An Honest Review of the Dude Perfect App

12 Oct 2023 · 48 min

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In short

The Colin and Samir Show - Episode Summary: An Honest Review of the Dude Perfect App

Podcast Overview

  • Hosts: Colin and Samir, YouTube creators and podcasters
  • Focus: Discussing the creator economy and recent trends in digital content
  • Release: New episodes every Monday on Spotify and YouTube

Episode Highlights

  • Main Topic: A detailed review of the Dude Perfect app and discussions surrounding the future of creators.
  • Other Topics:
  • Insights from an interview with YouTube CEO Neal Mohan
  • Addressing audience feedback and criticism

Key Concepts and Discussions

  1. Review of the Dude Perfect App
  2. Launch Context:
  3. The app is available on mobile and TV, aiming to create a dedicated content environment for their audience.
  4. Reflects a trend of creators “unbundling” their content from broader platforms.
  • Bundling vs. Unbundling:
  • Bundling: Traditional media offered via packages (e.g., cable TV).
  • Unbundling: Consumers can now find specific content without subscribing to full packages (e.g., YouTube).
  • The emergence of apps from creators like Dude Perfect indicates a potential shift back towards bundling as creators attempt to centralize their content offerings.
  • Target Audience:
  • The app is particularly appealing to younger audiences, providing a trusted environment for parents concerned about content on platforms like YouTube.
  • Offers unique content like bloopers, shorts, and early video releases, which can help foster a dedicated user base.
  • Advertising Opportunities:
  • Future monetization strategies may include advertising partnerships directly with brands and possible premium tiers for exclusive content or live sports.
  1. Creator Economy Insights
  2. Dude Perfect as a Role Model:
  3. The app signifies a shift in the creator economy, where creators become akin to traditional media networks (e.g., ESPN, HBO).
  4. The idea that as these apps grow, they might start to include other creators and sports programming, blurring the lines between traditional media and creator-led content.
  1. Reflections on Interview with Neal Mohan
  2. Experience:
  3. Colin and Samir express excitement and gratitude for the opportunity to interview YouTube's CEO, emphasizing their journey as creators.
  4. They note the importance of the relationship between creators and the platform, highlighting the need for clear communication from YouTube regarding monetization and creator support.
  1. Audience Feedback and Course Development
  2. Criticism on Course Offering:
  3. The hosts address negative feedback about their course plans aimed at teaching creators about brand partnerships and monetization, indicating that it is not intended for new creators but rather for those already generating income.
  4. They acknowledge the skepticism surrounding paid courses in the creator community and emphasize the need to focus on delivering value.
  1. Challenges of Creator Collaboration
  2. Creative Dynamics:
  3. The hosts reflect on the dynamics of their partnership, acknowledging the pressures of running a growing business and the need for balance in their creative output.
  4. Context-switching between different tasks and meetings can hinder their ability to maintain high energy and flow during recordings.

Key Takeaways

  • Creator Ecosystem:
  • The launch of dedicated apps by creators signifies a shift towards personalized content environments, where creators can exercise more control over their narratives and monetization strategies.
  • Value of Audience Trust:
  • Building a trusted brand is essential, especially in the context of children's content. The Dude Perfect app aims to provide a safe viewing option for younger audiences.
  • Navigating Feedback:
  • Engagement with audience feedback is crucial, especially when launching new products or services. Understanding audience segments can prevent misunderstandings regarding content offerings.
  • Commitment to Community:
  • Colin and Samir emphasize their commitment to creating valuable free content while exploring monetization through courses tailored to specific segments of their audience.

Conclusion This episode encapsulates the evolving landscape of the creator economy, focusing on the strategic moves being made by influential creators like Dude Perfect. The discussions highlight the importance of niche content, audience trust, and the challenges faced by creators when scaling their businesses. Colin and Samir provide valuable insights into their creative process, feedback from their audience, and their future plans in the creator economy.

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Transcript

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0:00The Colin and Samir Show is supported by Microsoft Copilot. This is something I thought I would never say, but can I share with you my favorite prompt? I mean, like when you say something like that, I have to say yes. Were you going to say no? No, but okay. Just let me hear it. So when I'm researching for a guest or I need to know a lot about a subject matter, I say, make me a podcast about. And when you do that, you're going to get a short blurb about that subject. And then in like two minutes, you're going to get a podcast. So check this out. Welcome to Co-Pilot Podcasts. Picture this, a guy working the front desk at a hotel, making lacrosse videos in his spare time, completely unaware that he's about to become one of the most influential voices in the creator economy.

0:38Today, we're diving into the remarkable story of Colin Rosenblum. Wow. Did you pay it to say that? That's crazy. That's very kind. It's crazy, but it's my favorite way to learn about a subject matter. I'm learning about so much more now that I can turn this research into like a seven minute podcast that I can listen to just when I'm walking. Did you tell it that I worked at the front desk of a hotel? Dude, the prompt is just make me a podcast about Colin from Colin and Samir. That's it. I may be biased, but I'm on the edge of my seat. I'm hooked. So if you guys haven't checked out Copilot, check it out.

1:10Try it for your research. Try it for getting variations of your titles, your ideas. It's one of my favorite tools on the internet right now for our creativity. And now back to the show. What's up, everyone? Welcome to this episode of Creator Support. On today's episode, we talk about the new Dude Perfect app. Give our honest review and explore what it means for the future of creators. We also reflect on our experience interviewing the CEO of YouTube. And we address some criticism that we got from our audience. All right. If you make it to the deep end, let us know. All right. Our first question comes from the subreddit from GotYamYati.

