Brazil was like, Hey, I have an idea.

40:25Tell me your idea. And I was like, I think we could be making influencer marketing agency and connect companies with influencers and get content creators paid. I was like, I like this. Do you think they'd pay for it? Turns out they do. And so that's what we're, we've been up to all these months. That's cool. It's amazing. Big fans of Forrest for our listener. If you don't know Forrest Brazil, go back in our back catalog. I did a song encoder episode all about him, featuring him on a lot of the songs he's made up over the years. Although now probably it's outdated. He's, he's continued to just crank out amazing cartoons, music, just very talented communicator.

41:05Super talented. And so incredibly creative. Yeah. Yes. And like a classically trained in on piano and I think even voice, I don't know. Very good. So you jumped off the ledge. I did. And you landed. How'd you have the confidence to do that? I mean, you probably were getting paid well there and you're supposed to be happy and all this kind of stuff. I was paid well. Happiness is a different conversation. I ended up leaving honestly, cause I was scared for my health. I, the last five months, my eye was twitching. I'm not even kidding. Like it just would not stop twitching. And I went to my doctor.

41:44I was like, this seems like a bad sign. She's like, yeah, that's not great. Seems like you might be stressed. I was like, no shit. What am I paying you for? Thanks, doc. I appreciate that. And so it was like, well, you just have to remove the stress. I'm like, I can't do that until my stock drops. Thank you. And so I went to an acupuncturist and she actually helped the most. She kind of like made it manageable for the last little home stretch. But yeah, as soon as, as soon as I realized like there wasn't going to be any kind of meaningful change and I wasn't going to be able to be what I needed to be to be effective.

42:22Um, I was like, I can't, I can't keep going. And so, yeah, I just, I made the bold decision and it wasn't, I think a lot of times in my, cause I've made some real bold decisions in my career and people sometimes think that I'm just like bold by nature. I am not. I am driven by like, I don't know. I think it was, it's more of a fear response than anything else. Right. It wasn't like in that moment, like I could revisionist history this and say like, oh, I had a plan and I was going to make sure everything was going to be amazing. I was going to go off on my own, but really it was like, I cannot keep going down this path where I will damage myself, both soul and body and it's like okay we have to we have to stop this and figure out what's next whether that's a new job or something on my own I don't know but yeah Justin or Adam have you ever been in such a precarious circumstance as Emily's where it's like my health is suffering if I don't make a dramatic change I'm going to damage myself you always have to ask yourself can uh can I keep doing this whenever you're really in any position where you feel like strain, I suppose?

43:36I think so. Definitely during the pandemic, you know, there was a lot of pressure on a lot of sides of our lives. So I would say during the pandemic for sure, you know, can I keep going at this clip? Can I keep, is this what I'm doing today sustainable? And if it, if it isn't, how long do I need to keep doing it to get to the next lily pad? And your answer was just to hold out for the next lily pad. Yeah, I mean, I think that's kind of what life is, right? No matter what, you're just like looking for that next lily pad. That's my analogy, at least, right? Like you want to be a frog above water.

44:15Sure. If you go underwater, you got crocs under there. You got things under there that can get you. Yeah, that's going pretty well. Is the floor lava? Is the floor lava? It's the four lava. Isn't it always? Yeah, I think that's spot on to try to do your best to maintain equilibrium until the next lily pad appears. Sure. Because it could be, you know, too far of a leap and you can land in the water. Yeah, but Emily couldn't see any lily pads. She just jumped, right? You didn't have a plan. No, I didn't. I was just like, I know that this, I will die if I continue. Yeah. But were you thinking, I need six months, I need three months, I need a year?

44:49I thought I'd need a month. So this is the lie of burnout. And especially for people who are like, I'll put myself in the high achieving overachiever category. I generally have no ability to recognize my own limitations. And that's not a good thing. Right? Like, and so what happened is I quit, immediately got sick, and was sick for like a month, basically, because I had like held on for so long. And then my immune system was just like, time to rest. And so I had that rest. And then I was like, oh, like I remember in January, I was like, time to start writing. It's going to be amazing. And then there was just, you're empty.