1:47There we go again. That's why we stopped reading the names. That's why we stopped reading the username. From the subreddit. Okay. The question is, Dude Perfect app. Would love to hear CNS's thoughts on the new Dude Perfect app. Has anyone looked into it? So when we first started this career on YouTube, there was two terms that were brought up all the time, bundling and unbundling. Now, I'm going to explain what that means. So when YouTube first came about, when people started moving content to YouTube, basically the conversation was around the unbundling of content, meaning that when we were growing up, you had to buy a cable package to watch anything, right?

2:22So if you wanted ESPN, you bought the sports package. You had to buy all these other sports channels, the tennis channel, all these channels, so that you could watch the sport you wanted to watch. That was called the bundling of content, typically done by cable providers. As we moved into streaming, everything started to get unbundled, right? So now on YouTube specifically, you can watch a specific piece of content that you want to watch. You don't have to buy a big package to watch what you wanted to watch. Also, we have Disney Plus, we have Paramount Plus. Like every studio and platform wanted to have their own home with their own content that they could charge for.

2:59Right. So over the past decade, content got unbundled. Progressively, like over time, just got more and more unbundled. Now we're starting to see that unbundling take shape in a way that creators like the Sidemen and like Dude Perfect are even launching their own content environments. Dude Perfect just launched their own app. It's available on mobile as well as on TV. And - Are you telling me that creators are unbundling themselves? No, I'm not. I mean, I guess maybe, but - Sounds like you are. I think what they're doing is continuing to push the agenda of the unbundling of entertainment to a point where potentially we are going to soon at some point reach peak unbundlement.

3:45Unbundlement, okay, got it. and have to rebundle things to be able to access content. Because essentially now you're paying for so many different subscriptions and finding content in so many different places that it might just get too much. Okay, so what you're saying is fast forward to the future, right? Right now, Sidemen have not unbundled themselves, but they put themselves in their own environment. Dude Perfect has put themselves in their own environment with this app. What if other sports creators start to do that? You have all of these standalone apps, creators who've been unbundled, take those creators, bundle them back together.

4:19That's right. And there's like a sports. I'll buy the creator sports package. I'll take a little bit of Dude Perfect. I'll take some Jesser. I don't think it'll be the creator sports package. I think that'll just be a sports app. Like the Dude Perfect app will be potentially the kids sports app. So let's take a step back and explain it. You know, like what is the Dude Perfect app? Actually, before we get there, Let's talk about what we did this weekend. We held a brunch with a ton of creators and Discord in West Hollywood in one of the nicest homes I've ever seen. Yeah, it was really great. Like a beautiful location.

4:56It was awesome. So this was in celebration of Discord officially announcing server shops that are available now. If you have your own Discord community, you can now sell products, digital downloads. Ever heard of my font? Exactly. We sell Colin's handwriting in our server shop. Actually, the second highest selling product in all server shops in the beta. How about that? Pretty good. Also, I think the next highest requested font is yours. Right. Also pretty exciting if you look at the charts. That's true. But I don't even know what my handwriting is. Every time I take pen to paper, it looks totally different.

5:30Not only does Discord have server shops, they also have server subscriptions, which offer creators and community builders an opportunity to create private channels. You can offer private Q &A sessions. It's just a really great opportunity for creators to offer more to their audiences and create monthly recurring revenue for themselves. Server shops are now available to everyone. So if you run a Discord community, click the link in our description, learn more about how you can launch your own server shop. And thanks to all the creators who came out to our Discord brunch. And shout out to everyone in the Discord.

6:01As of today, the day that we're recording, we have 9 ,111 members in the Discord. We're almost at 10K. Almost at 10 ,000. That's pretty amazing. You know, that though is another example of the like creators, you know, building their own environments for their communities. And just to come back to the Dude Perfect example, I actually think this is a really significant moment for the creator economy with the Dude Perfect app. So the Dude Perfect app is available on mobile as well as on TV. Uh-oh. That's a big deal. Now, when I first saw that this was launched, my immediate thought was, wow, that's really smart because Dude Perfect speaks to a young audience.

6:41And as more and more content gets onto YouTube, as it gets harder for parents to trust their kids navigating YouTube, right? Like YouTube can recommend all kinds of things. Things can be made for kids that maybe aren't fully reviewed that, you know, potentially have some subject matter that isn't great for kids. But if a parent's like, you know what? I trust the Dude Perfect brand. I like the Dude Perfect brand, you are allowed to watch the Dude Perfect app, not the YouTube app. That is a very significant thing that Dude Perfect just did to say, hey, this is a trusted app for you to watch good for you sports content.

7:19And it makes so much sense because it's a big part of their brand. When we were hanging out with them at the beginning of the year, they said that their mission statement was to be the most trusted brand in entertainment. Right. This is exactly in line with that. Create an even more trusted location. Right. Where you as the creator control absolutely everything, take full responsibility for all of the content in there and create the safe environment that fits with your brand. And now when you think about the opportunity, so right now I have the Dude Perfect app up. There's a homepage where they have, you know, content in here.

7:51There's also exclusive content. There's Dude Perfect app exclusives, which is like bloopers, extras. One of the most interesting things is that it's kind of like YouTube where there's a shorts feed. and you can actually swipe through a shorts feed of Dude Perfect Shorts. You can also then go into playlists where you have their most viewed videos. There are different formats. We're talking longs. We're talking long form videos. There's anything from four minute videos all the way to 40 minute videos that you can watch. They're segmented by type. It's a very interesting environment where my anticipation is that there will be advertising that supports this app.