45:32Like you're so far, you've gone through all your gas, you've gone through the reserve tank. There's nothing, there's not even fumes. And so you just have to sit still. And I actually think one of the hardest things to do in our society in this moment where we all run so fast and we operate under so much pressure of like being the best, being better, striving to do better in all things all the time, like sitting still and not doing anything and trusting, like it was really, really hard. and then I went through like this whole identity crisis of what am I without my big cloud career am I even valuable to the industry as Emily Freeman like that that was February and then like March April May was just around mostly cleaning closets I really I my friends will tell you like I went nuts on just tidying and cleaning and neurotically organizing I mean my closets look like a serial killer lives in the house literally cleaning literally like 100 no metaphors here no like literally removing junk buying perfect little containers labeling the containers like a psychopath putting things in i mean it's it's beautiful but yeah it was it's a whole process and i'm just now to a place where it's like oh i have energy i actually like the industry again because i was real real bearish on tech the companies the people honestly like it's just like what are we doing here.

46:56And that's not a good attitude and certainly not a place for creativity and hopeful inspiration, you know? And so, yeah, I needed a break, but I think when you're in burnout, you have this thought of like, Oh, I just take a vacation. It'll be fine. It's like, no, this is years of compounding stress on, on your body, on your mind and your soul. And it has to, it has to heal. That takes time. Isn't that what sabbaticals are all about? Are there companies? I think there were at one point, maybe this was a Zerp phenomenon, but where there are companies that would allow for sabbaticals that were like six weeks, eight weeks.

47:33But those are like once in a career at a company, right? It's not a yearly thing. I had a friend who worked at PayPal and I think he got one every five years while he worked there, which was long enough where I remember him going on multiple sabbaticals. I've known him for a long time. And of course the fear is like, when I get back, am I going to, is my job going to be still there? Cause like they got I replaced you for eight weeks. They start to wonder like, is this person necessary? Of course he had that little bit of a fear in there, but I'm not sure if that's still PayPal's standard, but I know they allowed, I think a six or eight week sabbatical once every five years.

48:04Well, I mean a lot of like how much European companies, it's just like you leave for a month. Right. Like you're, you're, you're gone for a month as like normal vacation every year. Oh, I know it because Natalie Pisanovic, our friend from go time, Natalie, She disappears every August. I'm so jealous. She lives in Berlin, and she works on go time throughout the year. And then she's like, I'll be back in September. I'm like, you're not from around these parts, are you? Where are you going? And back in September and not catching up from August. Like back in September, and I'm going to start in September.

48:38And we'll see where you're at. Yeah, exactly. So there's that, I guess. But what I was wondering, Emily, at any point did you consider, which is kind of cliche, but people are doing it like just trying something completely different, you know, like start a company that organizes closets. Well, I think it's, I didn't even have energy for that. Like when I say I was empty, I was, I was toast. I mean, after the rejuvenating period now versus going back into it. I mean, some somewhat, but I've already reinvented myself so many times that at this point, it's like, okay, you have to like stick with something for a minute.

49:15I mean, I was, I worked in politics and then I worked in PR and then I did nonprofits and then I was writing and then I was in tech and it's like, okay, I do feel like I have learned so much around specifically this industry and even more specifically, like how the really big companies operate, what they need, how they fit into the market. I think the role of like AI and developers in the next decade is really interesting. I want to be a part of that. And so, no, I don't think so. And in all transparency, I mean, like what other industry could we join outside of finance, which is more stressful than this role?

49:57Where could we make the money that we make? There's no other. Even doctors and lawyers don't make what we make, which is crazy. and they have to be trained i know they have more they have more debt exactly for sure for sure more debt yeah it's wild to me but they i mean some of these doctors come out of school if you didn't get scholarships or your parents didn't pay for it you can come out of school with 350 400 000 dollars in debt right it's insane it's insane i think a lot of the thoughts that i've had and adam you as well maybe you can speak to this because you're always talking about boring businesses and kind of brick and mortar.

50:31And my thoughts are always like, couldn't I start a regular business and use my software and tech skills in order to be better than other people at that particular thing? I've never tried it. So it's just a pipe dream, if you will. But Adam, you're always talking about coffee business. Laundromats, what was your other one? Laundromats, storage businesses, they say those just are less likely to fail. They're recession proof, things like that. Yeah, they're more like investments than they are like. Yeah. Yeah. Same thing with like you can translate storage units to like mailbox storage. People don't want to change their address.

51:11There's stress in change. They don't change. They hold off for at least one more year and that might happen two years or three years. And by then you've got enough recurring on that person that you're as a business owner, you know, you kind of protect it or insulate it a little bit. Sure. there's lots of studies on you know those boring businesses laundromats is something that a lot of towns need you know you don't know it until you know it really i mean you got a lot of people who are in between things and just need a place to wash their stuff it's like hey i need to go to a laundromat and you know a high quality one could do a good job don't have a laundry don't have an in-unit laundry i grew up without an in-unit laundry and so it's like you have to you have to go where there's machines

52:15What's up, friends? I'm here with Kyle Carberry, CTO at Coder.com. So Kyle, I've known Coder as the IDE in the cloud, and over time, you've iterated to become a fully open source cloud development environment, a CDE. How do you explain what Coder is and what it does? Coder is a platform to provision you a development environment on any cloud infrastructure. That might be in a VM, that might be inside of a container. But Coder is kind of a developer's route to provision infrastructure for them to write software inside of. We started with the IDE, which is kind of like putting VS code in the browser, which is what most people are certainly familiar with us for.

52:53And we kind of funneled that into more of a platform where people provision the infrastructure. And a lot of people do use a Web IDE with Coder. A lot of people use a local IDE and just connect in. Okay, so what are teams coming to you for? Who's coming to you? What people really come to us for, particularly this problem is really exacerbated if you're a large enterprise, is when you have like 500 engineers that are trying to update like a version of Python. And instead, we allow one engineer to go through that tedious work of updating some scripts or some Docker container. And then you can actually just deploy that in one click to say like 500 engineers and make it really, really simple.

53:27Let's laser focus in on the platform engineer. It is that team's job to provide the best infrastructure, the best platform for their given applications, for their teams. What are some signs or signals for platform engineers to think about when it might be time to consider a cloud development environment like Coder.com? So as a platform engineer, developers might constantly be opening like IT tickets that their computer isn't working properly. They might constantly want to update dependencies, but that's a big mess. You constantly have to email people across your team to say, hey, Adam, could we update from Java 17 to Java 18?

54:05Those are the kinds of problems that people typically have. That's the status quo. You ship people more powerful laptops to improve the build times of your projects. You try to reduce the complexity of your products instead of simply leveraging better hardware. We believe that the future is leveraging the cloud for a lot of these things. You can get more powerful instances in GCP or AWS that can make the build times faster instantly. You can let one developer create a standardized environment and then distribute it to a thousand so that when you're updating from Java 17 to 18, it's just a simple pull request.

54:36You can co-locate your servers right next to something like S3 or a database that you're using in development so that you get immediate data transfers and it's not slow. Many of our customers, which is a crazy thing to say, but they use absolutely massive monorepos and they get clones that go from like 10 minutes or 20 minutes or an hour to simply like a minute or 30 seconds. It's just a lot simpler when all of your engineers are standardized on one centralized piece of infrastructure and then one person can impact the lives of hundreds of engineers. And with that, we don't believe that everything belongs in the cloud.

55:07We think that some workloads are really amazing for it, and some are absolutely terrible. Coder should be a self-serve offering to your engineers. It should not be prescriptive where you migrate all pieces of software development into the cloud. Only the things that really get a lot better by running them in this cloud-native way do we really promote moving. Well, it might be time to consider a cloud development environment. And open source is awesome, and Coder is fully open source. You can go to coder.com, get a demo or try it right now, or even start a 30-day trial of Coder Enterprise. Once again, coder.com, that's C-O-D-E-R.com, coder.com.

55:51I'm curious, though, this idea of influencers on tap. I'm just on your homepage, so I'm just leveraging your headline. I love it. And what was appealing about that to go from the, as you said, the big cloud jobs, this identity even to be like, wow, I can. Yeah. And then I can too. Yes. Like the idea is good and I'm capable. Yes. So some of it is just like, let's see what happens. Which if you don't have that phrase in your life, like I highly recommend just saying, let's try and see what happens sometimes. Usually when I say that something catches on fire. just like literally on fire like my workbench behind me like i yeah it's a problem you're still standing justin you're still standing you're fine you have eyebrows just be careful you're good i haven't my whole life wait have you ever burned off your eyebrows oh yeah oh yeah that's amazing is there more to the story is it worth it or it was the plane with fire is just like did you know flour like like cooking flour can explode but yeah like i yeah you can learn You can blow off your eyebrows pretty quick with some flour and flames.