8:30Yeah, because right now it is free. It's free. And when you join, you have to identify if you're youth or an adult, right? So if you're young, if you're, let's say, 12, 13 years old, likely there won't be advertising or it'll be a different environment. If you're an adult, you can be advertised too. Now, I think what we'll see is unique advertising that they can sell themselves, right? So let's say Coca-Cola wants to do a deal with Dude Perfect. Dude Perfect is going to have YouTube programmatic advertising that's run through Google and YouTube, right? But if they want to sell a specific campaign, okay, Coca-Cola is doing a specific campaign with Dude Perfect, they can take over the app.

9:10That's really valuable. Now, additionally, I think there's going to be a premium tier where you pay a monthly fee, but my anticipation is that's going to be for live sports. I think the opportunity here is that the NBA, the NFL, all who are trying to attract a younger audience as dude. Perfect has a young sports enthusiast audience in a dedicated environment. There'd be an opportunity to stream live games into there either while dude. Perfect is watching or just stream them into there. You know, it could be different commentary. Could be dude. Perfect commentary. It could be like more fun commercials in the middle of them that are more relevant to kids.

9:49There's a lot that can be done here just by aggregating and segmenting their audience to here's the people who are watching the Dude Perfect app. Yeah. Right now, the value prop when you watch the opening video is that you can get, yeah, bloopers behind the scenes, but they also say that you can get the videos early. Yes, that's true. That's a huge part of it. It's like, if you're a big Dude Perfect fan, this is a free place to get early access because normally that's reserved for like a Patreon or a membership, right? Normally people pay for that. Yeah. That's a huge value prop that they just included.

10:19And like you were saying with live sports, there's so many other places this app can go. But the most important thing I think is how they launched it. The fact that it's free, it's safe for parents and for kids and viewers, it's early. Like that's a no brainer. So are there any downsides to launching this app for a creator like Dude Perfect who has the scale that they have where it's amazing to me how successful they've been for as long as they've been on the platform. They do not, there's no like decline in the dude perfect brand. It's only gone up over the past decade where it's just like every year it feels like that brand continues to increase in value, increase in visibility and increase in strength.

10:59What are the downsides of creating your own app environment? I don't think a downside is going to be a decrease in viewership on YouTube. Right. Right. I think no matter what, they're probably still going to find a lot of scale algorithmically on YouTube. Yeah. I mean, what's the average viewership of a Dude Perfect video right now on YouTube? I would guess right now somewhere between 10 and 12 million. I'm looking at it. It's between six and eight million. OK. OK, so six and eight million. So let's just say a million people go over to the app. That'd be a huge win. That'd be insane. A huge win, right?

11:38A million people not watching on YouTube. It is a lot of people, but I think the difference between, you know, between six and eight million and five and seven million is not that vast on YouTube. You know what I mean? Yeah. Like if they, if they actually did lose a million people watching regularly on YouTube, which is unlikely, that wouldn't have that big of an impact, but it would be a huge impact to have an app that has a million monthly active users. Yeah, it may be more impactful and more beneficial because you can message to the people who are the most engaged. It's a more specific grouping of their audience that they'll know what types of things they would want to buy, what they'd be interested in, and what could be advertised in that environment as opposed to like the more general YouTube environment.

12:24The big question, and you mentioned this before, the big question for me is do they start platforming new talent inside of this app? Are we going to start to see the next generation of, you know, young sports creators get shows on the Dude Perfect app? Talking a little bit of bundling here. Yeah. I mean, we're talking about like Nebula, who we talked about before, right? They're operating programming in that app. They're picking up shows to play in their app. Dude Perfect can easily turn to other creators and quote, unquote, buy shows, buy programming. They can even buy early releases, right? They can say, hey, you know what?

13:02Give us your episode a week early before you put it on YouTube. I don't know if they would go that route. I think they would create original programming with new talent, but I don't know if they would take other creators and bring them in unless they know for sure that those creators, their goal is also to create the most trusted brand in entertainment. Like to be, to maintain that safe environment. The question is though, can you get athletes, can you get athletes to shoot, like can you make a show that includes pro athletes that Dude Perfect doesn't need to be in, but follows some brand ethos of Dude Perfect?

13:35Can you get, you know, the Kansas City Chiefs to do a trick shot video, right? Why the Chiefs? Because they're the best team in the league. Travis Kelsey, Taylor Swift. Yeah. That's why. Yeah, then you're gonna get a lot more app users. But yeah, you get them to do a format, right? I'm just thinking about this in the context of they kind of just launched their own TV network. So yes, they've become unbundled. But does this become a bundled sports app where you pull a bunch of stuff? Is everyone listening and watching following the bundle and unbundled? Do you know where we're at right now? Definitely.

14:05We're somewhere between bundle and unbundled. They're definitely following. Okay. So there was a more mainstream entertainment comp that happened this week as well that I think people should look into, which is Max, previously HBO Max, just added Bleacher Report as a brand into the app that at$9.99, you can pay for a live sports package within Max. That I think is a important thing to start watching of saying, okay, it is happening. We are starting to bundle these things back up. And the bundling is important, but the live sports component is additionally important. That I think live sports will become one of the most valuable programming pieces in the coming years, especially with the rise of AI, with the rise of like homogenous content, like that is going to be something that I think the leagues are going to go, the rights can go into all these different places.

14:59Yeah, so let me connect that for everyone. The AI and the homogenous content, the reason that sports will become even more valuable is because it will become one of the very few absolutely verifiably human real things that's unscripted that you're watching. In a sea of things that are made with AI that are somewhat artificial for a number of reasons, live sports is like the one thing that will remain human, unscripted, verifiably. This is not AI. This is human. There may be like augmented reality experiences that go along with watching sports, but whatever happens there, that's what happens. So, so far in using the Dude Perfect app for a total of one day.

15:42I am very impressed with it. And I think it represents a bigger shift in the creator economy right now of moving your audience into a specific environment. And these businesses like the Sidemen and Dude Perfect will likely become the TV networks of the future. Like they have the opportunity in 10 years to be the HBO, to be the ESPN, right? Dude Perfect will become the ESPN of the future. And that will start by saying, come off platform and join this dedicated environment that I have now. Now that I have my own network, I can add programming to this network. I actually think it's the beginning of them creating their own little studios and offerings that will eventually end up getting bundled into packages like with ESPN Plus and with other streamers.

16:31True, true. There's already, especially in sports, there's a meshing of like Pat McAfee, right? It's all over ESPN now. Right. Like I think if anything, in sports seems to be happening first where like creators are building really powerful audiences and then like getting, finding ways to collaborate with traditional networks. It'll be interesting to watch. I do think it's like, if you have not subscribed to some of these or just like download the Dude Perfect app and just play around with it because it's interesting to start to see where all this is going. In our conversation with Jordan Schwarzenberger from The Sidemen, you know, he said Side Plus was the biggest revenue driver for the company.

17:08that's really significant to start to look at right now. All of this to say, you know, we did release our interview with the CEO of YouTube this week. And it's interesting that we asked him about this concept of like, why not have some of these alternative monetization options within YouTube? Where like, why is it, they do have these options, right? But it is very expensive for us to launch membership on YouTube. But he was talking about how he likes that the home of these creators is YouTube. They will always have to use YouTube to drive discovery for these platforms. Yeah. I think for me, it just shows that advertising on long form content is clearly without a doubt, like the bread and butter of YouTube.

17:53Yeah. And any really strong push in a direction towards like channel memberships or even really deep into like live streaming is potentially hurtful to the bread and butter of the business. Yeah. So like it's the offerings there. You can do it. Yeah. But it's clear that it doesn't fully fit into the business model. And if it was too successful, it could hurt the business model. Lessons here. Creators, own your content so that it can be placed in other places. Right? Like when you do bring it into an app, make sure you own it and you have all the rights to it and everything. and also like bring your audience into your own environment.

18:33I know I just said that, but like that I do think is getting increasingly important. Like our newsletter, our Discord community, like bring your audience into other environments. All right. Before we move on to the next question. Yeah. I do just want to take a pause and acknowledge the interview with the CEO. I know we just talked about it, but like reading the comments, it was crazy to see. I read a comment from Tucker Pierce who has been watching our videos for years or maybe over 10 years. Yeah. And to see a comment from him on that video this many years later and to think that people have watched so much of this evolution is crazy to me.

19:08And that interview could feel like a part of just a bigger trip because it was. We did a lot of other things on that trip. It's easy to overlook it, but it's a huge milestone, I think, in our career and what we've been doing. It's the first time we've done anything like that. Of course. Yeah, it's crazy. I said this over the weekend I was speaking, and I said this, that it felt like for a very long time we loved the platform and it didn't love us back. And it's a very surreal experience to feel loved back. And this is an example of that, of getting the opportunity to sit down with Neil, to be the guys that are trusted enough to have that opportunity, I think is like, it's It is a testament to like us working really hard at this.

19:58But also just like the moment in time, it is like, I'm so grateful for that opportunity. That was crazy. Like that was a really cool opportunity. I was way more nervous than I anticipated. Yeah, and we only had about an hour. Yeah, which was scary and intense. Yeah, this is different because when you do this interview, you know that not only, you know, our audience, all of you will be listening and watching, it will be new creators who are like, oh, I don't really know Colin and Smear maybe, but I'm going to, of course, I'm going to watch this one. And then you have people just in the tech world.

20:27And then maybe some people even like in the finance world, like this is. Yeah. And there's no way to do it in a way where everyone thinks you did a great job, right? Like that's just impossible. I knew that going into it. It's like, you're going to sit down and people are going to be pissed about what you didn't ask. People are going to be excited about how you did drive the conversation. And what was really nice was as we got into it, like Neil was very easy to talk to. You know, there's obviously stuff he can't say and can't talk about. But I thought as we got into like giving feedback to him and actually talking about products, the conversation was really fun.

21:02I think also for us as creators, we got to build a deeper relationship with him and have different context on the CEO of YouTube. It was just like, I don't know, man. It was a surreal experience. It's a real experience to think about, you know, when we started to be like, oh, one day we'll sit down with the CEO of this platform. That's crazy. Yeah. In the last couple of years, I thought it would happen, actually. I just thought it would be Susan. Neil came out of nowhere. Yeah, yeah, yeah. I think it became an aspiration for me when Casey did his interview with Robert Kinsel, who at the time was the chief business officer of YouTube, who we also interviewed on this podcast.