56:59If you fill an area, like if you can explode a home that way, if you fill like with a fan or whatever, like ta-ta, I'm going to get a call. So, yeah, I think with influencers in particular, I have been an influencer. I don't love that term, but it is the thing that I think people immediately understand what it is. I also think about like content creators or, you know, subject matter experts. influencer is just more of a broad umbrella for a lot of different skill sets. I have been on that side. I've also worked at the companies who need people to speak on behalf of the company while not also being employed there, right?

57:39I think, and I mean, Justin, you've experienced this. When you work at a company, I think you are obviously the most knowledgeable about those products and services because you have the most time to dedicate to those products and services. And there's this layer of, well, you work there. Of course you have to say nice things. And there's a trust. I think I've made a commitment all those years ago when I first started in developer relations, and I think I've held true to it, which is I am never going to come up here and say something that is factually inaccurate. I am never going to blanket represent a product and say it's the best without understanding your situation.

58:16I have on a number of occasions suggested a different product for customers. It's like, well, this isn't going to solve your problem because of X, Y, and Z go over here. That's the only way I think you keep and maintain trust, credibility. And that's, I mean, my reputation is based on authenticity and my credibility and my reputation. I am not going to violate that or my commitment to the community for a paycheck. I'm just not. But still there's this, there's this thought of like, okay, well, are you the most, like, have you actually utilized this outside of the company? And often you haven't.

58:52And so a lot of times companies are looking for folks to either create that content, do deep dives. And that can be long form content, a blog, a tutorial, a video, or short form content. It's, you know, a social post, a LinkedIn post, a video on TikTok or Instagram. And really it's, it's not just about, this is a great product. that's awesome if it is, but it's more about how do you utilize this? Where is this useful? What are the pros and cons about that? And that type of authentic voice for companies is priceless. I mean, they need it, but there's a lot of challenges with that. Yeah. In the year 2024, this is post Twitter and in the year of AI can generate pretty much anything.

59:39How much of that is still, because I feel like the platform platforms play a huge role in any sort of dev rel marketing. And like, if, if the platforms are falling apart, you don't really have the, the reach or the credibility of the platform. Like, yeah, I can't guarantee that a post is going to go anywhere. Yes. Right. Like there's so much of that that's just out of my hands, but also the fact that like AI, any text box on the internet, AI can fill it and, and they can generate credible people. that don't exist and personas that don't even exist and say like, oh, this is someone that will tell you all the things you want to hear and can earn that money.

1:00:17How much of that plays into this? What companies are willing to pay for? Didn't the conference do that though where they generated some people? Yeah. Like last year, wasn't it? What was that conference? They generated women speakers, right? It was women speakers, but it was the same idea, but it was in that case trying to slight the gender skew, so to speak. But it's still the same premise. Like, let me generate somebody to seem credible so that we seem credible. Right. Right. They almost got away with it. Right. But now, I mean, once we remember who they are, they are ruined forever. And we already forgot their names.

1:00:52We remind you. No, it's the best question. And it's like the first thing that people ask, right? Why would this be valuable? AI can do this. And it's yes and no. I mean, yes, you can generate content through AI, and I'm sure it will get better. But that plethora of content developed by machines is actually making real, human, authentic voices more valuable. Because as the market is flooded with this content that is generated, you know, I don't know that this is... If it comes from someone I don't know, then how can I trust this content? But if it comes from you, I know you, I've seen you, I already trust you.

1:01:36When it comes from you, that is so much more valuable. And so we're actually seeing the opposite of what you would think. The existing newsletters, videos, influencers are commanding even higher prices because people know and trust them already. But how does someone get started there? Right. Because like you can't build that reputation without like I can never out content creates AI and computers. Right. Like I could just like, they can make us so much more. I'm like, I have to be really focused on, I want to make this thing and it's going to take me three hours. And what other thing am I not going to do for three hours?