21:36I remember Emma visited the YouTube offices and had Susan on the channel, and then Susan showed up on a couple of other channels. Yeah, I want to acknowledge Ludwig's interview with Susan because I think Ludwig paved the path for like that CEO interview and tonally being the most himself in that interview of being like, I'm not going to change my tone. I'm going to be Ludwig. And I think he did an excellent job with that and got to like really good questions. Yeah. Which the tone was a concern of ours. Yeah. We wanted to make sure that it was clear that we are creators and this guy is the head of the platform.

22:12not, we're not like journalists in the traditional sense. Yeah. Yeah, totally. And we wanted to represent creators at large, which is hard to do, you know, like wanting to represent the interests of, of creators at large and our own interests. So let us know how we did. It was fun. Interesting. Hope to do it again. And also we got AB testing, Colin. We talked to, we talked to Neil about that, Yeah. But, uh, we ran our first to be specific ABC test. Cause you can upload three thumbnails. Um, calling it an ABC test to me is like calling Twitter X. I'm just like, well, it's an AB test. You, you, oh no, I tweeted that.

22:54Yeah. Okay. Yeah. I tweeted ABC testing. Yeah. Look, I'm not guilty. Sorry. I X'd it. I used ABC and Slack, but I didn't like it. Yeah. Yeah. I've been pushing that. I've been like the annoying guy correcting everyone. Yeah, putting like an asterisk. Yeah, yeah, yeah. It's ABC. So we ran our first ABC test. And it was really interesting to see because this morning I started logging into YouTube on different accounts and seeing different versions of the thumbnail. And then at one point saw a very consistent version across all three accounts. And that was the one that won, quote unquote, I guess it's the winner.

23:25Yeah. The thing I really like about this is that it is based on watch time. I think that's like incredibly important. the variance from the lowest performing to the highest performance is significant. So we had one thumbnail that I, that was my favorite thumbnail. I thought it represented our brand the best. That was the worst performing. It had 30 % watch time. That was my favorite thumbnail too. Yeah. I just thought it was, it represented our brand the best. One that I knew would probably drive clicks, but it didn't feel as connected to our brand. That was the best performing at 36.7 % watch time.

23:59So really interesting to see. I think the future of this tool, like how we'll use it, I could see us continuing to use this. I like this. Obviously, we should be 100 % happy with all three because you don't know. I wonder how this is going to change. Does it keep running? I'm not sure. I think we can issue a new test if we want. Yeah. I'd be interested to see after day one, how does it change in week one and week 1.5? Yeah, and what we're going to start doing is issuing on even other videos, past videos in our library and creating new thumbnails and seeing if we're able to increase watch time.

24:34So I think the most interesting thing, and we talked about this with Neil, is when this becomes AI generated. When these are automated, where it's like, here's kind of the text, here's some of the assets. Here's kind of our brand book. You can imagine a Canva-style interface where it's like, hey, here's the font I use. This is the yellow background we want. Right, we can have YouTube buy my font from our service shop. of text. We want one, whatever. Yes. Generate something. Here's the images. Yeah. Generate based on the users. So then it goes even more hyper-targeted. Which is very Netflix. It's very Netflix.

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25:06Yeah. Which is probably the future. Or thumbnails get removed altogether. Who knows? I hope they don't. Yeah. Yeah. I think what makes YouTube hard is what, that's what makes it great. Yeah. This question comes from Boya, a rare sighting in the Discord, a LinkedIn creator. You know how on our Discord you can put what type of creator you are? Does that mean we get more months of spring or something? It's like Groundhog's Day. Like we saw a LinkedIn creator. Desi, feel free to play cricket sound effect. All right, this question comes from Boya in the Discord. He says, what's your biggest bottleneck in terms of business organization?

25:45Curious to know what you guys struggle with the most. Sorry, read that again. I was just replaying the joke back in my head. He's asking what the biggest bottleneck is in our business. and I think that's consistent with all creator businesses. It's the creators and it's their time. And I think that multiplies when you have two people. Yeah. The biggest bottleneck is time and focus and those are connected. So when you have two people, you have to organize two people's times and you both have to be, we both have to be very aligned on what's the most important thing to get done today as a unit and individually.

26:23And then we are the bottlenecks to everything else. Like if we decide, which tomorrow and the next day are going to be 100 % based on our course, which we'll talk about in a second, that now pushes out anything else that needs to get done in those two days can't happen. So other members of our team have asked for meetings to make some decisions on other things. And it's like, no, that's not possible because we need to focus on these things. So that creates the bottlenecks, right? Anytime we've been with any other creator, it's the same bottleneck. Hey, can you review this edit? No, I need to focus on this right now.

26:55So now that person's waiting. You know, the editor's waiting. It's a trade-off because when it was just you and I working together and there were no employees, there was no real bottleneck to coming up with the idea and shooting. There was a huge bottleneck to post-production. It was really, it would take forever. It was really inconsistent. That's eventually where teams started to come in. And then as you add more team and you diversify revenue and what you do, now you become the bottleneck for the idea and for the production. And for the feedback. And for the feedback. If you're not available for that team member.

27:30Yeah, it all comes down to decision making, right? Like the creator has to make the decision, the final decision, unless you've given full autonomy to give final decisions to other people. And no matter what, I think like that, that is the bottleneck. It's the decision making and that is connected to time and focus. Where do you need to focus on a day-to-day basis? also depends on how many weddings you have to attend. Well, I think it gets, the bottleneck as you get into your 30s also becomes like family, which is time. Yeah. Yeah, it's time. But it's like weddings and like next year. And deciding what you want to eat for dinner.

28:05Well. Really is like, that can be a bottleneck that lasts forever. What were you going to say next year? Yeah, next year we're already working with this bottleneck and this challenge of time because of my brother's getting married, you're getting married. you have other friends getting married like basically there we like there's a question of like should we just shut this all down because we basically have no time or should just we just be here next year to support other people's weddings in my wedding yeah i was reading uh or it was david perel the the writer he was talking about how his default is no to everything even close friends weddings wow yeah and i i gotta find the clip because i don't want to misquote him, but it was there.

28:45I watched it and I was like, that is true. That is how you build your thing. That's the only way you actually build a compelling business. But then you're also the guy who doesn't go to weddings, you know? And that's like, I don't know. It's hard to grow. Like every, all of our peers are like in their twenties and they don't have to deal with going to weddings. That's true. You know? Yeah. Stay tuned to Colin and Samir next year as we have to go to a lot of weddings. We should talk to like Rober and Rhett and Link. True. You know, those are the people to talk to of like our contemporaries. I'm like, Hey, how are you guys navigating going to weddings and building this business?

29:19Um, okay. Let's talk about, uh, some criticism we received last week. So it's really interesting. We, you know, are building a course we've talked about building a course business. We've talked about education being the like merch that we want to launch or, or like essentially like the extension of our business, what makes sense for us is to start launching education. We're passionate about curriculum. We're passionate about changing how education is done. We're passionate about this community and releasing more education into this community. So we've spent now, it was pretty amazing, one year writing curriculum because we want to make it as valuable as it can be.

30:01But spend a year writing curriculum on how we've built our brand deal business. How do we work in the advertising business and the creator community? How do you attract a brand partner? How do you build yourself into a commercially viable YouTube channel that can actually get brand partnerships? How do you negotiate those? What does the negotiation process even look like? All of that, we've spent a year, we've hired people to help us with this. We've like put a lot of time, energy, and effort into this. And as we're getting closer to shooting it, we wanted to make sure we're aligned with the audience's expectations.

30:34So we created a very short kind of survey that nets you out into joining our wait list for the course so we could learn more about what the audience wants. Posted it on LinkedIn, you know, got a ton of people to do it. People were excited. Comments were like, this is awesome. Posted it on Instagram, got people, people started reposting it, being like, Colin and Samir, we're making a course, this is awesome. And at the end of the day, one of the days last week, I was like, oh, you know what? I've never put, I haven't posted this anywhere on our main channel. We're not going to make a video about it, but let me post it on the community tab.

31:05I was like, hey, everyone, we're building a course on creator business. You know, that was like a very innocent post. And immediately I started reading the comments and it was like, I like, I can't believe you guys are doing this. I have some of the comments here. Comment was like, wow, I like you guys. And I hope this isn't the end of your career. Yeah. Like, like really, really intense, just pushback on the concept of a course. Here's a couple of the comments just that we pulled. if people still buy YouTube courses in 2023, there's something wrong with all of you. While we know courses work, please keep the focus on your content.

31:40The majority of us are still here to watch you guys and have you guys bring interesting conversations and cover the creator economy. That has a ton of likes. No, I've never bought a course and didn't ultimately make that didn't ultimately make me feel scammed and stop following the creator entirely. they all ultimately just structure what they already have on their main channel for free and just make it make sense chronologically. If we can't do that, if we can already do that with what's out there, a course will not help us. That has the most likes. On the flip side, we have stuff that, you know, I'm so sorry you guys are getting such negative feedback on this.

32:17Just keep in mind, most of the people commenting are not your target demographic for this course. You've offered so much for free already and you aren't doing, and you aren't wrong for coming out with a paid product with the valuable knowledge you both gained over the years, speaking to some of the most influential creators in the space. I have no doubt you'll come up with an incredibly valuable course. You've got this. I actually haven't read that one. Thank you. That was really nice, Lola. I think I was too nonchalant in the way I positioned it to our biggest audience. I don't know how in retrospect to position it, but it was really important learning to recognize that A, what we're building is for a very hyper-specific audience within our audience.

32:56Ali Abdaal gave us the feedback when we interviewed him, he said, I don't talk about my courses on my main channel. And, you know, B, courses do have a bad brand in our space. Yeah. I was saying to you, I think in general, education is something that has been reserved for institutions and has not been as trusted with individuals because, yeah, you can't quality control everything. Yeah. Yeah. I would hope we've built a trusted enough brand that you know, and we're taking that really seriously. It's why we didn't just put one out immediately, right? We've spent a very long time crafting this because of that.

33:35So we want to make sure it's valuable. Um, it is not something that we will offer for free because I don't think it really applies to everyone. I think you have to want to invest in this to learn how to grow your brand deal business. To me, that is an investment. And that is saying your brand deal business implies that the majority of the people who will buy have a brand deal business. It may not be where they want it to be. It may be at the very early stages, but there is potentially for a lot of the people buying some money coming in from creating. A lot of the commentary, the negative feedback was around, you know, why would you guys charge new creators?

34:17And I want to be a hundred percent clear. That is not our intention at all. I actually, if you are a new creator, you're just starting out creating, this is not for you. This is not a product for you. This is for the professional creator who is making an income already, who has done some deals and is trying to figure out how to stabilize that and grow their business. We map out, and this is something that we should put out there. We map out the different phases of a creator career and show you which phase this is for. And that phase is for someone who is already doing brand partnerships, but trying to figure out how to grow that and move their career to the next phase of being able to have enough revenue to sustain themselves, to hire a team, to grow.