1:02:10But then if I'm getting started today, like, where do you even go? It's, well, it's not about, I mean, quantity. You're never going to beat a machine on quantity, right? It's about your unique voice. I think the thing that separates influencers across the board, and we see this, like when When I place for a client, I'm not just looking for, can this person actually reach this number of eyebrows? Obviously that is important, but it's, are they, are they experts in this specific niche? What is their voice? Are they trusted? Who is their audience and is their audience dialed in? Right. There are newsletters that you can go place a sponsorship in and get way more impressions than you can through Freeman and Forrest, but the clicks and the impressions are worthless to you.

1:02:55And so, you know, we really focus on high value, high impact impressions. You're really dialing into these are specifically the people who are either going to buy and or use your products. And full disclosure, like Emily, you've reached out to me to make content on behalf of someone. And I was never an expert for any of those companies. And so it was like, yeah, this doesn't seem to make sense. Exactly. Yeah. And so that's, it's really important to me to, to work on that and to make sure that that authenticity holds and that the the creators that we work with are going to be the best ones matched with each company that's that's the sort of magic of uh freeman and forrest matching your uh your hitch i'm a yenta yes that's cool i think we need more of this honestly i think that it is a challenge for brands i feel bad for some of the brands out there, they want to have the ability.

1:03:52They don't know how to do it internally. Maybe they don't even have the resources to staff up or employ that person or persons. And sometimes you need somebody inside the company that can think holistically and say, well, this exists, but I've got to put the work in. I've got to go out and interview all these different places. I've got to ask them for proposals. I've got to essentially learn as much as I can about every potential channel or content source. I hate to like label people as these, you know, just widgets kind of thing, but that's the truth. We get, we're in that, in that regard as well.

1:04:29You know, we get reached out to from folks and for us, it's really about, can we help them? And what is their, who are they trying to reach? Do we actually talk to the people they're trying to reach? Is their message clear? Are they in a mature state where that we can even apply help. They need help, but maybe they need to change in order for our help to be adequate. You know, like we can only give you attention. We can't give you the guarantee. Like Justin was saying, I can't guarantee this article goes somewhere. You still have to do the work being you, the brand, your landing page, your marketing, your product, who you are, your actual literal brand, not just your logo has to be where it needs to be to capture, not just simply get pointed to.

1:05:10Yes. And we have learned so many things that I wouldn't have even thought of prior to starting this business. But think about at a company, like I'll pick on the large companies who struggle with vendors. A cloud, to onboard a vendor to one of the major tech companies, six month process, takes forever. So to do that with 20 influencers is impossible. So for us with the larger companies, that's a huge selling point. It's like you write one check, we handle the rest for you. And then two, yeah, it takes an entire, this is a full-time gig. So unless you have a resource for a full-time role to actually scope out influencers, maintain those relationships, make the placements, look at scheduling, look at the type of content, you're not going to be able to do it because we're just experts.

1:05:58I mean, at this point, I know so many of the influencers, where they play, what plays well on their different assets. That is something I could have only learned by doing this 100 % of the time. And so, yeah, there's just, it's been phenomenal learning how this actually operates and the best possible ways to get the biggest ROI for companies. When you say assets, you mean like someone's social network, right? Like where they have a presence or whatever they reach people. Yes. So that's how I think of, like, Changelog is an asset, right? You all are influencers, but it's like a many-to-many relationship, right?

1:06:36But Changelog has many influencers and you all have different podcasts, right? Justin, you're associated with this and other pods and other sort of YouTube channels, et cetera. What assets were surprising to you that people wanted to reach or that you're like, because like, are people advertising on podcasts as much in 2024? Is it newsletters? Is it, I mean, I think that if people had text message access to everyone's phones, right? Like you guys had a group chat, like that would be like the most intimate sort of like, hey, I want to influence, like you're not influencing you, but hey, I want to tell you about this cool thing, right?

1:07:08Like that would be an amazing thing to have for people. But also on the other end, it's like, I have a blog and hardly anyone comes to it. So great question. And circling back to what Jared said at the very beginning, yes, proximity with text messages, sure. And too intimate, too fat. Like it's a violation at that point, right? And so So it's finding this balance. The assets that do the best are newsletters and LinkedIn. Those are the ones that get the highest number of impressions and specifically the highest number of click-throughs. So if you're working on something like getting someone to actually play with a product or experiment or sign up, that's sort of the path where you're going to go.