34:57And it mirrors what we did. And we're teaching you from our own experience of doing that. Yeah. And there were also one of the comments you read and there were others too about how they felt like this, they implied this is like the end of free content. Like keep the, keep what you've been doing, the conversations free. And that, that is the intention and the plan and it will not change. Yeah. There's no plan on, there's actually only a plan on, on, you know, potentially doing more free content, not less. So yeah, I thought it was interesting. You know, there's, there's no, uh, push to force anyone from our audience to take the course.

35:35Uh, this experience did change the way I think about marketing the course. You know, we do already have over 2000 people on the waiting list for the course. If you are interested in this, Again, I want to caveat that if what we just said sounds interesting to you, there is a link that you can click to, you know, input more about yourself and join the wait list. That is already more people than we anticipate having space for in the first cohort. We're going to do this as a cohort. And we do not plan to have more than 250 ,000, or sorry, 250 ,000, 250 slots in that first cohort. We don't plan to have more than first class.

36:14It's an intimate group of around 250 ,000 people. Of a quarter million people. Yeah, that's all. Yeah, you'll know your classmates. No, but we don't plan on having it go that wide. We want to start small. So it was very interesting learning. And I was humbled by the experience, but also felt like it was really important lessons. And even more important to think about how you segment your audience as a creator to go, okay, where are the people who are interested in that? Because I want to provide value to those people, but recognizing that like, if we make a main channel video that has 100 or 200 ,000 people watch it, the course is only applicable to like 0.2 % of them.

37:00So of course there's going to be people in there that are not happy with us feeling like we are selling them a very high priced product that is in the thousands of dollars. So totally understood, important lesson to learn. look, we get it. Heard. Yeah. Heard. And for those people who are on the wait list and are interested, that is exciting for me that we have a segmented group that is interested, you know, and I want to continue growing that group to learn more about them. The internet's just funny, man. Sometimes you drop something on a community tab or a tweet and instantly you're like, what did I do?

37:32Yeah, totally. It's funny that you just don't, like it was literally the, just like, oh yeah, you're right. I should post that survey there. All right. Posted. And then I went home and then I was just like, uh, I'm not kidding. Every time I tweet. I'm kind of like eyes closed. Oh, I don't feel that way. No, I feel it. I'm like, uh-oh. Here we go. Yeah. Okay, question for us. Honest question. This is on the subreddit. Does it seem like Colin and Samir have been beefing behind the scenes lately? That's it. Just seems like past few months there's interactions they've had on CreatorSport that seems like they're BTS beefing.

38:03This one's interesting because I feel like I said this the other day. It's like the only potential drama that you can really call out when there's two creators is like, these guys are at each other. Yeah. But I think there's a reality of the fact that we film this show pretty much once a week now. Yeah. And there are just times when we're lower energy, higher energy. I think also higher stress. Yeah. You know, there have been, as the company has grown, as the business has grown, it's not as easy to find moments of just pure flow, you know, of just like, we are sitting here and we're in flow, which is something that we need to address as a company.

38:44Like the challenge is we're the founders and the operators of the company. So we are under stress and pressure to grow and to run the day-to-day operations of the business. To sit down in chairs and have that levity, I'll admit this year has been harder. For interviews, not as hard because we kind of like base a whole day around like when a creator is coming in and that like gives us the space and presence to do it. But this show oftentimes is a part of a day that has multiple meetings, has different contexts that we're coming into. So it's probably – it's important feedback to take, but it's – There's so much more to get done this year and a lot more context switching.

39:25Yes. Which was something that when we got really busy and a bit overloaded and burnt out at times in 2022 was brought up to us of like, if you guys are going to record, you need to give time and space to context switch. Yeah. Like you can't just be deep in an edit and then all of a sudden sit down in a chair or on a business call or stressed talking about some decision. Yeah. And then be like, sit down in the chairs and expect to have a good recording. Right. Yeah. Context switching. Yeah. It's a challenge for creators. And I think what makes the creator operator different from another business operator is that you have to show up on camera and your energy translates on camera.

40:07um yeah i also think this year you know one of my intentions this year was to continue going to improv classes and working on the craft and i didn't do that and i just did sign up for improv which i'm really excited about um just back on the courts thing like just that as an example for me like i can learn improv for free there's a lot of free offerings but for me what i like is when I pay for it, I feel like an accountability to doing it. And I do think there's a ton of value to that, offering people an opportunity to become accountable, to join a community of people doing the same thing. So just all that to say, like me signing up for improv and just paying for it and being like, now I'm committed to this thing.

40:53Yeah. It feels like there is so much value to that. I was watching an interview with Sean Evans from Hot Ones that was released like last week. And he was asked like a pretty fluffy question just of like, why do you do this? Or like, what's the meaning of the show? And he was just like, I just want people to like, when they're sitting at home by themselves, like be able to like smile, get a laugh and learn something about these people. And I was like, oh, that's actually like, as general as that sounds, I was like, that's actually what I also want. And actually like, I want people to learn something, but I think what I enjoy the most is knowing that people like smiled or laughed.

41:33You know, I think in the early stages of our channel, we didn't have as much to teach. So it was more like maybe smiling or laughing was like some of the impact. And I think for me, that's what I enjoy the most from the creators that I watch. It's like sitting at home and like having Cody Ko make me laugh. Right. And you just start to feel less alone. And hearing Sean Evans say that, I think literally yesterday, I was like, oh, I think I'm going to approach this recording today a little bit different because I think one of the most important things that I haven't forgotten, but want to emphasize is like making everyone who's listening and watching feel like they can like smile or laugh.