1:07:50On the other hand, there's awareness campaigns, right? There's companies that are doing amazing work, but they're primarily known in Europe or LATAM And so they want to come into the American market. And that's where you would see a lot more of just a brand lift and see sponsorships of podcasts and more things where you're not actually clicking through. That's not the primary goal. I'm way back on the concept of all of this AI slop has made humans more valuable. Like I'm just, as a human, I'm reveling in the fact that at least for now, that differentiating factor is like they can't copy that, you know?

1:08:31Like they can put out all the stuff they want to. But the robots cannot copy our actual humanity at this point. And so that connection is real. That humanity is real. And as much as if you are a content creator, the more human you can be, the more voice you can have that is you, the better off you are versus trying to churn, I guess, or to crank. Absolutely. Where you can't win that battle. Well, and it's let's take AI out of it for a moment. You know, a lot of times people, especially people who are just brand new, either to the industry or to actually sort of learning in public, they'll say, well, what's the value of my blog post?

1:09:11These things have already been written, but it's not written by you, right? We all come with specific points of view, specific experiences, personalities, you know, people who, who really resonate with me aren't going to resonate with others. And people who resonate with others aren't going to resonate with me. And I think it's finding your voice and really being true to who you are. That's the key to this, not trying to fit a format. I think people, and I'm seeing this a lot and, and I prefer not to work with them. It's like people will try and rise really quickly and build an audience very quickly through being kind of mean or cutting things down or people down, um, being like extra spicy.

1:09:53I think being an influencer, you want to be like jalapeno hot, not, not ghost pepper hot. And it just doesn't, it doesn't feel good. Not just for like brands, but like, these aren't people that I want to watch or be close to. because it's, it's like the emotion hacking, right? Cause like you need the engagement. So you play on people's emotions and the quickest emotion that someone will like engage with is hatred. Right. And they're just like, Oh, I hate this. I have to reply and I have to, it's like, Oh yeah, you could, you can hack your way into that to your blog post point though. I have so many people that ask me about writing and maintaining a blog.

1:10:23And I love encouraging everyone like go own a domain and write a blog, but you don't write for someone else. You write for yourself, right? It doesn't matter. It's been said a million times by other people. you've never said it and you need to say it for yourself. And you're writing the blog post that you can think through the thoughts and you could develop the rest of the idea and write slowly and be a little bored with it. Right. Like you have a bunch of drafts and you're like, I want to pick that one up again. Oh, I thought about that background process is finally finished. I can go finish that, you know, a couple of paragraphs and post it.

1:10:51So it doesn't matter who reads it and why, because you wrote it for yourself. Yes, exactly. And please, if you're listening to this, start a newsletter. I have so many placements and I need more. So please. please start things so I can sponsor them. I would really appreciate it. Thank you. That's a good call to action. Good to go. Yeah. It was a good call to action. Yeah. I was with you too, Jared, though, on this idea that the fact that AI exists in this slop mannerism, it elevates the actual human. And I think the for now is potentially key. The human in me wants to believe that, well, that a human-to-human relationship will always be more valuable than a human-to-machine relationship.

1:11:31Although I've seen the movie Her and I've seen how twisted people can get at some point in life. And you don't know you're twisted because you don't have perspective. You just live in a modern world and modern world is however modern world is. And so acceptability is skewed based on societal acceptability, not just simply morals. Although there's always that outlier or outliers that direct back to the moralistic ways. But I'm happy because that you still require – you can have AI give you a plan. You can have AI give you a list. You can have AI give you slop and or tons of stuff to edit down. and I think for now you can't have AI give you the humanity to initiate engage and be the human in the world you still need someone to not just be like oh this is how you market but more like this is how you connect the dots and the dots are the problem sets with the people with the problem with understanding the pain and and not just simply coming at it straight but more like from a different angle that only humans can do because we think so multifaceted that we see a problem differently then it's not just like oh here's here's problem here's solution connect it's so much more unique than that in the way that you hear somebody's story or a brand story and where they're at and how to get them truly connected with an audience to make that authentic connection it's such a such a magic art to do and it's such it's so hard to do but for some it's easy, but it's still so hard even when it's easy.

1:13:18Well said. Any final words, Justin, Emily, Adam, that was Adam's final words. That's why I didn't offer them to you. I figured those are your last word. Do you want to, you want some more words? We got three minutes. I don't, I don't think we have time for it, but I kind of disagree with what you said. You do. I think that a lot of blog post, right. It's going to be a blog. It's going to be something because there's so much just, there's so much just pattern matching that is just like, people don't realize that like there were patterns to exist. And I think one of the biggest things of AI has done is just like exposed a lot of those patterns.

1:13:49It's like, actually, it's not smart. It's not intelligent. It just matched the patterns from a bigger set of data. And she's like, wow, I found the pattern. Here you go. Here's the pattern back. And also I worked with and know a lot of humans that don't connect to the broader dots. Right. And in cases of like work and things are complex, but also in the cases of maturity and like my kids don't do that. Right. Like there's this like subset of like there are people that can connect the dots. And I love working with those people. I love learning from those people. But some of the smartest people I know remember what the world was like 10 years ago, right?

1:14:22And they're the ones that can connect the dots of, oh, we did this 10 years ago. This pattern is playing out again. And then we can just show you the way forward. And I think that those data sets exist and AI is able to remember 10 years ago better than a lot of humans. Whose team are you on? I don't know. I don't know about this one. But I think the human creator side of it is a lot about imperfection. And it's a lot about the things that like, hey, you said that wrong by accident or whatever. And people are like, oh, but you're not an AI. You didn't do it perfect. It's not a forgiveness thing, but it's like, I see your humanity in that you're still learning too.

1:14:58Right. And I'm with you because I'm learning that at the same time or I'm catching up or whatever. Humanity isn't about perfection. It is about sharing all the little imperfections along the way. I will leave you with what I always tell people. You know, when we look at the perfect people on Instagram or whatever else, the perfect bodies, the perfect hair, the perfect makeup, perfect families, et cetera, et cetera, we don't actually bond with them. People bond with other people over struggle and realness. And I always think of it as clay. When you're making a teapot, you have to scratch the surface of each side before you put the pieces together and have them actually join each other.

1:15:43And I think to your point, Justin, that sort of real, authentic humanity is what allows all of us to come together and to really form those relationships. And that is something that is just impossible to replicate outside of our very broken, emotional, beautiful human experience. Well said. Team human is going to win because Emily said it best. All right, that's our show. Thanks, Emily. This has been awesome. Justin, bye, friends. Bye. Bye, friends.

1:16:22Okay, so it may have taken us too long to find our way to the main topic on this one, but we had a lot of fun along the way. So maybe that's not a bad thing. Part of me thinks these windy, laugh-filled conversations are exactly what ChangeLog and Friends are all about. And the other part of me is like, give the people what they came for, which is hard won tech focused knowledge from people who really know their stuff like Emily. What do you think? We would love to hear from you. Let us know in the comments. Link in the show notes. Here's a deal. During the month of September, I'm trading ChangeLog sticker packs for thoughtful five star reviews or blog posts about the pod.

1:17:01Write something nice, screenshot it or didn't happen and send it to Jared at ChangeLog.com That's J-E-R-O-D at changelog.com with your mailing address. And I'll send you those stickers. Let's do it. One more thanks to our sponsors on this episode. Sentry, Fly.io, Paragon, and Coder.com. And of course, to our beat freaking residents, Breakmaster Cylinder. Thank you, BMC. We love these beats. Next week on the Change Log. News on Monday. Eris Zuckerman talking ergonomic keyboards on Wednesday. and another awesome, but currently TBD, episode of Change Login Friends on Friday. Have a great weekend.

1:17:43Leave us a five-star review if you want some stickers. And let's talk again real soon.

From the publisher

Emily Freeman joins the show alongside our Ship It co-host, Justin Garrison! We hear Emily's burnout story & learn how she and Forrest Brazeal are putting tech-focused influencers on tap. But first: area code turf wars, bad movie reboots & buying used DVDs... at Starbucks?!

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