42:09And then it's not just like serious curriculum all the time. Yeah. That's why you tried the groundhog. That's why I'm trying. Yeah, yeah. I'm just shooting out some jokes here and there today. Thanks to Sean Evans. All right. This question comes from Eleanor Conway. I've grown my Insta by 120 ,000 in less than a year doing blunt, funny street interviews with strangers. I'm a UK-based comic in London. I want to grow this idea into a monetizable format, and TikTok and Instagram is just not doing it. I want to start booking guests and broadening the chats a bit. I don't know whether to do it in a YouTube interview series that's five to 10 minutes long, or to just jump into a video slash audio podcast.

42:48I feel it's easier to build podcast revenue, but there's loads of podcasts out there at the moment. Interesting. So this is going to be a very consistent problem that we face where people have grown audiences on TikTok and Instagram. And now they're like, but how do I make money? Right? Like that is going to become a consistent problem. JackCoin and TrackStar, if you guys haven't watched that show, just type in TrackStar to TikTok or Instagram. That is a great example of a monetizable short form format. format. If you're building a short form format, I think you do have to think from the beginning, what would be the potential advertiser in this?

43:31Is there an industry to support this piece of content? Because track stars in the music industry. Now what's happening in the music industry is we need new DJs. DJs introduce us to music. When we were kids, you listen to the radio, you heard a new song because the DJ played it. So who are the new DJs? It's Tube Girl, right? Who, if you haven't watched on TikTok, you should check out. She dances in the London tube very unapologetically and in this cool way where like the wind goes in her hair. It's like just very fun to watch, but she is introducing us to new songs. Jack Coyne, same thing, introduces us to new songs as he's doing his trivia show.

44:08Also can introduce you to an artist's new song. He had Ed Sheeran on, he had Olivia Rodrigo on. The question is, if you're just doing generally funny things, you're too broad and you can't monetize that format. Can you niche down and just say, if it's working on short form, I do funny interviews with who? Yeah. Right. Ideally, you're representative of some sort of community or industry. Right. I remember you gave a piece of advice to a friend of ours who was looking to like break out on TikTok. You were like, just make one every day, make something every day. Finally, he made something about rock climbing.

44:41He was like a passionate rock climber and a member of that community. And that's what translated. And then he was able to like double down from there and make more short form videos about the rock climbing community. Right. And that is actually kind of what you need to do is like instead of thinking like broad general audience, start by thinking a little bit more niche. Because even like rock climbing or when we were doing lacrosse, you think maybe it's a smaller community. Maybe there's not that much opportunity there, but there actually could be. There are brands and there are companies to support so many different smaller industries.

45:13Can you do a format where like it's funny interviews, but you like bring a product that you bought from Amazon and like have the other person like describe it or review it? Is that fun? Is there a way to make that funny? Because then all of a sudden you say, okay, instead of this product, you can pay to be the product that we're reviewing, right? Like there's just, are there ways that you can build a format that actually is monetizable from the start? Because I think the world of saying just build an audience and figure it out is getting challenged significantly. Or just build an audience and then start a podcast.

45:42Yeah, that's hard. That's not a direct link. Yeah. Because when you're doing short-form content, you're betting on kind of reaching this broad mass audience. Also, your ask is very different. Jack Coyne's ask to Ed Sheeran is very different than if we asked Ed Sheeran to do this show. Jack's, hey, can I have 25 minutes of your time? Maybe 20 minutes. Maybe 15 minutes. Max. I mean, you can get that show done in 10 minutes. Yeah. Can you pull up right here or I'll come to you. You're walking out of the studio. We'll do it in 10 minutes. It'll get a million plus views. It'll promote your new album.

46:13That is a high ROI as an artist collaborator. For us, it was like, hey, Ed, can you come to our studio in Venice for three and a half hours? That's an aggressive ask. It does make it significant when people choose to do that and that we can go in depth with them. But that ask is really significant. And as you said that, I'm just envisioning a comment on the YouTube upload. From Ed. Top comment, Ed Sheeran. Sure, guys. Oh, man, that'd be dope. I'll be right by. Yeah. Three hours, no problem. I would love to do that. All right, everybody go look at the comments and see if the top comment is Ed. Or just tag Ed.

46:47Is Ed. Okay, there was a comment that I want to address. A lot of people were on your side last week when I said Wawa was a gas station. Dan Martin specifically said, Wawa is much more than a gas station. I'll die on this hill. I will die on that hill with you. Cool. All right, well, thank you so much for listening to this episode of Creator Support. We'll be back next week with an audio only episodes. If you're listening to this on audio, nothing will change for you. If you're here on YouTube with us, check out our audio feed. What if we got like East Coast sponsors and West Coast sponsors? That'd be cool.

47:19Like this side of the table was sponsored by Wawa and that side was like sweet green. Yeah, sure. Sweet green talent. Yeah, air one. Yeah. All right. We'll see you next week.

From the publisher

On this episode of Creator Support, we review the new Dude Perfect app, talk about our interview with YouTube CEO Neal Mohan and answer questions from the audience.
Learn more about Server Shops: https://bit.ly/discordcas
Course waitlist: https://6vztyf11n6j.typeform.com/to/wHyBv4BN
Learn more about your ad choices. Visit megaphone.fm/adchoices

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